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Blue Exorcist Volumes 1 and 2

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When I start to read this I realized that I was going to sample the first two volumes of this series on two different platforms. I bought the first volume on the Viz iPad app when it was on sale, then I was sent a print review copy for the second volume. I expect as I transition more to reading things on my iPad that my physical and virtual bookshelves will fragment even more, with volumes of the same series scattered between them.


Blue Exorcist Volume 1 by Kato Kazue

I tend to skim rather than read closely reviews of series that I might later end up reviewing myself, but my general impression of the response to this first volume is that most manga bloggers thought it started out sort of rocky and then stabilized a bit in the final chapters. This was pretty much my response to the first volume as well. The intriguing elements of this manga for me initially were the character designs and art. The story seemed poorly paced, with too many elements and twists introduced in so few pages it was hard to keep track of what was going on. Rin is a troubled young man who lives in a monastery with his guardian/priest and his seemingly timid younger twin brother Yukio. In the first few chapters it is revealed that Rin’s guardian is a powerful exorcist, Rin is the son of Satan and thus demonic, and evil demons walk the earth that must be battled. Rin gets a magic key and a special sword, Rin’s guardian is possessed by Satan, there’s a terrible fight, a headmaster who enjoys wearing knickers and a top hat tells Rin he has to enroll in a special school for exorcist, Rin goes to boarding school and finds out that his younger brother has been hiding his identity as a gifted student of exorcism all along. All of this happens in roughly the first chapter. That is a lot of plot to wade through in order to set up what is essentially a Harry Potter like situation of a young, not very gifted boy suddenly enrolling in exorcism boarding school.

Once Rin is at school, things settled down a bit and I was able to enjoy the manga a bit more. The visual design of Blue Exorcist is appealing. The characters are all wearing gothy punked out clothes that would serve as good inspiration for a cosplayer. I was really interested in the few glimpses of Blue Exorcist’s setting. True Cross Academy is shown as a mini city full of buildings with different architectural styles stacked up in a hill, with multi-level roads running through it. There seems to be a system of different keys acting as dimensional portals, and Rin soon finds out that school is going to be challenging, as he has to hide his identity as Satan’s son while attempting to study for the first time in his life. Rin’s slight fangs and sloppiness contrast with Yukio’s buttoned up personality and glasses. Rin finds out that the little brother he always thought he had to protect is more competent at demon fighting than him.

Blue Exorcist Volume 2 by Kato Kazue

Like most shonen manga, after the inital set-up, Rin starts gathering a team of allies around him. The first is a gentle girl named Shiemi, who is devoted to gardening and traditional clothing. When Rin helps save her, she promptly decides to enroll in exorcism school too. The second volume focuses on the rocky relationships between the characters. Rin keeps falling asleep in class and is shunned by the other students. Shiemi is bullied by her female classmates. Rin’s classmate Suguro hates Rin because it seems like he’s not taking school very seriously. The confrontation between Suguro and Rin soon becomes physical as they take risks during their demon fighting lessons. The students begin to explore their powers. Shiemi’s affinity for plants allows her to summon a familiar that can produce healing herbs on command.

Kazue’s character designs are very distinct, so it was easy to keep track of Rin’s classmates. The second volume mixed classroom action with the students getting to know each other. It seemed a lot more consistent, and even though “students train to develop super powers” isn’t a particularly innovative concept to build a manga around, so far I’m enjoying the way it is executed in Blue Exorcist. If the third volume continues the upswing in story quality, I’ll likely be hooked on this series. Blue Exorcist is certainly one of the more stylish shonen manga to come out recently, and it seems like the author is improving. I’d recommend reading the first two volumes at once, because the first volume isn’t really enough to give a reader a full picture of what the series is going to be like.


Review copy of volume 2 provided by the publisher

Off the Shelf: Deliver us from slugs

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MJ: Well, hello there, colleague! I’m still really enjoying that.

MICHELLE: Why, hello! Fancy meeting you here.

MJ: What a lovely space we have here. Makes me feel like talking about books. And you?

MICHELLE: Now that you mention it, I am experiencing an odd tingle, so I’m going to take that as an invitation to begin! My reads this week provoked wildly different reactions in me. One was epic and impressive while the other was icky and confusing. Saving the best for last, I shall begin with the latter.

I didn’t have very high hopes for Amnesia Labyrinth, the two-volume (so far) series released this year by Seven Seas, but it is a mystery manga penned by Nagaru Tanigawa, the man behind the Haruhi Suzumiya light novels, so I at least expected to derive a modicum of enjoyment from it. Alas, while the first volume is merely not very good the second is downright craptacular.

The story begins promisingly enough. Readers witness the murder of a high school student who turns out to be the class president of the school our protagonist, Souji Kushiki, is transferring into. Two other students have died over summer break, as well. One of Souji’s classmates, the perky Yukako Sasai, is attempting to investigate and enlists his help because he’s very smart and she thinks his politician dad might be able to get her access to the police department’s information. By this point, I was expecting a Haruhi-esque story, in which stoic Souji goes along with energetic Yukako’s efforts to unravel the mystery. Instead, the story goes in a completely different direction, as we begin to learn more and more unpleasant things about Souji’s deeply creepy family.

The back cover of the first volume tries very hard to depict the “inappropriate” and “clingy” behavior of Souji’s sisters as something new, but it quickly becomes apparent that this is par for the course, given that Souji’s been having sex with his half-sister, Saki, since at least middle school. This doesn’t prevent his full-blooded sister, Youko, from coming on to him nor his innocent step-sister, Harumi, from wanting to be his bride. On top of this, Souji suspects Saki and Youko of committing the murders, and volume two attempts (in as baffling a manner as possible) to flesh out the family history as (I think) supernatural assassins of some sort who also possibly suffer from multiple personality disorder. It’s monumentally unclear and surreal in a bad way.

Natsumi Kohane’s art doesn’t help matters any. Faces are generic and stiff, anatomy can occasionally be very strange, and the action scenes in the Heian-era flashback are utterly incomprehensible. Plus, there’s a lot of squicky images like this one. Seriously, is that supposed to be sexy? It looks like she’s barfing out a slug!

Apparently, this is all that’s been written of this series so far, and the second volume is padded out with an illustration gallery and a preview of Blood Alone. Normally I’d be sorry to see a manga go unfinished, but in this case, I think we should all be grateful.

MJ: Well, wow. After that image, I find that I have nothing to say. Except maybe, “Ew.”

MICHELLE: “Ew” is certainly the prevailing thought I’m left with after that second volume. After that image, we’re both probably in need of a mental palate cleanser. I hope you’ve something that can do the trick!

MJ: You know, I do! I liked both my reads this week, but I’ll start with one I know you’ve read and liked as well to help with that cleansing. I’m talking about Bakuman, by Tsugumi Ohba and Takeshi Obata, the fifth volume of which has been released just this week.

Mashiro and Takagi have gotten their manga serialized, but their success begins with a shock as their editor, Hattori, is being replaced by Miura, a man they’ve never met before. Though they have no choice but to accept the change, things get off to a rocky start as their series takes a while to catch on with Jump readers.

I’ve blown hot and cold with this manga in some ways, but I think I’ll never stop being fascinated by the look it provides into the process at Weekly Shonen Jump, however pro-Jump it might read to someone with more knowledge of the business in Japan. I’m charmed, too, by the way its creators use the Jump formula to comment in Jump itself.

For a long time, these things were the series’ only decisive draw for me, but more and more I’m drawn in by the series’ supporting characters, especially eccentric prodigy Eiji Nizuma and Takagi’s girlfriend, Miyoshi, who are probably my favorite characters in the series.

Volume five warms me to some potential new favorites, including reluctant mangaka Hiramaru who, when asked if he wanted to be a manga artist, replies, “Maybe, for like a fraction of a second.” I’m also becoming increasingly fond of self-possessed writer Aoki, who manages to lower her defenses a bit in this volume.

More astonishingly, the series’ protagonists have started to matter to me. While this should perhaps be a given for most series, this is the first volume in which I’ve found myself really at the edge of my seat, wondering what will happen as they receive each week’s reader survey results. Finally these characters mean something to me, which makes the whole thing that much more worthwhile. It’s a real treat.

MICHELLE: I love Nizuma so much now that I can’t believe I ever found him irritating. My favorite moment in the whole volume occurs when Mashiro and Takagi encounter him at the Jump New Year’s party, dramatically quaffing soda from a champagne glass.

I’m with you, too, on finally caring about Mashiro and Takagi as people. I think it helps that other characters are acknowledging the ridiculousness of Mashiro’s arrangement with Miho, the girl he likes, not to see each other until their dreams come true. Plus, Miyoshi is so awesome that Takagi grows more awesome for liking a girl like her.

It’s really become a series that I actively anticipate.

MJ: You’re absolutely right about Miyoshi’s awesomeifying effect. And I think it helps, too, that Miho is really struggling, so we’re seeing some nuance in that relationship even within its ridiculous construct.

So go on now and hit me with “epic and impressive!”

MICHELLE: I know that you, historically, have not had an easy time getting into Eiichiro Oda’s One Piece, but I have to say, it really is a stunning piece of storytelling. Oda has created not just a cast of likable characters, but a fully realized world for them to inhabit, and in this world, conflict has long been brewing between the pirates and the navy.

In volume 57 of the series, this conflict comes to a head on the island of Marineford where Portgaz D. Ace, brother to series protagonist Monkey D. Luffy, is about to be executed by the navy. Luffy’s on his way to save him, along with a plethora of pirates he helped escape from the impregnable prison Impel Down, but does not actually appear until midway through the volume. Instead, we witness the beginnings of an epic clash between the navy and Whitebeard, a powerful pirate and Ace’s captain.

The battle is huge, sprawling, and fascinating. It’s made doubly more impressive by the fact that, with the exception of the tardy Luffy, it’s entirely being carried out by supporting characters. That is how fleshed out this world is—there’s a whole cast of semi-familiar navy officials (and hired security of sorts in the form of the Warlords of the Sea) to go up against Whitebeard and his allies. Part of the draw is the cool Devil Fruit powers nearly everyone seems to possess, but Oda does a great job conveying the importance of this encounter as well as linking the public revelation of Luffy’s parentage to events that occurred much earlier in the series. Continuity has always been one of the series’ strongest suits.

I must also mention that many of Luffy’s allies are drag queens who rush into the fray whilst wearing fishnets and high heels. No one bats an eye, because in this universe, it’s a given truth that anyone can be brave and awesome, even if they’re a man wearing a tutu.

MJ: Well, if you think about it, is there anyone braver than a man wearing a tutu? I think not.

I know I need to get further into this series, and every time you or David talk about it, I remember why.

MICHELLE: That’s a very good point!

And yes, you do. I wish everyone had a public library as awesome as mine, because it’s ever so much easier to commit to a 62-volumes-so-far series like this one when you have that kind of resource. Even so, I find myself seriously tempted to start compiling my own collection. It’s just that good.

What else did you read this week?

MJ: Well, I’m way behind, but I finally read the third volume of Natsume Ono’s House of Five Leaves, one of my very favorite current series.

It’s difficult to discuss plot when talking about this series, because though things do happen in the world of broken samurai Masa, the story’s actual events are never really the point. There’s a missing member of the Five Leaves gang and the theft of a candle merchant’s seals, but the real story here seems to be about Masa’s acquaintance with a man from the magistrate’s office and the strain that acquaintance is putting on his relationship with Five Leaves leader, Yaichi.

This series is built on deeply private characters and layers and layers of atmosphere. Even when nothing particular is going on, you can feel the weight of Masa’s world on his slouched shoulders. Even in his most contented moments, his world feels heavy, yet he’s quietly grateful for all of it, somehow. He’s the soul of this story in all his passive reticence, and it’s his personal journey that most interests me.

That said, some real tension begins brewing in the plot department during this volume, which should offer a clearer thread of action as the story continues on. And if I’m content to sit with Masa as he quietly waffles through life, I admit that this extra momentum is a bit exciting. One gets the feeling that it wouldn’t take much for the entire world Ono has created to shatter into pieces, should something happen to break the tension she’s built up so slowly.

This series is one I find myself rereading already just to pick up extra nuances as I head into each new volume. It’s that compelling for me.

MICHELLE: I haven’t read beyond volume one yet myself, but even from the beginning the weight of tension is tangible. Now I’m excited by proxy at the idea of actual plot momentum. I wonder if that’s an IKKI thing, because Saturn Apartments is similar—I’m perfectly content to wallow in its slice-of-life charm, but small stirrings of actual plot seem to be cropping up in earnest now, meaning the series might become even more enjoyable.

MJ: Yes, I’m really looking forward to what the next volume has in store.

In other news, every time I look up at that slug-tongue image, it creeps me out more. I had to make it smaller, just to lessen the effect.

MICHELLE: I keep looking at it, too, as if to remind myself of its utter awfulness. Now I feel compelled to apologize to the readers for exposing them to it.

MJ: Hopefully they will forgive us … and possibly save us from it.

MICHELLE: We can only hope.

Inside the DMG, Week 19

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It’s been a long time since I had anything to say about my experience with the Digital Manga Guild—eleven weeks, actually, since my last update. Now, at long last, I can report that members of approved groups have received their contracts, with instructions to sign and return them to Digital Manga headquarters.

I received my contract last Friday, June 3rd, and took some time to look at it over the weekend. It’s a lengthy document, and while confidentiality requests prevent me from revealing its specifics, there are a few general comments I can share.

First of all, aside from some pretty standard sections of legalese which may be unfamiliar to those who don’t work with contracts regularly, there isn’t much that will be surprising to those who have been following along with discussion in the DMG forums or recordings of the original teleconferences with DMP President, Hikaru Sasahara. The picture he’s painted publicly of his vision for the Guild is very much in line with what appears in the official contract, including some of the fuzziness of that vision.

One issue in particular that remains unclear, even after distribution of the contracts, is exactly how much work any group will be expected to produce over a specific period of time. While the contract lays out expectations in terms of meeting deadlines and so on, there’s not much clarification on exactly how much work is being ultimately agreed to, which may be a real problem for localizers trying to determine whether they can commit to the arrangement. While Sasahara and DMP have been clear from the start that this new system can’t provide payment up front, localizers seeking to manage their time in order to ensure that they can maintain the work that currently pays their bills may find this lack of clarity unhelpful, to say the least. ETA: a DMP representative has posted some clarification on this question in the DMG forums.

Another point that seems unclear is whether Guild members have recourse if they object to any of the contract’s terms, aside from simply quitting the Guild. Now, I don’t work in publishing, but aside from my experiences with union contracts (which have already been heavily negotiated before they reach members), in my line of work, I’ve never offered (or been offered) a contract for work, even one I considered standard, without expecting that there might be questions and at least some level of negotiation on any questionable or undesirable terms. While DMP is clearly open to questions (rumor tells me that some members who have had multiple issues are being encouraged to bring them to a teleconference), it remains to be seen whether they are open to changes on an individual basis or whether this is an all-or-nothing offering.

Contract aside, however, it seems that the biggest issue muddying the DMG waters these days is inconsistency in information, something that has been a problem since the beginning. For instance, member dashboards were recently updated to include information indicating which tests each member has taken, and of those, which were passed or failed. This is terrific, but word in the forums is that what some people are seeing does not jive with the original pass/fail e-mails they received, especially since we were all explicitly told by company representatives (as is still stated in the Guild FAQ) that receiving a “pass” e-mail indicated that we’d passed all positions we tested for.

To quote the FAQ: “Q. I got my acceptance email and I took more than one test. Which position is it for? A. It’s for every position that you sent your test in for. The same goes for a group, if a group leader receives in email it’s in regards to everyone.”

With members suddenly finding out that they have not passed tests they were originally told they passed, I think the greatest challenge now for DMP, in terms of attracting more members and keeping the ones they have, is inspiring confidence that they have the organizational structure needed to really pull this off. This is an ambitious project to say the least, and while it’s understood that the Guild is somewhat a work in progress, it’s going to be important that members feel they’re in competent hands.

So with all that in mind, am I signing my contract? Yes, I am.

And onward we go.

Readers, please feel free to ask any questions you like. I will answer anything I can without violating the confidentiality I’ve agreed to.

Upcoming 6/8/2011

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As we noted over in the current Pick of the Week at Manga Bookshelf, this is a positively crushing week for new releases from Viz. As it is at Midtown, so it is with the ComicList. As a result, I’m limiting my Viz picks to one, but it’s a doozy.

Yes, at long last, it’s time for the 57th volume of Eiichiro Oda’s smashing pirate adventure, One Piece. When we last joined would-be greatest-pirate-in-the-world Luffy, he was desperately trying to save his older but considerably less ambitious brother from execution. Along the way, he inadvertently staged a massive prison break and raised pirate-navy tensions to perhaps their highest pitch in the history of the series. An alternate title to this book could be “How to Succeed in Chaos without Really Trying.” As always, I’m enjoying it enormously, but I miss the heck out of the rest of Luffy’s crew and am eager for their return.

Vizalanche aside, there are a couple of pamphlets I’m eager to purchase. First is Adam Warren’s second Empowered Special which asks Ten Questions for the Maidman from Dark Horse. For those of you who are unfamiliar with the series, Maidman is one of the few peer superheroes who treats our titular heroine with anything resembling courtesy and respect. I fully expect another outing packed with equal parts satire and sincerity, plus a reasonable amount of equal-opportunity cheesecake.

There’s unlikely to be any cheesecake in Veronica 207, the first issue of the Kevin Keller miniseries created by Dan Parent for Archie Comics. Kevin, as you may recall, is Riverdale’s first openly gay character. As Brigid (MangaBlog) Alverson noted in this piece for Publishers Weekly, Kevin is one of the reasons that Archie has reasserted its relevance over the past couple of years and become, dare I say it, kind of cool for possibly the first time in its sturdy but fairly safe-and-steady history. I just like comics about gay people, provided they aren’t Chick Tracts.

What looks good to you?

 

Harlequin Manga: Ridge: The Avenger, Codename Prince, and An Officer and a Princess

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Ridge: The Avenger by Leanne Banks and Keiko Kishimoto

I tend to like Harlequin manga the most when the art is ridiculously old fashioned. If the adaptation has art that looks a little bit like a throwback to the 80s, I tend to enjoy the goofy storylines of these books even more. Kishimoto has a lush style, featuring bee-stung lips. In some scenes I was reminded a tiny bit of Yumi Tamura’s Basara, especially with the angular proportions of the hero’s face. The hero in question is bodyguard Ridge, assigned to protect the goddaughter of a presidential candidate. He thinks Dara is spoiled and silly. Ridge has an ulterior motive in being assigned as Dara’s protector. What could it be? He is out for REVENGE! Ridge’s tortured past (this must be why he seems to be pouting so much) has led him to want to destroy Dara’s godfather and his political future.

Ridge and Dara bond with each other over assassination attempts and their horrible fashion choices when rollerblading. While they fall in love, Ridge is still out for REVENGE and he might destroy Dara’s life! But he loves her! The art in this title is really much better done than most Harlequin manga. There were interesting panel layouts, perspective shifts, and the character designs were attractive in an old fashioned way. This was a fun read.

Codename: Prince by Megumi Toda and Carla Cassidy

Codename Prince is the third book in the Stanbury Crown series. Royal cousin and military man Ben is posing as his cousin Prince Nicholas in order to get himself kidnapped and collect intelligence on the group who has kidnapped the King of Edinburg. His captor is the attractive woman Megan who has been blackmailed into helping her brother with his nefarious schemes. Megan has a young daughter who the kidnappers threaten to hurt if she doesn’t help them. The story opens with Ben tied up on a bed with a teddybear placed next to him, slowly developing a hopeless crush on Megan. Codename Prince is very short, and doesn’t really contain the type of spying shenanigans I was hoping for based on the title. The art is simple and fluid, without some of the stiffness that seems to plague many of these quick romance novel adaptations.

An Officer and a Princess by Megumi Toda and Carla Cassidy
This series wraps up with the final volume, where the princess of the family decides to go undercover with her crush to unravel the mystery behind her father the king’s disappearance. Isabel had to give up her dream of serving in the military for her princessy duties, and her good friend and fellow officer Adam tends to view her only as a princess and not as a woman. When they pose as man and wife, will their love finally blossom?

By the end of the series, I think I liked the concept of linked books with overlapping characters a little more than the actual execution of it. The King certainly managed to stay kidnapped for a long time, as four royal couples managed to get married off while he was missing. A certain level of sameness started to settle in with the plots of this series, so while these manga weren’t the worst Harlequin manga ever, they ended up not being all that great either. These were still perfectly serviceable for someone wanting a quick summer read.

Access to electronic copies provided by the publisher.

A Certain Scientific Railgun, Vol. 1

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Question: what do you get when you cross Sunshine Sketch with X-Men? Answer: A Certain Scientific Railgun, a story about a quartet of schoolgirl psychics who fight crime, go shopping, and eat parfaits. If that combination sounds like the manga equivalent of a peanut butter and tunafish sandwich, it is; the story see-saws between sci-fi pomposity and 4-koma cuteness, never combining these two very different flavors into an appetizing dish.

The story takes place in Academy City, a metropolis whose entire population consists of psychics and psychics-in-training. After a series of bank robberies and bombings, members of Justification, Academy City’s teen police force, make a disturbing discovery: some psychics — or “espers,” in the series’ parlance — are using an illicit drug called Level Upper to enhance their natural ability. (Level Upper is, in essence, steroids for teleporters and mind-readers.) Though the drug grants them tremendous power, that power comes with a terrible price, causing the user to slip into an irreversible coma. The girls must then track the drug to its source before it can spread through Academy City.

As promising as the plot sounds, it often feels like an afterthought, something that happens in between the principal characters’ trips to the mall, the cafe, and the gym. (There’s an entire scene devoted to one character’s efforts to find the perfect pair of pajamas. No, I’m not kidding.) The lead character, Mikoto, is the strongest and best-defined of the bunch; she’s described as a “level-five esper” capable of channeling up to one billion volts of electricity, a skill she gleefully unleashes on robbers, perverts, and her arch-nemesis, a male psychic named Toma Kamijo. Though Mikoto is an unappealing heroine, she’s the only female character who has a real personality; Mikoto is angry, unpredictable, and stubborn, but she’s also very disciplined, cultivating her skills with practice and study. Kuroko, Ruiko, and Kazari, the remaining members of the quartet, are less developed: each girl has one psychic ability that she uses in combat and one adorable tic that she exhibits while hanging out with friends. (Actually, “adorable” is up for debate; grabbing another girl’s breasts seems more predatory than cute.)

Thin as the characterizations may be, A Certain Scientific Railgun faces an even bigger problem: many important plot elements are poorly explained. Not that the series wants for exposition-dense conversation; the opening ten pages are filled with characters narrating Mikoto’s rise from level-zero nobody to level-five bad-ass. But many other details remain unexplored: who is Toma and why does Mikoto detest him? why do so many characters have supernatural abilities? why has the government created an entire city just for young psychics? Perhaps the most egregious example is Mikoto herself; though we learn a lot about her education, the fact that she’s been cloned is glossed over, as if having six genetic doppelgangers was entirely unremarkable.

Given Railgun‘s origins — it’s a side story within A Certain Magical Index, a long-running light novel series — it’s not surprising that so many of these crucial details remain unexamined; the author might reasonably expect Japanese fans to know the Magical Index universe well enough to jump into Railgun with a minimum of exposition. For a newcomer, however, the experience is frustrating; uninteresting plot points are explored in excruciating detail, while many of the things that seem more fundamental to the story (e.g. the characters’ psychic abilities) are barely addressed at all.

The final chapter suggests that future installments may feature more scenes of crime-solving and fewer scenes of tweenage girls showering, eating desserts, and horsing around. An honest-to-goodness mystery would go a long way towards giving the story some dramatic shape; right now, A Certain Scientific Railgun feels as aimless and airy as a volume of Sunshine Sketch, even if Mikoto and friends have cooler talents than the Sunshine girls.

Review copy provided by Seven Seas. Volume one will be released on June 30, 2011.

A CERTAIN SCIENTIFIC RAILGUN, VOL. 1 • STORY BY KAZUMA KAMACHI, ART BY MOTIO FUYUKAWA • SEVEN SEAS • 192 pp. • RATING: TEEN (13+)

A Certain Scientific Railgun, Vol. 1

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Question: what do you get when you cross Sunshine Sketch with X-Men? Answer: A Certain Scientific Railgun, a story about a quartet of schoolgirl psychics who fight crime, go shopping, and eat parfaits. If that combination sounds like the manga equivalent of a peanut butter and tunafish sandwich, it is; the story see-saws between sci-fi pomposity and 4-koma cuteness, never combining these two very different flavors into an appetizing dish.

The story takes place in Academy City, a metropolis whose entire population consists of psychics and psychics-in-training. After a series of bank robberies and bombings, members of Justification, Academy City’s teen police force, make a disturbing discovery: some psychics — or “espers,” in the series’ parlance — are using an illicit drug called Level Upper to enhance their natural ability. (Level Upper is, in essence, steroids for teleporters and mind-readers.) Though the drug grants them tremendous power, that power comes with a terrible price, causing the user to slip into an irreversible coma. The girls must then track the drug to its source before it can spread through Academy City.

As promising as the plot sounds, it often feels like an afterthought, something that happens in between the principal characters’ trips to the mall, the cafe, and the gym. (There’s an entire scene devoted to one character’s efforts to find the perfect pair of pajamas. No, I’m not kidding.) The lead character, Mikoto, is the strongest and best-defined of the bunch; she’s described as a “level-five esper” capable of channeling up to one billion volts of electricity, a skill she gleefully unleashes on robbers, perverts, and her arch-nemesis, a male psychic named Toma Kamijo. Though Mikoto is an unappealing heroine, she’s the only female character who has a real personality; Mikoto is angry, unpredictable, and stubborn, but she’s also very disciplined, cultivating her skills with practice and study. Kuroko, Ruiko, and Kazari, the remaining members of the quartet, are less developed: each girl has one psychic ability that she uses in combat and one adorable tic that she exhibits while hanging out with friends. (Actually, “adorable” is up for debate; grabbing another girl’s breasts seems more predatory than cute.)

Thin as the characterizations may be, A Certain Scientific Railgun faces an even bigger problem: many important plot elements are poorly explained. Not that the series wants for exposition-dense conversation; the opening ten pages are filled with characters narrating Mikoto’s rise from level-zero nobody to level-five bad-ass. But many other details remain unexplored: who is Toma and why does Mikoto detest him? why do so many characters have supernatural abilities? why has the government created an entire city just for young psychics? Perhaps the most egregious example is Mikoto herself; though we learn a lot about her education, the fact that she’s been cloned is glossed over, as if having six genetic doppelgangers was entirely unremarkable.

Given Railgun‘s origins — it’s a side story within A Certain Magical Index, a long-running light novel series — it’s not surprising that so many of these crucial details remain unexamined; the author might reasonably expect Japanese fans to know the Magical Index universe well enough to jump into Railgun with a minimum of exposition. For a newcomer, however, the experience is frustrating; uninteresting plot points are explored in excruciating detail, while many of the things that seem more fundamental to the story (e.g. the characters’ psychic abilities) are barely addressed at all.

The final chapter suggests that future installments may feature more scenes of crime-solving and fewer scenes of tweenage girls showering, eating desserts, and horsing around. An honest-to-goodness mystery would go a long way towards giving the story some dramatic shape; right now, A Certain Scientific Railgun feels as aimless and airy as a volume of Sunshine Sketch, even if Mikoto and friends have cooler talents than the Sunshine girls.

Review copy provided by Seven Seas. Volume one will be released on June 30, 2011.

A CERTAIN SCIENTIFIC RAILGUN, VOL. 1 • STORY BY KAZUMA KAMACHI, ART BY MOTIO FUYUKAWA • SEVEN SEAS • 192 pp. • RATING: TEEN (13+)

Pick of the Week: Spring Bounty

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The arrivals list at Midtown Comics overflows with manga, making this week’s Pick a tough one for all. Take a look below to see what made the cut!

MICHELLE: It’s a bountiful week at Midtown Comics, with many Shonen Jump and Shojo Beat offerings from VIZ making their way onto the shelves. There’s an awful lot on this list that I am personally planning to buy, and singling out just one is pretty tough. New volumes of One Piece and Slam Dunk are serious contenders, but in the end, the fifth volume of Bakuman。 walks away with the honors. I’ve been catching up on the series this weekend, and it’s just utterly charming. The behind-the-scenes glimpses into manga production at Shueisha are fascinating, Mashiro and Takagi are finally achieving some success, and an interesting crop of friendly rivals has developed, including the endearingly weird Eiji Nizuma, who has been waiting for Mashiro and Takagi to come challenge him. Now, gee, what other Shonen Jump manga illustrated by Takeshi Obata does that remind me of?

MJ: We’re offered a wealth of choices this week, indeed. New volumes of Black Jack, Claymore, and Rasetsu call out to me in particular, but if I could only buy one volume of manga from this list, I’d have to choose the 25th installment of Fullmetal Alchemist. I doubt anybody needs me to go on and on again about why I love this series, but just in case you’ve missed it somehow, feel free to browse this tag. And for those who’ve never gotten around to starting this admittedly long series, now is the perfect time to start, with the first of Viz’s new 3-in-1 editions arriving in stores this week as well. If you’ve only watched the anime series, you don’t know what you’re missing. Time to pick up a volume and find out!

DAVID: Viz really could learn to pace itself. I’m quite eager to read the third volume of Kamisama Kiss and curious to see which way the pendulum will swing on Grand Guignol Orchestra, not to mention the previously mentioned books, but I’m going to have to cast my vote for the 14th volume of Osamu Tezuka’s Black Jack from Vertical. Much as I love Tezuka’s crazed gekiga stories, I have such a weakness for this series and its totally reliable, often absurd servings of genre fiction. I have high hopes that this volume will offer a nice side dish of creepy, creepy Pinoko.

KATE: Tempted as I am by the second volume of Blue Exorcist, I’m also going old-school with my pick and choosing the fourteenth volume of Black Jack as this week’s must-buy manga. I’d be the first to admit that the series can be repetitive, especially when read in large chunks. But if you ration yourself to just one or two stories at a time, it’s easier to appreciate Tezuka’s storytelling gift; he manages to fit a whole volume’s worth of drama into twenty pages without sacrificing clarity or emotional intensity. The hero’s dark, brooding personality is another plus; Black Jack may share Dr. Gregory House’s ability to diagnose a rare illness from looking at a character’s fingernails or smelling his breath, but Jack isn’t nearly as smug and insufferable as his TV counterpart. I’m not sure how Tezuka will ever top the story in which Black Jack operates on himself in the Australian outback while fending off wild dingoes, but I’m happy to keep reading until Tezuka does.

Readers, what looks good to you this week?

Bookshelf Briefs 6/6/11

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This week, MJ, Kate, David, & Michelle take a look at a variety of manga from Viz Media, Vertical Inc., Digital Manga Publishing, and Yen Press.

 

 

Bakuman, Vol. 5 | By Tsugumi Ohba & Takeshi Obata | Viz Media – The theme for this volume may as well be “Everyone makes progress toward making their dreams come true!” Not that everything is smooth sailing. Mashiro and Takagi finally have a series in Shonen Jump, but along with that comes new editor, Miura, who is rather inexperienced. It takes him some time to gain the confidence to steer the boys in a direction that will keep their series popular with readers. Meanwhile, other friends and rivals aim for the same goal and even Miho experiences a rejuvenation in her dedication to become a voice actress. It’s a thoroughly shounen setup, which is only fitting for a story about making shounen manga. I wish we actually got to see some of this manga they’re creating, though! Maybe in due time… -Michelle Smith

Black Bird, Vol. 8 | By Kanoko Sakurakoji | Viz Media – If there’s one thing that can be said for Kanoko Sakurakoji’s Black Bird, it’s that it stays unflinchingly on message, volume after volume. “Girls, always obey what the menfolk tell you,” it says over and over, in a thousand different ways. “They’re smarter and stronger than you are, so they always know what’s best.” That’s the overwhelming message of this series, though there’s an equally consistent side note attached, “Be grateful and understanding when your man punishes you for your mistakes. After all, it’s for your own good.” Volume eight personifies these messages without fail, as always, with the added bonus of the much-anticipated consummation of Misao and Kyo’s sexual relationship, which is of course preceded by extra gratitude, humility, and expressions of flushed desperation from our heroine. Yay? -MJ

Bleach, Vol. 35 | By Tite Kubo | Viz Media – Despite its status as a hit battle manga, for a reader like me, the best of Bleach exists between battles, when Tite Kubo is able to utilize his (not insignificant) talent for writing quirky, compelling characters. Unfortunately Kubo tends to excess in this area, creating a never-ending stream of brand new characters, leaving less room and page time for those we already love. With that in mind, volume 35 reveals both the best and worst of Kubo’s habits, providing some genuinely satisfying moments with some of our favorite characters while leading us into another series of battles with an array of new foes. If I could deliver one message to Kubo, it would be that when it comes to supporting characters, sometimes less is more. 35 stacks up in the “win” column, but the future looks far less bright. – MJ

Blue Exorcist, Vol. 2 | By Kazue Kato | Viz Media – In discussion of this series’ first volume, I said, ” I’d like to see more … with Rin actually learning the craft under Yukio’s tutelage, because watching the two of them together is the most compelling aspect of the story so far.” The good news here is that we do see more of this, and it indeed remains the series’ greatest strength. The less good news is that the bulk of this volume is spent introducing the class’ other students, including hotheaded Suguro and by-the-book tsundere Izumo. Though there’s obviously a self-formed family of young exorcists being nurtured here, it’s a shame to have so much of the volume’s focus stolen away by it, when we’ve only just begun with the series’ two main characters. Still, this remains the most compelling new shounen series to travel westward this year. I look forward to seeing where it goes from here. – MJ

A Bride’s Story, Vol. 1 | By Kaoru Mori | Yen Press – This is one of those books where I’m convinced I could pass off random page scans as a review, possibly followed up with, “See? See?!” I can’t quite decide if it’s more gorgeous than Mori’s Emma (CMX), but I can say without question that it’s one of the loveliest manga you’re likely to find in current release. It’s also as quietly moving and packed with absorbing details as Emma was, so you really can’t lose. In this tale set in central Asia in the 19th century, a 20-year-old woman enters into an arranged marriage with a 12-year-old boy. We see quietly forceful Amir adapt from her nomadic lifestyle to the more settled state of affairs with her young bridegroom. There’s the whispered promise of an actual plot, but I could read dozens of volumes of nothing but Mori’s meticulously researched, breathtakingly drawn slice of life. Really, what more do you need? -David Welsh

Chi’s Sweet Home, Vol. 6 | By Konami Kanata | Vertical, Inc. – After five volumes of cute kitten antics — including Chi’s first visit to the vet, Chi’s first bath, and Chi’s first excursion beyond the safe confines of home — I thought Kanata Konami would have run out of material. I’m pleased to report that volume six of Chi’s Sweet Home is just as appealing and fresh as the previous installments, offering plenty of awwww-inducing moments as well as some genuinely funny scenes. (Don’t miss the chapter in which Chi stalks a parakeet; Chi’s reaction to the parakeet is priceless.) Konami continues to expand the scope of the story to include more animals, more people, and more settings, neatly mimicking Chi’s growing awareness of her surroundings while preventing the story from becoming too cutely claustrophobic. As in previous volumes, the illustrations are simple but effective, capturing Chi’s surprise and delight in discovering new things: vacuum cleaners, Kleenex, birthday cake. Recommended. -Katherine Dacey

Chi’s Sweet Home, Vol. 6 | By Konami Kanata | Vertical, Inc. – Whenever a new volume of Chi’s Sweet Home comes into my possession it automatically vaults to the top of the to-read pile. The first five volumes all offered colorful, cute, and (mostly) cheerful stores about Chi, an adorable tabby kitten, and the sixth is no exception. Kanata has a knack for depicting scenarios familiar to any cat owner, like massacred houseplants and the species-wide fascination with climbing into boxes, while imagining what the world must look like to a cat. Chi’s nocturnal journey to the local park is a particular standout. My one complaint is that Chi’s owners, the Yamadas, continually do frustrating things like leave cakes unattended and store breakable objects at the top of a flight of stairs, then proceed to freak out when Chi messes with them. You’ve got a cat now, folks. You either put things away or get used to the gnaw marks. -Michelle Smith

Itsuwaribito, Vol. 2 | By Yuuki Iinuma | Viz Media – In this volume, Utsuho proves himself trustworthy to the implausibly youthful Dr. Yakuma by rescuing him from the clutches of a bizarre fellow whom I shall christen “Freaky Dude.” Not only that, he correctly deduces the cause of Freaky Dude’s killing spree and helps him to see the error of his ways. The display convinces Yakuma to invite Utsuho on a journey to Nadeshiko Island, where he suspects a treasure of life-extending medicine awaits. It also happens to be the location of many exiled criminals. I’m still not enraptured by Itsuwaribito, but I found this volume a lot more entertaining than the first. For reasons I cannot quite pinpoint, it reminds me of Black Cat, in a simple shounen adventure kind of way. Plus, there’s an adorable twitchy-eared talking tanuki! I’ll definitely be checking out volume three. -Michelle Smith

Twin Spica, Vol. 7 | By Kou Yaginuma | Vertical, Inc. – In the seventh volume of Twin Spica, Kou Yaginuma explores Marika’s childhood, as well as Marika’s struggle to create her own destiny, rather than the one for which she was created. Though Marika’s story is emotionally compelling, Yaginuma strains too hard to show us that Marika, Asumi, and Fuchuya have a shared history; there’s a tidiness to the connection that feels a little false, as if the characters’ shared memory of the Lion disaster wasn’t grounds enough for bonding. The volume’s final chapters are more dramatically persuasive, giving the three female leads a chance to demonstrate just how smart, resourceful, and tough they can be under duress. N.B. Beginning with volume seven, Vertical will be releasing Twin Spica in a longer omnibus format of 300-400 pages (roughly 1.5 volumes). -Katherine Dacey

Your Story I’ve Known | By Tsuta Suzuki | Juné Manga – It’s rare that I find the sex scenes in a boys’-love title to be the most interesting, but that’s definitely the case in the title story of this book. Suzuki laces the physically intimate moments with intriguing, revealing observations. Unfortunately, those kinds of notes are largely absent in the rest of this tale of a gangster who takes up with the son of one of his ex-girlfriends. It’s drawn well, but the characters and their dynamic aren’t very engaging. The back-up stories compensate for the centerpiece, though. One’s about a young man dealing with his lover’s irritating reticence. Another is a love story between a kid and a goofy, centuries-old ghost. The last describes the awkward early courtship between two salarymen. Each has a distinct, quirky charm, making the book a worthwhile investment overall. -David Welsh

Previews review June 2011

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All right, now that the polling is underway, let’s take a look at the sure bets in the current edition of Diamond’s Previews catalog. Will start with the exciting and/or noteworthy debuts:

Velveteen & Mandala, written and illustrated by Jiro (Freesia) Matsumoto, Vertical, item code JUN11 1294: A Vertical debut is always worth noting, and this one looks intriguingly odd. It portrays a pair of teen-age girls struggling against the zombie apocalypse when they aren’t fending off the totally worse thread of boredom. The single-volume series originally ran in Ohta Shuppan’s Manga Erotics F, an unpredictable but always promising source. I believe this is Matsumoto’s English-language debut.

Habibi, written and illustrated by Craig Thompson, Pantheon, item code JUN11 1212: Have I mentioned lately that I’ve never mustered the energy to finish Thompson’s Blankets? I found what I’ve read of it to be hopelessly mopey and overwritten, though undeniably easy on the eyes. But it’s always worth noting when Thompson releases a new brick, because it happens so rarely. This time, he “explores and celebrates the beauty and cruelty, the complexity and depths of the Islamic world.” Set your phasers on “Gush.”

Animal Land vol. 1, written and illustrated by Makoto (Zatch Bell) Raiku, Kodansha Comics, item code JUN11 1169: I’m succumbing to the adorability of the cover and the premise. An orphaned raccoon dog finds an abandoned human child and decides to raise it in a world occupied only by animals. Zatch Bell had some deeply hideous and unsettling character designs and a cripplingly annoying anime adaptation, so those are points of concern, but I’m game for a volume or two. The series originally ran in Kodansha’s Bessatsu Shônen.

Moving on to the “offered again” category:

  • Korea as Viewed by 17 Creators, by various, Fanfare/Ponent Mon, item code JUN11 1123: Curious about this Eisner-nominated anthology? This is probably one of your better shots at scoring a copy.
  • Gon vol. 1, written and illustrated by Masashi Tanaka, Kodansha Comics, item code JUN11 1172: In case you missed these insanely kinetic, wordless comics about a baby dinosaur the first couple of times they were released.
  • Carnet de Voyage, written and illustrated by Craig Thompson, Top Shelf, item code JUN11 1246: This collection of travel stories is the Thompson comic I’d enthusiastically recommend.

And, lastly, new volumes of ongoing series that particularly catch my eye:

  • Sayonara, Zetsubou-Sensei vol. 10, written and illustrated by Koji Kumeta, Kodansha Comics, item code JUN11 1176: So glad Kodansha is picking up this hilarious, unsparing satire.
  • Amelia Rules! Vol. 7, The Meaning of Life… and Other Stuff, written and illustrated by Jimmy Gownley, Simon & Schuster, item code JUN11 1239: Wonderfully observant comics about a spunky, imaginative middle-schooler and her friends.
  • Butterflies, Flowers vol. 8, written and illustrated by Yuki Yoshihara, Viz Media, item code JUN11 1275: Probably a guilty pleasure, and one I’m a bit behind on, but I always get some quality cringing chuckles out of this series.
  • Kimi ni Todoke: From Me to You vol. 10, written and illustrated by Karuho Shiina, Viz Media, item code JUN11 1278: A joyous deconstruction, subversion and celebration of shôjo tropes.
  • House of Five Leaves vol. 4, written and illustrated by Natsue Ono, Viz Media, item code JUN11 1291: The best of Ono’s works to be published in English so far, which is saying something.

What’s on your wish list?