• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Home
  • About Us
    • Privacy Policy
    • Comment Policy
    • Disclosures & Disclaimers
  • Resources
    • Links, Essays & Articles
    • Fandomology!
    • CLAMP Directory
    • BlogRoll
  • Features & Columns
    • 3 Things Thursday
    • Adventures in the Key of Shoujo
    • Bit & Blips (game reviews)
    • BL BOOKRACK
    • Bookshelf Briefs
    • Bringing the Drama
    • Comic Conversion
    • Fanservice Friday
    • Going Digital
    • It Came From the Sinosphere
    • License This!
    • Magazine no Mori
    • My Week in Manga
    • OFF THE SHELF
    • Not By Manga Alone
    • PICK OF THE WEEK
    • Subtitles & Sensibility
    • Weekly Shonen Jump Recaps
  • Manga Moveable Feast
    • MMF Full Archive
    • Yun Kouga
    • CLAMP
    • Shojo Beat
    • Osamu Tezuka
    • Sailor Moon
    • Fruits Basket
    • Takehiko Inoue
    • Wild Adapter
    • One Piece
    • After School Nightmare
    • Karakuri Odette
    • Paradise Kiss
    • The Color Trilogy
    • To Terra…
    • Sexy Voice & Robo
  • Browse by Author
    • Sean Gaffney
    • Anna Neatrour
    • Michelle Smith
    • Katherine Dacey
    • MJ
    • Brigid Alverson
    • Travis Anderson
    • Phillip Anthony
    • Derek Bown
    • Jaci Dahlvang
    • Angela Eastman
    • Erica Friedman
    • Sara K.
    • Megan Purdy
    • Emily Snodgrass
    • Nancy Thistlethwaite
    • Eva Volin
    • David Welsh
  • MB Blogs
    • A Case Suitable For Treatment
    • Experiments in Manga
    • MangaBlog
    • The Manga Critic
    • Manga Report
    • Soliloquy in Blue
    • Manga Curmudgeon (archive)

Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Blog

Guest Review: Itazura na Kiss, Vol. 1

March 28, 2010 by Nancy Thistlethwaite 1 Comment

Itazura na Kiss, Vol. 1
By Kaoru Tada
Published by DMP


Buy This Book

High school student Kotoko Aihara has admired Naoki Irie from afar after hearing him make an exceptional high school entrance speech two years ago. Her dream has been to get out of Class F (the class for underperformers) and into Class A—the same class as the school genius Naoki. However, as academics aren’t Kotoko’s strong point, she instead writes him a letter to tell him how she feels. Naoki flat-out rejects her letter offering in front of the entire school, saying he doesn’t like stupid women. Later that night after a mild earthquake destroys her new home, she and her father end up moving into the Irie household.

Itazura na Kiss is a romantic comedy that deals with the uncertainties of life in an amusing, reassuring way. Kotoko constantly finds herself out of her element and out of her depth. She is living in another family’s house and neither Naoki nor his little brother Yuuki wants her there. She hopes to attend college, but her entire class is failing the high school exams. And because she’s in Class F, Kotoko and her classmates are considered inferior and ridiculed by the rest of the school. To top it off, she has unwittingly attracted the attentions of a well-meaning but overly emotional yanki-type, Kin-chan, whose passionate, public declarations make her life at school even more embarrassing. Yet even through this, she now has a mother figure in her life (Naoki’s mom) who loves having a girl in the house and who does everything she can to make Kotoko feel welcome, including bringing Kotoko and Naoki together at every opportunity. Kotoko has great friends, including Kin-chan, who are there to help and watch out for her. Even Naoki, however unwillingly at the onset of trouble, is there to lend a hand when it matters. Her uncertainty about her future doesn’t go away, but she has two loving families living together in the same house to support her as she finds her own path.

Kotoko is a dreamer with a big heart. It’s these qualities that allow her to press on when others would simply give up. And most girls would with Naoki. He’s conceited, apathetic, and takes special pleasure in making Kotoko feel uncomfortable. But living in the Irie household gives Kotoko a chance to get to know a side to Naoki that he doesn’t show to others, and he is smart enough to realize that her involvement in his life is making him grow as a person. Rather than Naoki, who may be on his way to becoming a more compassionate person, Kotoko’s growth centers on surpassing obstacles that are deemed impossible by other more practical characters.

As well as creating engaging characters, Kaoru Tada had a gift for facial expressions. Readers can quickly grasp the emotional and comedic aspects in any given scene. Her artwork is full of gags, but this enables those rare quiet moments to have a special impact. This series was created in the early nineties, and it has smaller panels and fewer screentones than you would find in many current shoujo manga series. This isn’t a detriment to the work; it’s simply different. It also should be noted that the series wasn’t complete at the time Kaoru Tada passed away. However, this series is about the characters’ journey through life, not their destination, so it remains a fulfilling read even though the series never reaches the mangaka’s planned ending.

Itazura na Kiss has long been a favorite of mine, and I’m glad to see it released in the US. Few shoujo manga series allow the reader to follow the characters out of high school and stay with them as they go through subsequent stages of life. Amid the hardships and uncertainty the characters face, there is joy in these pages. Highly recommended.

Review copy provided by the publisher.

Filed Under: MANGA REVIEWS Tagged With: itazura na kiss, manga, nancy thistlethwaite

Hurray for Harlequin!

March 27, 2010 by MJ 4 Comments

Earlier this week at PopCultureShock, the ladies of the Manga Recon team (along with guest reviewer Danielle Leigh) took on several of DMP’s new Harlequin manga in a two-part column, “Hurray for Harlequin!”

First, a confession: I never got into Harlequin romances. For some reason they just never clicked with me. I would even go so far as to say that I actively disliked them the few times I tried to pick them up. As a teen, I was more interested in supernatural or fantasy-tinged romance from the likes of Mary Stewart or Andre Norton, or those generic teen romances with titles I can’t remember and cheesy plot lines I will never forget. No, really.

There was one, for instance, about a high school girl who gets roped into tutoring this guy who nobody likes because (though he is totally dreamy) he’s a terrible student and rude to everyone. As it turns out, he’s actually legally deaf and has been hiding it from everybody, including his dad who thinks he has a problem with earwax buildup. Our heroine, of course, figures it out, helps him cope, and winds up with a totally dreamy boyfriend as a reward.

But I digress.

Though I never got into Harlequin, I’ve read my share of formula romance, so when I was asked to review a couple of these stories I was determined to keep an open mind. Even so, I was skeptical about prose romance adapted to manga, especially as single volumes which would inevitably have to be abridged.

To an extent, my hesitation was warranted, but even a crusty old Harlequin-hater like me found plenty to enjoy.

The two manga I reviewed were Honor’s Promise (Original text by Sharon Sala, Art by Esu Chihara) and the surprisingly charming Only By Chance (Original text by Betty Neels, Art by Chieko Hara). Check out my reviews to see what I thought!

Filed Under: Uncategorized Tagged With: manga

Little Butterfly Omnibus

March 27, 2010 by Katherine Dacey

As a feminist, yaoi puts me in a difficult position. On the one hand, I love the idea of women creating erotica for other women, of creating a safe and fun space where female readers can explore their sexual fantasies. (I don’t know about you, but Ron Jeremy has never factored into any of mine.) On the other hand, I’m often uncomfortable by the way in which rape is conflated with extreme romantic desire in yaoi; it’s disappointing to see the “you’re so irresistible, I couldn’t help myself!” defense trotted out as a justification for sexual violation. To be sure, the rape-as-love trope abounds in romance novels and mainstream pornography as well, but as a feminist, it makes me just as uncomfortable to encounter it in yaoi as it does to encounter it in an episode of General Hospital. Then, too, there’s the issue of the characters’ homosexuality, which is sometimes trivialized (i.e., they’re not gay, they’re just so good-looking they couldn’t help themselves!), ignored, or “explained” by a character’s tragic past, as if sexual orientation were a simple, situational decision.

Still, I’d be remiss in my manga critic duties if I ignored such an important publishing category. With a little encouragement from readers, therefore, I decided to take a chance on Hinako Takanaga’s Little Butterfly (DMP), a title I’ve heard praised by folks whose interest in yaoi fell everywhere on the spectrum between Can’t Get Enough to Not My Cup of Tea. And you know what? I liked it. So much, in fact, that I would recommend Little Butterfly to just about any manga fan as a first-rate character study about two teens exploring the boundary between friendship and love.

Those teens are Kojima, a popular, cheerful student, and Nakahara, brooding loner with a troubled home life. (Dad is abusive; mom is mentally ill.) Kojima finds Nakahara intriguing and makes a concerted effort to befriend him — overtures that Nakahara ignores or rebuffs until circumstances (namely, a class field trip) throw them together. To his great surprise, Nakahara discovers that Kojima is kind and sympathetic, while Kojima discovers that Nakahara is intelligent and mature for his years, qualities that Kojima greatly admires. (In a genuinely funny and revealing scene, Nakahara names an NHK newscaster as his “favorite celebrity.”) As the teens spend time together, Nakahara develops an intense, romantic attachment to Kojima that leaves Kojima bewitched, bothered, and bewildered: is he falling for Nakahara? Is he gay? And is he ready for a sexual relationship?

What makes Little Butterfly work is Hinako Takanaga’s ability to capture the ebb and flow of close, same-sex friendships; anyone who’s ever felt a strong attachment to a high school friend will recognize the dynamic between Kojima and Nakahara as it vacillates between intense candor and intense self-consciousness. As their friendship shades into romance, Takanga shows us, through her characters’ awkward body language and behavior, how uncertain both boys are about what to do next. In one chapter, for example, Kojima frets that his lack of sexual experience will be a turn-off for Nakahara (who, in reality, isn’t much more experienced than Kojima is), nearly derailing their relationship in the process. That realism carries over to their actual encounters, which are clumsy, start-and-stop affairs, characterized by miscommunication and fumbling as each boy tries to figure out what he feels comfortable doing. These scenes feel real enough, in fact, that they aren’t sexy; anyone reading this book out of prurient interest will be sorely disappointed.

Though Takanaga handles the boys’ friendship with great sensitivity, Little Butterfly has some dramatically unpersuasive moments. In one unintentionally comic scene, for example, Kojima throws his arms around a friend to gauge his interest in other men, concluding that he only has eyes for Nakahara. (Presumably he didn’t get the memo that being gay doesn’t mean you’re attracted to every member of the same sex.) Takanaga also lays it on thick with Nakahara’s home life; not only is Nakahara’s father violent and emotionally distant, he’s also willing to use his wife and son as a bargaining chip for a loan, while Nakahara’s mother is such a perfectionist that she suffered a psychotic break after Nakahara failed to gain admission to an elite elementary school. I suppose these things happen — undoubtedly, New York Magazine has published a trend piece about Upper East Side moms afflicted with the same condition — but these touches register as melodramatic excess, as if having an abusive father and a crazy mother wasn’t quite enough to explain why Nakahara sought an emotional and physical connection with Kojima.

Still, it’s impossible not to read Little Butterfly without growing attached to the characters; their sincerity and awkwardness are genuinely endearing. I can’t say that Little Butterfly worked for me as yaoi, but I certainly enjoyed it as a coming-of-age story (no pun intended) that captured the difficulties and joys of teenage relationships in an engaging, emotionally honest manner. Recommended.

LITTLE BUTTERFLY: OMNIBUS • BY HINAKO TAKANAGA • DMP • RATING: MATURE (18+) • 560 pp.

Filed Under: Manga, Manga Critic, REVIEWS Tagged With: DMP, LGBTQ, Romance/Romantic Comedy

Little Butterfly Omnibus

March 27, 2010 by Katherine Dacey

butterfly_omnibusAs a feminist, yaoi puts me in a difficult position. On the one hand, I love the idea of women creating erotica for other women, of creating a safe and fun space where female readers can explore their sexual fantasies. (I don’t know about you, but Ron Jeremy has never factored into any of mine.) On the other hand, I’m often uncomfortable by the way in which rape is conflated with extreme romantic desire in yaoi; it’s disappointing to see the “you’re so irresistible, I couldn’t help myself!” defense trotted out as a justification for sexual violation. To be sure, the rape-as-love trope abounds in romance novels and mainstream pornography as well, but as a feminist, it makes me just as uncomfortable to encounter it in yaoi as it does to encounter it in an episode of General Hospital. Then, too, there’s the issue of the characters’ homosexuality, which is sometimes trivialized (i.e., they’re not gay, they’re just so good-looking they couldn’t help themselves!), ignored, or “explained” by a character’s tragic past, as if sexual orientation were a simple, situational decision.

Still, I’d be remiss in my manga critic duties if I ignored such an important publishing category. With a little encouragement from readers, therefore, I decided to take a chance on Hinako Takanaga’s Little Butterfly (DMP), a title I’ve heard praised by folks whose interest in yaoi fell everywhere on the spectrum between Can’t Get Enough to Not My Cup of Tea. And you know what? I liked it. So much, in fact, that I would recommend Little Butterfly to just about any manga fan as a first-rate character study about two teens exploring the boundary between friendship and love.

Those teens are Kojima, a popular, cheerful student, and Nakahara, brooding loner with a troubled home life. (Dad is abusive; mom is mentally ill.) Kojima finds Nakahara intriguing and makes a concerted effort to befriend him — overtures that Nakahara ignores or rebuffs until circumstances (namely, a class field trip) throw them together. To his great surprise, Nakahara discovers that Kojima is kind and sympathetic, while Kojima discovers that Nakahara is intelligent and mature for his years, qualities that Kojima greatly admires. (In a genuinely funny and revealing scene, Nakahara names an NHK newscaster as his “favorite celebrity.”) As the teens spend time together, Nakahara develops an intense, romantic attachment to Kojima that leaves Kojima bewitched, bothered, and bewildered: is he falling for Nakahara? Is he gay? And is he ready for a sexual relationship?

What makes Little Butterfly work is Hinako Takanaga’s ability to capture the ebb and flow of close, same-sex friendships; anyone who’s ever felt a strong attachment to a high school friend will recognize the dynamic between Kojima and Nakahara as it vacillates between intense candor and intense self-consciousness. As their friendship shades into romance, Takanga shows us, through her characters’ awkward body language and behavior, how uncertain both boys are about what to do next. In one chapter, for example, Kojima frets that his lack of sexual experience will be a turn-off for Nakahara (who, in reality, isn’t much more experienced than Kojima is), nearly derailing their relationship in the process. That realism carries over to their actual encounters, which are clumsy, start-and-stop affairs, characterized by miscommunication and fumbling as each boy tries to figure out what he feels comfortable doing. These scenes feel real enough, in fact, that they aren’t sexy; anyone reading this book out of prurient interest will be sorely disappointed.

Though Takanaga handles the boys’ friendship with great sensitivity, Little Butterfly has some dramatically unpersuasive moments. In one unintentionally comic scene, for example, Kojima throws his arms around a friend to gauge his interest in other men, concluding that he only has eyes for Nakahara. (Presumably he didn’t get the memo that being gay doesn’t mean you’re attracted to every member of the same sex.) Takanaga also lays it on thick with Nakahara’s home life; not only is Nakahara’s father violent and emotionally distant, he’s also willing to use his wife and son as a bargaining chip for a loan, while Nakahara’s mother is such a perfectionist that she suffered a psychotic break after Nakahara failed to gain admission to an elite elementary school. I suppose these things happen — undoubtedly, New York Magazine has published a trend piece about Upper East Side moms afflicted with the same condition — but these touches register as melodramatic excess, as if having an abusive father and a crazy mother wasn’t quite enough to explain why Nakahara sought an emotional and physical connection with Kojima.

Still, it’s impossible not to read Little Butterfly without growing attached to the characters; their sincerity and awkwardness are genuinely endearing. I can’t say that Little Butterfly worked for me as yaoi, but I certainly enjoyed it as a coming-of-age story (no pun intended) that captured the difficulties and joys of teenage relationships in an engaging, emotionally honest manner. Recommended.

LITTLE BUTTERFLY: OMNIBUS • BY HINAKO TAKANAGA • DMP • RATING: MATURE (18+) • 560 pp.

Filed Under: Manga Critic Tagged With: DMP, Yaoi

Female Manga Bloggers From A-Z

March 26, 2010 by MJ 39 Comments

So, a friend mentioned on Twitter today that she’d been engaged in discussion with another friend on the topic of the manga blogosphere, revolving around the fact that it is a “very white male space … that seems to profoundly effect the way things are talked about.”

I was floored. All I could think was, what manga blogosphere is she talking about, because the one I’m looking at is really not that–at least not the “male” part. While I’d agree that both western comics blogging and anime blogging are male-dominated from what I’ve seen, my experience with manga blogging has been very much the opposite. Sure, there are a slew of great male manga bloggers out there (and many, many male fans) but when I look at my blogroll or RSS aggregator, women outnumber them by far. …

Read More

Filed Under: FEATURES Tagged With: manga, women in manga

Only By Chance

March 25, 2010 by MJ Leave a Comment

Original text by Betty Neels
Art by Chieko Hara
Harlequin K.K./SOFTBANK Creative Corp., 126 pp.
Rating: YA (16+)

Henrietta Cowper is a low-level assistant to an insufferable physician at a London hospital. Adam Ross-Pit is a well-respected surgeon at the same facility. When Henrietta falls ill in the middle of her shift, Adam forces her into an extended hospital stay, ultimately resulting in the loss of her apartment and her job. Feeling responsible, he steps in to take care of her cats and ends up finding her housing and a new job as well—as a tour guide in a large manor near his country home. Though Henrietta and Adam are each drawn to one another, their social stations place them worlds apart. Is it possible for two gentle souls like these to overcome societal barriers?

Very little happens over the course of this manga, but that’s actually what makes it work so well. While more ambitious stories fall to pieces under the constraints of manga adaptation, this simple, quiet romance slips perfectly into place with no obvious cuts or awkward shifts in tone. There’s no real drama here—no true villains or any genuine conflict. The romance is inevitable but lazily pleasant, like sunlight on a Sunday morning or a cat stretching out after a long nap. Do these comparisons sound ridiculous? They’re not. If you’re now picturing a lazy cat stretching in the sun, you’re actually right on track.

Betty Neels’ protagonists are sweet in an vintage sort of way, reminiscent of the quieter characters of Louisa May Alcott or L.M. Montgomery, perfectly matched by Chieko Hara’s old-fashioned shojo character designs. The art is a real highlight of this volume overall, especially in terms of pacing and emotionally rich imagery. Though the lettering is as sloppy as all the books in this series, its stodgy font choice actually feels rather appropriate.

Though Only By Chance delivers neither high drama nor epic romance, this gentle little love story is truly a breath of fresh, spring air.

Only By Chance is available now at eManga.com. Review access provided by the publisher

Filed Under: MANGA REVIEWS

Honor’s Promise

March 25, 2010 by MJ Leave a Comment

Original text by Sharon Sala
Art by Esu Chihara
Harlequin K.K./SOFTBANK Creative Corp., 125 pp.
Rating: YA (16+)

Though still mourning the recent loss of her mother, Honor O’Brien strives to keep her mother’s memory alive by caring for the restaurant she started after the death of her husband. When a young man from Colorado sweeps into town and sweeps Honor off her feet, she’s surprised to find herself experiencing real happiness alongside such fresh grief. She’s even more surprised to discover that the man she’s fallen for so quickly is actually in town to deliver a rather appalling truth about her own origins. Can Honor truly find love with the man whose job it is to tear down everything she’s ever known?

This manga starts out strong, easily establishing a believable whirlwind romance between Honor and her out-of-town suitor, Trace, as well as a solid foundation for Honor herself, including her close relationship with her mother and their restaurant’s built-in “family.” If Honor’s surroundings don’t exactly feel like Texas, they do feel like home and all the things (wonderful and hurtful) that go with it. Less well-developed are the story’s antagonists—long-lost relatives threatened by Honor’s arrival into their lives—which keeps the volume’s dramatic climax from truly packing a punch. The greatest sacrifice made in the name of single-volume romance, however, is the lack of time allotted to Honor’s grief after Trace’s revelation, which robs her of an opportunity to achieve real depth.

Though DMP’s adaptation suffers from stunningly sloppy lettering—pages and pages of square blocks of text artlessly pasted over rounded speech balloons—the visual storytelling is quite effective. Honor, in particular, is expressively drawn, which plays a large role in her believability, especially in the beginning.

Though the manga’s middle chapters are too rushed to support the story as well as they might in prose, Honor’s Promise is a sweet, dramatic, genuinely poignant romance.

Honor’s Promise is available at eManga.com. Review access provided by the publisher.

Filed Under: MANGA REVIEWS

Comics about women, by women

March 24, 2010 by MJ Leave a Comment

Just a quick link to today’s recommended book list from Flashlight Worthy Books, Graphic Novels: About Women. By Women. The list is just one of several from FWB celebrating Women’s History Month, standing alongside categories like historical fiction, crime fiction, and young adult fiction.

Since graphic novels are such a broad medium, recommendations range from Alison Bechdel (The Essential Dykes to Watch Out For) to Fumiyo Kouno (Town of Evening Calm, Country of Cherry Blossoms) and everything in-between, including two titles from Fumi Yoshinaga. It shouldn’t be too surprising to hear that one of those, All My Darling Daughters, was recommended by me.

Quite a few manga made the list (including another of my personal favorites, Ai Yazawa’s NANA), but as FSW’s Peter Steinberg points out, the list is much less dominated by manga than one might expect. …

Read More

Filed Under: NEWS Tagged With: comics, manga

Dr. Slump 1 by Akira Toriyama: C+

March 24, 2010 by Michelle Smith

From the back cover:
When goofy inventor Senbei Norimaki creates a precocious robot named Arale, his masterpiece turns out to be more than he bargained for!

Basking in the glow of his scientific achievement, Senbei scrambles to get Arale in working order so the rest of Penguin Village won’t have reason to suspect she’s not really a girl. But first Senbei needs to find her a pair of glasses and some clothes…

Review:
This series was recommended to me after I enjoyed Toriyama’s COWA! so much. Unfortunately, this one’s not really my cup of tea. I had originally borrowed the first three volumes from the library, but struggled to make it through just one. To be fair, its advocate was completely forthcoming about the “cracktastic humor.” It just didn’t turn out to be the kind that works for me.

This is the story of a socially inept inventor named Senbei Norimaki and the girl-shaped robot he creates. It begins promisingly enough, with a fun sequence detailing Arale’s creation, but quickly derails into zany, juvenile humor as Senbei ventures into a department store to buy undies for his creation. Some chapters are kind of fun—like when super-strong Arale is hounded by every sports club at school or when she finds a camera Dr. Norimaki invented that takes photos of the future—but many feature boogers, butts, and boobies.

I’m sure this would delight the young male audience for which it was intended, and it’s not as if COWA! was completely devoid of this kind of humor itself. The thing is—COWA! had real heart. I think I’ll always fondly remember the scenes of the monster kids and their wonderment as they took in the human world, but there are no similar moments in Dr. Slump, at least so far. That said, some of the gadgets are intriguing enough—like the camera—that I might give it another chance at some point. I do think, though, that it’s going to be one of those series that’s best in small doses.

Filed Under: Manga, Sci-Fi, Shounen Tagged With: Shonen Jump, VIZ

Otomen 5 by Aya Kanno: B

March 23, 2010 by Michelle Smith

Otomen is the story of Asuka Masamune, a manly-seeming boy who harbors a secret love for “girly” pursuits like cooking and sewing. In this volume, his tomboyish girlfriend, Ryo, is picked to represent the second-year students in the school’s Ideal Woman competition, and draws on things she’s learned from Asuka in order to meet the challenge.

The third chapter focuses on Juta, who is secretly a shojo mangaka, and his attempt to protect the dreams of his fans who would be crushed to learn their favorite series is penned by an indolent playboy. The fourth sees the return of the Beauty Samurai, an awesome sentai duo (Asuka and fellow otomen and makeup expert, Tonomine) that beats up bad guys and gives makeovers!

As in previous installments, this volume offers episodic comedy with a decidedly silly bent. All of the stories within share the common theme of identity, too, whether it’s Ryo deciding that she really ought to know how to cook and sew (Asuka assures her she’s fine the way she is), Juta struggling to maintain his anonymity, or Asuka and Tonomine finding a covert outlet for their skills while living in fear of disappointing a parent. Kanno’s light touch ensures the feel remains light and fun, but it’s nice that there are deeper things one can read into it if one chooses.

Review copy provided by the publisher. Review originally published at Manga Recon.

Filed Under: REVIEWS Tagged With: Aya Kanno, shojo beat, VIZ

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 944
  • Page 945
  • Page 946
  • Page 947
  • Page 948
  • Interim pages omitted …
  • Page 1047
  • Go to Next Page »
 | Log in
Copyright © 2010 Manga Bookshelf | Powered by WordPress & the Genesis Framework