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My Solo Exchange Diary, Vol. 1

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By Nagata Kabi. Released in Japan as “Hitori Koukan Nikki” by Shogakukan, serialized in Big Comic Special. Released in North America by Seven Seas. Translated by Jocelyne Allen. Adapted by Lianne Sentar.

When we last left Nagata Kabi, she had been telling us about the experiences of her depression and the exploration of her sexuality, and how she ended up using the (sometimes very painful and raw) experiences to create a manga volume. Well, the manga was a hit. Possibly a bigger hit than the author was expecting. Now she’s being asked to do an ongoing series with a larger publisher, and being influenced by her followers on Twitter, and trying to move out of her family home. Oh yes, and still dealing with the depression and sexuality, neither of which has been made any easier by her sudden success. If My Lesbian Experience with Loneliness ended on a hopeful note, this second volume shows us that there are no easy, magical outs, and that sometimes you know exactly what needs to be done and yet can’t quite do it.

This volume focuses more on interpersonal relationships. Nagata, like most people, craves contact with others, but that’s easier said than done, and even when she gets what she wants she’s not sure how to act or react, and her emotions aren’t the ones she should be having. This extends to her family as well. She’s able to understand her mother better and realize that she is also going through many of the same things, but that does not necessarily extend towards being able to help her – Nagata wants to help herself first. Which means moving out, though she finds that’s not something to be done at the spur of the moment. And at the end of the book, she even manages to go out on a date with another girl, but this too is hampered by her depression and self-esteem, as she realizes she’s only focusing on herself and not the other person.

Again, I’ve never dealt with serious depression, but nevertheless a lot of Nagata’s monologues and advice to herself struck a chord with me. Her chapter on self-esteem and how to measure yourself against others was particularly good, and the tension and anxiety that went with “how do I tell my parents about my manga?” leapt off the page. (We do also, by the way, revisit the escort agency that Nagata went to the first time, and it’s possibly the most helpful thing to happen to her in the book – even though it’s just hugging, the physical affection alone lets her take a conceptual leap forward in terms of what she wants.) There’s a reason that Nagata’s stories got so popular, which is that she is very good at being able to take her life, her worries and anxieties, and get it down onto the page in a way that a reader will identify with it and root for her. And you want to root for her, want to see her do better, even as you read on and see everything that is pulling against that.

Essentially, if you read My Lesbian Experience with Loneliness and got something out of it, you’ll definitely want to pick this up, and I’ll be getting the next volume to see how Nagata is doing.

Bookshelf Briefs 6/12/18

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Arakawa Under the Bridge, Vol. 3 | By Hikaru Nakamura | Vertical Comics – It really does surprise me how invested I am in rec and Nino’s love affair, given that it’s not really an affair yet and this book is more about everyone being hopelessly weird. But in a series like that, you need something to ground you or else you risk not caring about anything, and for me it’s the moments when the two really show how devoted they are to each other. Elsewhere, a battle royale between the cast goes about how you’d expect in terms of the winner (hint: she’s on the cover), and there is also the occasional hint that these happy (sort of) days for rec won’t be able to last forever. Arakawa requires a love of gag comedy to appreciate, but if you do there are a lot of rewards here. – Sean Gaffney

Durarara!! Re;Dollars Arc, Vol. 1 | By Ryohgo Narita, Suzuhito Yasuda, and Aogiri | Yen Press – The last time we had a DRRR!! manga volume come out over here, we were just beginning the light novel release. Almost three years later, here’s the new arc. This starts to adapt the fifth novel, meaning that Akane and Vorona, two of my favorites, make an appearance. There’s not a whole lot of extra content here for those who have seen the anime and read the novels, though I was very appreciative of Shinra’s fantasy of why Akane would want to kill Shizuo. But for those who like following DRRR!! in manga form, this adaptation remains a good go-to choice. It’s drawn by Aogiri, who also did the Aquarion Evol manga art. Sadly, it also has Izaya being Izaya Alas. – Sean Gaffney

The Elder Sister-Like One, Vol. 1 | By Iida Pochi | Yen Press – While I was reading this, the first thing that came to mind was “this reads like porn with the sex removed.” Which indeed it is—the original was a pornographic doujinshi, but the author made the relationship non-explicit and a bit more familial (only a bit, mind you) for this mainstream release. The premise involves a young man who has been passed along from relative to relative and his demonic familiar who becomes a sort of twisted family. If you’re thinking “This sounds like Natsume’s Book of Friends only written for guys and with lots more cleavage,” you aren’t far off. It actually manages to respectably straddle the line between supernaturally sweet and supernaturally skeezy as hell. We’ll see how long it can keep that up. – Sean Gaffney

Flying Witch, Vol. 6 | By Chihiro Ishizuka | Vertical Comics – The cast expands a bit here, as we meet Sayo, a “student council president” sort who thinks that Makoto is a bit too laid-back and relaxed about her witchly duties. Which, to be fair, is 100% correct. Fortunately, they bond over a case involving a repeating town block, and Sayo shows off her shy, cute side. Elsewhere in the volume, most of the rest of the cast show up for a barbecue of sorts, as we get much discussion of giblets and just how common it is to be loving it as a delicacy. Speaking of food, turns out the school’s pork cutlets are delicious to cats as well as humans, and also that you can get winter in July provided you’re associated with witches. Flying Witch is always peaceful, but never boring. – Sean Gaffney

Food Wars!: Shokugeki no Soma, Vol. 24 | By Yuto Tsukuda and Shun Saeki | VIZ Media – I haven’t enjoyed this Central arc much, so it’s a relief that the end seems to be in sight. It turns out that Erina’s dad once idolized Soma’s dad and is unable to resist a challenge in which a defeated Joichiro would become his minion. Now the resisters are going up against the remaining council members, with the possibility of taking over the council themselves, and we get fun training action like a three-on-three battle during which Takumi reveals just how much he’s grown and Erina attempts unorthodox cooking for the first time. It’s a lot of fun and the air of amiable challenge that exists between Soma and Joichiro ends up inspiring Erina to stand up to her dad and publicly side with the resisters. We barely get started on the team shokugeki before the volume ends, but I’m happy to find myself once again enjoying this series immensely. – Michelle Smith

Haikyu!!, Vol. 24 | By Haruichi Furudate | Viz Media – This was one of the best volumes of Haikyu!! I’ve read yet, and it’s not a coincidence that there’s no tournament going on. I do love the games, but volume after volume of them can get exhausting (and hard to review). Here we see a jealous and driven Hinata follow Tsukishima to the all-rookie camp… where he wasn’t invited. What’s worse, the coach of this camp is Shiratorizawa, whose motto is basically “no short kids.” Still, he lets Hinata be the ball boy. This is actually really good for him, as it allows him to realize how much there is to learn by just watching. His raw instinct is combining with actual game smarts, and it’s terrific to see. I am really waiting to see how this plays out in the future. – Sean Gaffney

Laid-Back Camp, Vol. 2 | By Afro | Yen Press – I mentioned this in my review of the first volume, but it really is striking how much the series is trying to separate the main cast. We start off with Nadeshiko and her club at a hot spring camp, and Rin… far away, looking for another hot spring (which turns out to be closed) but finding her own solitary camping experiences. It’s nice to see that the manga tells people it’s fine to have fun on your own. Still, I think I appreciated it more when Rin and Nadeshiko were actually interacting in person rather than by phone, and I do hope that in future volumes we can have the four together… or maybe five, if we can convince Rin’s weird friend to come along. Still a nice series as laid-back as its name—I just wish it had more characterization. – Sean Gaffney

Takane & Hana, Vol. 3 | By Yuki Shiwasu | Viz Media – Takane & Hana is still at its best when its romantic pair are snarking at each other, and there’s plenty of that here. Elsewhere, though, Hana’s grades are starting to slip, leading to a studying binge which Takane actually proves pretty adept at helping with. It’s not without cost, though, as he gets a bad cold, and she realizes just how much it is that he actually does. Meanwhile, a trip with Takane, Hana, and Hana’s friends also includes the high school boy who likes her, and he brings up the elephant in the room, which is the fact that Takane is a decade older than Hana, she’s still in high school, and this is pretty creepy if you stop and think about it. That said, I’m content right now to let the shoujo manga keep the romance on a slow simmer. – Sean Gaffney

Yona of the Dawn, Vol. 12 | By Mizuho Kusanagi | VIZ Media –Yona of the Dawn is always good, but this volume is particularly so. Yona and her retinue get caught in the Fire Tribe city of Saika as an invading army from the Kai empire approaches. I appreciated the atmosphere of tension while everyone waited and also loved seeing Tae-Jun be brave, keeping his promise to protect the villagers. It turns out it’s all a traitorous plot and even though Yona would also like to get vengeance on Su-Won, she can’t let this army attack the palace lest they throw the nation into chaos. Potentially my favorite aspect of this, though, is that Kusanagi keeps showing that Su-Won actually is a better king than Yona’s father was. I expect eventually she’ll have to recognize that for herself. At turns light-hearted and intense, Yona of the Dawn really is something special. I’m glad this story exists. – Michelle Smith

I Saved Too Many Girls and Caused the Apocalypse, Vol. 8

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By Namekojirushi and Nao Watanuki. Released in Japan as “Ore ga Heroine o Tasukesugite Sekai ga Little Mokushiroku!?” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Mana Z.

We conclude Little Apocalypse’s first two-parter here, and though things end as one might have expected, the purpose of the journey has changed. Little Apocalypse has always waffled back and forth between whether it’s a parody or not, and it’s true that the next volume may make me eat my words, but for the moment it’s taking itself seriously. What we see here is what we’ve seen in previous books. Rekka uses various powers that he has available to him via the girls around him to solve his problem. (It’s much like Rokujouma in that regard.) But there’s little joking around here, the villains are seen to inflict horrible consequences, and the solution, as R notes, may actually make things worse. In fact, that’s how you know things are super serious – R is actually dispensing advice and trying to help, at least as much as she’s allowed to.

Speaking of R, we get to hear more about her actual mission than we have since the first volume. It’s clear that she’s not allowed to help Rekka figure out which girl he likes, or even clue him in that the girls like him. She’s only allowed to help him in his missions to save the girls’ stories. As we’ve seen, this can be very frustrating to her, as Rekka is deeply clueless about the feelings that the others have for him. That may change soon, though I somehow doubt it – he seems to think that Harissa’s gambit at the end of the book here might be accidental, whereas I’m pretty sure she, and R, knows exactly what she’s doing. Unlike Rokujouma, where you can pretty much tell near the halfway point of the series that they’re headed for some sort of polygamous ending, and everyone’s mostly confessed, here you’re continually reminded that the girls really are in constant rivalry with each other, and something else is probably needed to make sure we don’t end with an even bigger apocalypse.

All right, let’s talk about the time travel. I mentioned in my review of the seventh volume that even though I suspected that Sophia was somehow going to be saved, that didn’t make the matter of Lyun’s grief and rage any less important to Rekka. We get to see that even more with the massacre of the psychic gang, which hammers home once more how difficult the “job” that Rekka has is, and how easy it can be to get an unhappy ending. Fortunately, this is not Grimgar or something similar, and I was happy to take the time-travel out, even if it did involve Rekka disturbingly having to leap off a building to trigger it. But even with the time travel there’s still a lot of tension here – I’d mentioned that there was little humor in this book, and it’s true. Little Apocalypse has gotten serious, and thankfully in a good way.

Now, I’m not sure this will last. We’re exactly halfway though the series now, and I think the next volume may be far more comedic to make up for the serious bits here. But as long as it keeps up the small but noticeable character development we see here, and moves us closer to Rekka getting a clue and making a decision, then Little Apocalypse is still worth your time.

Pick of the Week: Love Is Hard, But So Is Loveless

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MICHELLE: I feel like I really should be picking Loveless, since it’s been so long, but I’m pretty sure someone else will have that covered. Instead, I’ll go with the second volume of Wotakoi. I’ve finally gotten around to reading the first one, and it’s amusing and charming and just really a lot of fun.

SEAN: I’m also ready for Wotakoi, as well as Captain Harlock. But my pick this week is Sleepy Princess in the Demon Caste;, because every Shonen Sunday license needs our support, and also because sleepy princesses sound awesome.

ANNA: I’m pretty stoked for Captain Harlock, but like Sean, I want to support Sleepy Princess in the Demon Castle, since Shonen Sunday series don’t come around too often.

KATE: I’m glad we’re finally getting a second volume of After Hours, one of the only licensed yuri series that focuses on adult women, but my heart belongs to Captain Harlock. Bring on the manly conversations about Loyalty, Courage, and Space!

ASH: So much great stuff is being released this week! After Hours, Captain Harlock, and Wotakoi are all very high on my list, and I’m rather curious about Sleepy Princess in the Demon Castle, however another tremendous series that hasn’t been mentioned yet it is To Your Eternity. The manga just started a new story arc which I’m sure will be just as devastating as the ones that preceded it, but I’ve come to expect great things from the series.

MJ: Michelle was right not to fret, because of course the only possible pick for me this week is volume thirteen of Loveless. Yun Kouga’s pretty much always got my number, with her chaotic, emotionally messy style that’s exactly my cup of tea. There can be few who don’t already know how much I adore Loveless, in particular, since I was never able to stop writing about it (and writing about it). After nearly four years since the last volume was released in English, I suspect the new installment will feel scant and less satisfying than I’d like it to be, but I’m so glad to finally see it, I can’t quite bring myself to care.

Captain Harlock: The Classic Collection, Vol. 1

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By Leiji Matsumoto. Released in Japan as “Uchuu Kaizoku Captain Harlock” by Akita Shoten, serialized in the magazine Play Comic. Released in North America by Seven Seas. Translated by Zack Davisson.

I had reviewed the first volume of the modern-day remake of this series, Dimensonal Voyage, and I worried that reading the original afterwards might be a bit of a letdown if they covered the same ground. No need to worry there. The more recent series seems to be far more concerned about the planet Earth and what’s happening back there, whereas the original Captain Harlock can’t wait to head out into the depths of space. Which makes sense, because as with the other classic Matsumoto series we’ve seen, Queen Emeraldas, the author is less interested in creating a manga story than in creating a manga mood. Harlock is a Wagnerian opera, complete with the repetitive, sonorous narration that makes the whole series sound like a collection of leitmotifs. As such, there is a general theme of “war against the eerily beautiful and yet eeeeeeevil women’, but for the most part you are here for the spectacle. And what good spectacle it is.

To an extent, the story of Harlock is actually the story of Tadashi Daiba, a young boy whose scientist father is gratuitously killed off to jumpstart the plot. Earth is currently under the rule of a useless, narcissistic leader (so nothing at all like our current timeline), and Tadashi is longing to get revenge on the beautiful women “who burn like paper” that killed his father. Enter Harlock, who arrives with his crew and backstory already in place – albeit the backstory is teased out to us bit by bit, and the only time we see Emeraldas she’s an evil doppelganger. Instead we have Harlock’s eccentric crew, which are composed entirely of Matsumoto’s two basic types: short, squat men and gorgeous long-haired blondes. With Tadashi now on the crew, they head out into space to try to find out the secret of the Mazon, and see if they can discover a reason for their war against the Earth… or if it’s just pre-destined after all.

As with a lot of manga from this time period, readers should be prepared for a lot of silly comedy interspersed with Harlock’s stoic nobility. His first mate Yattaran is the primary source of this, caring about putting together models of battleships and nothing else, to the point where the running gag starts to get tiresome, but thankfully not past that point. There’s also an alcoholic doctor, which might seem a bit familiar to fans of Space Battleship Yamato. As for his two female crew members, sadly they’re just as serious-minded as Harlock, though at least Yuki gets in the occasional snarky line. As for Mimay, it’s rare to meet a character who screams “I am going to die tragically somewhere in the next volume” more than she does, and every single line she says just underlines that point.

The plot is slight, and the art is very 1970s. That said, this is the sort of manga that’s not meant to be read so much as sipped. If you keep that in mind, Harlock turns into an excellent purchase, showing off a creator at the height of his powers.

Wotakoi: Love Is Hard for Otaku, Vol. 1

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By Fujita | Published by Kodansha Comics

Narumi Momose and Hirotaka Nifuji were childhood friends and reconnect as adults when they discover they work at the same office. Narumi is hiding the fact that she’s a hardcore fujoshi, especially since she’s lost several boyfriends because of it, while Hirotaka isn’t making any attempt to hide his video game fixation. After listening to her complain about her latest heartache and asking, “Why can’t you just find a guy who accepts you as an otaku?,” Hirotaka suggests himself as an alternative and they start dating. Wotakoi, befitting its webcomic origins, is essentially a series of vignettes about their relationship with each other and with their otaku friends (and combative couple) Hanako Koyanagi and Taro Kabakura.

I must say that at this point it’s a little hard to see what exactly Hirotaka sees in Narumi, but he himself is pretty awesome. He can tell when she isn’t feeling well when no one else can (even when it turns out she’s only sad ‘cos a favorite character died), he is willing to executive a kabedon on Kabakura for her enjoyment, and, best of all, he patiently helps with her BL doujinshi when she’s up against a deadline for Comiket. He’s supportive and non-judgmental of her hobbies, and when she worries they’re just settling for each other, he tells her, “We’re together because I love you and I like seeing you doing things that make you happy.” Hirotaka is really great. I wish Narumi would make a similar declaration of love for him. Maybe that’ll come eventually.

Also great are Koyanagi and Kabakura. Normally, characters who spend this much time bickering and calling each other “ugly” and “idiot” would not be my favorites. In fact, I’d find them troubling. In this case, though, there’s enough chemistry and underlying affection between the two that it works. Kabakura is the most normal of the bunch, though he’s not hiding his hobbies, claiming, “I just know how to enjoy things in moderation.” Koyanagi is really into cosplay and, despite her generous bosom (which gets a lot of attention, especially when compared to Narumi’s lack of same), excels at portraying cool bishounen types.

All of the characters are fun and I enjoyed spending time with them, but it’s probably pretty obvious that Hirotaka is my favorite. This two-in-one omnibus ends with the prospect of he and Narumi going on a proper date, which makes me happy. The vignettes are amusing and I enjoy them, but I’d also like to see their relationship progress and for our stoic-seeming hero to have more reasons to smile.

Wotakoi is ongoing in Japan, where five volumes have been released so far. Kodansha will release the second omnibus, containing volumes three and four, next Tuesday.

Review copy provided by the publisher.

Me, a Genius? I Was Reborn into Another World and I Think They’ve Got the Wrong Idea!, Vol. 2

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By Nyun and Sakana. Released in Japan as “Isekai ni Tensei Shitandakedo Ore, Tensai tte Kanchigai Saretenai?” by Overlap, Inc. Released in North America digitally by J-Novel Club. Translated by Shaun Cook.

I’m afraid that there’s a bit of a sophomore slump with this second volume. It was always going to be hard to keep the lightning in the bottle, but I think the author may have changed things up a bit TOO much. Most of the events and places that we were introduced to in the first book are jettisoned, including his school and friends – yes, even Alice, despite being the main cover girl for the second time, barely appears – and instead Kouki’s parents, realizing that eventually the world is going to have to do something about their son that everyone assumes is an amoral monster, decide it’s for the best to move. With 100,000 of their colleagues. To another universe. Because even though most of the actual plot of the first book is abandoned for this second book, the basic premise remains the same – everyone thinks they’re the only same person in the room, and everyone is wrong – they’re all over the top out of their gourds.

The reason they’re able to do the universe move is, for once, not because of some invention of Kouki’s, but because they’re investigating ruins on the moon and Kouki does what no one else has been able to, which is figuring out the hieroglyphics that are they key to get inside. There they meet an alien who gives them a device to look over other worlds. Sadly, the world they end up choosing has its own issues, and so while the first book in this series is science fiction of a sort, this is more playing with isekai fantasy. Of course, Kouki and his family are still who they are, and so they proceed to do laughable stuff that it’s impossible for the reader to take seriously and pass it off as obvious. There are still some very good jokes, such as when Miki realizes that Kouki has somehow learned magic, and her solution is “I’ll just learn it too so I can say I taught him”.

It’s become increasingly clear why this alternate universe Kouki was reincarnated in is like this – it has no casual fiction. No manga, anime, fantasy, video games, etc. This is why people stare in horror when Kouki does things that are what a casual teenage otaku might want to do after seeing an episode of your average sentai show and having unlimited access to the tech that can achieve it. Unfortunately, the actual writing itself still lacks focus – the changing viewpoints are clever, but they also mean that we flit from location to location at times, never really getting time to settle down and like any of these people. As the hero, Kouki fares best, and his emotional breakdown about the horror of war near the end wasn’t horrible, but I did feel that it hadn’t really been earned.

The series ends with the third volume, and I’m not sure if it’s got a real ending or an “open ending because who knows, maybe sales will perk up again” ending. Given it’s only three volumes, I’m going to read the next one, especially to see if they resolve the Alice subplot they mentioned and forgot in Vol. 1, and which doesn’t come up at all here. Till then, this is still goofy fun, but doesn’t really stick with you too much after reading.

After Hours, Vol. 1

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By Yuhta Nishio | Published by VIZ Media

In the opening scene of After Hours, Emi Asahina is attempting (unsuccessfully) to meet up with a friend in a loud and crowded nightclub. After a spunky DJ named Kei saves her from a grabby creep, they get to talking. Emi tells her, “I don’t really see what’s fun about places like this.” Much of the rest of the manga is Kei helping her to change her mind about that.

Emi ends up going home with Kei that night, and they appear to have fooled around to some extent, though that’s left to the reader’s imagination. Instead, the focus is on Emi learning more about Kei’s world. The club scene is a new setting for me where manga is concerned, and imparts a unique feel. Emi is 24 and unemployed and she doesn’t know what she wants to do with her life, but after once getting roped in to providing visuals to accompany Kei’s music, she’s enthusiastic to try it a second time. Kei swiftly provides Emi the key to her apartment, and tells her things about her past that she usually doesn’t talk about, gives her records from her prized vinyl collection, etc. For all of her cool chick persona, Kei is open and honest and pretty awesome. And so, I’m kind of afraid she’s going to get her heart broken.

Because although Emi is having fun with Kei, there’s never really a sense that she’s choosing Kei as opposed to just sampling her lifestyle. After they maybe sleep together, there is not a single scene from Emi contemplating what this might mean about her sexuality. And, at the halfway point of the volume, we learn that she is living with the boyfriend she’s only “kind of” broken up with, and Kei has no idea. Is Emi going to make a decision about what she wants from life that will include Kei, or is this just tourism for her? Granted, the manga itself isn’t amping up the potential for drama here, so perhaps it will all play out in the relatively restrained way it has so far.

One thing I really liked about this volume was a scene in which Kei is showing Emi how to operate some DJ equipment. She explains how the inputs from two separate turntables can be adjusted to mix and segue into each other. Later, this metaphor is applied to their relationship. Kei is sharing a lot while Emi is revealing little. “If it’s all coming from my side, it’s not really mixing, is it?” she says. I thought that was a pretty neat idea. Really, my one complaint so far is that the characters look so young. Kei is supposed to be thirty, but looks fourteen. She still comes off as a vibrant and captivating, but I think her cool quotient would increase if she looked more like an adult.

Definitely looking forward to volume two!

After Hours is complete in three volumes. The second is due out in English next week.

Review copy provided by the publisher.

Yona of the Dawn, Vol. 12

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By Mizuho Kusanagi. Released in Japan as “Akatsuki no Yona” by Hakusensha, serialization ongoing in the magazine Hana to Yume. Released in North America by Viz. Translated by JN Productions, Adapted by Ysabet Reinhardt MacFarlane.

One of the many things that the author of Yona of the Dawn is very good at is showing that the world keeps moving even as Yona and company are gallivanting around saving villages, gathering more hot guys, and hiding her true status from prying eyes, other parts of the Kingdom still have events move forward. Indeed, it’s doubly true here, as we see that Su-Jin, the leader of the Fire Tribe, has been plotting to overthrow the King for some time now, and is not going to let a little detail like Su-Won actually killing the previous King and taking over stop him. After all, what good are plans if they don’t end with you in a position of absolute authority? And so a lot of this volume is warfare and tactics, which is good. Fans of Yona’s slow-burning relationship with Hak may not get a lot to see here, but it doesn’t matter, as Kusanagi commands the reader’s attention no matter what she writes.

One of the things I like best anout this series is that it shows Yona’s decisions, which usually involve impulsively trying to protect those being attacked even when it would be far more sensible to stay hidden and keep doing reconnaissance, as being the right thing to do. Yes, Yun occasionally chimes in with how stupid this actually is, but the reason that everyone follows Yona is because she is wearing a nametag that says “Have you hugged your idealist today?”. Yes, the narrative shows that she made the right decision every time, but that’s the point. This is a manga that began with Yona’s crush and childhood friend betraying her and killing her father, and yet it refuses to get bitter and cynical, even when events conspire against it. Every time Yona looks determined and asks everyone to fight to save the oppressed, my heart grows a little bigger.

There is a bit of humor and romantic tease in this volume, mostly confined to the start, which sees all the guys squeezed into one small tent, or the wonderful shot of Jaeha with Sinha in his arms – not exactly what he’d planned. Presumably so the cliffhangers work out, we also get a couple pf side stories to round out the volume, the longer of which deals with Gija and the scars on his back. I’ll be honest, as the “harem” around Yona has grown, I feel that Gija has slipped into the background more than the others, so this was a nice way to remind readers of his past – which was sad, but not quite as sad as others were assuming. That said, I suspect readers will be focused more on the outcome of the battle between Su-Jin and Su-Won, and how the Happy Hungry Bunch are going to interfere even though they’re up against a ridiculous number of troops.

To sum up, Yona of the Dawn is still one of Viz’s best titles. Everyone should be reading it.

Manga the Week of 6/13/18

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SEAN: Did you know there is manga coming out next week? It’s true!

MICHELLE: Shokku!

ASH: You wa shock!

ANNA: Madness and insanity!

SEAN: Dark Horse has the first volume of Gantz G, the sequel series that serves all your lycra fetish needs. (I still want HEN, dammit.)

J-Novel Club has new digital novels for us. Grimgar of Fantasy and Ash 9, The Magic in This Other World Is Too Far Behind! 3, and My Little Sister Can Read Kanji 4.

Kodansha has new print titles! We have the 3rd Again!!, the 7th Aho-Girl, a 5th To Your Eternity, and the 2nd omnibus of Wotakoi: Love Is Hard for Otaku. Most looking forward to that last one.

MICHELLE: I am horrible and haven’t read the first Wotakoi yet. Perhaps I’ll remedy that this week.

ASH: You should! This is definitely another Kodansha week for me–I’m picking up most of these.

SEAN: Digitally we have another debut, this one is Kamikamikaeshi is a Nakayoshi shoujo series (we haven’t seen anything from them lately). It involves gods, hair, and reverse harems, and is by Ema Toyama of Missions of Love fame.

ANNA: Did someone say reverse harems??????

SEAN: There’s also a 3rd Boarding School Juliet, a 9th GTO Paradise Lost, a 3rd Living Room Matsunaga-san, and a 4th Starving Anonymous.

Seven Seas has another big blast from the past with the first Captain Harlock: The Classic Collection. First serialized in the 1970s in Akita Shoten’s Play Comic, this hardcover is filled with piracy and brooding.

ASH: Should be great.

ANNA: Wooo!!!!

SEAN: There’s a light novel debut in print, as we get the first volume of light-hearted overpowered heroine comedy Didn’t I Say to Make My Abilities Average in the Next Life?!. In digital, meanwhile, we get the 2nd volume of the same series.

The other debut may actually be familiar to those who tried the MangaBox digital app back in the day. High-Rise Invasion (Tenkuu Shinpan) is a shonen series that started there, then moved to Weekly Shonen Magazine. Beware, beyond this point survival game manga lies.

SuBLime has a 7th Deluxe Edition of Finder.

Vertical has the 2nd volume of CITY, the spiritual successor to Nichijou.

Viz debuts a new series, Sleepy Princess in the Demon Castle (Maou-jou de Oyasumi), which is, believe it or not, a new Shonen Sunday debut. Yes, the magazine still exists. The demon king has kidnapped our heroine… who just wants a nice rest. I look forward to this.

MICHELLE: I miss Shonen Sunday titles!

ASH: Indeed! And I’ve heard good things about this particular one, too.

ANNA: Looks cute!

SEAN: We also get a 2nd volume of After Hours, a 13th Loveless… oh, wait, here’s MJ.

MJ: THIS THIS THIS THIS THISY THIS THIS. Hi. There’s a new volume of Loveless. Obviously I will be devouring it.

MICHELLE: So excite.

ASH: I adored the first volume of After Hours and, yes, I’m still reading Loveless as well.

SEAN: …and there’s also a 30th Magi and a 3rd Splatoon. I’m impressed Magi has made it to 30+ volumes.

ANNA: So many volumes I am hopelessly behind on.

SEAN: Lastly, after a few delays, we finally get the 11th light novel for Is It Wrong to Try to Pick Up Girls in a Dungeon?, seeing if Bell can bounce back after the disastrous events of the last book.

See? I told you there was manga. Anything for you?

ASH: Always, and then some!