Discussion, Resources, Roundtables, & Reviews
SEAN: I mean, it’s Neighborhood Story, no question. A mere 21 years after Paradise Kiss came out in North America, we get its predecessor, and even more amazing fashion. Cannot wait.
MICHELLE: Yep. No question.
ANNA: I might pick it a few extra times!
ASH: There’s no doubt about it. Any Ai Yazawa manga is going to be an auto-pick for me, so Neighborhood Story it is!
By Kana Akatsuki and Suoh. Released in Japan as “Shunka Shūtō Daikōsha” by Dengeki Bunko. Released in North America by Yen On. Translated by Sergio Avila.
This one took me completely by surprise. For one thing, I’ve never seen Violet Evergarden, the other series this author is noted for, which I know has a large cult fanbase. But even then, the cover art and plot description were sort of obfuscating things. I was expecting a soft little romance, with star-crossed lovers reuniting after ten long years and lots of crying and apologies. Actually, technically, I got all that except for the “soft” part, but that also does not describe the book at all. This is a dark and brutal story about recovering from severe trauma after years of torture, the devastation of those left behind, and living in an active terrorist state where at any moment you might get brutally murdered – or just kidnapped again. Fluffy this ain’t. That said, every page of this does its job to reward the reader, and if you can tolerate a lot of dark depressing angst, it’s one of the best light novels to come out this year.
This takes place in a world where the seasons are controlled by “Agents”, four people chosen to bring about the change to winter, spring, summer and fall. They are humans with powers, and when one dies, another one develops a birthmark which marks them as the next in line. In Yamato (i.e. alternate universe Japan), things have been terrible and rather wintery for the last ten years because of a disaster that took place – during an attempted assassination of the winter agent, the spring agent was kidnapped. She’s been missing all this time, and yet, because a new agent has not appeared, she isn’t dead. The book starts with her return, ready to perform the actions to bring about spring despite PTSD, what appears to be disassociative identity disorder, and a retainer who may be even worse off than she is.
We don’t get explicitly told what happened to Hinagiku when she was kidnapped, except for dialogue-only flashbacks that imply that heavy torture was done to her. But it left its mark, and it’s amazing that she’s here to bring on the spring and try to get things back to the way they were. Meanwhile, her retainer Sakura is still trying to cope with being unable to save her at the time, and being abused by nearly everyone around her in the interim. Rosei, the agent of Winter, has tremendous survivor guilt, given that Hinagiku sacrificed herself so that he could live. And Itecho, his retainer, also blames himself for not being strong enough to go up against dozens of terrorists with guns. There is, thankfully, a BIT of healing in this volume, but when the agent of Autumn is kidnapped in what looks like a repeat of the events of last decade, the Four Seasons decide enough is enough, and they’re not going to take it anymore.
I didn’t even have time to get into the Summer agent/retainer, who have twin issues, or the Autumn retainer, who is the only retainer with no real issues and therefore gets to be the one to suffer. I do know that I really, really, really want to read the next book in this series, and I am thankful that the series seems to do 2-book arcs, so things should reasonably wrap up in it. Highly recommended.
By Satori Tanabata and Tea. Released in Japan as “Akuyaku Reijō Level 99: Watashi wa Ura Boss Desu ga Maō dewa Arimasen” by Kadokawa Books. Released in North America by J-Novel Club. Translated by Satori Tanabata.
I’ve said this before, but I will say it here again: these books are just too long. Normally I don’t carp too much about the length of a book, but it’s relevant in this vase because Villainess Level 99 is a comedy. The bulk of the humor comes from Yumiella being ridiculous, and everyone’s reaction to this. And she’s very funny here, but the trouble is, about 50-60% into the book, you just flag a bit, and want it to be over faster. Luckily, by around 80% or so complete, the actual serious plot kicks in, so it ends strong. But there’s no reason this had to be 300 pages, dangit. Especially since, as the author says in the afterword, this is no longer a villainess series ad there’s no longer a demon lord. Well, mostly. Covers always spoil, and maybe the reason that this book was so long is because the presence of two Yumiellas means that there needs to be twice the pages to contain them.
After the events of the last book, things have settled down mostly, and all Yumiella really has to worry about is Eleanora being around her far more often and a sinking suspicious that she’s dead weight even though she’s running her territory. But then the God of Darkness shows up, and through him Yumiella finally learns the way to get past that Level 99 cap and get even stronger – she has to kill a version of herself from another parallel world. Believe it or not, Yumiella is not as gung-ho about this as you’d expect, especially since there’s only one other Yumiella left – all the other parallel Yumiellas have been killed by virtue of the otome game plot that our Yumiella subverted. Unfortunately, the remaining Yumiella is still alive as she’s destroyed her world… and is heading for our Yumiella next!
The core of this series remains Yumiella’s combination of deadpan humor, oblivious ditziness, and meathead tendencies, and all three of those are in full effect. You’d think that the alt-Yumiella would be quite a different person give that she destroyed the world, but remember even our Yumiella, with her “isekai” personality, had those feelings a few times in Book 1. Honestly, and this is part of the gag, the alternate Yumiella is a heck of a lot more sympathetic than the one we know. Things do turn serious in the end – alt-Yumiella’s trip to this world was not just for evil kicks, and there is a higher power behind all of this. I had sort of guessed how things were going to have to turn out, but the book did enough hoop jumping that I was able to accept a lot of the hand-waving near the end that kept everything from getting too depressing – this IS a comedy, after all. And the epilogue is the best joke in the book. Maybe our Yumiella should be #2 after all.
This volume is well-timed, as the anime starts in January and will likely get through 2-3 books at most. It should be fun to watch. Especially as the episodes won’t all be 75 minutes long. Also, Patrick is just Kyon, right? He’s even doing the Kyon pose! Yare yare.
By Kotoko and Esora Amaichi. Released in Japan as “Konyaku Haki o Neratte Kioku Sōshitsu no Furi o Shitara, Sokkenai Taidodatta Konyakusha ga “Kioku o Ushinau Mae no Kimi wa, Ore ni Beta Boredatta” to Iu, Tondemonai Uso o Tsuki Hajimeta” by SQEX Novels. Released in North America by J-Novel Heart. Translated by Stephanie Liu.
If I’m being honest, as a romance novel this one felt like a bit of a chore. It’s another in the line of Japanese books that I’d summarize as “communication is important”, as we first meet our main couple when they are having the most awkward lunch ever, not even bothering to look at each other. Then we get, well, the title, and after that there’s a lot of lies piling up, on both her side and his side, and the subsequent “falling in love again” part mostly happens because of said lies. This can be a bit hard to take. On the bright side, I did find myself interested throughout the book, as the reader gets no backstory at all before things start, so we’re as much in the dark as Violet supposedly is – how did things get as bad as this? The book is a mystery.
Violet Westley is currently miserable. She’s been engaged to her fiancee Phillip since birth, owing to a debt owed by one family to the other from over a century ago. Unfortunately, Phillip is quiet, reserved, impassive, and uninterested in conversation, and Violet is also shy and awkward. Then one day she’s in a carriage accident and doesn’t wake up for a week. When she does, she has a “brilliant” idea – she’ll fake amnesia, and use that as an excuse to end the engagement. Unfortunately, Phillip runs over to see her the moment that he’s heard she’s awake, and tells her all about their relationship – they were madly in love with each other and very doting. Violet stares – what the hell is he lying for? Why has he suddenly become vibrant and outgoing? Is this really her fiance?
The best part of the book is gradually tracking down what Violet and Phillip’s past was really like, and how the two of them came to be the way they are at the start. Part of it is the usual romantic misunderstandings (Violet hears a staged conversation meant for someone else), and some of it is just down to Phillip being a giant introverted dork in a genre which needs its romantic leads to not be giant introverted dorks. Once you realize what his real feelings are like, they actually feel a bit heavy – s I said, the romance part of the book is not that great, and he feels a bit too obsessed and overdramatic post-amnesia. As for Violet, she doesn’t really have a strong enough personality beyond “the reader” – she’s the equivalent of those isekai protagonists who are all “generic guy with black hair”. Even her faults – well, aside from the lying – are “cute” faults, like being a terrible cook and a terrible embroiderer.
If this was done in one volume, I’d say it was all right. It has a second coming out, though, and I worry that it will feature more annoying misunderstandings. I may stop with this one.
By Tsunehiko Watanabe and Jyuu Ayakura. Released in Japan as “Risou no Himo Seikatsu” by Hero Bunko. Released in North America by J-Novel Club. Translated by MPT.
And so the author has finally achieved his dreams. We’re 14 volumes into a series that began with the idea that our hero was being isekai’d solely to impregnate a queen for the sake of the country, and he never would have to do anything else. Now, 14 volumes later, the sex is basically absent, there’s not even any action in this volume, and the entire book is devoted to political wrangling, all of which needs to be done by Zenjirou, because Aura can’t exactly go gallivanting all over the world. We are now finally in complete, 100% opposition to the title of the series. Fortunately, in this case that’s a good, thing. The worldbuilding is stepping up its game, and we’re also (finally!) seeing a lot of Aura in this volume, and seeing how she is stating to deal with Freya now that she’s married to Zenjirou and living in the same palace. It actually goes pretty smoothly, though now that Freya has gotten her man her eccentricity is more pronounced than ever.
Everyone is back in Capua, at least for the moment. That said, there’s a lot still to do. Lucretia is still trying to become Zenjirou’s second concubine, and while she’s changed her approach to be more mild, she still doesn’t really get him, and does not understand why “I have no actual wants or needs beyond what you have for me” is a bad thing. Aura, meanwhile, hears a secret from the Twin Kingdoms that is potential dynamite – they were once part of the White Empire, long long ago. And there’s a high chance that some people still hold a grudge about it. This is also stunning news for Freya, who realizes that she may have accidentally gotten her little Northern country involved in a massive global conflict by her marriage. And then Zenjirou gets a very odd invitation…
There’s some very funny jokes in this book, most of them involving Freya. Having seen in the previous book that she is thought of in her own country as “that out of control lunatic”, we get to experience a bit of that here, with her having to be literally dragged away from the fridge in Zenjirou and Aura’s room and also declaring that she’s moving in with them when she sees the air conditioner. (Aura says no, sorry, threesome fans.) There’s also her twin brother, who is basically her as a man, and this is emphasized by the color artwork, showing each of them throwing the exact same tantrum when being told they can’t do something they really want to do. Mostly, though, this book is setup for the next major arc. Zenjirou is at a point where he has to accept Lucretia as a concubine, but it makes him unhappy, which will not help anything. And then there’s his mystery invitation. The next book should be really exciting.
Hrm? What’s that? We’re caught up? It’s been over two years since the last book in Japan? Ah well.
SEAN: Oh by gosh by golly, it’s time for mistletoe and manga!… doesn’t rhyme.
First off, apologies to ABLAZE. I’ve mentioned before that I have trouble sometimes tracking down the smaller publisher books, especially when Amazon’s search is so wonky. They released One Hundred Tales, a collection of short stories from the Godfather of manga, Osamu Tezuka. It looks terrific.
ASH: Oh! I knew this was on the way but hadn’t realized it was out yet. There are so many wonderful small publishers to try to keep track of these days.
ANNA: Cool!
SEAN: Now back to the end of the alphabet. The most exciting title of the week for me is Neighborhood Story (Gokinjo Monogatari), the classic shoujo manga from Ribon which spawned, as a sequel which stands alone, Paradise Kiss. A story about fashion, art, and childhood friends suddenly getting popular, it’s a must read. It’s also 300 pages, so I’m guessing it will be 4-5 volumes rather than the original 7.
MICHELLE: So excite.
ASH: Yes, very!
ANNA: I am so happy to have a chance to read this.
SEAN: Also from Viz: Blade of the Moon Princess 2, Boruto: Naruto Next Generations 18, Chainsaw Man 13, Ima Koi: Now I’m in Love 8, Kaguya-sama: Love Is War 27, My Hero Academia 36, Rainbow Days 7, Sakamoto Days 10, and Yona of the Dawn 40.
ASH: I’m a bit behind in my reading of Yona of the Dawn, but am so glad we’re getting a shojo series of such length in English!
ANNA: New Yona is always welcome.
SEAN: Udon Entertainment has Persona 4 Arena Ultimax 3.
Square Enix gives us The Girl I Like Forgot Her Glasses 7 and My Clueless First Friend 4.
Two debuts from Seven Seas. My Dog is a Death God (Yasashii Shinigami no Kaikata) is a josei series from Comic Elmo. A death god has been sent to the human world to find patients at a hospital with regrets and save their souls before they pass on. This looks good, if tear-jerking.
MICHELLE: It absolutely does, on both counts.
ASH: Gotta love a new josei series!
ANNA: We’ve been getting so many intriguing new josei releases recently.
SEAN: We Started a Threesome!! (3 Partner Hajimemashita!!) runs in eBigcomic4, which seems to be an online spinoff of Big Comic. It’s from the creator of Futari Ecchi, aka Manga Sutra, which Tokyopop attempted to release before realizing it was 89 volumes long. This is not 89 volumes long. Two men and a woman have always been childhood friends, and now they’re a married couple… throuple.
ASH: Not a relationship type often featured in licensed manga.
SEAN: And they’re doing an omnibus of Tomo-chan Is a Girl! with the first 3 volumes.
Their danmei side has The Husky and His White Cat Shizun: Erha He Ta De Bai Mao Shizun 4.
ASH: I’m happy to see danmei doing so well.
SEAN: Also from Seven Seas: 7th Time Loop: The Villainess Enjoys a Carefree Life Married to Her Worst Enemy! 4, Backstabbed in a Backwater Dungeon: My Party Tried to Kill Me, But Thanks to an Infinite Gacha I Got LVL 9999 Friends and Am Out For Revenge 4, Dungeon Builder: The Demon King’s Labyrinth is a Modern City! 8, The Eccentric Doctor of the Moon Flower Kingdom 4, Grandmaster of Demonic Cultivation: Mo Dao Zu Shi The Comic 4, How Heavy are the Dumbbells You Lift? 13, Killing Stalking: Deluxe Edition 5, LES MISÉRABLES 7-8 (the final volumes), and Yakuza Reincarnation 8.
One Peace has the 4th manga volume of The Wrong Way to Use Healing Magic.
KUMA seems to have put out The Ruthless Commander and his Reincarnated Warhorse (Shouwaru Boukun Kishu to Nagasare Senba), a oneshot from on Blue about a reincarnated horse and his commander… wait, it’s BL? I sense shenanigans.
ASH: Somehow missed hearing about this one entirely until now.
SEAN: Kodansha, in print, debuts an omnibus of the first three volumes of Fairy Tail. For those who hadn’t read it before.
They’ve also got BAKEMONOGATARI 20, Blood on the Tracks 15, The Hero Life of a (Self-Proclaimed) “Mediocre” Demon! 8, The Summer With You: The Sequel (the third in this series), To Your Eternity 19, Tying the Knot with an Amagami Sister 2, and WIND BREAKER 3.
ASH: I was just thinking about To Your Eternity the other day.
SEAN: Digitally the debut is Sayabito: Swords of Destiny, a series that runs in good! Afternoon from the creator of Is Love the Answer? about two people who travel around after a war trying to locate the human weapons used to fight it.
And there’s Chihayafuru 41, The God-Tier Guardian and the Love of Six Princesses 11, Life 10, Shangri-La Frontier 13, Tying the Knot with an Amagami Sister 11, and The World is Dancing 3.
Kaiten Books has a 5th volume of The Yakuza’s Guide to Babysitting in print.
J-Novel Club has FIVE debuts next week. The Brilliant Healer’s New Life in the Shadows (Isshun de Chiryou shiteita no ni Yakudatazu to Tsuihousareta Tensai Chiyushi, Yami Healer to shite Tanoshiku Ikiru) has both the light novel AND manga (from GA Comic) release next week. A young man who has (sigh) been kicked out of his adventuring party starts an underground healing clinic, and suddenly he’s the bee’s knees.
Butareba -The Story of a Man Turned into a Pig- (Buta no Liver wa Kanetsu Shiro) is about a man who dies after eating raw pig liver and is reincarnated into a fantasy world as a cute l’il pig. He’s saved by a girl who can read minds.
ASH: Huh.
ANNA: That’s a very specific concept right there.
SEAN: The Frontier Lord Begins with Zero Subjects (Ryoumin 0-nin Start no Henkyou Ryoushusama) is a slow life series. After a war, the hero is rewarded with his own lands… an empty plain of grass. Can he survive with the help of the cute girl that always shows up in these situations?
You Were Experienced, I Was Not: Our Dating Story (Keiken Zumi na Kimi to, Keiken Zero na Ore ga, Otsukiai Suru Hanashi) is about a nerdish guy who confesses to a beautiful girl… and she accepts? And then they go to his room? Wait, what? I’ve heard this tries to negotiate its skeezy premise pretty well and isn’t just him teaching her the joys of chastity.
Also next week: the 2nd I’ll Never Set Foot in That House Again! manga, the 11th Infinite Dendrogram manga, Making Magic: The Sweet Life of a Witch Who Knows an Infinite MP Loophole 5, and the 5th Oversummoned, Overpowered and Over It! manga.
Ghost Ship has the 8th volume of The 100 Girlfriends Who Really, Really, Really, Really, REALLY Love You.
ASH: I’ve been lead to believe that I really, really, really need to try this series.
SEAN: Denpa has Under Ninja 3 coming out soon.
Dark Horse has another in its H.P. Lovecraft manga series, this time with The Shadow Over Innsmouth (Innsmouth no Kage), which ran in Comic Beam.
ASH: Looking forward to checking this out; the adaptations released so far have been great.
SEAN: In print, Airship gives us Classroom of the Elite: Year 2 7, Kuma Kuma Kuma Bear 16, The Most Heretical Last Boss Queen: From Villainess to Savior 5, and There’s No Freaking Way I’ll be Your Lover! Unless… 3.
And in early digital we get The Saint’s Magic Power is Omnipotent 9.
Any holiday favorites?
By Shigeru Sagazaki and Tetsuhiro Nabeshima. Released in Japan as “Katainaka no Ossan, Kensei ni Naru: Tada no Inaka no Kenjutsu Shihan Datta noni, Taisei Shita Deshitachi ga Ore o Hōttekurenai Ken” by SQEX Novels. Released in North America by J-Novel Club. Translated by Hikoki.
It can be difficult when writitng a book to keep the reader’s attention. Conversely, one little mistake may make you lose all the goodwill you gained. A little ways into this book, there was a description of a character that was saw jaw-droppingly awkward that it took me right out of the book. The first thing I thought was “oh boy, this book is going to be A CHORE”. Now, I kept going, and honestly, the book turned out far better than I would have expected – the description really was just a one-off, not the sign of worse things to come. But it did mean it took till the final long chapter for me to appreciate that this book wasn’t making the mistakes that a lot of books in this genre make, but was instead basically doing what Der Werwolf does, and making fun of the Japanese habit of humility to ridiculous levels.
Beryl has spent the last twenty-odd years teaching kids in his father’s dojo. He likes to think he’s done a good job, and is quite happy to live his single life out in the boonies. But then he gets a request from one of his old students, Allusia. She’s now the commander of the knights in the royal capital, and she wants Beryl to go there to teach the other knights his swordsmanship. This is fine with Beryl’s dad, who kicks him out of the family home and tells him not to return until he’s married. So Beryl goes to the capital, and keeps running into old students of his, who all happen to be beautiful young women. That said, why are they all so interested in his teaching swordsmanship? He’s just a normal, average, everyday guy. Who can, um, win a battle against the second-in-command of the knights, the top-ranked adventurer in the country, and the top mage in the country. Yeah.
I picked up this series because I wondered if it would be similar to S-Ranked Daughter, and it is and it isn’t. It isn’t because, with no family to deal with here, all the girls he’s taught clearly have massive crushes on him. But it is because, to my surprise, that’s not the point of the book. The romance is actually ignored for the most part, and the focus is instead on Beryl being one of the greatest swordsmen of his generation but being totally unaware of it. This actually extends to every aspect of his life – he does not pick up on any of the signals other women give that they’re into him, and he even talks about his home village being “way out in the boonies, far from the capital” when it’s less than a day’s carriage ride away. How much you enjoy this depends entirely on how much you can tolerate “excessive humbleness” to the point of parody.
But yes, there were no annoying characters, the fights were cool, and I’ll give the next volume a try. Just please never say ‘She looked like a handsome man with breasts” ever again, I beg you.
By Shinji Cobkubo and K Akagishi. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Jake Humphrey.
You know, I appreciate its use as a plot twist or a way to get the characters to do something they would not normally do, but as I was reading this 6th volume of Sabikui Bisco, I began to think that this series goes to the “I am mind controlled” well a few too many times. Half the cast in this book is, at one time or another mind controlled, including Pawoo, who spends nearly the entire volume at the beck and call of the villain. It can be a tad predictable. That said, I can’t really talk about just mind control. Sabikui Bisco is a series that overdoes everything and dares the reader to object. This volume has reality-warping powers pulled out of nowhere, to the point where everyone remarks on this. It brings back every single cast member of the last five books to do a cameo. It has Milo veer so far into the yandere stereotype that I’m comfortable using the term. The book is just A LOT.
Kurokawa, the villain of the first book, is back. She’s in a female body now, she’s a film director, and she’s taken over all of Japan. If you’re thinking that makes no sense, clearly you have not read the other volumes of this series. Bisco and Milo are forced into action by the evil director, who wants to use Bisco’s attempts to stop her as the plot of her latest film. To do this, she has her assistant director/muscle (Pawoo, mind-controlled as I noted before), as well as any number of minions wearing rabbit masks, who she will happily kill if they don’t get her film trivia correct. As the book goes on, and Bisco keeps pulling out ludicrous solutions to Kurokawa’s even more ludicrous problems, I am once again left with the odd dilemma: how do I sum up the plot in this second paragraph if the book doesn’t have one?
This may make it sound like I did not like the book, which is not true. I actually think it’s the best book since the first. The series has always had an element of “action movie” to it, which normally feels like a Shonen Jump series but here is far more like a Western action film, complete with expensive sequences and CGI. The author now trusts the reader to not particularly care that none of this makes a lick of sense, or that Bisco can defeat the bad guy if everyone just claps for Tinkerbell (the second time I have written that this week). And, as with previous volumes, I am highly amused at the contrast between every single woman in the series falling for Bisco, and he and Pawoo still being married, with the fact that he and Milo are clearly destined for each other and the gayest things ever. The whole book is ridiculous.
But that’s why we read this. I don’t need self-examination from Bisco, even when he goes through genuine tragedy. Just keep pulling out more arrows.
By Toru Taba and Falmaro. Released in Japan as “Tensai Ouji no Akaji Kokka Saisei Jutsu ~Sou da, Baikoku Shiyou~” by GA Bunko. Released in North America by Yen On. Translated by Jessica Lange.
We’ve always had the backstory of “the college years” simmering through this series, even if we’ve never had an entire book dedicated to it. We get the odd flashback, such as in this volume. First there was Wein and Ninym. Then, gradually, they added Strang, Glen, and Lowellmina. And the five of them pretty much shook the world as a team. Now each of them is deeply caught up in political intrigue as an adult. Wein and Ninym theoretically have it easier. They’re not from the Empire. They don’t have to participate in this throne war the way the other three do. But of course they really do, and in fact Wein and Ninym have been dragged into it since it began. It’s a proxy war. A war to se which of the five is truly the best, the top strategist, leader, and person. Wein is, frankly, looking down from on top of the pile. He’s the protagonist. But this book suggests it may not last forever.
The battle for the Empire has been going on since the start of the series, and it’s finally reaching its climax. Each of the three candidates for Emperor are making their moves. Lowellmina is dealing with assassination attempts, Strang is trying to show Wein that standing back and doing nothing is going to do nothing but drag his own nation into a war, and Glen is just trying to do his best as a soldier while his boss runs amuck with the largest army. There’s Levetia, which is secretly backing one of the princes basically for the lulz. There’s Eastern Levetia, which just want to have a nice word with Prince Wein but get dragged into the conflict anyway. There’s Falanya, who is cognizant that forces are trying to overthrow her brother and put her in power, but is not sure she wants it. And there’s the Flahm, who are desperate for a beacon of hope to guide them, and may end up being the final stake in Wein’s heart before all this is over.
I admit I was faked out a bit by the author. When Strang asks Ninym if she’s ever wanted to go up against Wein, it feels like a big moment, one that will pay off with her willing betrayal. But that reckons without the fact that she and Wein are joined at the hip, as well as in (unspoken) love, and while it is an intriguing idea (we have not gotten nearly enough of Ninym as a strategist on her own in this series, as opposed to Wein’s sounding board), it’s not something she can do of her own volition. That’s why the cliffhanger for the book is so important. This is the sort of thing that could break the two apart permanently, and I don’t think either of them could stand that. This series is too lighthearted to end by killing off its two leads, but, as I’ve said since the start, I would not be surprised if it ends with Wein “winning” by heading off with Ninym to some quiet place where he can not be a ruler.
The 12th book isn’t scheduled yet, so I’m not sure when we’ll see what happens next. At least the giant throne war is over. For now.
MICHELLE: It’s 100% My Lovesick Life as a ’90s Otaku for me. So much josei nowadays!
SEAN: I’ll pick the other josei title, then. Not only do I always want to support anything that comes from Flowers, but Gold Kingdom and Water Kingdom looks cute and compact as well.
ANNA: Can I pick both? Why not both!?
ASH: Both it is! I love that josei is becoming more common in translation. (Though I must admit that I’m pretty excited for Stone Ocean, too.)
KATE: At the risk of being the most predictable member of the Battle Robot, I’m going to recommend the 30th edition of Tekkonkinkreet, a weird, glorious, head-trippy manga from Taiyo Matsumoto that’s a little more coherent than No. 5, and a lot less depressing than Sunny. If you’re never read anything by Matsumoto, it’s a great introduction to his unique visual style.