Kate (The Manga Critic) Dacey has come up with an excellent group activity for the Manga Bookshelf gang: a review roundup of comics from places other than Japan. It’s called “Not By Manga Alone” and debuted yesterday. Go take a look!
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Kekkaishi Volumes 4-6
By Yellow Tanabe. Released in Japan by Shogakukan, serialized in the magazine Shonen Sunday. Released in North America by Viz.
The second omnibus edition of Kekkaishi continues the demon hunting plotline of the first, and adds such popular shonen tropes as the elite older brother who the hero looks up to but is also jealous of, as well as the grumpy new guy who insists he can do everything himself. Both are in the ‘I will not be nice to you as you are TOO WEAK’ school of characters, so Yoshimori is having an especially difficult time.
Of course, Yoshimori is NOT actually too weak, he’s simply too inexperienced and too eager to use his power as a blunt object. Many times throughout the volume, characters are impressed with how long he can keep his kekkai going, and how powerful they are. Of course, Masamori, his elder brother, really is pretty awesome in his own right, and demonstrates several times in this omnibus his coolness under fire. Judging by how he deals with both his little brother and Yomi, the minor villain from an earlier arc, he seems to favor the carrot and stick approach to learning.
One thing that intrigued me greatly throughout these three volumes was Yoshimori’s decision to seal off the Karasumori site. Given it’s what’s attracting all the demons they have to keep fighting, it’s a good idea at its core, but the 87 billion things wrong with it also make themselves known. To his credit, Yoshimori knows this, and spends a lot of the next couple of volumes trying to figure out the secrets of the site and how he can possibly accomplish such a thing. Seeing him deep in thought is also quite amusing, as he tends to squat down with this constipated look on his face – it’s no wonder Tokine figures out he’s hiding something right off the bat.
And then there’s Gen, who would appear to be the new regular character. He has ties with Yoshimori’s brother, and would appear to be there to be the ‘darker’ version of the hero, especially as we see the classic ‘he’s a wastrel who’s absolutely nothing like me – oh wait, except that we’re a lot alike after all’. I liked what his fighting revealed about Yoshimori, and how he’s the sort who thunders ahead without thinking, but as the battle rages gets craftier and more tactical. As for Gen’s own issues, briefly seen here, clearly they’re going to become more important in future arcs.
There’s more to talk about, like all the politics and rivalries going on around the land, and Tokine, who is a presence throughout the book, even if I don’t have as much to say about her this time. But as with Volume 1, Kekkaishi is a good example of solid, well-written shonen manga. It’s not breaking any new ground, but it’s exciting and fun to read. It also features one of the creepiest ‘retired professor’ types I’ve ever seen. He’s probably evil. (Remember, kids, always judge by appearances!)
Manga the week of 7/27
Right, Midtown is really starting to irritate me. I don’t know where their distributor has wandered off to, but the Kodansha titles are just passing them by. With that in mind…
Stuff that’s come out from Kodansha but hasn’t hit Midtown in the last 2 months: Well, we have (deep breath) Air Gear 18 (back to single volumes), The Wallflower 25 (ditto), Negima Neo 7 (the final volume, and thank God for that), and Sayonara Zetsubou-sensei 9. Reviews of Zetsubou and Wallflower are already on my site. That’s June.
From July, we have out already the 14th volume of Fairy Tail, the 3rd of the blogger favorite Arisa, the final volume of Shugo Chara proper (the last volume is a collection of the sequel, Shugo Chara Encore), and a new Ninja Girls, which is… not a blogger favorite. Those came out today.
Next week, from Diamond but not Midtown, we have the 30th volume of Mahou Sensei Negima!. It’s in the middle of a kickass arc that doesn’t let up. And while I can’t confirm this (as I didn’t order it), we may see the new Deltora Quest as well. Hey, Midtown! Fix this!
Rant over, so what *is* Midtown getting in? Well, there’s the 6th volume of Gurren Lagann, from Dengeki Daioh. There’s also a large stack of stuff from Digital Manga Publishing, who apparently finished a bunch of Taiyo Tosho stuff at once. All one-volume sets, with such suggestive titles as I Give To You, This Night’s Everything, and Entangled Circumstances. All these come from their two yaoi magazines, Hertz and Craft.
(Side note to DMP: If you license one more yaoi manga where a seme has one hand cupping the chin of his lover while the uke is staring back at him with this sort of tortured ‘do what you will, you callous ruffian of my heart’ look, I shall be very cross with you indeed.)
And that’s it. What appeals to you this week?
The Josei Alphabet: Y
“Y” is for…
Yami no Koe, written and illustrated by Junji Ito, originally serialized in Asahi Sonorama’s Nemuki, one volume: Another collection of horror shorts from one of the genre’s masters. I love how horror is one of the most popular sub-genres of josei.
Yasha, written and illustrated by Akimi Yoshida, originally serialized in Shogakukan’s Betsucomi (shôjo) and Flowers (josei), 12 volumes: A gifted kid’s mother is murdered, and he’s subsequently kidnapped. He returns to his home town, a small island off of Okinawa, six years later with a title (doctor), an entourage of bodyguards, and a whole lot of secrets. More presumably sexy mystery from the creator of Banana Fish, this won a Shogakukan prize in 2002.
Yoru Café, written and illustrated by Maki Enjouji, originally serialized in Shogakukan’s Petit Comic, three volumes: A widow inherits a café and its harem of handsome male employees. Manga about eateries with hunky staff members is almost always made of more win than lose.
Yukan Kurabu, written and illustrated by Yukari Ichijo, originally serialized in Shueisha’s Ribon (shôjo) and Chorus (josei), 19 volumes: The quirky offspring of three famous men (a police commissioner, an ambassador, and a painter) solve crimes to pass the time. There are few things I love more than quirky people solving crimes because they’re bored.
Yuru Koi, written and illustrated by Aki Yoshino, originally serialized in Shogakukan’s Petit Comic, one volume: This meet-cute romance is about a woman who moves back home after quitting her job and a guy who seems to be jerky but probably isn’t. I just love the cover. It glows.
Josei magazines:
What starts with “Y” in your josei alphabet?
Moon and Blood Volume 1 by Nao Yazawa
Moon and Blood Volume 1 by Nao Yazawa
Despite the general cultural mania for vampires that has overrun popular culture recently, I still enjoy a good vampire manga. Moon and Blood by Nao Yazawa seems like a slight format experiment from Digital Manga Publishing. The online and print versions of this volume are around half the size and price of a typical manga. As a result, this volume just feels like the very start of the story, with all the characters and conflicts established but not elaborated on.
Sayaka is a normal cheerful teenage girl who is coping with everyday life after the loss of her mother. She fends off the advances of boy next door Takeshi and deals with her father and brothers. One morning when she’s getting ready for school she comes downstairs to find a handsome boy sitting with her family. Her father makes the announcement that Kai is the son of an old family friend and he’s going to be living with them for awhile. Sayaka immediately starts building up scenarios of romance in her head, but when she gets to school she finds that Kai seems very disaffected and sleepy. He naps through math class, but when the teacher calls on him to demonstrate a problem Kai has no difficulties at all. When the other boys tease him during PE, he manages a slightly hungover slam dunk. Kai takes refuge in a school closet and sleeps the day away. At home, Sayaka gets a glimpse of a possibly kinder boy as he helps her with cooking and goes on moonlit walks with her. Kai tells Sayaka not to get too close to him, because they are opposite types of people. Kai is a vampire, and his vampire mother is a young girl who sometimes has the form of a cat. She enjoys feeding on Sayaka’s male relatives, and wonders why Kai isn’t taking advantage of his closeness to the girl. There’s an undercurrent of melancholy romantic tension in the way Sayaka and Kai deal with each other, and while she thinks he’s odd she doesn’t seem to suspect his true nature yet.
Yazawa has the type of deceptively simple but expressive art style that I enjoy. Takeshi is like an energetic puppy dog bouncing around Sayaka. Sayaka exhibits all the mood swings of a typical teenage girl, but she exhibits genuine concern and caring when she thinks Kai is lonely. Kai’s otherworldly nature is signaled by his more angular eyebrows and slightly smaller pupils eyes. Kai isn’t above goading Takeshi when he can, but it seems like his attempts to distance himself from Sayaka aren’t going to work. Moon and Blood seems like a good choice for people wanting a simple paranormal shoujo romance without all the overblown angst of Vampire Knight
Access to electronic copy provided by the publisher.
Upcoming 7/20/2011
There isn’t a ton of material shipping via Diamond this week. Highlights are Natsume Ono’s professional debut, La Quinta Camera (Viz), which I reviewed here, and my current Pick of the Week, the sixth volume of Fumi Yoshinaga’s Ôoku: The Inner Chambers (also from Viz).
Another book on my radar is the third volume of Natsumi (Kitchen Princess) Ando’s Arisa from Kodansha. I quite enjoyed the first volume of this mystery series back when Del Rey released it, and it’s always been my intention to continue with it, but I haven’t had any luck finding it on bookstore shelves, so I guess I’m just going to have to buck up and order the second and third online. (I sometimes get fixated on the notion that I should be able to find a given series in a brick-and-mortar shop. I should probably never assume that about anything, should I?)
Speaking of books that aren’t all that easy to find, this week also sees release of the sixth and final volume of Time and Again by JiUn Yun (Yen Press). I really wish Yen would add this series to its iPad application, as I would happily pay to read it by those means.
I did read the ninth volume of Kiyohiko Azuma’s Yotsuba&! via the app, and I found the experience entirely equivalent in terms of delight to the dead-tree approach, with the slight advantage that I didn’t have to kill any trees to do so. I wrote a (belated) blurb about the book for this week’s Bookshelf Briefs, also discussing the fourth book in Viz’s release of Mitsuru Adachi’s Cross Game, which collects the eighth and ninth volumes of the series. Someone else sharing the Adachi love this week is Christopher (Comics212) Butcher for Robot 6’s latest round of What Are You Reading?
Elsewhere in the world, The Japan Times unveils a rich vein of Osamu Tezuka manga made available to iPad users.
And for those of you wondering what Bryan Lee O’Malley would do next now that Scott Pilgrim (Oni) has reached its conclusion, we at least know (courtesy of Publishers Weekly Comics Week) that he’ll be publishing it through Villard.
Wandering Son Volume 1
By Shimura Takako. Released in Japan by Enterbrain, serialization ongoing in the magazine Comic Beam. Released in North America by Fantagraphics.
I will admit I sometimes get intimidated by manga that are ‘important’ or ‘worthy’ in some way. Given a choice between discussing the latest gegika masterpiece from Drawn and Quarterly and the seventeenth volume of shoujo series X, I’m going to take the easy route every time. It’s the sort of book that reminds you that you’re actually meant to be reviewing, not just rambling on. And I felt a bit like this while seeing Wandering Son’s fancy, well put-together hardback sitting on my pile. Which is amusing, of course, as the manga itself is quite unassuming and easy to read.
Wandering Son is about a time in life when every single interaction with anyone is fraught with awkwardness. Especially for a shy kid like Nitori. Things are in flux, and you start to get a sense that even though you really want to do something, that doesn’t necessarily solve the problem if it will just lead to laughter and being thought of as ‘weird’. Yoshino is more self-confident, both in her general personality and in her feelings regarding how she wants to be seen, but her own body is the one reminding her that things aren’t simply cut and dry.
And then there’s Saori, who winds up driving much of the plot in this first volume. Saori interested me quite a bit, if only as she made my skin crawl at times with her trying to force things onto people. The combination of the dress and suggesting the play was interesting enough, but then there’s her reaction after Nitori returns the dress. Christianity is growing in Japan, but I think for a young girl such as herself, the appeal of penance and forgiveness is what’s drawing her more than the faith itself. I’ll be interested to see how this pans out.
The mood of the manga itself is sort of ‘slice-of-life’, but the plot really doesn’t follow the same format as your typical school 4-koma. The basis of this story is transgender issues, and that’s what you get for these first eight chapters. It just so happens that the issues are part of Nitori and Yoshino’s lives, so they aren’t presented with a huge amount of heft the way they would in an after school special. The other classmates have not made much of a name for themselves (indeed, the author admits she hasn’t yet come up with a name for Nitori’s perky friend yet), but I expect that will change.
As for the art style, it’s handled with an amazing deftness. The characters are subdued much of the time, but not in a way that, say, Adachi’s Cross Game characters are. We do see a lot of emotion here, particularly towards the end where Yoshino’s growing up gets thrown back in her face by the class troublemaker (via a proxy, another thing I found quite true to life). But what I liked best was seeing the looks on Nitori’s and Yoshino’s faces when they did try to dress as the other gender. Nitori’s look of bashful happiness as he wears the hairband. Yoshino’s stunned joy and pride after she’s ‘hit on’ by a woman at a fast-food place. They’re expressions you remember, and make for a stronger work.
Fantagraphics has done a great job with this. It’s a handsome volume, well-bound and with sturdy paper. Matt Thorn’s translation and adaptation are seamless, and his essay on the use of honorifics is both enlightening and amusing, inasmuch as he wouldn’t want to use them for most titles, but this is an exception.
So intimidation aside, in the end this is simply a well-crafted story, well-told. You want to read Volume 2 right away to find out how Nitori, Yoshino and Saori continue to deal with these feelings as they grow older. I’m very pleased that it was brought over here, and hope that it sells well enough so that we might see other titles in a similar vein. Not necessarily transgender, but handling difficult issues with such a light touch.
Bookshelf Briefs pointer
For those who read my site by looking at the category archives, I have reviews of Eyeshield 21 36 and Skip Beat 24 on this week’s Bookshelf Briefs. They can be found here: Bookshelf Briefs
Pick of the Week: Something for everyone
It’s a relatively slow week at Midtown Comics, but what’s there is well worth reading, as the Manga Bookshelf bloggers reveal below!
MJ: I’m feeling pretty indecisive this week, with new volumes of a couple of my favorite series shipping into Midtown Comics, as well as new work from a favorite creator. Viz Media’s releases are few but fantastick, as they offer up the latest volume of Fumi Yoshinaga’s Ooku as well as the older (but new to us!) La Quinta Camera from the ever-glorious Natsume Ono. Still, I’ll throw my vote to volume eight of Kou Yaginuma’s Twin Spica, just out from Vertical. Twin Spica contains everything I look for in a series, thoughtful characterization, carefully crafted plot, awesome female characters, and more than a dash of bittersweet whimsy. It’s one of my favorite series currently running, and I wouldn’t miss this volume for the world. Neither should you!
DAVID: Ono and Yoshinaga have become linked in my thinking, as they’re both creators who seem to tell precisely the kind of stories that please them, and if someone would like to publish those stories in their magazines, that’s lovely, but neither is inclined to accommodate the house style. And I love that in a creator. So, while it’s cruel of Viz to force me to pick just one of their works, circumstances demand it. As a result, I’ll go with Yoshinaga’s Ooku, as it’s been longer since I’ve read a new volume of her work than Ono’s. I’m looking forward to more mesmerizing period drama about women in power.
KATE: Tempting as it is to join the chorus of folks praising La Quinta Camera, Ooku: The Inner Chambers, or Twin Spica, I’m going a little further off the reservation with my Pick of the Week: Marvel Comics’ 15 Love. Anyone who’s read my site knows that I’m not a Big Two kinda gal; I’m not keen on superhero comics, and seldom find much outside of DC’s Vertigo imprint that appeals to me as a reader. But I’m genuinely excited to buy 15 Love, a three-issue mini-series about a teenage tennis player who’s juggling competition, school, and a modeling career. The series has an interesting history: originally commissioned in 2003, the project was completed but never published — until now. I’m not sure who Marvel hoped would read it, but the concept and preview art have a pleasant, shojo manga vibe. (You can view a few pages at The Beat.) Even if the story doesn’t live up to Sho Murase’s awesome cover, art 15 Love seems like the kind of comics project that deserves my support as a female reader.
MICHELLE: I am a huge fan of Takehiko Inoue’s Slam Dunk, and though I must admit that I have yet to actually read his other VIZ series, Real and Vagabond, I have been buying them faithfully. I started picking up the Vagabond VIZBIG editions when I had a Border’s gift certificate to burn and, seeing the first one on the shelf, proceeded to flip through it, whereupon I encountered color illustrations so gorgeous I immediately, and without hesitation, proceeded to the checkout counter. My pick this week, therefore, is the tenth VIZBIG edition of Vagabond, collecting what I presume is volumes 28 to 30 of the series.
SEAN: I will be picking the latest Natsume Ono, La Quinta Camera. I didn’t really get into not simple, which I found a bit too depressing for my taste. This new one-shot seems to be more along the lines of Ristorante Paradiso and Gente, however, which is fantastic, as I loved those to death. Ono seems to be at her best when people are sitting around having a conversation, usually while not looking at each other. And this still isn’t quite all of her backlog, either, as we’re supposed to get the short-story collection Tesoro later in the year.
Readers, what looks good to you this week?
Bookshelf Briefs 7/18/11
This week, Michelle, MJ, David, Kate, & Sean check out recent releases from Kodansha Comics, Viz Media, Yen Press, & Vertical, Inc.
Arisa, Vol. 3 | By Natsumi Ando | Kodansha Comics – With the help of classmate Manabe, Tsubasa continues to look for the identity of the “king,” an unknown person who grants wishes and made her twin sister Arisa his target. In this volume, suspicion falls on Midori, Arisa’s boyfriend, who is nearby after a nicely creepy fun-house mirror King sighting, and who is also one of the chosen five, an elite group of students allowed to submit their wishes to the king. Tsubasa can’t believe he’s involved, though, as his friendliness seems too genuine, but she may have to do some untrustworthy things herself if she wants to help her sister. Fast-paced, spooky, and yet thoroughly shoujo, Arisa is a great deal of fun to read. Each time I finish a volume I lament that I do not already have the next in hand. – Michelle Smith
Black Butler, Vol. 6 | By Yana Toboso | Yen Press – The sixth volume of Yana Toboso’s Black Butler finds young aristocrat Ciel Phantomhive and his devilish (literally) butler Sebastian infiltrating a circus upon Queen Victoria’s orders. They’ve been assigned to investigate a string of missing children whose last-known whereabouts coincide with the troupe’s itinerary, and the bulk of the volume sees them first qualifying to join and then attempting to find an opportunity to do some poking around while contending with chores and the appearance of an unfriendly grim reaper. It’s not a bad volume by any means—certainly better than the recent silliness involving a curry competition—but suffers some from being only the first half of the story. Still, the creepy atmosphere Toboso creates for the circus is fun, and there’s a certain satisfaction to be derived from watching imperious Ciel peel potatoes. – Michelle Smith
Black Jack, Vol. 15 | By Osamu Tezuka | Vertical, Inc. – Readers who love Tezuka in his crazy, kitchen-sink mode will find plenty of over-the-top stories in volume fifteen. Black Jack performs a full-body skin graft on a porphyria patient, saves a boy who’s begun sprouting leaves from his body, and gets trapped not once but twice in caves with critically injured people. Entertaining as these stories are, the real highpoint of volume fifteen is “A Surgeon Lives for Music,” in which a famous doctor finds an ingenuous way to circumvent a totalitarian regime’s ban on “decadent” music. “A Surgeon” may not be Tezuka’s best work, but it’s a deeply personal story, touching on two of the most important things in his life: his medical training, and his passion for Ludwig van Beethoven. Highly recommended. – Katherine Dacey
Cross Game, Vol. 4 | By Mitsuru Adachi | Viz Media – Due to an error on Viz’s Facebook page, some of us were afraid that this was the final volume that Viz would publish. Unpleasant as those hours of uncertainty were, they served as a reminder that this series should be praised as often as decency allows, if not somewhat more frequently. The most consistently amazing thing about Adachi’s tale of high-school baseball players is that there’s absolutely no contrivance to it – not in the evolution of the team, not in the prickly relationship between star pitcher Ko and childhood frenemy Aoba, not even in the endearing bits of fourth-wall demolition that Adachi occasionally indulges in. I can think of few manga where the reader is invited to know the characters so well and like them so much, and even fewer examples where that was accomplished with this kind of gentle understatement. Just read it. You won’t be sorry. – David Welsh
Eyeshield 21, Vol. 36 | By Riichiro Inagaki and Yusuke Murata | Viz Media – This is the penultimate volume of Eyeshield 21, and like the volume before it there is a sense that it should have ended with the Christmas Bowl. Much as it’s nice to see Sena take on Panther one last time, this feels more like a victory lap than an actual plot point. Still, it’s a fun victory lap, as we see lots of what make shonen sports manga so great – thinking you’re the strongest and then finding guys who are even stronger, faster, and smarter than you. The second half is the football game, and it’s great seeing all the Japanese stars on the same team. But the highlight is earlier in the book, watching Hiruma and Clifford in a high-stakes poker game, where both parties come out feeling like they’ve lost. Tense stuff. – Sean Gaffney
Seiho Boys’ High School!, Vol. 6 | By Kaneyoshi Izumi | Viz Media – For shoujo manga veterans, the fact that this volume begins with preparations for a school festival (one that involves slapstick humor mixed with cross-dressing, no less) does not bode particularly well. Fortunately, the real purpose of the festival plotline is to explore further one of the series’ most unconventional relationships—that between crude student Nogami and school nurse Fukuhara. The fact taht Izumi is the first creator since Fumi Yoshinaga to make me even remotely interested in a high school student/faculty affair is noteworthy on its own, and if Izumi doesn’t quite have Yoshinaga’s genius, her work still stands out, and in a decidedly positive way. This volume remains true to the tone of the series so far, with its refreshing mix of thoughtful drama and boy-centric humor. Still recommended. – MJ
Skip Beat!, Vol. 24 | By Yoshiki Nakamura | Viz Media – From the creator of Tokyo Crazy Paradise, still unlicensed! (Yes, it never gets old.) After the method acting controversy of the last volume (which apparently bothered me a lot more than it did everyone else), we move on to romance again for this Skip Beat!, as Kyoko is dealing with Valentine’s Day attacks on three fronts: she’s missed Ren’s birthday, and is debating a Valentine gift for him; the loathsome Reino blackmailing her into chocolates; and Sho’s jealousy becoming almost its own separate character. Misunderstandings fuel that last one, but it’s a reminder that it’s not all the Ren and Kyoko show yet. Sho still has a hold of her heart, and isn’t about to give it up easily, as we find out in a gripping cliffhanger. Sho and Kyoko are far more alike than either is really comfortable with. – Sean Gaffney
Skip Beat!, Vol. 24 | By Yoshiki Nakamura | VIZ Media – Valentine’s Day is a staple of shoujo manga, but never has it been so awesome as in volume 24 of Skip Beat!. Just about every male character is hyper-interested in who Kyoko is giving chocolates to and why, from first love and current enemy Sho, who mistakes the “go to hell” chocolates Kyoko makes under duress for Reino (his musical rival) for the real thing, to Ren, who already receives a plethora of chocolates that he never eats but who would still secretly like to receive something romantic from Kyoko. There’s so much misunderstanding—of the justifiable, non-annoying variety, thank goodness—that I’m almost reminded of a Shakespearean comedy. And if that isn’t high praise, I don’t know what is! – Michelle Smith
The Story of Saiunkoku, Vol. 4 | Art by Kairi Yura, Story by Sai Yukino | Viz Media – The latest volume of Saiunkoku focuses on masked Minister Ko, revealing the real reason he hides his face from all but a few close associates. Though these passages have a delicious, soap opera quality to them, volume four feels a little pokey whenever the spotlight shifts to one of the other supporting cast members. The script often bogs down in expository dialogue and voice-overs; a little judicious pruning of subplots and minor characters would do wonders for improving the story’s pace. On the whole, however, Saiunkoku remains an engaging read, thanks to its smart, capable heroine and her dedication to becoming the first woman to take Saiunkoku’s civil service exam — think Yentl with bishies. – Katherine Dacey
Yotsuba&!, Vol. 9 | By Kiyohiko Azuma | Yen Press – I was listening to a podcast in which the participants were discussing some of the pop culture artifacts that they particularly missed. One that came up was Bill Watterson’s Calvin and Hobbes, that marvelous ten-year look into the mind of a rambunctious little boy and his stuffed tiger. This volume of Yotsuba&! reminded me forcefully of Watterson’s strip, and not just because the title tot gets her own teddy bear. Like Watterson, Azuma absolutely respects the inner life and logic of the kid at the center of his storytelling. Azuma’s approach may be less fanciful than Watterson’s, but it has the same combination of raucous humor and emotional truth. Highlights here include an extended trip to a hot air balloon festival and dinner out for grilled meat. Lovely and spot-on as the balloon outing proved to be, few things delight me as much as seeing Yotsuba hang out with her father and his friends. – David Welsh







