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Saint Young Men, Vol. 1

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By Hikaru Nakamura. Released in Japan as “Saint Onii-san” by Kodansha, serialization ongoing in the magazine Morning Two. Released in North America digitally by Kodansha Comics. Translated by Alethea and Athena Nibley.

Over the past few years, there have been fewer and fewer series that you can point to and say “It’s fantastic, but will never be licensed”. The manga market right now is such that risk-taking can be rewarded, and we’ve been very happy to get things like Captain Harlock, Silver Spoon, and (theoretically) Rose of Versailles. That said, Saint Young Men is a special case. Immensely popular both in Japan and here since its debut in 2006, its basic premise made it seemingly radioactive for a long time, and it was assumed that either the author or the publisher had indicated that it was not the right time for it. But times have changed, and even if it’s only digitally for now, we can all now enjoy the adventures of Jesus Christ and Gautama Buddha living in a small apartment in modern-day Japan and having the time of their afterlives. Having finished the first volume, it’s as fun as advertised.

There’s no real plot to speak of. Each chapter shows us the two leads experiencing something new, be it going to a local pool/sauna, a festival, or (of course) a Buddhist temple. They can both take turns as the boke and tsukkomi, though over the course of the volume Boke Jesus tends to move to the foreground – he’s the more happy go lucky of the two, and doesn’t worry about actual expenses and rent as much as the tighter-wound Buddha. They’re experiencing modern-day Japan, and how they take to it depends very much on what the gag needs to be – sometimes it’s clear they’re fairly new to everything, but then there are the chapters showing us Jesus’ blog, where he reviews all manner of things. Throughout, of course, their character is also informed by their own pasts – we hear about how they both died, and various religious miracles they’ve performed. And the Virgin Mary gets a mention as well. She apparently loves to buy T-shirts.

As you might imagine, there are a lot of obscure references in this volume. The translation is good, but you will find yourself flipping to the endnotes in the back quite a bit. There’s a lot of them – I don’t think I’ve seen so many notes since the days of Sayonara, Zetsubou-sensei. I do hope that this book does eventually get a print edition, because flipping to the back of the book in a digital version can be a pain – on first read, I just let the references wash over me, and read the notes afterwards. Which is fine when it’s discussing sutras and stigmata, but less so when Jesus starts talking about Leah Dizon. That said, one of the first references, which is that Jesus looks a lot like Johnny Depp, works well in both Japanese and English.

This is probably not a series I’m going to be doing full reviews for every time – it’s a slice-of-life comedy with no plot to speak of. But it’s fun, and funny, and you actually do learn quite a bit about Jesus and Buddha – over half the notes are religion-based. If you’ve been waiting forever to read this officially, now is the time to go get it.

Didn’t I Say to Make My Abilities Average in the Next Life?!, Vol. 6

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By FUNA and Itsuki Akata. Released in Japan as “Watashi, Nouryoku wa Heikinchi de tte Itta yo ne!” by Earth Star Entertainment. Released in North America by Seven Seas. Translated by Diana Taylor. Adapted by Maggie Cooper.

By the time this volume came out from Earth Star Entertainment, the author already had two other series coming out at the same time via a larger publisher – I Shall Survive Using Potions! and Saving 80,000 Gold in Another World for My Retirement are both Kodansha books. Despite that, this is obviously the “flagship” series. I mention it because in my review of the first Potions book I mentioned that Kaoru was a lot more selfish and morally ambiguous than our sweet, lovable Mile. Which is still… mostly true? I have to say, at times it feels like Mile has sort of lost any of the few restraints that she may have had in the series previously. It’s hard to tell, mostly because Mile had so few restraints, but the chapter with the fairies especially almost features Mile in villain mode. It’s weird. I like Mile sort of sweet and cartoonishly overpowered.

Having featured Adele on the cover of the first book, and Mile on the 4th, we now get Misato on the 6th. She’s the subject of one of the short extras after the main storyline, where we meet her family and learn what she was like before her death that sent her to the world we know. It’s a very interesting chapter, and pretty much distracted me from the rest of the book. Misato’s parents are such old-school otaku that they have a reinforced house to hold the weight of all their manga/VHS tapes/games. And Misato takes after them 100% in terms of her media consumption. That said, Misato is also socially awkward to the nth degree – if it weren’t for her little sister she’d have trouble functioning. The description of her (perfect in school, perfect in athletics, no one wants to get close to her) reminds me a lot of Ran the Peerless Beauty, a shoujo manga I recently reviewed. The text also mentioned Misato has partial face blindness, which I really liked seeing as you rarely see that come up in any fiction. The story shows us that it’s the “Adele” part of Mile that has the extroverted personality, and the “Misato” part is the one with the otaku leanings and the brains.

Speaking of which, one of the stories in this book features a pun so bad that Mile has to lampshade it immediately lest the reader not realize just how bad it is. (You have to know your old robot shows.) The Crimson Vow run rampant through this book, defeating a party of demons, exploring ancient factories, curing a princess of her terminal illness (which turns out to be “she’s a picky eater” and also involves my 2nd favorite moment, when Mile’s overenthusiastic nanomachines invent multivitamins), and running into another all-female hunter team who are rather annoyed that their marriage prospects have suddenly plummeted now that the better-in-every-way Vow have come along. This series is very episodic, so for every clunker of a chapter (one chapter seems to involve Mile being the only one who realizes incest is wrong) there’s another fun one down the road (the other three Vow members trying to live for a few days without Mile, and realizing just how dependent on her they are).

I hear this is getting an anime soon, and you can see why. Each volume reminds you how much fun this is, and also how ridiculously overpowered Mile is. I hope the series survives cranky anime fans yelling about her. It should.

Bookshelf Briefs 4/23/19

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Accomplishments of the Duke’s Daughter, Vol. 3 | By Reai and Suki Umemiya | Seven Seas – Things get a bit more interesting with the third volume of this series. First of all, we have a potential love interest for Iris, who has not really been thinking about love ever since her exile. That said, he’s more than what he appears, and I suspect once Iris finds this out any love that is happening may hit the side of the road. Meanwhile, we also return to the school she was exiled from, to meet her former love interest and his new fiancee, who… well, let’s just say she’s no Maria Campbell. The book ends with a cliffhanger, as Iris is invited to a royal ball, where she will no doubt be pilloried. Hopefully she can withstand it. I also hope Dean is a good guy. So “I’m an otome villainess” is a huge genre now, huh? – Sean Gaffney

Ao Haru Ride, Vol. 4 | By Io Sakisaka | Viz Media – Just because we have had a love epiphany does not mean everything is hunky dory. We’re still getting tastes of Kou’s past, and why he keeps walling himself off from people. His mother’s death hit him hard, and he’s annoyed at Futaba less for being nosy and more for the fact that she’s refusing to be upset by him and pull away. Her resolve to continue to bring him closer to people—even if through the use of righteous violence—is the highlight of the book. There’s also Yuri, who is trying hard to win Kou’s heart but really has gotten there far too late. The end of this volume comes full circle, with Kou inviting Futaba to keep the appointment that they never did years ago. A very well-handled shoujo romance. – Sean Gaffney

Himouto! Umaru-chan, Vol. 5 | By Sankakuhead | Seven Seas – This series has gradually moved from amusing jokes about Umaru’s double life as a perfect student and a hikki otaku to the family that the core cast are becoming, and while there are still some great punchlines, we’re moving into the “here for the sweet bits” category. Tachibana may not know who Umaru’s alter ego really is, but she’s damn enthusiastic about being the best friend ever, and while I wish Umaru would just come clean, the Christmas ending was really nice. Speaking of which, Ebina has gradually been coming out of her shell, to the point that the cliffhanger of the volume seems to involve her confessing to Taihei. We’re not even halfway through the series, though, so don’t hold your breath. – Sean Gaffney

My Sweet Girl, Vol. 2 | By Rumi Ichinohe | Kodansha Comics (digital only) – Tsugumi Koeda is thin and tiny, and never felt she was the sort of person who would get to experience love, but that changed when she met Masamune Sena. In this volume, summer vacation has arrived and Tsugumi and Masamune visit the sea with friends. Then, he gets sick and she makes rice porridge. And then it’s suddenly the school festival and Tsugumi is playing Cinderella. If you think these sound like major shoujo clichés, you’re absolutely correct. I wish I could like My Sweet Girl more, because I appreciate its themes of self-acceptance, but the shoujo-by-the-numbers approach holds me back. For every genuinely cute moment between Tsugumi and Masamune (and I did appreciate that they’re already open about their feelings), there’s a lame trip-and-fall moment or some randomly snide strangers in a coffee shop. I like it enough to keep reading, though, and to continue hoping it improves. – Michelle Smith

Ran the Peerless Beauty, Vol. 2 | By Ammitsu | Kodansha Comics (digital only) – As with the first book, it’s hard not to compare this series to Kimi ni Todoke. If the latter had a more laser focus on the main relationship it might seem a bit like this. Ran and Akira slowly grow closer, despite her introversion and second-guessing of herself. There’s a great bit where she helps out at his flower shop, thinking it’s a good opportunity to grow closer, only to castigate herself when she realizes he’s worried about his sick mother. (We also meet the mom—she’s great.) There are also moments of great character humor, such as an athletics festival that ends with a “princess carry,” which you think is going to be triumphant and… isn’t. It’s sweet, though. As is the whole series. – Sean Gaffney

Smashed: Junji Ito Story Collection | By Junji Ito | Viz Media – Gathering together thirteen of Ito’s short horror manga in a single, hardcover volume, Smashed is the most recent installment in Viz Media’s ever-expanding catalog of the master creator’s work. A rather disturbing and disturbed individual named Soichi is featured in three of the stories, but otherwise the tales collected in the volume aren’t directly related to one another. But even so, all of the manga work nicely together as an anthology. The Japanese word that has been translated as “smashed” is “kaidan,” a homophone of which gives name to a particular type of ghost story, urban legend, and uncanny tale. I can’t imagine this was an accident since the manga in Smashed either firmly fall within or are strongly reminiscent of the category. Some of the stories are less memorable than the others, but as a whole, Smashed is still a solid collection of engaging horror manga. – Ash Brown

The Water Dragon’s Bride, Vol. 9 | By Rei Toma | Viz Media – Much as this series has been a romantic drama, it’s also looks at the nature of gods and belief, and how easily that can be swayed by the environment, particularly when bad people are helping to do the swaying. The Emperor has been dethroned, the Water God is particularly unpopular right now, and, in the most chilling scene in the book, Kurose’s desire to resurrect his dead little sister figure has been completely papered over with generic “dark evilness”—this is what being dedicated to revenge gets you. There’s only two volumes to go after this one, and I admit I’ve no idea where the ending is going to go. This has become my favorite Rei Toma series. – Sean Gaffney

We Never Learn, Vol. 3 | By Taishi Tsutsui | Viz Media – Since my last brief, the anime version of We Never Learn has debuted, and having watched it, I think it’s safe to say I prefer its fanservice in print form. The author is sometimes clever in getting us that service—one chapter has everyone hearing that studying in the bath works better, so we see them all bathing, complete with fantasies they’re doing it together. The series continues to balance the romance with the studying, working them together a lot. We have two obvious pairings now, mostly as Fumino is still trying to be a good friend towards the other two—or just hasn’t realized it yet. As for Kirisu-sensei—well, she turns out to be a bit of a disaster… and also has a tragic past. Mildly recommended. – Sean Gaffney

World’s End and Apricot Jam, Vol. 3 | By Rila Kirishima | Kodansha Comics (digital only) – Anzu finally stops fighting against his feelings for Hina and they start dating. After a chaste month passes, during which they only manage two smooches, Hina returns from a school trip to find Anzu’s apartment empty. It turns out his band has been signed to a major label and their new producer has demanded that Anzu move out of Apricot House and break up with Hina. Anzu continues to date her in secret, however, and the volume ends with them apparently busted. It’s shoujo drama at its finest. What I don’t like are the mixed singles Anzu sends, particularly when he breaks bad for a second and acts out the scenario Hina most fears, in which he tells her it was all just a game to him. He genuinely makes her cry for a moment, and it was kind of shitty. – Michelle Smith

Pick of the Week: Buddy Manga

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MICHELLE: I’ve wanted to read Saint Young Men for probably a decade. I had given up all hope of it being licensed here, so my gratitude to Kodansha is immense. I simply can’t even consider picking anything else.

ANNA: Me too, I’m absolutely amazed it is being translated.

SEAN: Yeah, Saint Young Men is my pick this week because it’s an Easter Miracle we’re even getting it.

KATE: I’m 200% on board with Saint Young Men, but I also think it’s worth reminding MB readers that VIZ will be releasing digital versions of the first seven volumes of Banana Fish. For folks who missed it the first time around, or who saw the anime and wondered how it compared with the source material, the new digital edition is a wallet-friendly way to dive into the manga.

ASH: Typically I can safely ignore digital releases since I have more than enough print manga to keep me busy, but when something like Saint Young Men is licensed even I have to take note! It’s definitely my pick, but I sincerely hope it might get a physical release in the future. We’ve proof that miracles can happen!

MJ: I feel like me choosing Saint Young Men while Kate is the one to bring up Banana Fish is the shocking plot twist nobody saw coming, but that is what’s actually happening, right now, today. I’m very happy that Viz is releasing digital versions of Banana Fish (though what I really want is a fancy, deluxe print edition), but Saint Young Men is something I genuinely thought we could never see in North America, and I can’t let that go. Not even for Eiji Okumura. And that’s saying something.

Restaurant to Another World, Vol. 1

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By Junpei Inuzuka and Katsumi Enami. Released in Japan as “Isekai Shokudou” by Shufunotomosha. Released in North America by Seven Seas. Translated by Elliot Ryouga. Adapted by Nino Cipri.

By now we have had enough of these “foodie” titles out here in the West that it’s not a surprise anymore. Indeed, the light novel was the last one to get a license here, as we’ve already seen Restaurant in Another World’s manga (on the Crunchyroll site) and anime over here. And there are any number of other titles doing very similar things, including Othewrworldly Izakaya Nobu, Cooking with Wild Game, Campfire Cooking in Another World, etc. That said, Restaurant in Another World seems the purest of the titles we’ve seen here. If you’re not fond of descriptions of people eating delicious food, this is absolutely not the book for you, because that’s all it is. Well, OK, that’s not ALL it is. There’s actually a very interesting and varied fantasy world being slowly laid out here. But there’s no plot beyond “fantasy people eat delicious food” until the very, very end.

If you’ve read the manga, or seen the anime, or hell, even looked at the cover art, you may be surprised at who isn’t in this book. Aletta does not show up until the very last chapter, and I believe the other adaptations wrote her into the earlier chapters specially. Instead we get a very simple premise, repeated over and over. Someone comes across a door with a cat picture on it, in the middle of a cave,. or a forest, or a basement, etc, goes through it, and finds themselves in a modern Japanese restaurant that specializes in “Western” cuisine, although how much that specialty is enforced is something of a running gag. There they discover that the food served there is much, MUCH more delicious than the food they get back in their world. The gimmick is that their world is a standard fantasy one, with elves, dwarves, magic users, and adventurers. Once every seven days… they can eat good food.

The chapters are self-contained to a degree. New person, new favorite food, new descriptions of how that food is the absolute best. But they stack on top of each other, so you see the regulars coming back and eating and arguing with each other about food, not necessarily in that order. Another running gag is that they’re known to each other only by their standard meal, so the adventurer girl is “minced meat cutlet”, and the knight is “fried shrimp”, etc. The cast, as I said, run the gamut. There’s dragons who arrive at the very end of the day for beef stew (don’t worry, she can assume human form). There’s vampires in a Romeo and Juliet-style runaway, only they get away with it. There’s Lilliputians who go as an entire village to eat pancakes. And there’s human kids living there too, who get what most human kids in a restaurant want… burgers and fries. And there’s the unnamed chef throughout, smiling and making their food, and occasionally enforcing the peace.

This light novel series is 5+ in Japan, and I’m not sure how long it can sustain its basic premise without adding SOME plot. That may be why Alette was added in the last chapter, so there’s some more regular regulars. But if you enjoyed the manga and anime, or just like food, you should enjoy this. Also, terrific illustrations by Enami, who also illustrates Baccano!.

Go With The Clouds, North-by-Northwest, Vol. 1

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By Aki Irie. Released in Japan as “Hokuhokusei ni Kumo to Ike” by Enterbrain, serialization ongoing in the magazine Harta. Released in North America by Vertical Comics. Translated by David Musto.

If you enjoyed Ran and the Gray World but wish it had 100% less of that one creepy guy, then this may be the title for you. It’s the author’s followup to that series, after she took a vacation around the world, including driving around Iceland. That informs this new work, which does star a tall, handsome and difficult to like fellow, but this one is the protagonist, and far easier to get along with. In fact, over the first half of this volume I was wondering if this was going to be an episodic title, with each chapter having Kei solving a different problem using his detective skills and ability to talk to machines (which might be the same as his grandfather’s ability to talk to birds). But it does pick up a plot in the second half, and it’s darker than I expected. His aunt and uncle are both dead, and his younger brother is in Iceland and says he’s innocent… but Kei is the only one who believes him.

There’s a sort of odd supernatural-ish tinge to this title, but unlike Ran and the Gray World it never quite dips its toe into the genre full speed. Kei, as I noted, seems to be able to speak to the soul of machines, particularly the car he’s driving around Iceland. There’s also Lilja, a young Icelandic girl Kei’s age, who’s introduced to us in a way that makes the reader wonder if she really exists or is some sort of spirit. Later on, she seems far more real – she’s the niece of a woman who’s dating Kei’s grandfather, and her introduction after the initial chapter is very much meant to be a “romantic interest ahoy” sort of thing, though I was very amused that after he interrupted her without clothing – twice – she insisted on ripping off his boxers to get her own back. Is she a normal girl? Probably as normal as Kei, and she seems to be good at hearing the truth behind sounds – which sets up the cliffhanger, which may put her at odds with Kei.

As you’d expect with this author, the art here is gorgeous. Lots of stunning Icelandic landscapes, striking men and women, and even an action scene or two – there are some lovely poses here. I suspect this may be the lightest volume of the series, which likely will get deeper into the behavior of Kei’s brother next time. But it’s a terrific read, never feeling boring even as you realize that not a lot has happened for the first hundred pages or so. Kei acts like an ass a lot of the time, but as his grandfather notes, that’s very much a front – and, I suspect, a contrast to his brother, who is seen in Kei’s flashbacks to be young, weak and somewhat hapless, but I’m fairly sure isn’t. That said, I’m not sure I’m ready to think him evil either.

This series does what most really good manga want to achieve – makes me really want to read more. Definitely worth a read. Also, what a title.

Invaders of the Rokujouma!?, Vol. 20

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By Takehaya and Poco. Released in Japan as “Rokujouma no Shinryakusha!?” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Warnis.

As was possibly easy to predict, after the excitement of the last two books, we’re getting a short story collection here. In fact, the author notes that the plot will basically alternate with these sorts of books from now on, so as not to alienate those who enjoy the lighthearted comedy bits. As such, we get three short stories that were first published online, and one original novella. They all pretty much fulfill the lighthearted part, but as with a lot of Rokujouma, comedy has slowly been replaced by heartwarming as the go-to thing. This is a sweet group of girls, all best friends, all in love with the same guy, and things are great. For a lot of people, this might be annoying, showing off a lack of conflict that helps to drive most series. I find it refreshing. The conflict comes from the enemies in the main plotline. As such, this is basically just pure cuteness.

To no one’s surprise by now, let me focus on my favorite character first. Yurika gets the first story as a focus, and it shows that even though she’s seriously matured and leveled up in the past few books, she is still the same old somewhat whiny, lazy girl who has to be prodded. The difference now is that she CAN be prodded… as well as now Koutarou realizes how he feels about her. The first story deals with the cosplay club hearing (by mistake) that Yurika is going to stop wearing magical girl “costumes”. They know the main reason why girls stop cosplaying – they get a boyfriend. The rest of the story is them hilariously finding they’re right – sort of. To the outside observer, Yurika has become a “reajuu” – she has a great boyfriend, a nice best friend, and a fulfilling life. To the outside observer only, of course. The other two short stories deal with a) Sanae and Ruth peering into Koutarou’s dreams, and realizing he has a ways to go to be healed, and b) Maki and Theia finding that though they may be opposites in many ways, they can still bond as good friends.

The story that takes up the second half of the book is a cooking competition for the school festival, with all the girls competing and Koutarou the judge. This ranges from the obvious (Kiriha and Ruth are great cooks) to the good character building (Yurika is forcibly taught by Shizuka, and her efforts pay off for Koutarou if not anyone else – she didn’t burn or otherwise ruin it) to amusing fun (everything about Clan’s SCIENCE! dish). Moreover, it helps to hammer home one of the main themes of this “harem” series – Koutarou likes them all equally. He gives everyone the same score – even Clan’s “meal” – as to him, they’re all great as the girls all put their heart into them. For a lot of other series, this would make Koutarou into a bland milquetoast protagonist, and to be fair he had elements of this at the start. But he’s developed too, to the point where the reader can smile and nod when this occurs.

So overall a really nice volume, and a good break before we no doubt go off into SPAAAAAAAACE! next time.

Yona of the Dawn, Vol 17.

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Yona of the Dawn Volume 17 by Mizuho Kusanagi

I’m always curious when a new arc of Yona of the Dawn starts, because Kusanagi manages to create situations and plot elements that seem new and fresh in the context of a long-running series. At the same time she continues to explore themes that are present throughout the series with more depth, like Yona grappling with the legacy of her father’s lack of consideration and thought for the people who he used to rule.

Yona and her companions head towards the border of Kai, where they meet a young boy named Kalgan who proposes marriage to Yona after she shoots a bird to provide him with with some money. Kalgan wandered over from the Kai empire and is stranded, so Yona decides to escort him back to his village, a border town that has been fought over between Kai and Kohka for years. Yona’s Dragon Warriors begin to fall ill, and they need to recuperate for a time in the village where most of the residents are deeply suspicious of them. War is drawing near as well, as Su-Won and his army start to attack the Kai empire.

So far, most of the Dragon Warriors have gotten some solid character development and backstory in Yona of the Dawn, but Zeno has largely been an enigma. This volume finally showcases his unique abilities and role as Yona’s protector. For the Hak fans (and who isn’t a Hak fan!?) there are some great scenes of him taking on a wayward army, determined to take out their anger at losing a battle on innocent civilians. As Yona learns more and more about the dark side of human nature, she becomes more resolute about helping people. I’m curious to see how she manages to resolve the current crisis, I’m not sure if even she can pull of pacifying an angry army. This series is consistently rewarding to read, and one of the best fantasy shoujo series that Shojo Beat has published.

Manga the Week of 4/24/19

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SEAN: Sometimes publishers surprise you.

But before we get to the surprise, Cross Infinite World has the 2nd novel for Obsessions of an Otome Gamer. I found the first volume far better than expected… and far longer than expected. I look forward to this, but may have to set aside extra time for it.

J-Novel Club has a 5th volume of An Archdemon’s Dilemma: How to Love Your Elf Bride.

Kodansha, print-wise, has Attack on Titan: Before the Fall 16, The Heroic Legend of Arslan 10, and To Your Eternity 9.

ASH: To Your Eternity continues to be an excellent series.

SEAN: But let’s face it, it’s all about the digitals this week. Another “this will never get licensed” title has been licensed, digital-only. Saint Young Men is a typical slice-of-life comedy about two men sharing a small apartment in modern Japan. Oh, yes, and they’re Jesus Christ and Gautama Buddha. Which explains why this was not licensed for so long. It’s by the creator of Arakawa Under the Bridge, and is (believe it or not) far less weird than that title.

MICHELLE: Finally! I’m so excited for this.

MJ: I can’t remember the last time I was so surprised/thrilled about a release. I mean, I never thought this could happen in the US, even as a digital release.

ANNA: Me too! It is so nice to be surprised like this!

ASH: This really is fantastic news! Kodansha is technically calling this a digital-first release, so there may be a slim possibility that a print edition may eventually be released. It’s like a miracle that it was licensed at all, so I’m hoping for another one!

SEAN: In less controversial digital titles, we see Ace of the Diamond 22, Ao-chan Can’t Study! 6, Asahi-sempai’s Favorite 2, Blissful Land 3, Defying Kurosaki-kun 8, Elegant Yokai Apartment Life 12, Kakafukaka 6, Mikami-sensei’s Way of Love 4, My Boy in Blue 8, and Tokyo Alice 10. That’s a lot.

MICHELLE: Forsooth.

SEAN: Oh yes, and Kodansha license rescued Initial D and are releasing about 30 million volumes of it digitally. Which is, as Initial D fans known, only about 1/4 of the total volumes.

MICHELLE: I was literally thinking about Initial D earlier today!

SEAN: Seven Seas gives us Accomplishments of the Duke’s Daughter 3, Captain Harlock: Dimensional Voyage 8, How to Train Magical Beasts 3, Sorry for My Familiar 4, and Species Domain 6.

ASH: How to Train Magical Beasts has been a nice series so far.

SEAN: Tokyopop lists Aria the Masterpiece 2 and Konohana Kitan 4 as coming out next week, though Amazon seems to disagree.

Viz has, in a digital debut, the first seven volumes of Banana Fish, a somewhat obscure old shoujo series that I’m sure the rest of Manga Bookshelf has never heard of.

MICHELLE: *snerk*

MJ: What kind of title is that? “Banana Fish.” Huh. Though, okay, I wish we were getting a deluxe print reissue instead.

ANNA: Sweet, maybe I will finally read it!

ASH: I would absolutely buy the series again if it was getting a new print deluxe edition. But I’m really happy that it’s back in print at all, and now available digitally, too.

SEAN: It also has a 9th volume, digital-only, of élDLIVE, from the creator of Reborn! (remember Reborn!? Years ago? Cancelled by Viz?).

MICHELLE: I am really hoping VIZ does more digital-only titles.

SEAN: Yen has a digital debut of its own, as if to say that those other two aren’t good enough. ALL of Fruits Basket is out next week digitally. That’s twelve omnibuses. Now you can read it on your phone (and also probably start crying in public, so don’t do that).

MJ: This is pretty sweet.

SEAN: Yen’s print manga is the week after next, but we do get this month’s novels. The debut is Penguin Highway, another in Yen’s ongoing series of “license the novel with a recent popular movie”. The novel is apparently really good, though, and has won the Nihon SF Taisho Award. Expect coming-of-age adventure!

ASH: I’ll be picking this one up!

There’s also Baccano! 10 (we promise, Monica is in the one after this, Baccano! fans), The Devil Is a Part-Timer! 13, I’ve Been Killing Slimes for 300 Years 4, KonoSuba 8, Re: ZERO EX 3, and That Time I Got Reincarnated as a Slime 5.

Jesus Christ, that’s some good manga. (Sorry.) (OK, not that sorry.)

Mushoku Tensei: Jobless Reincarnation, Vol. 1

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By Rifuin Na Magonote and Shirotaka. Released in Japan as “Mushoku Tensei – Isekai Ittara Honki Dasu” by Media Factory. Released in North America by Seven Seas. Tranlated by Kevin Frane and Paul Cuneo. Adapted by JY Yang.

As the URL of this review may indicate, I had reviewed the first volume of the Mushoku Tensei manga when it came out back in the day. I wasn’t all that impressed with it. That said, having finished the light novel that the manga is based on, I am changing my tune slightly. This reads much better in prose. In particular, it works its isekai tropes into the plot better than the manga, which tended to gloss over Rudy’s every action being influenced by his previous life. This was one of the first really popular isekai novels, and to a certain degree many other series either rip off or parody what’s going on here, meaning that sometimes you can be reading things and waiting for a punchline that isn’t coming because it’s taking things seriously. On the bright side, that’s rather refreshing, and I also enjoy that the series has time to flesh out the rest of its non-Rudy cast.

The book starts with a portrait of our hero’s previous life, and I would not blame the reader for giving up here, as he’s rather loathsome. Luckily, Truck-kun is there to take care of things, and in no time he finds himself reborn in a different world, with his previous memories intact. He resolves that he’s going to do a better job with his life this time around, and sets about trying to learn magic, learn swordplay, and be a good son. All this before he turns seven years old! Rudy tends to be a bit too perfect, much to the consternation of the family maid, and contrasts with his flaky father. But he’s also allowed to have some standard light novel character flaws, most notably being a perv (which can be unsettling given his age) and also mistaking a young elf girl for a guy just because she has short hair and is wearing pants.

I figure most people reading this are very familiar with reincarnation/isekai titles, and you’re not going to be surprised at what happens within when it comes to the setting. Lots of discussion of magic to a somewhat tedious degree, etc. Rudy’s teacher Roxy is quite interesting, and I was annoyed that she vanished halfway through the book – she deserves a spinoff manga of some sort. Possibly one coming out next week. Most impressive to me was Rudy’s family, and the depth they all had – his father Paul has trouble keeping it in his pants, and this could have led to disaster were it not for peacemaker Rudy. That said, Rudy may grow up to be like dear old Dad. There are a few moments in this book where the author suddenly remembers he has to be perverse, and they stick out oddly (Rudy coming across Roxy masturbating while watching his parents having sex) and sometimes creepily (infant Rudy likes breasts based on his past life, and NO THANK YOU). At least the maid notices that it’s creepy.

I may not see much of Rudy’s family for a bit – in order to make sure that he and his somewhat codependent childhood friend don’t damage each otehr’s growth, his father sends him off to tutor some ways away, and that is presumably where the second book will start off. Moments of awkward sleaziness aside, I was pleasantly surprised with Mushoku Tensei, which takes its reincarnation premise seriously and doesn’t subvert, satirize or parody it.