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My Week in Manga: October 17-October 23, 2016

October 24, 2016 by Ash Brown

My News and Reviews

Last week was yet another week during which I wasn’t online much, though this time it was because I was on a short family vacation in Ohio to visit my folks. I did however still manage to post my review of the absolutely wonderful children’s book Are You an Echo?: The Lost Poetry of Misuzu Kaneko. The book, fully illustrated by Toshikado Hajiri, combines a biographical narrative of Kaneko’s work and life written by David Jacobson along with a selection of Kaneko’s poems presented in both the original Japanese and in English translation. Are You an Echo? is a beautiful book that adults will be able to appreciate, too; I wasn’t previously familiar with Kaneko’s poetry and am incredibly glad to have been introduced to it.

Although I was busy with family last week, a few things did catch my eye online: Vertical’s Fall 2016 manga licensing survey is now live for those interested in suggesting titles that they’d like to see the company publish in English; The Mystery Writers of Japan have released a very useful website in English which includes great information such as an outline of the group’s history and a list of recent English translations of the members’ works; As for cool queer comics Kickstarters, there is a newly launched campaign to collect Tab Kimpton’s delightful Minority Monsters comics in a single volume along with additional bonus content.

Quick Takes

Fairy Tail, Volume 55 by Hiro Mashima. With all of the recent developments in Fairy Tail it seems like the series might in fact be reaching its final story arcs. Granted, Mashima could just as easily stretch things out for quite a bit longer as he has repeatedly done in the past. Often Fairy Tail feels rather directionless to me, as though the creator is making things up as he goes (which he has admitted to) or isn’t sure exactly what he wants to do with the series. That being said, when Mashima actually manages to bring together disparate storylines and plot developments together in a way that makes sense and seems planned from the beginning (even if it actually wasn’t) the results can be thrilling. The fifty-fifth volume of Fairy Tail opens with one of the biggest game-changing reveals in the series as Natsu and Zeref face each other down. It’s a dramatic encounter and works tremendously well. Sadly, the rest of the volume isn’t quite as strong as its opening and many of the other plot twists and backstories feel forced at best. Still, this most recent story arc is probably my favorite out of those that I’ve so far read. (I started reading Fairy Tail part way through, so there are several arcs that I’ve missed.) I especially appreciate how it gives the tournament arc, which grew increasingly tedious, a greater purpose in the series as a whole. The action sequences and battles continue to be an exciting part of the manga as well, and there are plenty of those to be found in this volume.

Intense, Volume 1: Night on the Red Road by Kyungha Yi. I’ve deliberately been keeping a lookout for new print releases from Netcomics, but even if I wasn’t Yi’s Intense would have caught my attention. The series’ cover artwork is stunning and the manhwa’s production values and quality is some of the best that I’ve seen from Netcomics. Intense was originally released in six digital volumes, but the print edition has been collected into four. The interior artwork, though it’s not in color, is just as beautiful, striking, and moody as Yi’s cover illustrations. The story is likewise very moody and at times can be extremely dark and violent. The series follows Jiwoon, an assassin and bodyguard for a crime syndicate who has been temporarily assigned to a red-light district. There he encounters and is drawn to the mysterious Soohan who works there as a sort of handyman. With their melancholic, slightly detached personalities, it seems as though the two young men likely share a fair amount in common, so much so that the tragic backstory revealed in the flashbacks interspersed throughout the first volume could easily belong to either of them. If nothing else, Intense is certainly well named. The manhwa is heavy and intense both emotionally and psychologically, moreso than many other boys’ love stories I’ve read. I definitely plan on reading the rest of the series and I’m very curious to see how the relationship between Jiwoon and Soohan develops.

Paradise Residence, Volume 3 by Kosuke Fujishima. Admittedly, it has been quite some time since I’ve read the first two volumes of Paradise Residence, but I really don’t remember the characters being especially infatuated with motorbikes and motorcycles which is something that is quite prominent in the third and final volume. Maybe I just completely missed it before and that’s why it seemed to suddenly come out of nowhere, but the resulting story is nice. However, it’s another sudden development that becomes the dramatic focus of the rest of the volume–due to some unfortunate circumstances, the dorm is scheduled for demolition rather than renovation and the young women living there must do all that they can to save their beloved home. They come up with a rather creative solution to their problem that, while it strains believability, is impressively audacious and clever. Paradise Residence is a series that I enjoyed much more than I thought or expected I would. It doesn’t really have a lot of substance or depth to it, but it’s a pleasant slice-of-life manga set in an all-girls high school. Though not particularly nuanced, most of the characters are generally likeable. Even with the occasional bit of drama, Paradise Residence tends to be a fairly quiet and low-key series. The artwork is attractive, too, although Fujishima seems fond of drawing characters with one eye closed; I’m not sure if they’re supposed to be winking or what.

Spoof on Titan, Volume 1 by Hounori. In general the manga spinoffs of Hajime Isayama’s Attack on Titan depend on readers having at least some familiarity with the original series, although to varying degrees. Spoof on Titan perhaps requires a little more than many of the others as the humor relies heavily on knowledge of the characters and their personalities. Unlike Attack on Titan: Junior High, the other Attack on Titan comedy series, Spoof on Titan is firmly set in the world of the original manga. Granted, it’s a much more friendly version of that world–the Titans, though mentioned frequently, barely make an appearance and the death, destruction, and violence has been greatly toned down. The gore and darkness of Attack on Titan aren’t really to be found in Spoof on Titan. Hounori’s illustrations and character redesigns are pretty cute, too. Spoof on Titan is a four-panel comedy manga which is a format that I tend to really like when it’s done well, but the comics in Spoof on Titan tended to be fairly hit-or-miss for me. Some of them legitimately made me laugh while I barely cracked a smile at others. Overall, though, I am largely enjoying the series and find it amusing. I’m not sure that I would necessarily want to binge-read Spoof on Titan, but the series can be fun in small doses. The first volume reads like a collection of comedic Attack on Titan bonus manga, which is essentially what it is even if Isayama himself isn’t directly working on the series.

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Bookshelf Briefs 10/24/16

October 24, 2016 by Sean Gaffney and Michelle Smith Leave a Comment

Fate/Zero, Vol. 3 | By Gen Urobuchi, Type-Moon, and Shinjiro | Dark Horse – I did say last time that the series was going to get darker, and boy howdy I was not wrong. No amount of cute shots of Rin as a child or amusing scenes of Irisviel driving like a maniac can really make up for the main thrust of the latter half of the book, which is that Caster is Bluebeard, an insane murderer (though historians now doubt this), and his master Ryunosuke is even worse. There are numerous scenes of women and children gleefully butchered, which I’m sure were quite lovingly described in the original novel but which the manga adds an extra dollop of horror to. Oh yes, and we also see what’s happening to Sakura, which if you’ve never played Heaven’s Feel may come as a shock. Horrifying but good. – Sean Gaffney

Food Wars!: Shokugeki no Soma, Vol. 14 | By Yuto Tsukuda and Shun Saeki | Viz Media – I was expecting Soma to level up and learn that he still had room to grow while working for Shinomiya, and I wasn’t wrong. The better part was seeing how far Shinomiya has come, given how much of an antagonist he was about ten volumes ago. He’s tough but never unfair, really knows his stuff, and I loved his backstory showing how his love for French food stemmed from his mother’s love of it. His staff were also fun, and it’s always wonderful to see Hinako again. But the arc is over, and there’s a nice montage of the main cast showing off their own growth aside from Soma. Now they earn the reward, which is a picnic with the top ten in the school. If you guessed they were all eccentric lunatics, congrats. Always great. – Sean Gaffney

Haikyu!!, Vol. 4 | By Haruichi Furudate | Viz Media – Given a team as raw as the one that stars in Haikyu!!, it would be a bit of a stretch to see them winning right off the bat against other teams. Oh, don’t get me wrong, there are many opportunities to see Hinata and company show off their skills, and they keep things close all the time. But the thing I liked best about this volume was the fact that the rival team won as they simply work better as a team, not a brilliantly talented collection of individuals. And, as with all sports manga, you learn more and more about the ins and outs of volleyball as you go, though thankfully not to the point it gets boring. In the end, though, Kageyama makes the best point—if that had been a tournament, everything would have been over. Time to TRAIN HARDER. – Sean Gaffney

Horimiya, Vol. 5 | By Hero and Daisuke Hagiwara | Yen Press – The last volume had me a little worried, but it does seem to have been a false alarm. Much of the beginning involves reactions to Miyamura’s new look, culminating in a fakeout where his supposed new admirer actually fancies Hori instead. I enjoyed that she seems to bring out his more irritable side, much like his middle-school friend Shindou does, as well as the latter mentioning that Miyamura is different with others. Miyamura insists it’s not an act, and it’s likely nothing will come of this, but it would be interesting if it did. We also get some excellent scenes with our main couple, including a kind of sexy one wherein Miyamura wonders whether it’s acceptable to try anything with her, and a cute reunion hug after he has to be out of town for a few days. I’m happy and relieved to continue to enjoy this series! – Michelle Smith

Kamisama Kiss, Vol. 22 | By Julietta Suzuki | Viz Media – This has just ended in Japan, and it’s beginning to show—this is definitely feeling like the final endgame plot. Leaving aside the fact that Nanami is slowly dying (and no, I don’t expect that to stick), the whole volume relies on Nanami’s basic goodness meaning that they cannot try the most obvious solutions to their problems. They can’t kill Akura-oh’s host, they can’t have Nanami kill a human to gain life force. Oh yes, and Tomoe finds out Nanami’s little secret, which leads to him, impatient as ever, scarfing the (temporary?) cure to hug her and berate her from keeping things from him. I’m not sure exactly how fluffy this ending is going to be, but I’m enjoying the journey it’s taking to get there. – Sean Gaffney

My Monster Secret, Vol. 4 | By Eiji Masuda | Seven Seas – This continues to be an excellent combination of hilarious mayhem and cute romance, in that order. Which means that if you want a payoff right away, be prepared to be frustrated. Asahi and Youka are adorable and clearly meant to be together, but they’re both such shy, awkward dorks that I think it will be at least ten more volumes. Luckily, there is the humor to tide us over, being the destruction of a brand new car, the all-in attempt to get a rare hamburger, and the least subtle UFO ever. There’s also new characters, be it Youko’s parents, who are pretty much exactly as you’d expect, and a granddaughter from the future, who is more of a cliffhanger. This makes me laugh a lot, especially the art. – Sean Gaffney

Say I Love You., Vol. 16 | By Kanae Hazuki | Kodansha Comics – It’s been a long time since my husband and I were in a long-distance relationship, but this volume of Say I Love You. expertly evoked those memories. Mei and Yamato are pursing their individual dreams and attending different schools. They do their best to keep in touch, but their schedules make it difficult to find time to see each other, and each is meeting new people and having new experiences independently. When Takeshi seems on the verge of dumping Asami in favor of a college classmate, and Mei finds out Yamato was spotted out with a woman (when he’d only said he’d be with “a friend”), she is thrown into turmoil. It’s great to see a shoujo series acknowledge that high school romances don’t always work out, and that people change and grow apart. I still doubt that’ll happen here, but it’s nice to feel like it’s a real possibility! – Michelle Smith

Say “I Love You,” Vol. 16 | By Kanae Hazuki | Kodansha Comics – Let’s face it, much as I find Asami fun, the relationship between her and Takeshi was the least developed one in this series, possibly as it was one of the first. And given that the theme of this first post-high school volume is about trying to sustain such relationships past school, it’s not a surprise that theirs might be the first one to head south. From our point of view, though, it’s Mei and Yamato that may be in more trouble, as Yamato has a new friend who is clearly going after him hard, even if he doesn’t quite want to admit it. Honestly, though, the best scene in the volume may be Megumi and Rin, as Megumi’s frustrations boil over and Rin offers some much-needed help. Will this all end well? – Sean Gaffney

Yona of the Dawn, Vol. 2

October 23, 2016 by Sean Gaffney

By Mizuho Kusanagi. Released in Japan as “Akatsuki no Yona” by Hakusensha, serialization ongoing in the magazine Hana to Yume. Released in North America by Viz. Translated by JN Productions, Adapted by Ysabet Reinhardt MacFarlane.

I said I had wanted more plot development, and I get a lot of it here, very well told. We do indeed see there is a Fire Tribe in addition to the Wind tribe, and their young prince is appropriately a hothead (and ex-suitor) of Yona who is appalled when his hotheaded plan ends up turning into disaster. We also do not lose sight of Su-won, who may have started off the series by murdering Yona’s father but is not going to be just another insane shoujo villain. The idea that Yona is dead fills him with grief, and also allows us to see more flashbacks. Intterestingly, we see that Hak has actually told Su-won he wants to see him married to Yona and ruling as King. There is a silent “but not like this” that is very palpable, however.

Of course, this series is not 2 volumes long, and Yona is not dead. But before that, we get a nice look at Hak in his natural habitat, as we see another cliche of romance manga used quite well, which is the sheltered rich girl arriving in the town of the peasant boy and seeing how his simple, non-affluent lifestyle is much happier than she could have imagined. Hak is a good general who cares about his tribe, but is also able to let those who are his contemporaries (in age, if nothing else) get away with mouthing off to him provided it’s not an emergency. We also get a Tiny Tim sort, Tae-Yeon, who is adorable and inspiring and also needs his medicine. The world may be filled with political machinations, but here there are just good people.

And them there’s Yona herself, who does get to wield a sword in this volume, though she’s still shaking off her princess roots. Forced to pretend to be a lady’s maid at first, that doesn’t last long, as there’s no way that she can accept “just live here in hiding for the rest of your life” while people are suffering. I was very pleased that, rather than demand to come with Hak, she announces that she’s leaving, and wants him to come with HER. He calls her quite selfish, but it’s not the bad kind of selfishness. And, as long as we’re counting tropes, I loved the scene where she cuts off her long hair with a sword in order to escape the Fire Tribe leader. Not only is that sort of scene always badass, it gives supposed evidence of her death to the King later on.

But she isn’t dead, and despite the ridiculousness of Yona and Hak surviving a fall from that height (which the author herself points out in a 4-koma at the end), they seem to have been taken in by some allies. I’m not sure what will happen next, but given the type of manga this is, no doubt it will involve destiny and power struggles and possibly cool horseback riding? And more swords! The sky’s the limit, really. Oh yes, and some cute romance would be nice, but not necessary.

Kitaro Meets Nurarihyon

October 21, 2016 by Sean Gaffney

By Shigeru Mizuki. Released in Japan as “Gegege no Kitaro” by (among others) Kodansha, serialized in various magazines. Released in North America by Drawn & Quarterly. Translated by Zack Davisson.

It is interesting reading these old late 1960s Kitaro manga, showing off the wonders and terrors of yokai to a Japanese audience, now that we are in something of a yokai glut here in North America. Oh, yokai are never going to pass vampires, or even monster girls. But you get things like Kamisama Kiss, which puts yokai in a supernatural shoujo romance. And Natsume’s Book of Friends, almost a spiritual successor to Kitaro, as he walks around solving problems and getting involved despite himself. And of course there’s the Shonen Jump series Nurarihyon no Mago, which wasn’t a huge hit, but got over 20 volumes, so could be said to be a mild hit in Japan. It did alright here as well.

The Nurarihyon seen here on the cover is of the same type as Nura from the Jump manga (or, to be more accurate, Nura’s grandfather, who fits the stereotype better), but of course this Nurarihyon is not remotely a hero. He’s closer to the actual legend, an old man who walks into your house, drinks your tea, acts as if he owns the place, and leaves. Compared to the other yokai we see in this volume, he doesn’t have that many superpowers, but that just makes it all the more chilling when he gets rid of Kitaro and Nezumi Otoko so easily. Of course, Kitaro *is* the hero, so he manages to escape and trap Nurarihyon in a place he’s not going to be coming back from anytime soon. In fact, I would argue Kitaro’s solution is equally chilling.

These stories sometimes do feel their age, and not just due to the technology of the times. Kitaro is very much a morally ambiguous hero, getting involved when it looks as if humans are directly threatened with yokai but otherwise mostly getting pulled into things by the morally corrupt Nezumi Otoko, who even this early in the series has made his transition from rapscallion to scallywag, so to speak. He’s such a lovable creature you want to forgive him for being a greedy gluttonous and occasionally murderous swine. Oh yes, and somewhat sexist as well – one story has an old yokai try to seduce Nezumi Otoko merely as she’s watched a TV show with a May-December romance and wanted more fun in her life. Kitaro’s response amounts to “you are an ugly old woman, back where you came from!”, which left a sour taste in my mouth. Kitaro, at this point in the series, does not really reach for sentiment.

It does have plenty of creepy scares, though. The Wanyudo has always freaked me out a bit, and so seeing it in a story involving supposed lost diamonds made me shiver. And did I mention vampires earlier? Well, there’s one here, who’s employing Nezumi Otoko to find him fresh victims, but he runs afoul of a hair-based yokai who’s actually succeeded in possessing Kitaro (is this going to happen once a volume?). In essence, though, what we have here is Kitaro as he was at the height of his powers – warts and all. If you appreciate manga history, or just want a good spooky book for your kids, this is a great title to pick up.

Manga the Week of 10/26

October 20, 2016 by Sean Gaffney, Michelle Smith, Ash Brown and Anna N 2 Comments

SEAN: End of October. 35 titles. Scary!

MICHELLE: I am having Count Floyd feels.

SEAN: Kodansha brings us the 9th volume of Genshiken 2nd Season, which may have a new cast but has ended up being about Madarame’s love life.

ASH: I’ll admit, I really wasn’t expecting it to basically become a harem manga.

SEAN: Kazuhiro Fujita, best known over here for the unlicensed yet very popular Ushio and Tora, has a new hardcover horror volume out, part of a series subtitled “The Black Museum” that runs in Morning. This one is called The Ghost And The Lady, and features Florence Nightingale. It sounds amazing.

ASH: It looks it, too!

SEAN: Kodansha also has a 7th volume of Kiss Him, Not Me!, which I hope is stocked next to The Ghost and the Lady at all good bookstores, just for the humor value.

Speaking of new works by authors best known for something else, Nekogahara: Stray Cat Samurai is from the creator of Shaman King, and has… well, cat samurai. Be warned: this is not your Chi sort of cat book – it runs in Shonen Magazine Edge (I assume because the works are edgy).

MICHELLE: Huh.

ANNA: I have a similar reaction as Michelle.

SEAN: And a 17th volume of breakout hit Noragami.

ASH: I’ve come to really enjoy this series.

SEAN: Seven Seas also has a bunch of stuff. The 4th volume of spinoff A Certain Scientific Accelerator continues to be action oriented, much to the annoyance of Last Order.

A new Freezing omnibus, Vols. 11-12, will please anyone who likes breasts.

Speaking of such readers, the big release this week is Monster Girl Encyclopedia, which is apparently a lavishly illustrated guide to various types of monster girls. It’s a hardcover, so they’re really pushing this. I also hear that it’s possibly the most fanservicey title they’ve ever released.

ASH: That’s impressive in and of itself.

SEAN: And another omnibus, with manwha release Witch Hunter getting Vols. 17 and 18.

Vertical has a 2nd volume of Immortal Hounds.

Time for Yen. First of all, we have the digital-only releases: Aoharu x Machinegun 6, Black Detective 6, Saki 6, and Corpse Princess… 7. Sure, ruin my numerology, why don’t you.

ASH: Saki!

SEAN: Light novels. Psycome has a second volume of wacky insane girls in prison antics.

And the fourth volume of Sword Art Online: Progressive has Argo on its cover, which automatically makes it a must-read.

As for Yen’s print manga, we get an eighth Akame Ga KILL!

Did I say Aoharu x Machinegun was digital-only? Never mind. Like Handa-kun, it did well enough to get a print release, with Volume 1 shipping next week.

The Asterisk War has a 2nd manga release. I quite like the book’s cliched but breezy story.

We’ve caught up with Barakamon, so it’s been a while since the last volume. I’ve missed it. Here’s Vol. 12.

MICHELLE: I have every intention of getting caught up on Barakamon. Intentions, but not time, alas.

SEAN: Bloody Cross comes to an end with its 12th and final volume.

A Certain Magical Index has its 7th manga volume, which I think starts to adapt the 6th novel.

And The Devil Is A Part-Timer! has its 7th manga volume, which is still adapting the 3rd novel, because it didn’t skip entire books like Index’s manga did.

And if you like cuter and fluffier, there’s a 5th volume of the High School!! spinoff.

Fruits Basket has a 6th omnibus, as Akito helpfully allows Tohru to gain resolve to stop the curse by being completely terrible.

I’d mentioned Handa-kun before, and we get a 4th print volume here.

Horimiya gives us a 5th volume of adorable high school romance.

MICHELLE: Yay for Furuba and Horimiya!

ASH: Yay, indeed!

SEAN: More manga adaptations of light novels, or in this case adaptations of songs, with the 7th Kagerou Daze.

I was lukewarm to the first Liselotte & Witch’s Forest, but a 2nd volume should help firm up which direction it’s going.

MICHELLE: I found it reasonably intriguing, but definitely the second volume is going to be key. I’m looking forward to it a lot.

ANNA: Surprisingly I haven’t read this yet, but I plan to.

SEAN: And there’s a 4th spinoff volume of Log Horizon’s West Wind Brigade.

MORE manga adaptations of light novels! This time the 2nd Re: Zero manga.

It’s rare we see seinen romance manga in North America, let alone by a female author. But Scum’s Wish is still about tortured high schoolers and hopeless crushes, have no fear. It runs in Big Gangan, and has been on the Crunchyroll app as well.

Taboo Tattoo gets a 4th volume, so it can’t be all THAT taboo.

Another manga gets out of digital only land, as we see the first volume of Today’s Cerberus. This is a Shonen Gangan series, has supernatural elements, and leans very much towards the comedy end of things. Not quite Another Monster Girl Series, but close as dammit.

Just because monster girls are the next big genre doesn’t mean we’re not getting more survival game as well. I know little about Tohyo Game except it runs in Big Gangan, and is an omnibus of the first 2 volumes.

Are you being tricked? Or is all this manga a treat?

Are You an Echo?: The Lost Poetry of Misuzu Kaneko

October 20, 2016 by Ash Brown

Author: Misuzu Kaneko, David Jacobson
Illustrator: Toshikado Hajiri
Translator: Sally Ito and Michiko Tsuboi
Publisher: Chin Music Press
ISBN: 9781634059626
Released: September 2016

Misuzu Kaneko, who in the 1920s was a well-known author of poetry for children, almost faded into obscurity after her early death at the age of twenty-six only to have her work rediscovered in 1982. Since then her poetry has been met with great admiration and acclaim. Despite having her work translated into nearly a dozen different languages, Kaneko is relatively unknown in English. Are You an Echo?: The Lost Poetry of Misuzu Kaneko, published by Chin Music Press in 2016, is a beautifully illustrated and crafted children’s book created by a multi-national team with members hailing from Japan, the United States, and Canada in an effort to bring Kaneko’s work to a larger audience. Before reading Are You an Echo? I was unaware of both Kaneko and her poetry. After reading the volume I can only hope that more of her work will be translated in the future–the book is a marvelous introduction.

Are You an Echo? consists of two main parts. The first is a biographical narrative written by David Jacobson, a journalist and editorial consultant at Chin Music Press, which outlines both the life of Kaneko and the history of her work and its rediscovery by Setsuo Yazaki, another poet who also provides the foreword to the book. Although Are You an Echo? is meant for a young audience, Jacobson is honest and touches upon some of the sadder aspects of Kaneko’s story such as her unhappy marriage, unfortunate illness, and eventual decision to end her own life. However, the topics are handled with gentleness and sensitivity. Several of Kaneko’s poems are incorporated directly into the narrative while the second part of Are You an Echo? is specifically devoted to a selection of her work. The poems are presented in both their original Japanese and in an English translation jointly composed by Michiko Tsuboi and the poet Sally Ito.

The format is somewhat unusual for a children’s book, but I feel the decision to include a biography along with a selection of Kaneko’s work in a single volume is ultimately a good one. Are You an Echo? not only introduces Kaneko’s poetry, it also places it within a greater context. Jacobson’ s narrative is easily accessible and the story of how Kaneko and her work have come to positively influence the lives of so many people is a wonderful one. Hajiri’s illustrations are likewise captivating. The artwork is colorful without being garish and has a gentle softness to it that complements both Jacobson’s text and Kaneko’s poetry. Hajiri depicts scenes from Kaneko’s life and imagination and provides a lovely visual accompaniment to and interpretation of her work.

Twenty-five of Kaneko’s surviving five-hundred-twelve poems are included in Are You an Echo?. The translators have taken obvious care in rendering Kaneko’s work into English. Kaneko wrote in a feminine form of Japanese which doesn’t have a direct equivalent in English, but Ito and Tsuboi have successfully crafted a translation that reads well and captures the feelings and intentions of the originals. The poems collected in Are You an Echo? are utterly delightful. One of the things that I found most striking about Are You an Echo? is the tremendous empathy that Kaneko exhibits through her work. Though a touch of melancholy can frequently be found, the poems embody the natural curiosity, wonder, and earnestness of the children for whom she was writing. Kaneko’s poetry is immensely charming and deeply compassionate; I am so incredibly glad to have encountered it. While the book may be intended and suited for younger readers, there is still plenty for adults to enjoy and appreciate about it, too. Are You an Echo? is a treasure.

Thank you to Chin Music Press for providing a copy of Are You an Echo? for review.

Platinum End, Vol. 1

October 18, 2016 by Sean Gaffney

By Tsugumi Ohba and Takeshi Obata. Released in Japan by Shueisha, serialization ongoing in the magazine Jump Aquare. Released in North America by Viz. Translated by Stephen Paul.

The creator team of Ohba and Obata has brought Japan and North America some of the most iconic manga out there in Death Note and Bakuman. In addition, Obata’s art has also been seen in Hikaru no Go, All You Need Is Kill, and, erm, School Judgment. OK, possibly not that last one, but otherwise, they’re all acknowledged hits and big influences. So I always feel guilty that I’ve never really warmed to any of them. I found Hikaru no Go pretty dull, Death Note’s nihilism wasn’t my bag, and Bakuman’s casual sexism rubbed me the wrong way. Yet hope springs eternal, and here they are with a new series. Can they build on the strengths of past works, or will I be grinding my teeth again?

A little of both, really. I’m not as familiar with Death Note as most other readers are, mostly as I didn’t warm to its premise so never really read it, but it strikes me that a lot of the same themes I hear that it had are cropping up here. Our hero, Mirai, begins the story as, sadly, many manga protagonists do, by resolving to kill himself. He ends up being saved by an angelic being, Nasse, who explains he’s been chosen to participate in a war of sorts to see who gets to become the next God. He also has powers to a) fly, and b) make someone fall madly in love with him… for 33 days. Naturally, there are other participants as well, from the sleazy (a guy who decides to use the love arrows for orgies) to the so-called moralistic (the guy who becomes a vigilante superhero), to the girl Mirai has a crush on (who is the cliffhanger ending).

Ohta and Obata love grey, morally ambiguous works, and this is no exception. The star of the volume is without a doubt Nasse, who would love it if Mirai simply used his newfound powers a lot more indiscriminately. She’s supposedly an angel, but is 100% fine with murder and other morally reprehensible acts. Luckily, Mirai isn’t, and after his first horrific but accidental use of his powers, tries to think seriously about what to do and how to use them carefully – especially as he realizes that the God War involves killing off every other candidate. Nasse, though, is fine with absolutely anything as long as it gives him “normal happiness”, whatever that is, because that’s what he wished for from the start. It’s really creepy, to be honest.

Where the manga succeeds is where all Obata manga succeed – the art is fantastic, with dynamic poses, violence and fanservice when it’s appropriate, and a nice ability to read the character’s emotions from their expressions rather than just the dialogue, something many other artists have issues with. And the premise looks like it could go to interesting places… or nasty ones. The odd morality of the angels, though, reminds me more of Franken Fran than anything else, and likely will determine if I continue this series or not.

Komomo Confiserie, Vols 4 and 5

October 17, 2016 by Anna N

Komomo Confiserie, Vols 4 and 5 by Maki Minami

This series was five volumes long, and it feels like exactly the right length to wrap everything up and not leave the readers hanging. It was pleasant enough, but I don’t see myself rereading it anytime soon. Still, this is the first Minami series that I’ve stuck with all the way to the end, so there’s something about cranky pasty chefs that I must find appealing! The last two volumes of the series work through a few barriers to Komomo and Natsu getting together.

This volume shows how Komomo deals with a psychotic girl who has decided to stalk Natsu in a dramatic fashion. Natsu starts ignoring Komomo for her own protection, because he doesn’t want Komomo to become a focus for Noelle’s wrath. Komomo doesn’t deal well with being ignored though, and since Natsu doesn’t openly discuss this problem with her at all (which is standard practice for shoujo heroes) the situation drags on far too long. While Komomo manages to fly under the radar for a little bit, Noelle becomes suspicious of Komomo and Natsu’s relationship and decides to take out her revenge on the Meli-Melo pastry shop. Here, Komomo’s sheer force of will and commanding nature comes out when she decides that she will not stand for Natsu’s livelihood being threatened, and she takes charge in a spectacular fashion, exhibiting some emotional maturity that she wouldn’t have been capable of at the start of the series.

Mitsuru, an old friend of Natsu starts to move in on the story. He’s fascinated with Komomo and figures out that Natsu must be in love with her. However, he has his own secret motivation for becoming involved with the odd pastry-obsessed couple, which is explored more fully in the next volume.

While Komomo starts to realize her feelings for Natsu when she begins to feel jealous of Noelle in the previous volume, the dynamic in the final volume is reversed as Natsu is forced to confront just how precious Komomo is to him once Mitsuru comes charging on the scene. Komomo has a choice to go back to her old life or stay devoted to Meli-Melo, and while her feelings aren’t in question, it takes a bit of time for Natsu to actually acknowledge what the reader has known has been going on since the very first volume.

Komomo Confiserie isn’t the most innovative shoujo manga, but I enjoyed the pastry-themed setting and Komomo’s imperious manner, expressive eyebrows, and occasional fits of rage. I While I don’t see myself rereading this manga anytime soon, it was the first Maki Minami series that I actually read from start to finish. Even though I had a very clear idea where the story would conclude after reading the first volume, I still enjoyed reading the whole series.

Pick of the Week: To Titan or Not to Titan

October 17, 2016 by Sean Gaffney, Michelle Smith, Ash Brown and Anna N Leave a Comment

SEAN: It’s the Attack on Titan Anthology, full stop. It’s amazing that this project happened at all, and it’s even more amazing that it turned out so excellent, with stories that are gut-wrenching, inspirational, and hilarious.

MICHELLE: Because I’m not really into anything that’s coming out this week, I thought I’d cheat and pick one thing from *next* week’s Yen offerings, thus freeing me up to pick something else then. So, this time I’ll plug Horimiya once again. It’s a very enjoyable, shoujo-esque love story, and I am looking forward to the latest volume.

ASH: I’m with Sean this week. Considering everyone who was involved, I was expecting Attack on Titan Anthology to be good, but I was still pleasantly surprised by just how good it is. Honestly, it’s a fantastic collection with a great variety of stories in a wide range of styles. Anyone with even a passing interest in Attack on Titan should be picking this one up.

ANNA: I’m not seeing much that I’m thrilled with this week. But do you know what I am thrilled with? Kaze Hikaru Vol 24. Sure, it came out in the summer, but I am just reading it now so it is my pick of the week!

Bookshelf Briefs 10/17/16

October 17, 2016 by Sean Gaffney and Michelle Smith Leave a Comment

Assassination Classroom, Vol. 12 | By Yusei Matsui | Viz Media – I’ve talked before about how much I enjoy Irina’s crush on Kurasuma, and his seeming obliviousness to same. Seeming being the word there, as here we see he’s deliberately not seeing it so she won’t lose her edge. Of course, this is because he sees her as an assassin and not a woman. And as with women scorned through history, it makes Irina vulnerable to others who want to use her skills and go after the real target—Koro-sensei. Luckily, the kids have learned their lesson from the last book and are better than ever. Unluckily, that means very little against this new assassin, whose killing presence is very reminiscent of Nagisa’s. Add this all up and you get another excellent volume. – Sean Gaffney

Black Clover, Vol. 3 | By Yuki Tabata | Viz Media – Still hugely enjoying this, despite its almost anti-originality. There are new powers discovered that call out only to the right one to wield them; huge battles where our hero is seemingly defeated only to power up at the last minute; saving the villain’s life because he’s not REALLY the villain, of course, just another guy like the rest of us; a dysfunctional bunch of arrogant heroes who will no doubt be hideously powerful and also learn humility. Oh, and look, some of them are Noelle’s siblings. And it all ends with the villain about to kill a defenseless child for the lulz, and our hero coming to the rescue. It would be horrible were it not well-drawn and plotted, with sympathetic heroes Classic Jump, really. – Sean Gaffney

The Demon Prince of Momochi House, Vol. 6 | By Aya Shouoto | VIZ Media – After a pair of strong volumes, I was expecting more from this one, but ended up feeling a little disappointed. It isn’t bad, just not as good. Reeling from Aoi’s rejection, Himari meets a new teacher with a penchant for telling ghost stories and collecting magical objects, including a mirror that allows her to eventually accept the fact that, reciprocated or not, her feelings for Aoi won’t change. After an ultimately pointless visit from a demanding cat ayakashi, we do get some hints about the mysterious teacher that might prove interesting. Oddly enough, the best part is the baffling but intriguing bonus story. I don’t have absolute confidence in Shouoto-sensei’s ability to pull all of these threads together, but I’ll keep reading. – Michelle Smith

Golden Time, Vol. 5 | By Yuyuko Takemiya and Umechazuke | Seven Seas – I think this is the start of the adaptation of the second light novel, and it shows, as this is mostly all setup with very little payoff. Banri and Kouko are together now, but as his memories return more and more (not helped by more head injuries, which can’t be good for him), it becomes increasingly apparent that Linda was his true love before the accident. Linda is having a breakdown now that he is remembering things, and Kouko is as always a complete emotional whirlwind, which is fun when she’s mocking her ex or trying to set her up with the still underdeveloped Oka, but can be extremely aggravating when you need someone in this soap opera to be sensible. – Sean Gaffney

Honey So Sweet, Vol. 4 | By Amu Meguro | Viz Media – I’ve wanted to see more of Yashiro, the sharp and somewhat sarcastic best friend of the heroine, since the book began, and this volume allows me a whole pile of her. It shows off why she’s had so much trouble opening up—her family tends to ignore her, and the only real affection she’s gotten to date is from her much older tutor, who’s dating her but also cheating on her. This sort of character, in a shoujo manga, really is served best by a partner who wears their heart on their sleeve, and luckily Misaki is completely unable to hide any emotion whatsoever. Luckily, the tutor is wise enough to realize that she really is better off with someone other than him, and cheerfully breaks up with her. Fluffy angst is the best angst. – Sean Gaffney

Haikyu!!, Vol. 4 | By Haruichi Furudate | VIZ Media – One of the best things about The Prince of Tennis was the many memorable rival teams Seigaku faced. But I think Haikyu!! has them beat with Nekoma, a consistent team with an arsenal of attacks, memorable characters (including several analogues to Karasuno players), and appealing backstory. I actually found myself rooting for them, and would totally read a spinoff about them! But it’s also great that they forced Hinata to start consciously aiming his hits, rather than depending on Kageyama all the time, beginning the duo’s evolution from “a monster and his club” to “one monster and another monster.” Also, Karasuno losing the practice game at this point will make an eventual rematch on the tournament stage even more pivotal and exciting. I’m looking forward to it! – Michelle Smith

My Love Story!!, Vol. 10 | By Kazune Kawahara and Aruko | VIZ Media – I love this series so, so, so much. Reading it makes me happy. I especially enjoyed this volume because it spends a lot of time on Takeo and Sunakawa’s friendship. First, Suna is there for Takeo when the latter is worrying about Ichinose the pastry chef confessing his feelings to Yamato, but then he starts feeling lonely when he realizes Takeo has gotten better at communicating his good intentions to others and might not need him anymore. He has a hard time admitting how he feels, and also later struggles to advise Takeo about his growing desire for Yamato. (Could this be further evidence of his asexuality?) Of course, there is plenty of romantic cuteness between our lead couple, but for getting to know Suna better, this volume is a standout. – Michelle Smith

My Love Story!!, Vol. 10 | By Kazune Kawahara and Aruko | Viz Media – Last time I hoped Yamato would figure out what was going on and shut Ichinose down. Well, she didn’t really figure it out, but we do get a rejection. Being Yamato, of course, it’s as sweet as pie, assuring Ichinose that his skills as a pastry chef are amazing without her as a muse AND reaffirming she’s head over heels for Takeo. In fact, these two are such a solid couple it might be time to take things to the next level, something Takeo has been brooding over but can’t quite get out due partly to his shyness and partly I think due to having Yamato on a pedestal. Luckily the class trip is coming up, giving them lots of opportunity to go further, though I doubt anything major will happen. Still adorable. – Sean Gaffney

My Neighbor Seki, Vol. 8 | By Takuma Morishige | Vertical Comics – It’s been a while since we’ve had Seki’s antics, and I find that this was an even more enjoyable volume of Seki than usual. There’s another one of the “Godo misinterprets Seki and Yokoi as a hot sexy couple” chapter, even as Yokoi is merely trying to figure out what the hell Seki is planning now. There’s a lot of Seki’s games rebounding on him this time, as he gets lost in imaginary toys, has a hilarious disaster with natto, and sprays his crotch with water in the worst possible way. As for Yokoi, all she wants is a nice sweet story from Seki’s playthings, but more often than not his nihilistic side takes over, such as his post-apocalyptic Game of Life. Even the cover gag is great. – Sean Gaffney