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Yona of the Dawn, Vols. 1-2

September 21, 2016 by Michelle Smith

By Mizuho Kusanagi | Published by VIZ Media

yona1In the kingdom of Kohka, kindly King Il adores his only child, Princess Yona, and throws a celebration for her sixteenth birthday. Red-haired Yona is primarily preoccupied with getting her cousin, Su-Won, to see her as a woman. After the festivities, she decides to go tell her father that she simply must be allowed to marry Su-Won, only to walk in on her beloved running her father through with a sword. The palace guards are in on the treachery, and ready to comply with Su-Won’s order to dispatch the witness, but Yona is saved by her trusty personal guard, Hak, and the two of them manage to escape.

I’m really glad I ended up reviewing the first two volumes together, because Yona is too stunned by what she’s witnessed to show much personal determination in the first volume. Hak chooses their destination—the homeland of the wind tribe, of which he is chief—and she trails along in a daze, not eating much. By the second volume, though, she’s realized that Su-Won’s actions are taking a toll on innocent people and is appropriately horrified. He cannot be crowned king without the support of all five tribes, but Hak’s grandfather, the elder chief of the wind tribe, is a holdout. Pressure tactics ensue, and eventually Hak and Yona are on the run again in an attempt to spare the wind tribe further hardship.

At first, the tone of the series worried me. It seemed a little too cutesy, a little too comedic. By the end of the second volume, though, I was fully on board. I will always love a resolutely determined shoujo heroine, and Yona shows real potential in that regard. She manages to save Hak’s life a couple of times, but somehow my favorite visual is when a foe grabs her by her hair and she whirls around, steals his sword, and hacks off her own hair to get free. It’s a very nice way to show that her personal appearance is no longer remotely on her list of concerns.

yona2I’m interested in a couple of the villainous characters, too! Kang Tae-jun of the fire tribe has desired Yona for a long time, so his remorse at her apparent death is genuine, even if he’s an entitled jerk. He reminds me of Skip Beat!’s Sho, a little bit, and I have a strong desire to see him switch sides someday and become a better person. And then there’s Su-Won, who ends the volume believing that Yona’s dead and being crowned king even as he admits that he crushed his dearest friends underfoot to achieve it. That’s much more interesting than him being utterly evil, and I wonder if he was manipulated into believing King Il had murdered his father or if that’s actually true. Unfortunately, both of these guys are more interesting to me right now than Hak is. Hopefully that will change.

I did find that Yona of the Dawn reminded me a lot of other shoujo fantasy epics like Dawn of the Arcana, From Far Away, Basara… That’s not necessarily a criticism, but an observation, and it’s my dearest hope that it will become a series worthy of being mentioned alongside them.

Yona of the Dawn is ongoing in Japan and is up to 21 volumes so far. Volume one is available in English now and the second will be released on October 4th.

Review copies provided by the publisher.

Filed Under: REVIEWS Tagged With: Mizuho Kusanagi

Emma, Vol. 5

September 20, 2016 by Sean Gaffney

By Kaoru Mori. Released in Japan in two separate volumes by Enterbrain, serialized in the magazine Comic Beam. Released in North America by Yen Press. Translated by Sheldon Drzka.

The final omnibus of Emma picks up where the last one left off, and is mostly a collection of side-stories, some of which are only vaguely related to the actual Emma series. Mori tries to explain why she did various stories in the afterwords, but it’s not hard to see that she’s simply getting bored, and using the excuse of a popular series as a way of testing her abilities and letting herself draw whatever she wants. Sometimes this is excellent. The scene with the Molders in their bed, and the flashbacks to how they met, is amazingly sexy, as the author herself tells us, and you really see how much the two adore each other, even if Wilhelm remains as stoic as ever. On the flip side, Teo’s Amazing Adventures in the Wild is a nice excuse to draw a wordless animal story plot, but the resolution hangs disbelief by the neck till it’s dead.

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This volume is at its best when it’s dealing with the murky world of Victorian emotions – or, as the series ends, Edwardian emotions, as we move into a new century for Emma’s wedding. The three-part story of a troupe of opera singers and a love triangle is well-done if melancholy, and as ever benefits from multiple minor plot points flittering throughout the main one. Eleanor meets her college student again, and this time it’s more romantic than the last volume – indeed, Mori seems to revel this time around in seeing how many people she can try to hook up, and even the kids seem to have chemistry with each other. There’s even a series of Emma 4-komas in one chapter, mostly following the other characters, as we learn Grace is cute when she’s embarrassed, Hans has no weaknesses (except when he does), and that the butler is just a big softie.

Of course, it all eventually DOES come back to Emma, as her marriage to William is the last quarter of the book. It’s mostly a very good time, but there are reminders that this is still a bit of a status thing – Grace is still upset with William for breaking up with Eleanor, and even though she realizes it’s not Emma’s fault she’s still awkward around her and has to excuse herself. And the Campbells are, of course, not there. But for the most part it’s a glorious event and a party, and there’s a wonderful heartwarming moment where Emma has to write her name and is almost forced to admit she doesn’t have a last name, till William tells her to use Mrs. Stowner’s. Wedding, saved, everyone dances, bride gets completely smashed (in a genteel, repressed way – this is still Emma).

Despite dragging things out a bit with the side stories, Emma is still a wonderful series, and I’m very happy that Yen gave it this deluxe hardcover re-release. It may have some historical inaccuracies and unbelievability, but it’s so emotionally moving that you don’t really care. It’s also a series with a huge cast where, by the end, I was almost able to name everyone without resorting to the internet, which is am impressive feat. Very happy to have read this.

Filed Under: REVIEWS

Bookshelf Briefs 9/19/16

September 19, 2016 by Sean Gaffney and Michelle Smith Leave a Comment

bluemorning6Blue Morning, Vol. 6 | By Shoko Hidaka | SuBLime – Volume six is somewhat of a fresh start for this complicated BL series. Akihito Kuze is the reluctant viscount who has been scheming to retire from his position in favor of his lover, Tomoyuki Katsuragi, who also has a claim to the title. Meanwhile, Katsuragi has been scheming in Akihito’s favor. Now we’re in the aftermath of Akihito refusing to play along with Katsuragi’s plans for the first time, which has left Katsuragi feeling adrift. Akihito is able to navigate the changing world with ease, but Katsuragi is unable to see that he too could flourish as an individual—the way he revitalizes a struggling spinning business is proof of that—if he could get over his loyalty to the peerage system. Pretty atypical BL fare, eh? I don’t think I’ve ever read a BL series this complex before, and it really should not be missed. – Michelle Smith

idoldreams3Idol Dreams, Vol. 3 | By Arina Tanemura | Viz Media – We spend more time with the adult Chikage this time around, and as a result the problems feel deeper. Haru clearly still has feelings for her, as they both realize that his rejection wasn’t a rejection but in fact her simply being too stunned to answer. As for Tokita, he couldn’t be more obvious about is feelings if he wore a neon sign. I’m not sure if Haru is meant to be a villain here or not—but he’s certainly being more forceful than Tokita. Meanwhile, in the fifteen-year-old part of this, “Akari” gains Ru as a boyfriend, despite telling him that she doesn’t think of him that way. Add to that that she’s getting sloppy in her taking of the youth medicine, and this could go south very quickly. Problematic but readable as ever. – Sean Gaffney

knt25Kimi ni Todoke: From Me to You, Vols. 25 | By Karuho Shiina | Viz Media – Last time I asked for forward progression and I got it, but alas, not all dreams come true, and the forward progression we see here is Ryu’s team losing their game. That said, what’s important from a character perspective is Chizu accepting that they’re going to be apart, and that she feels it’s OK to wait for him. (There’s implication they have their first time after the game, but as it would involve telling Pin, implication is all there is.) As for Sawako and Kazehaya, they’re both so protective of each other’s feelings that they end up backing into a fight about her desire to go to the educational university. Of course, it’s really about the fact that they haven’t opened up completely to each other, particularly Kazehaya. Excellent as always. – Sean Gaffney

komomo5Komomo Confiserie, Vol. 5 | By Maki Minami | Viz Media – My guess is that the audience let the author know they enjoyed raging, fired-up Komomo, as that’s what we get here as well, and once again it’s the best part of the book. Unfortunately, the rest of the book seems to be trying to drag out “they get together” till the required length, and I admit I was startled to see Komomo’s family regain their fortune—it seems very pat, even if she chooses to stay with Natsu. The whle thing was even a private wager between the two families. Still, it was pretty sweet, and at five volumes it ends at just about the right time. I’m just not sure I enjoyed how much Komomo was manipulated through the entire series—she’s best when she’s righteously furious. – Sean Gaffney

Komomo Confiserie, Vol. 5 | By Maki Minami | VIZ Media – There have been times when I was sufficiently entertained by Komomo Confiserie, but I have to say I found this final volume both boring and frustrating. First of all, it’s entirely obvious who is going to end up together, so the random introduction of Natsu’s friend as Komomo’s last-minute fiancé fails to deliver any dramatic impact whatsoever. Then Natsu is an ass, kicking Komomo out of the one place she wants to be, and then he has the gall to chase after her when she’s justifiably upset about being replaced. Although this does lead to the one great moment, when she calls him out for his crap, we are soon swept up in sudden love confessions and blah blah. I find myself agreeing with Natsu—Komomo is too good for you. I’m glad this series is over before it completely trampled on my residual Voice Over! goodwill. – Michelle Smith

nisekoi17Nisekoi: False Love, Vol. 17 | By Naoshi Komi | Viz Media – The best way to keep your harem series balanced is not necessarily to show that the lead has good chemistry with all the girls, or to show off how cute and different in personality they are. It’s to show that no matter what girl he chooses, it will make sense within the plot we’ve read. It’s really obvious that Chitoge is the lead because that’s what this genre does in Japan, but Onodera winning makes perfect sense. And as we see in an extended arc here, so does Yui, despite the fact that she was introduced late. Aside from romance, there’s some funny bits (the best is Raku and Onodera desperately trying to get to the field trip site), and some heartwarming sweetness that doesn’t even involve romance. Highly enjoyable. – Sean Gaffney

parares3Paradise Residence, Vol. 3 | By Kosuke Fujishima | Kodansha Comics – This is the final volume, and it reads very much like a “you’re cancelled” sort of ending, which is a shame after the long-runner that was Oh My Goddess!. Still, there wasn’t much further this could really have gone, unless he wanted to do more than merely tease that our two heroines have amazing chemistry with each other. In fact, when Suzuna meets Hatsune’s family (who are, of course, bike mechanics, because this is Fujishima), they all profess they want to marry her. The latter half of the book gives us a genuine villain in the daughter of the school chairwoman, taking over for her ill mother and determined to do away with the titular dorm, which is old and out of date. Spoiler: the dorm stays. – Sean Gaffney

yowapeda3Yowamushi Pedal, Vol. 3 | By Wataru Watanabe | Yen Press – I don’t mind volumes that are all setup if the setup is entertaining, and that’s exactly what this omnibus is. We go to training camp, where the new first years all have to deal with their weaknesses. We meet the driven second-years, who are the stars of their own story and determined that they will be the ones going to the Interhigh. (There’s a cliffhanger, but I doubt these guys are going to beat basic narrative.) And we start to get introduced to other schools, who no doubt will prove to be thorns in the side of our new kids. Oh yes, and a new sempai, the one of the cover, who proves to be quite nice despite grinning like a villain and twisting his body in half. Excellent sports manga. – Sean Gaffney

Filed Under: Bookshelf Briefs

Pick of the Week: Seinen Extravaganza

September 19, 2016 by Sean Gaffney, Michelle Smith, Ash Brown and Anna N Leave a Comment

complexage2SEAN: Nothing really knocks it out of the park for me this week, but having just read it, I’m going with the 8th volume of Arpeggio of Blue Steel, which has a few surprising reveals, and one reveal that isn’t so surprising, but it’s nice to see confirmed. I enjoy this military thriller with cute girls.

MICHELLE: I’m definitely going with volume two of Complex Age this week. Volume one was indeed complex, and informative to boot. I’m looking forward to seeing how the story develops.

ASH: I’m intensely curious about the second volume of Complex Age, too, but my pick this week goes to the third omnibus of the incredibly surreal and at times devastating coming-of-age story that is Goodnight Punpun.

ANNA: I’m for sure most interested in Complex Age, I’m sure mostly because I haven’t yet read Goodnight Punpun yet. I could see it being a hard choice between those two titles!

Filed Under: PICK OF THE WEEK

My Week in Manga: September 12-September 18, 2016

September 19, 2016 by Ash Brown

My News and Reviews

Last week at Experiments in Manga I posted the Bookshelf Overload for August. I picked up some great out-of-print (or soon to be out-of-print) manga and comics last month in addition to some highly-anticipated new releases. I was particularly busy with work and taiko last week so I wasn’t online much, but there is one thing that I’d like to draw attention to–the thirty-eighth and most recent issue of Sparkler Monthly. In it is the first part of a Skyglass side story written by Jenn Grunigen and illustrated by Mookie called “The Mud God” which, in addition to being adorably cute, is partly my fault as it’s related to another Skyglass commission that the author is working on for me. (Hopefully that one will be able to be shared soon, too!)

Quick Takes

Inuyashiki, Volume 4Inuyashiki, Volume 4 by Hiroya Oku. The fourth volume of Inuyashiki begins immediately where the third volume ends, with the devastating and gruesome aftermath of Inuyashiki’s confrontation with an powerful organized crime group. It then turns to follow Shishigami’s story again. One thing that I found to be particularly interesting about Inuyashiki, Volume 4 is the character development of the two main leads. Since the beginning of the series, Inuyashiki and Shishigami have been opposites, using their newly-granted powers in vastly different ways. Though they both are mechanical monsters with many of the same abilities, Inuyashiki has focused on helping others, whether that be by curing major illnesses or fighting on behalf of those who are weaker, while Shishigami has been going on killing sprees for his own selfish reasons. Inuyashiki abhors violence, even when he is a willing participant; Shishigami delights in it. But the fourth volume of Inuyashiki sees some of that change. Inuyashiki is learning to consciously use and control his more deadly powers, specifically in order to put an end to Shishigami. He still considers it to be a necessary evil, though. As for Shishigami, his mother’s illness inspires him to use his abilities for less destructive purposes, but it’s still difficult to sympathize with him since he shows very little regret or remorse for the suffering he has wrought in the recent past.

One-Punch Man, Volume 4One-Punch Man, Volumes 4-8 written by One and illustrated by Yusuke Murata. I continue to be greatly impressed by both the artwork and writing of One-Punch Man although the series is not without its flaws. The manga plays around with many of the tropes of the superhero genre and makes use of plenty of stereotypes in the process. Unfortunately, that means the introduction of an unquestionably gay hero and the perceived threat of his sexuality is intended to be comedic, resulting in an uncomfortable setup in which implied sexual assault is treated as a joke. Personally, I didn’t find this to be particularly funny. However, other than that glaring misstep, the humor in One-Punch Man is fantastic. A slew of new heroes and villains have been brought in; their powers are frequently over-the-top and frankly ridiculous, fitting the overall tone of the series perfectly. Murata’s artwork can be absolutely stunning and is incredibly dynamic, shifting from simplified illustrations to those that are nearly photo-realistic depending on the needs of the story and humor. The action sequences are great, filled with intense battles between absurdly powered opponents and accompanied by a suitably tremendous amount of destruction. It’s not at all surprising that One-Punch Man has been adapted into an anime series–the manga as a whole but especially the visual components seem to beg for it.

Queen Emeraldas, Volume 1 Queen Emeraldas, Volume 1 by Leiji Matsumoto. Older manga are not often released in English, so I was very excited to learn that Kodansha Comics would be publishing a classic series. I was even more interested when I found out that series would be Matsumoto’s space opera Queen Emeraldas which takes place in the same universe as his Captain Harlock stories. Although the hardcover English-language edition is based on a Japanese release from 2009, Queen Emeraldas was originally serialized in the late 1970s. The story largely follows a young man by the name of Hiroshi Umino, a runaway from Earth who crash lands on Mars in a spaceship he cobbled together himself. The titular Emeraldas is charismatic and enigmatic woman, a living legend who metes out justice as she wanders the stars. She takes a particular interest in the boy, repeatedly aiding him in his struggle to survive in space. Initially her concern seems to emerge from the fact that his story shares so many similarities with her own although later it is implied that she may have a deeper connection to him. However, like much of Queen Emeraldas, the nature of that connection is still a mystery. So far, I am thoroughly enjoying Queen Emeraldas. The manga is moody, atmospheric, and melancholic with a Western frontier flair. The characters are ambitious, seeking a life of freedom in a world that is harsh and unforgiving.

Yamada-kun and the Seven Witches, Volume 9Yamada-kun and the Seven Witches, Volume 9 by Miki Yoshikawa. It’s fairly common for bodyswap manga to incorporate a fair amount of fanservice, especially when different genders are involved, and Yamada-kun and the Seven Witches is no exception to that trend. Generally, the fanservice in the series doesn’t bother me that much especially considering the context, but every once in a while it’s more of a distraction than anything else. A case in point is a completely inexplicable panty shot in the ninth volume which completely threw me out of the story; it served no purpose for either characterization or plot, and even how the scene was illustrated didn’t make any sense. Usually, Yoshikawa is much better than that. Otherwise, I really enjoyed the ninth volume of Yamada-kun and the Seven Witches. There are some interesting twists and revelations as Yamada tries to find a way to return everyone’s missing memories. I’m not always very fond of amnesia plotlines in stories simply because they can be a lazy way for creators to write themselves out of a corner or cause unnecessary drama, but in the case of Yamada-kun and the Seven Witches it actually works really well. At it’s very heart the series about friendship and overcoming isolation. Yamada, intentionally or not, was the one who brought so many of the characters together in the first place and he will do everything that he can to bring them together again.

Filed Under: FEATURES, My Week in Manga Tagged With: Hiroya Oku, Inuyashiki, Leiji Matsumoto, manga, Miki Yoshikawa, One, one punch man, Queen Emeraldas, Yamada-kun and the Seven Witches, Yusuke Murata

Skip Beat!, Vol 37

September 18, 2016 by Anna N

Skip Beat! Volume 37, by Yoshiki Nakamura

I always do a mental happy dance whenever a new volume of Skip Beat! comes out, because it is just so consistently good. This volume brings the pain, as Kyoko has to deal with her mother. Kyoko’s family has always been consistently absent from this series, and now the reader knows why. There was a bit of a reference to family difficulties when Kyoko had to get her mother’s permission to sign with a talent agency, but she hasn’t appeared in person in the manga before. Kyoko’s mom appears to be a cold-hearted lawyer who doesn’t want to be inconvenienced by her own daughter.

Coming off of the Heel Siblings arc, Kyoko is back in Japan, working as a Love Me section member again while the first few episodes of her new drama are airing. She runs into her mother by an elevator, but she only displays a few hostile micro-expressions before walking by her daughter, utterly ignoring her. Later, it turns out that Saena Mogami is filling in for another lawyer on a variety show and when responding to questions about her cold demeanor, she replies that she’s never had children. Both Ren and Sho witness this moment, and they think about Kyoko’s feelings, rushing to be by her side.

Sho arrives first, right after Kyoko sees her mother deny her existence. Kyoko’s response to this event is to utterly shut down her emotions. Nakamura does such a great job with Kyoko’s facial expressions in this scene. Kyoko is usually so animated, swinging from one emotional extreme to another that to see her be both beyond sad and blank at the same time is shocking. Kyoko’s eyes are shadowed in grey, and the aftermath of her mother’s interview settles on Kyoko like a physical weight. Sho being Sho, his response is to try to provoke some sort of emotion out of her, and he fails miserably.

Skip Beat! has that rare combination of gripping plots and lovely art, even though the characters might have the leg proportions of giraffes. There are always several pages in each volume where I stop to appreciate the art, like the panels that show Kyoko’s devastation, a photo shoot with Ren that shows the charisma he has that has made him a star, and the moment where Kyoko finally finds some comfort.

Kyoko goes on the run and finds Ren, but she thinks he’s Corn! Oh the tangled web we weave, etc! Still, no mater what side of himself Ren may be portraying, he’s the refuge that Kyoko needs at the time. I can see this storyline spinning out over several volumes, and as usual when Skip Beat! embarks on new direction I can’t wait to see what happens next.

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Filed Under: REVIEWS Tagged With: shojo, shoujo, Skip Beat!, viz media

Ranma 1/2, Vols. 31-32

September 18, 2016 by Sean Gaffney

By Rumiko Takahashi. Released in Japan by Shogakukan, serialized in the magazine Shonen Sunday. Released in North America by Viz. Translated by Kaori Inoue, Adapted by Gerard Jones.

The mid to late 1990s was a very strange time for anime fandom on the internet. Information was scarce and fleeting, and most fans relied on hearsay and textual spoilers. We’re a long ways before the era of scanlations and raws being available on all good pirate sites. As a result, Ranma fans who wanted more information (since the anime wasn’t adapting the final volumes, clearly) had synopses and that’s about it. this did not, of course, stop them from using said characters in fanfics, particularly if they helped pair up someone who didn’t really pair up easily before.

ranma-31-32

For example, we meet Rouge here, a Chinese girl (you can tell she’s Chinese as Takahashi names her after a beauty product, even though she’s not from Shampoo’s village) who ends up in a cursed spring thanks to Pantyhose Taro, and is now determined to have her revenge – most of which involves destroying the Tendo home. It’s an amusing story, relying on her falling in the spring of drowned ASURA, which is drawn with as much ridiculousness as it is possible to have. The denoument, where we see what she’s been fighting to retrieve all this time, is also funny in that Takahashi “so it was all completely pointless” way. Now, Rouge never shows up in the manga again, but several fanfic writers decided she made a good pair with Pantyhose (why they didn’t not write Pantyhose is beyond me, but hey) and thus she had a larger effect on the fandom than she did on the manga itself.

The same goes for Asuka the White Lily, who if she’d appeared ten years later would absolutely have been shipped with Kodachi – even leaving aside the Lily nickname, she’s a ojousama from a private school with a hate on for her childhood friend. But this is 1996, not 2006, and thus the battle between them over who has the best boyfriend (the joke being that because they’re both so horrible neither one has ever found a boyfriend) is taken by fandom somewhat at face value. Don’t worry, Asuka, someone will write a tortured yuri scene with you and Kodachi one day. Oh yes, and Akari shows up again, the only one of these girls who is making repeat appearances, as she visits Ryouga’s home (where, for once, he actually is) and gets caught up in a drawing room farce so broad I was expecting a plate of sardines.

For those who want ship tease with the regulars, well, there’s the hilarious Umbrella of Love story, which features the only known Kuno and Nabiki tease in the entire manga (even under the power of a mind-controlling umbrella, she’s still taking his money), but this is all about Ranma and Akane. As if knowing the end of the series is near, we get a truly incredible amount of moments between them. The umbrella is mostly played for laughs, but shows their feelings for what they are. The story with the Cursed Doll is almost horror, as Akane tries desperately to regain her body before Ranma is either dead or seduced. And most of all we have the arc where Akane gains a possessed armor with a mind of its own, one that makes her stronger than Ranma, and can only be removed if the wearer loses their heart to another. This should be the cue for more hijinks, but it’s played more seriously than I expected, with Ranma realizing how beautiful Akane really is, and trying to defend his true feelings even as she thinks he’s being like this to deceive her (as, to be fair, he has done over and over again).

Ranma never ends with any canon ships, though some are so close that you’d have to be a 1990s Ranma fan in order to deny them. Putting that aside, though, this is a particularly strong volume, one where even the Happosai story made me smile (not because I sympathized with him, it was simply ridiculous). Classic manga comedy at its finest.

Filed Under: REVIEWS

Manga the Week of 9/21

September 16, 2016 by Sean Gaffney, Michelle Smith, Ash Brown and Anna N Leave a Comment

SEAN: Another big chunk of books to talk about next week. There’s no breaks anymore.

adulttitan

The adult coloring book has been a hot new trend for a while now, so it’s no surprise that Kodansha is getting in on it with the Attack On Titan Adult Coloring Book. Be sure to have lots of red.

Complex Age gives us a 2nd volume of cosplay drama and adult fear.

MICHELLE: I’m looking forward to this one!

ASH: As am I! I was surprised by how much I was able to identify with the first volume. I’m also curious to see if the series will take the same direction as the original one-shot.

ANNA: I loved the first volume and am excited to read this!

SEAN: And there’s a 3rd manga volume of Ninja Slayer Kills, which is totally written by two American guys, honest.

And a 4th volume of Real Account. Has the survival game genre peaked?

And a 16th volume of The Seven Deadly Sins.

Lastly (from Kodansha, at least), Yamada-kun and the Seven Witches has hit double digits, but we still haven’t dealt with those pesky witches just yet.

ASH: I’ll admit, I’m still enjoying this series.

SEAN: This has been out in comic shops for a while now, but Amazon has the debut of Kuma Miko from One Peace. It’s half cute slice-of-life comedy about a shrine girl and her talking bear, and half weird and somewhat uncomfortable comedy.

Seven Seas has an 8th volume of the criminally underrated Arpeggio of Blue Steel, the Tom Clancy of anthropomorphic girl series.

ntr1

Make no mistake about it, NTR – Netsuzou Trap is about cheating on one’s boyfriend – NTR stands for ‘netorare’, the Japanese word for ‘cheating’ that has become used and abused by North American otaku. That said, it’s about two girls cheating on their boyfriends with each other, and runs in Ichijinsha’s Yuri Hime. We’ll see. My expectations are near the bottom of the sea, so…

MICHELLE: Huh. I’d definitely want to read a story like that if it were, say, josei, but the boob-smushing on the cover is not encouraging.

SEAN: And a 3rd Tomodachi x Monster, for Pokemon fans who want more death and violence.

Vertical has a 3rd omnibus of Mysterious Girlfriend X, which is highly regarded once you get past the drool thing.

MICHELLE: Which… I haven’t been able to do.

SEAN: Viz gives us a 3rd volume of the brilliant but amazingly depressing Goodnight Punpun.

ASH: Goodnight Punpun is so, so good. But, yeah, it doesn’t really make for light reading.

SEAN: And an 8th Master Keaton – I think 9 is the last? Man, I never thought we’d see this title here at all. HOT INSURANCE ACTION.

MICHELLE: *snerk*

ANNA: Hooray for insurance!

SEAN: And Terra Formars is up to Vol. 14.

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Filed Under: FEATURES, manga the week of

Bookshelf Briefs 9/15/16

September 15, 2016 by Sean Gaffney and Michelle Smith Leave a Comment

haikyu3Haikyu!, Vol. 3 | By Haruichi Furudate | Viz Media – So now that we’ve had the first practice match, it’s time for the training volume, and fleshing out the cast some more (series like these always end up with casts of thousands). So we meet the kid from the last cliffhanger, who is hot-blooded and earnest, and the team’s absent ace, who collapsed from pressure and needs to be coaxed back. Oh, and there’s the new coach, who looks more like a delinquent, but that’s what makes it fun. And then there’s our two heroes, who are still very talented and very raw—as the coach notes, no one on the team can receive at all. Luckily, we have another practice match coming up in the next volume. There’s no need to focus on classes or romance in this series—all volleyball all the time is fine. – Sean Gaffney

Haikyu!!, Vol. 3 | By Haruichi Furudate | VIZ Media – The first half of this volume is primarily about persuasion. Persuading the feisty pint-sized libero, Yu Nishinoya, to return to the team. Persuading the big, mild-mannered ace, Asahi Azumane, to do likewise. And persuading Keishin Ukai, grandson of the man who once made Karasuno great, to become their coach. Part of what fires everyone up is the upcoming practice game against Nekoma, a school that once had a friendly rivalry going with Karasuno before both faded into mediocrity. So, not only do we spend a lot more time with older members of the team this volume, watching as the rift caused by a dispiriting match is finally mended, but we also get a welcome bit of team history while we’re at it. It’s all very enjoyable and I’m eagerly anticipating the next volume! – Michelle Smith

masamun2Masamune-kun’s Revenge, Vol. 2 | By Hazuki Takeoka and Tiv | Seven Seas – A general rule of thumb: if you’re trying to learn life lessons from shoujo manga, you need to rethink things. Much of the first half of this book involves Masamune and Aki flailing around as they try not to be the socially inept losers they are—Aki is this naturally, and Masamune could function if he weren’t obsessed with Aki, but he is. Into this mix we add Neko, a rich young girl who claims to have met Masamune years ago—and fallen in love with him. The story is bogus, and the love may be as well. Of course, just in case I thought this would be something I could recommend to non-Seven Seas readers, the cliffhanger involves Neko not wearing any panties. Sigh. Fans of Haganai and other “Oh My God You Glorious Losers” titles will like this. – Sean Gaffney

nozaki4Monthly Girls’ Nozaki-kun, Vol. 4 | By Izumi Tsubaki | Yen Press – I really enjoyed this volume of Monthly Girls’ Nozaki-kun! I mean, I always like it, but this volume achieved a balance of humor, fresh scenarios, and actual potential romantic progress (maybe?) that was quite satisfying. Nozaki’s quest for inspiration for his manga leads him to go on a campaign to shock Chiyo, play a dating sim game from a female point of view (in which the girl literally ends up with Satan), have a sleepover with his buddies, and attend a festival. In between, all of the characters get a little more attention and appear in different combinations and settings. Oh, and we meet Nozaki’s little brother, too. Overall, Nozaki-kun feels a lot more like a cohesive story than a 4-koma gag manga, and I wholeheartedly approve! – Michelle Smith

onepunch8One-Punch Man, Vol. 8 | By ONE and Yusuke Marata | Viz Media – After the epic battle of the last two volumes, we’re back to everyday life here, mostly, as we get a deep look into the mind of King, a superhero who’s really just this guy but who everyone THINKS has done heroic things. As a result, he’s scared stiff—even more so when a villain tries to take him out. Luckily, Saitama’s there with his one punch and his usual advice that applies and yet doesn’t—just get stronger is easier said than done. There’s also some nice setup for future volumes as we meet several villains who will not join the heroes to battle for the planet, and Genos’ forgotten revenge ends up being not so forgotten after all. Of course, One-Punch Man is still funny, but there’s deeper stuff going on here. A solid volume. – Sean Gaffney

shomin2Shomin Sample: I was Abducted by an Elite All-Girls School as a Sample Commoner, Vol. 2 | By Risumai and Takafumi Nanatsuki | Seven Seas – Cover: still reprehensible. Fanservice: still all over the title, with the addition of a loli who can’t stop stripping and placing Kimito in awkward situations. Oh, and there’s a Motoko Aoyama clone whose blade is better at stripping people than cutting them (and yes, even Kimito gets stripped naked with a convenient censor flower.) In among all of this is a somewhat standard harem comedy, as our hero tries to get the girls to act more social while learning more about them, datesim style. It’s still not horrible, but the constant service is wearing, and it doesn’t have the humor or depth that let me put up with it, like Haganai does. Skip this. – Sean Gaffney

skipbeat37Skip Beat!, Vol. 37 | By Yoshiki Nakamura | Viz Media – I was tempted to simply use my review of the last volume for this one as well. We’re still dealing with Kyoko’s mother, and I still worry the series will eventually excuse her abuse. Box R is still not doing well, and Kyoko still hasn’t really noticed. And she and Sho still have a great scene together. But really, this volume deserves more of a look, because it has double the emotional heft of the previous one. Nakamura’s art has gotten amazing, especially in Kyoko’s expressions—blank and hollow after seeing her mother on TV, then finally breaking down in front of Tsuruga (who she thinks is Corn—again). Skip Beat! is coming up on being the longest shoujo manga in North America, and this shows you why—its depth of feeling is AMAZING. – Sean Gaffney

spoof1Spoof on Titan, Vol. 1 | By Hounori, based on Hajime Isayama’s manga | Kodansha Comics – This is the second of the comedy spinoffs of Attack on Titan, and this one is more traditional, both in format and adaptation. This takes place within the series proper—more accurately, within the first couple of volumes showing everyone still living in the barracks and training. That said, it’s meant not be read by those who know everything—Reiner and Bertholt mention their real identities, Krista’s ‘royal’ qualities come up, etc. It’s also not as freely adapted as Titan High School. That said, if you enjoy Titan, particularly its fandom in-jokes—Sasha eating, Mikasa’s obsession with Eren, etc.—this is a lot of fun. And it’s just the right size for a 4-mkoma title. Short. – Sean Gaffney

Filed Under: Bookshelf Briefs

Bookshelf Overload: August 2016

September 15, 2016 by Ash Brown

I’m slowly slipping back into my old buying habits; I should probably be a bit more stringent before things get ridiculously out of hand again. Granted, I stayed within my budget in August more than it would initially appear by the list below. The last of my Barnes & Noble orders from the recent manga super sale arrived which were already paid for; a bunch of Kickstarter rewards arrived; I somehow received not one, but two boxes of review copies from Kodansha Comics; and I made judicious use of coupons and gift cards. I also received some pretty phenomenal gifts like the out-of-print limited edition hardcover of Minna Sundberg’s A Redtail’s Dream. (A huge thank you to Narrative Investigation‘s Helen! You can read my quick take of A Redtail’s Dream here, and Helen’s thoughts about the webcomic here.) My biggest unplanned splurge in August was picking up an entire set of Firefighter!: Daigo of Company M by Masahito Soda which I liberated from the shelves of my Manga Bookshelf cohort Kate Dacey. (The series seems to be on its way out of print, but is still available digitally.) As for the August manga release that I was most excited for, I’m absolutely thrilled that Moto Hagio’s first Otherworld Barbara omnibus from Fantagraphics is now available. I love Hagio’s work, and am especially happy to see more of her science fiction in translation. I’d like to review or otherwise feature Otherworld Barbara at some point, but am not sure when that will be. However, I do have a review of South Korean author Han Kang’s novel Human Acts to post soon! Human Acts has already been released in the United Kingdom, but it won’t be released in the United States until January; I was fortunate enough to receive an early review copy. It’s honestly one of the best novels that I’ve read recently.

Manga!
Attack on Titan, Volume 19 by Hajime Isayama
Attack on Titan: Before the Fall, Volume 8 written by Ryo Suzukaze, illustrated by Satoshi Shiki
Complex Age, Volume 2 by Yui Sakuma
The Demon Prince of Momochi House, Volumes 3-5 by Aya Shouoto
Devil Survivor, Volume 6 by Satoru Matsuba
Dimension W, Volumes 1-2 by Yuji Iwahara
Dorohedoro, Volume 19 by Q Hayashida
The Earl & The Fairy, Volumes 1-4 by Ayuko
Fairy Tail, Volume 55 by Hiro Mashima
Fairy Tail: Blue Mistral, Volume 3 by Rui Watanabe
Firefighter!: Daigo of Company M, Volumes 1-20 by Masahito Soda
Food Wars!: Shokugeki no Soma, Volumes 9, 13 written by Yuto Tsukuda, illustrated by Shun Saeki
Forget Me Not, Volumes 3-4 written by Mag Hsu, illustrated by Nao Emoto
The Heroic Legend of Arslan, Volume 5 by Hiromu Arakawa
Horimiya, Volumes 3-4 by Hero
Inuyashiki, Volume 4 by Hiroya Oku
JoJo’s Bizarre Adventure, Part 2: Battle Tendency, Volume 4 by Hirohiko Araki
Kiss Him, Not Me, Volumes 5-6 by Junko
Kuroko’s Basketball, Omnibus 1 by Tadatoshi Fujimaki
Livingstone, Volume 3 by written Tomohiro Maekawa, illustrated by Jinsei Kataoka
Lone Wolf and Cub, Omnibuses 11-12 written by Kazuo Koike, illustrated by Goseki Kojima
Lucifer and the Biscuit Hammer, Omnibus 5 by Satoshi Mizukami
Noragami: Stray God, Volumes 15-16 by Adachitoka
Otherworld Barbara, Omnibus 1 by Moto Hagio
Ouran High School Host Club, Volume 18 by Bisco Hatori
Paradise Residence, Volume 3 by Kosuke Fujishima
Persona 4, Volume 3 by Shuji Sogabe
Real Account, Volume 3 written by Okushou, illustrated by Shizumu Watanabe
Say I Love You, Volumes 14-15 by Kanae Hazuki
The Seven Deadly Sins, Volume 15 by Nakaba Suzuki
Spoof on Titan, Volume 1 by Hounori
Ten Count, Volume 1 by Rihito Takarai
That Wolf-Boy is Mine!, Volume 1 by Yoko Nogiri
Wolfsmund, Volume 7 by Mitsuhisa Kuji
Yamada-kun and the Seven Witches, Volume 9 by Miki Yoshikawa
Your Lie in April, Volumes 8-9 by Naoshi Arakawa

Comics!
Baggywrinkles: A Lubber’s Guide to Life at Sea by Lucy Bellwood
Breaks: Prologue by Malin Ryden and Emma Vieceli
Chester 5000 XYV, Book 2: Isabelle & George by Jess Fink
Dragon Heir: Reborn by Emma Vieceli
Fresh Romance, Volume 1 by Various
Gaijin Mangaka by Various
Gatesmith, Volume 1 by Jen Lee Quick
Libby’s Dad by Eleanor Davis
The Other Side edited by Melanie Gillman and Kori Michele Handwerker
Our Mother by Luke Howard
QuickSilver, Volume 1 by Emily Smith
Rainflowers by Ash Heimerl
A Redtail’s Dream by Minna Sundberg
The Usagi Yojimbo Saga, Omnibus 6 by Stan Sakai

Novels!
Human Acts by Han Kang
Dusk in Kalevia by Emily Compton, illustrated by Onorobo

Nonfiction!
Hi! My Name Is Loco and I Am A Racist by Baye McNeil
Loco in Yokohama by Baye McNeil
Mah Jong for Beginners by Shozo Kanai

Filed Under: Bookshelf Overload, UNSHELVED

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