I am looking forward to the end of this series in an odd sort of way. The next volume will be the last and I’m looking forward to being able to reread the entire series in a couple sittings. There was quite the gap in publication between volumes, so I’m curious to see how the story plays out when I’m not waiting around for four years or so between volumes 9 and 10. Yuu Watase says in her author notes that her series tend to pick up towards the conclusion, and this is definitely true for this volume as Uruki confronts his family legacy, Teg and Urumiya deal with their celestial warrior destiny and the heroine Takiko continues to cough up blood while working bravely to save the country of Bei-Ja. There’s a good balance in the story as it presents plenty of emotional character arcs and action with a general feeling of impending tragedy.
Overall after reading this volume I was struck by how much self-sacrifice is a theme and how this contrasts with the somewhat lighter tone of the original series. Takiko’s devotion to her role as Priestess of Genbu is absolute, but her romance with Uruki does get a bittersweet type of resolution at the close of this volume. One of the things I’m going to miss about this series is the art. Watase’s distinct character designs never leave me confused about what’s going on, even with an extended cast and many subplots happening towards the end of the series. The action scenes are dynamic, and the costumes and setting are detailed enough to make me invested in the World of the Four Gods. I’m looking forward to the last volume, but I’m going to have a box of kleenex ready when I read it!
MICHELLE: Wow, 
ANNA This is somewhat sad. So sad in fact that I’m going to pick something that isn’t even manga at all! It looks like the 10th issue of Brian K. Vaughn and Fiona Staples’ 
SEAN: Sheesh, I do all I can to expand 
MJ: I’ll admit that I feel hesitant about choosing from Sean’s lovely selection of Yen titles, as even online retailers list their release dates as yet a full week away, but I guess I’ll take this opportunity to highlight a series that rarely makes it into our Picks. That series would be 
I’ve spent quite a few posts discussing Shonen Sunday, and Viz’s lack of enthusiasm about the titles as opposed to Shonen Jump. Of course, this is a vicious circle, as SS series tend not to be among the best-sellers or ‘fan-obsessive’ series. That may change with this new license, however. If ever there was a series running in Sunday that cried out to be licensed, Magi was it. The author has been seen on these shores before with Yen Press’s Sumomomo Momomo, but Magi is a better, more mature work with a manga take on Aladdin and the Arabian Nights. This has the potential to be the first really big Sunday title over here since Inu Yasha, and comes highly recommended.
I was always a big fan of S.A. and its dense as lead heroine, so I’m quite happy to hear that they’ve licensed Maki Minami’s next series that ran in Hana to Yume, Seiyuu Kaa!, which will come out here as Voice Over! – Seiyuu Academy. The title describes the series – our heroine is enrolled in a voice actor’s high school, and not only has to deal with her less than stellar voice qualities, but also the usual high school shenanigans. This being a Hakusensha shoujo series, I’m certain that there will be a few pretty guys to help her out. The series should be 11 or 12 volumes.
The last, and possibly biggest license from Shojo Beat is Midnight Secretary, Tomu Ohmi’s 7-volume story of a secretary who becomes the personal assistant – and so much more – of her company’s president. Unlike Happy Marriage?!, however, this president is a vampire as well! Despite not having the word Vampire actually in the title, I predict this is going to sell like hotcakes, if hotcakes that have to be shrinkwrapped due to content – this, like Happy Marriage?!, will definitely be an M for Mature title. That said, there’s more here than just put-upon heroine and abusive-yet-oh-so-hot boss, and I am very pleased we’ll get to see this.
Jigokuren – Love in Hell is from Futabasha’s Web Comic High, and features a guy who dies one day and finds himself in hell. But he has the chance to repent. Judging by the art and descriptions I’ve seen, however, this title seems to aim at the reader who enjoys seeing young-looking girls torturing guys in various ways. I’d put it in the I Don’t Like You At All Big Brother/Mayo Chiki category.
Dark Horse has run out of Evangelion spinoffs, so is dipping into the well of doujinshi anthologies, a type of manga we’ve previously seen over here with the Code Geass: Knight and Queen manga. They’re put out by real publishers, so don’t expect anything over 18 rated, and are by various artists and writers. I’m going to guess the majority will be humorous, but who knows?
SEAN: We have a new action series that will likely appeal to the Battle Royale/High School of the Dead crowd, this one with the compelling title of BTOOOM! The covers may have been changed to avoid lawsuits, but the contents inside still scream survival game.
MICHELLE: Again, I am stopping short of admitting that I love this series, but I am happy when I see new volumes of it.
There will never be anything like a perfect issue of WSJ. But for what it’s worth, I think this week we got close to it. There was not a single chapter that I hated this week. There were a few I was less excited about, but none that incited any kind of rage. All in all, it was a good week. 
