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Nora: The Last Chronicle of Devildom, Volume 7

August 27, 2009 by MJ 2 Comments

Nora: The Last Chronicle of Devildom, Vol. 7
By Kazunari Kakei
Published by Viz Media

Read my review of volume six here.

As the dramatic battle that began in volume six continues, power-crazy villain Fall has the Dark Liege cornered, thanks to the revelation of a new and unexpected power. Meanwhile, Nora and Kazuma face their own foes along with other members of the Dark Liege’s army. Still reeling from the news of Nora’s intended fate as the current Cerberus (who is expected to one day pour all of his power into Kazuma–the next Dark Liege–sacrificing his own life in the process) they both fight fiercely and with more feeling than ever before, determined to see this battle through and find a way to bring balance to the demon and human worlds in their own way–one which does not conform to the tragic customs of the past.

Although several of its fight sequences come close to being too long, for the most part this volume manages to keep up the considerable tension and dramatic momentum set into motion in volume six which is, surprisingly, one of the series’ new strengths. Though it offers nothing significantly different from most standard shonen fare, Nora has finally found its groove, particularly in terms of characterization which has advanced substantially over the last two volumes. Nora, especially, has gained new depth since discovering the grim truth about his fate, learning to truly value not only his life but the lives of those who care for him. Though his refusal to let the current Dark Liege calmly accept her own defeat is pure shonen formula, his delivery (“Nobody could ever replace a pain in the ass like you!”) is so charmingly in-character, such judgements are easily dismissed.

Another pleasant bit of characterization that has begun to take shape over the last two volumes is the changing relationship between Nora and Kazuma. Its development has been slow and painful (if often humorous), evolving finally into an uneasy camaraderie that feels especially nuanced and fragile for this kind of story. As in any relationship with a significant power imbalance (Kazuma, after all, has the power to allow or forbid Nora’s use of his own magical abilities with no more than a word, effectively holding Nora’s life in his hands) mutual trust is incredibly difficult to achieve, but in response to the new revelations regarding their shared fate, the two have forged a bond between them, fashioned out of an unlikely combination of fury, indignation, and hope.

Though this series has a ways to go before it can hope to stand up to the best titles of its genre, Nora: The Last Chronicle of Devildom has finally landed on its feet, becoming a solid choice for fans of shonen manga.

Review copy provided by the publisher.

Goong: The Royal Palace 6 by Park SoHee: A-

August 27, 2009 by Michelle Smith

From the back cover:
Hoping to clear the air between Shin and Chae-Kyung, the ladies of the court pressure the young couple to get more intimate. But even a night together may not be enough to push the two close. Amid lingering suspicious of Shin’s involvement with Hyo-Rin, Yul takes the offensive in claiming not only his right to the throne, but to Chae-Kyung’s heart as well… Will her commitment to her husband and her duty as crown princess prevail?

Review:
In this volume, Shin and Chae-Kyung are forced to spend a night alone together by order of the queen mother, who buys into the theory that Chae-Kyung’s recent poor health is caused by problems in her relationship with Shin, and that by forcing them to consummate their marriage, those problems will immediately evaporate. Alas, things do not go as planned. Later developments include Yul admitting his feelings to Chae-Kyung, an attempt to gain more political power for the royal family, a subplot involving the girl Shin used to like, and the news that Chae-Kyung’s grandfather has cancer.

It’s really impossible to convey the awesomeness of Goong through a mere plot summary, because so much of the story is carried by the characters rather than the events. The night Shin and Chae-Kyung spend together is a fascinating example. When they’re first locked up together, Shin asks, “Are you scared? Do you think I’ll attack you?” Chae-Kyung, however, is more worried that she might attack him! Shin abruptly kills any mood that might’ve been brewing, though, when he says, “A man can sleep with a girl whom he doesn’t really like.” Readers can see that he’s developing feelings for her and just trying to protect himself by feigning detachment, but Chae-Kyung can’t. When he’s later moved by her eyes, which speak so honestly of her feelings for him, and tries to kiss her, she slaps him. Shin, of course, has no idea what he did wrong.

What a complicated and complex relationship! This is the sort of situation that two people, no matter how attracted they are to each other, would probably just give up on after failing time and again to truly connect. Shin and Chae-Kyung don’t have this option, however, and continue the pattern of hurting each other. Their struggle is both captivating and frustrating; it’s going to be so vastly rewarding once they finally work things out.

Shin’s insecurities and ignorance of a loving family come into play in the latter half of the volume, when he refuses to allow Chae-Kyung to visit her ailing grandfather. The excuse he gives is that she has duties to attend to, but he’s really worried that she’ll want to stay with her family rather than return to the miseries of palace life. Yul uses this situation to try to get on Chae-Kyung’s good side—suggesting that she get her marriage with Shin annulled and marry him instead since Shin’s dysfunctional upbringing makes him treat her badly—but only succeeds in strengthening her sympathies for Shin. The final scene suggests that Yul’s meddling might backfire on him even further, to which I say, in Nelson’s voice from The Simpsons, “Ha ha!”

An awful lot goes on in a single volume of Goong and all of it is wonderfully balanced and exciting to read. About the only flaw I could mention is that the unattractive artwork during comedic moments still persists. Because of this, I’ve never been able to award any volume a straight-out A, much as I have wanted to, because the random bits of ugly pull me out of the story. They don’t appear to be going anywhere, alas, so it looks like I’ll just have to resign myself to their presence.

Review copy provided by the publisher.

Recommendations for NETCOMICS Sale!

August 24, 2009 by MJ 4 Comments

Ongoing until August 27th, a whole slew of NETCOMICS titles are on sale at Right Stuf and I see a whole lot of titles there worth buying, so I thought I’d recommend a few!

First off, I’d recommend Yeri Na’s Do Whatever You Want, the story of two high school boys navigating school, love, and loyalty as they aim for their musical dreams. I’ve only read the first volume, but I’m dying to read the rest! From my review:

“What’s refreshing about this story is that though it is clearly relationship-driven, it is not obvious at this point that the story is headed toward any particular romantic pairing … Refreshing, too, is that each of the characters is distinctive, complicated, and realistically and sympathetically portrayed …

Don’t be fooled by this book’s cover. Despite its pretty boys, Do Whatever You Want is much, much more than a stylish boys’ love romp or a romance story of any kind, and in fact promises neither. What it does promise is a thoughtful story about friendship and ambition, with an appealing cast of complex young characters searching for their place in the world and with each other.”

*****

…

Boys Over Flowers 36 by Yoko Kamio: B

August 24, 2009 by Michelle Smith

After 36 dramatastic volumes, Boys Over Flowers has finally come to an end. It’s just too bad it didn’t happen sooner. The end of volume 31 would’ve been a good place, for example, with Tsukushi and Tsukasa finally realizing that their love is what’s most important in their lives. Instead, after Tsukasa recovers from a rather lame bout of amnesia, he announces that, due to his father’s sudden illness, he is taking off for New York after graduation and won’t be back for four years.

Although some very nice moments between the main couple result, like a night spent alone together and some endearingly misspelled skywriting, on the whole this volume is a disappointment on that front. With Tsukasa’s departure looming and Tsukushi forced to deal with her wacky family, they spend too much of this final volume apart for it to truly feel satisfying. Also, while I don’t really mind checking in on some of the secondary characters introduced throughout the series, I begrudge them the pages that could’ve been spent on the protagonists.

On the positive side, the volume provides some unexpectedly touching moments with Tsukushi and the rest of the F4, who are graduating, too. Instead of taking dates to the prom, they’ve decided that the last girl they want to dance with in high school is Tsukushi and we get a little farewell moment with each of them. Also, a bonus story about Akira, the least developed member of the F4, proves to be surprisingly entertaining.

Boys Over Flowers might end with a whimper rather than a bang, but don’t take that to mean that it isn’t ultimately well worth reading.

Review copy provided by the publisher. Review originally published at Manga Recon.

Boys Over Flowers 29-35 by Yoko Kamio: B

August 23, 2009 by Michelle Smith

These seven volumes leading up to the conclusion of Boys Over Flowers, which now has the distinction of being the longest shoujo series I’ve read, feature some pretty drastic reversals of fortune. Through spontaneous trips to New York City, love confessions from unexpected sources, kidnappings, deserted islands, stabbings, and amnesia, Tsukushi and Tsukasa endure a whirlwind of on again, off again romance that can leave the reader rather dizzy.

Because it’s better simply to go with the shoujo flow than try to reconstruct a linear account of what happens, I’m going to forgo any attempt at a comprehensive summary and instead write a little bit about each volume individually.

Volume 29: B
Tsukasa is convinced that he can make his mother understand his feelings for Tsukushi. The two of them have a very sweet date, one of their first that’s uniformly happy, with visits to pet stores and attendance at a baseball game. Alas, this game is the scene for a record-breaking home run for an American player, and Tsukushi’s catch of the ball ends up televised in New York, where Tsukasa’s mother happens to see it. She yanks Tsukasa back to New York, and Tsukushi pluckily follows.

After a couple of dumb chapters wherein Tsukushi just happens to run into someone she knows, things pick up again when she finally gets to see Tsukuasa. He coldly tells Tsukushi to go home and that he’s staying in New York of his own volition. She is stunned, but then sweet Rui arrives to lend her his support.

Volume 30: B+
Rui reveals that he is in love with Tsukushi. Although they don’t really work as a couple—the one date they had in the past was pretty awkward—I still see why they’d be drawn together. There’s a certain aura that Rui exudes, a strong, wistful kind of pull, that produces romantic angst of such a wonderful quality that it quite literally makes my heart ache a little. Even better is that this time, Tsukushi’s feelings for Tsukasa don’t waver in the slightest.

On the annoying side of things, Tsukushi just accepts Tsukasa’s cold dismissal and is on the verge of returning to Japan, when Kaede turns up at the airport and gives her one wish (in return for helping save a business deal). Tsukushi wishes for Tsukasa to keep his promise to have a hot pot dinner with her. A few days later, Tsukasa returns to Japan to spend just one day with Tsukushi, and it’s wonderfully sad and they’re about to have a tearful goodbye when suddenly some thugs with tasers arrive and kidnap them.

Volume 31: B
Tsukushi and Tsukasa awake to find themselves on a ship set on auto-pilot. When they arrive at a deserted island, Tsukasa proves himself surprisingly reliable by catching some dinner and, as they explore their surroundings, he reveals why he sent her away in New York and Tsukushi finds the courage to declare that she never wants to be separated from him again. Predictably, it turns out that their friends were behind the kidnapping, but neither Tsukushi nor Tsukasa is mad, since Tsukushi feels the experience has taught her what’s really important to her and Tsukasa decides that he’s going to leave his family.

Alas, Tsukasa’s sudden disappearance has hit the news. There’s a media frenzy upon his return and, in the commotion, he ends up getting stabbed by a guy with a grudge against his family. “Why is it,” Tsukushi wonders, “that every time I’m about to grasp that hand it just slips through my fingers?”

Volume 32: B-
Tsukasa nearly dies from his injuries, but miraculously recovers, though he has amnesia as a result and can’t remember Tsukushi. This ailment is untimely since, in grudging gratitude for Tsukushi’s life-saving actions after Tsukasa’s attack, Kaede says she’ll consider her son dead for one year. Throughout the rest of the volume, Tsukasa continues to be unable to remember Tsukushi while a very annoying, supposedly innocent girl at the hospital begins spending a lot of time with him.

A new romantic rival this late in the game is irritating. It’s strange—previous volumes prove I can accept and be entertained by all kinds of ridiculous drama, but this arc is just incredibly frustrating. I do like that we get a glimpse of a softer side of Kaede, though, and hope that it’ll be followed up on in the future.

Volume 33: B-
The amnesia plot persists and Umi continues to hang around Tsukasa, prompting him to wonder if perhaps she is the person he’s forgotten and taking credit for making a bento lunch that he found nostalgic somehow. Kamio-sensei attempts to portray Umi as naive and oblivious rather than calculating, but it doesn’t really work for me and I still hate her unreservedly. Thankfully, Tsukasa begins to realize that being with her simply doesn’t feel right and eventually scares her away with his temper, still awful when not modulated by Tsukushi’s influence.

Tsukushi, meanwhile, has become convinced that the Tsukasa she loves no longer exists and decides to see him one last time to return the mementos of their relationship. The encounter angers her enough to bean him in the head with the baseball she caught on their date and viola, his memories return. I’m more relieved than anything else, though there are certainly some nice moments after their reunion. The volume ends with them heading out to enjoy the freedom granted by their one-year grace period, promising to think about what to do after that when the time comes.

Volume 34: B+
Now that Tsukushi and Tsukasa are back on the right path—though Tsukushi can’t quite believe that it’s not going to all fall apart again, given their track record—focus shifts back to the subplot involving Yuki and her feelings for Sojiro. After helping him to attain a bit of closure regarding the one girl he ever really loved, she’s been keeping her distance. When they reconnect at a dinner to celebrate Tsukasa’s recovery, he offers to do something for her to repay her actions, and she asks him to instruct at her school’s Tea Club, unaware that the Sara in the club is the very girl that Sojiro once loved.

Angst ensues, but it’s enjoyable. Yuki is a strong and likable character (whose increasingly mature outlook has been an inspiration for our heroine), Sojiro has some unexpected layers, and it’s nice to give the main couple a break sometimes and let others bear the brunt of the drama burden for a while.

Volume 35: B
The Yuki/Sojiro storyline plays out to its conclusion and it’s awesome. Less awesome, alas, are the developments with our main couple. They couldn’t possibly be allowed to enjoy the year of freedom they’ve been granted! Instead, Tsukasa’s father collapses and he decides to go off to New York after graduation and take the reins of the company, leaving he and Tsukushi only a few more days together.

Firstly, this is entirely out of the blue and runs contrary to what Tsukasa was just saying a few volumes ago, about how he’s going to leave the family and all that. Secondly, as his departure approaches, the story turns into a tour of memories, with random reappearances by side characters that I don’t really care about.

All in all, of these volumes, I loved the scenes between Tsukushi and Rui the most, followed by the resolution to the Yuki and Sojiro story. There are some really great moments with the main couple in there, but the amnesia plot and this latest announcement of Tsukasa’s kind of bum me out in that department. Instead of being excited at the prospect of what the final volume will bring, I’m now kind of wary.

Comic, Volume 7

August 22, 2009 by MJ 6 Comments

Comic, Vol. 7
By Ha SiHyun
Published by Yen Press

Buy This Book

Now that Patrick realizes that the girl Neil has fallen for is his own estranged girlfriend, Alice, he is filled with jealousy as Neil and Alice prepare for the school festival’s three-legged race together. Patrick’s partner in the race is a real surprise as well. Later, Alice is mesmerized when she sees Neil dance but is flustered when he confesses his feelings for her. Both Patrick and Alice experience wavering feelings throughout the volume–Alice for Neil and Patrick (shockingly) for ice queen Daria–but by the end they are both drawn back to each other, even if their timing is astoundingly unfortunate.

I have to admit that I just can’t seem to let go of my disappointment over the fact that this series seems to have entirely dropped its original premise–Alice’s pursuit of a career as a manhwa-ga–in favor of becoming just another high school romance. Don’t get me wrong. It’s a very charming high school romance but it is the story of an aspiring young artist that really made it stand out in the first place, and it is a real shame to have (apparently) lost that for good. This volume did not include even the slightest mention of Alice’s artistic dreams or Patrick’s current profession as a manhwa-ga, as though that had never been part of the story at all. That said, I’m as anxious as anyone to find out what happens in the Alice-Neil-Patrick-Daria love quadrangle and I’ll be counting the days until I’m able to read the next volume.

Neil has become an especially appealing character in this volume and I admit I even considered that it might be nice if Alice actually fell for him, since he would be much less complicated to love than Patrick is. It was especially gratifying to discover that his feelings for Alice hold up even after hearing the truth about their original meeting in the music room. On the other hand, Neil obviously has her propped up on a pedestal and that can rarely end well. Oddly, even Daria comes off well in this volume. Okay, “well” might be an exaggeration but she at least shows some of who she actually is and evokes some real sympathy at long last. Patrick and Alice remain as volatile and dense as all girls’ manhwa couples seem destined to be, which is perfectly fine with me.

Though there isn’t enough forward motion in this volume to satisfy my quest for a romantic conclusion, it is fun, fiery, and emotionally fraught, just as I have come to expect from this type of manhwa, and I mean that in a good way. Though the artwork isn’t as stunning as something like One Thousand and One Nights or even Goong, it has its very nice moments, and the visual storytelling flows quite well.

Though it has lost some of the charm and particular draw of its initial volumes, Comic is still a solid choice for fans of girls’ manhwa.

Review copy provided by the publisher.

Nightschool, Volume 1

August 21, 2009 by MJ 1 Comment

By Svetlana Chmakova
Yen Press, 192 pp.
Rating: Teen

As the last of the city’s high school students leave their classes and after school activities, school officials make way for the school’s night students—witches, vampires, and other supernaturally inclined teens who arrive nightly for their own education. Sarah Treveney is the school’s new “Night Keeper” who takes care of the school and its students through the dark hours. She lives with her younger sister, Alex, a young witch (known as a Weirn) who refuses to attend the school due to a mysterious past incident. Sarah teaches her at home but it’s hard to keep tabs on her when she’s working all night, and Alex takes the opportunity to wander outside despite the threat of Hunters—a group of demon trackers who are always on the prowl. Much is left untold in this first volume, but there are strong hints that Alex is more powerful than she knows and perhaps is even possessed by something truly formidable, capable of taking out a full team of Hunters single-handedly. After Sarah disappears during her night shift—so thoroughly that she is erased from all known record—Alex will have to go to the school she so fears in order to get her back.

There are more questions raised than answered in Nightschool‘s first volume, but that is actually one of the series’ best qualities. Information is revealed slowly, organically, and with the kind of sure hand that lets the reader know that all will be revealed in due time. Sarah and Alex’s relationship is nicely established, as are the basic rules of the Nightschool universe, though there is so much to introduce, these 192 pages read like one long introductory chapter. That’s not to suggest that the volume is full of boring exposition. There is plenty going on from the start and each of the story’s main characters and groups of characters possesses real personality from the moment they appear on the page—students, teachers, vampires, Hunters—each deftly introduced amidst the action.

One might even suggest that they are too deftly introduced, or perhaps too carefully so. Though the volume flows very well from moment to moment, there is a sense of something reminiscent of a good Disney film, in which the characters always say just the right words to each other (or aloud to themselves) in order to introduce themselves to the audience. This is not necessarily a bad thing, though it does make the setup feel almost too pat, with Alex cast as the perfect animated heroine—smart, restless, and rebelliously brave with a special inner strength of which even she is not fully aware.

Though Alex is at the center of all the mystery, it is Sarah who is easiest to warm up to in this volume. Her gentle compassion for her students, her obvious love for her little sister, and even her chronic lateness for work are all so endearing, it is honestly devastating when she is snatched out of the world so early in the story. This is brilliant characterization on the author’s part, of course, as the audience is now just as determined to get her back as Alex is. This entire volume, in fact, is perfectly crafted to make the reader desperate for the next one. With a beloved character in peril and so many questions yet unanswered, the second volume can’t appear soon enough.

Truthfully, most of the characters in the story are presented in a sympathetic light so far, including the Hunters so feared by our heroine and her ilk. That the series does not have an obvious villain at this time is definitely a strong point, though considering the way Sarah is removed from the story it seems likely there will be one eventually, perhaps even very soon. Who the Hunters really are is definitely a burning question, along with what or who Alex has lurking inside her. That Alex herself may turn out to be a villain of sorts seems very possible and adds an extra dimension of interest to the proceedings. The lines between good and evil are nicely blurred in Nightschool, creating a compelling, morally gray world that is bursting with potential.

Svetlana Chmakova’s art is as well crafted as her story, particularly in the way she uses her panel layouts. Action moves from one panel to the next seamlessly and with an artful feel, creating powerful action that is easy to follow alongside magical sequences that are often quite beautiful. Her character designs have a sameness about the face—especially the adult women—but they are drawn expressively enough that it doesn’t hinder the storytelling.

Readers who like to have things thoroughly explained as they go will have a rough time with this series but for those of us who enjoy just being swept up in the ride, Nightschool promises to be an eventful one indeed.

Review copy provided by the publisher. Review originally published at PopCultureShock.

Goong, Volume 6

August 20, 2009 by MJ 5 Comments

Goong, Vol. 6
By Park SoHee
Published by Yen Press

Buy This Book

Convinced that the royal couple’s relationship will improve if they consummate their marriage, the elders trap Chae-Kyung and Shin together overnight, hoping to create a romantic mood. Unfortunately for them this just makes things worse as Shin’s stubbornness causes him to let Chae-Kyung go on believing that he does not care for her and she has too much self respect to lose her virginity under those circumstances, regardless of her own feelings. Confronted by Yul the next morning, who pulls Chae-Kyung in for a hug that is too close for either her comfort or Shin’s, Shin buries himself further by piling on insults and hurtful comments that only cement Chae-Kyung’s pain and feelings of disgust. Not that Yul is in any better position with her by the end of this volume. Though Yul arranges for Chae-Kyung to visit a sick family member, his confession of love only helps open her eyes to his darker motivations, further proving to her that the royal family is one seriously screwed up bunch and making her own unrequited love even more painful as a result.

…

Shopping eManga

August 18, 2009 by MJ 19 Comments

It was almost two months ago, when I first started reviewing some DMP titles here, that the folks behind eManga.com asked if I’d review the website itself. Now that I’ve finally taken a good look at the place, I’m sorry it took me so long. With a few small caveats, my experience was very positive and I even discovered some new series I’d like to follow.

The general setup is similar to another pay-to-read website, NETCOMICS, with a few significant differences. While NETCOMICS charges a small fee (25 cents) per chapter for a 48-hour period (with no option to buy long-term), eManga charges by the volume–between 200 points (approximately $2) and 600 points (or less, if one takes advantage of their current sale), depending on the series. Manga released on their June imprint seems to be the cheapest, followed by 801 Media, with titles from DMP’s primary imprint coming in on top. Single volumes can be “rented” for a 72-hour period or purchased (not for download, but for unlimited online access) for an additional fee. Anything rented for a second time is automatically considered a lifetime purchase. Though the price per volume is nicely affordable, it should be mentioned that the minimum purchase is 500 points, so if you’re only interested in one low-price volume, there’s no way to buy only that.

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The Magic Touch, Volume 3

August 17, 2009 by MJ 2 Comments

I have a review in the most recent installment of On The Shojo Beat over at Manga Recon for volume three of The Magic Touch. I previously reviewed the first volume and unfortunately it’s become less interesting to me as the story has progressed. I still have hope, however, that this series could gather up its perfectly good shojo romance elements and make something better of them.

Also in this column, Michelle reviews volume one of Blackbird, a manga I also found myself enjoying against my better judgement.

Enjoy!