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My Week in Manga: May 4-May 10, 2015

May 11, 2015 by Ash Brown

My News and Reviews

Despite spending a long weekend in Canada for the Toronto Comic Arts Festival and generally being very busy, I still managed to post a few things here at Experiments in Manga last week. To begin with, the winner of the Yamada-kun and the Seven Witches manga giveaway was announced. The post also includes a list of some of the manga available in English that feature witches. As for reviews, two were posted. The first was for Blade of the Immortal, Volume 31: Final Curtain, the last volume of Hiroaki Samura’s epic manga series. With that post, I have now written a review for every Blade of the Immortal trade collection in English. (At some point, I do hope to work on an Adaptation Adventures feature for the Blade of the Immortal anime, as well.) Last week’s other review is only very tangentially related to manga. I finally read Lewis Carroll’s Alice’s Adventures in Wonderland and Through the Looking-Glass, which is simply marvelous and I highly recommend the novels. I specifically read (and reviewed) Seven Seas’ recent omnibus edition which includes hundreds of delightful illustrations by International Manga Award-winning artist Kriss Sison.

As previously mentioned, I spent a portion of last week at TCAF and so was rather preoccupied. (I hope to post some random musings about the event later this week, most likely on Friday if I can’t manage to get the feature together that quickly. Otherwise, I’ll aim for next week.) Still, I did catch some interesting things online. For example, a recent episode of the Inkstuds podcast features Anne Ishii and Graham Kolbeins, the editors of the Massive anthology, talking about gay manga, its creators, and other related topics. Tofugu posted a couple of manga-related articles recently: an interview with Araki Joh and Exploring Shueisha. A few licenses were announced last week as well. Coinciding with the news that Masashi Kishimoto will be a guest at this year’s New York Comic-Con, Viz also announced new Naruto light novels, an artbook, and a box set. Seven Seas slipped in another license announcement, too: Tsukasa Saimura’s manga series Hour of the Zombie. And not to be left behind, Yen Press also made two license announcements on Twitter: Of the Red, the Light and the Ayakashi by HaccaWorks* and Nanao, and School-Live! by Sadoru Chiba and Norimitsu Kaihou.

Quick Takes

Attack on Titan: Before the Fall, Volume 4 written by Ryo Suzukaze, illustrated by Satoshi Shiki. Although Before the Fall has kept my attention since the beginning of the series, the fourth volume is the first volume that really excited and engaged me. Part of that is likely due to the introduction of a new character, Cardina Baumeister, who is much more capable than he initially appears. (Although, maybe it’s a bad thing that I find him more interesting than the series’ protagonist…) He and Kuklo are both prisoners who will soon be quietly and secretly sent to their deaths. The method of their planned execution? Abandonment outside of the walls, left to be consumed by the Titans. Fortunately for Kuklo, there are people who are invested in keeping him alive. But even considering that, surviving still won’t be an easy feat. At this point in the series, Before the Fall is beginning to tie in a little more closely with the established history and worldbuilding of Attack on Titan as a whole, which I like to see. The fourth volume reveals a bit more about the political and social settings of Attack on Titan in addition to having some exciting action sequences. I don’t really care much for how the Titans are drawn in Before the Fall, though. Or Sharle’s character design, for that matter.

The Seven Deadly Sins, Volumes 7-8 by Nakaba Suzuki. Happily, by the beginning of the seventh volume, the largely pointless tournament arc of Seven Deadly Sins is done and over with and the series is getting back on track with an actual plot. More of Meliodas’ personal history is revealed as are the motivations of the Holy Knights who are trying to incite a massive war. Another of the legendary Seven Deadly Sins is introduced in these volumes as well: Gowther, a rather peculiar young man known as the Goat Sin of Lust. I still haven’t been able to figure out the significance of the animals or even the sins as the relate to the warriors, which seems like a lost opportunity for Suzuki’s worldbuilding. Perhaps there really is no greater meaning, and the names are just supposed to sound cool. It’s also rather curious that, despite having been comrades who fought closely together in the past, the Seven Deadly Sins don’t seem to actually know who each other are. They don’t seem to pay attention to each other either; for example, Meliodas seems very surprised to discover a demon he is fighting used to be a Holy Knight when Gowther stated that very fact at the end of the previous chapter. But, while Seven Deadly Sins can be frustrating, there are very entertaining parts as well, like when Diane simply chucks her teammates forty miles when they need to cover distance quickly.

Your Honest Deceit, Volumes 1-2 by Sakufu Ajimine. I believe that the short boys’ love series Your Honest Deceit is the only work by Ajimine to have been released in English. It’s a largely enjoyable manga, but for me it wasn’t a particularly spectacular one. However, I did appreciate that for the most part the story revolves around grown, adult men with well-established careers. In this particular case, Your Honest Deceit is about lawyers and their professional assistants. (Granted, if I’m in the mood to read about gay lawyers, I would generally prefer Fumi Yoshinaga’s Ichigenme… The First Class Is Civil Law. Or What Did You Eat Yesterday?, for that matter.) Kuze is the younger of the two men of the series’ primary couple. He went to law school and did exceptionally well in his classes, but he seems to not be interested in becoming a lawyer and is content working as a secretary for the older Kitahara, the lawyer and object of his affections and one of the school’s lecturers. Your Honest Deceit has its serious moments and misunderstandings, but Ajimine incorporates a fair amount of humor in the manga. At the same time, I’m not really sure that I would call it a comedy; Kuze and Kitahara’s burgeoning relationship is threatened by their own jealousies as well as by interference from other people, so it can be rather dramatic at time.

Alice’s Adventures in Wonderland and Through the Looking-Glass

May 10, 2015 by Ash Brown

Author: Lewis Carroll
Illustrator: Kriss Sison
U.S. publisher: Seven Seas
ISBN: 9781626920613
Released: August 2014
Original release: 1865, 1871

Alice’s Adventures in Wonderland and Through the Looking-Glass and What Alice Found There are two well-loved, oft-adapted, and extremely influential novels written by Lewis Carroll, the pseudonym of English author Charles Lutwidge, in 1865 and 1871 respectively. I was initially a little surprised when Seven Seas announced that it would be publishing a newly illustrated omnibus edition of the novels in 2014, especially as the company had moved away from publishing prose works in recent years in order to focus on manga and other comics. However, the novels do nicely complement Seven Seas’ releases of the various Alice in the Country of manga. What makes Seven Seas’ edition of Alice’s Adventures in Wonderland and Through the Looking-Glass stand out from others are the incredibly cute and charming manga-influenced illustrations by Kriss Sison, an International Manga Award-winning artist from the Philippines. In addition to a gallery of color artwork, hundreds of black-and-white illustrations can be found throughout the volume.

Alice was enjoying a leisurely afternoon on a riverbank with her older sister when a very curious thing happened—a rabbit with a pocket watch hurries by talking to itself. When Alice follows after it she tumbles down a rabbit hole to find herself in a very strange place indeed. What else is there to do for an inquisitive and adventurous young girl but to go exploring? And so she does. As Alice wanders about she discovers food and drink that cause her to grow and shrink, animals of all sizes and shapes that can talk, and people who have very peculiar ways of thinking about and approaching life. Eventually she returns home to her sister, but several months later she finds herself once again slipping into a fantastical world when she crawls through the mirror above a fireplace mantel. Of course, Alice immediately sets off exploring, encountering even more strange and wondrous things and meeting all sorts of new and perplexing people.

Despite already being familiar with the story of Alice’s Adventures in Wonderland and Through the Looking-Glass (mostly through the seemingly infinite number of adaptations and otherwise Alice-inspired works) and despite having been encouraged for years by devotees of Carroll’s writings, I had never actually read the original novels for myself until I picked up Seven Seas’ edition. I’m really somewhat astonished that it took me so long to do so and it truly is a shame that I didn’t get around to it sooner. Alice’s Adventures in Wonderland and Through the Looking-Glass is absolutely marvelous and an utter joy to read. It’s easy to see why the novels have been treasured and continue to be treasured by so many people for well over a century. The books are incredibly imaginative and delightfully clever. Carroll liberally employs puns and other wordplay, turning nonsense into logic and vice versa. Alice’s Adventures in Wonderland and Through the Looking-Glass has been translated into something like seventy different languages; though certainly worthwhile, I can’t imagine these interpretations were easy to accomplish due to the novels’ linguistic complexities.

What particularly impresses me about Alice’s Adventures in Wonderland and Through the Looking-Glass are the novels’ broad appeal. Both children and adults can easily enjoy the works. Younger readers will likely be amused and drawn to their silliness while more mature readers will be able to more fully appreciate the cleverness of Carroll’s prose, poetry, and song. I would wholeheartedly encourage just about anyone to read Alice’s Adventures in Wonderland and Through the Looking-Glass. Even without counting the multitude of adapted works, there are a huge number of editions of the original two novels available. There is bound to be a version that will appeal, whether it be Martin Gardner’s extensively annotated editions, which reveal references that modern readers are apt to miss, or one of the many illustrated releases. While I may one day move on to The Annotated Alice, I was very pleased with Seven Seas’ Alice’s Adventures in Wonderland and Through the Looking-Glass. Carroll’s novels and Sison’s illustrations are a delightful combination. I am very glad to have finally read the novels and anticipate reading them again with much enjoyment.

Blade of the Immortal, Vol. 31: Final Curtain

May 8, 2015 by Ash Brown

Creator: Hiroaki Samura
U.S. publisher: Dark Horse
ISBN: 9781616556266
Released: April 2015
Original release: 2013
Awards: Eisner Award, Japan Media Arts Award

So, this is it. The Final Curtain of Blade of the Immortal, both literally and figuratively. Released by Dark Horse Comics in 2015, the volume is the thirty-first and final installment in the English-language edition of Hiroaki Samura’s epic manga series. After nearly two decades of publication, the entirety Blade of the Immortal has now been translated. Due to slight differences between the early English trade collections and the Japanese releases, Final Curtain is actually equivalent to the thirtieth volume of the original Japanese edition of Blade of the Immortal published in 2013. The manga has been well-received by both critics and fans alike, winning Samura many awards and honors including a Japan Media Arts Award and an Eisner Award. Blade of the Immortal was one of the very first manga that I began reading and collecting and the series has remained a personal favorite of mine ever since I discovered it. Because of that, Blade of the Immortal and its ending hold particular meaning for me. I have been looking forward to reading its conclusion for a very long time.

At its height, the Ittō-ryū was poised to become the official sword school of the shogunate, bringing the goal of the group’s leader Anotsu Kagehisa—the restoration of the way of the sword to Japan—tantalizingly close. But in the end they were betrayed and massacred by the very people who invited them to join the banshū. Since then the Ittō-ryū’s numbers have continued to dwindle as the survivors of that initial attack have been hunted down by the Mugai-ryū and Rokki-dan, forces largely made up of death row criminals commanded by Habaki Kagimura. The fighting has been fierce and casualties have been immense on both sides. Now only a few members of each group remain and they are locked in their final battles against one another. Though it appears as though Anotsu may have the upper hand, the outcome of the conflict is far from certain, especially as there are others interested in controlling the fate of the Ittō-ryū, including the young woman Rin and her near-immortal bodyguard Manji.

Final Curtain serves two main purposes: providing a resolution to the intense and bloody confrontations begun in the previous volume, Vigilance, and granting a conclusion to Blade of the Immortal as a whole. I feel the final volume is successful on both counts. Even though they aren’t as over-the-top or as brutal as some of the other fight sequences in the series, there are still plenty of surprises to be had in the final battles of Blade of the Immortal. They require incredible physical, mental, and even emotional fortitude from those involved, making the scenes very engaging to read. It’s not just fighting for fighting’s sake; there is deliberate purpose and reason behind the struggles. Lately, the series seems to have turned its attention to the dramatic demise of the Ittō-ryū and its leader, but Final Curtain manages to bring the manga full circle again by allowing Rin and Manji to once again become directly involved in how events unfold.

Blade of the Immortal has always had a large cast of characters as well as several intertwining plot threads. All of the survivors and the families and friends of those who have died have at least one moment in Final Curtain, even if it’s only a few panels, in which they become the focus of the manga, creating something akin to an epilogue. Loose ends are tied up and, while some ambiguity remains, the aftermath of the long struggle is revealed. Blade of the Immortal covered a lot of ground in its thirty-one volumes, the story twisting and turning and the characters and their relationships continually growing and evolving. The series can be read and enjoyed simply for its impressive action and fight sequences, but the manga also explores deeper, thought-provoking ideas. The characters are morally complex—very few can be said to be entirely in the right or in the wrong—and Blade of the Immortal questions what their or any person’s ultimate legacy will be. As for the last volume itself, I found Final Curtain to be a very satisfying conclusion to the series.

Manga the Week of 5/13

May 6, 2015 by Sean Gaffney, MJ, Anna N, Ash Brown and Michelle Smith 1 Comment

SEAN: I haven’t seen a week this small since Christmas. It’s sort of creepy.

First of all, right after I posted Manga the Week of last week, Dark Horse did a classic date slip, so Drug & Drop 2 is here again. Dark Horse is famous for release date slips, though they’re better than they used to be. If nothing else, it gives the MB team an opportunity to pick it two weeks in a row.

MJ: And since I flaked last week, it gives me the opportunity to get excited about it this week!

SEAN: The other Dark Horse release is of a very different nature. Panty & Stocking with Garterbelt was a manic anime series from a couple years back, and like many anime had a tie-in manga as well, this one running in Kadokawa’s Young Ace. It’s complete in one volume.

The Heroic Legend of Arslan has its third volume – the series has slowed somewhat (as has Silver Spoon by the same author) due to family emergencies, apparently. Still should be good high fantasy.

ANNA: I keep meaning to check this out! One day!

SEAN: Seven Seas debuts two new series. The Ancient Magus’ Bride is from Mag Garden’s Comic Blade, which we haven’t seen stuff from in years. It’s also a Taisho award winner with gorgeous art. The genre, as you can likely guess, is fantasy/romance, like half the titles licensed recently.

ASH: I’m intrigued by this series and look forward to giving it a try.

ANNA: I am always interested in fantasy/romance. This does sound intriguing.

SEAN: Evergreen is from the author of Toradora!, and from what I hear is something of a similar series, starting out as a sweet romance but introducing darker themes as it goes on. It runs in Dengeki Daioh.

Another debut, this one from SubLime, Viz’s BL imprint. Love Stage! runs in Asuka Ciel, which is what Asuka readers turn to when they’re looking for the harder stuff. It’s also by Eiki Eiki and Taishi Zaou, who I assume most BL fans have already heard of.

MJ: I’m looking forward to this, I admit.

MICHELLE: I haven’t read anything by Eiki Eiki and Taishi Zaou in ages! I might have to check this out, too.

SEAN: Lastly, 07-GHOST inches ever closer to completion with its 16th volume.

ANNA: One day I will read it all! ONE DAY!

MICHELLE: Me, too. Every time there’s a new volume, I think, “Oh, I am terribly remiss!” but then I just get waylaid by other things.

SEAN: Anything exciting you for next week?

Manga Giveaway: Yamada-kun and the Seven Witches Giveaway Winner

May 6, 2015 by Ash Brown

And the winner of the Yamada-kun and the Seven Witches manga giveaway is… Anna!

As the winner, Anna will be receiving a copy of Yamada-kun and the Seven Witches, Volume 1 by Miki Yoshikawa as published by Kodansha Comics. There seem to have been quite a few manga released recently that feature witches, so for this giveaway I asked participants to tell me a little about their favorite witches in manga. Check out the giveaway comments for all of the detailed responses, and check out below for a list of additional witchy manga!

Some manga featuring witches that have been licensed in English:
The Ancient Magus’ Bride by Kore Yamazaki
Berserk by Kentaro Miura
The Big Adventures of Majoko by Tomomi Mizuna
Cowa! by Akira Toriyama
Dragon Knights by Mineko Ohkami
The Good Witch of the West written by Noriko Ogiwara, illustrated by Haruhiko Momokawa
Himeyuka & Rozione’s Story by Sumomo Yumeka
Innocent W by Kei Kusunoki
Knights by Minoru Murao
Kurohime by Masanori Katakura
MÄR by Nobuyuki Anzai
Maria the Virgin Witch by Masayuki Ishikawa
Princess Knight by Osamu Tezuka
Puella Magi Kazumi Magica: The Innocent Malice by Magica Quartet
Puella Magi Madoka Magica by Magica Quartet
Record Of Lodoss War: The Grey Witch written by Ryo Mizuno, illustrated by Yoshihiko Ochi
Rosario+Vampire by Akihisa Ikeda
Rosario+Vampire: Season II by Akihisa Ikeda
Shoulder-a-Coffin Kuro by Sato Kiyuzuki
Soul Eater by Atsushi Ohkubo
Soul Eater Not! by Atsushi Ohkubo
Spell of Desire by Tomu Ohmi
Sugar Sugar Rune by Moyoco Anno
Tsubasa: Reservoir Chronicle by CLAMP
Ultra Maniac by Wataru Yoshizumi
Umineko: When They Cry written by Ryukishi07
Witchcraft Works by Ryu Mizunagi
xxxHolic by CLAMP
xxxHOlic: Rei by CLAMP
Yamada-kun and the Seven Witches by Miki Yoshikawa
Zone-00 by Kiyo Kyujyo

Thank you to everyone who participated in the giveaway and shared your favorite witches with me. I hope to see you again for the next one!

Pick of the Week: Late again?

May 6, 2015 by Sean Gaffney, Michelle Smith, Anna N, Ash Brown and MJ Leave a Comment

SEAN: There’s a lot of good stuff out this week, but I have to go with the continuation of JoJo’s Bizarre Adventure, giving us its retro 80s over the top ridiculousness. Now with added immortality.

MICHELLE: I’m very intrigued by Drug & Drop, though I confess I haven’t read volume one yet. But, as ever, my heart belongs to What Did You Eat Yesterday?. I just can’t help it.

ANNA: There’s a ton of great manga coming out this week, and if Sean hadn’t picked JoJo’s Bizarre Adventure I would probably have gone with that. But instead I will pick Spell of Desire, hooray for weird witchy romance!

ASH: Wow, this is a tough week to choose! Lots of great manga are being released that I’ll definitely be picking up. But since JoJo’s Bizarre Adventure and What Did You Eat Yesterday? have already been mentioned, I’ll take the opportunity to highlight The Legend of Zelda: A Link to the Past. It’s a rare, full-color manga and it’s by Shotaro Ishinomori. Even if you’re not interested in video games, this should be worth a look.

MJ: JoJo’s Bizarre Adventure is obviously a no-brainer. I’m also pretty well enamored of Drug & Drop. But since there’s plenty of support for the former, and I happen to know that I have another chance at the latter coming up soon, I’ll throw my vote alongside Michelle’s and go for my beloved What Did You Eat Yesterday?. This series remains a touchstone for me, and I’m always simultaneously thrilled and comforted to see a new volume cross my threshold. Definitely my pick of the week!

What looks good to you this week?

A Certain Scientific Railgun, Vol. 10

May 5, 2015 by Sean Gaffney

By Kazuma Kamachi and Motoi Fuyukawa. Released in Japan as “Toaru Kagaku no Railgun” by ASCII Media Works, serialization ongoing in the magazine Dengeki Daioh. Released in North America by Seven Seas.

I have to be careful not to repeat myself too much here, as the third Index novel is out in a couple of weeks and covers similar themes. But Academy City, as we’ve seen, breeds superheroes. Which is fine, except that you’re left wondering what they want an entire city of superheroes for. And when you get to the Level 5s, and the quest to get one of them to Level 6, be it Accelerator, Misaka, or what have you, it’s no longer about superheroes but about nuclear weapons testing. Many of the scientists we’ve seen in Index and Railgun regard morality and ethics as something that gets in the way of results – in fact, Yoshikawa may be the only nice scientist we’ve met to date (in Index), and she ends up almost dying for her sins. Gensei, on the other hand, is perfectly happy to wipe out the entire city in the name of science.

You’ll note that Misaka’s in the background of the cover art, while Misaki and Kuroko take center stage. That’s a somewhat accurate look at the volume itself – given that she is the weapon being tested, Misaka doesn’t get much to do here except be used. That said, the other two end up carrying the “women in this series are awesome” load very well, and Uiharu also provides assistance with her amazing hacking skills. Kuroko in particular is impressive, and reminds us how brilliant she can be when she’s not scheming to get into Misaka’s pants. Misaki outgambits not only the villain, but also herself. And then there’s Mitori, the main miniboss of this arc, who may be trying to help Gensei but is still, like the rest of the weapons being created in Academy City, just being manipulated herself. So after a mammoth beatdown we see her bonding with Misaki, and the two of them reuniting with their past.

I should also mention Touma, as he’s here as well, though doesn’t do as much as expected. (For Railgun readers wondering why Touma’s arm can turn into a dragon, the 2nd Index novel can help with that.) The author is quite fond of the grand gesture of “saving the girl”, and it’s not going to go away – the only way to keep it out of this title is to have him not appear. A better appearance here was Gunha, another Level 5 who had barely appeared in either series till this point. He’s even more of a shonen hero than Touma is, dealing with problems by punching them and insisting that “guts” is the solution to absolutely everything. He’s a nice light-hearted moment in what is otherwise a very serious book.

The arc wraps up here with almost a sitcom ending – Misaka is forced to dance with Touma at the conclusion of the athletics festival and Kuroko naturally kicks her way in between then – but overall this arc with Misaki and Misaka was one of the most satisfying of the entire series. Which is good, as it may be at least another year before we see a new volume here.

Magi by Shinobu Ohtaka Vols 1-3

May 5, 2015 by Anna N

I know that Magi is a favorite shonen manga among the MangaBookshelf crew, so I’ve been meaning to read it for a long time. I finally set aside some time to read the first three volumes, and I’m glad I did!

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The first volume introduces Aladdin, a young boy with mysterious powers. Aladdin seems to be obsessed with food, boobs, and making new friends. He has a magical flute through which he can summon the body of a djinn whenever trouble comes. The catch is that only the body, and not the head of the djinn manifests, so since Aladdin wears the flute around his neck, often it looks like his head is perched on a giant muscly body that then proceeds to take care of whatever danger threatens Aladdin. Aladdin says that the djinn Ugo helps him out because instead of using his wish to ask for gold or any other typical wish, he simply asked the djinn to be his friend. Aladdin is a bit of a cipher at first, but he quickly decides to help out a local caravan, meeting a caravan girl and her best friend who turns out to be an undercover bandit. Ohtaka plays with proportion a great deal as she shows the djinn appearing to help out Aladdin. There’s plenty of slapstick humor, but as one might expect Aladdin’s seemingly simple personality is a bit of a distraction from his true mystical power.

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Even though there are plenty of references to Arabian Knights, Magi isn’t a straightforward adaptation. Soon, a teenage Alibaba shows up and when he gets a glimpse of Aladdin’s power, he promptly decides to use his new friend to raid dungeons! The dungeons are a bit of a more typical shonen manga monster of the week type plot convenience, as they mysteriously pop up in various places in the desert landscape, filled with treasure, monsters, and traps. Only a great hero can expect to venture into a dungeon and come out alive with plenty of riches. Aladdin tends to get exhausted after any sort of battle involving the djinn, and he passes out after he and Alibaba have entered the dungeon. Alibaba realizes that he’s gone into danger with a boy he knows little about, and is determined to find out more about his new friend when he wakes up. The adventures are interrupted by the despotic ruler of the local town, Jamil who kidnaps the sleeping Aladdin and forces Alibaba to walk in front of him as a dungeon trap detector. Jamil is accompanied by a slave girl named Morgiana with super strong legs and a bodyguard called Goltas. Alibaba uses his trademark cleverness to ditch Jamil and reunite himself with Aladdin again, and as they explore the dungeon they discover an entire underground kingdom.

Aladdin isn’t an ordinary boy, and it becomes clear that he has magical abilities way beyond someone who can only summon a djinn. He’s a fabled sorcerer or Magi who has the power to crown a king, and Jamil is disappointed when Aladdin doesn’t find him worthy. Aladdin, Morgiana, and Alibaba get sent out of the cleared dungeon by the resident djinn, and while Alibaba and Morgiana end up back in their town Aladdin is far away. Alibaba uses his newfound fortune to free the slaves of the town and sets off to find his friend.

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The first couple volumes set up a possible team of adventurers in Aladdin, Morgiana, and Alibaba, and the third volume delves more into some background aspects of Aladdin’s power. He wakes up in a faraway land with a horse tribe who promptly adopts him as one of their own. The shaman of the village is a wise woman named Baba who tells Aladdin that she can also see Rukh, the force that binds souls together. Ohtaka does a good job at establishing new characters in a quick way that still carries a great deal of depth. The horse tribe is represented mostly by a brash young warrior named Doruji who conspicuously deflates whenever he’s around Baba’s serene granddaughter Toya. The horse tribe is about to encounter an invading force, but the Princess Hakuei Ren who is the acting general is determined to pull a country together by winning hearts and minds and not by force. Her views are not shared by her underlings, which leads to complications.

It turns out that Hakuei Ren is another dungeon conqueror, with her own djinn. One mysterious part of Magi is the way the djinns seem to get together to gossip a bit whenever they see each other, and Aladdin isn’t able to make out what they are saying. There are flashbacks now and then to Aladdin’s time trapped with his djinn in a room, and while Baba tells Aladdin some of the legends of the Magi that she knows, he still has a lot of gaps about his own background that he wants to fill in.

The first three volumes set up this series well, there are plenty of concrete plot details and humor to enjoy and at the same time there’s a general sense of Ohtaka’s world building gradually unfolding as more information about the Magi are slowly revealed. Aladdin’s bluntness and naivete combined with his power makes him an interesting leading character, and his overwhelming desire for friendship and need to understand his own history when he already possesses plenty of mystical power makes him very sympathetic. Ohtaka has plenty of humorous moments, even if many of them rely on the sight gag of a djinn running around the countryside with a flute for a head. I enjoyed the first three volumes of this series very much, and I’ll be reading onward to see if the adventurers end up together again.

My Week in Manga: April 27-May 3, 2015

May 4, 2015 by Ash Brown

My News and Reviews

Last week was the end of one month and the beginning of another, which means the most recent manga giveaway at Experiments in Manga is currently underway. The winner will be announced on Wednesday, so there’s still a little time to enter for a chance to win Miki Yoshikawa’s Yamada-kun and the Seven Witches, Volume 1. An in-depth manga review was posted last week as well. I took a look at Aki’s The Angel of Elhamburg, a bittersweet tragedy which, although it can be difficult to follow in places, is a lovely single-volume manga. And finally, over the weekend, April’s Bookshelf Overload was posted for those who are curious about the manga that made its way into my home last month.

On to other interesting reading and news found elsewhere online! Sparkler Monthly has started a monthly blog and the first post Why do we need “comics for women”? Why not “comics for everyone”? is excellent. Seven Seas announced three new manga licenses last week: Katsuhisa Kigitsu’s Fraken Fran, Wataru Karasuma’s Not Lives, and Ichigo Takano’s Orange (which is also being released digitally by Crunchyroll.) Franken Fran in particular has been a oft-requested title by fans. Organization Anti-Social Geniuses talked with Lissa Pattillo from Seven Seas about the Franken Fran license. Also at OASG is an interview with Hope Donovan, a managing editor at Viz Media. And Mangabrog has posted a translation of a conversation between mangaka Nobuyuki Fukumoto and musician and author Kenji Ohtsuki.

Quick Takes

Cipher, Volumes 1-6 by Minako Narita. During its time, CMX published some really great manga, including several old-school shoujo series. Cipher is one of those, and probably one of the most eighties manga that I’ve read. The series, set in New York, began serialization in 1984 and includes many references to American pop culture of the time. Anise is trying to make friends with Siva, an up-and-coming actor as well as one of her classmates, when she discovers his secret. He has a twin, Cipher, and they’ve been taking turns pretending to be “Siva.” And so they make a bet: if after two weeks she can tell the two twins apart, they will tell her why they have been sharing an identity. Cipher doesn’t always have the most believable story—for one, I don’t know of any parents who would ever let their child move in with someone they’ve never met even temporarily—but the characters and interpersonal drama are consistently engaging and at times even compelling. So far, I’m loving it. Cipher is often slow-moving, generally focusing on the everyday lives of American teenagers, but a plot twist towards the end of the sixth volume hastens and sets up important character and story developments for the second half of the series.

Junk! Shushushu Sakurai. If I’m not mistaken, Junk! was the very last manga to be released by DramaQueen before the publisher disappeared. Like Sakurai’s other DramaQueen release, Missing Road, Junk! is a boys’ love manga that incorporates elements of science fiction and action. Also like Missing Road, Junk! is a manga that could have benefited from additional volumes in order to explore some of the complexities of the plot and setting. Reading these manga, Sakurai seems to be overly ambitious when it comes to her stories. However, I think Junk! is the more cohesive, coherent, and successful of the two overall. Even though it’s only a single volume, Junk! has a lot going on in it. A religious cult focused on breeding people together—whether they are male or female—in order to foster the evolution of even stronger humans. A man who holds the key to a closely kept government secret that ensures a person’s survival even in the face a nuclear apocalypse. And, because it is a mature boys’ love title after all, there’s plenty of sex, too, even at inopportune moments. (Seriously, taking time to bang your lover in the middle of a dangerous infiltration mission doesn’t seem to be the wisest decision.)

My Little Monster, Volume 7 by Robico. The last few volumes of My Little Monster left me a little frustrated with the lack of progress in the development of the series’ story and in the relationships of its characters. Fortunately, the seventh volume seems to get things back on track and the manga continues to be a fairly amusing and even endearing series from time to time. Also, I love that after everything that has happened, Nagoya, the pet chicken, continues to make repeated appearances. The cast of My Little Monster is made up of a bunch of oddballs who tend to be socially awkward, but I do like them quite a bit. Part of that social awkwardness means they can be completely oblivious to other people’s feelings, even when those feelings have been clearly and repeatedly stated. To be fair, they’re sometimes oblivious to their own feelings as well. The result is one heck of a mess of tangled and conflicting relationships. The seventh volume of My Little Monster sees some but certainly not all of those relationships sorted out after several confessions of love are made and replies to them eventually given. At this point the series is more than halfway over, so I hope Robico is able to maintain its forward momentum.

Sankarea: Undying Love, Volume 11 by Mitsuru Hattori. I was very curious to see how Sankarea would end since I honestly had no idea which direction Hattori was going to take things. And now that I’ve read the final volume, I’m not entirely convinced that Hattori actually knew, either. From the very beginning Sankarea has been a strange mix of horror and romantic comedy, an offbeat story with offbeat characters. Sometimes the ideal balance between the two genres was there, and sometimes it wasn’t. The finale of Sankarea would seem to demand that Hattori choose one over the other, but instead he attempts to satisfy the requirements of both by employing a series of false endings. I think that ultimately the conclusion of Sankarea would have been more satisfying if Hattori had simply picked one ending and ran with it. Like the rest of the series, the eleventh volume of Sankarea had its cute and sweet moments as well its moments of blood and gore. It also has the return of Rea’s abusive father (legitimately one of the most disturbing elements of the series), trying to put him in a slightly more sympathetic light. In the end, little Bub the undead cat is probably still my favorite part of the entire series.

Eisner Nominees, Banned Manga, and Another License for Seven Seas

May 4, 2015 by Brigid Alverson

At the Barnes and Noble Sci-Fi/Fantasy blog, I rounded up this year’s Eisner nominees in the manga category and threw in a few titles that I would have advocated for, had I been in the room. I also took a look at the best new series and graphic novel lists.

ANN posts a list of seven manga banned around the world, including Death Note, Barefoot Gen, and Dragon Ball. Even Pokemon, surely the most innocuous of all manga, fell afoul of the authorities in Saudi Arabia for promoting gambling (because trading cards) and containing “Zionist” and Christian symbols.

Yen Press takes the top three spots in this week’s New York Times manga best-seller list, with vol. 2 of Akame Ga Kill!, vol. 1 of Log Horizon, and vol. 1 of Big Hero 6 in the top three spots. The first volume of Akame Ga Kill also makes the list, as do two volumes of Attack on Titan, all three volumes of Assassination Classroom, and vol. 2 of Citrus.

Seven Seas has announced another new license: The time-travel shoujo manga orange:

Everyone has regrets in life. So who wouldn’t take the chance to change the past if given the opportunity? When sixteen-year-old Takamiya Naho receives a mysterious letter, claiming to be from her twenty-seven-year-old self, her life is suddenly thrown into flux. The letter tells her that a new transfer student by the name of Naruse Kakeru will be joining her class, and to keep her eye on him. But why? Naho must decide what to make of the letter and its cryptic warning, and what it means not only for her future, but for Kakeru’s as well.

Why did Seven Seas decide to license Franken Fran? Justin Stroman asks the questions, and Lissa Pattillo of Seven Seas answers them.

Justin also talks to Hope Donovan, who joined Tokyopop as the manga wave was cresting and is now a managing editor at Viz, directly overseeing Seraph of the End and Toriko.

The Manga Bookshelf team rounds up this week’s new manga.

In this week’s edition of Yuri Network News, Erica Friedman looks at some new announcements and concludes that the yuri market has grown and matured enough that publishers are now going back and taking a second look at some good early manga. Of course, that’s happening in Japan, and the bad news is that many of these works are unlikely to be licensed for English-language readers.

Shaenon Garrity writes about Jiro Taniguchi’s A Zoo in Winter, which she sees as a good follow-up read to Yoshihiro Tatsumi’s A Drifting Life, for the House of 1000 Manga column at ANN.

So, you’re in the mood for manga but you want to read a complete story all at once? Jessica Uelman has got you covered over at The Mary Sue, with a look at xxxHOLiC, part of an ongoing series about manga series that are already complete.

Don’t freak out if your preorder for vol. 3 of The World’s Greatest First Love is canceled; SuBLime editor Jennifer LeBlanc explains on their blog that due to delays in getting approvals from the mangaka, the release schedule has changed.

Reviews

Ash Brown on The Angel of Elhamburg (Experiments in Manga)
Sarah on vol. 15 of Attack on Titan (nagareboshi reviews)
Alice Vernon on vol. 1 of Big Hero 6 (Girls Like Comics)
Alice Vernon on vol. 1 of Demon From Afar (Girls Like Comics)
Kory Cerjak on vol. 2 of Durarara!! Yellow Scarves Arc (The Fandom Post)
Laura on Dengeki Daisy (Heart of Manga)
Sean Gaffney on vol. 1 of The Devil Is a Part-Timer (A Case Suitable for Treatment)
Sakura Eries on vol. 17 of Goong (The Fandom Post)
Matthew Warner on vol. 10 of Happy Marriage?! (The Fandom Post)
Dave Ferraro on vol. 1 of JoJo’s Bizarre Adventure (Comics-and-More)
Rebecca Silverman on Karneval (ANN)
Sean Gaffney on vol. 1 of Log Horizon (A Case Suitable for Treatment)
Anna N on vol. 2 of Master Keaton (Manga Report)
Manjiorin on vol. 1 of Meteor Prince (Organization Anti Social Geniuses)
Kristin on vol. 2 of Meteor Prince and vol. 4 of My Love Story (Comic Attack)
Lori Henderson on vol. 2 of Orange Junk (Manga Xanadu)
Erica Friedman on vol. 2 of Puella Magi Tart Magica (Okazu)
Matthew Alexander on vol. 1 of xxxHolic Rei (The Fandom Post)
Ken H on vol. 1 of Your Lie in April (Sequential Ink)
Laura on vols. 1 and 2 of Yukarism (Heart of Manga)