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The Sound of the Mountain

January 31, 2015 by Ash Brown

The Sound of the MountainAuthor: Yasunari Kawabata
Translator: Edward G. Seidensticker
U.S. publisher: Alfred A. Knopf
ISBN: 9780679762645
Released: May 1996
Original release: 1954
Awards: National Book Award

Prior to reading The Sound of the Mountain I had only read one other novel by the distinguished Japanese author Yasunari Kawabata–Thousand Cranes, one of the three works to have been cited when Kawabata became the first Japanese recipient of the Nobel Prize for Literature. I enjoyed Thousand Cranes and have been meaning to read more of Kawabata’s work for quite some time now. Although it probably isn’t his best known work to have been translated, The Sound of the Mountain does have the distinction of being one of Kawabata’s longest novels. The volume was completed in Japan in 1954 after having been serialized for five years. Also in 1954, the novel was adapted as a live-action film directed by Mikio Naruse. The Sound of the Mountain was first translated into English by Edward G. Seidensticker in 1970 for which he won the National Book Award for Translation.

Shingo Ogata is an aging businessman in postwar Japan. His memory has started to fail him, his hair turns whiter as each day passes, many of his friends and acquaintances have already died, and he begins to be plagued by peculiar dreams. There is nothing he can do to halt the steady decline of his mind and health, but what concerns him most is the decline of his family and the unraveling of his children’s marriages. The philandering ways of Shingo’s son Shuichi are an open secret but his son’s wife Kikuko remains devoted to him, although perhaps even more so to Shingo. Shingo’s daughter, too, is having marital problems. The situation may or may not be temporary, but she has left her husband and is currently living in her parent’s home along with her young children. The house is full, the family’s relationships are strained, and Shingo is conflicted over what he should be doing about it all and over his developing feelings for Kikuko.

The Sound of the Mountain is a relatively quiet novel. Shingo has his personal struggles and internal strife, and there is plenty of family drama, but the work largely consists of snippets of the everyday lives of the Ogata household. None of the characters in The Sound of the Mountain are particularly exceptional in any sort of way. Their lives and their troubles, while certainly having a great impact on those around them, are mundane. Kawabata’s characterization of the individual family members is often very subtle and nuanced, as is his portrayal of the intricacies of their interpersonal relationships. As much as The Sound of the Mountain is about Shingo growing older, it’s just as much about the transformation of his family. All things must inevitably come to an end. Shingo knows this, and knows that his life, too, will eventually end, but he still feels guilty about and responsible for the direction his family and his children are heading.

It’s been a few years since I’ve read it, but overall I think I probably prefer Thousand Cranes over The Sound of the Mountain. However, the two novels do share some similarities: a focus on people and how they interact, a sparse writing style laden with symbolism, and so on. In the case of Thousand Cranes it was the Japanese tea ceremony that provided an underlying framework for the narrative while in The Sound of the Mountain it’s Shingo’s dreams and the change of the seasons–the steady progression of time. The Sound of the Mountain has a resigned, melancholic air to it. The novel isn’t particularly uplifting, but in some ways it can be comforting to see a realistic depiction of a family trying to come to terms with the changes both in their lives as individuals and in their relationships to one another. The Sound of the Mountain captures those fleeting moments of joy and of unrest, revealing that in any stage of life people are at least partially defined by those closest to them.

Filed Under: REVIEWS Tagged With: National Book Award, Novels, Yasunari Kawabata

Utsubora: The Story of a Novelist

January 30, 2015 by Ash Brown

Utsubora: The Story of a NovelistCreator: Asumiko Nakamura
U.S. publisher: Vertical
ISBN: 9781935654766
Released: June 2013
Original release: 2010-2012

Although several of Asumiko Nakamura’s manga have been licensed for digital release, Utsubora: The Story of a Novelist is currently her only work that has been translated into English and made available in print. I truly hope it isn’t the last to be seen from her; although I was already familiar with Nakamura’s distinctive art style, Utsubora was my introduction to her manga and I loved it, and with each rereading love it even more. With the arrival of the Female Goth Mangaka Carnival, I was inspired to take another, deeper look at the manga. In Japan, Utsubora was a short, two-volume series published between 2010 and 2012. The English-language edition of the manga was released in 2014 by Vertical and collects the entire series in a single volume. Due to its mature themes and its erotic content, Utsubora is one of Vertical’s relatively few manga specifically intended for an audience of adults who are at least eighteen years of age.

Although Shun Mizorogi is still considered to be a successful and respected author, it has been quite some time since he has written anything of note. As a result, he has become withdrawn and is tormented by his lack of ability. Finally, his most recent work Utsubora shows great promise. A return to his roots as an author, Mizorogi has given his fans and critics what they have been waiting for. But when a young woman plummets from the top of a building to her death, the apparent suicide somehow connect to Mizorogi, the authorship of Utsubora begins to be called into question. Both Mizorogi’s close friend and fellow author Yatabe and his newly appointed editor Tsuji suspect something. Even Mizorogi’s niece Koyomi, who lives with and adores him, is able to recognize that her uncle has been behaving out of the ordinary. Utsubora and a young woman named Sakura Miki are the only remaining connections Mizorogi has to the death of Aki Fujino, and they are consuming him.

Utsubora is a dark and twisting tale. Nakamura’s distinctive artwork is exceptionally effective in adding to the manga’s moody, erotically charged, and slightly disconcerting atmosphere. The lines of her illustrations are very thin, creating at the same time a sense of sharpness and focus as well as a feeling of softness as they cut and curve across the page. Nakamura’s art in Utsubora is undeniably sensual and arresting. The eyes of her characters are particularly expressive and draw attention to themselves. The artwork of Utsubora, much like the manga’s story, can simultaneously be vaguely ominous and oddly beautiful. It’s really quite stunning and Nakamura is incredibly skilled. Through her artwork and through the body language of her characters, she is able to convey their uncertainties and their desires, their inner turmoil as well as their outward actions. Overall, Utsubora is an intense and even compelling work.

The plot of Utsubora is complex, the relationships and connections between the characters forming a tangled knot that is drawn tighter and tighter. The manga can be confusing and there is quite a bit of ambiguity that is never completely resolved. The only person who really understands everything that is going on is Sakura, and she is deliberately manipulating the situation, mixing together both truths and lies in order to influence those around her. She can’t control everything, though, and some matters in Utsubora are only tangentially related to what she is trying to accomplish. Although sometimes obscured by layers formed by the other characters’ personal struggles and pasts, the core of Utsubora is the despair surrounding Aki, Sakura, and Mizorogi. Granted, most of the characters are reaching their breaking points and are in danger of losing themselves completely; Aki’s death was simply the catalyst that triggered a dramatic sequence of events from which very few will emerge unscathed.

Filed Under: REVIEWS Tagged With: Asumiko Nakamura, manga, vertical

Katsuhiro Otomo Nabs Top Honor at Angoulême

January 30, 2015 by Katherine Dacey

manga AKIRA KODANSHA ED GN VOL 01Katsuhiro Otomo (AKIRA, Domu: A Child’s Dream) just won the Grand Prix at the 42nd annual Festival d’Angoulême, beating out Watchman creator Alan Moore for the honor.

You spoke, they listened: DMP just announced a Kickstarter campaign to publish Osamu Tezuka’s Alabaster, a dark thriller about an invisible man on a crime spree.

The Manga Bookshelf bloggers discuss next week’s new manga releases, from Black Rose Alice to Blood Blockade Battlefront.

Ash Brown is giving away a copy of Junko Mizuno’s Cinderalla. 

The folks at Good E-Reader offer a side-by-side comparison of VIZ and Crunchyroll’s digital manga offerings.

British GQ compiled a list of ten manga that would make great movies.

Tom Pinchuk and Sam Weller announce the results of Anime Vice’s annual Best Manga Poll.

Over at Good, OK, Bad, Seth Hahne lists the 75 Best Comics of 2014, from Summit of the Gods to Stray Bullets.

Can’t get enough of Attack on Titan? Universal Studios Japan recently installed an attraction that allows visitors to pose with statues of hungry giants:titan_theme_park

News from Japan: Good news for Takehiko Inoue fans: after a one-year hiatus, Inoue is back at work on Vagabond. Also returning from hiatus is Masayuki Kusumi and Jiro Taniguchi’s foodie favorite Kodoku no Gourmet.

To mark the tenth anniversary of Weekly Shonen Jump, Shuiesha will be unveiling four new series this month, including a new title by Psyren creator Toshiaki Iwashiro.

Reviews: Jason Thompson sings the praises of Cat Paradise, a forgotten gem from the Yen Press catalog, while Tony Yao examines the subtext of Kiss Him, Not Me, a shojo comedy about a fujoshi who ‘ships her male classmates.

Joseph Luster on vol. 1 of Assassination Classroom (Otaku USA)
Megan R. on Chobits (The Manga Test Drive)
Wolfen Moondaughter on vol. 25 of Hayate the Combat Butler (Sequential Tart)
Leroy Douresseaux on Jaco the Galactic Patrolman (Comic Book Bin)
Rebecca Silverman on vol. 1 of JoJo’s Bizarre Adventure, Part 1: Phantom Blood (ANN)
Matthew Alexander on vol. 5 of Judge (The Fandom Post)
Angela Silvia on vol. 16 of Kamisama Kiss (The Fandom Post)
Allen Kesinger on vol. 1 of Love in Hell (No Flying No Tights)
Leroy Douresseaux on vol. 1 of Meteor Prince (Comic Book Bin)
Joseph Luster on vol. 1 of My Neighbor Seki (Otaku USA)
Rebecca Silverman on vol. 7 of Nisekoi: False Love (ANN)
Theron Martin on vol. 1 of Sword Art Online: Progressive (ANN)
Ken H. on vol. 5 of Vinland Saga (Sequential Ink)

Filed Under: MANGABLOG

Manga the Week of 2/4

January 29, 2015 by Sean Gaffney, Ash Brown, Anna N, Michelle Smith and MJ 3 Comments

SEAN: Did you enjoy your quiet month? Good, cause February is back to business as usual, and every week has some chunky bites of manga. Let’s look at next week. FYI, Diamond Comics has every Viz title coming out 1-2 weeks earlier than usual, for some reason – I’m ignoring that. And JoJo’s was delayed.

ASH: Oh, no! JoJoooooo!

ANNA: I do not approve of this.

bbb7

SEAN: Dark Horse has the 7th Blood Blockade Battlefront, which I understand has an anime coming out soon.

Seven Seas gives us a 5th volume of oddball slice-of-A Centaur’s Life.

And the 10th volume of Haganai, whose cast still doesn’t have many friends.

The rest is all Viz. We have a new Assassination Classroom, filled with attempted death and heartwarming lessons.

ANNA: Bring it on!

SEAN: We have a 3rd volume of Black Rose Alice, and I’d like to remind the Manga Bookshelf team that they can’t pick it two weeks in a row. :)

MICHELLE: I won’t, but I am still super happy to see it!

ASH: I’m happy to see it, too!

ANNA: I might pick it again! You can’t stop me!

MJ: Heh. I didn’t pick it last time, so it’s up for grabs!

SEAN: Bleach 63 features, I’m guessing, fights.

Food Wars 4 also features fights, but of a culinary kind. Save the Megumi!

MICHELLE: I have developed a serious fondness for Food Wars.

ANNA: I do not yet have a serious fondness, but I like it much more than I expected to.

SEAN: The 10th and final volume of Happy Marriage?! wraps up next week. It’s been a very up and down series, but overall I’ve enjoyed it.

MICHELLE: It’s not something I can picture myself rereading, but it has been entertaining.

ANNA: Me too. I’m glad to have read it, but I don’t think I’ll be rereading it.

hsd5

SEAN: High School Debut has its 5th and final omnibus. The big news is that it has lots of material that never came out in print before – I believe Vols. 14 and 15 are unique to this volume! It’s also print-only, so go get it.

MICHELLE: !!!!!!!!!!!!1 (Heh, I swear that typing that 1 was legitimately an accident, but I’m leavin’ it!)

ANNA: Woah! I’ve got to pick this up!

MJ: Ooooooooooh.

SEAN: If you thought Honey Blood was over last time, well… it was. But Tale Zero is an epilogue, or prologue, or pilot. Or something? In any case, this is the last Honey Blood-related product.

MICHELLE: I have a vague memory of one of the author’s note sections during the series proper mentioning that this would contain the original oneshot. Not sure about that, though.

ANNA: I’d like to see more from this author eventually.

SEAN: We have the 25th and final volume of Nura: Rise of the Yokai Clan. I enjoyed this a lot more than I’d expected, and probably more than it really deserved, but way to go, mid-range Shonen Jump title. You were licensed when many other 20-30 volume Jump series were not.

One Piece has its 11th omnibus. It’s in Water Seven now, one of its best arcs.

Spell of Desire hits Vol. 3, and I hope manages to resolve the rather icky cliffhanger Vol. 2 left us with.

Voice Over has its 9th volume, and seems to be slowly, very slowly, meandering towards its climax.

MICHELLE: Here’s another title I’ve grown to love unexpectedly.

MJ: I need to check back in with this series.

SEAN: World Trigger has Vol. 4, and is another on the list of ‘series I should know more about’.

Did you miss Yu-Gi-Oh! the first time around? Here’s an omnibus to catch up on.

And Yu-Go-Oh Zexal 6 gives you more Yu-Gi-Oh than human nature can possibly stand.

There’s a lot of ‘meat and potatoes’ shonen and shoujo here. What suits your fancy?

Filed Under: FEATURES, manga the week of

Hayate the Combat Butler, Vol. 25

January 29, 2015 by Sean Gaffney

By Kenjiro Hata. Released in Japan as “Hayate no Gotoku!” by Shogakukan, serialization ongoing in the magazine Shonen Sunday. Released in North America by Viz.

I had said last time that after the emotional catharsis and darkness of the Athena arc that we’d fall back towards comedy here, and that’s somewhat true, but the fallout from that arc still lingers. Athena describes to Hayate how she was rescued from the castle at the end of the world, and it turns out to have been none other than Hayate’s brother who achieved it. We’d seen him in silhouette before, but here we finally get to see his face, mostly so that he can have a distinguishing scar that lets Hayate reassure Athena he’s not dead or trapped. (Even though we haven’t seen him in years… he’d better have a damn good reason for leavin g Hayate to the mercies of his parents).

hayate25

Athena’s parting is also bittersweet, though there’s a tease that implies that she isn’t giving up entirely. But she sees Hayate talking about how much of his life he owes to Nagi, and realizes that she can’t take that away from him now. So she confesses to him, again, but in the past tense, implying that she’s moved on. I try to remain unbiased in my reviews, but I fully admit to being an Athena fan, so this saddened me. Don’t get me wrong, I love Nagi and Hayate’s relationship, but if they’re going to end up together I do think that a) she needs to mature a bit, and b) he needs to show at least a smidgen of attraction to her. We’re slowly seeing the first but not the second, and with Athena is was very nice to see two people who really did desire each other.

After this, it would be hard for the rest of the volume not to feel like an anticlimax, and it does struggle to keep the same level. Hina being cursed with donkey ears is amusing but goes nowhere, and Hayate trying to figure out what’s haunting an old mansion (turns out to be cats) is a bit pointless. Possibly the most interesting part of the volume is a flashforward showing Nagi rushing to the top of a tall building to scream in pain and frustration about someone named Ruka, followed by a title page featuring a new character (spoiler: it is Ruka). We wonder if we’ve done some sort of time skip, but no, it’s just a tease, and we’re soon back to the aftermath of Greece, with Nagi having to leave the mansion.

Nagi’s idea to be a landlord and rent out a building is actually quite clever, and of course will lead to many comedic situations – don’t be surprised to see the building fill with many of our cast. But it’s also a symptom of her biggest flaw, which is her dedication to inactivity – this is a way to make money by sitting around and doing nothing. Nagi can’t apply herself to any hard work that doesn’t pay off instantly, and it will come back to burn her in future volumes. For now, though, Athena is gone, and Hayate the Combat Butler prepares to enter a newer, less dramatic story arc. That said, don’t expect the drama to simply disappear. It just won’t be 24/7 like it was in the last two volumes.

Filed Under: REVIEWS

Manga Giveaway: Cinderalla Giveaway

January 28, 2015 by Ash Brown

It’s the end of the month which means it’s time for another manga giveaway! Because the Female Goth Mangaka Carnival is currently underway (featuring the work of Kaoru Fujiwara, Maki Kusumoto, Mitsukazu Mihara, Junko Mizuno, Asumiko Nakamura) I decided to do a tie-in giveaway. This month you all have a chance to win a copy of Junko Mizuno’s Cinderalla as published by Viz Media. And as always, the giveaway is open worldwide! (However, you must be at least eighteen years old to enter.)

Cinderalla

Way back in 2010, I had the opportunity to attend the Best Manga You’re Not Reading panel at the American Library Association’s annual conference. It was there that I was introduced to the work of Junko Mizuno, and specifically to her manga Cinderalla—a psychedelic retelling of the classic tale of Cinderella with zombies, yakitori, and pop idols added in for good measure. I had never seen anything like it before and I loved it. Mizuno’s brightly colored artwork in Cinderalla shows her mastery of a very distinctive and even beautifully stunning creepy-cute aesthetic. Quite a few of Mizuno’s manga have been released in English—and I’ve enjoyed many of them—but I will always remember Cinderalla as being my first.

So, you may be wondering, how can you win a copy of Cinderalla?

1) Have you ever read anything by Kaoru Fujiwara, Maki Kusumoto, Mitsukazu Mihara, Junko Mizuno, or Asumiko Nakamura? If so, tell me what you thought in the comments below. (And if you haven’t, you can simply mention that.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

And there you have it. For this giveaway, each person can earn up to two entries and has one week to submit them. If needed or preferred, comments can also be sent directly to me via e-mail at phoenixterran(at)gmail(dot)com. I will then post them here in your name. The giveaway winner will be randomly selected and announced on February 4, 2015. Meanwhile, I hope you enjoy the Carnival!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced—Manga Giveaway: Cinderalla Giveaway Winner

Filed Under: FEATURES Tagged With: Junko Mizuno, manga

Ishinomori’s Legend of Zelda returns

January 26, 2015 by Brigid Alverson

Legend of Zelda

Big news! Viz is publishing a new, full-color edition of Shotaro Ishinomori’s Legend of Zelda: A Link to the Past manga in its Perfect Square imprint. The story was originally published in Game Power magazine in 1992, and a trade was published the following year.

More Viz news: They will be publishing Yu-Gi-Oh! in 3-in-1 omnibus format.

Also riding the omnibus: Dark Horse, which will re-release the earlier volumes of Kurosagi Corpse Delivery Service in as 2-in-1 omnibuses.

Crunchyroll is launching a new line of original manga, and they are starting with HYPERSONIC music club, a collaboration between Patrick Macias and Hiroyuki Takahashi. I talked to Macias about the book, and the new line, at Robot 6, and Takahashi did an interview with Crunchyroll.

Shonen Jump is offering the latest issues for free through February 15; if you haven’t been following it and are thinking of jumping in during this trial period, check out my quick guide to SJ series at Robot 6.

Shonen Jump has also added a new series to the lineup: My Hero Academia, which will run simultaneously with the Japanese releases.

The Manga Bookshelf team discusses their Pick of the Week.

Erica Friedman has the latest from the world of yuri in this week’s Yuri Network News post at Okazu.

Ash Brown takes a look at the work of Mitsukazu Mihara as part of the Female Goth Mangaka Carnival.

Two cosplayers learned the hard way that it’s better to put on your costume when you get to the con, at least if you’re wearing camouflage and carrying what looks like a gun. This incident occurred in Gatineau, Quebec, which is quite near the capital of Ottawa, where last year a lone gunman attacked the national parliament. The two cosplayers were arrested but not held; they were also fined $270 and their replica weapons were taken away.

Reviews: Sean Gaffney and Michelle Smith post some short takes on recent releases in the latest edition of Bookshelf Briefs at Manga Bookshelf. Ash Brown takes us through a week’s worth of manga reading at Experiments in Manga.

Sean Gaffney on vol. 1 of Akame Ga Kill! (A Case Suitable for Treatment)
Lesey Aeschliman on vol. 8 of Attack on Titan (Lesley’s Musings on Manga)
Rebecca Silverman on vol. 1 of Citrus (ANN)
Leroy Douresseaux on vol. 14 of Dengeki Daisy (The Comic Book Bin)
Leroy Douresseaux on vol. 24 of D.Gray-Man (The Comic Book Bin)
Chris Kirby on vol. 3 of Durarara!! Saika Arc (The Fandom Post)
Kate O’Neil on vol. 4 of Gangsta (The Fandom Post)
Erin on Helter Skelter: Fashion Unfriendly (Gagging on Sexism)
Ken H on vol. 12 of Knights of Sidonia (Sequential Ink)
Chris Kirby on vol. 16 of Tegami Bachi (The Fandom Post)
Alice Vernon on Ubel Blatt (Girls Like Comics)
Matthew Warner on vol. 3 of World Trigger (The Fandom Post)
Jocelyne Allen on Yoru Mata Yoru No Fukai Yoru (Brain Vs. Book)
Erica Friedman on vol. 1 of Yuri Kuma Arashi (Okazu)

Filed Under: MANGABLOG

Bookshelf Briefs 1/26/15

January 26, 2015 by Sean Gaffney and Michelle Smith 1 Comment

This week, Sean and Michelle look at recent releases from Seven Seas, Viz Media, and Kodansha Comics.

lizardaideAlice in the Country of Clover: The Lizard Aide | By QuinRose and Job | Seven Seas – It’s never a good sign when the main story of an Alice volume ends two-thirds of the way into the book, and it’s doubly bad when they have to pad it out with Crimson Empire. But the main problem with this is that it stars Gray Ringmarc, who is one of the characters we’ve met and cared about the least in these volumes. He’s introduced in Clover, and without the games as a base, there’s not as much impetus to care about him compared to major players like Blood or Ace, or even Boris, who got seven volumes to get fleshed out. Add to that that Alice is less damaged here (making her less interesting), and the art being subpar, and you have a thoroughly unessential volume. – Sean Gaffney

arpeggio3Arpeggio of Blue Steel, Vol. 3 | By Ark Performance | Seven Seas – Much of this volume involves the battle between the heroes and the bad guys’ and it’s well-told, making things tense and fleshing out the villains a bit more while still keeping them mysterious. Unsurprisingly, the villain that survives is the stoic one on the cover. More intriguing is the brief look at what makes Gunzou tick; Maruri clearly is carrying a torch for him, but says that she can’t be around him as he’s too perfect, which is also his greatest weakness. This scene was needed as Gunzou’s implacability was indeed becoming a weakness for the series, but now that we see there may be something behind it, it bears further study. A cut above the ‘girls and war machines’ subgenre. – Sean Gaffney

panzer3Girls Und Panzer, Vol. 3 | By Girls Und Panzer Project and Ryohichi Saitaniya | Seven Seas – Speaking of the ‘girls and war machines’ subgenre, as well as titles created by a committee, our band of tankery girls has another battle this time round, with the stakes raised considerably. Indeed, perhaps raised a bit too much: seeing Miho be told that if they lose, she’ll be disinherited is bad enough, but adding to that that the entire school will be shut down if they lose seems a bit over the top. That said, seeing this particular battle take place in snowy conditions adds a bit of spice to the tank battle, and while the outcome is not yet in doubt (it will be once we hit the finals), it’s close enough to keep us interested. This wraps up next volume, and should have a good ending. – Sean Gaffney

jacoJaco the Galactic Patrolman | By Akira Toriyama | Viz Media – Though I failed to love Dr. Slump and have yet to try Dragon Ball, I typically enjoy Akira Toriyama’s one-volume manga, and Jaco is no exception. Silly, charming, and absolutely suitable for all ages, this is the story of a diminutive, posturing (yet occasionally genuinely kind of badass) galactic patrolman who crash lands on earth and into the solitary life of widower scientist Omori. At first he’s ready to eliminate earthlings on account of all the crappy ones he meets, but he eventually encounters some good ones, too, and bravely saves a lot of lives without hesitation. Okay, yes, there are a couple of jokes about burps, boogers, and pee, but catering to the target demographic is certainly understandable and the end result wasn’t offputting to this totally middle-aged lady. I think it’s time I faced the fact that I clearly must try Dragon Ball – Michelle Smith

kiss2Kiss of the Rose Princess Vol. 2 | By Aya Shouoto | Viz Media -This series is nine volumes in total, which surprises me, as this reads more like the middle volume of a three-part series. We’re introduced to a childhood friend of Anise’s, and he not only turns out to be a missing knight, but also an evil knight, and also a love rival, and oh yes, an Osaka hothead. Plus we get a rather startling revelation about Seiran, which I won’t spoil here, but does shake things up quite a bit. Add to that the return of Anise’s emotionally abusive father, who needless to say is unhappy, and you have something that should be reaching a dramatic climax next time. Except it isn’t. Oh well. The title continues to hold my attention as good meat-and-potatoes shoujo. – Sean Gaffney

missions10Missions of Love, Vol. 10 | By Ema Toyama | Kodansha Comics – We continue to deal with the worst people ever, as Yukina finally gets a confession, but still has trouble dealing with the aftermath of her first love. She orders Shigure to make her forget, but that’s easier said than done, particularly with Akira still trying to sabotage things. This culminates in her going on romantic dates with both of them, which lets the reader know how she feels (Akira is the ‘like a brother’ sort of love), but she remains in the dark. Meanwhile, Mami seems to be trying to get over Shigure, and seems to like Akira, even if she doesn’t know it. And who’s this new guy? He has a sneer, must be evil. If all this sounds exciting to you, you’ll love it. If you think “they all sound like terrible people”… you may love it as well. – Sean Gaffney

mylovestory3My Love Story!!, Vol. 3 | By Kazune Kawahara and Aruko | Viz Media – Much of the first half of this third volume consists of Yamato trying to push their relationship forward a little – we’re talking kisses on the cheek here, but Takeo can’t even comprehend that, being the innocent sort who’s never really had to think about that aspect of love before. This suits Yamato just fine mostly, as I think she wants to take things slowly as well (just a little faster than he does), and she also likes his outgoing-do-good self the best and worries that he might try to change it to suit her – which indeed he does try (and fails) here. After all that romance, we then get a final chapter that’s filled with hilarity. This continues to be the sweetest shoujo around. – Sean Gaffney

Filed Under: Bookshelf Briefs

Pick of the Week: Third Volumes

January 26, 2015 by MJ, Michelle Smith, Ash Brown, Anna N and Sean Gaffney Leave a Comment

potwMJ: Okay, I’ll admit there’s not a lot calling to me this week, but I can express genuine enthusiasm for the third omnibus of Whispered Words, apparently shipping this week from One Peace. This is a really charming story, and I’m so happy to see it—and specifically happy to see it coming from One Peace, who tend to fly under the radar of a lot of fans. I’m hoping this release has made a decent splash for them. It certainly should have. This is a title that should not be missed.

MICHELLE: Since MJhas campaigned so ably for Whispered Words and because I already know what my pick is going to be next week (I’ve only been waiting for it for years!), I thought I would instead highlight something else coming out next week, which would be the third volume of Black Rose Alice. Combining a unique spin on vampires with adept storytelling and compelling characters, this series really isn’t to be missed!

ASH: I’m right there with MJthis week. I’m really looking forward to reading the rest of Whispered Words and am very glad that the series was released in English! (And that the editing seems to have improved since the first omnibus.)

ANNA: I’ll have to go for the third volume of Black Rose Alice too. It really is one of the more unique shoujo titles currently coming out.

SEAN: Whispered Words all the way for me.

What looks good to you this week?

Filed Under: PICK OF THE WEEK

My Week in Manga: January 19-January 25, 2015

January 26, 2015 by Ash Brown

My News and Reviews

Last week I posted a review of Chōhei Kambayashi’s award-winning novel Good Luck, Yukikaze. Because I had enjoyed Yukikaze, the first novel in the series, I was looking forward to reading its sequel. Sadly, although there is some tremendously thought-provoking material in Good Luck, Yukikaze, I found it to be incredibly frustrating as a novel. Also posted last week was my first (and what will probably be my most substantial) contribution to the Female Goth Mangaka Carnival: a spotlight on Mitsukazu Mihara. I’ve previously written a little about her manga series The Embalmer, but this time I took a brief look at all of her manga that was released in English and examined some of the recurring themes found in her work.

Speaking of the Carnival, the hosts at The Beautiful World posted an excellent introduction which includes biographical information of the featured artists as well as an overview of gothic fashion and literary themes. Elsewhere online, Mangabrog has translated a conversation between Hiroaki Samura and Masashi Kishimoto. Chromatic Press has some additional comments on making Sparkler Monthly back issues free to read. (Most importantly, the magazine needs 1,000 subscribers by the end of July 2015 to ensure it survives into its third year.) And some great news from France, Jiro Taniguchi and Baku Yumemakura’s manga series The Summit of the Gods (a favorite of mine) is being adapted as an animated film.

Quick Takes

Corto Maltese: Under the Sign of CapricornCorto Maltese: Under the Sign of Capricorn by Hugo Pratt. A portion of Corto Maltese, a seminal comic created by Italian artist Hugo Pratt in 1967, was previously translated into English, however that release was criticized for its use of altered and reformatted page layouts among other things. Under the Sign of Capricorn is technically the third Corto Maltese collection, but it’s the first volume to be released in the series’ new English-language edition from EuroComics, IDW’s newest imprint. The goal is to release the entire twelve-volume series using the original artwork and oversized format over the next few years. Under the Sign of Capricorn is a great looking comic, the high-quality paper and large trim size shows off Pratt’s superb black and white artwork. The titular Corto Maltese is a sea-captain who, though he claims to have no enemies and to live only for himself, frequently finds his life in danger as he tends to side with the underdogs in their battles against those who hold power over them. (He’s a fantastic character.) Under the Sign of Capricorn is a collection of connected adventure stories, many with a slight touch of the supernatural and a lot more humor than I was anticipating. I’m looking forward to reading more of the series.

Noragami: Stray God, Volume 2Noragami: Stray God, Volumes 2-3 by Adachitoka. It took a little while for the first volume of Noragami to settle on its tone, but these two volumes have managed to achieve an excellent balance between the series’ humor and drama. They also explore more of the manga’s worldbuilding and delve more deeply into the mechanics of the gods’ relationships with their shinki. New characters and adversaries have been introduced as well. I initially thought that Noragami might be an episodic series–it certainly has a setup that would lend itself well to that format–but it looks like the manga will have an ongoing and increasingly complex plot. In a series about a low-level god of war who is trying to raise his status and gain followers, it’s not too surprising that other Japanese deities make an appearance in Noragami. However, some of them are portrayed very differently than their traditional counterparts. I was greatly amused by this, but then I already have some knowledge of Japanese religion and mythology. There are translation notes provided for readers who aren’t as familiar, but the delightful incongruities probably won’t be as effective without some prior understanding. However, overall enjoyment of Noragami doesn’t rely on esoteric expertise.

Tough Love BabyTough Love Baby by Shiuko Kano. While it’s not an exceptional boys’ love one-shot, Tough Love Baby was actually fairly solid. This was a pleasant surprise, especially considering my frustrations with some of Kano’s other early works. (And Tough Love Baby is one of her earliest.) Another pleasant surprise–since I’m into that sort of thing–was the somewhat reversible nature of two of the characters. Despite being the secondary couple, I was actually much more interested in the relationship between Tamotsu and Sora than I was in the relationship between Yoshino and Sachi. This was mostly because I ended up particularly liking Sora. (Tamotsu can be a bit of a jerk, though on occasion he does try not to be.) Sora is diminutive throughout high school, but undergoes a tremendous growth spurt upon entering college. Even though he’s much taller than everyone one else, adorable is still the best word to describe him. In some ways, Sora’s story actually parallels Sachi’s. After a three-year absence, Yoshino returns to discover that the cute thirteen-year-old boy he had developed feelings for has grown up to become a juvenile delinquent. Tamotsu is one of Sachi’s friends and a fellow tough guy, but he happens to be in love with Sachi, too. Which brings the story back to Sora, who greatly admires and falls for Tamotsu.

Filed Under: FEATURES, My Week in Manga Tagged With: Adachitoka, comics, Corto Maltese, Hugo Pratt, Noragami, Shiuko Kano

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