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A Bride’s Story, Vol. 10

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By Kaoru Mori. Released in Japan as “Otoyomegatari” by Enterbrain, serialization ongoing in the magazine Harta. Released in North America by Yen Press. Translated by William Flanagan.

After two volumes of focus on Pariya, returning to our home base couple feels very peaceful and reassuring, even if they’re not together a lot of the time. As with the previous volumes, Amir and Karluk’s story is about waiting for Karluk to get older and more mature, and the fact that they love each other regardless. Karluk is a typical teenage boy, even on the Silk Road, and therefore constantly worries that he’s not manly enough and that Amir is somehow unhappy. This is fairly ridiculous, not only because Karluk is nice and sweet and doing his best, but also because Amir is a saint who can do no wrong. (I’ve come to really love A Bride’s Story, but Amir still needs a few more flaws.) But Karkuk doesn’t see this, and so there’s only one thing for a boy on the verge of manhood to do… hunt wild animals! Good thing too, as in this day and in this place, hunting animals for food is a life or death situation.

This also allows Karluk to bond with his brother-in-law, and realize that Amir’s tribe is really in dire straits… they are poor and have very little future available to them. This is presented very matter of factly, and Karluk (and the reader) can’t really do much about it except stare into the middle distance. But at least they’re training Karluk as a hunter, and we get some gorgeous shots of the landscape and foxes, antelope, etc. that roam wild and free but also provide food and clothing for our heroes. Amir shows up every once in a while as well, though Karluk tries to make the visits less frequent, because he’s hoping this will make them long for each other even more. (Amir doesn’t quite get this, of course, because she’s fully accepted her feelings for Karluk already.) He’s a good kid, and I wonder how long it will be before they take that next step.

After their story, we are back to Mr. Smith and his guide, who are finally making their way to Ankara, where he meets up with a good friend he knew from school (and I think his name is Henry? God knows, everyone keeps calling him Smith regardless). That’s not all that follows him, however… Talas, the girl he had the not-quite-romance with several volumes ago, has gotten married but still longs for her true love, and so her husband (whose sainthood here rivals Amir) takes her to Ankara to find Mr. Smith, because he wants her to be happy. I’m not really sure I enjoyed this part as much as the author wanted me to. The story of Smith and Talas was a nice bittersweet tale of a love that wasn’t meant to be, and seeing it revived here feels a bit like a cop out. I suspect their story will take up much of the next volume.

A Bride’s Story has a few weaknesses that my head just can’t get away from, but that doesn’t mean I don’t enjoy the series and its characters. And its art, which is fantastic. Still recommended.

Bookshelf Briefs 12/5/18

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ACCA 13-Territory Inspection Department, Vol. 5 | By Natsume Ono | Yen Press – Jean’s identity is, if not in the open explicitly, at least well known among the cast. This is a big problem, of course, especially for his sister, who is the very definition of hostage bait. Fortunately, Jean also has friends that can help him out there—his sister is pretty much the one ray of sunshine in the series, so I don’t want to see her sacrificed. That doesn’t mean that it’s depressing tragedy, mind you—it just means that, as with most Ono titles, the majority consists of discussions among middle-aged men (and one woman). This being ACCA, they’re political discussions, though there’s a bit of food thrown in. As always, a good read if you’re an Ono fan. – Sean Gaffney

Accomplishments of the Duke’s Daughter, Vol. 2 | By Reai and Suki Umemiya | Seven Seas – Since the first volume came out, we’ve seen the appearance of the My Life as a Villainess series, which has essentially the exact same premise. That series is more focused on Katarina changing her fate and bonding with the cast of the VN, though. Accomplishments of the Duke’s Daughter is more like Realist Hero, wanting to change the world and advance it towards modern times. So we’re not only inventing chocolate, but also coffee, and concentrating on good roads and educating the youth. There’s not really much in terms of antagonists so far—Iris explains what she wants to do precisely and effectively, and everyone agrees with her. This makes it a tad dull, sadly. – Sean Gaffney

Beasts of Abigaile, Vol. 4 | By Spica Aoki | Seven Seas – I didn’t know when I started this volume that it’s the final volume of the series. It was only when one of the central hunky boys got definitively crossed off the list romantically that I was spurred to look it up and, yep, this is it. In her notes afterwards, Aoki-sensei says there was much she wanted and needed to draw that she couldn’t include, which makes me wonder if the series got canceled. Still, it hangs together reasonably well. Nina’s origins are explained, the king makes an appearance, there’s a big escape, noble sacrifice, and one person who seems to entirely lose touch with reality. What we don’t see is how any of the luga fare once they are out in the world but we’re encouraged to imagine a happy ending. Overall, this series was far from deep but still pretty fun. – Michelle Smith

Cardcaptor Sakura: Clear Card, Vol. 5 | By CLAMP | Kodansha Comics – There are interesting things going on in this volume of Clear Card. We meet Sakura’s great-grandfather, who apparently fell out with Nadeshiko when she got married (possibly as she married her teacher), but now regrets it because she’s dead. Speaking of that, Nadeshiko explicitly tells Sakura she should stop summoning her spirit for visions as it’s unhealthy. And Eriol finally coughs up a bit of info, revealing that Sakura is making her own cards using her magic and imagination—and that’s super dangerous if she knows about it. So let’s keep everything from her some more. I’d be more invested in this sequel if it weren’t so dull—the interesting plot points are conveyed tediously. – Sean Gaffney

Frau Faust, Vol. 5 | By Kore Yamazaki | Kodansha Comics – The way that Frau Faust ends is surprising to no one, but it’s done with a lot of style and feeling. Even the villains in this story get a chance to show off how they got that way, and for Marion, it’s an attempt to show off how much he’s grown. Despite that, this wasn’t going to be his story in the end—Johanna is who the reader is invested in. (Sarah is also pretty invested in Johanna, and the way her story resolves is touching but also very sad.) I actually wish that the series had gone on a bit longer—the action sequences here are even better than in The Ancient Magus’ Bride—but I’m also fine with this ending, which is final and yet the teensiest bit ambiguous. Let’s license more Yamazaki. – Sean Gaffney

Frau Faust, Vol. 5 | By Kore Yamazaki | Kodansha Comics – As the volume begins, Johanna has let herself be captured by the church in order to gain access to the holy city, where Mephisto’s final parts are. A lot of the stuff that follows isn’t exactly clear, but the gist of it is that all of Johanna’s friends are there to help her get to Mephisto’s head and there is a lot of action that culminates with her telling him, “I win.” Quite a few aspects of the ending are open to interpretation, which I’m not exactly fond of, but which fits the spirit of the series pretty well. Chief among them—did Johanna actually intend for that to happen all along? I do love how inspired by her everyone else was, and am especially fond the quiet love story between two characters. In the end, I enjoyed this series very much, though I do wish it had been longer. – Michelle Smith

Gabriel Dropout, Vol. 5 | By Ukami |Yen Press – We get another new character this time around, in the form of Kurona. She’s a demon who wants to make friends, but is rather awful at it, and it doesn’t help that she’s trying to befriend Taplis, who is an airhead even by the standards of Gabriel Dropout, a series dripping with airheads. Speaking of which, Satanya’s new attempt to defeat Gabriel works quite well, but not in the way she intended. (Yuri fans may like it, though.) We also get more backstory showing how Gabriel became what she is now, which was… exactly what you’d expect, to be honest. There weren’t quite as many laughs in this volume of Gabriel Dropout, but it’s still a cute, fun series. – Sean Gaffney

Hatsu*Haru, Vol. 3 | By Shizuki Fujisawa | Yen Press – I guess we do need to pair at least some of the spares already, as Miki and Kiyo, the pure cute boy-girl team from last time, end up becoming a couple in this volume in an utterly pure, cute and adorable way. Unfortunately, Kai is the hero, so he’s not going to have nearly as easy a time of it. On the bright side, Riko’s crush on Satoshi pretty much gets kicked to the curb this volume, as we confirm that he’s getting married. Which she knew was coming, but it still hurts. This allows Kai to man up and confess to Riko, though given this series is thirteen volumes and this is volume three, I suspect it may go badly. Still, while this breaks no new ground, it’s a good shoujo story, well told. – Sean Gaffney

Murcielago, Vol. 8 | By Yoshimurakana | Yen Press – There’s pretty much a volume full of action here. Some of it is Kuroko and Hinako, who pair up again to try to take out the big bad (and we actually get some backstory for Hinako! It’s as blood-filled as you’d expect.) and some of it is Urara, Kuroko’s hugely muscled and somewhat dim bartender friend, who’s on the cover but is mostly there to be comedy relief. It’s also nice to see Reiko, the cool assassin from previous books, who is still very good at her job but gets very angry if you think she’s a boy. (She also gets the sex scene at the end of the volume, meaning it’s pretty tasteful.) But let’s face it—we read Murcielago for the ridiculous violence. There’s a lot of it here. – Sean Gaffney

One Piece, Vol. 88 | By Eiichiro Oda | VIZ Media – Having successfully rescued Sanji, the Straw Hat crew is now attempting to escape the clutches of Big Mom, who is rampaging because she didn’t get to eat any wedding cake. I really appreciated the spotlight on female characters in this volume. Nami has actually been extremely smart and capable this whole arc, but now we see super tsundere Pudding stepping up to make a new cake to satisfy Big Mom’s hunger as well as Carrot the mink briefly becoming a badass as she transforms under the full moon. I also like that Pudding seems really into Sanji; I kind of hope they end up an official couple! Luffy’s fight with Katakuri is entertaining, as well, since their powers are so similar. All in all, this is a very well-paced and exciting installment. – Michelle Smith

Requiem of the Rose King, Vol. 9 | By Aya Kanno | Viz Media – We continue to stagger onwards towards the events of Richard III, though honestly neither Kanno or the reader are all that interested in matching up with Shakespeare precisely. We also lose Richard’s older brother George, who is done in by a lot of political machinations and Richard essentially being a triple agent. That said, Richard may be in trouble soon, as Buckinghan, the classic “bespectacled bastard,” has learned his body has a secret to it. Fortunately, he also has a mysterious bodyguard, who readers will immediately recognize but Richard doesn’t quite—yet. This is basically Kanno’s best series. Buy it. – Sean Gaffney

Invaders of the Rokujouma!?, Vol. 18

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By Takehaya and Poco. Released in Japan as “Rokujouma no Shinryakusha!?” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Warnis.

Now that’s more like it. After being a bit disappointed with the minor villains in Kiriha’s resolution arc, we get a much higher standard of villain here. Darkness Rainbow are back, and they’re getting backstory. Not a hell of a lot, admittedly – that may be next volume, as this is sort of a stealth two-parter – but it’s clear that more care is being taken with these teenage, evil magical girls. (I’ll go with evil for now, given that they kidnapped ten small children, and if the ritual had finished they may have all ended up the way Sanae did.) This is also a continuation of Maki’s redemption arc. She may not win the big fight here, but the greater picture has her succeeding, as she’s forcing Crimson Rainbow to consider her relationship with both Maki and the rest of the Darkness Rainbow team. If there’s a way in to redeem this group, it’s likely to go via Crimson.

Given that we’re dealing with Darkness Rainbow here, it seems only natural that we finally get to see Nana, Yurika’s predecessor as a magical girl until her painful sacrifice. We find out how painful here, as we see her shakily trying to stand on crappy artificial legs, and her spirit energy is nearly nil. Fortunately, we have Koutarou’s harem, who between all of them are specialists in nearly everything, and they resolve to better Nana’s situation. In the meantime, though, kids are getting kidnapped as Darkness Rainbow makes its move – and they’re desperate, clearly, as kidnapping is not something easily papered over with memory erasure. Once it’s clear who’s behind it, Yurika asks everyone to help her save the kids and defeat the bad guys. Unfortunately, only one of these is accomplished by the end of the book, so it looks like we’re going on a field trip to the next dimension over next time.

Readers of these reviews know that I’m a huge Yurika fan, so I was pretty delighted with this book, where she spends most of her time in serious, competent mode. The joke is that everyone is really uncomfortable with Yurika being mature and competent, and wishes for the old whining Yurika to return. (This is admittedly a better joke than Shizuka’s running gag about her weight, though I liked how it became more about Koutarou being unable to princess carry her.) Yurika does an excellent job here, leading the team that discovers the bad guys, relying on others for support, and not breaking down once. The afterword hints of even better things in the next book. The rest of the cast are also good, and we’re starting to see the girls attempt to flirt harder with Koutarou, but he’s still not emotionally ready yet.

The book isn’t perfect – the battle in the hotel almost feels like there’s a chunk of the book that was randomly cut out, and the climax is similarly rushed – but overall this was a very strong entry in the series, and I really can’t wait to see what happens next.

Pez

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By Hiroyuki Asada. Released in Japan by Wani Books, serialized in the anthology Robot. Released in North America digitally by Denpa Books. Translated by Andrew Castle.

The book is titled Pez, and I’m not sure if it’s meant to reflect what most people from my generation think of when we hear the word, which is to say the candy you got out of the package with the cartoon character head. It’s meant to suggest a light, sweet, ephemeral sort of think. And now we have the Pez manga, which is not all that light, somewhat bittersweet, and… well, OK, it does feel pretty ephemeral, as it seems to end right about where most manga would begin. But that’s fine, because this feels more like a doujinshi, the sort of high-concept original work you’d get from an artist who’s filled with creativity but also does work for Weekly shonen Jump to pay the bills a little better. It’s only 72 pages or so, but they’re all full color, which also helps to distinguish this. As for the plot? Well, it’s a post-apocalyptic slice-of-life, which is actually pretty popular these days, so it seems a good time for it to come out collected here.

Pez is the young woman on the cover, who we first see wandering around the ruins of a home in the middle of nowhere, scavenging for what she can find. She’s joined by Decosuke, who appears at first to be a young man the same age as her but it quickly becomes apparent is actually the brain that the body is carrying behind it. She’s found a old movie filmstrip, which she proceeds… to wear as a scarf, which tells you right off that this is not going to be all bleak tragedy. That said, it’s not all laughs either – Pez and Deco’s past when they were both normal kids (who appear to be living off the streets) is short but extremely painful (indeed, Pez calls this out in the actual manga). The reason they’re where they are right now is a mad scientist sort by the name of Dr. Thunder Land, who is able to revive/robotize the dead Decosuke, and also (as we find out in the final pages) gives a little something to Pez that makes her able to see a bit more than most people. (This section also involves some shots of Pwz topless, be warned.)

Most of the short volume is Pez and Decosuke walking the Earth, finding bombed-out shelters and discussing things. There’s a sweet bit where they find an old pizzeria whose chef is caught under rubble – they can’t free them from their inevitable death, but they can get instructions on how to make a delicious pizza. Sometimes it’s ridiculous, as with Pez’s imagining what sweets are like. And sometimes it’s inspirational, as the ending involves Pez and Decosuke following the “lights” in the sky and seeing where they lead so they can find out how the world got this way. They will find out, maybe, but we won’t – the book wraps up there. That said, as a one-shot it feels well worth the purchase, being made entirely of mood, and with some Wonderful sketch-like art that you’d normally only see in the likes of Ikki and similar magazines – or in the pages of the Robot anthology. It feels like a boutique manga, the sort you’d leave on your coffee table to impress the guests.

Pick of the Week: Visions of Manga

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MICHELLE: It’s a big VIZ week, which means new volumes of many favorites for me. I’m excited for new installments of Yona of the Dawn and Takane & Hana in particular, but it’s the series finales that are primary contenders this week. I have definitely enjoyed reading Kuroko’s Basketball and am a little bummed it’s ending already (30 volumes seems short for a sports manga nowadays!) but, really, there’s no contest. It’s gotta be Kimi ni Todoke. I love this series so very much and kind of can’t believe it’s going to be over.

SEAN: I’m definitely interested in We Never Learn, the new Jump romantic comedy, but yeah, no real contest. The final volume of Kimi ni Todoke is one I’ve been both waiting for and wanting to avoid. I expect it to be very good.

ASH: Viz primarily has my attention this week, too. I’m following several of the series with new releases, but I’ll have to admit I’m a bit behind on just about all of them. Queen’s Quality is probably the manga that’s up next for some catching up, though, so I’ll make that one my pick.

ANNA: There are so many great series coming out this week. I have to pick the manga that I read immediately, it doesn’t even have time to rest in the to-be-read pile by my bed. That manga is Yona of the Dawn which is consistently wonderful.

KATE: My vote goes to the latest installment of The Promised Neverland. Emma is the best reason to read TPN: she’s the big beating heart of this dystopian adventure story, but also its brains. Her courage and determination are hard to resist, making it easier to soldier through the onslaught of grim plot twists.

MJ: I feel like a traitor to Takeshi Obata, but I’m also going to make Queen’s Quality my pick this week. Like Ash, I have some catching up to do there!

MICHELLE: So do I!

The Saga of Tanya the Evil: Dabit Deus His Quoque Finem

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By Carlo Zen and Shinobu Shinotsuki. Released in Japan by Enterbrain. Released in North America by Yen On. Translated by Emily Balistrieri.

I’ve talked before about how Tanya the Evil is at many times written like you’re reading a history book. It’s actually a bit weirder than that, as you’re reading several competing history books, each with its own agenda. This is made obvious in the sections involving the Federation, aka not-USSR, whose style of Communism under “Josef” is mocked mercilessly, even to the point of having one section written as a children’s history book. The Federation in general comes in for a bashing this volume, partly because, well, Communism under Stalin, please look at real history, but also because Tanya is virulently, rabidly anti-Communist and says so most of the time. The book starts with her taking her team to “put a scare” into the Federation capital. She proceeds to overdo it. One of the more interesting bits is when she tells Visha, who escaped the Federation as a child, not to hold back her hatre3d and to go all out. Visha, who honestly doesn’t recall much of her childhood and isn’t really driven by hatred, is rather nonplussed.

It can be difficult at times to remember that Tanya is not the heroine, merely the protagonist. We’re meant to be a bit horrified by her. Quite a bit. The trouble is that most of the book is in her semi-1st person monologue, so sympathy naturally falls with her, especially when the war is not going her war, which is constantly. There’s a glorious bit when she’s on trial for some of her actions when they realize that this little girl is, in fact… acting like a petulant child. Even when she finally gets her wish of a transfer to a non-combat position, it doesn’t even last two weeks. But we’re not really meant to like ANYONE in this “war is hell” series. Not the Empire’s generals. Not the government, who are invisible but making poor decisions behind them. Not the Federation, who I would call a parody of Stalin’s Russia were it not already hard to parody. And not even the Commonwealth or the Unified States, who we see training up their own crack mage unit, complete with blonde Kansas girl Mary Sue, who unfortunately runs into Tanya in her first combat and realizes that Tanya was the one who killed her father. She doesn’t take it well.

These books continue to be bricks, far longer than almost all light novels that aren’t DanMachi. A lot of that is tactics and military discussion, and I say it again: don’t read this unless you’re fascinated by such things, because it will drive you mad. One other downside: we’re introduced in this book to “Josef” and his number two, who is named Loria. Loria is based on Lavrentiy Beria, who was a sexual predator, and it’s this aspect that Carlo Zen mines for “humor” (and also horror, to be fair), as he spots the 12-year-old Tanya (she must be twelve by now, right?) stomping all over Moscow burning everything in sight and decides that he needs to make her his. It’s as disturbing as it sounds, and it gets a color illustration that makes it much worse. Sadly, I expect to see more of him. As well as Mary Sue, who’s a talented newbie this time around but is now driven by hatred and fury, so I expect her next run-in with Tanya will be very different.

Tanya fans who only watched the anime will be happy to know this is where the new stuff begins (well, technically the end of the last book). It’s still a very interesting series to read, but remember that the author is actually a left-wing socialist. Tanya is not here to be admired. No one is, really.

Ao-chan Can’t Study!, Vols. 1-2

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By Ren Kawahara. Released in Japan as “Midara na Ao-chan wa Benkyou ga Dekinai” by Kodansha, serialization ongoing in the magazine Shonen Magazine Edge. Released in North America digitally by Kodansha Comics. Translated by Erin Proctor.

Sometimes when reading manga you are looking for a well-characterized, touching work that will heal your heart and make you think. And sometimes you’re looking for silly sex jokes. If it’s the latter you’re after, I am pleased to say that Ao-chan Can’t Study! is here for you. It’s about as subtle as a brick to the head, but why would you want to be subtle in a case like this? It’s a sex comedy. With the emphasis on the comedy, I hasten to add – there’s tons of sex talk, but don’t expect any forward progress, at least not at the start of the series. It sort of feels like Seitokai Yakuindomo to a degree (and I could write an entire POST about why Kodansha Comics never licensed that, complete with them indirectly dissing it when they picked up Aho-Girl). Despite all that, though, things still remain on the innocent side here, adn the kids read like normal romance comedy heroes and heroines and not perverts. Well, mostly.

Ao-chan has had difficulties with her childhood almost from the start, when she introduced herself to the elementary school class as Ao, “A as in apple and O as in orgy”. We find out why fairly quickly – her father is a famous author of erotic novels, and also the equivalent of Happosai from Ranma 1/2 (he even looks like him), and despite her best efforts, Ao is now in high school and has a mind that quickly turns filthy at the slightest provocation. Not that she has any experience or anything, but just being around her father has sort of led her to be a pervert by osmosis. She tries to repress this by being a stoic ice queen, with perfect grades and no interest in men. Sadly, she has piqued the interest of Takumi, the class’ resident hot guy, who doesn’t study very well but finds Ao interesting. She attempts to drive him off, but her dad has decided now is the time to get his daughter laid. What’s more, Takumi’s feelings appear to be genuine. And worst of all, there’s a rumor going around that he is… well, larger than average.

Shonen Magazine Edge tends to push boundaries a bit, and despite being clean at heart, so does this title. There’s Lots of discussion of penis size and how it can actually hurt for a woman when a guy’s too big. In the second volume, when the class goes to summer camp, Ao somehow gets it into her head that she’s going to be invited to a “fuck party”. As I said, things you wouldn’t normally see in Fairy Tail (UQ Holder, maybe), and you can see why it’s a digital-only series. The reason it avoids being pure skeeze is Ao, who is pretty innocent – she has no idea what a dick really looks like, and most everything that she gets in her head is either exaggerated or wrong. Plus she’s falling for Takumi too, and has no idea how to deal with her feelings – and her libido. Add in a rival or two, and you’ve got a fun if ecchi comedy, recommended for those who don’t mind that sort of thing.

I Want to Eat Your Pancreas

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By Yoru Sumino. Released in Japan as “Kimi no Suizō o Tabetai” by Futabasha. Released in North America by Seven Seas. Translated by Nathan Collins.

The book spoils you on page 1, so allow me to do the same: the heroine does not survive the book. That is in fact, the point of the book, which is a novel rather than a light novel, and has its feet planted firmly on the ground. Despite the title, this is not about zombies or anything like that. Sakura, the heroine, has something wrong with her pancreas, to the point that she has a year to live at most. Our hero, whose name remains deliberately obscured for most of the book, accidentally finds out about this (they’re classmates, but she’s only told her family and is hiding it from everyone else) and the bulk of the book is the two of them gradually getting closer and hanging out. They’re not quite falling in love (I suspect were it not for her illness they’d get together much faster, even with the hero’s personality issues), but most of the prose till near the end consists of either school or “dates”.

The handling of the hero’s name is quite interesting, if a bit aggravating at first. He’s defined by how others think of him – for most of the first half Sakura (who he also avoids naming, so her name also rarely comes up) refers to him as “Classmate I Get Along With-kun”. but this changes depending on circumstances, and other people like classmates also address him this way. It ties into the book that Sakura is writing, called Living with Dying, and while the text of this novel isn’t that book, it does sort of follows the rules of said book, which also avoids using him name. Speaking of the hero, he is a loner and something of an outcast – always reading, self-proclaimed with no friends, but very perceptive in a negative sort of way. Of course, he’s not as perceptive when it comes to emotions, and one of the highlights of the book is a fight that he and Sakura have over a misunderstanding.

Again, I will try not to spoil too much, but there is a definite sense that the book is going to end the way you’d expect (I mean, it begins with her funeral, which our hero does not attend), but the book has a few surprises in its last quarter or so. The surprise might upset a few readers – it’s foreshadowed, but not by much. That said, it’s mentioned that “real life doesn’t work like an novel”, and you get the feeling that the way things played out was the author’s way of avoiding things simply being too predictable. I also felt the epilogue, which jumps forward in time and avoids showing us two characters’ growth more than I like, was a bit abrupt, but that’s likely because the payoff of everything right after Sakura’s death was the best part of the book, and very emotionally raw.

This is not, for most of the time, a depressing tragedy of a book. I tweeted that it felt like a darker Teasing Master Takagi-san, and given that Sakura spends most of the time imposing demands on our nameless hero’s time, there’s a lot of Haruhi Suzumiya here as well. It’s a touching story of two people who have a deep and affecting impact on each other’s lives over the course of only a few months. I really, really enjoyed it.

Manga the Week of 12/5/18

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SEAN: As we get ready for the holidays, why not give the gift of new manga? Here’s what’s next week.

Bookwalker has a 7th volume of The Combat Baker and Automaton Waitress, which I need to catch up on still.

Cross Infinite World debuts The Cursed Princess and the Lucky Knight, another in its line of romantic light novels for young women.

J-Novel Club has the 18th Invaders of the Rokujouma!?. Just making that a sentence makes the punctuation marks cry.

In print, Kodansha has Attack on Titan 26, Boarding School Juliet 2, Kiss Me at the Stroke of Midnight 8, and The Seven Deadly Sins: Seven Days 2, which wraps up this spinoff.

ASH: It’s been a while since I’ve caught up on Attack on Titan, I should probably get around to doing that.

SEAN: Digitally we debut Red Riding Hood’s Wolf Apprentice, a Betsushonen title that’s also a bit of a gender reversal: Red Riding Hood is a demon hunter, and the wolf is a cute young girl. Those with long memories may recall Pupa, a JManga title by the same author.

There’s also Are You Lost? 3, Can I Kiss You Every Day? 2 and My Boy in Blue 5.

Seven Seas has no debuts, but we do see Accomplishments of the Duke’s Daughter 2, Lord Marksman and Vanadis 9, New Game! 4, and Tomo-chan Is a Girl! 2.

Speaking of gift material, Titan is releasing a Sherlock Season 1 manga box set.

ASH: That will make a nice gift for fans of the franchise; the manga adaptations have been pretty faithful to the BBC television series.

SEAN: Vertical has Pop Team Epic: Second Season, with even more of those memes (and gags, but let’s face it, mostly memes) that you need.

The rest is Viz, and we have a ridiculous amount of final volumes out next week. But first, the debut. We Never Learn is a new romantic comedy from Viz’s Jump imprint, following the adventures of a tutor trying to work with three geniuses who are brilliant at one subject and bad at others. Nisekoi fans should like this.

Ending this week are Astra: Lost in Space (5), Kimi ni Todoke (30), Kuroko’s Basketball (29-30), and The Young Master’s Revenge (4). Man, I’m going to miss Sawako and Kuroko.

MICHELLE: Me, too!

ANNA: I haven’t been reading Kimi ni Todoke recently because of being timid of emotional devastation but one day I will get all caught up!

SEAN: In series that aren’t beginning or ending, we see Ao Haru Ride 2, Food Wars! 27, Juni Taisen: Zodiac War 2, My Hero Academia 16, One Piece’s 26th 3-in-1, Platinum End 7, The Promised Neverland 7, Queen’s Quality 6, Takane & Hana 6, and Yona of the Dawn 15. I am getting… most of those, to be honest.

MICHELLE: Same here. I’m particularly craving another dose of Takane & Hana.

ANNA: Any week Yona of the Dawn is coming out is a good week!!!! Also super excited for Ao Haru Ride.

ASH: Yes, Yona of the Dawn is great! I need to catch up on Queen’s Quality and Food Wars!, too.

MJ: Definitely Ao Haru Ride and Queen’s Quality! Also, I’m very behind in Platinum End, and obviously in danger of losing my Takeshi Obata fangirl card, so something must be done.

SEAN: Are you getting a pile of manga to give as presents? Or just reading it yourself?

Do You Love Your Mom and Her Two-Hit Multi-Target Attacks?, Vol. 1

by

By Dachima Inaka and Iida Pochi. Released in Japan as “Tsujo Kogeki ga Zentai Kogeki de Ni-kai Kogeki no Okasan wa Suki desu ka?” by Fujimi Shobo. Released in North America digitally by Yen On. Translated by Andrew Cunningham.

This book is straight up ridiculous. I realize that may be the most obvious thing to say, but I want to say it up front because I went into it thinking that the ridiculous content would take a back seat to sketchy mom-son sex humor. And there is a bit of that, but mostly the comedy is first and foremost the important thing here. This series is not trying to titillate its reader, it’s going for fun. And it pretty much succeeds. We get a lot of amusing riffs on the standard “adventure game” tropes, the characters are all obvious cliches but fairly likeable. Best of all, despite the occasional lewd joke or ogling, there’s absolutely no sense that Mamako (yes, really, that’s her name) and Masato view themselves as anything other than mother and son. This allows the reader to relax and focus on what’s important: Mamako is hilarious.

Masato is our hero, a 15-year-old boy who is dealing with a mom who a) looks about seventeen and is gorgeous; and b) doesn’t seem to realize that he’s not six years old anymore, so is overly doting and smothering. One day he comes home to find a government worker there who tells him that he has been chosen to play in an ‘MMMMMORPG’. He’s not sure why there are so many M’s, but he agrees… and finds himself in a virtual game world. He’s a hero! He gets an awesome sword! He has party members who are an adorable and trusting 12-year-old girl and a tsundere but clearly future love interest mage! There’s just one problem. His mother has come along with him into the game. And she has TWO swords (the two he didn’t pick when given a choice) that do so much damage that he never has a chance to shine. She may not know anything about adventure games, but she certainly knows how to make him feel awkward and embarrassed.

As you can see, we’re not going for subtle here. In fact, the overtness is part of the point – the series works better for it. The game that Masato and company are in is a beta release, and they’re meant to be testing it. This leads to many of the NPCs simply reciting the guidebook, or speaking in actual gamer talk rather than having it filtered through a fantasy world. Wise, the tsundere girl (she spends most of the book in a state of fury, but there are good reasons for it) is amusing, and you get the feeling she’d be nice if she ever calmed down. Porta, the girl, is a parody of the ‘little girl party member’, and this about as deep as a small puddle, but her pureness is almost endearing. As for Masato and Mamako, they start off exaggerated types, and by the end are slightly less so. Believe it or not, there is a bit of plot and character development in this, and by the end of the book Masato has learned not to take his mother’s actions as a personal attack, and Mamako has (possibly) learned to allow her boy to grow up. (I say possibly as, well, there’s more books in the series, and the premise is that Mama is more powerful and steals the spotlight.)

I also need to mention the main reason to read this series, which is Ms. Shirase, the government agent who starts this entire mess. She is amazingly funny in a deadpan sort of way, and I was delighted at her appearances throughout, as well as her constant fourth-wall breaking. I really hope we get more of her. The series reminds me a lot of KonoSuba in terms of its style and laughs, and I think fans will enjoy it. Yes, there’s some incest parody – that’s the premise! – but I feel safe that it won’t go anywhere and isn’t serious. Recommended for fans of comedies and mothers.