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Raven of the Inner Palace, Vol. 6

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By Kouko Shirakawa and Ayuko. Released in Japan as “Kōkyū no Karasu” by Shueisha Orange Bunko. Released in North America by Airship. Translated by Amelia Mason.

Yeah, sorry, the days of solving ghost crimes are officially history, unless you mean the overall plot, which is more like God vs. God. Though we do get to see everyone trying to solve the mystery of Jusetsu’s ghost, sort of, and Shiki still has the arm of his dead sister, who actually ends up saving the day. But really, this is the first part of a two-part finale, and as such it’s taking all the political drama and intrigue and fantasy deity stuff from the past five books and setting off all the guns at once. Honestly, it’s hard to put down, as it barrels along till it gets to the final chapter, which slows way down but has more of a devastating impact because of that. In general, if you really enjoyed previous volumes of this series, you will enjoy this volume, and the wait for the final volume will likely prove quite difficult.

There is, frankly, too much for Koshun to deal with right now. After the events of the last volume, everyone knows that there’s a member of the Ran family, who were supposed to be completely wiped out, in the Inner Palace. Jusetsu is no longer in her body, which is now possessed by the Raven, who is only partly helpful after having been betrayed for so long. And there are any number of political allies and enemies looking to take advantage of this. Fortunately, he’s able to calm things down a bit with a few well-placed cabinet meetings, as well as one of our main characters finally having to bite the bullet and admit that he’s a lot closer to Jusetsu than anyone thought. Meanwhile, Jusetsu herself is in limbo, depicted here as a river (the cover shows this), but has to deal with Kosho, the one who started all this, who has been trapped there forever by the gods and really wants someone else to join her in despair.

The last half of the book continues to deal with the main plot, but away from the two leads. We get Senri and Shiki acting as a sort of Holmes and Watson as they try to work out how much of the volcano story is actual history in order to try to get the other half of the Raven’s body back. This is particularly difficult for Shiki as he runs into the man he wants revenge on, the very revenge that his sister is trying to stop him getting. This was very good. The last chapter returns us to the family drama of the Saname family, which, and for once I mean this in a GOOD way, reads a lot like a Sam Shepard play. In fact, it reads like Buried Child. Shin suffers very well, as every around him tries to convince him to get the hell away from there, only in the most awkward and counter-intuitive way. This is excellent, and possibly the highlight of the book, provided you don’t mind awfulness.

Everyone’s arrived at the volcano site by the end of this book, and it’s going off again for the cliffhanger. Can’t wait to see how this wraps up.

Earl and Fairy: The Changeling Princess

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By Mizue Tani and Asako Takaboshi. Released in Japan as “Hakushaku to Yōsei” by Shueisha Cobalt Bunko. Released in North America by J-Novel Heart. Translated by Alexandra Owen-Burns.

This feels like it was inevitable. Throughout the series we’ve seen our two leads struggle with everything about their love affair, mostly the fact that it exists at all, but also Edgar’s attempts to be a better person (he keeps failing, but he’s making an attempt, and makes it far more often this book) and Lydia’s self-doubt in regards to not only everything Edgar does but also his past and her own life. Her confession halfway through the book that she worries that she’s a changeling feels a bit out of nowhere at first, but gradually the reader comes to realize that it’s informed a lot of her actions in this series. If Lydia can’t trust her own self, can’t even believe that she’s human, then there’s no way she can trust Edgar, and no amount of reassurances and reenactments of the Orpheus legend are going to change that. This leads to a cliffhanger ending that sure feels like, if this series was not a runaway success (which it was), would lead to the 7th book being the last.

Some more of Edgar’s past is catching up with him – this time a pirate crew, which includes Lotte and Pino, two young people who were with him in America. They watched him toy with Betty, another young woman in their group, who apparently turned out to be a long-lost princess, but more importantly, is also missing, and allegedly kidnapped. This also ties in with a request form one of Edgar’s holdings to look into a baby kidnapping which might be down to fairies. Edgar and Lydia, with Raven and Ermine in tow, thus head off to the village, where they find that Ulysses had not only been there before, but was much better at pretending to be the heir than Edgar is – particularly when it comes to getting the village to commit atrocities in the name of “prosperity”. Now Edgar and Lydia have to rescue Betty, defeat a giant dragon wyrm, and also somehow resolve their tortured courtship. Two of those things end up happening.

I appreciated that Ermine got more to do here, and I also appreciate that she’s still not 100% trustworthy. Leaving aside Lydia’s belief that Edgar/Ermine is the real OTP, which has more to do with her own self-image than anything else, there’s the scene with her and Kelpie, shown to the reader but very pointedly not revealed to either Edgar or Lydia. There’s something else going on with her, and I hope it doesn’t lead to her dying – again. Her own fluid identity between selkie and human, and the fact that she doesn’t see herself as anything other than human unless forced, also serves as a mirror to Lydia, whose every move in this book seems to be about resolving what she believes – that she’s a fraud, a fake, and that once she returns to the fairy world everything will be fine and happily ever after. Lotte may set off the cliffhanger in this volume, but honestly I think she did both Lydia AND Edgar a great service. These two need a break.

This was one of the stronger volumes in the series, really showing off the reasoning behind both leads being basket cases. I really want to see what happens next.

An Introvert’s Hookup Hiccups: This Gyaru Is Head Over Heels for Me!, Vol. 7

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By Yuishi and Kagachisaku. Released in Japan as “Inkya no Boku ni Batsu Game de Kokuhaku Shitekita Hazu no Gal ga, Dō Mitemo Boku ni Beta Bore Des” by HJ Bunko. Released in North America by J-Novel Club. Translated by Satoko Kakihara.

The ‘horny’ parts of this series are becoming increasingly hilarious, as it has become apparent the author’s goal is to get the reader as mad as possible at everyone else who is trying to stop Yoshin and Nanami from going further. Which, my guess is, also includes editorial at Hobby Japan, who want this series to go on for a very long time and possibly get an anime while continuing to have them occasionally kiss each other and sometimes sleep next to each other. That said, even Yoshin and Nanami are starting to lose patience with the author. Nanami at one point invites Yoshin to touch her breasts, which he does not. There is a “could you put suntan lotion on me” scene that is filled with erotic tension, including moans. I appreciate that this is meant to be sweet and fluffy, and I enjoy that greatly. But please let these sweet, fluffy teenagers bang each other like drums.

Yoshin and Nanami have a lot going on. The class rep appears to be the one who left the note about the dare, and they’re trying to figure out what she actually wants. Yoshin has started a new part-time job which has a hot college-age gyaru waitress who is very extroverted and quick to get in your personal space. And the combination of both of those sets Nanami into a spiral, as she worries that if Yoshin meets any other girl who likes him, she might be dumped. This despite the fact that everyone who sees her talks about how amazingly hot she is. It just goes to show that self-image does not have to match outer appearance. Most importantly, it’s Nanami’s birthday, and she wants to spend the ENTIRE day with him, from midnight to midnight. Will they be able to resist temptation? (See first paragraph for answer.)

The afterword talks about how easily the tense drama in this series is defused, but that’s good, because you don’t want tense drama from a series like this. With the co-worker it’s a really easy defusion – she’s in college, not interested in 16-year-old Yoshin, and is mostly just bad about personal space. The class rep is harder, mostly as she’s bringing her own bad past into Yoshin and Nanami’s own relationship and laying it over, thus she can’t understand why the two of them are so happy when she’s so miserable. Yoshin lays out the theme of the books to date – we constantly communicate, and don’t let things simmer and fester. (There actually is a brief 2-day fester in this volume, which feels like a month to the two of them, but even in that period everyone around them talks about how they can’t stop flirting.) The resolution to class rep’s issues feels a tad forced for fictional purposes, but I’ll give it a pass, as long as Nanami’s worries can eventually calm down.

These two are basically married, so the rest of the series is going to probably be high school events (Book 8 looks like it’s school festival time) and watching these sweet kids not screw each other till the cows come home. Can’t wait to be frustrated more.

I Could Never Be a Succubus!, Vol. 3

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By Nora Kohigashi and Wasabi. Released in Japan as “Watashi wa Succubus Ja Arimasen” by Hero Bunko. Released in North America by J-Novel Club. Translated by Roy Nukia.

Sometimes this series can be heartwarming, and sometimes it can be horny. But the one thing it cannot be for more than two pages is serious. The prologue to this volume suggests that the demons are ready to make their comeback, and we anticipate a serious, gripping battle. What we get it… well, it’s a battle. But this series is also dedicated to being funny as well as heartwarming and horny, and I will admit, to its credit, it did much better at cracking jokes than a lot of its light novel contemporaries. You could argue the final battle was a bit TOO ridiculous, but the basic premise of this series, as well as every single chapter that begins “Then”, is just as bad if not worse. There may very well be a serious final battle, but I doubt it will be till then end of the series. Which this isn’t. So please enjoy +20 Squeaky Mallet Of Doom.

The hero’s party are doing their best to include a rather puzzled and exasperated Liz in their party and their training, and if this means that she has to train while wearing a bunny girl outfit, well, technically that’s her own fault. One of the demon lord’s minions has started attending school, which worries her, though it’s a different transfer student who she should be concerned with. And she also goes to a drag bar which turns out to be a secret information bureau for top secret missions, which… is handled much better than I was expecting when I saw it was a drag bar. Unfortunately, the demon lord sends the hero a challenge to duel at the demon castle, and the hero’s party can’t just ignore it. That said, of course Liz is staying behind… except she’s not allowed to.

There are fewer and fewer chapters set in the past as this series goes on, mostly as we’ve now met all the main cast. But it does help to not only show off what a shameless pervert Liz was back when she had her memories, but also why she was so beloved by the party anyway, and why they’re desperate to get her healed. After the final battle in this book she gets to have her old self back for the rest of the day/evening, and while she ends up making a big thing about turning it into roleplay (helped out by Sylphie, whose masochistic depths we have not begun to plumb, though this volume helps a lot in that regard), she ends up spending the night making love to Cain, because they DO love each other, and not having her around to get exasperated by but also be at her side is killing him. The others may tease him the next day (next to a baffled, re-amnesia’d Liz) about his nighttime activities, but they’re all really happy for him. This was not just getting his rocks off, there was more to it.

If it sounds like I’m making this silly series too serious, well, probably. One of the “good” horny light novel series.

Pick of the Week: We’ve Got The Picks

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MICHELLE: I enjoyed the first volume of Kimi ni Todoke: From Me to You: Soulmate, so I’ll make the second volume my pick this week.

SEAN: I’ll pick Viz as well but for me it’s the new volume of Blue Box, a series I think works much better in volume format, so you can take a break from teens being teens every other month. Great sports/romance combo.

KATE: All the cool kids are reading Medalist (or so I hear), so I’m going to add that to my ever-growing list of Series I Want to Read, But Just Haven’t Found the Time to Do So.

ASH: I’ll probably wait until its print release to actually read it, but the debut I’m most curious about this week is actually Soup Forest: The Story of the Woman Who Speaks with Animals and the Former Mercenary. A wholesome woodland romance sounds really nice, actually, and there’s food, too!

ANNA: I’m all in for Like a Butterfly this week!

Bookshelf Briefs 6/30/24

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Blue Box, Vol. 10 | By Kouji Miura | Viz Media – There is, thankfully, a bit more sports in this sports-based romance this time around. Chinatsu’s team is headed for a tournament, so they’re practicing harder than ever. Actually, Chinatsu’s practice habits may be starting to affect the rest of the team. Indeed, that’s the plot of this volume, where we hear about her childhood friend and mentor Yumeka, who quit basketball after junior high and departed on bad terms. Taiki being who he is, he finds out what really happened… though that gets him a healthy slap across the face from Yumeka, who does not need another shiny paragon of sports in her life, as it turns out that it was the pressure to be Chinatsu’s hero that broke her. This remains one of Jump‘s best series, and I hope the upcoming anime does really well. – Sean Gaffney

Cocoon Entwined, Vol. 6 | By Yuriko Hara | Yen Press – The large gap between each volume and the tendency of some of the characters to look the same has sort of dimmed my desire to review Cocoon Entwined, which I haven’t done since the second volume. But this is the final one, and it again succeeds better when read for pure mood than it does for plot reasons. That said, I did enjoy the burning of the hair and the realization that a tradition that had been optional and fun suddenly became this required chain around every student. And yes, there’s a yuri ending, which makes me happy, though it requires a breakup as well—a love triangle will tend to do that. I’ll still think “hair” whenever I think of this series, but it was a stylistically striking manga in the end. – Sean Gaffney

Friday at the Atelier, Vol. 1 | By Sakura Hamada | Yen Press – I was looking forward to this as I’d heard that it was very weird, but I don’t think I was quite ready for how weird it was. At its heart, this is a vague romance between two people who are bad at communicating and also possibly bad at life. Ishihara is a popular artist who draws nudes with fish surrounding them. He needs a model to pose on a couch with fish draped over her. He finds Tamaki, an office lady who, when we meet her, cannot decide if she should get the groceries and then kill herself, or vice versa. There’s a lot of amusing stuff going on here, and Tamaki’s obliviousness is amusing given that we usually see it coming from the guy. But her attitude towards life is terrifying, and Ishihara agrees with me. Lots of nudity, and some odd situations, but compelling. – Sean Gaffney

Kase-san and Yamada, Vol. 3 | By Hiromi Takashima | Seven Seas – These volumes are coming out every two years. On the good side, that means that the artist is presumably not being dragged through the hedge that is the Japanese manga experience, so I’m glad they are able to relax a bit. On the down side, it means I don’t get as much of Kase-san and Yamada, which is a shame, as these two are adorable. Much of this volume is dedicated to Yamada’s gardening club, which has a celebrity guest joining them from a pro gardening show—and he’s a gorgeous guy! Naturally, Kase-san is jealous, but at least is cognizant of it immediately. That said, she should have more faith in Yamada’s love for her, as it’s clear the only feelings between her and the guy are plant-based. Always sweet and cute. – Sean Gaffney

Magus of the Library, Vol. 7 | By Mitsu Izumi | Kodansha Comics – Somehow I did not review the sixth volume of this series, possibly as I had forgotten its main cast of 752 people once more. But it remains compelling. The first half of the volume is taken up by librarians deciding whether to ban a violent book that’s popular with children but also possibly an allegory for racism. It doesn’t help that those who want war and unrest are inciting riots about the book. Mixed in with this are the adventures of Theo and the library trainees, who are learning lots of cool things… and also that it can be hard to tell truth from lies, even if they’re written down. I also really liked an examination of one of the trainees who seems to be autistic, and how they’re (relatively) accepting of her. Always worth a read. – Sean Gaffney

My Next Life As a Villainess: All Routes Lead to Doom!, Vol. 9 | By Satoru Yamaguchi and Nami Hidaka | Seven Seas – We’re transitioning into the new arc, which starts towards the end of this volume. That means new hot guys, but also a “sequel” to the Fortune Lover game, which Katarina sees in a dream. Theoretically getting executed should be impossible given all she’s done so far… but we know how fate and otome games go, so it’s best she try hard to avoid it anyway. On the down side, this has the “Keith pushes Katarina down on the bed” scene, which Western fandom liked about as well as an appendectomy when it was in the anime, and unfortunately gives the sleepover bits short shrift. In any case, we’re now firmly in the second arc in the series, for better or worse, which is bad news is you like Mary, Sophia, Alan, or Nicol. – Sean Gaffney

The 100 Girlfriends Who Really, Really, Really, Really, REALLY Love You, Vol. 10 | By Rikito Nakamura and Yukiko Nozawa | Ghost Ship Another volume, another girlfriend, another fetish. For the most part, Kishika seems to be on the relatively normal side of the girlfriend spectrum, as an upright, mature kendo captain. But that maturity has been forced on her since she was a little girl, and inside her is a desire to be babied. Which is fine, that’s the heartwarming part. It also leads to a desire to suck on Hahari’s breasts. That’s the fetish part. Aside from this, it’s the usual 100 Girlfriends toxin of heartwarming romance, ridiculous comedy, jaw-dropping ecchi stuff, and shattering the fourth wall. Oh yes, and Hakari and Karane kiss again. Twice. At this point they’re practically an official couple on their own. For the fan. – Sean Gaffney

Second Hand Love | By Yamada Murasaki | Drawn & Quarterly The second volume of Yamada Murasaki’s manga to be released in English, Second Hand Love, makes a marvelous companion to the first, Talk to My Back, in its compelling and honest examinations of the lives of women. But this time, Yamada intentionally turns her creative focus towards the “other woman”—the leads of the two manga collected in the volume, “A Blue Flame” (serialized 1983-1984) and the titular “Second Hand Love” (serialized 1986-1987), are both women who are having affairs with married men. Yamada’s characters are complex, with nuanced but largely sympathetic portrayals which recognize both the emotional freedoms and tolls brought about by relationships of this type. Also included in the collection are Yamada’s illustrations for Mita Masahiro’s novel A Loving Family as well as an interview from 1985. Second Hand Love is an exceptional work and extraordinarily easy to recommend. – Ash Brown

She Loves to Cook and She Loves to Eat, Vol. 4 | By Sakaomi Yuzaki | Yen Press – Last time I called Yako the normal one in the series, but as much as I love this series when its characters sit around and eat food, it also has an agenda, and it’s one I love. Yako is a lesbian but also asexual, and that’s upset people in her life. As for our main couple, well, Kasuga is finally ready to move on from her abusive family entirely, but that will also mean moving out of her apartment. Could this be the impetus to finally force Nomoto to admit her feelings and confess? And there’s also tons of delicious food, which looks great when it’s cooked and great when it’s eaten. We even get more of Nagumo, who is starting to narrow down the specifics of her hatred of eating. This is one of my favorite manga to read whenever it comes out. – Sean Gaffney

A Sign of Affection, Vol. 8 | By Suu Morishita | Kodansha Comics – Yuki is ready to introduce her parents to Itsuomi, given that they’re about to move in together. That said, it turns out there’s family stuff that’s been kept from her, but is told to Itsuomi, who needs to understand that this is why they’re wary of him. He handles it as you’d expect—this is not a series to read if you want the romantic male lead to be imperfect and flawed. Meanwhile, there’s also Emma and Shin, who are at a hot spring and going through the most awkward “wait, shit, he loves me? What do I do now?” stuff. Theoretically they’re going to get together, but I suspect it’s too soon for her to get over Itsuomi for this to go anywhere. This remains a charming, if somewhat lackadaisical, shoujo manga. – Sean Gaffney

Skip and Loafer, Vol. 9 | By Misaki Takamatsu | Seven Seas – Shima likes Mitsumi, something that is relatively obvious to everyone around the two of them. Unfortunately, his past experiences have also left him with a somewhat ass-backwards idea of what loving someone else is, to the point where he needs a powerpoint presentation in the sauna (one of the funniest scenes in this series) to get it. More to the point, he has Mitsumi on a pedestal as someone who knows what she’s doing. In this volume, which shows the main cast visiting Mitsumi’s home for the break, he sees what she’s like in her own environment, and moreover meets her best friend Fumi, who’s able to clue him in: what makes him think Mitsumi understands love and her own heart? “She’s good at book smarts and nothing else.” I adore this series too. – Sean Gaffney

365 Days to the Wedding, Vol. 3 | By Tamiki Wakaki | Seven Seas After finally managing to get to Takuya’s hometown and let his family know why they’re doing this fake marriage thing, everything seems to be solved… except Rika runs into what appears to be a classic “childhood friend romance” that the oblivious Takuya is already involved in. Is this true? Probably not. Does it fill Rika with anxiety? Yup. By the end of the volume, the two of them have finally gotten to the point where they realize they’re actually attracted to each other, and he asks her on a date. But what will this mean for the fake marriage, which has to keep moving towards happening or their workplace will send them to Russia ASAP. I enjoy seeing how these are two people who are bad at communicating in very different ways. – Sean Gaffney

We’re New at This, Vol. 16 | By Ren Kawahara | Kodansha Comics (digital only) – The odd balance between heartwarming, overly syrupy romance between a husband and wife and their sexual exploits remains what makes this series interesting, and it’s nice to see Ikuma gradually realize that you don’t necessarily get pregnant the very first time you don’t use a condom. The ending to the volume seems to imply that it doesn’t take long after that, though. And we’ve also gotten word that this series will end with the eighteenth volume, which I guess answers my questions about whether the author can keep it horny despite a newborn child. In the meantime, these two really are blessed—we see how well they bonded even as little kids, and other couples around them break up even as they cruise along. – Sean Gaffney

Witch Hat Atelier, Vol. 12 | By Kamome Shirahama | Kodansha Comics – For all that we’ve been having fun watching our girls learn cool witch stuff, there is still a definite schism between things a witch does and things a doctor does, and if the witches try to cross that line, as we see here, they’ll be threatened at best. Which is kind of a shame, as there’s black leech tentacle beasts ravaging the city, and I think they need all the healing they can get. Coco once again proves to be able to come up with clever ideas on the fly, but she also has a nagging tendency to have bad luck, which means that she sees the evil witch who started all this, and now she has to be killed so that no one can know. Fortunately, she has teachers, and in this series, they’re definitely good guys. Still a fantastic and fascinating fantasy. – Sean Gaffney

You and I Are Polar Opposites, Vol. 1 | By Kocha Agasawa | Viz Media – Every once in a while you get one of those titles that decides to thrive on lack of conflict, and the media usually hype it up as not being like those other girls… erm, manga. I saw a lot of that with this series, a shonen romance that apparently avoids shoujo tropes, mostly as, well, it’s a shonen series. It is, however, pretty sweet. Loud goofy Suzuki likes quiet, stoic Tani. He likes her too. They date, and any conflicts they have barely last half the chapter. They’ve got fun friends as well. The art is very “busy,” and reminded me at times of the old messy Hana to Yume style of the early 00s. But if you do like romantic comedies, this is a good one to pick up, even if it doesn’t have all the drama folks assume regular manga has. – Sean Gaffney

A Tale of the Secret Saint, Vol. 6

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By Touya and chibi. Released in Japan as “Tensei Sita Daiseijyo ha, Seijyo Dearuko Towohitakakusu” by Earth Star Novels. Released in North America by Airship. Translated by Kevin Ishizaka. Adapted by Matthew Birkenhauer.

This is not the first time I’ve seen this happening, but I am noticing that, having established the fact that Serafina was raped for weeks before she was murdered in the past, and that this is really the main source of the PTSD she still suffers, the novels are doing their best to dial that back so that they don’t have to make the reader think of it again. It’s become a sort of general demon trauma, but it’s also become specifically “that one guy”, who we (but not Fia) already know is not the “demon lord’s right hand man” at all. The front half of this book actually deals with that trauma, giving us an actual demon, and is quite good. Unfortunately, I think we have hot a new record, as the main part of the book ends just before the halfway point. We now have more side stories than regular plot.

Fia is still on vacation with Green, Blue, and Kurtis, and, since it came up when she returned to her childhood home, she goes into greater detail with them about her fear of demons. And it’s just in time, as while they’re up on the mountain they happen to run into a young woman with black hair and black eyes, who is clearly a demon but enjoys toying with them, calling herself a poor defenseless human. Unfortunately, she *is* a demon, “The Bird Cryer”, and much as they’d like to tell a panicked Fia to stay back and let them handle it, she’s more than the three others can handle. Fortunately, this is not the one demon Fia is traumatized by, so she’s able to pitch in. The rest of the book is, well, Fia being Fia. Which let’s be fair, might be why people are reading this book more than folks who are here for the plot.

So yeah, Fia is a giant silly person, who doesn’t get that she is obvious and unsubtle and super powerful. She hands out potions that can restore someone’s health from a coma without thinking about it. She hands Blue and Green (and yes, despite them giving it away several times, she still doesn’t know they’re royalty) a curse-destroying hairband for their sister, not thinking anything of it that she’s basically given her peace of mind and stopped the trauma. She gets her commanding officer one of the most powerful griffons in the land. Accidentally. She rediscovers magical hearing restoration potions as she didn’t realize that in the 300 years since she made them, they became unknown. If she put her mind to it, she could easily take over the world. Everyone but her knows this. Fortunately, she is 100% avoiding this. She’s just a knight, after all!

I really wish we had more main story and less side stories, but this remains funny and cute.

RVing My Way into Exile with My Beloved Cat: This Villainess Is Trippin’, Vol. 2

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By Punichan and Canarinu. Released in Japan as “Akuyaku Reijō wa Camping Car de Tabi ni Deru: Aibyō to Mankitsu Suru Self Kokugai Tsuihō ” by DRE Novels. Released in North America by J-Novel Heart. Translated by sachi salehi.

When this series is playing to its strengths, it really works. Mizarie has a camper van, and it is basically her OP Sword or her “my magic defeats everything” item. We may one day find a monster that her camper van cannot defeat by simply running it over, but that moment dies not occur in this book. And that’s not really a spoiler, because this sort of series has no plot you have to care about. The only real dramatic thing from the last book, which is Raoul’s injured arm, is basically the “what drives me” plot here, but otherwise there’s no real danger or worry here. The camping is great. The cooking and eating is also great. The bits that are not camper van or cooking are not as great, but that’s the trouble with writing a series which revolves around one gimmick. Fortunately, there aren’t many points where that’s the case.

Mizarie wants to find an elixir that can heal Raoul’s damaged left arm, and for that they’ll have to go into a dungeon. So they head towards Labyrinth City, which is exactly what you’d expect, and we get the usual guild stuff. Mizarie also learns how to fight monsters, which worries her at first. But in this book, slimes really are ludicrously weak, so she’s fine with them. As for anything else… well, turns out the main dungeon they end up going to is, especially as they get lower down, wide enough for her camper van to pass through. So, good news: monsters are not an issue. (Admittedly, going back for drop items can be a pain.) When they finally reach the bottom of this dungeon, they’re met with a great spirit, who is pretty ticked off that they’re invading her home.

Again, the camper van remains the reason to read this, though there are many things here that will appeal to foodie isekai readers, such as Mizarie and Raoul selling filet-o-fish burgers to hungry adventurers for marked up “I’m at the airport” prices”. She levels up quite a bit in this book, mostly as, well, she runs all the monsters over. As a result, she gets things like an extra bedroom, a bathtub, a microwave and a dishwasher put into this magic storage space. Honestly, though, the best part of the van, aside from its sturdiness against orcs and goblins, its its GPS, which allows them to map the entire dungeon, locate monsters and other adventurers, and also solve the final puzzle that the Great Spirit has for them. No wonder the elf they’re traveling with decides to stay behind – she’s too jealous.

The third book is coming out in Japan in a month or so, and shows them going to the fantasy equivalent of Japan (boy, remember the villainess part of this book? The author doesn’t). To my surprise, it does not say it’s the final volume from the “three is enough” company Drecom. I’ll be reading it regardless. This remains the fluffiest sort of fun.

Like a Butterfly, Vols 1-3

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Like a Butterfly, Volumes 1-3 by Suu Morishita

Suu Morishita series are an automatic buy for me, after Shortcake Cake, I went against my self-imposed ban on buying digital first series to get A Sign of Affection (one of my favorites of all time), so I was delighted to have a chance to read an earlier series, Like a Butterfly. It deals with communication issues in a different way than Sign of Affection but is extremely compelling.

Like a Butterfly

Suiren is incredibly beautiful, but her beauty is actually a burden. People have an oversized reaction to her outward appearance, and she chose to go to an all girls middle school because of the unwanted attention. Unfortunately she received just as much attention there, but did have the benefit of some fierce female defenders who would fend off boys at the school gates. Over time, she began to develop a self-defense mechanism of speaking very little and having almost no self expression in order to not provoke any type of unwanted attention. She thus has the nickname “the mysterious flower”. Suiren’s old friend Aya is her main companion, and helpful social navigator. Suiren notices Kawasumi, a quiet boy with glasses who is consumed by karate a couple times at school. He comes to her rescue when an upperclassman takes her bag and announces that he’s going to walk her home. His method is to use some karate moves but expertly pull his punches so his opponent knows full well that Kawasumi could absolutely destroy him. With Kawasumi, Suiren has found someone that she wishes would notice her, but he’s not really able to talk to girls either, even though he notices her back.

An additional complication is introduced in the form of Koharu, a forthright girl who has developed a crush on Kwasumi and starts asking him out. She comments to Suiren that she doesn’t want to be a passive flower but a butterfly who will fly towards whatever she wants. Suiren is struck by the contrast in their personalities and also wants to go after what she wants. Like a Butterfly develops at a glacial pace, but due to the nature of Suiren and Kawasumi’s communication difficulties any interaction between them is charged with meaning. Their friends serve as both cheerleaders and sources of running commentary when they aren’t really able to express their feelings. Suiren gradually makes some overtures, but Kawasumi’s radar for dealing with attention for girls is so broken that he isn’t able to understand what’s happening very well. By the third volume, the not-quite-a-couple has been to a festival and Suiren has actually cheered Kawasumi on at a Karate tournament. The art for this series is great, I was continually amused by the many variations of Suiren’s expressionless face that end up actually telegraphing her feelings. I was predisposed to like this series and the first three volumes did not disappoint.

Loner Life in Another World, Vol. 9

by

By Shoji Goji and Saku Enomaru. Released in Japan as “Hitoribocchi no Isekai Kouryaku” by Overlap Bunko. Released in North America by Airship. Translated by Eric Margolis. Adapted by Lorin Christie.

Good news, we’re back to a normal page count for Loner Life. Which is still over 400 pages, but at least it doesn’t break the 500-page barrier like last time. As for the content, honestly, a lot of this is set up for a battle we haven’t gotten to yet. It’s clear that we will eventually be fighting the Evil Church, and the way that Haruka is stressing about it, in his own bananas way, suggests that he’s sure they have a secret weapon similar to Nefertiri. As such, everyone in the cast takes turns attempting to go and fight the battle, while keeping the others safe. Haruka wants to go alone. The girls all want to go. Angelica and Nefertiri want to protect Haruka. It’s a vicious circle of self-loathing and love. I appreciated Merielle lecturing Haruka towards the end of this book, telling him that women are stronger than he thinks, and eventually they are going to have to (as Marielle has) kill people. Stubborn Haruka still wants to avoid this.

On the cover is Arianna, the cleric who arrived at the end of the last book. She’s from an offshoot of the Church that isn’t evil, and has come to the group to ask for help. If you look at the “inner cover” all these volumes have, you’ll see her looking crazed and holding a sword, but I think that’s a deliberate deception – she’s not secretly a bad guy, she’s just being put through Haruka’s Training from Hell (the funniest part of the book, as he grabs her and the other folks in her party and literally swings them like swords (they are also holding swords) until they level up enough). And then the Church holds the royal family hostage, so something has to be done. And that something is… MORE leveling up, as Haruka is still trying to learn how to fight normally, and the girls are all still one step behind when it comes to being strong enough to go fight a major enemy on their own.

As with previous volumes in this series, it requires the reader to have a lot of recall about all the books books and who all the characters are, even when you haven’t seen them in a while. I appreciated the plot twist with the merchants (and it helps to set up future arcs), but I could have used a quick reminder about where we were with the elves, as I forgot they came back with Haruka and everyone else. I did really enjoy one moment near the end as Haruka struggles because his body is moving faster than his brain, where he appreciates how, unlike himself (who has to level up the weird way) or the nerds (who are gamers and think like gamers) and meatheads (who are strong enough to simply punch things till they win), the girls are having to deal every day with leveling up and their body being slightly different, having to learn how to move slightly differently, not being able to trust footwork… he really does see how they’re struggling and improving vastly. Even if he won’t say it to their face.

I left out all the sex stuff, but be assured it’s still there, and this book drips with horniness. As always, though, the interest lies in the other stuff. Next time, the church battle? Nope, judging by the cover, Beastmen are next.