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Random Musings: Manga Tag

July 24, 2015 by Ash Brown

Earlier this month, Megan of The Manga Test Drive (which is one of my favorite manga review blogs and worth checking out if you haven’t already) gave a tour of her manga shelves and answered some questions about her collection as part of a game of manga tag. And wouldn’t you know it, I was tagged at the end! I thought it would be fun to participate, and it gives me a chance to talk a bit about my own manga collection, so here goes!

1. What was your first manga?
The first manga that I ever read was Osamu Tezuka’s Adolf as published by Viz way back in the day. I came across it while helping a friend locate materials for his thesis about the Jewish population in Japan during World War II. I’m fairly certain that the first manga I purchased for myself was Blade of the Immortal by Hiroaki Samura at the recommendation of my fantastic local comic book shop.

2. What is your most expensive manga?
Considering the amount of manga that I accumulate, I try very hard to keep my habit as inexpensive as possible. But sometimes it just can’t be helped and exceptions must be made. I discovered and fell in love with Basara after most of the series went out of print and ended up spending more than I really wanted to find a complete set. But I did get a couple of Basara artbooks out of the deal, too, which was cool.

3. What was your least expensive manga?
Relatively recently, my good friend Traci (who did a guest video review for me a couple of years ago) gifted me with her collection of Yu Aida’s Gunslinger Girl. She was moving out of the state and had to be very selective with the books she could take with her. As a result, I inherited a bunch of comics, most of which I still need to actually read. (I dread my next move; my collection is huge.)

4. What is the most boring manga you own?
This was probably the question that I found the most difficult to answer. I’m going to guess that Project X: Cup Noodle by Tadashi Katoh might be the most boring manga that I own, but it doesn’t seem entirely fair to say that since I haven’t actually read it yet. However, I don’t expect that the manga will be terribly exciting, even though it may be interesting and at the very least educational. I could be wrong, though!

5. What is your favorite manga series?
I have way too many favorites to narrow it down to one, so instead I’ll just highlight the series that has been the most personally meaningful—Takako Shimura’s Wandering Son. As someone who is all sorts of queer, the manga’s earnest and sensitive exploration of personal identity, including gender identity, made a huge impact on me; it’s not an exaggeration when I call Wandering Son life-changing.

6. What is the most relatable manga series you own?
This took some thought, but in the end I’m going to go with Takehiko Inoue’s Real. It might seem like an odd choice for me seeing as I’m not really a basketball enthusiast and am currently fortunate enough not to need a wheelchair, but Inoue’s characterization in Real is phenomenal. He has created incredibly complex individuals with whom I can strongly identify with even though they’re unlike me in many ways.

7. What is one manga you own that is based off an anime?
It’s certainly not always the case, but many manga based on anime often leave something to be desired. I’ve still collected a few, though. Samurai Champloo was one of the first anime series I ever watched and it remains a favorite. Sadly, the Samurai Champloo manga by Masaru Gotsubo didn’t overly impress me. But, it has its moments, and I’m enough of a completist that I’ve held onto it.

8. What is your rarest manga?
I’m not certain it’s necessarily the rarest manga that I own, but let’s just say I hope I never need to purchase the colorized master edition of Buronson and Tetsuo Hara’s Fist of the North Star ever again. The sixth volume alone, even used, would cost several hundred dollars to replace. But I’ve actually got all sorts of interesting, uncommon, and unusual things kicking around.

9. What is the most reprinted manga you own?
Well, assuming we’re talking about the different releases of a manga rather than the number of printings, that would be Hitoshi Iwaaki’s Parasyte. In English, the manga started out in Tokyopop’s MixxZine before being collected as individual volumes. Tokyopop eventually lost the license and Del Rey Manga picked it up. Kodansha Comics rescued the series after that. (I have the Del Rey version, though.)

10. What is the most popular manga you own?
At the moment, that would probably be Hajime Isayama’s Attack on Titan along with its numerous spinoffs. The immense popularity of Attack on Titan fascinates me, so I like to keep up with the series. (In some ways, I’m almost more interested in the fandom than I am in the franchise itself.) Even though I do find parts of the manga to be extremely frustrating, other parts can be very engaging.

11. What is the most damaged manga you own?
I try to take very good care of my collection and am largely successful, but thanks to my cat Lysander (affectionately and sometimes not-so-affectionately known as Stupid), I have a few volumes of Kentaro Miura’s Berserk that I need to get around to replacing. Lysander used a box of full of manga as a scratching post, so some of them look like they were mauled by a tiger. I’ve still not forgiven him for that.

12. Which manga has the most amazing art?
I’m with Megan on this one. Kaoru Mori’s work in A Bride’s Story is absolutely stunning. It’s incredibly detailed, beautifully drawn, and thoroughly researched. There are a lot of mangaka whose artwork that I love and appreciate, but the illustrations in A Bride’s Story really do amaze me. In addition to the frequently breathtaking artwork, I also enjoy the series’ story, characters, and setting immensely.

13. What is the oldest published manga that you own?
I’m pretty sure the oldest manga that I have in translation is The Four Immigrants Manga by Henry (Yoshitaka) Kiyama. The Japanese compilation was published in 1931. I’ve also collected the work by Masaichi Mukaide released in North America the 1970s, some of the earliest manga to be published in English. Granted, depending on the definition of “manga” being used, those may or may not count.

14. What is the newest published manga you own?
Let’s see… what came out this week? I actually picked up the first omnibus of Akira Hiramoto’s Prison School. I’m intensely curious about this manga since it’s such an extreme shift in tone from Hiramoto’s earlier series, Me and the Devil Blues. I have a feeling Prison School will be a very divisive series. If for no other reason, it’s something that I want to read myself in order to have an informed opinion.

15. What are some of the most recent manga you have purchased?
Not counting all of the preorders that I’ve recently placed (and there have been many) the most recent manga that I purchased was a complete set of Cross Game by Mitsuru Adachi. I’ve actually been meaning to do this for a while now. (Sorry, Viz, for taking so long!) And as for my most recent out-of-print find, I was very happy to finally get my hands on Akimi Yoshida’s Banana Fish!

So there you have it! A very brief look at a very small selection of my manga collection. (Where is all the shoujo and josei?! The alt manga?! And everything else!?) Like Megan, I’m next going declare a free-for-all. If you’d like to answer some manga tag questions about your collection, either in the comments below or elsewhere, go for it! I’d love to keep talking about manga with you all. I’m also specifically going to tag my fellow bloggers manjiorin at Manga Connection and Lori Henderson at Manga Xanadu in case they’d like to participate, too. It’s been fun; hopefully you’ve found this diversion interesting!

Manga the Week of 7/29

July 23, 2015 by Sean Gaffney, Anna N, Michelle Smith, Ash Brown and MJ Leave a Comment

SEAN: It’s become almost musical, the way manga comes out. Huge week… quiet week. Huge week… quiet week. The occasional 5th week trips up the manga dancer with the brief shift into 5/4 time. How is our quick-quick-slow week?

Dark Horse is doing it again, folks. Here is the first omnibus volume of a seinen manga series called Oh My Goddess!, about a young man who calls the wrong number and gets a goddess as his girlfriend. Perhaps you’ve heard of it when it was released by Dark Horse before. And before that. And before that. And before that. This will have the first three volumes, for those who have been curious but never tried it before. All three of you.

Kodansha has a 49th volume of Fairy Tail, which I’m surprised isn’t getting omnibus volumes as well, frankly.

ANNA: Fairy Tail is not on my radar, but I am stunned it is up to 49 volumes. Wow.

SEAN: There’s also a 2nd volume of A Silent Voice. Volume 1 was excellent writing but very hard to actually read, being filled with realistically flawed and terrible kids (and teachers). Will the second volume give us some glimpses of light amongst the darkness?

ANNA: This sounded a bit too grim for my tastes, which is why I haven’t read the first volume yet.

MICHELLE: Yeah. I am glad something like that exists but I still am in the “I read manga ‘cos it’s fun” camp.

ASH: The first volume was incredibly well done and one of the best things that I’ve read this year, but yeah, not the happiest of stories.

MJ: I suspect I would like this.

SEAN: And a third volume of Yamada-kun and the Seven Witches. Will we actually get witches this time?

ASH: We shall see!

SEAN: Seven Seas has a fourth volume of Magical Girl Apocalypse, for those who thought Madoka Magica wasn’t violent or cynical enough.

Lastly, Vertical is giving readers who missed earlier Chi’s Sweet Home volumes a chance to catch up with an omnibus of the first 3 volumes. As they’ve only released this once before, I’ll give them a pass here.

ANNA: Actually, I have not read Chi’s Sweet Home before, and I know it is both very good and popular, so I might finally check out this series!

MICHELLE: You should!

ASH: You really should! Plus, the omnibus has a larger trim size and some additional content, too.

MJ: Yes, yes!!

SEAN: I can’t tell a waltz from a tango, but can you tell what you’re buying this week?

My Week in Manga: July 13-July 19, 2015

July 20, 2015 by Ash Brown

My News and Reviews

Two in-depth reviews were posted at Experiments in Manga last week. The first took a look at Mushishi, Volume 4 by Yuki Urushibara. The review is part of my monthly horror manga review project; next month I’ll be bouncing back to Setona Mizushiro’s After School Nightmare. Mushishi continues to be one of my favorite manga series. The second review was of A Sky Longing for Memories: The Art of Makoto Shinkai, the most recent artbook to be released by Vertical. It’s a gorgeous volume to simply look at, but I also learned a little about art design and digital illustration while reading it, too. Also of note, over at Organization Anti-Social Geniuses, I and six other manga and anime enthusiasts weighed in on the question “What Was the Biggest Announcement at Anime Expo/SDCC?”

There were a few other manga-related posts at OASG last week, too, including some great tips on getting manga for cheap, advice from manga letterers, and an interview with Kodansha’s Ben Applegate from San Diego Comic-Con. A couple of other convention-related articles that I came across: Brigid Alverson talked to Tokyopop’s Stu Levy and Deb Aoki summarizes some of the recent manga news. Also, the audio recordings of some of the SDCC panels, including the Best and Worst Manga panel, have been posted.

In licensing news, Seven Seas announced The Other Side of Secret manga series by Hideaki Yoshikawa. Seven Seas will also be releasing a newly-illustrated omnibus of L. Frank Baum’s The Wonderful Wizard of Oz & The Marvelous Land of Oz. (This will be similar to Seven Seas’ edition of Lewis Carroll’s Alice’s Adventures in Wonderland and Through the Looking-Glass which was quite charming.) Finally, a couple of interesting reads I happened upon: Léopold Dahan wrote about studying the magazine Garo and Kevin Frane discussed gender in Quantum Devil Saga: Avatar Tuner. (Frane is the translator of the series in English, and I really enjoyed the first volume, but I’m looking forward to the following volumes even more now.)

Quick Takes

After I Win by Kaname Itsuki. Out of all the boys’ love manga that I’ve so far read, I think After I Win is the one that is the quickest to reach the all-important love confession. Only three pages into the manga and the leads—the beautiful Hiyori and his underclassman and roommate Kasumi—have admitted their feelings for each other. Granted, it takes most of the rest of the volume for them each to realize that the other young man actually meant what he said. After I Win is probably also the boys’ love manga with the most masturbation scenes that I’ve come across. (In the afterword, Itsuki mentions that it was her intention to feature at least one such scene in every chapter.) Hiyori and Kasumi spend so much time getting it on on their own rather than getting it on together for two main reasons: the aforementioned confusion regarding how seriously they should take each other’s confession, and the fact that Hiyori gets so nervous with anticipation and excitement that he tends to get nauseous. But even considering this, and despite his angelic appearance, Hiyori is very dirty-minded and looks forward to the opportunity to cement his relationship with Kasumi physically. After I Win, perhaps surprisingly, is actually pretty cute.

Alice in the Country of Hearts: My Fanatic Rabbit, Volumes 1-2 by Psyche Delico. After reading and enjoying the first Alice in the Country of Hearts manga series, I asked fellow enthusiasts to recommend which among the multitude of Alice manga I should follow-up with. My Fanatic Rabbit wasn’t mentioned a single time. So why did I tackle it next? Mostly because Psyche Delico was involved. (I loved her other manga released in English, Love Full of Scars.) My Fanatic Rabbit is more or less a retelling of Alice in the Country of Hearts, except that Alice has decided to stay with the Hatter mafia rather than Julius, ultimately falling in love with the March Hare. There are some cute romantic parts scattered throughout the series, especially towards the end, as well as some genuinely funny moments, but overall the manga really isn’t especially strong. It doesn’t stand well on its own and those who have read the first series won’t find much new, either. Maybe in part because it’s a shorter series, neither the characters nor the world have much of chance to develop and simply must be taken as is. My Fanatic Rabbit will likely appeal most to those who want to see Elliot and Alice together.

Aquarion Evol, Volumes 1-3 written by Shoji Kawamori, illustrated by Aogiri. Despite taking place twelve thousand years after Genesis of Aquarion, its sequel Aquarion Evol doesn’t make much sense at all to those who aren’t already familiar with the franchise. At least that’s the case for the ongoing manga series; perhaps the anime does a better job of initiating newcomers. Having seen neither of the anime series, I can only say that the story of the Aquarion Evol is a mess and nearly impenetrable at first. By the third volume things begin to be explained a little more coherently, but the manga seems to be taking a lot of shortcuts with the plot and character development. Probably because of my confusion, I generally wasn’t overly impressed with the Aquarion Evol, but there were still some things that I liked about it. The various supernatural powers are interesting (there’s even a music-based one!) as are the somewhat bizarre gender dynamics and curious sexual overtones. The artwork is attractive, too, with exciting action sequences and nice character designs. The mecha are difficult to tell apart at first glance, though. I wonder if I might actually enjoy the Aquarion Evol anime, but I find the manga to be frustrating.

Fantasy Sports, Volume 1 by Sam Bosma. Before stumbling upon Fantasy Sports, I hadn’t previously read any of Bosma’s work. I definitely want to read more now because Fantasy Sports was fantastic. It apparently started out as a self-published, black-and-white comic called Fantasy Basketball, but it was later expanded and colored for release by Nobrow and made the first installment in an ongoing series. I absolutely loved the comic and can’t wait to read future volumes of Fantasy Sports. The story follows Wiz, a young magic user and intern at The United and Ancient Order of Mages. Her mentor in the guild is Mug, a hulk of a man who usually solves his problems through brute strength and who doesn’t know a thing about magic. They don’t really get along very well, making their job raiding and searching for treasure even more difficult. During their most recent expedition, they encounter an ancient mummy who they must defeat in a game of basketball if they hope to escape with the fortune and their lives intact. It’s a slim volume, but with great art, great colors, and great characters, not to mention just enough silliness and adventure, the first volume of Fantasy Sports is a tremendous amount of fun.

Manga the Week of 7/22

July 16, 2015 by Sean Gaffney, Ash Brown, Michelle Smith and Anna N Leave a Comment

SEAN: Oooooh man, here we go again. Let’s just buckle down.

We’re aaaaaalmost done with Dark Horse’s release of Gantz, but not quite. Vol. 36.

ASH: So close!

SEAN: Kodansha has a 9th My Little Monster, which hopefully will continue the development the 8th volume had.

MICHELLE: Yay!!!

SEAN: Seven Seas gives us a 5th volume of SF action series Arpeggio of Blue Steel, my favorite of the ‘young girls and military’ licenses.

Viz has another volume of its Monster Perfect Edition, the 5th. Expect happiness and rainbows.

ASH: This is the volume with the epic library scene, isn’t it? And who doesn’t love libraries?

ANNA: Honestly this is the one title this week that I’m happy about, because I do want to tackle reading Monster at some point. Sometime after I read all my stockpiled volumes of 20th Century Boys.

SEAN: And a 5th Resident Evil, with puppies and kittens.

Lastly, Terra Formars 7, with love and peace for all. Please do not try to read all three Viz releases at once this week. You will die.

ASH: That is a distinct possibility.

SEAN: And now Yen. Light novels first. The 4th Accel World should resolve the cliffhanger from the last one. Will Chiyuri be a traitor? I highly doubt it.

The debut this week is the highly anticipated Durarara!!. Yen has had the manga for some time now, but the novels are also excellent.

MICHELLE: Hm! I liked the manga more than I thought I would, but drifted away when the Saika Arc started.

ASH: I really should give at least one of the versions of Durarara!! a try at some point.

SEAN: Log Horizon’s 2nd volume will hopefully give us the hinted plot from Vol. 1 about the twins, if the cover doesn’t lie.

And there’s a 2nd No Game No Life, which I hope will have less naked 11-year-olds and more awesome mind games.

On the manga side, we have the 4th Accel World manga, still not the novel.

A third Akame Ga KILL! will live up to its name, if the previous two are any indicator.

Black Butler hits a new milestone with Vol. 20. It’s sad when a series catches up with Japan, isn’t it?

MICHELLE: I continue to read this, even though I am not madly in love with it.

ANNA: I stopped after the first couple volumes.

SEAN: A Certain Magical Index’s manga will continue to adapt Novel 1 with Vol. 2. Really, we need graphs and charts.

The Devil Is A Part-Timer! joins the growing list of manga adaptations of light novels also coming out, with Vol. 2 of the main manga. Wait till next month, it gets more confusing.

ASH: Heh. That it will.

SEAN: And now we get DRRR’s manga, which has a 3rd volume of the Yellow Scarves arc. At least that novel won’t be out till 2016.

Final Fantasy Type-0 Side Story, Vol. 1: The Ice Reaper is one of those manga whose title pretty much sums it up. I think the Main Story manga came out with the English release of the game.

First Love Monster is another one of those Aria shoujo titles, which means we’ve no idea what we’re going to get. The artist has done some Book Girl manga adaptations.

MICHELLE: It looks sort of kooky, but that might be fun!

ANNA: I will wait to see if Michelle likes it before reading it!

SEAN: Inu x Boku SS has an 8th volume – will it reset again? Or just give us more yokai action?

More manga adaptations of light novels, as we get a 2nd Kagerou Daze, which finishes adapting the first LN and starts the 2nd.

Karneval oddly ended up on the worst manga of the year list at SDCC, though I found the first omnibus more… diffuse than anything else. Vol. 2 will have more focus, maybe?

ASH: More focus would be good.

ANNA: I was curious about the first volume, but now I’m sort of glad I skipped it.

SEAN: Another Puella Magi Madoka Magica spinoff begins, with Homura’s Revenge. Can’t be a depressing manga with a title like that!

Prison School is a much anticipated omnibus that many said was too ecchi to actually get a North American release. But no, here it is. I wonder what it’s about?

ASH: B-but it’s by the creator of Me and the Devil Blues! (I’ll admit, I’m curious about this one.)

So I Can’t Play H! has a 2nd volume, and gloriously no light novel license yet, meaning I only have to worry about this for the moment.

Lastly, we get the final – I checked this time – volume of Soul Eater NOT!, bringing the Soul Eater franchise as a whole to a close.

Is there something in this giant list that catches your eye?

My Week in Manga: July 6-July 12, 2015

July 13, 2015 by Ash Brown

My News and Reviews

So, apparently last week was Shark Week, an annual event on the Discovery Channel. I don’t watch much television or pay attention to programming schedules, therefore it was a complete coincidence that both of the manga that I reviewed last week happened to include sharks! First up was my review of the deluxe hardcover omnibus of Junji Ito’s (comedy?) horror manga Gyo: The Death-Stench Creeps. It’s an incredibly gross and absurd manga and will certainly not be to everyone’s taste. I was entertained by its outrageousness, but overall much prefer his earlier work Uzumaki: Spiral into Horror. The second review last week was of The Legend of Kamui, Volume 1, an influential historical drama by Sanpei Shirota. The manga was actually one of the earliest series to be released in English back in the 1980s. Fortunately, it’s still relatively easy to find even though it’s long been out-of-print. I really wish that more of the series had been translated, though; The Legend of Kamui is excellent.

A couple of interesting things that I came across last week: Shojo Beat’s tenth anniversary celebration continues with five questions for Julietta Suzuki and Haikasoru posted a translation of a conversation between authors Paolo Bacigalupi and Taiyo Fujii from 2013. (I recently reviewed Fujii’s debut novel Gene Mapper, and reviewed Bacigalupi’s novel The Windup Girl, which has been very well received in Japan, at my old review blog Experiments in Reading several years ago.) Last week was the San Diego Comic-Con, but most of the news and announcements seemed to be repeats of Anime Expo. However, there was one newly announced license that was huge: Udon Entertainment will be releasing Riyoko Ikeda’s influential shoujo classic Rose of Versailles! Among other good news, Udon rescued Moyoco Anno’s marvelous shoujo series Sugar Sugar Rune, which makes me very happy. (I reviewed Del Rey’s edition of the first volume a couple of years back.) Udon will also be releasing Yomi Sarachi’s Steins;Gate manga. Kodansha has picked up Kousuke Fujishima’s manga series Paradise Residence. Dark Horse will be re-releasing Hiroaki Samura’s epic Blade of the Immortal in an omnibus edition which is great news since some of the individual volumes are out-of-print and hard to find. (The series is also a favorite of mine.) A couple of other interesting SDCC/manga-related posts: myths from the Manga Publisher Roundtable and a summary of 2015’s Best and Worst Manga panel. Oh, and Shigeru Mizuki’s Showa: A History of Japan won an Eisner Award!

Quick Takes

The Demon Prince of Momochi House, Volume 1 by Aya Shouoto. There were mainly two things that initially drew my attention to The Demon Prince of Momochi House, the beautiful and somewhat provocative cover illustration and the promise of beautiful and somewhat provocative yokai. Himari Momochi unexpectedly inherits a house when she turns sixteen. As an orphan, it’s the only connection that she has to a family that she has never known. But when she arrives, she discovers a couple of complicating factors: the house is a gateway between the human and supernatural realms, and it is already occupied. Honestly, the story’s setup feels a little forced and employs a few well-worn shoujo tropes; it remains to be seen whether or not Shouoto will do anything clever with them. However, the artwork is attractive and I actually really do like the underlying premise of the manga. Although I wasn’t blown away by the first volume of The Demon Prince of Momochi House, I did enjoy it. The series has great potential and the manga certainly delivers on its promise of beautiful spirits. While I’m not in a rush to read the next volume, I’ll likely continue with the series to see if it develops into something really special or if it will merely remain something that is enjoyable in passing.

Dengeki Daisy, Volumes 13-16 by Kyousuke Motomi. It’s been awhile since I’ve read Dengeki Daisy, but it is a manga that I tend to enjoy. Since the final volume of the series was released in English relatively recently, I figured it was about time for me to catch up. Dengeki Daisy isn’t always the most realistic or believable series—frequently things will happen because they’re convenient for the sake of moving the story forward or are being used as a punchline rather than being a convincing development—but it’s still pretty great. The manga also handles the romance between Teru and Kurosaki very well, especially considering the eight-year gap in their ages. Interestingly, while the last volume quickly wraps up the main story, it’s actually mostly devoted to a small collection of side and bonus stories, generally of a humorous nature. The volume also includes Motomi’s debut manga, “No Good Cupid.” It’s kind of a fun send off for the series, especially as the final story arc is focused more on intense action and drama rather than the manga’s humor or the quirkiness of its characters. However, I always find Motomi’s author notes and commentary to be endlessly entertaining. I definitely plan on reading more of her work in the future.

NightS by Kou Yoneda. Only a few of Yoneda’s boys’ love manga have been released in English, but I enjoy her work immensely and would love to see even more of it licensed. NightS is a collection of stories: “NightS,” about a transporter for the yakuza and an older man with whom he becomes entangled (in more ways than one); “Emotion Spectrum,” a high school romance with a bit of a twist on the usual sort of love triangle; and “Reply,” featuring the blossoming relationship between a car salesman and a mechanic. Although the anthology is called NightS, “Reply” is actually the longest and most involved work in the volume. But even the shorter manga feature well-developed stories and characters. They each come across as an individual with a distinctive personality. This is a particularly important aspect of Yoneda’s manga since the plots tend to be very character focused and driven—people and their relationships, romantic or otherwise, are key to her stories. There is a maturity to the storytelling, as well. And a great sense of humor. Though they aren’t comedies, at times the manga collected in NightS can be quite funny. Also, Yoneda’s artwork is excellent; especially impressive is her use of light and shadow to create drama, mood, and atmosphere.

Manga the Week of 7/15

July 8, 2015 by Sean Gaffney, Michelle Smith, Ash Brown, MJ and Anna N Leave a Comment

SEAN: Mid-July is a good-sized week, but not completely overwhelming like the first/third weeks tend to be. Let’s see what’s happening.

Dark Horse has the second volume of Oreimo spinoff Kuroneko, marketed to the six remaining Oreimo fans who didn’t scream in anger at the end of the main series.

Kokoro Connect has proven to be a fast favorite of mine, and so I am very happy to see the fourth volume from Seven Seas.

Magika Swordsman and Summoner is the new series debut of the week. It’s fantasy, it has a magical school, our hero is bullied by the students for his status, he amasses a crew of girls who like him, *and* it runs in Comic Alive. If ever a series screamed “License me, Seven Seas!”, this is it. And so they did.

The Sacred Blacksmith also has a new volume, its eighth.

For BL fans, there is the second volume of Love Stage!! from SubLime.

MICHELLE: I wasn’t entirely sold on volume one, but I’m at least willing to check out the second.

ASH: I actually still need to read the first volume…

MJ: Same here.

SEAN: And also a 2nd volume of The World’s Greatest First Love.

I’m loving Vertical’s My Neighbor Seki as much as I thought I would, and the arrival of a third volume fills me with glee.

ASH: My Neighbor Seki is an incredibly delightful series!

ANNA: I haven’t read this yet and I feel guilty.

MJ: I second the glee!

SEAN: The rest is Viz. I believe that Vol. 17 is the final volume of 07-GHOST, though Anna can likely confirm that. Bye, 07-GHOST! You were a good license rescue that I fell so far behind on I may never catch up.

MICHELLE: I still intend to read it, one of these days!

ANNA: I also have not caught up on this series and feel even more guilty, because I liked the first few volumes.

SEAN: Case Closed has Vol. 55, which is not the final volume, or even close to the final volume. It’s a long series is what I’m saying.

The 9th Ranma 1/2 omnibus has one of my favorite arcs of the series, where Akane gets so mad she declares that Nabiki can be Ranma’s fiancee instead, and the fallout that happens is magical. Oh, and we’ll also meet Pantyhose Taro, who… I will not spoil.

There is an 18th volume of RIN-NE, where the plot finally comes into focus and nothing will be the same anymore… OK, I can’t even type that with a straight face.

MICHELLE: I still like RIN-NE, though, particularly when I’m in the mood for something not mentally challenging.

SEAN: Lastly, a 7th volume of superhero manga with BL tease Tiger & Bunny.

Is there a favorite here for you?

My Week in Manga: June 29-July 5, 2015

July 6, 2015 by Ash Brown

My News and Reviews

Once again, I was actually away for most of the week last week. The taiko ensemble I that primarily play with had a series of performances, a mini taiko tour of sorts, so I was traveling. We had a great time; I only wish I that could make my living in music! (Who knows, maybe in the future I’ll be able to make it work. You know, once the mountain of student loans has been paid back.) Although I fell behind in my reading and writing, I did have a few things in queue to post at Experiments in Manga. First, the Assassination Classroom Giveaway Winner was announced. The post also includes a list of manga available in English that feature teachers. I’m a couple of volumes behind in my reviews for the series, but the honor of the first in-depth manga review for July goes to Fumi Yoshinaga’s What Did You Eat Yesterday?, Volume 7. Kenji finally has the chance to meet Shiro’s parents and it’s great. Finally, over the weekend, I posted June’s Bookshelf Overload. Most notably, I found an entire set of the tragically out-of-print Banana Fish that I didn’t have to trade a kidney to obtain!

Because I was away from the Internet for so many days, I didn’t really stumble across any articles that I found particularly interesting. However, Anime Expo was held last week, and there were a ton of licensing announcements. (Manga Bookshelf cohort Sean has a nice roundup.) Kodansha has Akiko Higashimura’s Princess Jellyfish (I’m thrilled!), Shizumu Watanabe and Okushō’s Real Account, and Hoshino Taguchi’s Magatsuki. Haikasoru has the first three novels of Yoshiki Tanaka’s Legend of the Galactic Heroes (hooray!), and Sentai licensed the anime series. Shojo Beat picked up Matsuri Hino’s Shuriken and Pleats and Bisco Hatori’s Behind the Scenes. Seven Seas licensed Angel Beats!: Heaven’s Door. Tokyopop returns to manga publishing in 2016, but no specific titles have yet been mentioned. Vertical will be releasing Keiichi Arawi’s Nichijō, and Kanata Konami’s FukuFuku: Kitten Tales among other things. Yen Press announced a slew of manga and light novel acquisitions, too, including the mahjong manga Saki! (Sadly, it’s currently only a digital release.) I’m sure I’ve missed something, so please let me know what exciting news or reading I should be aware of!

Quick Takes

The Ancient Magus’ Bride, Volume 1 by Kore Yamazaki. Apparently, The Ancient Magus’ Bride started as a one-shot doujin before catching the eye of an editor. It’s a curious and atmospheric manga, mostly set in current-day England, albeit it’s a world in which magic and alchemy take their place alongside science. Although magic use seems to be fading away, fae are still very real and a few humans show rare talent for the craft. Chise is one of those humans. Sold into slavery, she is purchased and perhaps rescued by a Elias, a powerful mage who wants her to become his apprentice. He also mentions something about Chise becoming his bride, too, though she can’t quite tell if he’s being serious or not. Granted, it’s a little difficult to read a person with an animal skull for a head. Yokai exist in The Ancient Magus’ Bride as well (they can be seen in the background of some of Chise’s memories), but so far it appears as though the manga will be focusing on Europe’s fantastical and legendary creatures. I enjoyed the first volume of The Anceint Magus’ Bride a great deal and look forward to reading more of the series.

An Entity Observes All Things by Box Brown. I was already curious about An Entity Observes All Things, but after briefly meeting Brown at TCAF I knew that I wanted to read it. The volume includes nine of Brown’s short, alternative comics, three of which were previously published elsewhere while I believe the other six are new for the collection. Though for the most part the comics are unrelated to each other—they don’t really share characters, plots, or settings and even their color palettes are different—in general, the short works fall into the category of science fiction and deal with themes of exploration, specifically of the world and of the self. They all tend to be fairly quirky, too, and can often be rather humorous without necessarily being comedies. I enjoyed An Entity Observes All Things quite a bit. As with most collections, some of the individual comics worked for me more than others, but overall I found the selections to be engaging. Sometimes funny and sometimes sad, the comics are all somewhat strange, and that’s something that I particularly appreciate about An Entity Observes All Things.

Man of Many Faces, Volumes 1-2 by CLAMP. I largely enjoy manga by CLAMP, but if I’m going to be honest, I was primarily interested in Man of Many Faces due to its loose connection to the works of Edogawa Rampo. For the most part, the Rampo references are limited to the characters’ names and roles. There’s the titular “Twenty Faces,” a skilled thief in both Rampo and CLAMP’s creations, a young man by the name of Kobayashi who chases after him, and even Akechi-sensei, although he’s a school doctor rather than a detective in the manga. Man of Many Faces is one of CLAMP’s earliest professional works and it is very, very silly, the more absurd elements being lampshaded and intentionally left unexplained. However, the manga ends up being rather sweet and charming, too. Twenty Faces is a third grader who has taken on the role of the gentleman thief in the absence of his father. Akira steals things according to the whims of his two eccentric mothers in addition to doing all of the cooking and housework. Although the story at first focuses on the various heists, ultimately Man of Many Faces is about romantic love.

Manga the Week of 7/8

July 2, 2015 by Sean Gaffney, Ash Brown, Michelle Smith, MJ and Anna N 5 Comments

SEAN: It’s a new fiscal year, and that brings a new pile of books, mostly from Viz. What have we got?

DMP print release dates give me a migraine. Twittering Birds Never Fly 2? I guess?

ASH: I can never tell when something will actually be released by DMP anymore.

MICHELLE: Me, neither. I’ll perk up when Itazura Na Kiss 11 gets here.

SEAN: Kodansha gives us a 5th volume of Ken Akamatsu’s immortals fighting each other manga UQ Holder.

Seven Seas has a trio of books. The second volume of 12 Beast is minimally interesting to me, but may interest those who like fantasy and harems.

ASH: It should at least hopefully be a hit with the Monster Musume crowd.

SEAN: Oddball slice-of-fantasy-life manga A Centaur’s Life is up to Volume 6.

Pandora in the Crimson Shell combines one of my favorite authors with one of my favorite artists, but I have heard the result is… well. We shall see. I expect I will not love this as much as Excel Saga.

MJ: I dunno, the title just makes me feel like I should be reading something by Jun Mochizuki.

SEAN: The ninth volume of What Did You Eat Yesterday? will, I suspect, have far less fanservice than Pandora in the Crimson Shell, unless you count food as fanservice.

ASH: The food definitely counts as fanservice.

MICHELLE: Oh, I had forgotten this was coming out so soon! Yay!

ANNA: Woo hoo!

MJ: This, this, this this, THIS.

SEAN: The rest is Viz, starting with Vol. 64 of Bleach. Bleach has gone from one of the big 3 shonen series to a series where even fans are screaming “Just die already!”, but it seems to still sell well.

ANNA: That is certainly many, many volumes. I did enjoy the first 13 volumes of Bleach.

MJ: Every once in a while I think it might be fun to check out what’s happening in Bleach these days. And then I don’t.

SEAN: So well that we are getting another giant Bleach box set, with Vol. 22 through Vol. 48. Use it as a very short pole vault!

D.Gray-Man has its 7th 3-in-1 omnibus as well.

As if two series weren’t enough, there’s more Aya Shouoto starting next week, with The Demon Prince of Momochi House. Like Kiss of the Rose Princess, this ran in Kadokawa’s Asuka magazine.

ASH: The cover is pretty, and there are yokai!

MICHELLE: That looks like Tomoe from Kamisama Kiss!

ANNA: Is there a shoujo series featuring yokai? SIGN ME UP!

MJ: Okay, yes.

SEAN: And Kiss of the Rose Princess is exactly like Kiss of the Rose Princess, unsurprisingly. Here’s the 5th volume.

ANNA: I like it. I will not claim it is profound, but it is a good manga to read when I do not feel like thinking very hard.

SEAN: My Love Story!! has shot up in popularity thanks to its anime, and the 5th volume hopefully translates into even more manga sales.

ASH: It wasn’t popular before?! It should be. Still loving this series.

MICHELLE: Yay, again! I had no idea there was an anime.

ANNA: Such a great series! I hope the anime inspires more people to check out the manga.

MJ: Same here!

SEAN: Naruto also has a giant box out next week, with Vol. 28-48.

Nisekoi, one of my favorite modern harem comedies, hits double digits.

And with the 11th 3-in-1 of Skip Beat!, I think we’ve caught up with the single volumes.

MICHELLE: Just about. Volume 34 came out in April.

SEAN: We’ve just heard that Sunny will be ending in Japan soon, but in the meantime, enjoy its 5th volume. (Lotta 5th volumes next week.)

ASH: Viz has been doing a really lovely job with this series.

MICHELLE: I need to get caught up on Sunny.

ANNA: I’m glad VIz still breaks out the impressive packaging and design for series like this that totally deserve it.

MJ: This is such a beautiful series.

SEAN: Twin Star Exorcists is the newest Jump Square series, from the author of popular yet unlicensed Binbougami-ga!. I’ll let you guess what it’s about.

World Trigger is up to Volume 6, meaning it’s passed the 2-3 volume ‘culling’ stage of many Jump series.

Lastly, get in touch with your past life with the 3rd Yukarism.

MICHELLE: Yay, yet again. I wasn’t sold on this series after the first volume, but enjoyed the second a great deal.

ANNA: I like anything by Chika Shiomi and this series is no exception.

MJ: I’m with Anna here.

SEAN: Do you have manga for your summer vacation?

Tales of the Shiny, Princess Magazine

July 1, 2015 by Erica Friedman Leave a Comment

We’ve had kings galore here on Magazine no Mori, with Young King Ours and Dengeki Daioh, and we’ve met the Queen of all Shoujo, Nakayoshi, so it seems fitting that we’ll spend some time with a princess or two. In Monthly Princess (プリンセス) magazine, everyone is royalty.

Princess magazine is wall-to-wall stories about the rich, the powerful, the magical, and the beautiful orphaned daughters of dukes with whom they fall in love. The stories may take place in far-off places and times, fantasy settings, or may be set in current school or office, but the concepts are the same. The woman (who is no longer always in need of rescuing) will be the center of attention. Ironically, the series pictured on the cover of this issue never originally ran in the pages of Princess. Hosokawa Chieko’s “Hakushaku Reijou” was a series that ran in Hitomi Comics, from 1979-1987, but which has been resurrected here to celebrate the Takarazuka version of this oh-so-classically shoujo manga series about an orphan who is actually a duke’s daughter, the powerful man who saves her life, but lies to her, and her cat, Mimi. (A performance that I was honored to be able to see in person and my goodness, was it chockful of shoujo tropes!)

The Princess website instilled in me a sense of deep cognitive dissonance. On the one hand, the page lists Princess, Princess Gold, Elegance Eve, Petit Princess and other wholly girly magazines, but just above them are listings for the Champion family of magazines, including Champion Red, which is openly women-loathing and misogynistic in ways that make my jaw ache. The fact that these are all bunched together almost makes me suspect of Princess and it’s apparently-wholesome-but-actually-not-at-all obsession with love. Romance, it seems to say, is the opium of the female masses. The website itself is more informative than interactive. Akita Shoten, perhaps more used to selling to hardcore otaku, doesn’t seem to want to look you in the eye as it talks.

Princess monthly has been published since 1974 and reading it gives one a sensation of stepping into a more innocent past. And only a very few of the titles that have run in Princess have skipped to other media – they are few, far between and unknown here in the west. At 630 yen ($5.30 USD at time of writing) per issue, for about 600 pages, you’re getting a lot of fantasy bang for your buck.

Monthly Princess from Akita Shoten: http://www.akitashoten.co.jp/princess

My Week in Manga: June 22-June 28, 2015

June 29, 2015 by Ash Brown

My News and Reviews

Last week, the most recent manga giveaway at Experiments in Manga was posted. The winner will be announced on Wednesday, so there are still a couple of days left to enter for a chance to win the first volume of Assassination Classroom. All you have to do is tell me about your favorite teacher from a manga. I also posted two reviews last week. The first review was of Yaya Sakuragi’s boys’ love manga Hide and Seek, Volume 2. The series continues to be one of her strongest; I’m really enjoying it. The second review was of Taiyo Fujii’s novel Gene Mapper, the most recent release from the Haikasoru. Gene Mapper is a great example of realistic near future science featuring thought-provoking information and bio-technologies.

Organization Anti-Social Geniuses has been posting some great manga-related content recently, including a conversation with manga translator Amanda Haley about Book Walker and the translation field. A new manga feature at OASG was announced for the summer as well: Shoujo You Should Know, the first column focusing on CLAMP’s short series Wish. And speaking of shoujo manga, Shojo Beat is celebrating its tenth anniversary. Among other thing, the imprint is posting brief interviews with some of its creators. First up was Maki Minami followed by Yun Kouga. Over at Things We Lost at Dusk, Alicia posted and interesting essay about gender, identity, and language, specifically in regards to Moto Hagio’s manga They Were Eleven.

Last but not least, I would like to draw everyone’s attention to Chromatic Press’ Kickstarter project to help support and fund Sparkler Monthly‘s third year. I am a huge fan of Sparkler Monthly and everything else that Chromatic Press is doing. (Experiments in Manga’s Chromatic Press tag is filled with my love, reviews, and features.) The content, creators, and everyone else involved are all fantastic. So, please check out Sparkler Monthly. Most of the comics, prose, and audio, is currently available for free online. And if you like what you see, please consider pledging to the Sparkler Monthly Kickstarter project if you can. Every little bit helps. The work being done at Chromatic Press is spectacular; I sincerely hope that Sparkler Monthly and the publisher’s other efforts are able to continue.

Quick Takes

Awkward Silence, Volume 4 by Hinako Takanaga. Some of the very first boys’ love manga that I ever read we’re by Takanaga. I soon began counting her among my favorite creators working in the genre and so was quite pleased when Sublime licensed Awkward Silence. The fourth volume in the series was actually released in English quite a while ago, but I only recently realized that I hadn’t actually read it yet, probably because Awkward Silence isn’t particularly memorable. It’s not a bad manga, and there are plenty of things that I like about it—Takanaga’s artwork is great, for one, as are some of the characters—but overall, Awkward Silence somehow manages to come across as generic. For the most part it’s enjoyable and sometimes even sweet, but the series just doesn’t stand out. Initially, I was under the impression that the fourth volume was the end, but apparently it’s an ongoing series. Being something of a Takanaga completist I’ll likely read any subsequent volumes, but otherwise I don’t know that I would feel compelled to seek the series out.

Just So Happens by Fumio Obata. Originally published in the United Kingdom in 2014, Just So Happens was recently released in North America. Yumiko is a designer who left Japan to study and work in London. From time to time she returns to Japan to visit her family, but she is largely satisfied with her life in England. But Yumiko’s most recent trip to Japan is different. Her father unexpectedly died in a mountain climbing accident and she wants and needs to be there for his funeral. In part drawing inspiration from the imagery and symbolism of Noh theater, Just So Happens is a beautiful and subtle work about family, grief, identity, and coming to terms with past decisions. Obata’s watercolor illustrations are absolutely lovely and very effective in conveying the work’s quiet, introspective atmosphere. The story itself is fairly simple and is emotionally resonant without being overly dramatic. Much like Yumiko, Obata is himself a Japanese artist who has made England his home, so while the graphic novel isn’t necessarily autobiographical, Just So Happens still feels very personal.

Servamp, Volumes 1-2 by Strike Tanaka. From my admittedly limited exposure, my impression of manga originating from Comic Gene is that they tend to have a lot of style without necessarily making a lot of sense. So far, that seems to be the case with Servamp as well. The first two volumes are entertaining, even enjoyable, but I’d be hard pressed to actually explain everything that is going on in the manga. Granted, Mahiru, the series protagonist, doesn’t really know what’s going on either, and the characters who do aren’t being particularly forthcoming. Mahiru likes to keep things simple, which basically means that he ends up doing up anything and everything himself rather than involving other people. And so he’s more or less taken on the responsibility of saving the world, or at least saving humans from the vampires who would kill them all. Mahiru does have some help though, namely an exceptionally lazy but supposedly extremely powerful vampire known as Sleepy Ash, as well as a few other allies. Though it has yet to be seen just how far those allies can really be trusted.

Übel Blatt, Omnibus 1 (equivalent to Volumes 2-3) by Etorouji Shiono. Although there was a fair amount that bothered me about the initial omnibus of Übel Blatt, the series still showed some potential and I was curious to see where it might go. I am happy to be able to say that the most recent omnibus is an improvement. There’s still gratuitous nudity and sexual content, but it doesn’t seem nearly as out-of-place as it was at the beginning of the series. The fact that many of women are dressed in ridiculously revealing and impractical clothing is even lampshaded at one point when Peepi celebrates the fact that she gets to wear “normal clothes.” In general, the female characters actually are treated a little better and are slightly more developed as individuals in Übel Blatt, Omnibus 1, but sadly not to the extent that I really want to see. To be fair, though, most of the characters seem to lack depth. The action sequences and artwork remain fairly strong, and I do largely like the lead, but for the most part Übel Blatt just isn’t connecting with me. This does surprise me somewhat as I usually really enjoy dark fantasy and tales of revenge.

Manga the Week of 7/1

June 26, 2015 by Sean Gaffney, Ash Brown, Michelle Smith, Anna N and MJ Leave a Comment

SEAN: Since next week is a light week (despite being July 1st, it doesn’t count as a first week of July), I thought I’d do the manga in reverse order. And hey, coincidentally, that makes the image line up properly, too! Funny, that.

So we start with Vertical, who have the 5th volume of fanservice and ladies being awesome fantasy Witchcraft Works.

ASH: I’m a bit behind in this series, but I did enjoy the first few volumes.

SEAN: Seven Seas finally have a 7th volume of Toradora! for us (blame Japan, the series comes out very slowly over there), which resolves the horrible cliffhanger from… February 2014. Ah, the joys of monthly series that are caught up. I’ve reviewed it here.

The Seven Seas debut this week is Non Non Biyori, a sweet city-girl meets countryside story that I’ve heard described as Higurashi without all the murder and conspiracy, and seemingly light on fanservice. I’m looking forward to this a great deal.

MICHELLE: Hmm.

ASH: I know quite a few people looking forward to this manga.

ANNA: I don’t know. I will wait and see what the early reviewers say about this one.

MJ: Also “Hmm.”

SEAN: And there can’t be a month going by without an Alice in the Country of Hearts, this one a short story collection called Junk Box.

ANNA: I really liked the first Alice series and have just resigned myself to the fact that the spin-offs are not going to be as good as the main series.

SEAN: Attack on Titan is such a big seller for Kodansha that even the non-fiction books are getting licensed (almost unheard of after a few character guides bombed over here). This one is The Science of Attack on Titan. The author apparently specializes in looking at fantasy worlds and figuring out how they would work. Also, vampi—I mean, Titans!

ASH: Attack on Titan is the only series that has been able to convince Kodansha to break its “manga only” rule.

SEAN: And we have the third and final volume of Maria the Virgin Witch. There’s a one-shot collection of side stories in Japan, but I’m not sure Kodansha has picked that up.

ASH: Kodansha has! Exhibition is currently scheduled to be released in August.

SEAN: Finally, there’s the 9th Lone Wolf & Cub omnibus from Dark Horse, who curse the fact that I’m not starting with them as always.

Did reversing this make something stand out more for you?

MICHELLE: Alas, no. Just one thing to anticipate your review of!

ASH: Reversing the order made me realize that there was an actual order…

ANNA: I’m happy that this week is so light, because maybe I can catch up on my stacks and stacks of unread manga.

MJ: I can do nothing but be miffed on Lone Wolf and Cub’s behalf.

Manga Giveaway: Assassination Classroom Giveaway

June 24, 2015 by Ash Brown

The end of June draws near, which means the end of the first half of the year is quickly approaching, too. It also means that it’s time for another giveaway at Experiments in Manga! Most schools are now out for the summer (at least in the United States), but we mustn’t forget all of those hardworking teachers. And so, this month’s giveaway is for Yusei Matsui’s Assassination Classroom, Volume 1 as published in English by Viz Media. As always, the giveaway is open worldwide!

Considering the sheer number of manga translated into English that are based in a school setting, relatively few seem to grant more than a passing acknowledgement of the teachers. Sometimes they aren’t even included in the story at all or barely make an appearance beyond the background. But occasionally teachers are actually given a prominent role. Assassination Classroom is a series that stands out for that very reason (among many other reasons). Great Teacher Onizuka, the first series that I read in which a teacher was a lead character, is another manga that immediately leaps to mind. There’s S.S. Astro: Asashio Sogo Teachers’ Room, too, but I can’t think of very many other examples off the top of my head that are available in English.

(Okay, I will admit right now that there are plenty of hentai and boys’ love manga that feature teachers, but those particular stories really weren’t the ones that I had in mind…)

So, you may be wondering, how can you win a copy of Assassination Classroom, Volume 1

1) In the comments below, tell me a little about your favorite teacher from a manga. (Never noticed a teacher in your reading? Simply mention that.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

There you have it! Each person can earn up to two entries for this giveaway. You have one week to submit comments. If you have trouble with the comment form, or if you prefer, entries can also be sent to me via email at phoenixterran(at)gmail(dot)com. The comments will then be posted here in your name. The giveaway winner will be randomly selected and announced on July 1, 2015. Best of luck to you all!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: Assassination Classroom Giveaway Winner

My Week in Manga: June 15-June 21, 2015

June 22, 2015 by Ash Brown

My News and Reviews

I was on vacation last week, much of which was spent in the middle of the woods in the middle of Ohio camping with my family. This meant I had very little Internet access. But even so, I did manage to post two reviews last week. My monthly horror manga review project continued with a review of After School Nightmare, Volume 4 by Setona Mizushiro. This was the first volume in the series that I hadn’t previously read before embarking on the review project. The second review was of Satoshi Wagahara’s prize-winning light novel The Devil Is a Part-Timer!, Volume 1 which is very amusing and silly. But, having watched the anime series last year, I already knew that.

As previously mentioned, I was occupied with other things last week, so I probably missed out on all sorts of interesting reading, news, and announcements. However, there were a few things that came across my radar before I left for Ohio. Kathryn Hemmann at Contemporary Japanese Literature wrote about The Cultural Cross Pollination of Shōjo Manga. And speaking of shōjo manga, Digital Manga’s most recent Tezuka Kickstarter is aiming to publish Storm Fairy. (The project also aims to reprint Unico with better image and color quality, which makes me wonder why Digital Manga didn’t do that for the first printing, but I’ve given up trying to understand Digital Manga’s decision making.) Finally, Udon Entertainment announced a new manga license: Shuji Sogabe’s adaptation of Persona 4.

Quick Takes

Attack on Titan: Junior High, Omnibus 3 (equivalent to Volumes 5-6) by Saki Nakagawa. Out of all the various Attack on Titan spinoffs, Junior High is the one that probably has the smallest audience overall and is the one that is the most uneven for me specifically. Sometimes the manga can be a slog to get through, but sometimes it’s absolutely hilarious. At its best, Junior High can actually make me laugh out loud; I keep reading the series for those moments because when Junior High is funny, it is very funny. The manga continues to be a very weird mix of Attack on Titan and a generic school setting with all of the standard tropes that that entails. Sometimes the combination works better than others. This particular omnibus features the school culture festival, a battle of the bands, eating contests and cooking competitions, club activities, lots of cleaning, and school rivalries among other things. I was very pleased to see that characters and storylines from other Attack on Titan spinoffs like No Regrets are now being incorporated into Junior High as well.

Lies Are a Gentleman’s Manners by Marta Matsuo. Since for whatever reason Digital Manga often seems to be hesitant to include “Volume 1” in the title of a new manga, I didn’t initially realize that Lies Are a Gentleman’s Manners is actually an ongoing series in Japan. The first volume stands well enough on its own, but I do hope that any subsequent volumes will be licensed as well. Despite the fact that neither of the leads in this boys’ love manga are particularly likeable—Jonathan, an unscrupulous medical student selling drugs to his fellow classmates, and Paul, his equally unscrupulous (and married) college professor who uses that fact to blackmail him into a relationship—I actually do want to read more. Though some of the situations are unquestionably unsavory, the manga can also be very funny and even sexy on occasion. One of the most interesting things about Lies Are a Gentleman’s Manners is its setting. The manga takes place on America’s modern East Coast among the country’s wealthy, aristocratic upper class. While certainly a fictional representation, some of the social dynamics ring true.

Towerkind by Kat Verhoeven. Originally self-published as a series of mini-comics, Towerkind was recently collected and released by Conundrum Press in a single volume. I was not previously familiar with Verhoeven’s work; Towerkind was a TCAF-inspired impulse buy. I’m very glad that I picked it up though because I’m loving this comic to pieces. Towerkind certainly won’t be to everyone’s liking, but there’s just something about the comic that I find oddly compelling. It’s surreal, strange, chilling, and ominous. Verhoeven effectively uses a small format to create a claustrophobic atmosphere that emphasizes the feeling of impending doom experienced by the characters. The volume opens with a foreword by Georgia Webber explaining the importance of the backdrop of Towerkind—Toronto’s first vertical neighborhood of high-rise apartments St. James Town—which helps to set the stage and tone for the comic itself. Towerkind follows a group of children gifted with unexplainable supernatural abilities who live in the towers of St. James Town while what may be the end of the world approaches.

Welcome to the N.H.K., Volumes 5-8 by Kendi Oiwa. Having already read the original Welcome to the N.H.K. novel by Tatsuhiko Takimoto and having already seen the Welcome to the N.H.K. anime series (which, it turns out, was based on both the novel and Oiwa’s manga adaptation), I am already quite familiar with the story and characters Welcome to the N.H.K., but I somehow managed to forget just how dark and hard-hitting it can be. Ostensibly Welcome to the N.H.K. is a comedy, and it can be quite funny in a painful sort of way, but it deals with some pretty heavy subject matter including (but not limited to) drug use, self-harm, suicide, and mental illness. The second half of the series, while at times outrageous, tends to fall on the more serious side of things. Although I’ve always considered Welcome to the N.H.K. to be Satou’s story, the manga also places particular emphasis on Misaki’s story. It’s been a while since I’ve read or watched them, but I believe the manga actually has a unique ending that’s different from both the novel and the anime. All three version of Welcome to the N.H.K. are very good.

Manga the Week of 6/24

June 18, 2015 by Sean Gaffney, Ash Brown, Michelle Smith, MJ and Anna N 2 Comments

SEAN: The end of the month always brings a deluge from Yen, and if you add on the other publishers doing stuff it can get rather expensive. Let’s see what might be worth your hard-earned cash.

Ze, from 801 Media, has finally hit Volume 10, despite a particularly irregular release schedule.

ASH: I just recently caught up with Ze and am ready for more, even if some of the characters are jerks.

MICHELLE: I read the first few volumes of Ze and then drifted away when there was a lull between volumes. I seem to recall some plot I wasn’t wild about, also, but the details escape me now.

MJ: I *do* remember pretty clearly why I drifted away from Ze, but I’m fairly impressed that it has gone on this long. Long BL series seem so rare.

SEAN: If it seems like it’s been forever since the last Kurosagi Corpse Delivery Service, that’s because it has been – Vol. 13 was out in December 2012. But things are looking up, as not only do we get Vol. 14 next week, but there’s an omnibus re-release in the fall.

ASH: They may not come out very frequently, but I’m always glad to see another volume of this series.

MICHELLE: Oh, that’s a pleasant surprise!

SEAN: Let’s Dance a Waltz hit all the right buttons except one – but it was a big wrong button. Now that our heroine has magically lost weight and become cute through the power of dance, can Vol. 2 hold on to an audience that all groaned when that happened?

MICHELLE: I am avoiding this one just on general principle. It makes me really wish The Stellar Six of Gingacho could’ve continued, because I ended up buying the final volume in Japanese and let’s just say this particular trope is avoided quite satisfactorily.

MJ: Ugh, ugh, ugh, ugh. Ugh. Also, ugh.

ANNA: The Stellar Six of Gingacho was really good!

SEAN: Noragami is a series that just didn’t catch on with me, but others from the Manga Bookshelf team can tell you about its 5th volume.

Your Lie in April’s first volume didn’t completely wow me, but had a lot of promise. Vol. 2 should build on that.

ASH: Music manga! I’m looking forward to reading more.

MICHELLE: As a pianist, I should want to read this but somehow I feel kind of “meh” about it.

MJ: I’m behind, here, but still interested!

SEAN: Seven Seas debuts a new manwha with an omnibus of Freezing 1 and 2. This has been highly anticipated by many readers, despite not having any monster girls that I know of. The blurb calls it “Ultra violent and sexy”, so the usual Seven Seas warnings apply.

No monster girls is not a problem with the 2nd volume of goofy comedy Nurse Hitomi’s Monster Infirmary.

Vertical has the 10th volume of mechstravaganza Mobile Suit Gundam: The Origin. (I give permission for Vertical to use ‘mechstravaganza’ in their blurbs, if they’d like.)

ASH: Still one of the best looking manga being released in English right now.

SEAN: Given the huge popularity of Sword Art Online, and the slightly less huge but still pretty good popularity of Accel World, Yen On licensing a new Reki Kawahara novel series seems obvious. This one’s even in hardcover, so is getting the deluxe treatment. It’s called The Isolator, and seems a bit more sci-fi/aliens than his other series.

Pandora Hearts has some light novels as well, and we get the first in the Caucus Race series next week. MJ?

MJ: Honestly, I had no idea about these! Well, count me in!

SEAN: As for Sword Art Online itself, Vol. 2 of the Progressive novel series takes us into uncharted waters: this hasn’t been adapted in anime or manga form yet. It apparently has elves!

On Yen Press’s manga front, we have the first volume of Alice in Murderland. Given it’s Kaori Yuki, I’m sure the pile of corpses that will no doubt stack up as the series goes on will be exquisite.

ANNA: This title sounds amusing.

SEAN: And continuing with Alices, Are You Alice? has hit nine volumes and still doesn’t know.

Barakamon has its 5th volume of small town life and occasional calligraphy.

ASH: Barakamon has really started to grow on me.

SEAN: Bloody Cross just announced it’s ending in Japan, but I think we still have a few volumes to go here. This is the 7th.

From the author of Scrapped Princess comes another kind, Chaika the Coffin Princess, a fantasy series about a young girl who carries a coffin on her back. No relation to Shoulder-a-Coffin Kuro, though one has to be side-eyeing Yen a bit here.

A double shot of Kaoru Yuki this month, with the 3rd Demon from Afar.

And a 3rd He’s My Only Vampire, a series I’ve become quite fond of.

MICHELLE: I’ll be reading this one.

MJ: Same.

SEAN: Love at Fourteen’s third volume will have adorable and heartwarming 14-year-old romance, I imagine.

ASH: I was a little surprised by how much I enjoyed the first two volumes. Definitely plan on reading more.

MICHELLE: And this one, too!

MJ: I really enjoy this series, so I’m definitely on board here!

SEAN: Secret has a 2nd volume, no doubt filled with survival games and animal masks. I wish the artist would go back to drawing Higurashi spinoffs, honestly.

Lastly, there’s a long-awaited 2nd volume of Void’s Enigmatic Mansion, which will hopefully become a bit more opaque this time around.

Are you feeling excited? Or merely buried in stuff?

My Week in Manga: June 8-June 14, 2015

June 15, 2015 by Ash Brown

My News and Reviews

Two reviews were posted last week at Experiments in Manga. First up was my review of the short comic The Ring of Saturn by Kaiju, a creative team made up of Kate Rhodes and Jennifer Xu. I had previously read the comic online at Sparkler Monthly and loved it, but now it’s available in print! The second review was of Takako Shimura’s Wandering Son, Volume 8. The series is an incredibly important one to me, and I’m very glad that it’s being released in English. The eighth volume ends on a bit of a cliffhanger, and I have no idea when the ninth volume will be released, so now I’m doubly anxious.

Elsewhere online, the MASSIVE/Gay Manga tumblr talks a bit about the success of Gengoroh Tagame’s first manga for a general audience, My Brother’s Husband. It sounds like there’s an ongoing effort to license the series for an English-language release, which I really hope happens! Drawn & Quarterly made an interesting licensing announcement of its own, Yeon-sik Hong’s Uncomfortably, Happily. You don’t hear about many new manhwa being released in English these days. (Although Netcomics does seem to be making a quiet comeback.) Frederik L. Schodt spoke briefly on To the Best of Our Knowledge about Osamu Tezuka and his works. Finally, Organization Anti-Social Geniuses continues its Manga Advice series, this time interviewing four manga designers.

Quick Takes

My Little Monster, Volume 8 by Robico. The last volume of My Little Monster got my hopes up as the series seemed to be regaining its momentum. I wouldn’t say my hopes were dashed reading the eight volume since there were plenty of funny and dramatic moments, not to mention the introduction of a new character as well as several confessions of love, but the series still isn’t going anywhere fast. Both Robico and the characters know this, too, and even comment on the fact that nothing has really changed all that much from the beginning of the story. Although, I do suppose that it’s an important development that Shizuku and Haru are now officially a couple. (Except that I thought they already were? Guess I was wrong.) My Little Monster does frustrate me a little with all of its one step forward, one step back approach to storytelling and relationships, and it seems to have forgotten some of the major plot threads that were started earlier, but I do still like the series as a whole. My Little Monster can be very funny at times and the quirky characters continue to amuse me. So, I’ll likely keep reading.

Say I Love You, Volume 7 by Kanae Hazuki. Although Mei and Yamato are clearly the main characters of Say I Love You, large portions of the series are actually devoted to their friends, classmates, and families. After showing the outcome of Mei and Yamato’s date (which his sister crashed before his older brother was able to drag her away) and the result of their first night spent completely alone together, the seventh volume largely focuses on Megumi’s story. After Megumi was rejected by Yamato, who remains devoted to Mei, she has been trying to ruin all of Mei’s new-found friendships. She actually ends up making herself miserable in the process and ends up withdrawing more and more from the people who legitimately care about her. Like many of the characters in Say I Love You, Megumi is dealing with some pretty serious personal issues. Her self-confidence has been destroyed, she doesn’t trust other people, and her relationships are falling apart. As unlikeable as she can be at times, it’s still heartbreaking to see her intense unhappiness. But the growth and development of the characters in Say I Love You is excellent.

Wuvable Oaf by Ed Luce. I was introduced to Ed Luce and his work thanks to TCAF 2014’s Queer Mixer where I learned that Fantagraphics would be releasing a collection of his most well-known creation, Wuvable Oaf. The volume opens with “Music Is My Boyfriend,” the first major Wuvable Oaf story arc which follows the titular Oaf, an ex-pro wrestler who now spends his time crafting handmade dolls (stuffed with his own body hair) and working at Oaf’s Home for Wayward Kitties Who Are Really Cute & Need Lotsa Love, and his relationship with Eiffel, a much smaller and extremely surly fellow who is the lead singer of Ejaculoid, a disco grindcore band. The volume also includes a collection of Wuvable Oaf short stories and “The Official Handbook to the Oafiverse,” which contains detailed (and humorous) character profiles among other things. Oaf himself is adorable and an absolute sweetheart. Although occasionally kind of gross, Wuvable Oaf can be surprisingly sweet and charming, filled with all sorts of marvelous queerness. Wuvable Oaf is also very, very funny. And it just so happens to be a cat comic, too!

Yamada-kun and the Seven Witches, Volume 2 by Miki Yoshikawa. Despite the manga’s title, the witches of Yamada-kun and the Seven Witches have yet to make their presence known, though I’m assuming it’s only a matter of time. I enjoyed the first volume Yamada-kun and the Seven Witches a great deal. I enjoyed the second as well, but it didn’t manage to leave as big of an impression on me. The fanservice seemed a little more forced in the second volume, too. Still, the series is a comedy more than anything else and I continue to find it to be highly entertaining. (But then again, I do have a proclivity towards stories that include body-swapping and gender play.) Yamada has discovered that he has a strange ability that allows him to switch bodies with another person if they kiss. He doesn’t know why he has this power, nor does he completely understand how it works. But even so, he and the few people who know about it are more than willing to use Yamada’s peculiar skill to their advantage, whether it’s appropriate or not. (Often it’s not.) This of course means there’s all sorts of kissing and other antics going on.