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Manga: Introduction, Challenges, and Best Practices

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Manga: Introduction, Challenges, and Best PracticesEditor: MJ
Publisher: Dark Horse
ISBN: 9781616552787
Released: December 2013

The Comic Book Legal Defense Fund (CBLDF) is an organization based in the United States devoted to the protection of the freedoms to read, create, and provide access to comics. Manga: Introduction, Challenges, and Best Practices is a part of its education initiative funded by the Gaiman Foundation and was published by Dark Horse in 2013. Manga was edited by MJ and includes contributions from Katherine Dacey, Shaenon Garrity, Sean Gaffney, Ed Chavez, Erica Friedman, and Robin Brenner. It’s an excellent lineup of manga critics, scholars, and those who have worked in the manga industry in both Japan and North America. Being familiar with their work, in addition to being a card-carrying member of the CBLDF, I was very excited when I learned about the upcoming release of Manga. And because I also happen to be a librarian, I was able to snag an early copy of the guide.

Manga consists of nine chapters and a list of recommended resources. The first chapter, “What Is Manga?” provides a brief history of manga both in Japan and in the West, distinguishes manga from comparable comics traditions such as manhua, manhwa, OEL manga and other manga-influenced comics, and provides suggested resources for further reading. The following chapters survey the four major demographics of manga–shōnen, shōjo, seinen, and josei–as well as two additional categories–yuri and boys’ love. These chapters cover history, commonly found genres, special issues, and (except for the chapter devoted to yuri) notable artists. Another chapter, “Untranslated and Fan Translated,” addresses dōjinshi and scanlations. The final and longest chapter, “Challenges,” focuses on the collection and defense of manga by libraries and summarizes a few major North American court cases dealing with manga.

As is always the danger when writing about popular culture, some of the information in Manga–specifically some of the references to what has or hasn’t been licensed in English–is already out of date. That doesn’t make Manga any less valuable as a resource, though. It is, however, something to keep in mind while reading the guide. Manga is a fantastic introduction to and overview of manga and manga history, especially as it applies to the North American market. The book seems to be particularly geared towards libraries and schools which may be developing or maintaining a manga collection, but Manga should also be interesting and useful to already established fans of manga as a whole as well to as people who are unfamiliar with the form but who would like to learn more about it. Manga packs a lot of information into a slim volume but remains very accessible throughout.

The only thing missing that may have made Manga even more useful for the uninitiated would be a glossary of terms. More information about the contributors themselves would have also been beneficial. I knew who they were but someone less familiar with the subject area wouldn’t necessarily recognize them. Overall, Manga is short and to the point and is an excellent resource. The guide eases readers into the subject and avoids overwhelming them with too much information. There were a couple of generalizations that gave me pause and may have been overly broad, but Manga is meant as an introduction and so shouldn’t (and doesn’t) get bogged down in technicalities and exceptions. Manga is consistently accurate and informative for the audience it’s intended. The book may not be incredibly in-depth, but it is a great place to start learning about manga, its history, and its challenges. Manga is very easy to recommend not only to library professionals, but to general manga enthusiasts as well.

Disclosure: Experiments in Manga is a member blog of Manga Bookshelf; many of those who worked on Manga are also associated with Manga Bookshelf.

Off the Shelf: Josei Romance Edition

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MJ: Hello, Michelle! Wow, it’s been a while, hasn’t it?

MICHELLE: It certainly has! We’ve both had a tremendous amount of stuff going on in our lives lately.

MJ: Ooooh yes we have. It’s great to be back here with you, though. I’m dying to talk about some manga! We’ve got two mutual reads to discuss this week. Want to get us started?

midnightsecretary1MICHELLE: Sure! I suppose I’ll just start with the one I read first, which was the debut volume of Midnight Secretary, by Tomu Ohmi. Originally serialized in Petit Comic, this seven-volume josei series is about an uber-efficient young secretary, Kaya Satozuka, who is assigned to Kyohei Tohma, the difficult managing director of the tableware manufacturer they both work for. Tohma’s pretty much a jerk and is inclined to dismiss her at their first meeting for her plain looks, but Satozuka counters that he should wait and see what she’s capable of so he can make an informed decision.

She proceeds to do her job with surpassing competence, and Tohma’s ungrateful remarks gradually give way to compliments, though remarks about her appearance persist. In the process, she discovers that her boss is a vampire, and makes it her mission to protect him dutifully, even giving him her blood at one point when a meeting in an atmosphere of religious faith leaves him weak. Of course, she’s unable to get this incident out of her mind, and before the end of the volume she’s shedding her professional persona and getting gussied up to attend a Christmas function with Tohma, whereupon he feeds on her again, then develops some mad craving that all of his other sexy “meals” aren’t able to provide.

I just don’t know about this one. I didn’t hate it and would probably read more, but I’m kind of annoyed by the “competant woman gets undone by the attentions of amorous soundrel” plotline.

MJ: Oddly, I found that this didn’t really bother me all that much, and I’m a bit perplexed as to why. Somehow, though, I found that the over-the-top fantasy premise kept me from needing to take anything about it seriously, and in the end I just had a lot of fun.

It also helps that Kaya really is an incredible secretary, so even as we’re being put through the usual “amorous scoundrel” paces, that’s an area where she isn’t remotely vulnerable. So often, Tohma’s type of controlling hot-shot love interest relies on breaking down the heroine’s self-esteem, but when it comes to the one thing she truly cares about—her abilities at work—he can’t even make a dent. If she falls for him? Well, that’s romance. But nobody can damage Kaya’s belief in herself.

MICHELLE: That’s a very good point about her skills—she doesn’t need him to take care of her, because she’s got an excellent professional reputation already. Probably I’m just taking things too seriously, as is my wont. Also, I feel like a crotchety old lady for saying this, but… I kinda want to know more about the tableware!

MJ: Normally, I’d be taking it too seriously, too! I have a very limited sense of humor when it comes to controlling, male love interests. Yet somehow, I’m super-relaxed about it here.

I do have some favorite bits of humor in this volume, too. I particularly enjoyed following Kaya’s early experiments with things like crosses and mirrors, as she tries to determine which vampire legends she needs to pay attention to in order to properly protect her boss.

I admit I don’t remember the tableware. Is the a euphemism? What am I missing here?!

MICHELLE: Oh, it was just a throwaway line about what their company does. Care to introduce our second manga?

happymarriageMJ: I would! Our second read this week was the first volume of Maki Enjoji’s Happy Marriage?!.

Like Midnight Secretary (and, previously, Butterflies, Flowers), Happy Marriage?! comes to us from the josei magazine Petit Comic, released here under Viz’s Shojo Beat imprint. And, like both Midnight Secretary and Butterflies, Flowers, the series features an office romance between a young woman and her boss—in this case, office lady Chiwa Takanashi and her company’s president, Hokuto Mamiya.

Chiwa works full-time at the Mamiya Company, but moonlights as a hostess in an effort to pay off her father’s business debts. Unlike her coworkers, she’s fairly uninterested in attracting a boyfriend, let alone anything more serious. But her life is turned upside-down when the company’s Chairman offers to eliminate her family’s financial troubles if she’ll agree to an arranged marriage with his grandson, Hokuto, who also happens to be her boss. Hokuto has his own reasons for agreeing to the marriage (namely, keeping his position as company president), and though Chiwa’s reservations are considerable, she ultimately agrees.

The two move in together (against Chiwa’s wishes) and this leads to a number of embarrassing moments as well as the disappointing revelation that Chiwa’s new husband is a complete slob. He’s also a devastatingly handsome, predictably controlling romantic lead, who taunts her with a sexy secretary while improbably pledging sexual fidelity to his wife of convenience. Misunderstandings and wackiness ensue.

There’s nothing really new in this series, as you may have guessed, but it’s genuinely fun and (so far) less maddening than, say, Butterflies, Flowers, which is a compliment, I suppose.

MICHELLE: After a notably inauspicious start—the scene in which Chiwa conveniently forgets to bring new undies to change into after her bath, and then just so happens to trip over a cushion and expose her goodies to Hokuto is particularly cringe-worthy—I actually kind of enjoyed this one. True, Hokuto can be quite controlling—he arranges for them to get locked in the company archives so they can have time along together—and, like Tohma, makes remarks about Chiwa’s looks and status (“If people found out that I married a woman like you it’d ruin my reputation”), but has some redeeming points, like his intention to take the marriage vows seriously. Chiwa can be irrational—she’s the type to storm out after an argument but forget her purse—but I liked that she will actually ask for help when she needs it as well as express her gratitude.

This arrangement and their personalities reminded me a lot of a manhwa plotline, actually. Something akin to Full House.

MJ: It’s funny that you should bring up Full House, Michelle, because I found myself thinking of another manhwa series, So I Married an Anti-Fan, which similarly pushes its heroine and hero into a “fake” relationship that (presumably) becomes a real one. And though Happy Marriage?! lacks the outrageous K-drama-esque quality that made Anti-Fan so much fun for me, I really did enjoy this first volume as well.

I think, similarly to the way you reacted to Midnight Secretary, I was bothered that Chiwa falls for Hokuto so quickly, and perhaps that’s where it differs from the manhwa we’ve mentioned, too. I mean, he’s not a monster, and he does sweep in fairly heroically in the last chapter to save face for Chiwa at her class reunion. But I suppose I’d prefer the bickering to last as long as possible in a story like this.

MICHELLE: Oh, yes, Anti-Fan is probably a better comparison! I think I have a much lower bicker tolerance than you do, so was pleased to see scenes wherein Chiwa and Hokuto are actually able to really talk to each other happening as early as volume one.

I can see myself reading the complete run of both these series, but I’m not sure whether I’d reread them.

MJ: I’m absolutely certain I’ll enjoy reading both these series all the way through… and that I’m unlikely to re-read them. Which is interesting to note, since I’d absolutely re-read both the manhwa series we’ve brought up in comparison. I’m trying to put my finger on what exactly makes the difference, and the closest I can come is “personality.” Both of those manhwa series feature an excess of individual personality as the primary element of their charm. These josei romances, on the other hand, I think are charming largely for their sense of sameness and familiarity.

Like most high-school romance series, these office romances are compelling in part because we know exactly what’s going to happen and we can just relax and enjoy ourselves as the inevitable plays out. And though they each begin with their own premise, they’re ultimately alike enough that they kinda ran together for me as I read them. In fact, I had to correct myself early on in the discussion of Midnight Secretary as I began to discuss a romantic rival that I later realized was from Happy Marriage?!

MICHELLE: Yeah, in particular the guys are similar, what with the mix of insults and compliments and all of that. Sometimes I was reminded of those Harlequin romance manga adaptations, too, but I’d definitely say these are several steps up in terms of originality, even being as similar as they are. I think the conclusion to Happy Marriage?! is a little more obvious than Midnight Secretary, but I can certainly use some easy, cozy things to read now and then!

MJ: Definitely! Honestly, none of this is a complaint. Even if my public pleas for “more josei!” are answered by more of this and not as much meatier fare, such as Vertical’s Helter-Skelter (which we originally planned to include with these as part of a josei column, until we realized just how inappropriate that matchup would be), I can enjoy these for what they are. It’s still gratifying to read stories about adult women, and I can’t deny that I love romance. It’s comfort food, no more, no less.

MICHELLE: Pass the mashed potatoes!

Helter Skelter: Fashion Unfriendly

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By Kyoko Okazaki. Released in Japan by Shodensha, serialized in the magazine Feel Young. Released in North America by Vertical.

When I first heard about the new title that Vertical had licensed, and its basic premise, I started to formulate in my head an idea of how it would probably go. We already knew it would be about modeling and plastic surgery in some way. It was not a great leap forward to imagine there would be a younger, more successful rival, a controlling mother figure, and the hubristic slide into inevitable tragedy. And technically, that’s all present and correct in this volume. But that doesn’t begin to describe what a stunning ride this is, and how much you get drawn into its characters and storyline.

helterskelter

Liliko is the star here, and she’s far more self-aware than I was really expecting. She starts at the top of the modeling game, but it’s taken a lot of work to get her there. Moreover, a secondary plotline throughout the book discusses the shady characters who did her plastic surgery, and how the law is getting closer and closer to them. Really, while Liliko is flagrantly horrible at many points in this book – she notes at one point that she’s so broken that the only thing that gives her satisfaction is breaking others – she’s no worse than na lot of the top strata in the business she’s engaged in, which uncaringly throws away stars once they lose their looks or get embroiled in scandal.

Actually, the character I was most fascinated with throughout the book was Hada, the young woman who starts as Liliko’s gofer/assistant and ends up falling for her hard, in all the wrong ways. I was initially expecting Hada to end up killing herself – there are a few suicides in this book, and I wondered if one of the corpses I saw would be hers. Then, as things got worse, I realized that it was more likely she’d wind up arrested. Then I wondered if she’d be the chief witness for the prosecution. Then, as things really spiraled, it became clear that there was no separating Hada and her easily led boyfriend from Liliko for any period… not while they’re still completely codependent on each other.

There was one thing I didn’t think worked here, or at least that didn’t resonate with me as much as the rest of the book. Takao Nanbu, Liliko’s boyfriend at the start of the book, likes to speak in a philosophical, slightly smarmy way, and he simply grated on my nerves with all the Tiger Lily stuff and talk about past lives. Certainly he added a different element to the story (and oh do I feel bad for his fiancee getting caught up in Liliko’s psychotic drama), but especially towards the end I felt his monologues were simply overdone.

It’s hard to discuss the main selling point of this manga, as it’s basically an underlying tone. So much happens here that could be termed a car crash, but Okazaki is so compelling a storyteller that you read on anyway, even as modeling turns to adultery, assault and multiple suicides. The title is completely appropriate – and no, despite the song getting a mention right at the end, I don’t think it’s entirely talking about The Beatles. The Helter Skelter is a British amusement park ride (tornado slide for U.S. readers) that is a wild, out of control ride that makes the reader want to go back to the top when they hit the bottom. Likewise Liliko hits rock bottom at the end of this book, but that doesn’t mean that we should count her out, or that this is the end. Her story (and possible new downfall) is only beginning.

Kitaro

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KitaroCreator: Shigeru Mizuki
U.S. publisher: Drawn & Quarterly
ISBN: 9781770461109
Released: August 2013
Original release: 1967-1969

Over the last few years I have become increasingly interested in yokai–Japan’s supernatural beings and monsters of myth and legend. When it comes to yokai manga the most influential creator in Japan is Shigeru Mizuki. His most famous series GeGeGe no Kitaro is considered a classic and continues to inspire others. I was absolutely thrilled when Drawn & Quarterly announced that GeGeGe no Kitaro had been licensed in English. Kitaro, released in 2013, collects stories from the first few volumes of Mizuki’s GeGeGe no Kitaro published in Japan between 1967 and 1969. Also included in Drawn & Quarterly’s Kitaro is an excellent introduction by Matt Alt (one of the co-authors of Yokai Attack!) and a yokai glossary by Zach Davisson, both of which are particularly useful for readers who aren’t familiar with Kitaro or yokai, but which should also be interesting for those who are more knowledgeable.

“It is said that when the crow caws thrice, and the frog responds twice, the appearance of Kitaro is imminent.” Kitaro of the Graveyard, a one-eyed yokai in the form of a young boy whose ways are mysterious and who wields great spirit powers. Generally a friendly sort of fellow, Kitaro helps protect people from more malicious yokai although unscrupulous humans might find themselves on the losing end of an encounter with him as well. Sometimes working alone and sometimes enlisting the help of other yokai, Kitaro’s adventures take him all over Japan, everywhere from its most densely populated cities to its most remote islands and beyond. It is part of Kitaro’s mission to defeat evil yokai. The spirits and monsters that he faces will take all of the esoteric knowledge and supernatural skills he has to vanquish them, not to mention a little luck.

The stories in Kitaro tend to be episodic and vary in length–most are around fifteen pages while the longest could easily be collected as their own graphic novels. Although the stories aren’t directly related, many share recurring characters. The most notable are Kitaro himself, his father Medama Oyaji–an eyeball with a body who resides in Kitaro’s empty eye socket and enjoys a good teacup bath–and Nezumi Otoko–a half-human, half-yokai troublemaker and sometimes friend. Mizuki was inspired by more than just Japanese folklore when creating Kitaro. In addition to traditional yokai and his own imagination, popular culture and more modern kaiju were also important influences. Even monsters from Western literature, film, and mythology make an appearance. As a result, Kitaro is a lively amalgamation of sources.

I found Kitaro to be utterly delightful. Although it is a horror manga dealing with powerful supernatural creatures and featuring some legitimately creepy scenarios, Kitaro is also very funny and even cheerful in tone. Kitaro does seem to gain abilities as is convenient to the story, but it is still amusing to see how he manages to get out of precarious situations. It can be a bit silly at times, and on occasion deceptively simple and straightforward, but Kitaro is also a great deal of fun. Because of its episodic nature there isn’t much plot or character development, but Mizuki’s creations are still memorable. I particularly appreciate all of the different traditions he draws from to create a tale that is distinctly his own. I loved Kitaro and enjoyed the volume immensely. I sincerely hope that Drawn & Quarterly will be able to release more of the series.

Manga the Week of 9/11

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SEAN: Manga is here, let’s to’t.

Dark Horse has the 27th volume of Blade of the Immortal, one of Dark Horse’s long-running prestige manga titles. It’s still badass.

ASH: That it is! Blade of the Immortal was one of the first manga series that I started reading and I’m still hooked on it.

MICHELLE: I read the first volume and was really impressed by the art, and I own a bunch more of it, but I’ve still never continued. The same thing happened with Vagabond too, actually.

ANNA: I read the first three volumes or so and really liked it. If I ever stumble across a library with a good chunk of this series, I would check it out again. Vagabond as always has my eternal devotion, I think I might be behind with one or two of the VizBig editions.

MJ: I wish I’d gotten hooked early on. At this point the length feels so daunting! Yet I feel I’d probably love it.

smss1SEAN: They also have the 4th volume of OreImo. No spoilers in the comments, bitter fans of the anime. (I wonder if OreImo will pull a School Rumble in terms of sales now that the ending is out in Japan?)

DMP have a BL title coming out called Priceless Honey. Seems to be a short story collection from the author of Punch Up!.

MJ: I’m not big on BL anthologies, but I did like Punch Up!…

SEAN: Kodansha have the 2nd to last Arisa, which I got very, very behind on. Luckily, it’s out digitally now, so I can try to catch up!

ASH: I’m a bit behind on Arisa as well, but it had a great start and I’ve been meaning to read more of it.

MICHELLE: I’ve read through volume ten. It’s become rather snickerworthy, as I noted in brief back in June, but I’m still planning to see it through to the end.

ANNA: I haven’t read this, for some reason Kodansha’s current shoujo releases don’t appeal to me very much, but I’m looking forward to some of the new series they’ve recently announced!

Not out digitally (here or in Japan) but certainly out in print is the first collection of Sailor Moon Short Stories. These ran in Nakayoshi’s sister magazines throughout the run of the manga, and originally were interspersed through the original volumes. The re-release collected them all at the end. This first of two volumes collects the Chibi-Usa side stories, and the Exam Battles starring the other Inners. It also has my 2nd favorite Sailor Moon manga moment.

MICHELLE: I’m not sure how wise it was to put the short stories in their own collection. True, this way they don’t interrupt the main flow of the narrative, but when I read the Japanese edition this way I was sort of… underwhelmed. Maybe they’ll fare better in English.

manoftangoANNA: One of these days I will marathon Sailor Moon, I feel like I should block out a day and stock up on Sailor Moon reading supplies. I’m envisioning a lot of sweet milky tea and many star-shaped cookies.

SEAN: I’ve come to love His Favorite without ever reading it, just for the look of disgust on the face of the uke on every single cover. It’s an absolute delight, and I hope he’s just as grouchy in the manga itself. Vol. 5 is out this week.

MJ: I’m a volume behind on this now, but the manga really is as delightful as its covers, in my experience. And that character is pretty grouchy. It could sort of read as an AU xxxHolic fanfic, if that gives you some sense of what you’re in for.

SEAN: Also out from SubLime is The Man of Tango, which sounds like it should star Robert Vaughn and David McCallum. The cover art for this is easily the best design SubLime’s ever done (their cover design has been a very weak point to date), and really looks smokingly passionate. This apparently has previously unpublished content as well.

ASH: I’m very excited about the release of The Man of Tango! Originally licensed by Aurora but never released, I was thrilled to see SuBLime pick it up.

ANNA: I don’t read a ton of yaoi, but this was one manga that I actually pre-ordered when Aurora was supposed to release it. Glad this is coming out finally, I found the title and cover of this manga very intriguing.

MJ: I’m looking forward to this as well!

SEAN: Udon still puts out manga, and not just artbooks. Today, it’s Disgaea 3: School of Devils 2. Next week, Arsenal 4, Tottenham nil.

arata15And a trio from Viz. 07-GHOST just ended in Japan last month, but fear not, there’s still a lot to go before we catch up. Here’s Vol. 6.

MICHELLE: It seems like volumes of this series are appearing like bunnies! Soon we’ll be caught up with Go!Comi, if we’re not already!

ANNA: ACK, I’m three volumes behind now! I do like this series, though.

MJ: I am too, yikes!

SEAN: Arata: The Legend is about a year and a half behind Japan, which is not uncommon for a Shonen Sunday mid-list title, even if it is by Yuu Watase. Here’s Vol. 15.

MICHELLE: I do enjoy Arata, even if I can’t get as squeeful about it as, say, Genbu Kaiden.

ANNA: Genbu Kaiden deserves all the squees!

MJ: Agreed, re: Genbu Kaiden. I’m iffy on Arata.

SEAN: And Vol. 22 of Hayate the Combat Butler, which is 3 1/2 years behind Japan and growing farther away every biannual release, but sadly, sales. The manga is still in Greece, and this volume has what may be one of the best romantic heartbreakers of the entire series to date.

Anything strike your fancy?

Manga Giveaway: Blood Lad Giveaway Winner

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Blood Lad, Omnibus 1And the winner of the Blood Lad Giveaway is…Olivia!

As the winner, Olivia will be receiving a new copy of the first volume of Yuuki Kodama’s Blood Lad as published by Yen Press. For this giveaway, I was interested in learning about people’s favorite vampires from manga. Be sure to check out the Blood Lad Giveaway comments for all of the details. There was a great turn out and a great variety in the responses–everyone from Hellsing‘s Alucard and Seras to the half vampire/half were-koala Paifu from Cowa! were mentioned.

And now, here is a select list of manga featuring vampires of different sorts that have been licensed in English at one time or another:

Blood Alone by Masayuki Takano
Blood Lad by Yuuki Kodama
Blood Honey by Sakyou Yozakura
Blood Sucker: Legend of Zipangu written by Saki Okuse, illustrated by Aki Shimizu
Blood+ by Asuka Katsura
Blood-C by Ranmaru Kotone
Bloody Kiss by Kazuko Furumiya
Canon by Chika Shiomi
Chibi Vampire by Yuna Kagesaki
Cirque du Freak by Takahiro Arai
Cowa! by Akira Toriyama
Crescent Moon by Haruko Iida
Crimson Cross written by Sakae Maeda, illustrated by Kyoko Negishi
Dance in the Vampire Bund by Nozomu Tamaki
Devil by Torajiro Kishi
Gantz by Hiroya Oku
Hellsing by Kouta Hirano
Hipira written Katsuhiro Otomo, illustrated by Shinji Kimura
How to Seduce a Vampire by Nimosaku Shimada
Jojo’s Bizarre Adventure by Hirohiko Araki
Lament of the Lamb by Kei Toume
Midnight Secretary by Tomu Ohmi
Millennium Snow by Bisco Hatori
Pathos by Mika Sadahiro
The Record of a Fallen Vampire written by Kyou Shirodaira, illustrated by Yuri Kimura
Rosario + Vampire by Akihisa Ikeda
Trinity Blood by Kiyo Kyujyo
Until the Full Moon by Sanami Matoh
Vampire Game by Judal
Vampire Hunter D by Saiko Takaki
Vampire Knight by Matsuri Hino
Vampire Princess Miyu by Narumi Kakinouchi and Toshiki Hirano
Vampire’s Portrait by Hiroki Kusumoto
Vassalord by Nanae Chrono

The above list is by no means comprehensive. Vampires are very popular and make frequent appearances in manga; the list could have gone on for quite a while. But, if you’re looking for some vampire manga to read, it’s probably a pretty decent place to start. Thank you to everyone who shared their favorite manga vampires with me. I hope to see you again for the next giveaway!

It Came From the Sinosphere: State of Divinity (Part 1)

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Linghu Chong wears a black cloth covering the lower half of his face as his sword is pointed at a merchant'st throat.

Linghu Chong is asking for a ‘donation’.

I noted that the opening theme for Laughing in the Wind is so low-key that it stands out from other wuxia TV shows without being pretentious at all. Compare that to the opening them of State of Divinity 1996, which is adapted from the very same novel as Laughing in the Wind:

This TV theme does not stand out at all. It is a very typical wuxia TV show opening theme. Whereas the Laughing in the Wind theme says ‘This is not your typical wuxia drama’, the State of Divinity Theme says ‘Another standard TVB wuxia drama coming right up!’

This difference in approach explains a lot of what makes these two adaptations feel different.

So, let’s look at a ‘typical’ scene from a ‘typical’ drama.

Example Scene: Why This Show Is So Addictive

This scene is not particularly special, but it is precisely because it is not special that it is good for demonstrating how State of Divinity keeps ratcheting up the tension to keep the audience hooked (of course most of the credit goes to Jin Yong, who wrote the novel). I am going to translate the scene (with abridgements), and whenever something happens which increases the tension, I will increase the font size. Ready?

This is a dinner party hosted by Liu Zhengfeng, where everybody is polite. They won’t stay polite for long.


Yu Canghai: Yue Buqun, you’re looking younger and younger! Apparently the Violet Mist Divine Skill is extending your life.
Yue Buqun: You flatter me, my skills are nothing much really. But you look like you are in excellent shape.
Yu Canghai: Oh, you are much too polite.
Liu Zhengfeng: Welcome, Yue Buqun and Yu Canghai.
[polite talk that I’m not translating]
Liu Zhengfeng: Ah, Abbess Dingyi has arrived. Oh, and the Huashan Sect disciples have also come. Welcome, welcome!
[more polite talk]
[but Abbess Dingyi looks displeased]
Yue Buqun: Abbess Dingyi, is there a problem?
Dingyi: Ah, it is best that you are here. I want an explanation.
Yue Buqun: What do you want me to explain?
Dingyi: Your unbridled disciple Linghu Chong’s absolutely unexcusable behavior.

[Yue Buqun looks at the Huashan Sect disciples. I should note that Yue Buqun is the leader of the Huashan Sect.]

The Huashan Sect disciples.

The Huashan Sect disciples.

Yue Buqun: Though my disciple is a bit mischievous, he’s always been frank and outspoken. If he’s said anything which offended you, I will apologize for him.
Liu Zhengfeng: Let’s discuss this slowly and calmly, and keep the peace.
Yue Buqun: Yes.
Dingyi: Yue Buqun, please bring your horrid disciple Linghu Chong out immediately!
Yue Buqun: Bring him out?
Dingyi: Your horrid disciple is associating with that rapist Tian Guangbo, and they kidnapped my disciple Yilin!

[tension goes up]
Yue Buqun: That is impossible. Though Linghu Chong often misbehaves, he would never do such a thing. There must be a misunderstanding.
Dingyi: This is completely true. Taishan Sect’s Tian Songdao saw it with his own eyes! And Yu Canghai’s disciple Mai Renda also saw it!

[tension goes up]
Yu Canghai: My disciple saw it? Then it must be true. [laughs] I never would have though that the great ‘gentleman sword’ Yue Buqun would train such a base disciple! [laughs more]

Yue Buqun, though not amused, stays calm.

Yue Buqun, though not amused, stays calm.

Yue Buqun: Abbess Dingyi, I feel that what you said still leaves room for doubt. Alas, Linghu Chong isn’t here now to tell his side of the story. For the moment, we cannot get to the bottom of this.
Dingyi: You think that just because Linghu Chong isn’t here, you can clear yourself of this matter?!
Yue Buqun: That’s not what I mean, but…
Taishan Sect Person: Linghu Chong, you scum, bring your ass out now!
[The Taishan Sect comes in with two bodies, one dead]


[tension goes up]
Taishan Sect Person: Linghu Chong, you monster, I am going to kill you!
[Liu Zhengfeng approaches one of the bodies, which is still moving]
Liu Zhengfeng: How did Tian Songdao get so severely injured? Who killed Chi Baicheng?
Tianmen Daoren: It was that rapist Tian Guangbo! Yue Buqun, bring out that Linghu Chong immediately!
Lingshan: What does the fact that Tian Guangbo attacked your disciples have to do with Brother Linghu Chong?
Tianmen Daoren: Though Linghu Chong didn’t kill him himself, it’s Linghu Chong’s fault that he died! He injured my disciple, killed my disciple, and Linghu Chong sat and did nothing! He should pay!
[sounds of agreement]
Liu Zhengfeng: Tianmen Daoren, let’s slow down a little. How could Linghu Chong be with Tian Guangbo? We should wait for this to be fully investigated. If Linghu Chong did do something wrong, I will persuade him to change his ways.
Tianmen Daoren: Persuade him to change his ways?! We should expel him, and take his head!
Lu Dayou: Tianmen Daoren, you’re taking this too far! Brong Linghu Chong hasn’t killed anybody, so nobody should execute him!
[Yu Canghai, leader of the Qingcheng Sect, is still smiling]
Dingyi: Who says he hasn’t killed anybody? He killed someone from the Qingcheng Sect!
[Yu Canghai stops smiling]

This is Yu Canghai *not* smiling.

This is Yu Canghai *not* smiling.



[tension goes up]
Yu Canghai: WHAT! Linghu Chong killed one of my disciples? Killed who?
[The Qingcheng Sect disciples enter with a dead body]
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Qingcheng Disciple: Shifu, it’s too late!
Yu Canghai: What happened?
Qingcheng Disciple: Brother Luo has been killed!
Yu Canghai: Who killed him?
Qingcheng Disciple: Linghu Chong!
Yu Canghai: So Linghu Chong really did kill him.
Qingcheng Disciple: I saw it with my own eyes. Alas, I was no match for Linghu Chong, and couldn’t save Brother Luo from that villain!
Lingshan: Who are you calling a villain?!
Yue Buqun: Did you really see Linghu Chong kill him?
Qingcheng Disciple: I’d recognize him even if he were a heap of ashes!
[Yu Canghai pulls out a sword from the dead body. The sword has the name ‘Linghu Chong’ engraved on it]

Linghu Chong's sword

Linghu Chong’s sword



[tension goes up]
Yu Canghai: It’s proven that Linghu Chong did this, what do you say now, Yue Buqun?
Yue Buquen: This is definitely Linghu Chong’s sword. Yu Canghai…
Yu Canghai: You’re still defending your disciple?! You hypocrite!
Liu Zhengfeng: Yu Canghai, you have my deepest sympathies. But it has not been proven beyond all doubt that Linghu Chong did this. If we keep going on like this, I fear we will break the peace … we must find and question Linghu Chong. What do all of my guests think?
Yue Buqun: Brother Liu, you are right. Denuo and Dayou, go out and bring Linghu Chong here.
Denuo and Dayou: Yes, shifu.
Yu Canghai: You three, help them find Linghu Chong. I don’t trust that Yue Buqun won’t try to shelter him.
Qinggcheng Discipes: Yes, shifu.
Liu Zhengfeng: Danian, send someone to help them find Linghu Chong and Yilin.
Danian: Yes, shifu.
Liu Zhengfeng: Abbess Dingyi, don’t worry, we’ll soon find your disciple Yilin.
Yilin: Shifu!
[Yilin, the nun who was ‘kidnapped by that rapist Tian Guangbo and the horrid Linghu Chong’ enters]
Dingyi: Yilin!

[tension goes up]
Yilin: [weeping] Shifu, I never thought I would live to see you again!
Dingyi: Yilin, don’t cry. Shifu asks you, did you see that horrid Linghu Chong?
Yilin: Brother Linghu? [Yilin weeps some more]
Dingyi: Don’t cry! Tell shifu, did you see him or not?
Yilin: Disciple did see Brother Linghu.
Dingyi: Where is he?
Tianmen Daoren: Yes, where is Linghu Chong?
Yilin: Brother Linghu … he’s … he’s dead.
Huashan Sect People: Dead!
[I should point out that Linghu Chong is *the main protagonist*. And this is episode 6 out of 43 episodes. Therefore, the tension practically leaps into the air here. However, for technical reasons, I am not going to increase the font size to 50]

Yilin and Abbess Dingyi

Yilin and Abbess Dingyi



Lingshan: Sister Yilin, who did you hear this from?
Yilin: I saw it with my own eyes.
[Lingshan faints]
Huashan Sect Disciples: Sister!
Yue Buqun: Take her back to her room.
Huashan Sect Disciples: Yes, shifu.
Yu Canghai: Well, it’s best that Linghu Chong is already dead. It looks like I won’t have to sully my hands by killing him.
[Yue Buqun gives Yu Canghai a stare]
Yue Buqun: Yilin, do you know who killed Linghu Chong?
Yilin: Linghu Chong … was [points at dead Qingcheng disciple Luo Renjie] killed by him!
Yu Canghai: [expletive], my disciple Luo Renjie was clearly killed by Linghu Chong! Are you saying that my disciple is Linghu Chong’s murderer?! What logic is this!
Yilin: Brother Linghu really was killed by this bad man!
Yu Canghai: You DARE SAY THAT! The people of my Qingcheng Sect are bad people? All of your Five-Mountain-Alliance people are good people, eh?
Yilin: I didn’t say that Uncle Yu was bad just … just that he [pointing at the body] is bad.
Yu Canghai: You… [approaches Yilin, Dingyi blocks him]
Dingyi: You dare threaten my disciple! Yilin, don’t fear, your shifu is here to protect you. Please explain to everybody exactly why he [pointing at the body] is a bad man.

I could keep translating, but I think you already understand why it was hard for me to stop myself from watching this (even though I already know the story). Suffice to say, it’s an interesting dinner party.

The Story

I have summarized the story already hereand here. Instead of summarizing it again, I will offer this quote from a minor
character, Huang Zhonggong, which I think sums up the essence of the story:

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“When we four brothers first entered the Sun Moon Cult, we thought we could carry out heroic deeds all over jianghu. Who knew that Ren Woxing [leader of the Sun Moon Cult] was so violent, and so hungry for power? Long after we four brothers had been disillusioned, Dongfang Bubai became the leader, and he loves wickedness even more. He executed all of the elders, and we four became even more disheartened. We decided to retreat to Plum Villa, and guard the prisoner. Firstly, far from Heimuya [headquarters of the Sun Moon Cult], we did not have to participate in all of the internecine struggle and backstabbing. Secondly, we could quietly live by Xihu, and fill our days with music and books. We can say that we have had twelve happy years. Nevertheless, in life the sorrows are many, and the joys are few. That is the nature of life.”

Just after saying that, Huang Zhonggong dies. With a few changes (i.e. replace ‘we four brothers’ with ‘Linghu Chong’), this would be an even better summary of the entire story that what I wrote.

I also suspect there is a touch of autobiography. The China where Jin Yong grew up was torn between various groups vying for control. In high school, he was punished for insulting the government in power.

As an adult, he moved to Hong Kong, where he has definitely lived a life full of books and letters … yet he could do almost nothing about the political situation in China. Many people say that Jin Yong had supported the Chinese Communist Party (some people say he is still a communist). This novel was written during the Cultural Revolution.

I am far from done…

So come back next week for Part 2!

Last week, Sara K. helped make some mud volcanic tofu, and then ate it. Why is it called mud volcanic tofu? It’s made from soybeans, water, and mud from a mud volcano. It actually tastes quite good.

Attack on Titan, Vol. 6

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By Hajime Isayama. Released in Japan by Kodansha, serialization ongoing in the magazine Bessatsu Shonen Magazine. Released in North America by Kodansha Comics.

Sometimes books just read FAST. You pick up the book, start turning the pages, and the next thing you know you’re looking at the preview. That’s definitely the case with this volume of Attack on Titan, which is nonstop action from beginning to end, and its pace is just unrelenting. We see Armin being clever, Reiner being badass, Eren learning that being in a military organization is a hard thing for a hothead to do, and lots of mass destruction and slaughter of the survey team in general. As if the cover didn’t already tip you off.

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Armin noted at the end of the last volume that the female Titan who dominates this volume is intelligent, and boy do we see that here. She knows how to protect herself, she’s mercilessly cruel and sadistic (you can see the amusement in her face when a soldier begs her to let him go, and she starts spinning him around till he’s so much meat before doing so), and far, far harder to get rid of than the run of the mill titans we’d seen to date. It takes Armin, Jean and Reiner all of their combined skills just to get away and try to shove the titan in the right direction.

As for Eren, he’s having the same problem that a reader might be having – he spent 5 volumes training and bonding with a group of friends and comrades, only to be torn away from them and forced into a group he barely knows and who doesn’t seem to like him much (excepting the resident mad scientist). Not to mention people still won’t let him go berserk and just start killing Titans, possibly as it’s incredibly stupid. He does begin to get an inkling of what military discipline is like here, as Levi straight up tells him he can do what he wants but reminds him of what they’ve all been fighting for. In the end, despite his rage and tragic past, it’s just not all about Eren.

Speaking of his new squadmates, I appreciated the flashback where we see how well they work together as a unit. Given a series like this, you tend to dismiss anyone who doesn’t have a bio at the front of the book as “cannon fodder”, and the fact that they had pictures but no text didn’t bode well. But the fact is Levi’s squad has survived longer than Eren has outside the walls, and they’ve killed more Titans than he has too. Their well-oiled machine shows Eren that he can turn his rage and anger into something useful to them. And his trust is rewarded in the end, as the female Titan is captured due to the efforts of the entire team.

This was a thrilling volume, and uplifting compared to previous ones. Of course, that means next time it will likely be even more depressing, but hey, you take your victories where you can. When humanity is fighting an unstoppable enemy, you enjoy seeing them fight back. The art needs more improvement still (Dear Isayama: your faces all look alike. Love, Sean), but otherwise it’s another winner.

Bookshelf Briefs 9/2/13

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This week, Sean and MJcheck out recent releases from Kodasha Comics, Seven Seas, and Viz Media.

cage11Cage of Eden, Vol. 11 | By Yoshinobu Yamada | Kodansha Comics – If you’re looking for a volume of Cage of Eden that contains everything the series has going for it, this may be a good choice. There’s cute backstory between the lead ‘couple-but-not-a-couple’ teens, there’s mystery regarding some disappearances that has a clever solution, there’s killer animals that take out a couple of our remaining kids, and there’s another bathing scene showing off naked girl’s bodies. We get a few new characters as well, including a friend of Akira’s who they’ve been searching for since Vol. 2, and a perverted monk with a tendency towards lolicon. As ever, Cage of Eden is a lot of fun eye candy and action adventure, but still has a casual sexism that makes it hard to recommend. Like a lot of Shonen Magazine series, really. Recommended to those who know its type. – Sean Gaffney

crimsonempire2Crimson Empire: Circumstances to Serve a Noble, Vol. 2 | By QuinRose and Hazuki Futaba | Seven Seas – Crimson Empire’s strongest selling point continues to be its heroine, who’s easily the most interesting of its huge extended cast. Sheila not only gets to be a killer assassin maid, but she’s more experienced in the ways of the world than Alice is, so is much better at dry humor and teasing others. Unlike the Alice books, I find myself more interested in the romance between her and Prince Justin than I do all the machiavellian politics. Part of this may be simply that I still have trouble telling folks apart – I kept flipping to the character guide at the start, and even then the number of long, black-haired men led me to confuse one or two. Still, I’m more interested in this series than I was after Vol. 1, and it certainly works better in volume format than as short stories in the Alice books. – Sean Gaffney

demon4Demon Love Spell, Vol. 4 | By Mayu Shinjo | Viz Media – Despite my momentary reservations about this series’ last volume, Demon Love Spell continues to charm me to an unprecedented extent for this kind of comedic romance. In fact, it’s the comedy that keeps me coming back, which I find endlessly surprising, especially given how over-the-top things begin right from the get-to in this volume. Don’t get me wrong, I love to laugh, but my taste for excess generally applies to supernatural fantasy only, while “cracktastic” romantic comedies typically leave me cold. Demon Love Spell, I suppose, draws upon the best of both worlds, as its outrageous humor creates an atmosphere in which we can just as easily invest ourselves in a story about a rapidly-aging baby born from a giant peach as we can laugh off the lecherous advances of the series’ suave-yet-hapless love interest. Shinjo hits all the right marks. Still recommended. – MJ

fairytail29Fairy Tail, Vol. 29 | By Hiro Mashima | Kodansha Comics – The cliches in this volume are almost a drinking game. Ultear’s tragic flashback past all but ensures she’ll eventually turn good; our heroes all team up to take out the big boss with their combined powers; and when that doesn’t work, a face from the past arrives to kick ass and show everyone he’s on their side again. But it’s all done with such verve, fun and energy that you’re pretty much willing to forgive Fairy Tail its unoriginality. Things look to be wrapping up pretty soon… we think, though there’s still Zeref to worry about, and I suspect that we’re still a ways away from the end of this arc. But man, check out those fights! Those poses! Those shouts of “Nobody could have survived that!” This title is as shounen as it gets. – Sean Gaffney

Sakarea2Sakarea: Undying Love, Vol. 2 | By Mitsuru Hattori | Kodansha Comics – A lot of harem series tend to balance all the fanservicey romance with some other element, be it teaching magic, getting killed over and over again in a time loop, etc. With Sankarea, it’s horror. And not just the “zombie cliche” horror that you’d expect, although there is that. Rea’s family is truly unhinged, with her mother’s uncaring apathy serving as a contrast to her father’s incestuous possessiveness. (The scene where we see that the only reason they’re still married is she loves his body – or one part of his body – is particularly awful.) And let’s not forget the attempted murder. Luckily, we have Rea and Chihiro contrasting that (sorry, Wanko, you aren’t important enough yet), and they’re sweet and charming, even as there’s still a dark undercurrent behind everything. Harem Horror, not Hammer Horror. – Sean Gaffney

strobe6Strobe Edge, Vol. 6 | By Io Sakisaka | Viz Media – It’s a testament to the addictive nature of this series that my main reaction to this installment was genuine distress at discovering that the fifty or so pages I thought I had left as I reached book’s final quarter were actually an unrelated short story. So great was my distress that I could not even read it. Such is the power of serialized shoujo, but what’s remarkable about Strobe Edge is how far it has come since its first, trite volume. As Ren reels from his recent breakup, heightened tension in his relationship with our besotted heroine, Ninako, is no certainly surprise to anyone (least of all, Ninako or Ren). But the biggest revelations in this volume revolve around Ren and Ando, whose strained friendship nears its breaking point, with unexpected results. It’s complicated, moving, and downright refreshing—not a word I’d have associated with this series early on. Recommended. – MJ

Pick of the Week: Too Many Books

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potw-9-2SEAN: My pick of the week is the third and final Young Miss Holmes omnibus from Seven Seas. I remain impressed at its ability to shoehorn a precocious 10-year-old girl and her killer maids into the Holmes canon, and there’s a minimum of fanservice given that it runs in a Media Factory title. This third volume introduces some original stories not based on the Holmes canon, including its finale, the Giant Rat of Sumatra, which Watson always felt the world was not yet ready for. Kudos to Seven Seas for this title.

MJ: I’ve been procrastinating on this, because I was honestly torn about what to choose, though in retrospect, it seems so simple. This week offers up new volumes of a couple of my favorite addictive shoujo series, Strobe Edge and Demon Love Spell, as well as the (potentially addictive) supernatural romance Midnight Secretary. But they’re all standing up against the latest volume of one of my favorite continuing series of 2012, Takako Shimura’s Wandering Son, and there aren’t many series that would stand a chance against that. So I’m going for volume five of Wandering Son. It’s this week’s must-buy, at least for me.

ASH: As much as I love Baku Yumemakura and Jiro Taniguchi’s The Summit of the Gods there is absolutely no question as to my pick of the week: the fifth volume of Takako Shimura’s Wandering Son. The series is incredibly important to me on a very personal level in addition to simply being a great manga. It’s a wonderful story about personal identity and growing up. I’m absolutely thrilled that Fantagraphics is bringing Wandering Son to English-reading audiences and the series is receiving a beautiful hardcover release.

MICHELLE: Seeing as how Wandering Son has safely earned its place, I’m going to go for volume six of Io Sakisaka’s Strobe Edge. Of volume five, I wrote, “This is what good shoujo drama is like when you don’t have to result to tired old clichés… It actually reminds me a little of We Were There, which is high praise indeed.” I’m certainly looking forward to volume six!

ANNA: My pick is Midnight Secretary. This paranormal romance set in the business world sets up an intriguing relationship with an interesting heroine in the first volume, with some touches of both humor and angst. I’m already feeling impatient looking forward to the next volume.

What looks good to you this week?