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Bookshelf Briefs 4/24/17

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D-Frag!, Vol. 11 | By Tomoya Haruno | Seven Seas – I keep emphasizing in these reviews that D-Frag! is a comedy first and foremost, and that’s still true. That said, there’s no denying that there are some romantic undertones in the series—Takao and Funabori most obviously, but also Roka more subtly loves Kenji. So it’s no surprise that we end up with both of them having to live at Kenji’s house for a bit—Roka due to a meteor strike (yes, really), and Takao simply due to fretting over having Roka get the drop on her. Thankfully, D-Frag! knows that its tsukkomi is always more important than its rom-com, and the jokes still fly fast and furious. Also, bonus points at the start of the book for remembering this is a school and there are actual grades involved. Great fun. – Sean Gaffney

Horimiya, Vol. 7 | By Hero and Daisuke Hagiwara | Yen Press – Last time I noted how little losing their virginity changed the lead couple in this series, and that’s still the case, but more interestingly, we get to explore consensual kinks in this volume. To be precise, Hori is turned on by Miyamura being forceful towards her—she’s not sure why, but her father’s explanation for it likely fits the bill. That said, it makes Miyamura uncomfortable, so I’m not sure how far they’ll take it in the future. In the meantime, Yuki takes the stage for most of this volume, as she asks Tooru to be her pretend boyfriend in order to help answer a guy’s confession. Only the guy quickly becomes a member of the main cast, and what’s more, the fake boyfriend thing is going to completely torpedo Sakura’s love. Will this end well? Probably not. – Sean Gaffney

Kiss Him, Not Me!, Vol. 10 | By Junko | Kodansha Comics – I suppose, given this has become one of the more popular Kodansha shoujo titles and therefore is not ending anytime soon, that we were due for a new rival. He’s a tough one, too—not only is he a voice actor who plays Kae’s latest obsession, but he and Kae were childhood friends—in fact, they were both fat at the time! It’s actually Kae’s weight that drives a lot of the plot—Takeru finds out about her harem, and due to some misunderstandings thinks that they only care about her thin, cute, busty self. (In fact, the main cast went through this several volumes ago, and (mostly) concluded it didn’t matter.) So now he’s kidnapped her and seems to be force-feeding her, as he’s also a bit evil. Fun, but highly variable. – Sean Gaffney

Liselotte & Witch’s Forest, Vol. 4 | By Natsuki Takaya | Yen Press – It is becoming more apparent that the shot we saw in volume one of Liselotte taking up arms against her brother is not what actually happened, and in fact the more we find out about her the more we realize that she’s another of Takaya’s favorite kind of heroine, the plucky Pollyanna with the hideously broken past. That said, there are a few signs that her brother isn’t completely evil here. We also get a lot more information on witches, including the fact that Vergue and Hilde were once human, and clearly becoming a witch was something very painful and isolating to both of them. There’s still some shots of light humor—Anna is shaping up to be a smiling villain in the best way—but for the most part things take a turn for the serious here. – Sean Gaffney

Liselotte & Witch’s Forest, Vol. 4 | By Natsuki Takaya | Yen Press – Liselotte is attempting to live a peaceful life with her friends, sewing frilly shirts and tending to her vegetable garden. The back cover promises an attack by the witch Vergue, and though it’s true that he ends up significantly damaging her house, he’s also driven away simply by her shoujo heroine powers of empathizing with his rejection of humanity in favor of a place he belongs with the witches. The most interesting parts of this volume are actually the flashbacks the Vergue situation evokes, as Liselotte recalls more of what happened with her brother, who maybe isn’t actually her biological sibling, and who seemed to be giving her the chance to get away from the capitol and find happiness. That’s far more intriguing than a straight-up villain, so I hope we learn more about him in the next volume! – Michelle Smith

Tokyo Tarareba Girls, Vol. 2 | By Akiko Higashimura | Kodansha Comics (digital only) – After her unexpected hookup with hot model and younger man Key, Rinko struggles to figure out what it means. With the help of her pals, both real and hallucinated, she ultimately concludes that it was just a spur-of-the-moment whim on his part, but that doesn’t keep her from being curious about him, especially when she learns that a woman he loved passed away. Meanwhile, we get some very welcome chapters from the points of view of Kaori and Koyuki, Rinko’s friends. I love that, in time, they too start experiencing hallucinations, although it’s pretty heartbreaking that they both end up in sexual relationships without love or future prospects. This series is funny and whimsical, but also fairly bleak and depressing. I do love it, but it’s probably best in small doses. – Michelle Smith

Welcome to the Ballroom, Vol. 4 | By Tomo Takeuchi | Kodansha Comics – Fujita learns some important lessons in this book—actually, the entire book is filled with important lessons. For Fujita, it’s that he’s still a beginner and has a long way to go, and that until he grows he’s going to come last. For Mako and Gaju it’s that they weren’t really observing the other person when they danced, and they want to reunite in order to compete properly. For Shizuku it’s that she can still feel jealousy over someone being judged to be more beautiful than she is—and also hate herself for having those feelings. Even Hyodo is beginning to rediscover a passion for dancing that has been cooled by his injury. But most importantly, there is the dancing, and the art conveying the dancing, and that is still amazing. – Sean Gaffney

Yowamushi Pedal, Vol. 5 | By Wataru Watanabe | Yen Press – The Inter-High race begins! Before we get to that, though, we have to establish what some of the rivalries are. Kinjou will face off against Fukutomi again, the rider who caused his defeat the previous year, while Imaizumi is up against creepy Midousuji. We’ve been hearing about Midousuji since the beginning, but this is the first time he’s actually appeared and he looks and acts like some deranged creature from a horror manga. After that, though, the race is on and it’s a mad rush for the sprinters to claim the top spot at the first checkpoint. As usual, it’s riveting and the enormous volume goes by too quickly. The climbers take center stage next time, but we’ll sadly have to wait until August for that. – Michelle Smith

Pick of the Week: Happiness Will Prevail

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MICHELLE: I’m both excited and grateful for more digital josei from Kodansha, but of course it’s sports manga that gets me stupidly excited, which is the case for Tuesday’s debut of Days.

SEAN: I’ll go with the 3rd Bakemonogatari novel, which promises to dig into Tsubasa Hanekawa’s psyche at long last, as well as metatext, annoying sexualized scenes, and more insults hurled with love than you can shake a stick at.

KATE: I only have eyes for one title this week: Shuzo Oshimi’s Happiness. For my money, Happiness is the best title Kodansha is publishing right now: it’s smartly drawn, expertly paced, and meticulously plotted, with a memorable, sympathetic lead character and a well-rounded cast of supporting players. More impressive still is that the horror elements feel fresh and surprising; this isn’t just another teen vampire manga. If you do give it a try, be prepared to squirm or cringe from time to time — not because it’s gory, but because it captures the special awfulness of being fifteen in vivid detail.

ASH: I’m with Kate. I don’t have much to add after such an eloquent description, but Happiness is definitely the manga release which commands my attention this week.

ANNA: OK, Happiness wasn’t on my radar before, but now it certainly is! This week would be much smaller without Kodansha’s digital releases, they are bringing back older unfinished series and producing more and more digital josei, which is a very good thing. My pick of the week is Kodansha’s digital program in general. I hope it inspires other publishers to bring out more titles that might be too noncommercial for print release.

MICHELLE: At the risk of sounding like a broken record…. Like 7SEEDS?!?!

ANNA: 7SEEDS!!!!!!!

MJ: So, first I have to decide whether I can forgive my co-bloggers for momentarily making me think that someone had actually licensed 7SEEDS. If I ever manage that, or indeed manage to recover from that brief moment of excitement, I will pick… something else? I haven’t started Happiness, but it sounds like I should.

My Week in Manga: April 17-April 23, 2017

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My News and Reviews

Well, I didn’t manage to post my in-depth manga review for April last week after all. Today I’m starting in a new position at a different library, meaning that last week I spent most of my time tying up as many loose ends as possible at my previous job. This included writing a lot of documentation. And since I was doing so much writing for work, by the time I got home I didn’t want to do anything but read, so that’s what I did. (Which goes to explain why I ended up finishing Cixin Liu’s excellent novel The Three-Body Problem much sooner than I had originally anticipated.) But never fear, I’ll be posting my review of Nagabe’s The Girl from the Other Side later this week in addition to the monthly manga giveaway.

In other news, Seven Seas continued its string of licensing announcements, adding Orikō Yoshino and Z-ton’s light novel series Monster Girl Doctor, Kazuki Funatsu’s Yokai Girls manga, and Saki Hasemi and Kentaro Yabuki’s To Love Ru and To Love Ru Darkness manga to the slate. Recent announcements from Viz Media included Sankichi Hinodeya’s Splatoon manga, a Hello Kitty coloring book, picture books of Hayao Miyazaki’s Castle in the Sky and Princess Mononoke, as well as the My Little Pony: The Movie artbook. Kodansha Comics had a couple of announcements to make recently, too, such as the upcoming release of full-color hardcover edition of Gun Snark’s Attack on Titan: No Regrets (I’ve previously reviewed the series’ first English-language release) and a hardcover omnibus edition of Yukito Kishiro’s Battle Angel Alita. (The series was originally published in English by Viz Media but has been out-of-print for quite some time.)

I also came across a few other interesting things last week: Over at The OASG, Justin interviewed Mariko Hihara and Kotoyo Noguchi, two independent manga creators in Japan. Noguchi also had some questions to ask in return. Frederik L. Schodt (whose work I greatly enjoy) was recently profiled at Nippon.com. The article takes a look at his involvement as an ambassador for manga over the last four decades. Caitlin from I Have a Heroine Problem presented a panel called “Is This Feminist or Not? Ways of Talking about Women in Anime” at Sakura Con 2017 and has made her slides available. A very nicely designed site called Persona Problems offers criticism of Persona 5‘s English localization and delves into translation theory and practice that even people who don’t play the game may find interesting. Finally, the author and designer Iku Okada has started a series of autobiographical essays called Otaku Girl and Proud which explores Japanese gender inequality and identity and how popular culture can impact that experience.

Quick Takes

Dorohedoro, Volume 17Dorohedoro, Volumes 17-20 by Q Hayashida. Despite being one of my favorite ongoing series currently being released in English, I seem to somehow always forget how incredibly much I love Dorohedoro. I tend to forget how tremendously horrific the manga can be, too, mostly because it simultaneously manages to be surprisingly endearing. Hayashida’s story and artwork is frequently and stunningly brutal, gut-churning, and grotesque, but Dorohedoro also carries with it a great sense of humor. Granted, the comedy in Dorohedoro tends to be phenomenally dark. Lately, as Dorohedoro continues to steadily progress along what I believe will be it’s final major story arc, the series has become fairly intense and serious, but it remains exceptionally weird and has yet to completely lose its humor. The plot of Dorohedoro does meander a bit and because it’s been so long since I’ve read the previous volumes I’m sure that I’ve forgotten a few important details as the story takes multiple convoluted turns along the way. Ultimately, it doesn’t seem to really matter though since the world and characters of of Dorohedoro follow and operate under their own peculiar sort of logic; Dorohedoro doesn’t need to make a lot of sense in order to be bizarrely enjoyable.

FukuFuku: Kitten Tales, Volume 1FukuFuku: Kitten Tales, Volumes 1-2 by Kanata Konami. Before there was Chi’s Sweet Home there was FukuFuku Funyan, Konami’s cat manga which started in the late 1980s. The series featured an elderly woman and her cat FukuFuku. More recently, Konami created FukuFuku: Kitten Tales, a spinoff of FukuFuku’s first series which, as can be accurately assumed by the manga’s title, shares stories from the loveable feline’s youth. While Konami’s artwork in FukuFuku: Kitten Tales is black-and-white rather than being full-color and the manga is only two-volumes long rather than being twelve, the series is otherwise very similar in format to Chi’s Sweet Home. It’s actually been quite a while since I’ve read any of Chi’s Sweet Home, but FukuFuku: Kitten Tales feels like it might be a little more episodic as well. However, it is still an incredibly cute series. Each chapter is only six pages or so but manages to tell a complete story, accurately portraying the everyday life and antics of a kitten. FukuFuku: Kitten Tales isn’t especially compelling or creative as far as cat manga goes, but it is an adorable series which consistently made me smile and even chuckle from time to time.

Magia the Ninth, Volume 2Magia the Ninth, Volume 2 by Ichiya Sazanami. I enjoyed the first volume of Magia the Ninth immensely. I’m not really sure I could call it a good manga per se, and I don’t think I would necessarily recommend it broadly, but personally I got a huge kick out of it. That being said, I can’t say that I’m surprised that the series only lasted two volumes. (I don’t know for certain, but I get the feeling that Magia the Ninth was cancelled.) What did surprise me was how well Sazanami was able to pull everything together to conclude the manga in a coherent (and almost satisfying) fashion when obviously it was intended to be a series on a much grander scale. To be honest, Magia the Ninth probably would have done much better for itself if the manga had had that level of focus from the very beginning. Magia the Ninth is a strange and somewhat goofy little series about demons, magic, and music. While the series wasn’t always the most comprehensible, it’s stylishly drawn, has tremendous energy, and even manages to effectively incorporate legitimate music history into the story. Magia the Ninth may not have lived up to its potential, but I had fun with it.

The Prince in His Dark Days, Volume 2The Prince in His Dark Days, Volumes 2-3 by Hico Yamanaka. More and more of The Prince in His Dark Days seems to revolve around Itaru, but at this point I would still consider Atsuko, who is serving as Itaru’s double, to be the real lead of the manga. Unfortunately, Atsuko is casually threatened with sexual violence on a regular basis in the series which frankly makes me uncomfortable. In general, the power dynamics in The Prince in His Dark Days tend to be fairly disconcerting. It doesn’t really help when other characters’ try to play it off as a joke, either. If anything, it only seems to emphasize the fact that so many of them are unrepentant jerks. I know that I’m supposed to empathize with some of their personal struggles, but I find it difficult to spare a lot of sympathy for entitled assholes. However, the themes that Yamanaka explores in The Prince in His Dark Days are of tremendous interest to me, most notably those of gender expression and sexual identity. I also appreciate the manga’s melancholy mood and the slow blossoming of love in unexpected places. There’s only one volume left in The Prince in His Dark Days and despite some of my reservations about the series I am curious to see how it ends.

The Three-Body ProblemThe Three-Body Problem by Cixin Liu. If my memory serves me right, The Three-Body Problem is actually the first contemporary Chinese novel that I’ve read. It initially came to my attention when it became the first work in translation to win the Hugo Award for Best Novel. Interestingly, when The Three-Body Problem was translated into English by Ken Liu, the order of the chapters was restored to what the author originally intended and a few additional changes were made in consideration of some of the real-world scientific advances that had developed since the novel was first published in China. As a novel that leans heavily on hard science, I found The Three-Body Problem to be fascinating. (At one point in my life, I actually considered going into theoretical physics.) But what makes The Three-Body Problem so compelling are the social aspects of the narrative. In particular, China’s Cultural Revolution and the characters’ responses to it play a critical role in the story’s development. The Three-Body Problem is the first book in a trilogy, Remembrance of Earth’s Past, and so while largely being a satisfying novel on its own, it’s obviously only the beginning of a larger work. I definitely plan on reading the rest.

Konosuba: God’s Blessing on This Wonderful World!: Love, Witches & Other Delusions

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By Natsume Akatsuki and Kurone Mishima. Released in Japan as “Kono Subarashii Sekai ni Shukufuku o!: Chūnibyō demo Majo ga Shitai!” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Kevin Steinbach.

First of all, I would like to state, for the record, that it was Yen On’s decision not to use an oxford comma in the subtitle. I am merely replicating their choice. And if you think that’s a somewhat silly way to start a review, then you’re clearly not the right audience for KonoSuba, whose second light novel is content to replicate the choices of its first, showing that it is quite happy to have its dysfunctional cast behave badly in hilarious ways. Kazuma whines and moans (and tries to get laid with a succubus, which works about how you’d expect); Aqua is the brattiest goddess you’ll ever see (indeed, the book begins with a much nicer example); Megumin cares about explosions and nothing else, and Darkness’ masochism is in full force. There’s a hint the next book will advance what passes for a plot, but in the meantime, enjoy the antics.

The book starts off on the right foot – indeed, it may be my favorite part – with a story about a foolish young man, seeing Kazuma surrounded by hot girls and not much else, offering to switch parties with him for the day. Kazuma, who is no fool, accepts, and you’d think we’d stick with other guy and watch the fallout. But no, instead we follow Kazuma and see his normal day with a normal party. He uses his adventuring powers wisely, helps save the day, gains the respect of his teammates – it’s peaceful, heartwarming, and would no doubt be incredibly dull it it lasted any longer than it does. We then return and see the aftermath of Dust’s day with Aqua, Megumin, and Darkness… and yup, he’s begging to switch back. Predictable, but still hilarious.

Even when the book takes a turn for the slightly serious, there’s still gags lurking in the background. That’s a good thing, to be honest – this really isn’t a series you want to see depth and feeling in. Taking it too seriously would ruin the point. So when we get the climax with everyone fighting against the giant spider mecha with the bomb inside it, it’s undercut by the creator’s hilariously mopey diary about the building of the thing. There’s even some mild romance in this, though as ever I see the group as more of a family than anything else. When Kazuma requests a “dream visit” from a succubus, he’s clearly expecting Darkness based on his reactions – we’ve heard before that were it not for her masochism, she’s exactly his type – and Darkness’ atypical reactions seem to suggest she’s far more open to this than you’d expect a comedic harem girl to be. Of course, nothing comes of it…

The book ends on a cliffhanger, and the afterword is already announcing side-stories to be released (which have not, as of yet, been licensed here, I add for clarification). Clearly it was a runaway success in Japan. You can see why. It’s mocking a very popular Japanese light novel genre, and doing it well.

Toppu GP, Vol. 1

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By Kosuke Fujishima. Released in Japan by Kodansha, serialization ongoing in the magazine Afternoon. Released in North America by Kodansha Comics.

It is somewhat mindboggling that we did not arrive at this point a good 35 years ago. No one has put more effort into writing motorbikes into series that did not necessarily need a lot of motorbike attention as Kosuke Fujishima has. You’re Under Arrest was a buddy cop manga, but right from the start it was clear that both girls were about driving fast, and making their cars and bikes as fast as possible. Oh My Goddess! had goddesses, demons, heaven, hell, and so many motocross races it wasn’t even funny, to the point where entire volumes barely focused on anything but racing. Even minor series such as Paradise Residence or EX-Driver have found a way to show off bikes and souped-up engines. Yet somehow, Fujishima has never written a pure, modern-day racing manga until now. Can we blame Initial D?

For the most part, it’s been worth the wait. You can argue all you want that Fujishima sometimes skimps on characterization, but there’s no doubt the man knows how to write a race. The racing here is sort of like the dancing in Welcome to the Ballroom – exciting, understandable, fast, and it makes you want to find out more about it yourself. The hero, as you might guess from the title, is Toppu, a young kid who was just interested in building Gundam models and not much else. But he has two big things going for him to get him into the world of Grand Prix racing: a) an ability to analyze how to best race by merely watching others, and b) a massive crush on the girl next door, Myne, who’s a very talented GP rider and is convinced that Toppu could be even better. And, after finally getting on a bike to try it, he discovers a love of racing himself.

As you might guess from Toppu’s grumpy mug on the cover of this volume, he’s not exactly filled with the joy of everyday living. Myne makes up for that, being such a force of pure cuteness and verve that I had to check to make sure this wasn’t being written by Mitsuru Adachi. (Actually, like Adachi, I wonder if Myne might end up being a posthumous character as this goes on – Toppu’s “I hope you’re watching this” to the skies in the starting flashforward is ambiguous – but I suspect Fujishima is not the sort to kill off his cast quite like that.) She gets some development as well – when two brothers bend the rules in their favor to try to topple Toppu (say that three times fast), she goes after them in the next race out of pure vengeance – which she realizes, thankfully, pulling back and reminding herself of the joy of racing.

And really, that’s why you want to read this, more than the plot or characters. It is a giant love letter to motorbikes, their care and maintenance, and the way that they move around a track. I’m not sure when the next volume will be out – we’re already caught up with Japan – but I can’t wait for more.

The Asterisk War: The Phoenix War Dance

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By Yuu Miyazaki and okiura. Released in Japan by Media Factory. Released in North America by Yen On. Translated by Melissa Tanaka.

The Asterisk War, quality of writing or no, has a tendency to be overly cliched. Sometimes, in fact, it’s so cliched it actually throws me off my game and surprises me. We’re introduced to a pair of sisters here, who end up fighting Ayato and Julis towards the end of the book. Given that we first meet the older sister literally chained up in a subbasement, I expected her to be the barely controllable psycho one gets chained up in subbasements. As it turns out, she loves to fight, but is far nicer than it would seem (though she was right to ditch the weapon trying to overpower her mind). As for the younger sister, I naturally expected her to show that the sweet girl act was a facade, and that she was really the evil one and the brains of the outfit. Hope. She’s just as sweet as she seems, and is there to cook and be rescued. You can second guess yourself on how cliched this book can be.

This is not to say I did not enjoy the book – I did. It’s as deep as a puddle, but that’s not what I’m looking for. Actually, the one time I think that the book really succeeded in creeping me out was when Claudia (who gets the cover art this time) explains the price she pays for the ability to use her weapons, and what it does to almost everyone who isn’t her. One wonders just how much of the flirty yet manipulative student council president is an act – though probably not much, I’ve already learned my lesson on second guessing myself. As for the rest of the harem, Julis is tsundere, though as always it’s a mild case; Saya is cool and seemingly stoic, and Kirin is shy, and they all still like Ayato a lot. I suspect we can also add Priscilla by the end of this book. Ayato is, of course, completely unnoticing, not getting at all why the girls want him to rub their head.

As you may have gathered, we’ve entered the tournament arc part of the story, and it appears it’s going to last more than one book. This allows us to see Ayato and Julis curbstomp a few opponents into the ground, as we know that they’re going to make it close to the finals as, well, they’re the heroes. In fact, given Julis’ wish, I suspect they pretty much have to win. Not so for Saya and Kirin, and I was pleased to see that they also live to fight another novel. Of the new characters, easily the most memorable – even more than the sisters who are the focus of the book – are the two AI robots, who seem deliberately written to be cartoon cliches. In fact, their interaction reminded me a lot of The Poet and Sickle from the later Baccano books, though thankfully Ardy does not speak nearly as floridly as the Poet. They to pummel their way through the contest, and I suspect we’ll get a confrontation between them and our heroes soon.

To sum up, this book is much like the last two books – hilariously unoriginal and yet fun to read in spite of that. It’s the perfect book to take on a vacation – just be aware the books are short, you’ll likely need to take something else as well.

Duncan Kincaid and Gemma James, Books 5-8 by Deborah Crombie

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dreaming_of_bonesDreaming of the Bones
After making my way through the first four books in this series with reasonable alacrity, I really stalled out on Dreaming of the Bones at first. A large part of the problem for me was that it had to do with the death of a poet five years prior, and was thus strewn with quotations of both poetry and flowery letters.

Once I summoned the fortitude to continue, however, I ended up enjoying the book well enough. We are introduced to Victoria, Duncan’s ex-wife, and I appreciated that both of them are painted sympathetically. Their relationship falling apart was no one’s fault in particular, and both have the wisdom now to recognize that. Victoria is on the English faculty at Cambridge and is working on a book about poet Lydia Brooke, whose death was presumed to be suicide. Victoria suspects otherwise and Duncan (as usual) keeps an open mind about her instincts and agrees to look into things even though the local police are not exactly enthusiastic about him poking around.

Although I generally prefer stories where Duncan is assigned to the case of a stranger, Vic’s involvement did offer many emotional consequences for Duncan. Too bad there really weren’t any consequences for the rule-breaking and jurisdiction-trampling he engaged in throughout. Also, I really disliked that Gemma works out the big reveal through a spate of poetic interpretation. Ugh. At the same time, there’s a scene at the end that made me verklempt, so… not my favorite, but still definitely worth reading!

kissed_goodbyeKissed a Sad Goodbye
Duncan and Gemma are assigned to the case of a body found lovingly laid out in a park on the Isle of Dogs. They soon learn her identity—Annabelle Hammond, the beautiful and determined director of Hammond’s Fine Teas who has several lovers on the go. But is what happened to her the result of romantic jealousy, or could it be tied to something else entirely?

Two months have passed since the events of Dreaming of the Bones, and Duncan is still struggling with (spoiler alert!) his newfound fatherhood. The perspective, however, is mostly on Gemma, who is having some trouble figuring out what she wants and who she wants to be. Initially this manifests in a decision to take piano lessons, but soon involves another man.

Honestly, I failed to be convinced by Gemma’s little side romance with Gordon the clarinet-playing busker, who showed up in some earlier book in a greatly diminished capacity. I recall in his earlier appearance that he was brusque and uninterested, but here we get a retcon about how he was secretly intrigued by Gemma all along. It’s played up to be this mutual attraction that she must decide whether to pursue, but he’s just not accessible enough as a character to really make this convincing.

That said, I liked the mystery itself. There were flashbacks throughout to the ’40s, when some of the characters were evacuated to the countryside as children, and they not only elucidate the present but reveal one particular character to be more sympathetic than one might ordinarily assume. On the whole, definitely worth reading, even if there were parts of it I didn’t especially like.

finer_endA Finer End
A Finer End is somewhat tough to review, because I did genuinely like some of the characters that Duncan and Gemma encounter in Glastonbury, where they’ve traveled as a favor to Duncan’s cousin, Jack, whose vicar girlfriend has been injured in a hit-and-run accident. The problem is that Jack has supposedly been receiving messages from a long-dead monk in the form of automatic writing, a claim that Duncan and Gemma accept without question. On top of this, there’s a painter who receives visions not only of one particular little girl but also the whereabouts of the thing that the monk is trying to lead Jack to find. And because the narrative confirms the verity of these paranormal happenings, other elements of the story are thrown into question. Did the “old gods” and the tribute they’re due actually play a part in what happened, for example?

It’s not that I dislike stories about the supernatural; it’s that it’s really bizarre when the supernatural suddenly shows up in the seventh book of a series about Scotland Yard detectives. It also bothered me that the one character who’s a skeptic about all of this is a flagrant asshole who eventually comes unhinged. In addition, I dearly hope that the paternity of a particular child was supposed to be glaringly obvious to the reader, because it sure was. Too, the conclusion is muddled, and the final line was so incredibly cheesy that I actually said, “Barf!” out loud.

All in all, this was profoundly disappointing and I hope it doesn’t signify a new trend for the series.

justice_noneAnd Justice There Is None
It is with profound relief that I proclaim that I really, really liked this one! There are absolutely no supernatural elements whatsoever, thankfully, and the investigation itself is a change of pace, too. Instead of being dispatched to some bucolic locale on Scotland Yard business, a murder is committed in Notting Hill, where Gemma is now assigned as a Detective Inspector. Moreover, she and Duncan and their respective sons move into a house nearby, which puts her family in proximity to the crime and, ultimately, the culprit.

The case involves the wife of a well-off antiques dealer who recently discovered she was pregnant by her lover. Duncan recalls a similar killing that took place a month prior, so he and Gemma work together on the case. Interspersed throughout is the story of “Angel,” a young woman who is orphaned in the mid-sixties and finds herself swept up in the London drug scene. All of the pieces eventually come together, and even though there’s one clue that lets readers know who the murderer is before Gemma has figured it out, she doesn’t end up seeming slow on the uptake. Rather, it adds an extra layer of menace when the perpetrator just happens to be strolling past their new house and has a chat with Kit (Duncan’s son).

And oh, what a house. I love that Gemma and Duncan are establishing their own family, especially given the new addition on the way. I love, too, that the pets are 100% accounted for, and that Gemma adopts a sweet new dog. Best of all, though, is that it’s Christmas. Duncan’s present to Gemma makes both her and me verklempt. I also liked seeing Gemma and Duncan working with other people, and hope that some of the nice people she encountered in the neighborhood make appearances in future books.

Ghost Diary, Vol. 1

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By Seiju Natsumegu. Released in Japan as “Kaidan Nikki” by ASCII Media Works, serialized in the magazine Dengeki Daioh. Released in North America by Seven Seas. Translated by Krista Shipley, Adapted by Shannon Fay.

For a while now, there has been a war going on in manga, though some may not have noticed it. Here at Manga Bookshelf, though, we pride ourselves on observational skills, and have watched the fallout with much interest. I am referring, of course, to the battle between manga being licensed about yokai and manga being licensed about monster girls. Both seemingly involving the same thing, but in reality these are very different beasts. Monster Girl series, with one or two exceptions, show us various types of creatures living alongside humans in society, while yokai series tend to involve humans investigating said creatures as dangerous and mysterious phenomena. Ghost Diary ran in Dengeki Daioh, so honestly I was expecting the former, but make no mistake about it, this is a relatively serious work, and its dark turns surprised me.

The plot involves a group of high-school occultists who go around searching for mysterious things. That said, most of the club are there to fill out the cast, and the real stars are Kyouichi, a teen exorcists who is haunted by a tragic past, and Mayumi, the standard cardboard cutout tsundere who likes him. Kyouichi’s older sister disappeared after a battle with a yokai that was coming after Kyouichi himself, and he’s vowed to find her. Luckily, he has help. Unluckily, it’s the worst kind of help. Chloe is a grim reaper who seemingly wants to find Kyouichi’s sister as well so she can get her memories back, and offers to help him out when he needs it, to the point of moving into his house. Unfortunately for Kyouichi, Chloe is not going to be one of those quirky mentors you see so often in these sorts of series.

As you may have guessed by my brief snarkiness in the prior paragraph, I wasn’t all that impressed with the love interest in this series, and the rest of the club is also a bit underwhelming (even the shy girl who speaks through her doll has been done better elsewhere, though I admit the overweight yakuza is new). But make no mistake about it, you want to read this manga for the relationship between Kyouichi and Chloe, as she kills his friends (then resurrects them, to be fair), destroys what might otherwise have been a heartwarming chapter about a dead baker who was moved by Kyouichi’s sister, and otherwise behaves like she may be the villain of the series. But she may not be – certainly at times she does behave very much like the mentor she wants to be, and it’s unclear if she’s the antagonist of the whole series or just a horrible creature. I want to see more of her.

This series is not for everyone – the last chapter has some disturbing rape threats from a man trapped in the body of a prepubescent boy – but overall I was pleasantly surprised. This is a dark take on a genre that already gets pretty dark. And it’s only three volumes, so I’m definitely interested in finishing it. Let’s hope that Kyouichi can survive it.

Manga the Week of 4/26/17

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SEAN: For a non-Yen final week of the month, this is pretty ridiculously busy.

J-Novel Club has the 2nd volume of The Faraway Paladin, whose first volume I greatly enjoyed. Looking forward to this more serious take on the ‘reincarnated in another world’ genre.

Kodansha has piles of new volumes for fans of their old Del Rey series out digitally. Gakuen Prince 12, Nodame Cantabile 18, Princess Resurrection 12, Pumpkin Scissors 11, and School Rumble 19.

ASH: Oh! Nodame Cantabile! I actually still have the volumes that Del Rey released; glad I’ll be able to finish the series. (Though, as always, I will continue to hope for a print edition, as unlikely as it is.)

SEAN: There’s also new digital volumes of their newer series. The Full-Time Wife Escapist 2, House of the Sun 4, and Peach Heaven 2. Definitely interested in more Wife Escapist, which I really enjoyed.

MICHELLE: Yay for Nodame and House of the Sun and escapee wives!

ANNA: I can’t believe I’m so far behind in digital releases, wait, it it is totally believable. Sounds like I need to check out the Full-Time Wife Escapist for sure.

SEAN: In new digital releases, though you can’t seem to preorder them yet, we have DAYS, another soccer manga from the creator of Over Drive that runs in Weekly Shonen Magazine.

MICHELLE: Being sports manga, I am of course duly excited for DAYS. In fact, I think I’ve now officially lost count of how many sports manga series are being released here.

ASH: I’m enjoying this surprising sports manga renaissance, too!

SEAN: And there’s also Tsurezure Children, a 4-koma romance series from Bessatsu Shonen that deals with a varied cast. It looks cute.

In print Kodansha, we have the 21st volume of Attack on Titan. Will we finally get to that pesky basement of Eren’s dad?

ASH: One of these days, maybe!

SEAN: The 4th and final volume of the Fairy Girls spinoff is out.

And a 4th volume of Happiness.

ASH: I already need to get caught up with Happiness. I’m not especially interested in vampires, but I really liked the first volume.

SEAN: Seven Seas has an 11th volume of D-Frag!. Get your tsukkomi ready!

And also a 12th Devils and Realist.

Magical Girl Apocalypse has somehow made it to 11 volumes, despite all the hate rays coming from my eyes.

And Monster Musume has a Vol. 11 as well.

Mushoku Tensei: Jobless Reincarnation’s 5th volume will satisfy fans of (again) reincarnated in another world series.

And My Monster Secret has a 6th volume. I always look forward to this series.

Vertical has the 3rd and final volume of the Bakemonogatari novels, this one focused on Tsubasa Hanekawa, the bespectacled class president. Fear not, though, Nisemonogatari begins in June.

Vertical Comics has the 8th and I believe final omnibus of Tokyo ESP.

Viz has a digital only debut this week: ēlDLIVE, a shonen sci-fi series from the creator of Reborn! and will likely appeal to fans of same, though I’m not sure if it has as much BL tease as Reborn! did. It’s definitely harder to type, though.

Yen Digital has a 9th Aoharu x Machinegun, and a 10th Corpse Princess.

Lastly, Yen On shuffles out four more volumes of the Spice & Wolf novel series digitally – Books 11-14.

April brought a shower of manga and light novels. What are you getting?

Baccano!: 1932 Drug & The Dominoes

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By Ryohgo Narita and Katsumi Enami. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Taylor Engel.

This was the final Baccano! light novel that was used in the 2007 anime adaptation, but even if you’ve seen the anime you should read this anyway, as it’s startling how much was left out and how much was changed. The anime needed a little bit more plot to add to its “let’s move back and forth between various time periods” style, and Eve’s subplot seemed to fit the bill. They had little to no use for Roy Maddock and his drug addiction, though, and so he was completely eliminated. Which is a shame, as while I have little use for Roy himself, who is not as interesting as virtually everyone else in this book, his girlfriend Edith is awesome, and having Roy also means we meet Kate Gandor, Keith’s wife – and actually hear Keith speak more than a few lines of dialogue!

Eve Genoard, younger sister to ne’er-do-well Dallas, is front and center on the cover, and I’d wager that she gets to have the hero’s journey here – as I said before, Roy is a bit too flat for me to really grant that to him. You could argue that Luck Gandor may also qualify – he’s worrying that he’s lost an essential humanity since becoming immortal, and it’s through dealing with Eve and the Runoratas that he comes to accept who he is now and realize that he hasn’t changed as much as he thought. He’s certainly unrepentant about what he did to Dallas – who, let’s remember, killed several men in the Gandor mafia clan – but he allows Eve a chance to possibly rescue Dallas from his watery grave. (Luck wonders why he was so soft-hearted, which is hilarious given that earlier in the book, all three Gandors were terrified about the idea of having to punish a woman, mafia-style, for betrayal – they end up giving her a haircut.)

This happens right after the last two books – in fact, the first third of it actually happens before the last two books, as it begins in late December 1931 and ends in early January 1932. And we do see characters from the previous books. Isaac and Miria have a smaller role than usual, but it’s their theft of the Gandor Family Fortune which sets most of this in motion, and their obsession with dominoes that gives us some more comedy, though I think it’s REALLY OBVIOUS that Narita only added that plot so he could use the title, which comes from Eric Clapton’s band Derek and the Dominoes. Firo spends most of the book grumbling and whining, which seems a bit out of character for him. And we also see a few people who look like they’re being introduced for future books, such as Tick, the Gandor family’s smiling torture specialist, and Maria, a walking Mexican stereotype who can’t stop saying “amigo” but who is a lot of fun anyway. The Daily Days also get a lot more here to do than usual, and the one morally dubious guy of their bunch gets his after a ride on the Rail Tracer express (not lethal, for once).

That said, the book ends with a sort of tragedy, and it involves another immortal who appears throughout the book – Begg, who seems to have been one of Maiza’s group who became immortal back in 1711. He’s now the Runorata family drug expert, and spends his years trying to perfect a drug that will make everyone live in their own happy world, with no problems or worries. Given the halting, jittery way he speaks, you get the feeling he’s tested a lot of drugs on himself. And, despite an attempt at a heartwarming scene with Czeslaw (which is also rife with foreshadowing), in the end we see him at the start of the 21st century, burned out in an institution, barely able to respond to Maiza. Immortals may live forever, but they can still damage their mind, and it’s sad to see, even if you question the entire premise of what Begg wanted to achieve.

All in all, a good addition to the series, with lots of fun stuff happening, though I don’t think it hits the heights of Book 2. Next time we’ll move forward a bit – quite a bit – and see what the cast is up to in 2001.