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My Youth Romantic Comedy Is Wrong As I Expected, Vol. 11

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By Wataru Watari and Ponkan 8. Released in Japan as “Yahari Ore no Seishun Rabukome wa Machigatte Iru” by Gagaga Bunko. Released in North America by Yen On. Translated by Jennifer Ward.

My Youth Romantic Comedy Is Wrong As I Expected may not be exactly the sort of harem manga Hachiman’s read in manga or novels, but it’s still a romantic comedy in the end. It has most of the major things that these series have – Hachiman may be far more cynical and bitter than the old-school potato harem lead, but he still has two main love interests and several others who easily could also slot into that place, such as Iroha and Saki. What’s more, Hachiman has changed, much to everyone else’s relief and Haruno’s disgust. It’s gotten to the point where, even if he can’t even narrate it out loud, he knows how Yukino and Yui feel about him. Yukino knows he knows. Yui knows he knows. All three know how this is likely going to end. And Yui desperately wants to put it off as long as possible, to keep their strong three-person club bond. But we know what happens to anime characters who say “I wish this time could last forever”.

It’s Valentine’s Day! And, naturally, the Service Club are roped into it. There are several people wanting to give chocolate to Hayama, but he refuses to accept any, so they ask our heroes to come up with a way they (Miura and Iroha, of course) can give him some. They end up sponsoring a “how to make your own homemade chocolate” event at the community center, with several boys, including Hayama, invited along as “taste testers”. This is a sensible plan that does not involve Hachiman throwing himself under a bus, so I approve. Unfortunately, someone invited Haruno, and she is absolutely the wrong person to be here, especially on a day like this. What’s worse, Yukino’s mom shows up again, and makes it pretty clear that hanging out with Hachiman and Yui is going to be coming to an end – very soon. Can Yui manage to hold things together, even to the point of taking Yukino and Hachiman out on a… date a trois?

It’s interesting seeing Haruno and Shizuka getting along fairly well in this book, as they’re both trying to drag Hachiman in different directions. Haruno is the sort of person you see talking to the former assassin/soldier talking about how they’ve gone soft and lost the edge that made them cool. Shizuka is urging Hachiman to try to actually say out loud – if only to himself – everything he’s been avoiding in his head. And, of course, Yui (and, passively, Yukino) doesn’t want to give up the wonderful bond she has with the two of them. The date at the end is achingly bittersweet, especially the ferris wheel ride. But sorry, Yui, you are not in a fantasy world where the kingdom has declared polygamy legal, and this isn’t going to end with Hachiman choosing two girls. That said, if this keeps up Yukino may lose by default – Haruno may not be as evil as she’s playing, but I bet mom is.

So yeah, another book that is happy most of the way through with a bitter end. Fortunately, there are no more .5 volumes before the climax, so we’ll be back next time to see how much more things can fall apart.

Do You Love Your Mom and Her Two-Hit Multi-Target Attacks?, Vol. 9

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By Dachima Inaka and Iida Pochi. Released in Japan as “Tsujo Kogeki ga Zentai Kogeki de Ni-kai Kogeki no Okasan wa Suki desu ka?” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

I can see what this volume was trying to do – well, aside from make an entire volume about Christmas and how it applies to moms and children. Because the main cast are all in their teens (even Porta), we haven’t really had much excuse to delve into the way that moms have to deal with infants and small children, and this volume gives us an excuse to do that. In addition, because Mamako is that sort of mother, we haven’t really gone into what it means to be spoiled or not spoiled in great detail since the (rather comedic) story of Mone and her mother, and combining Masato’s inherent issues, Mone’s unresolved plot and the ongoing travails of Hahako and the Kings is thematically sound. Unfortunately, the need for comedy and fanservice actually serves to turn me a bit against the book this time. I can appreciate the thought behind the plot, but didn’t enjoy reading it.

The main problem with Hahako and the Three Kings is that they’re NPCs literally written to be anti-mom, so changing their minds and accepting Hahako as their parent is well-nigh impossible. Towards that end, Shiraaase and Mamako come up with a Christmas-themed event that will hopefully help things along… especially since a mischievous Shiraaase has made it so Masato and the three Kings are infants. As the events go on, they become toddlers, then young kinds, but unfortunately there’s still a wall that can’t really be broken down between the Kings and Hahako. Unfortunately, the whole situation has to be put on hold when Mone, who’s been quiet and withdrawn through this whole event, suddenly gains a massive hole in her chest that sucks up half the cast. There’s gonna be a whole lotta spoiling going on unless Masato and company can stop it.

There are, I think, two big problems I had with this book. The first is that I’d honestly forgotten about Mone and her “spoil me” tendencies, and so having her as the mini-boss of this volume came somewhat out of left field. The other is that, for once, the parody and humor aspects of Do You Love Your Mom? work against it. There’s a few exceptions – mind-controlled Wise, Mehdi and Porta were amusing, I grant you, as was Shiraaase’s verbal disparaging of Porta’s mother throughout – but everything about Masato as a baby made me want to simply stop reading the series right there and fly to Japan to berate the writer. It’s a small part of the book, only a few pages, but I kept simmering about it through to the end. The books have nudged their way closer to a vaguely serious ending over the ppast few, and this felt like backsliding.

We have two volumes to go, and there’s a hint that the final volumes may be a two-parter, as a “demon lord” who is the final boss is mentioned. (I can guess who this is, but we’ll see.) Those who’ve been reading the series will still want to pick this up, but I was tired reading it.

Accomplishments of the Duke’s Daughter, Vol. 1

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By Reia and Haduki Futaba. Released in Japan as “Koushaku Reijou no Tashinami” by Kadokawa Books. Released in North America by Seven Seas. Translated by Alexander Keller-Nelson.

Seven Seas has been circling back a bit now that light novels actually sell and has picked up a few of the books they chose to only pick up the manga for earlier. The one that interested me most is this title, whose manga I had reviewed the first volume of in 2018. Since it’s come out, we’ve seen a boom in “villainess” works, mostly helped along by My Next Life As a Villainess but with a bit of help from this series as well. Unfortunately, the novel coming out now does sort of give the reader the feeling that they’ve read this all before, even though it was one of the first to pull off this plot. That said, the isekai aspect of it is barely touched on, and it’s clear that it’s more an excuse for the author to write political intrigue and worldbuilding. To be fair to the author, they are very good at that. As is Iris, though she’s helped along by a built-in support system.

An unnamed young woman, after being hit by a car in Japan, wakes up inside an otome game she enjoyed playing. Who she was is unimportant, because unlike other villainess books in this genre, Iris Armelia is still fully in charge here. Unfortunately, she’s about to get thrown out of school after bullying the “heroine”, and then exiled to a nunnery. Iris, whose influx of isekai memories has caused her jealous heart to come to its senses, is having none of that. She goes to negotiate with her father and, after proving that she’s no longer a lovestruck young lady, he puts her in charge of their local fiefdom. And it needs someone like her in charge – the economy is struggling, there’s a huge gap between rich and poor, and even basic needs such as medicine are hard to come by. Can a former villainess manage to turn things around? And introduce chocolate to the masses?

The biggest fault here is the same as I mentioned in my review of the manga – for a villainess, Iris certainly seems to have everyone on her side already. Her behavior towards Yuri is explained away by iris (and, indeed, the narrative) as basically a temporary lapse of reason, as for the most part she’s been a sensible and kind young noble, whose ENTIRE servant group comes from orphans she rescued from dying in the gutter. (Is this where all the other books get it from?) She has a capable butler, a doting and incredibly strong grandfather, and her savvy mother, who is such fun to read about you wish that she’d get a multi-volume prequel written about her past by the same author. (Good news on that front, though it’s not licensed here.) And of course there’s Dean, whose secret identity is not so secret to anybody but Iris, but that’s fine – he’s there to save her from literally working herself to death, and also setting himself up as the one non-problematic love interest in her life. Villainess? She’s loaded with allies, and did not even need to fall and whack her head to get them.

I definitely think this is a must for fans of the manga. That said, I suspect fans of “I’m in charge of a country and must reform the nobility” books, such as Realist Hero, might get more out of this than the standard Villainess reader. I’m definitely picking up more, though.

Manga the Week of 6/2/21

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SEAN: June’s busting manga out all over. Let’s see what’s fallen in front of us.

Airship has two print releases: Adachi and Shimamura 5 and ROLL OVER AND DIE: I Will Fight for an Ordinary Life with My Love and Cursed Sword! 3. They also have an early digital release of I’m in Love with the Villainess 3.

ASH: Oh, that means I still have some time to catch up before it’s released in print!

SEAN: Cross Infinite World has a new novel, Romance of the Imperial Capital Kotogami: A Tale of Living Alongside Spirits (Teito Kotogami Romantan Kinrо̄ Otome to Oshikake Jūsha), about a young woman living as a caretaker to a bunch of handsome yokai. This certainly sounds like a couple of recent Viz shoujo manga titles…

MICHELLE: Definitely conjures some Demon Prince of Momochi House vibes.

ASH: That it does, and thus intrigues me.

SEAN: J-Novel Club has several new digital releases, as we get The Apothecary Diaries 2, Discommunication’s 7th manga volume, Girls Kingdom 3, Marginal Operation’s 7th manga volume, My Instant Death Ability is So Overpowered, No One in This Other World Stands a Chance Against Me! 5, and The World’s Least Interesting Master Swordsman 6.

J-Novel Club also has print titles. We’ll see By the Grace of the Gods 4, How a Realist Hero Rebuilt the Kingdom’s 2nd manga omnibus, In Another World with My Smartphone 16, and Marginal Operation 6.

Kodansha sees the print debut of The Summer of You (Kimi wa Natsu no Naka), a BL story about two teenagers loving to hang out and watch movies, and the love that develops between them. The author is also known for The Two Lions, just licensed by Seven Seas, and about 70 billion Gintama doujinshi.

MICHELLE: I’ve been looking forward to this one!

ASH: I wasn’t previously aware of this series, but now that I am, so am I!

SEAN: Also out in print: Chi’s Sweet Adventures 4, The Heroic Legend of Arslan 14, Hitorijime My Hero 10, Rent-a-Girlfriend 6, Sweat and Soap 6, Wave, Listen to Me! 6, Weathering with You 3 (the final volume), and With a Dog AND a Cat, Every Day is Fun 4.

MICHELLE: I need to catch up on Wave, Listen to Me! and With a Dog AND a Cat, Every Day Is Fun; I enjoyed both a lot for very different reasons.

ASH: I’m definitely here for Wave Listen to Me! . I’ve been meaning to give Sweat and Soap a try, too.

SEAN: Kodansha’s digital debut is Ya Boy Kongming (Papiri Koumei), a shonen title from Comic Days about a Three Kingdoms general reborn into modern Japan.

We also get Chihayafuru 26, Girlfriend Girlfriend 3, GTO Paradise Lost 14, My Dearest Self with Malice Aforethought 5, and With the Sheikh in His Harem 2.

MICHELLE: Insert traditional “yay!” for Chihayafuru.

ANNA: Yay! Also I’m so far behind!

SEAN: Seven Seas debuts The Tale of the Outcasts (Nokemono-tachi no Yoru), which ran in Weekly Shonen Sunday. This tale of a young orphan girl and a beast immortal should appeal to fans of Girl from the Other Side and similar titles.

ASH: Oooh, you have my attention.

SEAN: Seven Seas also has New Game! 11, Peter Grill and the Philosopher’s Time 5, Reincarnated As a Sword 6, and the 15th and final volume of Shomin Sample.

Viz debuts Yakuza Lover (Koi to Dangan – Dangerous Lover), a shoujo title from Cheese! spinoff Premium Cheese!. College girl meets yakuza boy, and despite trying to avoid “bad boys” she’s irresistibly drawn to him. Given it’s Cheese!, I suppose this is more in the “shousei” genre – expect a spicy story.

ANNA: I’m stoked for this and Cheese! spinoffs.

SEAN: There’s also a pile of other Viz. Chainsaw Man 5, Demon Slayer: Kimetsu no Yaiba 22, Dragon Ball Super 13, Jujutsu Kaisen 10, My Hero Academia 28, One-Punch Man 22, Seraph of the End 21, Takane & Hana 17, Twin Star Exorcists 22, Vampire Knight: Memories 6, We Never Learn 16, and Yona of the Dawn 30.

MICHELLE: So much good stuff.

ANNA: Indeed.

ASH: A very good Viz week.

SEAN: Yen On has some May remainder titles that got bumped to June: the 10th Haruhi Suzumiya novel in paperback (it’s actually Books 10 and 11 in one big book), High School Prodigies Have It Easy Even in Another World! 4, Overlord 13, and Strike the Blood 18.

Yen Press likewise has a LOT of “this used to be May” titles. We get As Miss Beelzebub Likes 12 (the final volume), Eniale & Dewiela 3 (also a final volume), Happy Sugar Life 9, If Witch, Then Which? 2, IM: Great Priest Imhotep 9, Love of Kill 2, Monthly Girls’ Nozaki-kun 12, Overlord 13, Shibuya Goldfish 9, Teasing Master Takagi-san 11, The White Cat’s Revenge as Plotted from the Dragon King’s Lap 3, and A Witch’s Love at the End of the World 3 (another final volume).

ASH: Wait, did you say Monthly Girls’ Nozaki-kun?! Hooray!

SEAN: There’s a lot of series in this list I love to bits. What are you getting?

The Demon Sword Master of Excalibur Academy, Vol. 3

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By Yu Shimizu and Asagi Tosaka. Released in Japan as “Seiken Gakuin no Maken Tsukai” by MF Bunko J. Released in North America by Yen On. Translated by Roman Lampert.

It’s always the same, isn’t it? You get a thousand-year-old powerful being with a desire to take over the world resurrected, and all of a sudden the bus arrives with ten more. Still, it keeps you busy. this series continues to feel like someone wrote a Shonen Jump manga and, instead of getting it published in Jump, decided to novelize it. Well, OK, this would fit Shonen Magazine better than Jump, especially given the large number of kickass women who like to take baths with our hero. (It’s OK, he’s 10! Right? It is somewhat odd to see the “she looks 8 years old but she’s really 600” cliche used to justify underage fanservice seen in the opposite direction… again, also to help with fanservice.) Fortunately, aside from said bath scenes, this third volume is much like the first two. It will never be anyone’s favorite, but I’m probably going to be reading the next book in the series. And it is starting to show off its plot, though that relies on Leonis being dim.

We’re briefly back in actual classes at the start of the book, as Riselia and Leonis are doing team battles against a top-standing rival. This mostly serves to show the school that Riselia is not “that girl with no holy Sword” anymore, and she can kick ass and take names. She’s also a vampire queen, but that’s still pretty much a secret. The main plot, however, starts when the Third Assault Garden, Riselia’s birthplace and last seen being totally destroyed by monsters, has now floated back into vision… and there’s a distress signal. As such, our team is sent out to see what’s happened. Will Riselia be OK with digging up her past? Who’s behind the distress signal? Can we really work an elf AND an evil priest into the same book and not smack our foreheads? And gosh, who is Roselia reincarnated as, anyway? It’s a mystery…

Again, this is a good book. The girls are likeable and also take on a majority of the combat. The combat scenes are well done, and the villains are also good at being villains. There are some things I was annoyed by. After a second book where a confrontation I was waiting for didn’t happen, the same thing happens here, as Riselia is definitely set up to have a big showdown… that does not actually occur. Instead, she grabs an ancient book. Secondly, it’s gone from amusing to vexing to really really annoying that Leonis is unable to understand, as everyone else who sees her manages to do, including anyone who might see their two names side by side, that Riselia is Roselia’s reincarnation. One of the villains literally dies of happiness on seeing this, but Leonis remains clinically thick about it. As a running gag, it drives me nuts, especially as I expect it’s only going to be drawn out more. (It has been pointed out to be the two don’t look alike, and OK, I can kind of accept that.)

Still, as with previous volumes, this was good enough to warrant my reading more. If you want a great light novel, look elsewhere. If you want a book for an afternoon’s read on the beach, this would be fine.

Durarara!!SH, Vol. 1

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By Ryohgo Narita and Suzuhito Yasuda. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

It’s been a year and a half since the final volume of Durarara!! dropped in English, and coincidentally that’s also how much time has passed between that book and this sequel. That said, it does not really feel that all THAT much has changed. Some folks have left the city for various reasons, some others have graduated, and we have three new “main characters” to take the place of Mikado, Masaomi and Anri. Of course, “main character” in a Narita work is always a fluid title, and one could argue that this book stars Ikebukuro, in which case nothing has changed. That said, it’s definitely more story than can fit into this book, and the author apologizes for making this a multi-parter right off the bat. There’s a lot of stuff going on. A young man treated as a monster comes to the city to learn how to be human. Another young man is trying his best to be the next Izaya. And a young woman is searching for her missing sisters, both supposedly done away with … by the Headless Rider.

The first three books in the DRRR!! series proper each focused on one of the three high school students, and there’s a sign this sequel may do the same, as Yahiro is definitely the protagonist of this particular book. A young man from Akiba who has spent his life getting attacked and desperately fighting back, to the point where most people consider him to be a complete monster. He hears about Ikebukuro, a place which not only has the Headless Rider but also Shizuo (whose backstory is very similar to Yahiro’s, deliberately so) and decides to go to high school in Tokyo. But finding the Headless Rider is not recommended given the string of disappearances involved with everyone who looks for her. As for Shizuo, well, Yahiro has spent his entire life accidentally beating the crap out of people, so there may be no avoiding it. But who’s gonna win?

As noted, a lot of the “main cast” of the earlier series isn’t here or only shows up later. Shinra and Celty are on a long vacation, Izaya is still AWOL (though he does get a cameo, setting things in motion towards chaos as always), Kadota, Erika and Walker are only mentioned, etc. That said, the new characters blend seamlessly into the cast herd, and there’s so many minor characters in this series that it doesn’t feel like there’s a gaping hole missing. Yahiro is highly likeable in just the sort of way that Mikado never quite managed to be, and Kuon and Himeka also look to have promising, if twisted, stories in the future. It’s clear the city has been in stasis since Izaya left. We see Akane has grown older and is in middle school now, but Shizuo and Tom are still doing the same old thing, as is Simon, as are the Orihara twins and Aoba (he’s still not dating them, mostly as he’s just not into Mairu). Peace is good, but makes for dull storylines. In that sense, I’m grateful to Izaya for siccing Yahiro on the place.

This is a typical DRRR!! multi-parter, in that the cliffhanger ending is fairly mild, but also definitely makes you want to read more. Good news! There are three more books in the series to date. And the next one should be out soon. DRRR!! fans will definitely want to pick this up: it’s like welcoming an old friend back into your life (and then having them destroy your house again).

The Magician Who Rose from Failure: Tales of War and Magic, Vol. 2

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By Hitsuji Gamei and Fushimi Saika. Released in Japan as “Shikkaku Kara Hajimeru Nariagari Madō Shidō! ~ Jumon Kaihatsu Tokidoki Senki ~” by GC Novels. Released in North America by J-Novel Club. Translated by Alexandra Owen-Burns.

As with the first volume in the series, I would describe this book as “solid”. It keeps things interesting, has some fun new characters, balances political intrigue and character development (the first half) with an adventure against villains with lots of fighting (the second half). The protagonist is, of course, a prodigy who is praised by everyone else in the story – need I remind you what genre you are reading? – but he’s still probably the best reason to read this, being mostly sensible but with a core of ludicrousness that pops up whenever he tries to bring in ideas from his Japanese life. Oh yes, and this is still an isekai, but it’s used pretty sparingly, mostly to show why Arcus is a better thinker than the magicians in this world. All that said… as with the first book, solid is all I can give it, and it didn’t really knock my socks off. Magic in This Other World Is Too Far Behind fans are justified in being annoyed.

The book starts off with Arcus’ big invention being shown off to the leading magicians of the Kingdom. We’re briefly shown the group before the presentation, and they’re all stereotypical eccentrics who each have their own agendas and do not get along with others. But the thaumometer blows them all away, to the point where they’d all be fighting to see who gets it first if they didn’t all get one because this was a predictable outcome. After this we jump forward two years and see Arcus as a 12-year-old. The device is still a state secret, but the other kingdoms know something is up, and there are now spies trying to get it at any cost. Arcus joins forces with Orco from He-Man… erm, a mysterious elf, his (ex)-fiancee, his sister, and his “magical partner” to take out the enemy… though he may need help from a passing pirate.

The Arcus generation are all still in their tweens, so romance is not happening yet, but it’s clear that Charlotte likes him and would like to reignite their engagement, and that Sue (who we find out here is the daughter of a duke, though that’s hardly her only secret) is really possessive of him. It’s a love triangle I’d be more invested in if the King had not blithely said he could have two wives as a reward for the magical measuring stick. (Multiple wives getting a bit overdone? Yes.) As for Arcus, he has the fantastic spells, and can sometimes make them devastating (his magic machine gun boggles the mind), but he still lacks the mana to be a powerhouse like his sister (who still adores him). That my change in the future, as he gets a temporary power-up via his elf guide, which implies the same sort of thing could happen again.

In general, the series is better then it’s doing politics and character than battle scenes, which means both volumes so far fall down in the second half. Still, it’s one I’ll be reading more of. As I said, it’s solid.

Kuma Kuma Kuma Bear, Vol. 6

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By Kumanano and 029. Released in Japan by PASH! Books. Released in North America by Seven Seas. Translated by Jan Cash & Vincent Castaneda. Adapted by M.B. Hare.

Towards the start of the Bakemonogatari series, when the protagonist, Koyomi Araragi, meets Tsubasa Hanekawa for the first time he talks about how he doesn’t have any friends as they would “lower my integrity as a human”. This is, of course, the sort of self-assuring bullshit that a lot of lonely teenagers go through, trying to reframe their social ineptness as cool reserve. Eventually, Araragi grows past this sort of attitude. That said, our bear girl Yuna may have a large number of acquaintances from all over the kingdom, but at heart she seems to think much the same thing about having friends, holding herself at a remove from everyone else and telling herself that she’s really a cool, somewhat selfish teenage girl who is not remotely a great hero. Mostly, I think, as she does not want to deal with potentially tragic consequences if she does end up getting closer to others. That said, I don’t think she can keep this up forever. Sometimes you just want to buy your best friend/protege a really cool knife.

As with a lot of books in this series, there are basically two main plotlines. The first has Yuna reluctantly agree to be a bodyguard for Shia and three of her classmates as they go into the woods as part of their classwork. Yuna is only to help them in a dire emergency. That said, once again we are reminded that, to folks who haven’t met her and seen her in action, Yuna is a small girl in a bear costume. (Later in the book, Yuna angrily reminds the other students that she’s the same age as they are – they thought she was much younger.) Needless to say, by the end Yuan wins over the other students AND defeats a hideous tiger monster. Then in the second half of the book Yuna helps Anz, the girl from the seaside city who wants to start her own restaurant, as well as the four young widows who Yuna rescued from the bandits who want to start over in a place with fewer memories.

I mentioned Yuna’s social ineptness above, and it’s never been quite as visible as it is towards the end of the book. The reader may recall that the four assistants Anz has were all raped by bandits and had their families brutally murdered a couple of months earlier. (Remember, cute bear girl series, really. It’s just like K-On!.) They’re there to help Anz with the restaurant, but Yuna decides to also have them help at her orphanage, which she feels is understaffed. One of the young women is CLEARLY distraught over being around children who are presumably the same age as her own children she saw murdered not long ago, but the story is still from Yuna’s POV, and the most we get out of her is a “huh, maybe I should not have done that”. Fortunately, it all works out well, but there is a reason why I keep highlighting the dark bits in this otherwise fluffy light novel series – they’re the most interesting, character-wise.

As the book ends, Yuna is off to battle a cave of endless golems, and we are briefly reminded that this is supposed to be based on a video game. I assume Yuna will win, but… the jagged edges that surround the big pluffy bear girl are why I really enjoy reading this series.

I Swear I Won’t Bother You Again!, Vol. 1

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By Reina Soratani and Haru Harukawa. Released in Japan as “Kondo wa Zettai ni Jama Shimasen!” by Gentosha Comics. Released in North America by Seven Seas. Translated by Kimberly Chan. Adapted by Jennifer Rawlinson.

One of the real joys of reading a large number of novels with the same sort of plot, characters, themes, and plot twists is that when something comes along that is surprising to me, I always enjoy it that much more. Let’s face it, we now have enough “villainess” novels out over here that it’s starting to become old hat. This book is not that, despite featuring many of the same beats you’ve seen before. Our heroine, Violette, is imprisoned after trying to murder her younger stepsister in a fit of rage. She’s filled with regrets and apologies, and swears that if she could only go back to when she and Maryjune were first introduced to each other, she’d do things differently, resolving to never bother her again. And then… she suddenly does return to that day. But she has no memories of a past life, this isn’t an otome game, and she can’t simply avoid conflict. As a result… she falls into depression.

Not to spoil too much about the book, but Violette is not your typical spoiled brat villainess we normally see, but a child of abuse, manipulated by her late mother, who forced her to live as a boy for several years, and then abandoned her when puberty made that impossible. Her father found a mistress he truly loved, and had a child with her, but as for Violette, he can’t stop seeing her mother in her, so is cool and unloving. As for Maryjune, she’s sweet and idealistic, but… she’s naive and VERY idealistic, and was raised as a commoner in a world where you can’t just say “nobility is wrong!” and expect to get away with it. All of this is filtered through Violette’s point of view, and frankly it’s not hard to see why Maryjune’s appearance made her snap. Here, on her second go-round, she just barely holds back, but this does not get rid of the rage, hurt, and loneliness that inhabits most of her being.

While not an “otome game” book per se, the plot certainly resembles that kind of genre, with Maryjune as the “protagonist” to Violette’s villainess. Violette has two allies; her childhood friend Yulan, who adores her but whom she sees as a younger brother type, and Marin, her maid (who was a dying orphan she found on the street as a child… I told you it hit all the standard plot beats), who is sometimes in tears as she sees just what Violette has to deal with every day. Violette tries to avoid the main things that led to her trying to kill Maryjune in her previous timeline, but she’s only gone back in time about a year, so it’s harder to prove that she’s changed. And, above everything else, she’s just so tired ALL the time. She’s resolved to become a nun after graduation, which I doubt will happen, but it does show that far from trying to find a happy life for herself, she’s almost given up from the start.

There’s a manga coming out next month, but I hear that this removes a majority of Violette’s inner monologue (as is common with adaptations), and thus she seems far less depressed and trying desperately to hold everything together. That said, I’m very happy we have this light novel, which shows why the Villainess genre has blown up lately – you can do a lot with it.

Manga the Week of 5/26/21

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SEAN: The end of May brings us a few more books to check out. And by a few I mean a lot.

ASH: So many books! I love it.

SEAN: Airship has an early digital debut (the print is out in July): Accomplishments of the Duke’s Daughter (Koushaku Reijou no Tashinami). We’ve already seen several volumes of the manga over here… in fact, it was one of the first “oh no, I’m reincarnated as a villainess in an otome game” titles seen here. Let’s hope folks won’t think it’s old hat by now.

ASH: While I liked the manga, I think I might enjoy the novels more.

SEAN: Also out early digitally: Classroom of the Elite 8 and Skeleton Knight in Another World 9.

In print, we see the 6th Reincarnated As a Sword.

Ghost Ship has two titles: World’s End Harem Fantasia 4 and Yuuna and the Haunted Hot Springs 14.

J-Novel Club has no debuts, but we do see By the Grace of the Gods 7, Dungeon Busters 2, Holmes of Kyoto 5, Lazy Dungeon Master 14, Monster Tamer 4, and Slayers 8. Note Slayers 8 is the final novel that Tokyopop released back in the day, so from Vol. 9 on it’s new to English.

ASH: Nice! I love seeing these license rescues making progress.

ANNA: Where’s Demon Sacred!!!!???

MICHELLE: And Silver Diamond! Now that we’ve successfully had Rose of Versailles, someone rescuing Silver Diamond is my dearest licensing wish.

SEAN: Well, Slayers is a light novel, which is more J-Novel Club’s ballpark.

Kodansha’s debut in print (and digital) is highly anticipated. Boys Run the Riot is a story about fashion and gender identity, and is a must-read for LGBTQ readers. It originally ran in Weekly Young Magazine, then moved online.

MICHELLE: I’m very excited for this one!

ASH: Absolutely! Me, too! I’ve heard very good things.

ANNA: Sounds good!

MJ: Yes, this!!

SEAN: Also in print: CITY 11, Fairy Tail’s 4th manga box, which has Vol. 34-43, and What Did You Eat Yesterday? 15.

MICHELLE: Also looking forward to this.

ASH: Any week that brings more Fumi Yoshinaga manga is a good week.

MJ: What Ash said.

SEAN: Debuting digitally is Back When You Called Us Devils (Kimi ga Bokura wo Akuma to Yonda Koro), a Magazine Pocket series about a young man who can’t remember six months of his life running into people who certainly do remember it… and say that he was a monster. More psychological thrillers, yay?

ASH: Hmmm, I am intrigued.

SEAN: Also out digitally: Am I Actually the Strongest? 4, And Yet You Are So Sweet 2, Harem Marriage 5, Saint Young Men 11, Those Snow White Notes 5 (yeah, I give up, sorry), What I Love About You 6, and When We’re in Love 8.

MICHELLE: I feel like this is my last chance to catch up on Those Snow White Notes before it completely gets away from me.

SEAN: One Peace has a 5th volume of The New Gate.

Seven Seas has one debut. Bite Maker: The King’s Omega (Bite Maker -Ousama no Omega-). Yes, A/B/O Dynamics is not just an AO3 tag anymore. Our hero is an Alpha, admired and adored by Betas, but seems unsatisfied… till he meets the Omega of his dreams. This is a Shogakukan shoujo title, running in Flowers’ online magazine &Flowers, and its author is known for pushing at boundaries.

MICHELLE: Yeah, no thanks.

ANNA: I will pass on this one.

MJ: “Pushing at boundaries.” Yeah, no.

SEAN: There’s also Berserk of Gluttony 2, GIGANT 5, Miss Kobayashi’s Dragon Maid: Elma’s Office Lady Diary 4, Saint Seiya: Saintia Sho 13, and Species Domain 10.

Square Enix has Cherry Magic! Thirty Years of Virginity Can Make You a Wizard?! 3 and Ragna Crimson 2.

ASH: I’ve been enjoying Cherry Magic!.

SEAN: Tokyopop debuts Like Two Peas in a Pod (Nitamonodoushi no), a BL one-shot from Mag Garden. Two boys in school are very alike – they’re even both named Tanaka! But when both take an interest in the same girl, are they jealous of each other, or of the girl?

And A Gentle Noble’s Vacation Recommendation 3.

Yen On has a debut that’s actually a sequel. Durarara!! SH takes place 18 months after the end of the main series, and features three new protagonists. (The SH stands for Snake Hands. Don’t ask.)

And there is Bungo Stray Dogs 6, Date a Live 2, The Demon Sword Master of Excalibur Academy 3, Do You Love Your Mom and Her Two-Hit Multi-Target Attacks? 9, a paperback reprint of Haruhi Suzumiya 9, My Youth Romantic Comedy Is Wrong As I Expected 11, and Wandering Witch 5.

Yen Press has one debut and one finale. The debut is Hard-Boiled Stories from the Cat Bar (Sake to Namida to Otoko to Nyanko), a one-shot from Kadokawa’s Young Ace Up. If you love dark grimy noir stories, but also love cats, this is the title for you.

MICHELLE: Hm. Maybe!

ASH: I’m looking forward to giving it a try.

ANNA: I’m curious about this.

MJ: Same here!

SEAN: Ending at 18 volumes (and honestly I forgot it was still coming out, it’s digital-only) is Crimson Prince. The author fell ill several years ago, and so 17 (which came out last month) and 18 had a long delay. It was a good shonen supernatural romance.

Any May flowers you’re picking?

Banished from the Hero’s Party, I Decided to Live a Quiet Life in the Countryside, Vol. 3

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By Zappon and Yasumo. Released in Japan as “Shin no Nakama ja Nai to Yuusha no Party wo Oidasaretanode, Henkyou de Slow Life Surukoto ni Shimashita” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Dale DeLucia.

As far as I can tell, this entire volume had one purpose: to make me feel guilty for calling Ruti terrifying over and over in my previous review. I mean, not to say that she still isn’t a bit much – waltzing past deathtraps that would have destroyed anyone else, taking the killer drug from the previous volume and having it only affect her slightly, and of course saving people when she runs across people who need saving… whether she wants to or not. Indeed, even her companion Tisse, who starts off the book sticking with Ruti seemingly because she’s being forced to, suspects that Ruti is going to turn on her beloved pet spider and kill it, which… isn’t actually true. (The spider’s name is Mister Crawly Wawly, which probably says a lot about Tisse, but let’s move past that.) But in the end, what this book is here to remind us is that behind her hero’s blessing, Ruti is a lonely young girl who HATES being the hero.

In fact, the majority of this volume, at least until the cliffhanger ending, is meant to undercut the previous two. After seeing Ruti as the stereotypical “yandere little sister” sort, she finally is told her brother and Rit are together, and… is not all that happy about it, but does not going on any killing sprees whatsoever. She arrives in town trying to get more of the drug that can kill her blessing, though it’s working pretty slowly so far. It *is* working, though – Ruti’s emotional range widens considerably throughout the book, which also helps to sell what she’s been forced to go through. After two volumes where a “slow life” start was followed by dark content and action scenes, this volume gives us slow life right to the end, with lots of Red and Rit being lovey dovey to each other, etc. Unfortunately, there is that ending… the rest of the hero’s party arrive in town.

I suspect the long term goal for Red and Rit might be figuring out a way to get rid of blessings entirely, though they may earn the ire of the church by doing so. They’re SUCH a liability in this world, with folks who are happy with them outnumber4ed in the narrative by folks who are not. Just as Ruti’s shy, introverted side is transformed by the hero blessing into an emotionless behemoth, so Tisse is an assassin because… well, if she doesn’t kill people, bad things will happen to her, so what choice does she have? (She levels up big time in this book as well, thanks mostly to her emotional support Mister Crawly Wawly.) Everyone is starting to question whether free will is an illusion or not, and this is a fantasy world where that questio9n is very much up in the air. That said, as long as Red is on the side of good they should be fine.

This volume was mostly all slow life, but I doubt the next book will be, as it looks like Ares is going to be having a huge fight with Red. Or Ruti. Or both. Till then,l this remains an excellent example of its genre.

Bookshelf Briefs 5/18/21

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Doughnuts Under a Crescent Moon, Vol. 1 | By Shio Usui | Seven Seas – It’s always worth buying a new yuri volume that features two adults, and this one does not disappoint. Hinako is trying her best to live the life that everyone and everything says she should be living, but she’s still pretty unhappy with it. She also finds herself drawn to Asahi, the cool and collected (and scary to the other workers) manager at the place she works, who turns out… to be a lot cuter than she expected. Meanwhile, Asahi’s sister finds out that she’s made friends with another woman and pushes hard for them to bond some more, as Asahi’s life revolves around work and her sister and that’s about it. This has just gotten started, but I really like both heroines and hope they make it work. – Sean Gaffney

Farming Life in Another World, Vol. 2 | By Kinosuke Naito and Yasuyuki Tsurugi | One Peace Books – I may have been a bit too generous with my brief of the first volume. I think the main issue is that the series does not allow our hero to leave the “village” that he has created—he’s considered too valuable, so others act as his envoys. Which is fine, but… the series never leaves his POV, so they just fly off, then come back. I suspect the series is popular with young men because it does not shy away from talking about how he’s having sex with over 50 women… but I wonder what they get out of it, since none of this is ever shown. You’re left with a book heavy on the food and farming but light on adventure or sex, the reason you’d think folks would be reading it. – Sean Gaffney

Kaguya-sama: Love Is War, Vol. 19 | By Aka Akasaka | Viz Media – Again, a book of two halves, and it’s all about the front half, as we resolve the “Hayasaka quits” plotline. It’s very tense and dramatic at times, and I enjoyed seeing Hayasaka briefly fantasize about a more typical romantic comedy resolution to things before being confronted with the sordid reality: Kaguya is upset and feels betrayed. And, well, with good reason. That said, Kaguya clearly understands that Hayasaka was doing this under threat, so they’re able to resolve their past and start over as friends. It’s really nice. The rest of the book is more typical, though we’re definitely setting things up to resolve the Tsubame subplot—is she going to betray Ishigami? Probably not, but I would not expect her to win. – Sean Gaffney

My Hero Academia, Vol. 27 | By Kohei Horikoshi | Viz Media – This marks the start of a very long and very devastating arc, and it’s clear almost from the get-go that it’s not going to go as well as planned. It’s impressively planned too, as the heroes really do try to take everything into account… but the villains are also very, very good at being bad guys. Indeed, the end of this volume revolves around the very question of “can bad guys be redeemed?” and the answer—yes, but you’ll need to do prison time—does not appeal. So the series shows it can kill off regulars, but will it go further? Certainly Mirko facing off against the Nomus involves a painful sacrifice for her, and the students all question whether they should really be there… a question the reader might be wondering as well. – Sean Gaffney

Natsume’s Book of Friends, Vol. 25 | By Yuki Midorikawa | Viz Media – This is down to about once a year now, but I still love it whenever it comes out, whether it’s telling more light-hearted stories, like the one here about a weak yokai hitching a ride out of a dangerous area, or more serious stuff, like the story that takes up the rest of the book, one of the longest arcs to date (and it ends on a cliffhanger), involving Natsume, Natori and Matoba teaming up to take on a nasty customer who seemingly works for an even nastier one who likes to collect yokai-related items. We get lots of (seemingly) identical ceramic cat dolls that look like Nyanko-sensei, some very scary paper dolls, and a real sense of danger on all sides. This feels like the sort of shoujo title you’d read in a horror magazine. – Sean Gaffney

Remina | By Junji Ito | VIZ Media – I’m not exactly a horror manga aficionado, but the premise of Remina intrigued me. Sadly, I ultimately found it strangely unaffecting. When a scientist discovers a new planet and names it after his daughter, she becomes a celebrity. And when said planet swiftly devours the rest of our solar system and heads for Earth, public opinion suddenly shifts as people become convinced that killing Remina the girl will compel Remina the planet to disappear. It’s a neat concept, but nothing lands with any weight. The destruction of the other planets happens so fast, for one thing, and Remina is largely passive (often “rescued” by creeps who then turn on her when she rejects their advances) and frequently expressionless. There are several panels, for example, where if not for dialogue reading “sob sob sob,” I never would’ve known she was crying. For better Ito, I recommend “The Enigma of Amigara Fault.” – Michelle Smith

Sadako at the End of the World | By Koma Natsumi | Yen Press – I’ll have to admit, I’ve never actually read Koji Suzuki’s novel Ring. Even so, I’m still very familiar with the premise of a cursed video tape and the character of Sadako who emerges to kill anyone who watches it—with so many adaptations and references to it in pop culture, Ring is a touchstone of Japanese horror. Sadako at the End of the World is a somewhat unusual but surprisingly effective take on the character and curse. The conceit is that Sadako has been brought forth by two young girls in a post-apocalyptic setting. In their innocence, they don’t recognize Sadako for the vengeful spirit that she is and are instead delighted to finally have someone else around for company. Natsumi takes a humorous approach, but at heart Sadako at the End of the World is a work of horror, even if it can at times be unexpectedly charming and endearing. – Ash Brown

We’re New at This, Vol. 5 | By Ren Kawahara | Kodansha Comics (digital only) – Now that our newly married couple have managed to have their first time, they may like it a bit TOO much—it’s strictly regimented to Friday and Saturday evenings, so that they get enough rest for their jobs. As always, there is a core underneath all the comedic fanservice, which is properly communicating with your partner, and not just assuming you know what they’re thinking. Even Sumika and Ikuma are having trouble with this… the rules have been set, but that doesn’t mean that Sumika doesn’t want her husband noticing when she’s horny and ready to go anyway. This is never going to get very deep, and you’d better be OK with sex and nudity, but it’s still a favorite of mine. – Sean Gaffney

Adachi and Shimamura, Vol. 5

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By Hitoma Iruma and Non. Released in Japan by Dengeki Bunko. Released in North America by Seven Seas. Translated by Molly Lee.

o/~ Come on baby now throw me a right to the chin
Just one sign that could show me that you give a shit
But you just smile politely
And I grow weaker… o/~
–Ben Folds Five, Selfless, Cold and Composed

For a little less than half of this volume of the series, it is a very typical Adachi and Shimamura. Adachi stresses out and worries about what Shimamura is doing/thinking and whether any of it involves her. Shimamura, in contrast, barely thinks of Adachi, instead living her normal life and occasionally attempting to have a real human emotion. Tarumi, her childhood friend with a crush that is obvious to everyone but Shimamura, asks to to a fireworks festival, which she agrees to, though of course her sister and Yashiro come along as well. Adachi is also at this festival, working at a booth for her restaurant, and spots Shimamura and some other girl she doesn’t know in the distance. Oh dear, the reader thinks. Now Adachi is going to stress and stress to herself and avoid Shimamura and do all the other little coping mechanisms that she’s perfected over the last four books. Well, reader, be relieved, that does not happen. Instead, we get what must be one of the most epic meltdowns in the history of light novels.

This happens when Adachi is on the phone with Shimamura, trying not-so-subtly to find out who was that lady Shimamura was with last night. When Shimamura is her usual oblivious self not really listening to anything she’s saying, Adachi proceeds to whine. For one paragraph that goes on for almost six pages. A massive block of text. Everything that she has kept suppressed from the start of the book comes out in one long rant, showing off exactly how obsessed with Shimamura she really is, and also how much she really does feel like a child. Every time you flip a page you think it is almost over, but no, Adachi keeps shouting over the phone, forever. Eventually she runs down into hysterically sobbing Shimamura’s name… and Shimamura’s response is our response as well. “So annoying.” (click).

So, as you can imagine, I was prepared for a second half of DRAMA. This is my own fault, as I forgot a) what series I was reading, and b) what Shimamura is like. Adachi, actually showing some gumption after realizing how much she has fucked up, asks Shimamura out, and Shimamura agrees readily, and seems to have completely forgotten about Adachi’s breakdown the previous day. Actually, this is MORE annoying to Adachi, who would like something a bit more than “indifference”, but well, she fell in love with Shimamura, so she has to take what that means. That said, Shimamura does get something out of this whole debacle: Adachi needs more friends that are not her, to broaden her social life. So she tries to rehabilitate Adachi, who goes along with it for a bit, and they invite Hino and Nagafuji for karaoke, but… meh. It’s not remotely fun for Adachi. Now what?

Adachi comes to a big realization at the end of this book, which she can now admit to herself out loud (at least while no one else she knows is around). Shimamura, on the other hand, while seemingly being the mature, responsible one (something brought up here multiple times by others) continues to make me want to scream until the universe finally ends and then keep screaming after that. I worry that even if Adachi does confess, Shimamura’s reaction will be “well, okay” or something like that. Basically, I suspect these two are going to be in a relationship soon, but neither of them should be. At all. What will Volume 6 bring? Dunno, but I’ll read it, if only to scream more.

Altina the Sword Princess, Vol. 8

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By Yukiya Murasaki and himesuz. Released in Japan as “Haken no Kouki Altina” by Famitsu Bunko. Released in North America digitally by J-Novel Club. Translated by Roy Nukia.

Since this volume was released on the same day as the short story compilation, you end up with two Altina reviews in a row. Fortunately, there’s a lot of ground to cover here, as we pick up right where we left off – with Latrielle having just murdered his dissolute father and consort in a fit of disgust. Naturally, this particular part is covered up, but the fact that the King is dead is absolutely not – meaning not only that Latrielle is going to be the next King, but that Altina is no longer in the line of succession. Admittedly, he’s not quite crowned yet. What’s possibly worse is that the military and the crown are finally forcing Regis to return to the capital to get his promotion and title… and no, Altina has an army, she can’t just tag along. That’s right, we’re breaking the fellowship here, and I have a suspicion it may be for multiple books. That said, those who are fond of the low-flame romantic feels in this book might be pleased.

There are, of course, other things going on besides Altina and Regis liking each other and being unable to convey it properly. Regis’ impact is felt on multiple people, especially Clarisse, who may couch it in the form of teasing but clearly likes Regis a whole lot more than she’s ever going to let on. There’s also the matter of Gilbert, the mercenary that was captured last volume, and trying to negotiate so that he’ll join them rather than simply be executed as everyone expects. Unfortunately, the news of the King’s death makes negotiations fall apart a bit. Gilbert’s three sisters are still at large, although they’re a lot less dangerous on their own. And Bastian and Eliza are returning from Britannia after events in the short story collection, meaning there’s another royal to throw into this chaos. With all this going on, there is also personal defeat – Eric’s injury has injured their hand to the point of being unable to use a sword anymore, and Eric is devastated by this.

Despite all the bad news, there is quite a bit of comedy in this book, mostly stemming from Regis’ inhuman self-deprecation, which has actually become a genuine weakness – praise seems to cause him pain. Given that he’s generally considered by everyone not named Regis to be a brilliant strategist, you can imagine how he holds up when he’s escorted by a gorgeous young woman to return to the capital to get a promotion and a title – he’d rather be doing anything else. Altina is also her usual blockheaded, mildly tsundere self – please do not pull anyone into your boobs when you are wearing armor, kid. I get the feeling she’s gonna miss Regis more than he’s gonna miss her, at least in terms of the war. What’s more, given Latrielle assigning Regis as his aid for the immediate future, their separation may be longer than expected.

The author continues to write both this and How NOT to Summon a Demon Lord at the same time, which if nothing else shows off their ability to write in different styles. For those who like a fun, action-filled fantasy with much less fanservice than the other title, Altina remains a solid bet.

Manga the Week of 5/19/21

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SEAN: As the days get warmer, why not try some manga to cool you off?

Airship debuts a new release, out next week digitally and in print next month. I Swear I Won’t Bother You Again! (Kondo wa Zettai ni Jamashimasen!) features a somewhat familiar plot – a villainess who is in prison for the crimes she has committed ends up in her past self, and is determined to do things right this time. As with many of these stories, I suspect bothering will, in fact, occur.

ASH: Ha!

SEAN: There’s also an early digital for Kuma Kuma Kuma Bear 6.

In print, we debut I Have a Secret, from the author of I Want to Eat Your Pancreas. There’s also the 2nd volume of Trapped in a Dating Sim: The World of Otome Games Is Tough for Mobs.

MICHELLE: I still need to read my digital copy of I Have a Secret. Soon.

ASH: I’ll probably be picking it up in print, myself.

SEAN: Dark Horse has the 3rd and final volume of Danganronpa 2: Goodbye Despair.

J-Novel Club debuts its Pulp imprint, showing us that German novels can be just as bonkers as Japanese ones. The first of these is John Sinclair: Demon Hunter (Geisterjäger John Sinclair). Scotland Yard in the 1970s hunts demons. Imagine The Sweeney but less violent.

ASH: I’m curious to see how this imprint develops!

SEAN: There’s also The Magician Who Rose from Failure 2 and Welcome to Japan, Ms. Elf! 6.

No print debuts for Kodansha, but we do see Blue Period 3, Cells at Work: CODE BLACK 7, Drifting Dragons 8, Fairy Tail: 100 Years Quest 7, Living-Room Matsunaga-san 6, A Sign of Affection 2, Something’s Wrong with Us 6, and Those Not-So-Sweet Boys 2.

MICHELLE: The shoujo titles beckon to me.

ASH: Indeed! I’ve also been enjoying Drifting Dragons.

SEAN: The digital debut is Medalist, a figure skating manga from Kodansha’s Afternoon that is much acclaimed.

MICHELLE: Sports + seinen = yes.

ANNA: Oooh, I’m intrigued.

MJ: I need it.

SEAN: Also digital: Blue Lock 3, A Girl and Her Guard Dog 4, The Honey-Blonde Beauty & Her Vampire 2, Hop Step Sing! 3 (the final volume), We’re New at This 6, and Will it Be the World or Her? 5.

Seven Seas’ debut is the comedy Dungeon Toilet (Isekai no Toire de Dai o Suru), an Akita Shoten title from Young Champion Retsu, and if, like me, you flee in terror when you see the words “Young Champion”, you may have already stopped reading. It’s about a reincarnated kid in search of the perfect toilet in a fantasy world. Laffs no doubt ensue.

ANNA: No thank you!

MJ: Oh no.

SEAN: Also from Seven Seas: Didn’t I Say to Make My Abilities Average in the Next Life?! Everyday Misadventures! 2, How NOT to Summon a Demon Lord 11, The King of Fighters: A New Beginning 5, and Wonder Cat Kyuu-chan 2.

No debuts from Viz, but we do get BEASTARS 12, Hell’s Paradise Jigokuraku 8, Levius/est 8, No Guns Life 10, Urusei Yatsura 10, The Way of the Househusband 5, and Zom 100: Bucket List of the Dead 2.

MICHELLE: I look forward to getting caught up on The Way of the Househusband!

ANNA: I’m actually not behind on that series!

ASH: It’s one of my favorites at the moment.

SEAN: Yen On has been doing so much shuffling of release dates lately that it’s hard to get a handle on what is due out next week, especially as the print and digital dates differ. We should definitely have the 3rd Banished from the Hero’s Party, I Decided to Live a Quiet Life in the Countryside and the 2nd Interspecies Reviewers.

Yen Press has similar release date blues, but definitely debuting next week is I’m the Hero, but the Demon Lord’s Also Me (Boku ga Yuusha de Maou mo Boku de), a title from Media Factory’s Comic Alive, my old nemesis. A young man is approached by a beautiful woman to be the Hero… and another beautiful woman to be the Demon Lord. Turns out it could go either way. Hard to get past that boob-laden cover, though.

Also debuting is Sex Ed 120% (Seikyouiku 120%), which runs on ASCII Mediaworks’ @Vitamin site. This seems to combine comedy and actual sex ed, as a teacher who thinks she can teach sex ed better than the modern sex ed texts tries to teach her class about various subjects. I’ve actually heard this is pretty good.

ASH: Same!

SEAN: Does this list cool you off or warm you up?