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Bookshelf Briefs 8/18/14

August 18, 2014 by Anna N, Sean Gaffney and Michelle Smith 1 Comment

This week, Sean, Anna, & Michelle look at recent releases from Viz Media and Seven Seas.

Alice in the Country of Clover: Nightmare Trilogy, Vol. 1 | By QuinRose and Job | Seven Seas – Another month, another Alice book. This one has, as you may imagine, Nightmare as the love interest, and mostly delves into Alice being upset and angry that people are afraid of him, and trying to find ways to get them to see the real man. Who is still a giant loser at times, so he’s not helping. Also not helping is the art in this book, which is some of the weakest I’ve seen in the entire series. That does not bode well given this is the first of three. On the bright side, Joker shows up, continuing to force Alice to truly examine her heart and feelings (big sister doesn’t come into play here). There’s also some amusing humor, mostly at Nightmare’s expense. Still, in the end this is one of the weaker entries in the Alice books. – Sean Gaffney

Black Rose Alice, Vol. 1 | By Setona Mizushiro | Viz Media – If I were to tell you that this is a shoujo series about vampires, you might think that you’d know what to expect. It’s not, after all, a unique premise. Except that’s exactly what Black Rose Alice is: unique. Dimitri Lewandoski is an ambitious tenor in Vienna in 1908 when he is killed in an accident and ultimately brought back to life by a vampire master who has entrusted him with the procreation of the species. The horror and the “colonization” spur a personality shift in Dimitri, and by the end of the volume he’s striking a bargain that might reanimate the body of his true love, lifeless for a hundred years. That’s pretty strange stuff, and I haven’t even mentioned the bugs! Happily, it’s not too strange and when I finished the volume I was left with a profound sense of “What? That’s it?! I want more!” And that is perhaps the highest recommendation I can give. – Michelle Smith

Nura: Rise of the Yokai Clan, Vol. 22 | By Hiroshi Shiibashi | Viz Media – We’ve just finished a major fight arc, and are about to head into what will be the final arc, so in a sense this is the last breather volume in the series. Like many breather volumes in shonen fighting series, it feels a bit out of place at times, with both heroes and villains putting all their ducks in a row. We do get to see an extensive battle between Nura and a priest who is upset at a forced sword going to an evil Ayakashi (it’s OK, Nura’s one of the GOOD evil Ayakashi), and an attempt on both sides to unite previously fractured clans. That said, Kana and the rest of the class’s presence has become token, and even Tsurara looks to be left behind for the big fight. Nura is starting to overstay its welcome, so it’s good it will be ending soon. – Sean Gaffney

Oresama Teacher, Vol 16 | By Izumi Tsubaki | Viz Media – The evil student council in Oresama Teacher is generally surprisingly ineffective, sending agents one by one to take down the public morals club, only to find that the dimwitted delinquents in the public morals club end up befriending their enemy. Here we have more of an orchestrated campaign, as blackmail letters start arriving and picking off the public morals club one by one. Soon only Mafuyu and Hayasaka are left to battle things out with the return of their fiendish faculty mentor Saeki. I see troubled times ahead for Yui, as the wanna be ninja has joined his former masters. Oresama Teacher is always silly diverting fun that pays off for the reader. I was happy to see bancho and his pigeon make an appearance in this volume as well. This is the only long-running comedy series that has managed to hang on to my full attention, and I enjoy the ridiculous situations and occasional bursts of violence featured in each volume. – Anna N

Toriko, Vol. 23 | By Mitsutoshi Shimabukuro| Viz Media – It’s impressive how even in the middle of what is basically a fight between two opposing sides firing power attacks, Toriko can continue to be all about food. The one thing that gets our heroes to work together and take out the monster this time is hearing that the more damage it takes, the more delicious its flesh will taste. And of course there’s Komatsu, who was given ten minutes to make an antidote simpler to cook, took five minutes, then spent the rest of the time figuring out how to make it tastier. It’s no wonder he seems to have picked up another harem member, this one a nameless cook arriving with Setsuno. The way it deals with food makes Toriko a consistent fun title to read. – Sean Gaffney

My Week in Manga: August 11-August 17, 2014

August 18, 2014 by Ash Brown

My News and Reviews

So, as I briefly mentioned in my anniversary post this morning, my partners and I very recently became parents. We all ended up spending most of last week at the hospital; needless to say I was a bit preoccupied. But everyone is happy, healthy, and at home now, so everything’s good. Thankfully, I already had a couple of posts typed up and ready to go. Otherwise, it would have been a very quiet week here at Experiments in Manga since I didn’t get much reading or writing done at all. (For some reason.)

Anyway, I did somehow manage to post two reviews last week! First up was Denise Schroeder’s wonderful, delightful, and charming short comic Before You Go. The review is the latest installment in my Year of Yuri monthly manga review project, which focuses on manga and other comics with lesbian and yuri elements. Also reviewed last week was Jamie Lynn Lano’s memoir The Princess of Tennis: My Year Working in Japan As an Assistant Manga Artist. It’s a very interesting and informative book about the manga industry and Japan. The book can currently be purchased through Sparkler Monthly’s Distro program.

Despite being rather busy last week, I did come across a few things online that made for interesting reading. At Manga Connection, Manjiorin wraps up her Swan review project. The fourth Manga Studies column at Comics forum has been posted, focusing on Ishiko Junzō and gekiga. Joe McCulloch has a piece on the early work of Ryōichi Ikegami at The Comics Journal. Mangabrog has a translation of a conversation between Usamaru Furuya and Inio Asano. Also highly recommended is Comics Alliance’s interview with Vertical’s Ed Chavez.

Quick Takes

Gangsta, Volume 3 by Kohske. As can probably be inferred from the cover, much of the third volume of Gangsta delves into the pasts of Nic and Worick, how they met, and their somewhat complicated relationship with each other. In the process more is revealed about the history of Ergastulum and the Twilights, too. Gangsta is a very violent series. Even when Nic and Worick were young they found themselves surrounded by death in a harsh environment of political turmoil. In the case of Nic, he was being kept by a mercenary group hired to act as bodyguards to Worick’s family; he’s done plenty of killing of his own. He apparently has always been somewhat terrifying. The beginnings of Nic and Worick’s exceptionally close connection are seen in this volume. Neither of them come from a good family situation, both of them are seen as socially unacceptable (Nic because he’s a Twilight, Worick because he’s a bastard son), and both of them are physically abused by those who should care about them. Though they get off to a rough start, the two broken young men are able to find some solace in each other’s company. Nic and Worick fascinate me; I’m glad to have gotten more of their backstory in the third volume. I’ve enjoyed Gangsta from the very beginning and continue to do so.

Love Full of Scars by Psyche Delico. Okay. So, Love Full of Scars is a collection of utterly ridiculous and absurd boys’ love stories. The over-the-top humor certainly won’t be to every reader’s taste, but I loved the volume. Though I largely enjoyed all of the short manga included in Love Full of Scars, my favorite was probably the titular story. (It also happens to be the longest, with several chapters devoted to it and side stories of its own.) Kanda is a high school punk who has a crush on Uesaka, the school’s biggest badass. The problem is that every time Kanda tries to confess his feelings, he ends up picking a fight instead. Fortunately, Uesaka is able to see through all of Kanda’s posing. They’re both delinquents so more often than not communicating with their fists and punching each other in the face helps them to solve their differences. The sex in Love Full of Scars, when and if it actually happens, usually ends up being rather awkward and incredibly earnest at the same time. The stories in the collection generally avoid the stereotypical seme/uke dynamics of the boys’ love genre. There is also a bit of a fixation on facial and body hair. And, well, pubic hair, too, for that matter. (Granted, that’s mostly for the sake of gag.) The manga is rough, rude, and raunchy, but I found it to be highly amusing and entertaining.

Tonari no Seki-kun: The Master of Killing Time directed by Yūji Mutoh. The anime adaptation of Takuma Morishige’s manga series My Neighbor Seki had completely slipped under my radar until Vertical announced that it had licensed the manga. My curiosity was piqued, so I decided to watch the anime while waiting for the manga to be released. The anime was an absolute delight; I wish there was more! I’m definitely looking forward to reading the manga next year. The premise of the series is disarmingly simple. Yokoi and Seki sit next to each other in the back of their high school classroom. But instead of studying, Seki occupies himself at his desk in all sorts of ways, messing around with erasers, shogi pieces, knitting, and so on. The scenarios are actually all very imaginative, creative, and elaborate. Try as she might, Yokoi can’t help but be caught up whatever it is Seki is doing, so she doesn’t get much studying done, either. The anime is much more entertaining than I’ve probably made it sound. Each episode is under eight minutes and they are all very funny. There is very little dialogue in the series. Instead, the narrative relies very heavily on Yokoi’s internal monologue. Yokoi’s voice actress, Kana Hanazawa, does a fantastic job with the role–she is exceptionally dynamic and expressive.

Random Musings: Four Years of Experiments in Manga

August 18, 2014 by Ash Brown

I have been writing about manga, Japanese literature, and other related (and occasionally not-so-related) subjects here at Experiments in Manga for four years now. That’s…kind of incredible in its own small way. I don’t generally delve too deeply into my personal life on the blog, but this past year has been particularly momentous for me, and not just because I’ve managed to keep Experiments in Manga going for so long.

Over the last year or so, I’ve been doing all sorts of coming out both online and off. I’m very fortunate to be in a place in my life where I am able to be more open about who I am, and I’m probably the happiest that I have ever been because of it. My family, friends, and coworkers have all been amazingly supportive. I’m also currently a month into recovering from a major surgery that (without going into all of the gory details) has improved my quality of life tremendously. And a little less than a week ago I and my partners became parents. So, yeah, there have been some big changes in my life over the last year!

As for Experiments in Manga, there have been some changes here, too. Probably the most noteworthy is that Experiments in Manga joined the Manga Bookshelf family of blogs and has now been a part of that cohort for a year. In addition to keeping up with my writing at Experiments in Manga, I also regularly participate in Manga Bookshelf’s group posts. I’ve really enjoyed being a part of Manga Bookshelf and working more closely with other manga bloggers. It’s brought Experiments in Manga more readers and commenters, too, which for the most part has been a lot of fun.

After almost two years of effort, I was finally able to wrap up my Blade of the Immortal review project in November. It was a good and challenging experience for me, and one that I wanted to repeat. So I let Experiments in Manga’s readers pick which manga I would tackle next. In a few months I’ll be wrapping up my Year of Yuri monthly review project and once again I’ll be putting my next review project up for a vote. I also had a couple of smaller, informal review projects over the past year. Back in January I celebrated my very own “Usamaru Furuya Week” by reviewing everything of his available in English that I hadn’t already. And every weekend in March I reviewed a volume of Takehiko Inoue’s phenomenal manga Real. (Because March equals basketball, or something like that.)

Last year saw more queer content discussed at Experiments in Manga than ever before. It wasn’t entirely done intentionally (well, except for the Year of Yuri project), but I’ll admit that it did make me happy. Many of those posts, like my random musings on a lecture about queer theory, Japanese literature, and translation and my review of Jeffery Angles’ Writing the Love of Boys: Origins of Bishōnen Culture in Modernist Japanese Literature, have been some of my most popular, or at least most frequently visited. Gengoroh Tagame also appears to be a perennial favorite; quite a bit of interest continues to be shown in my Two from Tagame post, which looks at two of his manga released relatively recently in English: Endless Game and Gunji.

Actually, one of the posts that I was personally very satisfied with from last year, a Spotlight on Kaita Murayama, was also somewhat queer-related. In general, I’ve been writing more of these Random Musings features. I’ve really enjoyed working on these posts. They allow me to be a little more freeform and talk about things that aren’t necessarily suited for the format that I currently use for my in-depth reviews. Other non-reviews that haven’t yet been mentioned that I was particularly happy with or that were otherwise well received include my thoughts on TCAF 2014, tips on finding manga in libraries, and a list of some of the notable releases of 2013. I had never done one of these end-of-the-year lists before, but it was surprisingly fun, so I’ll most likely do it again.

As for the in-depth reviews from the last year that seemed to be especially popular, I was a little surprised to see the amount of interest shown in some of the nonfiction titles that I read, such as The Nobility of Failure: Tragic Heroes in the History of Japan and The Way of Taiko (both of which were great). My review of the omnibus of the Mobile Suit Gundam trilogy of novels received a fair amount of attention, too. The five manga reviews from the past year that were the most frequently visited included Saki Nakagawa’s Attack on Titan: Junior High, Volume 1, Shigeru Mizuki’s Kitaro, Torajiro Kishi’s Maka-Maka: Sex, Life, and Communication, Volume 1, Yuma Ando and Yuki Sato’s Sherlock Bones, Volume 1, and Makoto Yukimura’s Vinland Saga, Omnibus 1.

By this point I seem to have settled into a fairly predictable posting schedule at Experiments in Manga. Each week sees at least three or four posts, occasionally more if I have some sort of project going on or am feeling particularly inspired. I think I’ve said this every year so far, but I really would love to write more than I do. Sadly, my free time is very limited and from here on out (with the kidling and all) it will be even more so. Right now three to four posts a week still seems like it should be a reasonable and manageable pace for me, though.

I’ve said this every year, too, but as always I would like to extend my thanks and appreciation to all of the readers of Experiments in Manga, both new and old. I mostly write for myself, but it is extremely satisfying to know that Experiments in Manga is at least occasionally interesting or helpful to other people as well. There certainly is plenty of room for improvement–I know there are some things that I don’t do very well and need to work on–but generally I’ve been very happy with the continued evolution of Experiments in Manga and the general direction the site has been taking. Thank you all for your support over the last year. Here’s hoping that the next one will be even better!

Kaze Hikaru Vol 22 and Happy Marriage?! Vol 7

August 16, 2014 by Anna N

Kaze Hikaru Volume 22 by Taeko Watanabe

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So much of Kaze Hikaru deals with repressing emotions, since Sei has disguised herself as a boy in order to join the Shinsengumi and Soji has agreed to keep her secret. While Sei and Soji are clearly in love with each other, there’s a long way to go until any actual romance occurs. This volume revolved around so many feelings, as Sei has been newly assigned to Saito’s troop and Saito harbors some suspicions of Sei based on his past friendship with Sei’s brother. Saito has disturbing dreams and isn’t sure what is happening with his involuntary reactions to Sei. Saito finally figures out that Sei is a girl, and his reaction is that he’ll simply maker her quit the Shinsengumi and marry her. When Saito goes to Soji to discuss his plans, Soji encourages the marriage, telling Saito to “Make her happy.” It is interesting how effectively Watanabe explores the points of view of the characters, while Soji cares for Sei the idea of pursuing marriage with her isn’t in his worldview. He’s just going to support her while thinking of her as the man she pretends to be.

Saito’s plan begins to evolve as he sees Sei protect Soji in battle and he realizes that she’s more courageous than most of the men she knows. At the end of this volume, Sei is transferred back to Soji’s troop, where I’m sure Soji’s general feelings of uneasiness and his tendencies to lie to himself will grow even stronger. Kaze Hikaru’s detailed historical setting, clear and attractive art, and compelling story make it one of my favorite Shojo Beat titles. I wish the new volumes came out at a greater rate than once a year, because I think the deliberate pace of the story would reward readers who like to stockpile volumes and read a bunch at a time. I read every volume almost as soon as I get it though!

Happy Marriage?! By Maki Enjoiji
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I enjoy reading Happy Marriage?! just because romances set in offices give me a break from all the romances set in high schools that I tend to read just because I am such a shojo manga aficionado. Chiwa continues to work in her new job, but has to deal with one of her former friends still having a crush on her. Hokuto continues to be both busy and remote, and his father is still in the hospital. Chiwa attempts to intervene to bring Hokuto closer to his family, without the results she was expecting. One sour note for me in this volume was Hokuto slapping Chiwa in the middle of an argument. While they fight and work through their issues as always, I’m starting to get a little weary of the relationship dynamic in the book. I’m also a bit more interested in some of the newer Shojo Beat series like Spell of Desire or Black Rose Alice. I’m hoping that the next volume of Happy Marriage is a bit better.

The Princess of Tennis

August 15, 2014 by Ash Brown

Author: Jamie Lynn Lano
Publisher: Jamie Lynn Lano
ISBN: 9781499797527
Released: July 2014

The Princess of Tennis: The True Story of Working As a Mangaka’s Assistant in Japan by Jamie Lynn Lano is just that–a memoir written by someone fortunate enough to live the dream of so many aspiring artists. Very few non-Japanese creators have had the opportunity to work within the manga industry as an assistant or as a lead mangaka. Fewer still have written about their experiences to any great extent. In addition to working as an assistant to Takeshi Konomi (the creator of the exceptionally popular The Prince of Tennis), during her time in Japan Lano was also freelance writer, a columnist for Asahi Weekly, a host for a Japanese children’s television program, and an avid blogger. The Princess of Tennis is based on “Working As an Assistant on The Prince of Tennis,” a series of posts which can be found on her blog Living Tall in Japan. (Lano is over six feet tall, so the site is aptly named.) I had previously read some of Lano’s story online, but was happy to see it collected and expanded upon in book form with The Princess of Tennis.

After graduating with a degree in media arts and animation, Lano moved to Japan where she taught English for a few years. In 2008, Konomi Takeshi put out a call looking for assistants for a new manga series. Unlike many other mangaka, he was also considering applications from artists who had little or no experience in the industry. Lano was a huge fan of his series The Prince of Tennis and considered Konomi to be one of her idols. And so, after some encouragement from her friends, she applied for the position, never thinking that she would actually be hired. But she was. And she ended up working with Konomi, his editors, and a small group of other assistants for more than a year. (And on the sequel to The Prince of Tennis, no less!) It was a dream come true for Lano, but as enthusiastic as she was the job wasn’t always a easy. Working as an assistant on a series that she loved certainly had its perks, but it was also a challenging and exhausting experience that required long, grueling hours.

The Princess of Tennis is a personal story that is told with heart and honesty. Lano’s style is very informal, almost diary-like. Although there is some self-reflection from the very beginning of the memoir, she generally focuses on what she was feeling at the time she is describing rather than providing a detailed analysis of the situation after the fact. Lano is a self-proclaimed fangirl, something comes through in the bubbly way she writes. She makes liberal use of exclamations points (and other punctuation), employs all-caps to indicate excitement or for emphasis, and the occasional emoticon even makes an appearance in the text. She also includes very cute illustrations at the beginning of each chapter, a few delightful bonus comics towards the end of the volume, and photographs throughout the book. Lano’s enthusiasm and gratitude for the opportunity to work as a manga assistant is obvious even when things, and people, become rather difficult to deal with. The Princess of Tennis is friendly and approachable in tone, making for an entertaining as well as informative read.

In The Princess of Tennis, Lano offers an insider’s look into the Japanese manga industry and into the creative process of making manga. At first she is so excited about working as an assistant for Konomi (and understandably so) that Lano tends to overlook the downfalls of the position. The Princess of Tennis almost seems like an account that couldn’t possibly be true. Initially more time is spent participating in media events and festivals than slaving away at the drawing table. But as the volume progresses and reality and frustrations set in, The Princess of Tennis becomes much more like what I’ve come to expect based on the stories from other creators in the trade. The Princess of Tennis also offers a glimpse into what it is like to live in Japan as a foreigner and the challenges associated with that. And because Lano is revealing the details of her personal life in The Princess of Tennis there is also the drama of interpersonal relationships, romantic and otherwise, to take into consideration. While she has held onto some secrets for the privacy and sake of the other people involved, Lano is very open and forthcoming in The Princess of Tennis, providing a unique perspective on the manga industry and on Japan.

Manga the Week of 8/20

August 14, 2014 by Sean Gaffney, Ash Brown, Anna N, MJ and Michelle Smith 1 Comment

SEAN: There’s a little something for everyone in the third week of August, so let’s see what demographics we can scrounge up.

First off, it’s not out in bookstores yet, but Fantagraphics has shipped its 7th volume of Wandering Son to its Kickstarter backers. It’s still a must-read for anyone who likes good manga about real characters, as well as being a top-notch coming of age story.

ASH: I love this series so much. I can’t wait to read my copy.

ANNA: I need to get caught up on this! I really liked the first couple volumes.

MJ: I love this series with the fire of a thousand suns. I honestly can’t wait.

SEAN: Kodansha brings us the second volume of Attack on Titan: Before the Fall, the adaptation of the light novel about times way back when there was still quite a bit of defense separating humanity from its Titan opponents. Not that humanity really comes off well here, at least in Vol. 1.

ASH: Before the Fall has its own brand of Attack on Titan darkness. I’m looking forward to reading the original novel later this year, too.

SEAN: Kodansha is also debuting The Heroic Legend of Arslan, a manga adaptation by Hiromu Arakawa of the novel series by Yoshiki Tanaka. From what I understand, it’s not so much high fantasy as low to medium fantasy, but it’s being drawn by Arakawa, so I’m totally on board.

MICHELLE: Me, too!

ASH: As am I!

ANNA: This sounds intriguing! More Arakawa can only be a good thing!

MJ: Count me in!

SEAN: There’s also the first omnibus release of Tsubasa: Reservoir Chronicle. I’ve made my opinion of the last half of this series quite clear in the past, so I will simply note that the FIRST half of this series is quite good indeed, and that fans who don’t mind manga that end in car crashes should absolutely check it out, if only for Kurogane and Fai.

MJ: I’m happy to see this getting a re-release!

SEAN: Seven Seas has a trio of releases geared towards the fanboy end of the spectrum. The one I’m interested in is the eighth volume of Haganai. If you were to ask me if there was a reason to get it, I would have to say: nun. (whack) Ow.

There’s also the 4th volume of monster hit Monster Musume, showing why I do not run manga companies.

ASH: Seven Seas recently announced the licensing of another manga by the creator of Monster Musume, so the series has apparently been doing quite well.

SEAN: And Strike Witches debuts a new miniseries with Vol. 1 of the 1937 Fuso Sea Incident. This incident appears, as far as I can tell, to be fictional, and should have more combat sequences than we’ve seen in prior volumes.

Vertical has the 11th volume of Chi’s Sweet Home, star of manga, anime, and TV commercials. I hope Chi isn’t letting it go to her head.

MICHELLE: Yay, Chi! I have my coworker’s young daughter addicted to this one.

ASH: A new volume of Chi is always a good reason to celebrate.

MJ: You really can’t have too much Chi.

SEAN: Ikki may have stopped publication, but SigIkki lives on (I think – it may get rebranded) with the 13th volume of Dorohedoro. Dorohedoro easily wins the longest running Ikki series published over here, and I am infinitely grateful to Viz for its release.

ASH: I would like to join you in expressing my gratitude. Dorohedoro is such a marvelously weird manga and I love it.

SEAN: There’s also the 3rd volume of Gangsta, which still makes me think of Black Lagoon too much but is starting to carve out its own niche in the ‘cool people attack each other by leaping into the air’ genre.

ASH: I’ve really been enjoying this series and am looking forward to the next installment.

ANNA: I enjoy this series very much too. Artsy seinen fighting and angst is fun.

SEAN: Lastly, the Kaze Hikaru of seinen, it’s Vol. 10 of Ikigami: The Ultimate Limit! This is the final volume, so we won’t be seeing its once a year likes again. With this and Bokurano: Ours ending next month, the genre of ‘incredibly depressing manga about optimism in humanity’ needs a new standard bearer. Who’ll take it up?

MICHELLE: I’ve been wondering when Ikigami would end, and whether, with that obligation finishing up, VIZ might give that yearly slot to another volume of Kaze Hikaru. That would rock so much. I do intend to finish Bokurano: Ours sometime, but I have to muster the mental fortitude.

SEAN: Does something here appeal to you? If not, why not?

Oh My Goddess!, Vol. 46

August 14, 2014 by Sean Gaffney

By Kosuke Fujishima. Released in Japan by Kodansha, serialized in the magazine Afternoon. Released in North America by Dark Horse.

Since my last review of Oh My Goddess back in December, the manga has finally ended in Japan after 26 years, and will be 48 volumes total. For those who were reading this entire arc and noting it felt like a grand finale, congratulations, you are correct. There’s still some stuff to do before we get to what will no doubt be a final chapter with a wedding, not least of which is that Keiichi and Belldandy have to be reminded of something really obvious: she is a goddess and he is mortal. In fact, this is something that has happened to lovers in the past, as we see in the first have of this volume.

The flashback is painful, as you’d expect, but is also suffused with the selfless love we’ve come to expect from Keiichi and Belldandy, to the point where once the bard dies, the goddess is determined to see what he sang about even if it means her life. Unfortunately, due to the nature of contractual promises, she can’t even get peace in death. They’re being shown this to remind them that love is not worth all this pain that you’ll see in the end, but Oh My Goddess has spent 46 volumes so far showing us that yes, it absolutely is, so this argument doesn’t really hold up.

After last volume’s rewrite of its continuity, where we see that Keiichi was being repressed by heavenly forces to stop him getting it on with Belldandy, we get even more discussion of the original wish that began everything back in Volume 1. The wish: “I want a goddess like you to be with me always” – was said without being serious, but here we see a devastated Keiichi realizing what the burden of such a wish was on Belldandy, and cursing his past self for not being serious enough. Meanwhile, Belldandy confesses to Keiichi that, far from being surprised to see him when she descended to grant his wish, she’d actually been watching him from heaven for some time, and had fallen in love with him before they’d even met.

Fans of the anime won’t be surprised at this, as it also did a ‘we were destined to be together long before that wish’ plotline. It is nice, though, that Fujishima actually goes back to draw Belldandy somewhat like he did at the beginning – a larger marking on her head and her hair darker – to show us how she’s changed since then. (Keiichi, notably, does NOT get seen as his Vol. 1 self, which is fine, as that was more ‘the artist still needs work’.) And so finally Keiichi and Belldandy have pretty much taken every test of their love that can be thrown at them. We’ve even met her mother. And, as it turns out, her father – Gate turns out to be Tyr, Belldandy’s father and the ruler of Heaven.

Needless to say, he decides on one more test for Keiichi to be worthy of his daughter’s love, and even cheerfully frames it as ‘because a dad has to be a jerk to his daughter’s boyfriend’. Any reader of Oh My Goddess will be unsurprised at what happens next – the final battle involves a motorcycle race over an incredibly dangerous path, with K1 even driving a recreation of his regular bike. He also has to do it by himself, without Belldandy in the sidecar. Can he manage it? We’ll find out in March.

Before You Go

August 13, 2014 by Ash Brown

Creator: Denise Schroeder
Publisher: Chromatic Press
Released: May 2014
Original release: March 2014

Before You Go is a short, thirty-three paged comic written and illustrated by Denise Schroeder. Originally published in the March 2014 issue of Chromatic Press’ online multimedia magazine Sparkler Monthly (which, by the way, is marvelous), a small print run of Before You Go was released in time to debut at the 2014 Toronto Comic Arts Festival. Schroeder is an American artist currently living in Colorado. Before reading Before You Go I wasn’t familiar with her work, but in addition to various other things she is also the creator of three webcomics: Conquest, The Good Prince, and Paradox. I actually briefly met Schroeder while at TCAF, which was a delight. She very openly and happily proclaims manga and anime as major influences on her work, Sailor Moon being the series that ignited her passion. I follow the work of Chromatic Press very closely which is how I came to discover Schroeder and Before You Go. I am very glad to have been exposed to her comics.

One rainy day Sadie misses catching her train home after work, but then her luck changes for the better. Because of the mishap she meets Robin. The two young women hit it off and suddenly Sadie’s daily commute becomes something she looks forward to because it means she gets to spend more time with Robin. Eventually Robin begins to walk Sadie the rest of the way home even though it’s out of her way. Sadie and Robin’s initial chance encounter quickly blossoms into friendship with the possibility for their relationship to become something even more. They enjoy each other’s company and have become quite close. At least that’s what Sadie would like to think. The problem is that Robin is hesitant to open up; while she definitely shows interest in Sadie, she doesn’t seem to want to share anything about herself. Trust and communication are extremely important in any relationship, but they can also be some of the scariest parts, too.

Most of Before You Go either takes place on the train or on the way to and from the station as Sadie and Robin get to know each other. Their flirting and blushing is absolutely adorable. Even though Before You Go is a short comic, both Robin and Sadie are fully realized characters with distinctive personalities. They have hopes and dreams, and they have fears and regrets, too. Of the two, Sadie is the more dynamic and exuberant, evidence of her passion for the theater and performance. Robin tends to be more reserved, content to quietly observe. As Sadie points out in Before You Go, closely watching someone else can be valuable, but even that can’t reveal everything about who that person is. Because Before You Go is a comic, the act of looking and the visual storytelling elements are important for the reader’s understanding, too. The surprise, love, and concern between Sadie and Robin can be seen in Schroeder’s artwork even when the two women aren’t saying, or can’t say, anything at all.

Before You Go is a wonderful and utterly charming comic. I particularly appreciate the realism of the story as well as the realism of the characters and their relationship and interactions with each other. The comic has a quirky sense of humor to it which balances perfectly with the more serious and contemplative aspects of Before You Go. It’s also nice to see a love story between two adult women that recognizes the problems that someone who is queer might encounter in life without dwelling on the sadness that that so often entails. Before You Go is a quiet drama with honest heart and feeling behind it. The comic may be brief, but it is also marvelously complete–both the characters and the story are well thought out and developed with more maturity and depth than might appear at first glance. In the end, Before You Go is simply a comic that makes me happy to read. I look forward to seeing more of Schroeder’s work in the future.

Black Rose Alice, Vol. 1

August 12, 2014 by Sean Gaffney

By Setona Mizushiro. Released in Japan by Akita Shoten, serialized in the magazine Princess. Released in North America by Viz.

I’m usually quite fond of series that try to get by on pure mood, even if the plot is not one that reaches out and grabs me. This odd shoujo series definitely falls into that category. It’s not exactly something I would read to see what happens next – the entire time I was reading the first volume, my thoughts were “Didn’t I read this in a Kaoru Yuki title 5 years back?” – but the aesthetic is glorious and gruesome, with the corpses stacking up and anguish present on every face. It’s dark, gothic grand guignol shoujo, and marks a welcome return of Akita Shoten’s titles to out shores (as well as the author of After School Nightmare).

Most of the first volume is prologue to what we’ll be seeing from now on. One hundred years earlier, we meet Dimitri, who is not of noble blood but is possessed of a remarkable singing voice. He loves Agnieszka, a young and innocent noblewoman, but she’s betrothed to his friend Theodor, who, while he has been doing his best to advance Dimitri’s vocal career, will only go so far. It’s the sort of storyline that makes you await the inevitable tragedy, and sure enough, a runaway horse seems to kill our hero. But he’s not really dead, as it turns out that his body is now being used by Bradley, a vampire! If the plot sounds melodramatic, well, I hope you knew that when you purchased it.

This is a horror title, by the way, in case my use of the words ‘gothic’ and ‘vampire’ did not clue you in. There are many, many mass suicides about halfway through, and some grotesque shots of blood. Oh yes, and there’s the spiders, which is the way that Dimitri acquires blood after his victims have obligingly offered themselves to him. They’re supremely creepy, but also very effective at showing the horror of what Dimitri is becoming. There’s also a sexual assault, as a desperate Dimitri, who wants nothing more than to die when he hears what he has become, rapes Agnieska to try to achieve this. It doesn’t work.

The main part of the book looks like it’s set in present day Japan, and features a more prosaic teacher-student romance, which is no less forbidden and yet intoxicating than the previous one. Koya is trying to convince his teacher Azusa that she is not merely a schoolboy crush to him, and she’s trying to push him away but desperately unable to. This leads to her making quite a nasty bargain, whose effects we don’t quite see in this volume but I’ve no doubt will prove to resonate down the line. Also, Dimitri, who was so horrified at the prospect of turning evil in Vienna, seems to have warmed up to it now that he’s in Japan. Ah well.

I’m not sure that I’m the audience for this book, really. But I’m sure that there is a huge audience for it. Those who enjoyed the darker, more sensual side of Shojo Beat’s titles, and want another supernatural romance with vampires who are likely quite bad for you, won’t be able to put it down. The spiders may be horrible, but it’s the doomed yet overpowering love that will draw them in.

My Week in Manga: August 4-August 10, 2014

August 11, 2014 by Ash Brown

My News and Reviews

There were two reviews at Experiments in Manga last week in addition to the announcement of the Mecha Manga Giveaway Winner, which also includes a list of some of the mecha manga that has been licensed in English at one point or another. (Considering how many have been released in English, it’s not a comprehensive list. Instead it focuses on some favorites.) As for the reviews, I recently read Fuyumi Ono’s The Twelve Kingdoms, Volume 4: Skies of Dawn. Sadly, this was the last volume in the series to be translated into English. The Twelve Kingdoms is a great series of fantasy novels, all of which are worth tracking down. Keeping with last week’s unintentional theme of reviewing fourth volumes of epic series, I also took a look at Vinland Saga, Omnibus 4 by Makoto Yukimura. Vinland Saga is one of my favorite manga series currently being released and this volume hasn’t changed that.

The phenomenal Sparkler Monthly is currently running a membership drive for its second year, and there are some fantastic incentives. I highly recommend checking the project out and contributing if you’re able. Lori at Manga Xanadu has a nice post looking back at the first year of Sparkler Monthly and looking forward to Sparkler Monthly Year Two. For some of my own reviews and random musings on the excellent content being released by Sparkler Monthly, check out the Chromatic Press tag. (Actually, I’ll be posting a review of Denise Schroeder’s Before You Go later this week, too.)

Elsewhere online, ICv2 has a two-part interview with Viz Media’s Leyla Aker and Kevin Hamric looking at What’s Selling, Where, and Why as well as focusing On Specific Products and Programs. Justin at Organization Anti-Social Geniuses has a fun post about The Curious Case of Last Pages For US Manga Editions. Also, Mangabrog has translated some of Takehiko Inoue’s interviews from back when Vagabond was on hiatus.

Quick Takes

Black Rose Alice, Volume 1 by Setona Mizushiro. I’ll admit, even though I have enjoyed the other manga by Mizushiro that I have read and despite the very good things that I’ve heard about Black Rose Alice, I was still a little hesitant to read the series. Mostly because I’ve become a little weary, and therefore wary, of vampire stories. But the vampires in Black Rose Alice are so different that I’m actually hesitant to even call them vampires. Either way, the first volume was phenomenal. It’s creepy and disconcerting, tragic and chilling. Dimitri is a rising star, an operatic tenor with a beautiful voice and a handsome face who is astounded when a stranger tells him he is to blame for a sudden wave of suicides. The deaths in the story have tremendous emotional impact, which is particularly impressive since the characters have just been introduced. The characterization in Black Rose Alice is excellent, especially that of Dimitri, and the artwork is lovely and atmospheric. I am a little sad to see early 20th-century Vienna already left behind as a setting in exchange for modern-day Tokyo, but I’m very curious to see where the story goes from here. I’ll definitely be picking up more of Black Rose Alice.

Blank Slate, Volumes 1-2 by Aya Kanno. I first read Blank Slate several years ago and recall really liking it. Upon rereading, it’s honestly not as good as I remember it being, though the art is pretty great. Even considering the flaws in its execution, I actually still really like the series. Apparently the story that Kanno originally planned was much longer and more complicated. Quite a few things changed plot-wise as well as character-wise when she shortened the series; the transition isn’t as smooth as it could have been. Blank Slate would have benefited from at least another volume or two so that all of the backstory that’s crammed into the second volume could have been more fully developed. Though in its way it is thrilling, there are so many plot twists and major reveals towards the series’ end that it’s almost absurd. Some of the characters are shown to be so different from who they were when they were first introduced that it’s almost difficult to believe the changes, but that does make their betrayals rather effective. And I do like that the completely amoral and nearly emotionless Zen, the series lead, remains a villain throughout despite a tragic past that is supposed to make him more sympathetic.

How to Be Happy by Eleanor Davis. I wasn’t previously familiar with Davis’ work, but after experiencing How to Be Happy I certainly want to read more of it. How to Be Happy is a collection of her short comics, some no longer than a page. Though her black and white illustrations are effective, Davis’ color work is especially striking. She exhibits a wide variety of styles in How to Be Happy, evoking a number of different moods. However, all of the comics come across as being at least a little surreal. Many, perhaps most, of the stories tend towards the melancholy and somber, but others have an underlying and almost hidden sense of humor and joy. As Davis points out in her author’s note, the book actually isn’t about how to be happy. And yet, I found reading the volume to be a wonderfully cathartic and thought-provoking experience. I would even go as far as to call it inspiring. Though she often employees fantastical elements, what Davis really seems to be doing in How to Be Happy is exploring the nature of life and reality through her short narratives. How to Be Happy is a beautiful, strange, and wondrous collection and one that I can definitely see myself returning to again.

Midaresomenishi: A Tale of Samurai Love by Kazuma Kodaka. Although Midaresomenishi is self-described as a romantic epic, there’s not very much at all that is romantic about this boys’ love manga. Instead it’s an extremely dark tale with a focus on violence, sexual and otherwise. Truly terrible things happen in it. Blood, death, and sadism take precedence over affection and love. There is very little happiness to be found in Midaresomenishi, and what little there is is fleeting. Shirou is a young samurai who takes great pleasure in killing, but that is nothing in comparison to the joy that Sougetsu, a powerful and decadent master of bandits, takes in sexually dominating others. In order to protect the life of his younger brother Fujimura, Shirou allows himself to be subjugated by Sougetsu. What he doesn’t realize is that while Fujimura is alive, he has become a sexual plaything for Sougetsu’s underlings. There actually is some doomed love and strong familial bonds in Midaresomenishi, but for the most part the manga’s focus is on the more unpleasant relationships. Midaresomenishi doesn’t work for me as a love story, there’s simply too much force and coercion, but as a violent tragedy it is fairly successful.