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Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Blog

Kodansha concerns, convention update

January 9, 2012 by Brigid Alverson

Lissa Pattillo takes a look through the manga listings in the January Previews.

The Manga Village team examines the past week’s new manga releases, and at Good Comics for Kids, Lori Henderson has the list of the latest all-ages comics and manga.

MJ and Sean Gaffney look at the Digital app and some new titles on JManga.com in their Going Digital column at Manga Bookshelf.

AstroNerdBoy has some concerns about Kodansha, after a few glitches with marketing and quality control in the books themselves.

Jason Thompson takes a fond look back at the manga magazine Raijin in his latest House of 1000 Manga column at ANN.

Matt Blind tallies the manga best-sellers of the first week in December at Manga Bookshelf, and he also introduces a new feature, Manga Radar, in which he looks at new additions to the sales charts.

Do you have any plans for 2012? Deb Aoki has a handy list of this year’s manga-friendly cons for those who like to think ahead.

Reviews: Johanna Draper Carlson reviews Kodansha’s December releases at Comics Worth Reading. Omar returns to manga reviewing with some short takes, mostly on Vertical manga, at About Heroes. Andrew Wheeler balances that out with a stack of Yen Press titles at ComicMix. Lori Henderson is whittling down her manga stack at Manga Xanadu.

Justin on vol. 1 of Anestheseologist Hana (Organization Anti-Social Geniuses)
Justin on vols. 7 and 8 of Bakuman (Organization Anti-Social Geniuses)
Leroy Douresseaux on vol. 5 of Bokurano: Ours (The Comic Book Bin)
Rebecca Silverman on vol. 2 of Border (ANN)
Andre Paploo on vol. 4 of Dorohedoro (Kuriousity)
Kate Dacey on vol. 1 of Fluffy, Fluffy Cinnamoroll (The Manga Critic)
Julie Opipari on vol. 15 of Gantz (Manga Maniac Cafe)
Shannon Fay on vol. 2 of Higurashi When They Cry – Atonement Arc (Kuriousity)
Leroy Douresseaux on vol. 7 of Hyde & Closer (The Comic Book Bin)
Sweetpea616 on Me and the Devil Blues (Organization Anti-Social Geniuses)
Sean Gaffney on vol. 17 of Ouran High School Host Club (A Case Suitable for Treatment)
Julie Opipari on La Quinta Camera (Manga Maniac Cafe)
Kristin on vol. 2 of Wandering Son (Comic Attack)

Filed Under: MANGABLOG

Oresama Teacher, Vol. 6

January 9, 2012 by Sean Gaffney

By Izumi Tsubaki. Released in Japan by Hakusensha, serialization ongoing in the magazine Hana to Yume. Released in North America by Viz.

It’s the rare manga that can make me laugh when I open the front cover and look at the title page, but that’s what Oresama Teacher does here. Shinobu not only lampshades one of the more obvious faults of this series (a lack of other female characters), he also suggests Mafuyu is trying to create a “reverse harem”. Though there are a few guys here that are falling for her, I’d argue that he’s incorrect. This isn’t a reverse harem as this series is simply not focused on romance – mostly as the leads are too dense to understand what they’re feeling. How can you recognize love if simple friendship is beyond you?

Likewise, the first chapter of this volume is simply top comedy, as we meet yet another cast member with no common sense. Shinobu is simply a flake, albeit a skilled one, and therefore matches up well with “Super Bun”, who gets trotted out here again to my delight. It’s interesting to note that Shinobu flat out worships the series’ main villain, Miyabi. In fact, it almost borders on BL, without ever quite going there (just in case both are needed later to have feelings for Mafuyu). The fight itself, meanwhile, shows how clever Mafouyu can be when she’s strategic – thinking on her feet about how best to defeat a ninja and even using some pseudo-ninja techniques.

The rest of the volume is not nearly as funny, but that’s not a bad thing – we’re finally getting a pile of plot and backstory that has been hidden from us. Shinobu ends up joining the Public Morals Squad (as the world’s most obvious mole), and the three club members start to analyze exactly why the bet the school principal has with Saeki is so weird – why does the administration WANT delinquency in the school? Mafuyu thinks that she now has enough that she can get Saeki to tell her the rest, but he proves surprisingly cold, pushing her away by pushing on one of her biggest buttons – the “I want to stop being a delinquent” button. But is that really what she wants?

Having also been abandoned by Hayasaka (whose reasons are far more teenage boy-oriented than Saeki’s), we then get a wonderful scene of her opening up to the other girls in the class, and trying to be friends with them. It’s wonderful not only because her desperation and tomboyishness is amusing, but also because the other girls in class genuinely seem to like her, even if they find her incredibly strange. You could argue this is because they’ve never seen her fighting, but it’s rather nice, and makes me hope that one day we will see more female presence in this manga. It’s not going to be today, though – after defending Hayasaka, who still has his horrible reputation, Mafuyu runs off, realizing that hanging out with the other guys is where she wants to be.

Then there’s Saeki. If you recall, he’s the title character (though France actually changed the title to “Girl Fight”, putting the emphasis more on Mafuyu). His reasons for pushing Mafuyu away are entirely predictable, but this doesn’t make them poorly written, and the scenes with his grandfather are both touching and intriguing. A telling point comes towards the start of the book, when Mafuyu is running off to fight Shinobu, and Saeki asks her why she fights. Note that she doesn’t give a typical manga reason like “to defend the weak” or “to battle injustice”. She fights because she was challenged, and that’s it. She is Saeki’s reminder of what he once was, and that’s why he tries to get rid of her. Of course, she’s made of sterner stuff, which he knows but would rather not admit.

We end on a cliffhanger, with Saeki starting to tell Mafuyu the real reason for the bet, and what the bet actually involves. It’s going to be a long wait till the next volume, but when it comes I’m willing to bet there will be lots of fights, stupidity, and shoujo cliches. Just the way I like it.

Filed Under: REVIEWS

Introducing: Manga Radar

January 8, 2012 by Matt Blind 2 Comments

I do a lot of data entry for the Manga Bestseller charts.

No, really: you have no idea. Archived web pages for one week of data takes up 200MB — I distill those web sites into 3,500 or so individual line-items, and then I combine those listings (with weighted scores) with last week’s (scores discounted), drop all that into the prexisting framework (publishing data, historical rankings) and run the numbers. Right now, “running the numbers” means compliling a Top 500 Manga and what is now seven ancilliary charts. Takes an hour or so.

All that, and yet: there are still gems to be found buried deep in Mount MangaData.

About a month ago, I emailed MJwith the idea for a new weekly post; a sort of “advanced doppler radar” for manga where I take all the newest additions to my database & make them visible.

This new report is not the same as a weekly “new manga” post, as I am not checking Diamond or publishers’ websites for new releases; my process typically unearths manga that won’t be out for another 3 or 4 months. Also, occasionally I turn up an old “new” title: manga from 2000-2006 that I wasn’t previously tracking (mostly because I’d never heard of it before).

As this is the first of these posts, tentatively named “Manga Radar”, I thought it might be worthwhile to pull not one but three weeks worth of titles:

20 November 2011

A Certain Scientific Railgun 5 – Seven Seas, Aug 2012
Bad Teacher’s Equation 3 – DMP Juné, Jan 2012
Bamboo Blade 13 – Yen Press, May 2012
Bamboo Blade 14 – Yen Press, Aug 2012
Border 3 – DMP Juné, Jan 2012
D. Gray-Man Illustrations – Viz Shonen Jump Advanced, Dec 2011
Fairy Tail 20 – Kodansha Comics, Jul 2012
Haruhi Suzumiya Melancholy of Haruhi Suzumiya 11 – Yen Press, Feb 2012
Haruhi Suzumiya Melancholy of Haruhi Suzumiya 12 – Yen Press, May 2012
Haruhi Suzumiya Melancholy of Haruhi Suzumiya 13 – Yen Press, Aug 2012
Kizuna Deluxe Edition 5 – DMP Juné, Jan 2012
Naruto 57 – Viz Shonen Jump, Jul 2012
Naruto 58 – Viz Shonen Jump, Sep 2012
One Piece 63 – Viz Shonen Jump, Jul 2012
One Piece 64 – Viz Shonen Jump, Sep 2012
Tesoro – Viz Sig Ikki, Nov 2011
The Art of The Secret World of Arrietty – Viz Ghibli Library, Feb 2012
Warriors SkyClan & The Stranger 3 – HarperCollins, Apr 2012

Boys over Flowers Jewelry Box – Viz, Oct 2009
Short Cuts 1 – Viz, Jul 2002
Short Cuts 2 – Viz, Sep 2003
Tori Koro 1 – DrMaster, Aug 2005
Tori Koro 2 – DrMaster, Jan 2006

27 November 2011

Durarara!! 1 – Yen Press, Jan 2012
Durarara!! 2 – Yen Press, Apr 2012
Durarara!! 3 – Yen Press, Jun 2012
Gossip Girl 3 – Yen Press, Nov 2011
Neon Genesis Evnagelion The Shinji Ikari Raising Project 10 – Dark Horse, Jan 2012
Pandora Hearts 9 – Yen Press, Mar 2012
Tokyo Mew Mew Omnibus 2 – Kodansha Comics, Dec 2011

Baby Birth 1 – Tokyopop, Sep 2003
Baby Birth 2 – Tokyopop, Nov 2003

4 December 2011

Amazing Agent Luna Prequel: Amazing Agent Jennifer 2 – Seven Seas, Jan 2012 ::
Blue Exorcist 7 – Viz Shonen Jump Advanced, Apr 2012 ::
Dance in the Vampire Bund 12 – Seven Seas, Jun 2012 ::
Devil’s Infirmary – 801 Media, Feb 2012 ::
Haruhi Suzumiya The Wavering of Haruhi Suzumiya (novel) – Little, Brown & Co., Nov 2011 ::
Haruhi Suzumiya The Disappearance of Nagato Yuki-Chan 1 – Yen Press, Jul 2012 ::
Kannagi 4 – Bandai, Cancelled ::
My Sempai (ebook) – DMP Digital Manga Guild, Nov 2011 ::
Only the Flower Knows (ebook) 1 – DMP Digital Manga Guild, Nov 2011 ::
Rainy Day Love (ebook) – DMP Digital Manga Guild, Nov 2011 ::
Shugo Chara! Shugo Chara-Chan! 1 – Kodansha Comics, Nov 2011 ::
Shugo Chara! Shugo Chara-Chan! 2 – Kodansha Comics, Jan 2012 ::
Shugo Chara! Shugo Chara-Chan! 3 – Kodansha Comics, Mar 2012 ::
Shugo Chara! Shugo Chara-Chan! 4 – Kodansha Comics, Jun 2012 ::
The Betrayal Knows My Name 3 – Yen Press, Apr 2012 ::
The Song of Rainfall (ebook) – DMP Digital Manga Guild, Nov 2011 ::

Sand Land – Viz Shonen Jump, Jan 2004

##

Kannagi, volume 4 deserves a special note: I added it to my database just in time for Bandai to cancel it. It’s a detail worth noting: Just because a manga volume is listed on an online sales site as being available for pre-order, that’s no guarantee the book will come out on the advertised date, or at all.

The top pre-orders are already a part of my weekly reporting, but in this context I think the top 10 is worth reposting:

Top 10 Preorders, 4 December 2011

15. ↓-7 (8) : Sailor Moon 3 – Kodansha Comics, Jan 2012 [306.0] ::
29. ↓-9 (20) : Sailor Moon 4 – Kodansha Comics, Mar 2012 [246.6] ::
31. ↓-13 (18) : Sailor Moon 5 – Kodansha Comics, Apr 2012 [242.6] ::
56. ↑27 (83) : Sailor Moon 6 – Kodansha Comics, Jun 2012 [158.3] ::
84. ↑11 (95) : Negima! 33 – Kodansha Comics, Jan 2012 [120.6] ::
114. ↓-14 (100) : Black Butler 8 – Yen Press, Jan 2012 [101.3] ::
117. ↓-16 (101) : Dance in the Vampire Bund 11 – Seven Seas, Jan 2012 [99.3] ::
118. ↓-9 (109) : Negima! 34 – Kodansha Comics, Apr 2012 [98.1] ::
135. ↓-7 (128) : Private Teacher 2 – DMP Juné, Jan 2012 [86.0] ::
162. ↑2 (164) : Toradora! 4 – Seven Seas, Apr 2012 [68.3] ::

Filed Under: Manga Radar

Manga Bestsellers: 2011, Week Ending 04 December

January 8, 2012 by Matt Blind Leave a Comment

Comparative Rankings Based on Consolidated Online Sales

last week’s charts
about the charts

##

Manga Bestsellers

1. ↑2 (3) : Sailor Moon 2 – Kodansha Comics, Nov 2011 [464.5] ::
2. ↓-1 (1) : Sailor Moon 1 – Kodansha Comics, Sep 2011 [448.0] ::
3. ↓-1 (2) : Sailor Moon Codename: Sailor V 2 – Kodansha Comics, Nov 2011 [426.0] ::
4. ↑1 (5) : Maximum Ride 5 – Yen Press, Dec 2011 [409.0] ::
5. ↑17 (22) : Naruto 53 – Viz Shonen Jump, Dec 2011 [382.9] ::
6. ↑10 (16) : Naruto 52 – Viz Shonen Jump, Jul 2011 [365.9] ::
7. ↓-3 (4) : Black Butler 7 – Yen Press, Oct 2011 [364.8] ::
8. ↓-2 (6) : Vampire Knight 13 – Viz Shojo Beat, Oct 2011 [361.2] ::
9. ↑2 (11) : Maximum Ride 1 – Yen Press, Jan 2009 [352.6] ::
10. ↑2 (12) : Maximum Ride 4 – Yen Press, Apr 2011 [351.5] ::

[more]

Top Imprints
Number of volumes ranking in the Top 500:

Viz Shonen Jump 93
Yen Press 75
Viz Shojo Beat 64
Kodansha Comics 40
Viz Shonen Jump Advanced 31
Vizkids 31
Tokyopop 27
DMP Juné 20
Viz 17
HC/Tokyopop 15

[more]

Series/Property

1. ↔0 (1) : Sailor Moon – Kodansha Comics [1,080.6] ::
2. ↑2 (4) : Naruto – Viz Shonen Jump [900.1] ::
3. ↔0 (3) : Maximum Ride – Yen Press [857.9] ::
4. ↓-2 (2) : Black Butler – Yen Press [831.3] ::
5. ↔0 (5) : Warriors – HC/Tokyopop [690.6] ::
6. ↑1 (7) : Vampire Knight – Viz Shojo Beat [690.2] ::
7. ↓-1 (6) : Pokemon – Vizkids [685.8] ::
8. ↑1 (9) : Negima! – Del Rey/Kodansha Comics [535.0] ::
9. ↑8 (17) : Ouran High School Host Club – Viz Shojo Beat [485.3] ::
10. ↑1 (11) : Fullmetal Alchemist – Viz [478.6] ::

[more]

New Releases
(Titles releasing/released This Month & Last)

1. ↑2 (3) : Sailor Moon 2 – Kodansha Comics, Nov 2011 [464.5] ::
3. ↓-1 (2) : Sailor Moon Codename: Sailor V 2 – Kodansha Comics, Nov 2011 [426.0] ::
4. ↑1 (5) : Maximum Ride 5 – Yen Press, Dec 2011 [409.0] ::
5. ↑17 (22) : Naruto 53 – Viz Shonen Jump, Dec 2011 [382.9] ::
12. ↓-2 (10) : Negima! 32 – Kodansha Comics, Nov 2011 [333.1] ::
16. ↑1 (17) : Warriors SkyClan & The Stranger 2 – HarperCollins, Nov 2011 [302.0] ::
19. ↑27 (46) : Ouran High School Host Club 17 – Viz Shojo Beat, Dec 2011 [284.1] ::
21. ↑2 (23) : Pokemon Black & White 4 – Vizkids, Nov 2011 [271.1] ::
28. ↓-19 (9) : Black Bird 11 – Viz Shojo Beat, Nov 2011 [248.9] ::
33. ↓-5 (28) : Highschool of the Dead Color Omnibus – Yen Press, Nov 2011 [234.8] ::

[more]

Preorders

15. ↓-7 (8) : Sailor Moon 3 – Kodansha Comics, Jan 2012 [306.0] ::
29. ↓-9 (20) : Sailor Moon 4 – Kodansha Comics, Mar 2012 [246.6] ::
31. ↓-13 (18) : Sailor Moon 5 – Kodansha Comics, Apr 2012 [242.6] ::
56. ↑27 (83) : Sailor Moon 6 – Kodansha Comics, Jun 2012 [158.3] ::
84. ↑11 (95) : Negima! 33 – Kodansha Comics, Jan 2012 [120.6] ::
114. ↓-14 (100) : Black Butler 8 – Yen Press, Jan 2012 [101.3] ::
117. ↓-16 (101) : Dance in the Vampire Bund 11 – Seven Seas, Jan 2012 [99.3] ::
118. ↓-9 (109) : Negima! 34 – Kodansha Comics, Apr 2012 [98.1] ::
135. ↓-7 (128) : Private Teacher 2 – DMP Juné, Jan 2012 [86.0] ::
162. ↑2 (164) : Toradora! 4 – Seven Seas, Apr 2012 [68.3] ::

[more]

Manhwa

359. ↓-89 (270) : Bride of the Water God 9 – Dark Horse, Oct 2011 [28.8] ::
412. ↑ (last ranked 12 Sep 10) : Angel Diary 2 – Yen Press, Jan 2006 [25.0] ::
457. ↑36 (493) : JTF-3 Counter Ops (ebook) – RealinterfaceStudios.com, Mar 2011 [21.0] ::
472. ↓-94 (378) : March Story 3 – Viz Signature, Oct 2011 [20.4] ::
529. ↑18 (547) : Bride of the Water God 8 – Dark Horse, May 2011 [17.3] ::
535. ↑160 (695) : Moon Boy 8 – Yen Press, Aug 2010 [17.2] ::
543. ↓-339 (204) : Sarasah 4 – Yen Press, May 2010 [16.9] ::
613. ↓-331 (282) : Legend 3 – Yen Press, Aug 2008 [13.5] ::
640. ↑922 (1562) : Goong 11 – Yen Press, May 2011 [12.3] ::
649. ↓-280 (369) : March Story 2 – Viz Signature, Apr 2011 [12.0] ::

[more]

BL/Yaoi

75. ↓-16 (59) : Finder Series 5 Truth in the View Finder – DMP Juné, Dec 2011 [138.2] ::
98. ↓-19 (79) : Finder Series 4 Prisoner in the View Finder – DMP Juné, Aug 2011 [112.3] ::
107. ↓-39 (68) : Seven Days Friday-Sunday – DMP Juné, Sep 2011 [108.4] ::
111. ↓-22 (89) : Black Sun 2 – 801 Media, Dec 2011 [105.9] ::
124. ↓-2 (122) : Secrecy of the Shivering Night – DMP Juné, Dec 2011 [94.9] ::
135. ↓-7 (128) : Private Teacher 2 – DMP Juné, Jan 2012 [86.0] ::
143. ↓-1 (142) : Storm Flower – DMP Juné, Dec 2011 [81.4] ::
178. ↓-10 (168) : Private Teacher 1 – DMP Juné, Jan 2012 [60.6] ::
193. ↓-34 (159) : An Even More Beautiful Lie – DMP Juné, Jan 2012 [55.2] ::
205. ↓-31 (174) : A Bloody Kiss Tonight – DMP DokiDoki, Nov 2010 [52.0] ::

[more]

Ebooks

126. ↑46 (172) : Manga Moods – Japanime’s Manga University, Mar 2006 [93.2] ::
158. ↔0 (158) : Manga Cookbook – Japanime’s Manga University, Aug 2007 [69.4] ::
199. ↑55 (254) : Kanji de Manga 1 – Japanime’s Manga University, Jan 2005 [53.6] ::
224. ↓-74 (150) : Maelstrom (ebook) 1 – Yaoi Press, Jun 2011 [48.6] ::
279. ↑new (0) : Amazing Agent Luna Prequel: Amazing Agent Jennifer 2 – Seven Seas, Jan 2012 [38.0] ::
388. ↓-21 (367) : Amazing Agent Luna 1 – Seven Seas, Mar 2005 [26.9] ::
393. ↓-163 (230) : Vampire Cheerleaders 1 – Seven Seas, Mar 2011 [26.4] ::
457. ↑36 (493) : JTF-3 Counter Ops (ebook) – RealinterfaceStudios.com, Mar 2011 [21.0] ::
481. ↓-289 (192) : Attacked on a Tiger’s Whim (ebook) – DMP Digital Manga Guild, Oct 2011 [20.0] ::
518. ↓-126 (392) : Maelstrom (ebook) 3 – Yaoi Press, Jul 2011 [17.9] ::

[more]

Filed Under: Manga Bestsellers Tagged With: Manga Bestsellers

Going Digital: January 2012

January 8, 2012 by MJ and Sean Gaffney 4 Comments

Welcome to Going Digital, Manga Bookshelf’s monthly feature focusing on manga available for digital viewing or download. Each month, the Manga Bookshelf bloggers review a selection of comics we’ve read on our computers, phones, or tablet devices, to give readers a taste of what’s out there, old and new, and how well it works in digital form.

This month, we’ll take a look at Digital Manga Publishing’s new iPad app, as well as a couple of manga published for viewing in your web browser. Device, OS, and browser information is included with each review as appropriate, to let you know exactly how we accessed what we read.


Apps

Digital Manga Publishing | iPad app | iPad 2, iOS 5.0.1 – Though most manga publishers have been playing catch-up when it comes to digital manga, Digital Manga Publishing has been in the game all along. While other publishers have struggled with user-unfriendly systems and disappointing selection, DMP’s eManga store made it all look easy, with its slick, robust viewer and large collection of titles.

Given DMP’s forward-thinking business model, it’s a bit surprising to note that they are one of the last English-language manga publishers to embrace iOS as a platform for digital comics. Fortunately, they’re well on their way to getting it right.

(click images to enlarge)

DMP’s storefront is extremely promising, at least at first glance. Buttons across the top indicate a wealth of available genres pulled from each of their BL imprints, as well as standard shoujo and other “mainstream” manga, though clicking on any of these quickly reveals the weaknesses of their iOS catalogue. Several of these tabs lead to pretty much the same small mix of instructional manga and other random titles, with nearly the entire current catalogue coming from their Juné, 801 Media, and Digital Manga Guild imprints. Price point is a weakness here, too. As with eManga, DMP counts on the willingness of BL fans to pay premium for their content, but with most titles going for nearly double the price of single volumes from publishers like Viz and Kodansha, these purchases do feel a bit painful.

I rather reluctantly plunked down $8.99 for the second volume of the two-volume BL series Seven Days, the first of which I’d enjoyed quite a bit, and while the value of a volume downloaded to my iPad definitely feels weightier than an indefinite rental at eManga, it’s disheartening to note that I could have picked it up for less in print from the publisher’s own online store.

Fortunately for DMP, I’ve discovered that I rather like reading on my iPad, perhaps even better than print (thanks largely to inadequate lighting in my small downtown apartment), and the reading experience is something they decidedly get right.

Like all the best apps for manga on the iPad, DMP’s runs smoothly and intuitively, flipping from page to page with no visual delay, and adjusting nicely between single and dual page views, with no reduction in readability.

(click images to enlarge)

The one initial oddity is the arrow tab that appears in the bottom left corner of every page. Though it does obscure a tiny portion of the page in view, the payoff is more than worth it. When touched, the tab reveals a smooth-scrolling view of each page in the volume, allowing for quick, easy access to earlier pages at a glance.

As a reviewer, especially, one of the downsides of digital is the lack of physical memory provided by a print volume. Our minds retain the sense of where something was in a volume based on sight and feel, so it’s always easy to find something, usually even after significant time has passed since the first reading. While it’s not possible to recreate this feeling entirely on a digital platform, the inclusion of thumbnail images to the simple scroll bar used by other manga apps goes a long way towards providing a real sense of flipping through a physical book.

Though minimal selection in non-BL genres combined with substantial sticker shock may make keep DMP’s app from performing as well as others, its top-notch manga reader makes it a winner, at least from a usability standpoint. Good going, DMP. – MJ


Web Browser

Nao Go Straight – Guide Dog Trainer Vol. 1 | By Yasuto Tamamoto | Futabasha, Manga Action | JManga.com | Windows XP, Firefox 8.0
There is a certain sort of manga seen over in Japan that doesn’t always make it to North America, and this series is an excellent example of it. You have the bright young protagonist, who is naive and perhaps tends to fail at a lot of things, but has a talent that is just itching to be taken advantage of. They find themselves at a new job, filled with energy and vigor. Then they begin to have second thoughts, as the job is much harder than they’d expected. Do they really have what it takes to keep up with this grueling regimen? And there’s that one guy, who’s their boss or manager or someone with authority over them, who *hates* the protagonist, and finds fault in everything they do. Of course, as the manga goes on the protagonist learns to find the joy in the job, and finds that guy was being extra harsh on them because they showed the most promise. All is well.

The job and the protagonist differ from manga to manga, of course, and here we have the word of dog training – specifically, training guide dogs for the blind. Our heroine is Nao, who keeps leaving or getting fired from jobs. Her problem is that she’s too empathic – which in a setting like Japan can be hideously detrimental. How creepy, she knows how I’m feeling! Then one day she runs into a brash young blind man, Yamazaki. He realizes that the traits she exhibits are a natural for working with guide dogs, and suggests that she check out a school he has a mysterious affiliation with. Of course, there are other, more experienced candidates there as well. This is just the beginning for poor Nao…

I’ll be honest – this first volume can feel really dull. It’s a slow starter, and that can be hard in a series you’re not reading from week to week. Nao is nice and plucky, but ’empathy’ is not exactly a quirk that reaches out and catches your interest. Likewise, the art is OK, but not great – the mangaka was able to put his bland style to better use in Ninja Papa (yes, it’s the same author), but here it’s merely bland. That said, if you’re at all interested in the actual subject of the manga – training guide dogs – the manga will interest you. There’s about 60 Labrador Retrievers here, all seemingly alike, yet as Nao grows to recognize their quirks they gain more personality – particularly Choko, the dog who no doubt will become Nao’s pet project (so to speak). So, to sum up: decent manga, but mostly for dog lovers.-Sean Gaffney

Sherlock Holmes, Vol. 1 | By Toya Ataka | Asahi Shimbun Publications Inc. | JManga.com | Mac OS 10.7.2, Chrome 16.0.912.63 – In this supernaturally-charged version of London, some have attained the power of “Shadow Masters,” people who are able to use their shadows to perform super-human deeds on their behalf. One of these is teen sleuth Sherlock Holmes who enlists the power of his shadow to invisibly probe his surroundings, a talent that keeps him (and his cocky grown-up partner, Watson) in business.

Though I’m pleased to report that this is a mildly fun supernatural detective series in a not-quite-as-good-as-Tokyo-Bablyon sort of way, the question you may be asking is, “What on earth does it have to do with Sherlock Holmes?” The answer is, “Nothing. Nothing at all.”

Though it has borrowed some names from Sir Arthur Conan Doyle’s legendary tales (including Holmes’ landlady, Mrs. Hudson) and its leads make their living as detectives, that is the full extent of this manga’s similarity to any previous incarnation of Sherlock Holmes. This is unfortunate, for though this series does have some qualities to recommend it (crisp, detailed artwork and genuinely creepy villains, for instance), it suffers badly in comparison to its namesake, and even to most of the original series’ popular adaptations.

The series’ supernatural premise certainly shows promise, though its origins are so little explained in the first volume, it’s difficult to know now whether that promise will be fulfilled. And, unfortunately, a sloppy English adaptation makes for some unintentionally humorous moments, such as in this piece of dialogue, “He is Sara, the actress’ sponsor,” which makes it appear as if the man being spoken of goes by the name of “Sara” (he doesn’t).

Overall, this is not a bad little title, but it might have done better to avoid comparison with far superior works. Though the name “Sherlock Holmes” may certainly draw readers, it’s unlikely to keep them based on such unfulfilled expectations. Buyer beware. – MJ

Filed Under: Going Digital Tagged With: Digital Manga, digital manga publishing, JManga, nao go straight guide dog trainer, sherlock holmes

Fluffy, Fluffy Cinnamoroll, Vol. 1

January 6, 2012 by Katherine Dacey

Critic proof: that’s my two-word assessment of Fluffy, Fluffy Cinnamoroll, a new all-ages manga starring one of Sanrio’s lesser-known characters. The story is a mixture of sincere sentiment and calculated product placement that’s been carefully designed to appeal to the under-ten crowd; an adult can practically hear the cha-ching of the cash register every time a new character or magical object is introduced.

The Cinnamaroll of the title is described in the introduction as a “boy puppy” with a tail like a bun. Unhappy among his litter mates — all of whom are big, puffy clouds — he finds his calling at a terrestrial bakery that specializes in breakfast treats. There he befriends an assortment of other dogs: Mocha, a “stylish chatterbox” who accessorizes with ribbons and flowers; Cappuccino, an easygoing pup who likes to nap and eat; Chiffon, a high-energy dog with ears that faintly resemble a chiffon cake; Espresso, a talented know-it-all who boasts a “distinguished Mozart hairstyle”; and Milk, a baby whose entire vocabulary consists of the all-purpose word “baboo.”

Volume one features a dozen or so stories involving picnics, treasure maps, trips to the beach, and letters to Santa Claus. Though there’s a strong element of fantasy in the gang’s adventures, there’s an even stronger whiff of didacticism: in one chapter, for example, Cinnamoroll must set aside his fear of the dark to rescue his friends, who are being held captive in a haunted house, while in another, Cinnamoroll learns to embrace the fact he’s different from the other “cloud kids.” Every conflict is neatly resolved in a few pages, with Cinnamoroll learning an important lesson about friendship, loyalty, or selflessness; only Cavity, a dark cloud with a devil’s tail, seems impervious to the other characters’ warmth and energy.

As an adult reader, it’s impossible not to feel a little jaded reading Fluffy, Fluffy Cinnamoroll. The stories have predictable scripts that have been carefully designed to stimulate the reader’s awwwww reflex at regular intervals. The artwork, too, lacks personality; though no one would deny its fundamental cuteness, the art looks prefabricated, as if each character had been assembled from interchangeable parts from the Sanrio plant. More puzzling still is that none of the pups look particularly canine; the artist could easily have described all of them as long-eared rabbits without compromising the story.

Yet for all the cynicism a project like Fluffy, Fluffy Cinnamoroll might inspire, I also understand its appeal: it looks like someone took the contents of my childhood sticker album and turned it into a story featuring puppies, unicorns, sweets, and rainbows. The stories, like the character designs, have a definite child logic to them, as the plots touch on a variety of pre-teen fantasies: being rich and famous, eating a diet of sweets, spending all your time playing with friends (no one goes to school), and learning that yes, indeed, you were born into the wrong family. If those stories aren’t executed with the grace or imagination of the best kids’ comics, they’ll still please the under-ten crowd with their whimsical settings and earnest characters. Just don’t be surprised when they ask the inevitable question: where can I get a Cinnamoroll doll?

Review copy provided by VIZ Media, LLC.

FLUFFY, FLUFFY CINNAMOROLL, VOL. 1 • STORY AND ART BY YUMI TSUKIRINO, ORIGINAL CONCEPT BY CHISATO SEKI • VIZ MEDIA • 160 pp. • RATING: ALL AGES

 

Filed Under: Manga, Manga Critic, REVIEWS Tagged With: All-Ages Manga, Cinnamoroll, Sanrio, VIZ, VIZ Kids

Fluffy, Fluffy Cinnamoroll, Vol. 1

January 6, 2012 by Katherine Dacey 1 Comment

Critic proof: that’s my two-word assessment of Fluffy, Fluffy Cinnamoroll, a new all-ages manga starring one of Sanrio’s lesser-known characters. The story is a mixture of sincere sentiment and calculated product placement that’s been carefully designed to appeal to the under-ten crowd; an adult can practically hear the cha-ching of the cash register every time a new character or magical object is introduced.

The Cinnamaroll of the title is described in the introduction as a “boy puppy” with a tail like a bun. Unhappy among his litter mates — all of whom are big, puffy clouds — he finds his calling at a terrestrial bakery that specializes in breakfast treats. There he befriends an assortment of other dogs: Mocha, a “stylish chatterbox” who accessorizes with ribbons and flowers; Cappuccino, an easygoing pup who likes to nap and eat; Chiffon, a high-energy dog with ears that faintly resemble a chiffon cake; Espresso, a talented know-it-all who boasts a “distinguished Mozart hairstyle”; and Milk, a baby whose entire vocabulary consists of the all-purpose word “baboo.”

Volume one features a dozen or so stories involving picnics, treasure maps, trips to the beach, and letters to Santa Claus. Though there’s a strong element of fantasy in the gang’s adventures, there’s an even stronger whiff of didacticism: in one chapter, for example, Cinnamoroll must set aside his fear of the dark to rescue his friends, who are being held captive in a haunted house, while in another, Cinnamoroll learns to embrace the fact he’s different from the other “cloud kids.” Every conflict is neatly resolved in a few pages, with Cinnamoroll learning an important lesson about friendship, loyalty, or selflessness; only Cavity, a dark cloud with a devil’s tail, seems impervious to the other characters’ warmth and energy.

As an adult reader, it’s impossible not to feel a little jaded reading Fluffy, Fluffy Cinnamoroll. The stories have predictable scripts that have been carefully designed to stimulate the reader’s awwwww reflex at regular intervals. The artwork, too, lacks personality; though no one would deny its fundamental cuteness, the art looks prefabricated, as if each character had been assembled from interchangeable parts from the Sanrio plant. More puzzling still is that none of the pups look particularly canine; the artist could easily have described all of them as long-eared rabbits without compromising the story.

Yet for all the cynicism a project like Fluffy, Fluffy Cinnamoroll might inspire, I also understand its appeal: it looks like someone took the contents of my childhood sticker album and turned it into a story featuring puppies, unicorns, sweets, and rainbows. The stories, like the character designs, have a definite child logic to them, as the plots touch on a variety of pre-teen fantasies: being rich and famous, eating a diet of sweets, spending all your time playing with friends (no one goes to school), and learning that yes, indeed, you were born into the wrong family. If those stories aren’t executed with the grace or imagination of the best kids’ comics, they’ll still please the under-ten crowd with their whimsical settings and earnest characters. Just don’t be surprised when they ask the inevitable question: where can I get a Cinnamoroll doll?

Review copy provided by VIZ Media, LLC.

FLUFFY, FLUFFY CINNAMOROLL, VOL. 1 • STORY AND ART BY YUMI TSUKIRINO, ORIGINAL CONCEPT BY CHISATO SEKI • VIZ MEDIA • 160 pp. • RATING: ALL AGES

 

Filed Under: Manga Critic Tagged With: All-Ages Manga, Cinnamoroll, Sanrio, VIZ, VIZ Kids

Comic Conversion: The Alchemist

January 5, 2012 by Angela Eastman 1 Comment

The Alchemist | Novel: Paulo Coelho / HarperSanFransisco | Graphic Novel: Derek Ruiz and Daniel Sampere / HarperOne

Santiago, a shepherd from Andalusia, has had the same dream twice, in which an angel brings him to the pyramids of Egypt and tells him that this is where he will find his treasure. Just as Santiago is about to pass on the suggestion he encounters a king, who tells the boy he should listen to the omens and follow his dream, for that is his Personal Legend—the one thing he is meant to do in this world. Thus begins the shepherd’s journey into Africa, where he meets a thief, a merchant, an Englishman, a woman, and an alchemist, and learns how difficult and how rewarding it can be to follow your dreams through to the end.

Originally published in Portuguese in 1988, Paulo Coelho’s novel The Alchemist has sold millions of copies and inspired quite a following. Really, it’s unsurprising that someone would try to make a graphic novel out of it. In his introduction, Paulo Coelho goes on about how the Sea Lion Books adaptation is exactly what he dreamed of, so I went into the graphic novel (adapted by Derek Ruiz with art by Daniel Sampere) with relatively high hopes, but I soon found those hopes petering out.

The Alchemist is a parable for following your dreams, and much of the prose reads like a fable. The narrative voice is one of the star aspects of the novel, moving the story at a steady pace from one thing to the next. It creates an easy flow that carries the reader through the book even where there is minimal action. The graphic novel takes much of that narration out, and that’s probably for the best. Most of the original narration is replaced with first-person introspection from Santiago, keeping the reader in Santiago’s mind and also preventing the art from being covered with blocks of text.

The pacing of the graphic novel still gets clunky. There isn’t always a clear transition between scenes, with some pages literally jumping from day to night without warning. Sampere and Ruiz also don’t always give the proper amount of panel space to things. The image of Santiago becoming a monster and killing his sheep—a passing thought in the novel—is given 3/4 of a page, while his vision of the oasis being attacked isn’t granted a single image.

The art does do an able job of showing other things, filling in settings described in the novel with stalls, buildings and palm trees. There are times, however, when the art is less vivid even than Coelho’s sparse descriptions. When Santiago enters the chieftains’ tent we’re given this description: “The ground was covered with the most beautiful carpets he had ever walked upon, and from the top of the structure hung lamps of handwrought gold.” This doesn’t seem too difficult to recreate, but the graphic novel shows us only an empty, blank room.

Even while it merely matches or falls behind the descriptions in the original book, the graphic novel does take the opportunity to allow for a different view of a situation. When Santiago first shows up in Africa, a tavern owner tries to warn him about a thief, but because they don’t speak the same language Santiago thinks he’s assaulting him. In the graphic novel the tavern owner is given dialogue, so we see before Santiago does that the man is trying to help him, and we understand the trap he’s walking into. The graphic novel also offers its own interpretation of some of the more abstract parts of Coelho’s story, such as when Santiago is talking to the wind. Coelho describes it like any windstorm, but Sampere and Ruiz decide to portray the wind with the form of a woman. It’s a pretty straightforward, unadventurous interpretation of the scene, but it’s also one of the few times that the artist and script writer seem to put their own vision into the comic.

One big issue I had with the graphic novel was its persistent grammar problems. While some were minor and might not be noticed by someone breezing through the story, this isn’t just my inner English major getting riled up. While the grammar mistakes are prevalent throughout (the artist’s introduction in particular is a horror to read) the real problem is that the mistakes are in lines that were copied verbatim from the novel. So, someone got it right once, and still the graphic novel managed to mess it up. That might not be the biggest deal, but it reeks of laziness that exists in other parts of the graphic novel as well, such as inconsistent character art and insufficient time spent on important characters like Fatima, the woman Santiago falls in love with.

There are a number of things The Alchemist: A Graphic Novel does right, at least compared to other comic adaptations. Narration is minimized in favor of character dialogue, and Coelho is more or less correct in saying that “the graphic novel does not lose the essence of the story,” as the original points he tried to make in his novel are still relatively clear. But there are also a number of little things that stack up against the adaptation. The clunkiness and occasional laziness detract from the magical feeling of the story, leaving the adaptation OK at best. The graphic novel won’t win any more readers for Coelho, so if you want to read The Alchemist, or convince a friend to give it a try, I’d suggest sticking with the original novel.

Filed Under: Comic Conversion, FEATURES Tagged With: graphic novel, HarperCollins, Novel, Paulo Coelho, The Alchemist

New manga, digital preferences, and Bandai followup

January 5, 2012 by Brigid Alverson

Over at MTV Geek, I looked at the evolution of digital manga in 2011 and picked my favorites from this week’s new releases. At Robot 6, I did a rough tally of responses to a Tokyopop Facebook post and concluded that manga readers still prefer print over digital.

Lissa Pattillo checks out this week’s new releases in her latest On the Shelf column at Otaku USA, and Sean Gaffney takes a look at next week’s new manga.

Bandai Entertainment president and CEO Ken Iyadomi explains what happened to his company in an interview at ANN; long story short: The Japanese parent company wanted to keep anime prices higher than U.S. customers were willing to pay.

MJ and Michelle Smith discuss the long-running series Fullmetal Alchemist, which just ended with volume 27, in their latest Off the Shelf column at Manga Bookshelf.

Sean Kleefeld looks at the universe of One Piece, in which government is bad and oppressive and pirates are the good guys, and ties it in to today’s political reality.

A couple of the Udon guys got to talk to Hitoshi Ariga, creator of Mega Man: Gigamix.

Sharpen your pencils: Kate Dacey posts this year’s schedule of Manga Moveable Feasts.

If you speak French, check out this interview with Izumi Tsubaki, creator of Oresama Teacher.

News from Japan: Rinko Ueda is bringing her shoujo manga Stepping on Roses to an end in the issue of Margaret that ships Feb. 20.

Reviews

Alexander Case on vol. 1 of Bakuman (Bureau 42)
Lissa Pattillo on vol. 37 of Bleach (Kuriousity)
Alex Hoffman on Breathe Deeply (Manga Widget)
Lesley Aeschliman on vol. 4 of Chobits (Blogcritics)
Thomas Zoth on vol. 3 of Dorohedoro (The Fandom Post)
Kristin on vol. 5 of Grand Guignol Orchestra (Comic Attack)
John Rose on vol. 19 of Hayate the Combat Butler (The Fandom Post)
Kate O’Neil on vol. 8 of Nabari no Ou (The Fandom Post)
Joe Iglesias on Nabari no Ou (Eastern Standard)
John Rose on vol. 53 of Naruto (The Fandom Post)
Leroy Douresseaux on vol. 54 of Naruto (The Comic Book Bin)
Lesley Aeschliman on vol. 13 of Pokemon Adventures (Blogcritics)
Greg McElhatton on vol. 2 of Wandering Son (Read About Comics)
Erica Friedman on vol. 1 of Warratte! Sotomura-san (Okazu)
Leroy Douresseaux on vol. 8 of Yu-Gi-Oh GX (The Comic Book Bin)

Filed Under: MANGABLOG

Ouran High School Host Club, Vol. 17

January 5, 2012 by Sean Gaffney

By Bisco Hatori. Released in Japan as “Ouran Koukou Host Club” by Hakusensha, serialized in the magazine LaLa. Released in North America by Viz.

It’s the second to last volume of Ouran, and things really aren’t getting any funnier. Not that there isn’t humor in this, especially towards the end, but the main thrust of this volume remains the family drama surrounding Tamaki and how it gets resolved. We’re in full soap opera mode here, and the tension is so high that even Kyoya loses it and starts screaming.

I was rather surprised at how well all of this holds together considering that so much of it is a giant infodump that’s hurled at us. The huge, convoluted plan that Tamaki’s father has would seem completely ridiculous until you remember that it’s Tamaki’s father, who has proven before to be as overdramatic as his son. Of *course* he would use the convoluted, overcomplicated plan! Actually, the family dynamics here are one of the best parts of the volume. Haruhi remarks how Tamaki, his father and his grandmother all share a bullheaded stubbornness, and we certainly see that here. I was quite p;leased with the depth that the grandmother got in particular, and I hope the final volume gives us some more resolution.

We also get some more of Tamaki’s mother. Given how she’s been presented as this beautiful-yet-weak fragile woman, it makes complete sense that she seems to suffer from the Ouran version of Love Story Disease, where one grows more beautiful the sicker one gets. That said, what little we see of her shows she’s not merely a potted plant – I loved her casual beating up of Tamaki’s father over what he did – it’s meant to remind us of Haruhi, I think. I suspect that Haruhi and Tamaki’s mother will get along swimmingly after the series ends.

Haruhi mostly has it easy here, getting to see Tamaki’s serious, stubborn yet noble side. It’s the side that’s easiest to fall in love with, and she has far fewer issues with it. Of course, she’s fallen in love with *all* of Tamaki, which also means you get his goofy, over the top side as well. And she *does* love that side, and not merely tolerate it. There is a wonderful inner monologue right towards the end of the volume where Haruhi reflects on joining the Host Club. Just as Haruhi keeps Tamaki grounded and attempts to tone down the worst of his excesses, so Tamaki shows Haruhi a world that she would never have otherwise experienced. I know this is a reverse harem manga, and there are many Ouran fans who would have preferred that Haruhi end up with Hikaru or Kyoya. But I think Hatori-san did an excellent job of showing why Tamaki is the real winner here.

And at the end of the volume those feelings are finally admitted in the open. After the catharsis of seeing Tamaki and his mother reunite, even if only for three minutes, Haruhi finally takes all the emotions that she’s felt over the past 17 volumes and tells Tamaki that she loves him. We don’t hear his response, of course – there’s still one volume to go. Somehow I’m going to guess he’ll overreact. Now that almost all the drama of Ouran has been resolved, I’m expecting a return to high comedy for the final one. Sadly, it’s another six-month wait. The curse of being caught up in Japan!

Filed Under: REVIEWS

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