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By Hajime Isayama. Released in Japan by Kodansha, serialization ongoing in the magazine Bessatsu Shonen Magazine. Released in North America by Kodansha Comics.

There is a term that has become popular, particularly with the rise of TV tropes, called ‘The Woobie’. It is a character who you are meant to feel sad and sorry for, sometimes to the breaking point of plot and characterization. While the entire cast of Attack on Titan has, at times, fallen into this category, I’d argue the two biggest woobies in the series are Eren, who got the cover of the last volume staring in dull surprise and Historia, who gets the cover of this volume staring in dull surprise. (It is possible that the reader who still has to keep up with Isayama’s art qualifies as a woobie as well.) The suffering the two of them go through is meant to be complementary, and most of this volume discusses what might happen if Historia takes over Eren’s role in the story, by literally eating him.

There’s a lot of backstory questions answered here (though the story posits new ones as well), with Historia’s family, Kenny Ackerman, and Eren’s father all getting closer and more disturbing looks. Kenny in particular gets more depth, though he’s still really unlikeable no matter what he’s gone through in the past. That said, though, only Historia can make the final decision, a decision that her family has made over and over again. She correctly wonders why her family has simply let the Titans roll right along, and realizes that just having this godlike power does not necessarily mean she will keep the compassion to use it.

And so she rebels, and it’s wonderful, as she tells everyone who’s attempting to show her how to live her life to get lost and saves Eren, even if he’s not particularly wanting to be saved at the moment. (Notably, it’s Ymir’s advice in a flashback that’s the tipping point.) Luckily for her, the struggle she just went through has been juxtaposed with the rest of the cast attacking the secret underground cavern, showing off how unstoppable they are in battle (well, OK, Hange gets hurt, but I’m sure she’s fine), and showing up in time to allow Historia’s choice not to be in vain, and to allow Eren to finally stop feeling pathetic and make his own choice to protect everyone.

This is not a perfect volume. There’s more torture, which I still loathe, even if it doesn’t actually succeed in getting information this time. The flashbacks are very dispassionate, not carrying the emotional load of the main storyline, even when they should. And I’ve already bashed the art, but I can’t help it – sometimes the desperate, tormented faces we’re supposed to see, particularly Grisha and Kenny, merely look hilarious, and distract from the tragedy we’re supposed to be witnessing. Still, overall more good than bad, and we’ll see if Historia et al. can escape from here and try to take on a giant Titan. Wow, fighting Titans, it seems like forever since we’ve done that.

By Satoshi Wagahara and 029. Released in Japan by ASCII Mediaworks. Released in North America by Yen Press.

The second volume of this series does what is expected of it. It expands on the themes and characters of the first book, adds a new villain and a new sort-of heroine, and relies on its comedy and its action scenes to carry it through. Luckily, the writing style is excellent, so this works pretty well. Out of all of Yen’s recent releases, this is one of the most smoothly translated. It also flies by, even though it’s easily the longest book to come out in August by a good 40-50 pages. We’re dealing with fallout from the first book, as back in Enta Isla, the fantasy world our hero and heroine came from, political machinations war with religious purpose in order to find out how to deal with what’s happened. This results in a literal Inquisitor being sent to deal with Maou.

As with A Certain Magical Index, those of a religious inclination might take offense at some of the things this series has to say about the Church, which is portrayed as rather Machiavellian in nature. Suzuno is meant to be of a purer, more moral type, but that doesn’t mean she has not killed people in order to properly serve the church. And, like Emi in the first book, she’s disturbed and distrusting whenever she sees Maou not being evil. In fact, Emi continues to be disturbed by this, and her pursuit of Maou has drizzled down into a sort of “OK, I guess I’ll go stalk him now” duty. Again, I really wonder what sort of horrible things Maou personally did (as opposed to having other evil people doing things for him) in Enta Isla – Chiho speaks for the reader when she says that she can’t judge him based on things she hasn’t experienced.

The main reason to read the series continues to be the comedy, which remains excellent. The narrative voice gets in several cutting remarks as well, without sounding intrusive. There are the standard anime gags – both Emi and Suzuno are annoyed at being flat-chested in comparison to Chiho, and it comes up several times – but there’s also genuine character-based humor. I was especially amused at everyone’s treatment of Urushihara, whose tendency to have everyone think the worst of him is matched only by actually being the worst most of the time. Chiho’s straightforwardness is also refreshing, as she’s straight up admitted she’s in love with Maou, and said so to his face. This does not resolve anything, really – for all the sexual desire he’s shown in the series so far, Maou could be asexual – but it’s still nice to see.

There were a few things that annoyed me towards the end. Sariel is meant to be a gross villain, but the series really goes above and beyond, making him a wannabe rapist who sexually assaults Emi and has delusions of taking Chiho back to Enta Isla as his bride. Maou seems to imply these tendencies were known about Sariel even back in Enta Isla, which is also horrible. The fact that he’s allowed to stay as comic relief (rather than. say, end up in prison, as Olba did) irks me. Still, overall this was another very strong addition to the series, which manages to combine fantasy, humor, and slice-of-life in ways that make the pages fly by.

By Reki Kawahara and abec. Released in Japan by ASCII Mediaworks. Released in North America by Yen Press.

I had wondered at the end of Fairy Dance how the series would justify there being more MMORPGs and not just having the entire virtual genre banned due to massive deaths. Well, Phantom Bullet answers that – the Seed that Kirito got from SAO’s creator is now all over the world, and basically the genre has ballooned to the point where it’s impossible to legislate – much like the internet, actually. As a result, more and more people are doing different types of games, including Gun Gale Online, the FPS that’s featured in this next arc. It’s not really Kirito’s genre, but he’s become a sort of government gun-for-hire (he feels he owes them due to the help he got rescuing Asuna), and he has to go into GGO to find out who might be, once again, killing players in real life. The answer turns out to be something a lot closer to the old SAO game than Kirito expected.

Once again, anime fans may be well ahead of light novel readers. In the LN continuity, this is the first we’ve heard of Laughing Coffin, the guild in SAO made up of players who kill for the thrill of it. The anime needed to pad out its episode count, and to be fair it’s a great way to do it, so added the guild to its ongoing story. Even SAO Progressive’s novels have introduced what may be a precursor to the guild in the volume out this June. So seeing it here is not as much of a surprise as it is seeing how they’re once again succeeding in remotely killing people, and we’re not even sure how yet. It also triggers a bit of PTSD in Kirito, who is still having issues coping with the fact that he had to kill several times over the course of SAO. Which leads nicely into his heroine this time around.

Asuna and Kirito complement each other well, but only share a few similarities. The same could be said of Kirito and his sister suguha. Shino Asada, though, aka Sinon, is a lot closer to Kirito. Like him, she’s naturally quiet and introverted except when in the confines of a game. Also, like his current self, she’s coping with PTSD, this one stemming from a real world incident when she shot a bank robber to death in order to stop him killing her mother, and found that Japan now regarded her as a monster. That said, like Asuna, she reacts poorly to embarrassment and the author attempting to be funny. I don’t blame her for that, really. And like Suguha, she has a ‘nice guy’ real-life wannabe boyfriend who I suspect will, also like Suguha, come second place to Kirito.

My experience of FPS games is next to nothing, so I’ve no idea how well the Gun Gale Online concept works as a system. It does make for exciting action scenes, including the final duel between Kirito and Sinon, framed as a bit of a wild west duel. The novel does not so much end as stop, and it’s clearly another two-volume arc which we’ll need to resolve in December. Still, there was no nasty cliffhanger. And no threats of rape, always a good thing. I’m sure we can keep that up for next volume. (Yes, I’m being sarcastic, do not reply in the comments.) If you like SAO and were irritated by Fairy Dance, you might want to give Phantom Bullet a try – Sinon is another in a line of very different heroines. I wish she got the cover, though, even if she is wearing a battle bikini with bulletproof vest combo.