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Endo and Kobayashi Live! The Latest on Tsundere Villainess Lieselotte: Disc 1

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By Suzu Enoshima and Eihi. Released in Japan as “Tsundere Akuyaku Reijou Liselotte to Jikkyou no Endo-kun to Kaisetsu no Kobayashi-san” by Kadokawa Books. Released in North America by J-Novel Club. Translated by Mikey N.

It’s interesting to come across a series where the villainess ends up being one of the less interesting parts of it. Don’t get me wrong, it’s fine; it was highly enjoyable seeing Lieselotte stubbornly embarrass her way towards happiness. But once you get her schtick, as the “gods” Endo and Kobayashi point out, there’s not much more still to say, at least not in this volume (the last chapter of the book is another story, and tells me she may play more of a role next time). But I was more interested in the ways that this ordinary villainess story is also somewhat broken. From a heroine who feels like she belongs in Hatoful Boyfriend to a game that seems to be encroaching in the real world. And then there’s Endo and Kobayashi themselves, who manage to also bring an achingly sweet school romcom vibe to the book. This series has a lot of balls in the air, and it’s fascinating for that reason.

You know the drill. There’s this girl. Rich, haughty, princess hair. Badmouths the heroine at every turn. Doomed to be possessed and killed towards the end of the game. Even her fiancé is tired of her… until he hears the “voice of the gods”, explicitly pointing out that everything she’s doing is a classic tsundere move to cover her embarrassment. Suddenly he starts to realize how cute she is. As for the gods themselves, Endo is a high school kid whose athletics injury has left him rudderless, and Kobayashi is the upbeat broadcasting club girl who turned his life around. She’s obsessed with the game that features Lieselotte, and has gotten Endo to play it as well. However… the game seems to have taken on a life of its own. The prince can now hear their spoken commentary on the game. And they’re worried that if they screw up, bad ends will result.

As I said, Fiene is probably the character I enjoyed most in this. In the normal, non-broken game she’s a standard otome game heroine, who gradually gets stronger as the routes go on. Here she’s a broken powerhouse of a girl who can easily beat up terrifying monsters in order to gorge herself, as monsters = food. And once she too figures out Lieselotte’s deal, the two of them are cutie patooties. Meanwhile, Endo and Kobayashi, who have wandered in from another genre, are just as fascinating as their otome game counterparts, and their burgeoning romance, which neither of them dares call attention to, is adorable. That said, running into what appears to be a character from the game in real life puts a damper on their first date, and you get the sense that things are about to get even more bizarre. I suspect that the Witch trying to possess Lieselotte and the God (actual God, not high school teens gods) wandering around their world will up the stakes a bit.

This is not the sort of premise that you can extend out to multiple books, so it’s a good thing that the series is only two volumes long. It’s a good one to read even if you’re not really an otome game villainess fan.

Anime NYC 2021, Day Two

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If the first day was defined by the lines outside, the 2nd day was defined by the lines INSIDE. My schedule for the day had to be adjusted a bit as it became clear that if you wanted to go to a panel, you’d better line up early. The afternoon was filled with staffers screaming “The Fate panel is full!”. Despite this, I was able to attend four excellent panels, and will regale you all with my experiences.

We start off with Yen Press, who had quite a few announcements, which I suspect are May and June 2022-ish. The Geek Ex-Hitman is a Shonen Ace Plus title about a sinister hitman who sees a cute anime figurine and decides to just abandon his entire life and move to Japan to get more. It was described as along the lines of The Way of the Househusband. The Other World’s Economy Depends on the Bean Counter (Isekai no Sata wa Shachiku Shidai) is from Enterbrain’s B’s Log Comic, and combines Isekai with BL. Nights with a Cat (Yoru wa Neko to Issho) is a Comic Walker title that is exactly what it sounds – cat manga. These are the sort of sketchy biographical titles you used to see at the back of seinen magazines but you know they’d never get licensed. Now they are.

After some giveaways, we got the manga version of Chitose-kun Is in the Ramune Bottle (Chitose-kun wa Ramune Bin no Naka), whose light novel has been announced by Yen On already (and will have a digital release as well, I checked). It runs in Square enix’s Manga Up!. Hi, I’m a Witch and My Crush Wants Me to Make a Love Potion (Doumo, Suki na Hito ni Horegusuri o Irai Sareta Majo desu) comes from Kadokawa’s Flos Comic and will be familiar to Cross Infinite World fans, as they’ve been putting out the novels. See You Tomorrow at the Food Court (Food Court de, Mata Ashita) is a 1-volume title from Comic Newtype about two unlikely friends who meet up every day to eat. This one interested me the most of the manga announced. And because its spinoffs are almost as endless as Cells at Work, we get Magia Record: Puella Magi Madoka☆Magica Gaiden: Another Story. It’s a spinoff.

Light novels! There were… well, let’s call it 2 1/2 announcements. The Bride of Demise (Shuuen no Hanayome) is a dark fantasy from the creator of Torture Princess, a series I find compelling if depressing. Sasaki and Pi-chan (Sasaki to Pi-chan: Isekai de Slow Life o Tanoshi Mou Toshitara, Gendai de Inou Battle ni Makikomareta Ken – Mahou Shoujo Up o Hajimeta You Desu) has a subtitle from hell but looks quite interesting, about a pet bird who turns out to be from another world and the business of selling isekai’d stuff with the salaryman who owns him. An the reason I said 2 1/2 announcements is the third is that No Game No Life 11 will be coming out over here in chapter installments! The prologue hits digitally November 25th.

The next panel was Dark Horse Comics. They didn’t have any new manga announcements, but did have a fun panel where they reminded everyone how old the company is and how far manga has come since the late 1980s. I remember buying some of those 32-page floppy manga comics, and wish You’re Under Arrest could come back out, despite the bad art at the start. They also mentioned the fact that Japan, of course, imports Western Comics and translates them to Japanese. Adam Warren’s versions of Bubblegum Crisis and Dirty Pair can be seen in stores there translated. They also talked about artists who are well known for Western comics but are clearly manga-inspired, like Wendy Pini with Elfquest.

Speaking of the blend of east and west, Shigeru Mizuki was a huge fan of Hellboy, and wrote blurbs for its Japanese release. And of course Monkey Punch’s Lupin III is famously influenced by the Mad Magazine work of Mort Drucker and Sergio Aragones. And the creator of Panty and Stocking with Garterbelt does doujinshi for Umbrella Academy, which sounds hella cool, not gonna lie. There were a few announcements that were at least new to me. Yoshitaka Amano has two new artbooks that recently came out, and this also led to a discussion of the Vampire Hinter D omnibuses also being released. Good for fans of that author. They are also quite happy with Keep Your Hands Off Eizouken!, and the third volume is out next month.

After that I was supposed to meet up with Erica Friedman for a late lunch, but Zack Davisson got to her first, so instead I went to the Localization panel, which also had Carl Horn, Mari Moromoto, and Lynzee Loveridge. In other words, an all-star lineup. It was a very good panel, and the audience actually managed to be engaged and polite about it, which if nothing else shows you the panel did not happen on Twitter. Indeed, Twitter harassment of translators was mentioned at the panel, with Caleb Cook’s being a particularly painful example. The panel had a lot to talk about, but I think what came up most often is that a lot of “correct/wrong” answers depend on the material, the publisher, and the editor. Sometimes end notes are frowned upon, sometimes they’re beloved.

Erica mentioned that the ideal localization for her should be a seamless reading experience. The goal is not to see the mechanics of translation under the hood. There’s also slang – Zack avoids it, but it’s usually there in the Japanese, and Mari uses it. It can date a title, but it also means that the words don’t just lie flat on the page. Naturally, Squid Game also came up, and the kerfuffle over what turned out to be closed-captioning titles. Sometimes it’s not even something the translators can help, as they get overruled by editors, Japanese creators, etc. (I remember how ADV, way back in the day, had to fight tooth and nail to not make Ryo “Joe” Saeba in the City Hunter anime.)

We also got a reminder that Japan can see things differently than we do here. When Scarlet Johannsen was cast in Ghost in the Shell, there was a lot of pushback here. Meanwhile, Japan was like “OMG TOP HOLLYWOOD STAR!!!”. They’re far less stressed in Japan about things that we here in North America freak out over. Mostly as fans still tend to prefer titles be translated as “literally” as possible, usually meaning “I Like ‘Em Big and Stilted” (with apologies to Julie Brown). It was an excellent panel that I am happy I attended, and afterwards I was about to pass out, so I had a very late lunch and then decompressed for an hour or two. This con has 50K people, and even extroverts can get overwhelmed by it.

The last panel I did before I gave in and went back to the hotel (sorry, Manga Magazines panel, I am not 23 anymore) was J-Novel Club, with Sam Pinansky and Kristi Fernandez giving us 10 new titles – all light novels. We started off with Housekeeping Mage from Another World: Making Your Adventures Feel Like Home (Kasei Madoushi no Isekai Seikatsu: Boukenchuu no Kasei Fugyou Uketamawarimasu!), a J-Novel Heart title about an isekai’d woman (though that rapidly becomes unimportant, a with a lot of isekai titles where they clearly want to write fantasy but know what sells) and the adventurer who loves her.

Fantasy Inbound is a title that may have a lot of hardcore fans saying “but what about Campione!?, as it’s by the same author. It’s a story where the isekai comes to OUR world… and things do not go well. After the apocalypse, can a student survivor and an elf girl try to salvage something? Prison Life Is Easy for a Villainess (Konyaku Haki kara Hajimaru Akuyaku Reijou no Kangoku Slow Life) is a short two-volume series where the villainess happily accepts her ex throwing her in prison… because she STILL has all the power. I’ve actually recommended this as a license request, it’s supposed to be hilarious.

To Another World… with Land Mines! (Isekai Teni, Jirai Tsuki) has a class transported to another world and all getting cool powers, but our hero seems to be one of the few people taking it seriously as a real-life (and possible death) matter. Forget Being the Villainess, I Want to Be an Adventurer! (Tensei Reijou wa Boukensha wo Kokorozasu) is what it sounds like a villainess title where the heroine tries to avoid her fate by doing something else. My Stepmom’s Daughter Is My Ex: Why Can’t We Move On? (Mamahaha no Tsurego ga Motokano datta) is a high school romance… well, ex-romance about a middle-school couple who broke up but are now siblings.

Magic Knight of the Old Ways (Furuki Okite No Mahou Kishi) is similar to Fantasy Unbound, as fans will say “But what about Akashic Records of Bastard Magical Instructor?”. Indeed, they may be doubly annoyed as this seems to have a similar premise of magic knights teaches a group of students. Saint? No, I’m Just a Passing Beast Tamer! (Seijo-sama? Iie, Toorisugari no Mamonotsukai desu!) is a series about a chosen one who decides she’d much rather pet furry animals, from the creator of Woof Woof Story: I Told You to Turn Me Into a Pampered Pooch, Not Fenrir!.

My Quiet Blacksmith Life in Another World (Kajiya de Hajimeru Isekai Slow Life) is a slowlife isekai about a guy who (no surprise) finds out he’s super powerful, and also that the cat he asked for is a catgirl. Like most slow life titles, the goal is to keep having it and not get dragged back in. The most surprising announcement (well, almost) came next, with When Supernatural Battles Became Commonplace (Inou-Battle wa Nichijou-kei no Naka de), an older LN series from the writer of Are You Okay With a Slightly Older Girlfriend? and the artist for The Devil Is a Part-Timer!. What if you got super-awesome powers to help save the world… and nothing happened and you’re still going to school like normal?

Finally, the surprise announcement came via a very familiar voice. We’re getting Slayers in audiobook form, read by the legendary Lisa Ortiz herself! I’m interested in seeing how this goes, as I think Lina in the anime and Lina in the light novel are two very different beasts. In any case, it was a very fun panel but I was wiped, so I went back to the hotel to… well, type this all up. But I am going to go get a late supper now, I promise! And there’s still SUNDAY, SUNDAY, SUNDAY! Though give the lines from today, I think I will limit myself to two panels.

Anime NYC 2021, Day One

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So first of all, in regards to what everyone’s talking about, I can’t speak for the line problem. I arrived at 10am via the press entrance with no issues, but I talked with other press folks who arrived later who were in line forever. So I’ll let them go into details. My own start of the con was relatively sedate. At 10am the place was almost deserted. I found out why later. Plus my first panel wasn’t till 3:15. So I leisurely sat, read manga, read books, ate lunch, and visited a show floor that was absent a lot of the usual suspects. Viz is entirely absent this year. Kodansha has a panel and an Attack on Titan art exhibit, but no booth. The manga contingent consisted of Yen press, J-Novel Club, and Denpa Books.

Speaking of Denpa, they had my fist panel. First of all, the biggest news: Ed Chavez was audible through the entire panel. Anyone who has seen Ed’s prior panels knows what a big deal this is. As for the panel itself, a lot of it was titles that Denpa has already discussed, either in previous con announcements or in tweets. The combination of COVID-19 delays and printing issues owing to the sudden explosion of manga popularity means that getting books to the printers takes forever. A few of the slides Ed had gave Summer 2021 release dates, which isn’t true. That said, he has had a lot of new titles go to the printers recently, so 2022 looks far more promising on the Denpa front.

A big surprise to me, and showing that my own tastes do not necessarily match that of the average manga buyer, was hearing what Denpa’s big sellers were. For all that folks mocked Gambling Apocalypse Kaiji’s delays of Vols. 1-3, now that they’re out they’re selling very well. Also selling well is Pleasure and Corruption, the high school bondage and discipline manga. The Girl with the Sanpaku Eyes also has its 3rd volume out soon, and is also selling well. There were also two special editions of Shūzō Oshimi titles at Denpa’s exhibitor table – they have a very good working relationship with the author.

“Old” new announcements included Baby Bear’s Bakery, an adorable-looking series about, well, a baby bear running a bakery. March 2022 for that. The Man Who Created Gundam, a nonfiction-ish manga with real people in it, is trapped in clearance hell at Sunrise. Hopefully soon. Guyabano Holiday should now be Fall 2022, and we also saw updates on yuri vampire series Vampeerz and comedic action series Under Ninja. We then got “new” announcements, though we knew most of these from tweets the last few months. They Were 11, which will have an oversize trim, posters, and color pages, and will also feature the “extra” chapters never published in English before. They’re looking at Winter 2022. Mobile Suit Gundam: Char’s Counterattack: Beltorchika’s Children has Char abandoning Gundams for the life of a Broadway stage actor. Possibly.

March Comes in Like a Lion got a big reaction from the audience, though Ed is worried about the title. The author has had failures here before, and the shogi essays make it hard to find a translator. Renjoh Desperado is a comedy action manga about a woman searching for love and her fanservice to the manga reader that will hopefully help that search go well. And we heard about two new artbooks. Black Tights WIDE has 48 different illustrators give their interpretation of thighs and stockings. And The Art of Jun – TabeGirl is about girls eating. And looking good while doing it.

Ed then talked about Denpa’s books on the KUMA boy’s love label. They have not released much on that label yet, but that will change next year, they plan to do a lot more. You Are My Happiness is out soon (it was at Denpa’s table) and is by the author of Melting Lover, also from KUMA. Boys of the Dead is (groan) “Zom-BL”. The Song of Yoru & Asa is a band BL series that’s edgy but also has great character development. Sick is a series about a college student who likes to bully… erm, tease the boy he likes. And Canis – Dear Hatter is a sequel to the Canis title KUMA did earlier.

Lastly, they had a license from the FAKKU imprint that definitely surprised me, as I recall when it was coming out ages ago. Nana & Kaoru ran in Hakusensha’s Young Animal, and typified the magazine in many ways. A series about a virgin with an S&M fetish and the twisted relationship he has with the girl who discovers this, it’s a great example of a title that is almost explicitly porn without actually being porn. It’s 18 volumes long, and will be released in 3-volume omnibuses. Eds Q&A included a more extensive discussion of the supply chain issues going on right now, what made them decide to license a title like Kaiji, how how they look at licenses in general – per Ed, do not expect an isekai from them ever.

After this I bummed around and got more tea till it was time for my next panel, Inside the Manga Industry. This featured five experts in the field: Mark De Vera, sales & marketing with Yen Press (and formerly Viz Media); Jani Olove, translator and editor with Kodansha; Julian Robinson, designer with Viz Media; Nikolas Draper-Ivey, artist on DC Comics’ Static and heavily manga-influenced; and independent artist Koyuki Panda, also heavily anime and manga influenced. They introduced themselves and then noted most of the panel would be a Q&A; audience asks questions, they give advice. Things got off to a bang up start with the first question, which was “what advice would you give your younger self”?

More than one person said “don’t go to art school”, which ended up occupying a lot of the panel as it turns out that several folks in the room are art school students. It was generally agreed that if you need to learn the fundamentals of the craft, it’s a good place to be, but in general a lot of the art schools tend to frown on heading in a manga/anime direction and they also don’t focus nearly as much on the business end of things as they should. This led to the other running theme of the panel, which was learning about business and knowing how contracts worked. Everyone recommended supplementing art school with business classes. Everyone also agreed another good piece of advice is “don’t give up”.

Marketing your work was discussed, and it was mentioned that even established companies can have difficulty using marketing as a tool. Trust in your own likes, and (admittedly) it helps to like things that are not just Shonen Jump – even if Koyuki Panda admitted that she was a huge fan of “the big three” back in the day. It’s mentioned that things are very different now than they were 10 years ago – there’s a lot more breadth to what’s coming out in manga publishing. In fact, when a trans woman asked if there were specific titles available, the panel was able to easily recommend Boys Run the Riot, an excellent choice. Hopefully the boom market will also mean more opportunity for manga-influenced artists in the future – publishers like Oni, Image and Viz were mentioned as being open to this sort of thing, and a non-Japanese title, Radiant, was namechecked.

The panel ended with the wonderful news that they would meet up at Koyuki Panda’s booth in Artist’s Alley and answer the questions from the people they didn’t have time to get to, which was great to hear, and the panel was interesting and inspiring all round. This ended my Friday, as I grabbed dinner and returned to the hotel. Tomorrow will be much busier, and hopefully will have less line.

The Ideal Sponger Life, Vol. 5

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By Tsunehiko Watanabe and Jyuu Ayakura. Released in Japan as “Risou no Himo Seikatsu” by Hero Bunko. Released in North America by J-Novel Club. Translated by MPT.

As promised at the end of my last review, this volume does NOT have Aura on the cover, choosing instead to focus on the newest arrival to the cast. A boat shows up containing a Northern princess-cum-captain and her crew/bodyguards. They need help getting their ship repaired… a ship whose technological advances are far beyond Capua’s own. As a result, Aura is very happy to have their shipwrights help to repair the ship, and also learn valuable things along the way. Unfortunately, she can’t go to the coast to greet them, so Zenjirou is sent – supposedly as a figurehead, but once again the book is taking its title and crumpling it into a little ball. That said, he’s got this in hand, and is getting along with the foreign princess. Everything would be great were it not for the pesky raptors from the previous volume, who have gotten away from the soldiers sent to kill them and are now laying waste to the coastal town. Can Zenjirou find a politically adept solution?

I’ve said before that this series is for those who love political wrangling, but it leaves a bit to be desired for folks of the other potential things that it promised. The romance between Zenjirou and Aura is still fine, but we don’t see any of their bedroom antics here, mostly as Aura is back at the capital most of the book. Likewise, the fights with the raptors are pretty good, but it’s clear the author doesn’t really excel in battle – some of the best parts of the battle are showing off Zenjirou’s plan to disguise their scent in order to throw the raptors off their trail. The best parts of the fight scenes come from Princess Freya’s bodyguard Skaji, who can kick a spear hard enough to pierce the head of a sea dragon, and therefore is completely badass. As for Freya, she’s more of the tactician of the group, seeing faster than the others that Zenjirou is both smarter than he looks and also more in charge than it would appear.

The highlight of the book is seeing him try to get out of the political disaster that Aura accidentally set upon him. After sending a message to her that seemingly described the situation without requesting help, she sent help anyway, meaning that he has to thread a needle as to who gets to be in charge of the battle and who gets the glory without pissing off too many factions. His solution is adept, but also unfortunately makes it so that he himself also gets a lot of the attention, something they’re also trying to avoid. Aura is quick to praise his solution… if it weren’t for the fact that it put him in danger, so she makes him promise never to do it again. (Spoiler: he’ll probably do it again.)

The raptors seem to finally be taken care of, leading to the start of a new arc in the next book. We do seem to have an excess of foreign nobility in Capua, though, so it’s not clear who will get the focus… oh wait, the cover to Vol. 6 has Freya on it, showing off her booty to the reader. No doubt we will continue to focus on her. In any event, this is still a good read if you like political wrangling.

Manga the Week of 11/24/21

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SEAN: No time to lose! What manga is out next week?

ASH: Only a few titles, I’m sure.

SEAN: Yen On has one title, a debut. Orc Eroica is a new light novel series about an orc who, after doing nothing but fight and win battles for years, finally realizes he’s still a virgin! He needs to find a wife and lose his V-card! I’ve been told this is much better than it sounds, which frankly would not be hard to achieve given the bar is lying on the ground.

MICHELLE: Hee (at the bar, not the concept).

MJ: I guess, on the upside, virgin orc shenanigans are a unique, new niche?

SEAN: Yen Press debuts two new manga titles. The Eminence in Shadow (Kage no Jitsuryokusha ni Naritakute) is an adaptation of the light novel and runs in Comp Ace. It’s not as good as I think fans think it is, but it’s still fun.

And it’s back. Puella Magi Madoka Magica: Wraith Arc (Mahou Shoujo Madoka Magica – Majuu Hen) is a spinoff, this time in the original continuity, which takes place between the TV series and the movie.

Yen Press also has the third and final volume of After School Bitchcraft, Bungo Stray Dogs: Beast 2, the third and final volume of ID:Invaded #Brake-Broken, Love of Kill 5, Mieruko-chan 4, Please Put Them On, Takamine-san 2, and Trinity Seven 24.

ASH: I’ve been meaning to give Mieruko-chan a try—better get on that before I get too far behind!

SEAN: Square Enix gives us I Think Our Son Is Gay 2 and The Strongest Sage with the Weakest Crest 6.

MICHELLE: Hooray for the former. Not that I ever managed to read volume one.

ASH: The first volume of I Think Our Son Is Gay was truly wonderful.

ANNA: This makes me want to check it out!

MJ: Ah! Looking forward to another volume of I Think Our Son Is Gay!

SEAN: Two debuts from Seven Seas. My Lovey-Dovey Wife is a Stone Cold Killer (Haikei… Koroshiya-san to Kekkon Shimashita) is a Comic Cune title about a killer assassin who also happens to be a loving wife. The emphasis is on the comedy here.

ASH: Are assassins the new trend? I think assassins may be the new trend.

ANNA: I enjoy assassins!

SEAN: The other debut, complete in one volume, is Restart After Coming Back Home (Restart wa Tadaima no Ato de), a BL title about a man forced to move back home after losing his job, and how he meets another young man who was adopted by the community while he was away.

MICHELLE: I’m very much looking forward to this one!

ASH: Oh! I do like the sound of this one.

ANNA: Me too.

MJ: Here for it!

SEAN: Seven Seas also has Chillin’ in Another World with Level 2 Super Cheat Powers 2, Dungeon Toilet 2, the 16th and final volume of Magical Girl Site (did it kill them all off at last?), The Masterful Cat Is Depressed Again Today 2, My Androgynous Boyfriend 3, My Next Life as a Villainess: All Routes Lead to Doom! 6, My Room Is a Dungeon Rest Stop 5, the 4th and final volume of Nicola Traveling Around the Demons’ World, School Zone Girls 3, and Skip and Loafer 2.

ASH: Lots of interesting things in that mix, but Nicola Traveling Around the Demons’ World is the one that has most of my attention.

ANNA: I have the first two volumes on my to read pile.

SEAN: Kodansha has a treat for anyone who didn’t get Vertical’s original release: nichijou 15th anniversary box set! (Capitalization deliberate.)

Kodansha, in print, gives us Beauty and the Beast of Paradise Lost 2, Cardcaptor Sakura Collector’s Edition 9, Interviews with Monster Girls 9, Living-Room Matsunaga-san 8, That Time I Got Reincarnated as a Slime: Trinity in Tempest 4, and What Did You Eat Yesterday? 17.

MICHELLE: Insert obligatory What Did You Eat Yesterday? squee.

ASH: Indeed!

MJ: Same.

SEAN: Digitally we have three debuts. His Extra-Large, Ever-So-Lovely… (Itoshi no XL Size) is a BL title from Ichijinsha’s Gateau about two men who meet at a college club. One confesses to the other that he’s still a virgin because his dick is simply too big. Well, we’ll soon see about that! (No, I’m not making this up. Is AO3 outsourcing to manga creators now?)

MICHELLE: …

MJ: Is he an ORC, though?

SEAN: Also on the BL tip (and also in Gateau) is Sugar Dog Life, about a short baby-faced guy and the tall manly police officer he meets.

MICHELLE: Okay, this is more my speed.

SEAN: The final debut is With You and the Rain (Ame to Kimi to), about a girl who adopts a…dog? Sure, we’ll go with dog. Not a tanuki at all. This runs in Young Magazine.

MJ: There are a lot of tanuki in the game I’m playing, which makes me interested in this for no good reason.

SEAN: We also get Back When You Called Us Devils 7, Chihiro-kun Only Has Eyes for Me 4, Harem Marriage 11, and Saint Cecilia and Pastor Lawrence 6.

It’s a small week for J-Novel Club, as we see My Daughter Left the Nest and Returned an S-Rank Adventurer 2, Record of Wortenia War 13, and Slayers 11.

Lastly, Airship has several print titles. We see Drugstore in Another World 3, Reborn as a Space Mercenary 2, Reincarnated As a Dragon Hatchling 2, and The Saint’s Magic Power Is Omnipotent 4.

And in early digital we get Mushoku Tensei 14 and The Saint’s Magic Power Is Omnipotent 5.

What are you going to get? Speak now or forever hold your peace.

Invaders of the Rokujouma!?, Vol. 38

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By Takehaya and Poco. Released in Japan as “Rokujouma no Shinryakusha!?” by HJ Bunko. Released in North America digitally by J-Novel Club. Translated by Warnis.

It can be hard to thread the needle when you’re writing a story that actually *is* being published in light novel form first, as opposed to the usual these days, where a publisher picks up a series published originally on the web. The author admits that, after getting past the ‘we’ll end this in three books’ and ‘we’ll end this in 7-8 books’ hump and getting to the proper ending with Books 28 & 29… they STILL did not have the room to tell everything they wanted to tell. Which is why, even though it’s a 2-volume arc, those books felt a bit rushed. With this book, and its reveal about who their new Big Bad is, we get to go back and tackle the plot-related bits of the ending that were sacrificed for the greater theme. And we get to do that in a way that Rokujouma has become very accustomed to lately… though massive battles. This time in space, as after dealing with villains with fatal flaws up the wazoo for a while, Koutarou and company finally have to take on smart bad guys.

This book starts off with plot and does not really let go of it – any fluffy moments are now pretty much reserved for the short story volumes. Our three magical girls, out on patrol, come back with a surprise… Sanae! But it’s not Sanae-chan, our lovable ghost, or even Sanae-san, the shy but spiritually powerful human. It’s a Sanae from an alternate world… one where things went very badly. The Grey Knight, their mysterious new enemy, has progressively spirited away or killed off a good deal of the cast, and so they sent Sanae to a different dimension to try to warn our heroes about him (and get help if she can). This leads to the back half of the book, which is a battle between our heroes on one side and Ralgwin, the Grey Knight, and the mage Grevanas, back from the dead and experimenting with modern technology. What is the shocking secret identity of the Grey Knight?

…OK, it’s not that shocking. Given Koutarou has spent 30-odd books gallivanting around as the BLUE Knight, and that we have a Sanae from an alternate universe now, the identity of the Grey Knight is actually pretty easy to guess. I did enjoy seeing alternate Sanae, who is exactly what you’d expect her to be: a mature Sanae who is at peace with the fact that she had to fuse her two “selves” together but is still “Sanae” at heart. There is also some amusing romantic progression… amusing because, as you’d expect, it’s unconscious, with Koutarou saying that he hasn’t married Theia “yet”, a definite step up from the previous “we’re not getting married” denials. The dam is starting to crack.

The book ends by implying we’ll be returning to Forthothe soon, and catching up with our team of former evil magical girls, who now work for the Crown. But yeah, I suspect this alternate universe will play out over the next few volumes, though I’m sure we’ll get short story ones as well. Rokujouma may meander a bit these days, but it’s still worth reading.

Re: ZERO ~Starting Life in Another World~, Vol. 17

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By Tappei Nagatsuki and Shinichirou Otsuka. Released in Japan by MF Bunko J. Released in North America by Yen On. Translated by Jeremiah Borque.

Well, we knew this was going to happen. Given that the previous book had, with the exception of the final scenes, been a delightful and mostly lighthearted volume showing off the entire main cast, it is no surprise to see that in this next volume, Everything is Terrible. This is not to say that Subaru is doing dumb things out of stubbornness – we’re long past that stage. Heck, he can even participate in battles now, wielding a whip he received training in (I suspect this training was in another unlicensed short story, ah well). But yeah, by the end of this book we have a ton of corpses, an even bigger ton of transformed monstrosities, and even those who are not dead or turned into something else tend to have wounds that constantly bleed and the like. If your idea of a fun Re: Zero book is seeing terrible people doing bad things to good people, well, good news! That said, there’s also a bit of non-violence here that’s fun to read.

When we left off, Subaru was having to deal with the shortest “return by death” he’s ever had to experience – he has fifteen minutes to figure out and fix things. Needless to say, this leads to quite a few Subaru deaths in the first quarter of the book, and he’s not alone. He tries solving the problem himself – he fails. He tries getting Reinhard to solve the problem – this fails. He tries asking Beatrice for help – this actually succeeds, but it doesn’t mean things so well, as we have not one, not two, but THREE Witch Cultists to deal with. Now Emilia is missing, Beatrice is in a coma, Subaru is heavily wounded, and a number of the cast are absent. Oh yes, and Capella, the Witch Cultist who has control of City Hall, says to get her “the Witch’s Bones” or the city is doomed. There is, as always, too much on Subaru’s plate.

I was at first vaguely annoyed when, halfway through the book, the focus shifted away from Subaru and focused on Garfiel. Don’t get me wrong, Garf is a fine supporting character, but given everything else that was going on I did not feel in the mood for “I’m not the strongest in the land woe is me”. And indeed we get that to start, but things quickly become FAR more interesting after Garfiel rescues some children from a potential boating accident. When returning him to their family, he runs into someone whose existence is impossible and yet is also the thing he wants more than anything in the world… but he just can’t actually reach out and take it, because, well, circumstances. Honestly, it’s really refreshing to see something that devastates a character that is a POSITIVE thing, and I really hope that this goes somewhere in future volumes.

As the book ends, everything is even more terrible than it was in the last book, as we deal with the worst of all possible enemies: an arrogant incel who only cares if girls are virgins. Hope he dies! Till then, enjoy the suffering that is this series’ bread and butter.

Bookshelf Briefs 11/14/21

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Dead Dead Demon’s Dededede Destruction, Vol. 10 | By Inio Asano | Viz Media – The end of this volume states in big, bold letters that there’s twelve hours till the end of humanity, and nothing we see in this volume contradicts that at all. Even seeming antagonists like TV reporters in it for the ratings come to tragic, heartfelt ends here. The plot is expanding so much, in fact, that it’s hard to keep it focused entirely on our main cast, though Oran continues to essentially take over the heroine title from Kadode. It makes sense that the teens all have a final day on the beach with fireworks at the end… this is it, there’s no magic wand. That said, the series goes on hiatus at the drop of a hat, so the final end may be a bit. Still worth reading. – Sean Gaffney

If You Could See Love, Vol. 1 | By Teren Mikami and Yuuki Nanaji | Yen Press (digital only) – A good gimmick is always good when you’re starting a manga. This series stars Mei, who can see little pink arrows (they’re colored throughout the entire volume, which is probably why this is digital only) showing who people love. After a disastrous middle school life where she tried to use this power to help others and just ended up hated, she is now at an all-girls’ school… but now two girls are in love with HER. This works well because Mei has a lot to her backstory that makes her more than a standard romance protagonist. She was ill a lot as a child and also has bad experiences with love, meaning she can see love but can’t read it very well. Looking forward to more of this. – Sean Gaffney

Kageki Shojo!!, Vol. 2 | By Kumiko Saiki | Seven Seas – After the cliffhanger from the last volume, this one takes place mostly over break, where Sarasa invites Ai to come home with her and meet her family and friends… and also find out, obliquely, why she is who she is. The answer, unsurprisingly, is in kabuki, which Sarasa is fantastic at but which is an all-male profession, despite her being drafted in as a young child to fill in in the chorus. It also shows why she’s struggling with her acting in the troupe—kabuki depends on precise imitation of someone else, whereas the acting required where she is now requires a new interpretation for each actress. Given Sarasa’s drive and innate talent, I think she’ll pick it up fast. This is excellent, even if you’ve already seen the anime. – Sean Gaffney

My Hero Academia: Ultra Analysis | By Kohei Horikoshi | Viz Media – The first guidebook for the series to come out in North America, this is actually the second one to be released in Japan. That said, no worries, this one covers all the chapters up through about volume 23. It’s got introductions to the cast framed as tradable cards, so you know some cast members are more important than others—they’re SR, others are N. It also goes over most of the highlights of each arc, and gives little tidbits of information that might otherwise never come out. It’s particularly useful for Class 1-B (and also Yui Kodai gets the best gag in the volume with her “quotable lines” section). If you’re a fan of the series, there’s no reason not to pick this up. – Sean Gaffney

My Love Mix-Up!, Vol. 1 | By Aruko and Wataru Hinekure | VIZ Media – Aoki discovers that his crush, Hashimoto, likes another boy, Ida. After pledging to protect her secret (and intending to root for her happiness), he ends up confessing to Ida in her stead. He expects a swift rejection, but Ida says he wants to get to know Aoki better before giving him an answer. I was worried for a minute there that Ida was going to fall in love with Aoki and end up feeling like an idiot when the truth was revealed. Happily, the story doesn’t go that route, as Ida is continually such a wonderful person that by the end of the volume, Aoki begins to think he actually may like him after all! It’s definitely silly and has already trotted out some tropes like the cultural festival performance of Cinderella, but these really are good kids that I already care about. Looking forward to volume two! – Michelle Smith

When Pink Rain Falls | By Yoiyu | Star Fruit Books – As the first print release from Star Fruit Books, a new small publisher generally focusing on indie manga, When Pink Rain Falls immediately caught my attention. Also notable is the fact that the story was originally created for J.GARDEN, a BL doujinshi festival—it is very uncommon for self-published manga to be licensed in English, so I was thrilled to see this translation. When Pink Rain Falls is a short, quickly paced manga just under forty pages. However, it still manages to convey a heartfelt story with satisfying emotional arcs. Yoiyu describes the manga as a “bromance,” but the BL tensions are real. The opening sequence alone shows Hanao, a budding florist, fleeing with the bouquet he was asked to make for the wedding of a male friend for whom he obviously has feelings. Throughout the manga humor balances the bittersweet, silliness the seriousness; When Pink Rain Falls is delightfully charming. – Ash Brown

Witch Hat Atelier, Vol. 8 | By Kamome Shirahama | Kodansha Comics – The nature of witches, and how much they can and cannot do to help others, comes up quite a bit in this book. Things may be very tough for our heroes, but they are still witches, meaning they have options other people don’t. At the same time, the danger of creation is also shown—if you make a spell that creates a fake flame and give it to a child, will they end up not realizing you should not touch flames? We’re also introduced to a new witch, who exudes ‘ominous’ from every pore, but might also be able to help Coco with her most pressing issue. Oh, and did I mention the artwork is amazing? We’ve caught up with Japan, so these don’t come out as often, but that makes them all the sweeter. – Sean Gaffney

Wotakoi: Love Is Hard for Otaku, Vol. 5 | By Fujita | Kodansha Comics – I never reviewed the fourth omnibus of this series—I think Kodansha had an issue getting it on the platform I read their titles on—but it’s not because I dropped it or anything. This volume is not a great one if you love the two “main” leads, as they get less to do, but it’s wonderful if you like the other main characters. (I will say I am grumpy that we did not get the cover art with the wedding couple as the ‘main’ cover for the omnibus.) Hanako and Taro are getting married, and we learn about the difference between compromising and spoiling—and why it’s not that bad to do either. Meanwhile, Ko and Naoya are still shy and fumbling and running away from each other… well, OK, it’s one-sided running. Great stuff. – Sean Gaffney

Sword Art Online Alternative: Gun Gale Online: Five Ordeals

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By Keiichi Sigsawa and Kouhaku Kuroboshi, based on the series created by Reki Kawahara. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

Gotta admit, this book was an absolute treat for me. After so many volumes of everyone having to fight each other, It really is fantastic seeing all the main characters team up, NOT fight each other, and work towards a united goal. There’s still lots of enemies to defeat, of course, and trust me when I say Shirley is still looking for any opportunity she can to snipe Pitohui, but for the most part this is the most relaxed and fun a SAO Alternative volume has ever been. There’s even a cute dog! That said, while I was very happy, it’s worth noting that this book is about a cast of young women who really, really, REALLY like to shoot at each other. They’re not SAO survivors, there’s no worry of real death, they just like the adrenaline rush, it excites them. As such, the ending of this book should have really been obvious. And yes, it also revolves around the cute dog.

After wrapping up Karen’s karaoke party of sad, with Elza telling everyone her life story (all lies, M gives us her true life story, though she tells him that may ALSO be lies), We hear about a new team event involving “five ordeals”. This will finally allow Llenn’s group to team up with SHINC (it’s made clear that Llenn really does regard the 4th squad jam as achieving her fight with them, despite the interruptions) as well as perpetual hangers-ons Clarence and Shirley. The ordeals themselves are introduces to us by a cute talking NPC dog (a Schipperke), who tells them it’s basically five tasks, all with different rules, different areas, and ascending levels of difficulty. Can they battle zombies, fight robots, ascend snow-buried buildings, and take on CYBER-DRAGONS?

So I feel it’s OK to mention this, as the website Does the Dog Die? is literally namechecked in the book: the dog doesn’t die. This is despite the entire final chapter revolving around the dog dying – it’s a very self-aware book, and allows us to actually get some depth to Miyu, who is allowed to be more than just the wacky comic relief here (though she’s that too, no worries). As for the rest, it’s what you expect from this series: the fights are awesome, the banter is fun, there’s a few betrayals, and the author cannot stop dragging his self-insert around like a corpse. It’s also fun seeing Llenn finally come to terms with the fact that just because she is a cute pink tyke doesn’t mean that she’s not just as scary or even scarier than Pitohui is. Seeing her wonder “wait, is this why everyone is wary of me?” may be the best joke in the book. And again, the entire relationship between Fukaziroh and the NPC dog was fantastic and even heartwarming, which is not really a beat this series is good at.

I suspect we get a Squad Jam next, but for a change of pace this was excellent. Enjoy our heroes working together in peace… even if they don’t want to really.

Accel World: Deity of Demise

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By Reki Kawahara and Hima. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Jocelyne Allen.

Well, technically Kawahara was correct, and the arc that lasted nine books ends here. That said,k I can’t see anyone really being satisfied with the way this arc ended. Last time I said that I didn’t really think Kawahara would do a “the bad guys win” arc, but he comes pretty damn close here, and while I get why Haruyuki did what he did, I expect that literally everyone is going to be angry with him when the next book comes out. As for the rest of the book, aside from one major problem, which I’ll get to later, this is pretty good. The beginning has things resolved by Haruyuki essentially pulling shonen bullshit out of his ass, which, well, given this is a shonen manga in light novel form, works fine for me. There’s also a lot of exposition about what to do next, who is the best person to do it, and, possibly most importantly, who will be feeding the owl when they all go on holiday.

Honestly, that’s one of the more tasteful Accel World covers. As for what happens, well, Haruyuki helps to free everyone from the latest certain death that White Cosmos has set up, but unfortunately, they’re going to have to try to free the massive monster, Tezcatlicopa, from White Cosmos’ control, which means hitting all six crowns at once with six swords. This is going to be even more difficult because White Cosmos manages to kidnap Haruyuki, meaning *he* is now the one essentially trapped and unable to do anything, the same as his comrades used to be. This means that everyone is going to have to achieve a lot of stuff without him. Worst of all, once Tezcatlicopa is freed, everyone realizes what a bad idea that really was.

My main issue with this volume, and it’s one I’ve had with Sword Art Online before (which has finally managed to move past it), is that the whole book is from Haruyuki’s POV. This means that the entire 2nd half of the volume is made up of cool fights that the reader only gets to hear about second hand, as he can’t be in them. This is frustrating for him, but it’s murder for a reader, especially after sitting through endless exposition preparing for said fights. It made this volume feel a lot less exciting than it actually is. As for the cliffhanger, well, Harukuyi’s group of players all know each other in the real world and have forged eternal bonds of fellowship, so naturally the “thanks for playing you will forget everything now” ending is going to rankle. It’s also still very unclear what exactly White Cosmos is really up to, especially in regards to her relationship with her sister. Basically, this arc may have been 9 volumes long but I’m not sure we’re that much further along.

Still, the next book promises to be a corker… oh, we’re caught up? It’s not even out in Japan yet? Ergh. Yeah, wonderful, that makes this EVEN MORE FRUSTRATING. In any case, enjoy Haruyuki watching cool things happen far away from him.

Sword Art Online, Vol. 23: Unital Ring II

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By Reki Kawahara and abec. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

Definitely enjoying seeing this series now that Kawahara, a good 20 years older than his SAO Vol. 1 self, knowing his strengths and weaknesses and using them to good effect. There are heroines in peril here, but there is very little of the fanservicey “hero saves the girl from the predator” that we used to see constantly in this series. The humor is mostly character-based, and rarely feels forced. Kirito is powerful and tends to still get the “last boss kill”, but the nature of Unital Ring means he’s struggling a lot more, and he also has the grace to pass on some of his rewards to more deserving people. And we get, for the first time in the main series, Argo becoming a supporting player. Created for the Progressive novels and then put in the anime, manga and games, she’s always been a ghost presence in the main series itself. Now she gets a name – Tomo – and an agenda, which is more than just “tease Kirito constantly”. Though, well, she does that too, of course.

The plot is mostly a ‘rescue arc’ of sorts – everyone else in Kirito’s group was playing ALO when the Unital Ring changeover happened, but Sinon was in GGO, so she ends up being a long ways away from any of her allies. She’s confused, mistakenly branded as a PKer, caught dying of thirst in a desert, and forced to fight a massive dinosaur with the help of some bird people who don’t even speak Japanese. It is awesome, easily the best part of the book, and benefits greatly from the lack of Kirito’s POV. Elsewhere, Kirito’s party ad their log cabin are being reinforced, but a lot of players keep trying to attack him. Why? And Argo’s back (yes, she’s Tomo, but Kirito does not really make the switch so I won’t either), and is (unsurprisingly) now a crack reporter, here to rip open one of the more closemouthed folks in the cast – Kikuoka.

I’ve made no secret about my love of Argo, and though she doesn’t get much to do here, there’s a promise of more. I enjoyed the fact that her response to Kirito’s “where have you been all this time” was a polite “none of your business”, and also intrigued that (sorry, game continuity) she hasn’t been in ALO or GGO or even back in a game at all since the SAO disaster ended, though she hints that may change. In the meantime, it’s nice to see the cast work as a core cast, as opposed to being Kirito and his harem. Everyone apart from Alice and Asuna (who are minding the fort) gets something to do, with Yui being the most impressive. Now that she’s a physical part of Unital Ring (and could theoretically die if she’s killed, sorry, Shirou) she’s busy learning sowrds, learning magic, and basically becoming Little Miss Badass. Kirito is, needless to say, both proud and fretful.

So yes, this was a good solid volume, and I’m glad SAO has finally seemed to have matured, after several false alarms. Can’t wait for more.

Manga the Week of 11/17/21

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SEAN: Hey, remember when I totally screwed up? And did all of Seven Seas’s release dates wrong? No? Well. So everything you saw in LAST week’s Manga the Week of should have been on THIS list. Go look at the post for 11/10 for those. I will backtrack and do stuff that should have been on that list for this one. Apologies to Seven Seas.

Airship, in print, has My Status as an Assassin Obviously Exceeds the Hero’s and Didn’t I Say to Make My Abilities Average in the Next Life?! Lily’s Miracle.

Digitally we see Failure Frame: I Became the Strongest and Annihilated Everything With Low-Level Spells 3.

Cross Infinite World has the 2nd volume of Apocalypse Bringer Mynoghra: World Conquest Starts with the Civilization of Ruin.

Ghost Ship already has out Double Your Pleasure – A Twin Yuri Anthology. Twincest: the manga. Yaaaaaay.

ASH: Goodness!

MJ: Oh dear.

SEAN: As well as the 8th and final volume of Destiny Lovers.

J-Novel Club debut a new title, Endo and Kobayashi Live! The Latest on Tsundere Villainess Lieselotte (Tsundere Akuyaku Reijou Liselotte to Jikkyou no Endo-kun to Kaisetsu no Kobayashi-san). Two guys playing a game with a villainess suddenly realize that her fiance can actually HEAR their commentary on the game! Can they change the outcome?

Also coming out next week: Are You Okay With a Slightly Older Girlfriend? 6, Ascendance of a Bookworm Fanbook 2, Demon Lord, Retry! 7, Min-Maxing My TRPG Build in Another World 2, the 2nd manga volume of My Instant Death Ability Is So Overpowered, No One in This Other World Stands a Chance Against Me! —AΩ—, Otherside Picnic 6, and the 2nd manga volume of Villainess: Reloaded! Blowing Away Bad Ends with Modern Weapons.

ASH: I’m certainly behind, but hooray for more Bookworm fun!

SEAN: Kodansha, in print, has Drifting Dragons 10 and Sweat & Soap 10.

ASH: I’m reading both those series right now, so this is a good Kodansha week for me.

SEAN: Digitally, the debut is Anyway, I’m Falling in Love with You. (Dose Koi Shite Shimaunda), a Nakayoshi title. From the author of I Fell in Love After School, this is straight-up reverse harem fun.

MICHELLE: I am easy to please and this cover is cute so I will check it out.

ANNA: I do enjoy reverse harem fun.

MJ: As do I.

SEAN: Also debuting is Arakawa Under the Bridge. It had come out print-only years ago, now enjoy the digital.

ASH: I enjoyed this series, so am glad that it’ll be more accessible to even more people now.

SEAN: And we get Blue Lock 9, Cells at Work: Platelets! 4 (the final volume), Medalist 3, Mr. Bride 4, and Quality Assurance in Another World 4.

One Peace has a 3rd volume of Farming Life in Another World.

Seven Seas has some debuts. That are already out, please see above.

THE EXO-DRIVE REINCARNATION GAMES: All-Japan Isekai Battle Tournament! (Chou Sekai Tensei Exo Drive: Gekito! Isekai Zen Nihon Taikaihen) is from Mag Garden’s MAGCOMI, and is a parody of the genre, as isekais have become bread and circus tournaments for spectators.

A Life Turned Upside Down: My Dad’s an Alcoholic (You to Bakemono ni naru Chichi ga tsurai) is an autobiographical essay manga from Champion Cross. It’s complete in one volume.

ASH: That’s certainly a tough subject, but I’ve heard good things about the manga.

MJ: I suspect this is an important story to tell.

SEAN: And there’s Bite Maker: The King’s Omega 3, The Girl From the Other Side: Siúil, a Rún 11 (the final volume), Karate Survivor in Another World 2, Species Domain 11, The Strange Adventure of a Broke Mercenary’s 2nd manga volume, and Time Stop Hero 2.

MICHELLE: I am several volumes behind on The Girl from the Other Side, but that just means I have a nice little chunk to read up until the end. I hope it’s happy but it’s hard to see how just now.

ANNA: I really liked the first few volumes but stalled out on this series. I’m curious to see what you think of the ending.

ASH: I’m a few volumes behind, too, but I really do love this series.

SEAN: Back to things actually coming out in the future, Square Enix has Wandering Witch’s 3rd manga.

SuBLime has a surprise non-2nd week of the month release with Sayonara Game. A one-shot from Shinshokan’s Dear+, it’s a baseball BL story?

MJ: I’m listening…

SEAN: Tokyopop has Ossan Idol! 5.

Udon has the 2nd omnibus of Steins;Gate 0.

Viz gives us BEASTARS 15, Children of the Whales 18, Hell’s Paradise: Jigokuraku 11, Urusei Yatsura 12, and Zom 100: Bucket List of the Dead 4.

ASH: Whoops! BEASTARS has gotten away from me; I didn’t realize how much catching up I have to do!

SEAN: Yen On has Death March to the Parallel World Rhapsody 15 and The Greatest Demon Lord Is Reborn as a Typical Nobody Side Story: The Wonderful Life of a Typical Nobody.

Yen Press debuts the manga version of Reign of the Seven Spellblades (Nanatsu no Maken ga Shihai suru), which runs in Shonen Ace. I love the novels, so the manga should also be great.

ANNA: I’m a little curious about this!

Also debuting… sort of… is Is It Wrong to Try to Pick Up Girls in a Dungeon? II, the sequel to the first manga, but let’s face it, it’s just a continuation with a different artist.

We also have Solo Leveling 3, Toilet-Bound Hanako-kun 11, and A Witch’s Printing Office 5.

ASH: I still need to read Solo Leveling, but I’m ready for more Toilet-Bound Hanako-kun!

So, as I try to forget this list and the previous one ever happened, what are you buying?

Altina the Sword Princess, Vol. 11

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By Yukiya Murasaki and himesuz. Released in Japan as “Haken no Kouki Altina” by Famitsu Bunko. Released in North America digitally by J-Novel Club. Translated by Roy Nukia.

It’s actually surprising how little Altina the Sword Princess has leaned into the usual anime cliches. It’s very concerned with its sort-of-Europe worldbuilding, and therefore there’s no real room for a lot of bath scenes or accidental groping. I say it’s surprising because this is, after all, the author of How NOT to Summon a Demon Lord, a series begun after Altina had started and which eventually grew so popular it may have led to Altina’s extended hiatus. In any case, all that changes here, as Regis, in order to avoid getting caught by Latrielle’s troops, has to disguise himself as a woman. And he makes a very good woman indeed. Cue a lot of “I didn’t know you were into that” jokes, with furious denials. Fortunately, like most everything in this series, it serves the purpose of keeping the plot going, as Regis, now that he has made a mortal enemy, has to do everything possible to stop Latrielle becoming the next Emperor.

We pick up where we left off last time, with Regis and Fanrine being horribly murdered by Latrielle’s soldiers. Except of course they are not – their deaths are faked and they’re spirited away by Jessica and Franziska, who are trying hard to be big bad mercenaries but can’t quite be evil enough. That said, headless corpses, both of whom turn out to be men, is not going to fool the army for long, so Regis goes into disguise to try to get more evidence against Latrielle. The only thing that can really stop him becoming emperor now is for the news of his patricide to come out, but unfortunately all they have is secondhand rumors, mostly as the maids and staff who were there when it happened are all quietly murdered too. Fortunately they also have the Grand Chamberlain, who is under house arrest not avoid him talking. That said, if they had an ally who was ALSO a prince, house arrest might not be too hard to get around.

If you’re wondering how Altina is taking all this, well, she is actually in this book, fear not. She received news of Regis’ tragic “death in battle” and doesn’t believe it one bit but it’s annoying enough to make her take a large part of her army and head over to where Latrielle is, leaving us with a cliffhanger confrontation. (There’s also a side story which shows that being the Sword Princess is possibly the best thing that ever happened to her, as she’s useless at everything else. It also shows the whole “maids have to put up with sexual harassment” thing is bullshit if your superior officer can punch you unconscious. Other than that, as the author admits, this was a lot of talk and moving pieces around and not a lot of action, though that looks to change in the next book.

Altina is the definition of a ‘solid’ series – you’ll never rush to read it the day it comes out, but it’s always good.

Tearmoon Empire, Vol. 6

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By Nozomu Mochitsuki and Gilse. Released in Japan as “Tearmoon Teikoku Monogatari” by TO Books. Released in North America digitally by J-Novel Club. Translated by David Teng.

It can be hard to let go of a gimmick, especially when the gimmick in question is the main reason you got readers in the first place. One reason everyone loved Tearmoon Empire 1 was not only the dissonance between Mia’s own thoughts and actions and what everyone ELSE thought of these, but also the snarky narrator constantly pummeling her. I’d theorized before that the narrator was hired by future Mia to try to slow the publishing of hagiographies about her. That being said… Mia has grown and matured a little bit, and I feel now that the goofy “she only thinks about herself and food” shtick is holding her back. And the narrator, especially when he’s making fat jokes, is starting to grate. Most importantly, though, I’m starting to feel like all the other cast members Mia has misled: if you ignore Mia’s intentions and the narrator, this remains a fantastic read, filled with intrigue, action, character building, and plot twists. Mia being a dumbass and the narrator pointing it out all the time isn’t needed anymore.

Mia is in the background for this cover picture, which is a good thing, as it shows us that Bel is, finally, going to get some actual attention. Much of the book is about Mia trying to avoid her own assassination in various ways, though honestly she mostly just avoids thinking about it, as she doesn’t want to get anyone else in danger. So we get things like a massive mushroom hunting party in the nearby forest (where she accidentally discovers deadly poison mushrooms that were what killed off a large number of people in the prior timeline) and preparing for the Holy Eve Festival, which we do not get to see because, of course, Bel is kidnapped in order to force Mia to leave the island and then kill her. There’s only one thing Mia can do… exactly what they say, hoping that if she managed to rewind time once she’ll be able to do it once she’s killed again.

Not to spoil or anything, but Mia is not killed off again, this is not that kind of time loop book. And I’ve complained about the parts of the book I didn’t like above, so let me talk about what I did like. Sometimes Mia’s thought processes are wonderful, such as when she discovers Bel is kidnapped and tries to think of the many very good reasons that going after her is a mistake… all the while getting dressed up and preparing to leave, because unconsciously she knows she’ll never abandon her granddaughter. Bel is basically a shoujo protagonist here, winning over the villains by the power of being sweet and kind, and it’s adorable. The villain is obvious and hammy, but hey. There’s also some good worldbuilding here, showing us the underside of the Yellowmoons and also a few flashbacks to the previous world, where everything went terribly. And the chase and fight scenes were wonderful, and also introduce a new minor villain who I hope we’ll see again, along with his huge puppies… OK, wolves.

So yeah, I don’t expect Tearmoon Empire to drop Mia being thought of as smart when she’s really thinking about cookies, or the narrator pointing out how her altruism is bullshit, but I’d like more of the growth we saw in Book 4-5. Also, I have no idea why the narrator is insulting her “mushroom outfit”. She looks stylish! That’s clearly a raffish cap!

High School DxD: Hellcat of the Underworld Training Camp

by

By Ichiei Ishibumi and Miyama-Zero. Released in Japan by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Haydn Trowell.

(with apologies to Professor Peter Schickele)

Each time I read a new volume of High School DxD I am filled with this feeling of anticipation, a feeling of exultation, a feeling that… this new volume can’t possibly be as horny as the last one. But so far… Yeah, I know, shut up, Sean, you’re yelling at a series for 13-year-old teenage boys for talking about tits too much, and I get it. I try to recalibrate my standards for these books. Heck, the hot springs scene was even mildly amusing once those standards are recalibrated. But God Almighty, the way that Issei levels up or gets more powerful in this series makes your jaw drop. Leaving aside that the key to unlocking his new super move is to poke Rias’ nipples, there is everything about the climax of the book, where a dying Issei suddenly attains the zen-like ability to hear women’s breasts talking as separate personalities. I… what was the author on when he came up with this? I can’t even say “Oh, Japan” here. WHAT?!?!

Koneko’s on the cover, and actually gets some backstory here, though she gets less to do than I’d like. Our main cast travel to the underworld to train at Rias’ vast estate, meet her parents, and end up fighting a new Rating Game against Sona and Saji, the student council faction. Sona wants to make demon society less class-based, and is being ridiculed for the very idea, so naturally her team wants to win badly here. That said, our heroes are the protagonists. Can they be powerful enough to get past Sona’s cleverness? Maybe, but it’ll take Issei having to fight a dragon everyday, as well as Koneko having to confront her past… literally, in the form of her sister. And of course there’s Saji, who is to Sona what Issei is to Rias. He has a dream of being a teacher… and is very pissed that Issei has groped more boobs than he has.

If you leave out the tits, this is a very normal shonen battle manga. Issei is told that unlocking his Balance Breaker is the sort of thing that’s usually done in a crisis position with strong emotions behind it. We then get what is obviously meant to be just that, with Koneko’s sister attacking her and Koneko feeling tremendous self-hatred. If Issei were in Strike the Blood, this would be where he would talk about “:this is my fight!” and level up. But Issei is in High School DxD, so it’s not enough to be feeling righteous fury, he also has to be getting super horny. Hence the nipple poking. The fight between Issei and Saji is the best part of the book, pure shonen manliness and shouting about each other’s dreams… then Issei gains the ability to hear women’s breasts talking, and any drama and excitement drains out of the body.

As for why I’m still reading this, I’m not really sure. I want to actually see what happens next? Unfortunately, what happens next will likely involve more ridiculousness. But as long as it also has cool fights and some romance that isn’t pure sex, I’ll probably get the next one.