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Manga Bookshelf

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Bookshelf Briefs 10/10/19

October 10, 2019 by Ash Brown, Sean Gaffney and Michelle Smith 2 Comments

Animeta!, Vol. 1 | By Yaso Hanamura | J-Novel Club – Nineteen-year-old Miyuki Sanada never had anything to be passionate about until she encountered a certain magical girl anime. Now, she’s managed to get hired at the studio that created it, but training is grueling and the pay is abysmal (and her fellow new hires are jerks). Her skills aren’t great, but Miyuki’s a heroine with enthusiasm to spare and already makes some progress in this first volume. I really know very little about how anime is made—particularly nowadays, where digital technology plays a part—so all of that information and the handy flowcharts were fascinating. Miyuki is somewhat of a cipher as a character, but for now I’m okay with that. I look forward to seeing her skills develop and learning along with her. – Michelle Smith

Anonymous Noise, Vol. 16 | By Ryoko Fukuyama | Viz Media – This always seems to end up on the end of my list of Viz when it comes out, but it’s a credit to the title that it still remains riveting regardless. Yuzu dominates this volume, finishing the concert by leaping into the audience (giving their handlers a heart attack), and then asking the band to go on hiatus for a year so that he can sort out his family issues. We also hear about the fate of his father in greater detail, and see that he and his mother have essentially been pushing at each other without listening. That said, when a band takes a year’s hiatus—especially one not that famous yet—it’s the kiss of death. The solution? Get the new single to number one. This is ending soon, and it’ll be a race to the finish. – Sean Gaffney

Blue Exorcist, Vol. 22 | By Kazue Kato | Viz Media – The majority of this volume is a flashback, as the cover might indicate. Still, we also write out Shiemi in this volume, at least for now, and as she’s realized that maybe she does like Rin romantically after all. I’m not sure I trust her in the hands of her family, however. Meanwhile, Rin and Mephisto are going back into the past to see about Father Fujimoto’s past, as well as that of his mother, Yuri. It’s the classic combination of “asshole” and “plucky,” and is quite interesting, despite Mephisto continuing to point out that, being a tragic backstory, there’s only tragedy ahead. I’ve heard this flashback lasts a number of chapters, so next volume should delve deeper into Fujimoto and Yuri’s story. Good stuff. – Sean Gaffney

The Golden Sheep, Vol. 1 | By Kaori Ozaki | Vertical Comics – Years ago, my husband and I were watching Freaks and Geeks when we had a realization: it was undeniably excellent, but it was simply too effective at portraying the shitty things kids do to each other to be fun. The Golden Sheep is like that. Tsugu Miikura has returned to her hometown after six years away to find her former friends much changed. Yuushin has become a delinquent who regularly beats up Sora, who feels like he deserves it for abandoning Yuushin during a time of family crisis. Asari acts on her spiteful jealousy when Yuushin pays attention to Tsugu, leading Tsugu to be ostracized by the rest of the class. It’s painful for readers and characters alike, but mercifully there’s a surprise change of venue at the end of the first volume. I hope everyone’s able to move past their adolescent trauma in the two volumes that remain. – Michelle Smith

Interviews with Monster Girls, Vol. 7 | By Petos | Kodansha Comics – It appears “once a year” is the new schedule for this title, so it’s probably both good and bad that it ends on such a cliffhanger. Before that, though, we get the introduction of a new character (she’s on the cover): Kaoru, a kijimunaa who allegedly can read people’s minds. She’s had standoffish relationships with her prior classmates, which she thinks is because of this but also may be due to her misreading them entirely. No matter, there’s no way she’s not going to be accepted by this group. Meanwhile, she can also see that Tetsuo and Sakie are very much into each other, and this nudges the dullahan girl into a confession that he pretends not to hear—at first. Excellent title, but man, long wait to get here. – Sean Gaffney

Kaze Hikaru, Vol. 27 | By Taeko Watanabe | VIZ Media – For the most part, I quite enjoyed this volume of Kaze Hikaru. It mostly centers around Kamiya serving as Hijikata’s attendant and following his orders to pretend they are in a relationship in order to discourage Councillor Ito, who has gone into full-on predatory homosexual mode. While I’m not fond of this characterization, I do like that the situation forces Kamiya to get to know Hijikata better. As she witnesses some of his vulnerabilities and moments of surprising humility, her hatred of him begins to fade. I’m glad of it, as this mindset has led her to make too many impulsively foolish decisions in the past. Alas, Ito turns out to have something more substantial on his mind than bedding Hijikata, and we’re reminded that the collapse of the Bakufu is just around the corner. Too bad it’ll be another year before we get the next piece of the story. – Michelle Smith

Missions of Love, Vol. 18 | By Ema Toyama | Kodansha Comics – Perhaps being told that it’s time to wrap this up, Toyama finally comes through after a couple of substandard volumes and gives us an excellent one, mainly driven by Yukina finally getting up the nerve to a) tell Hisame to get bent, and b) tell Shigure that she’s written her book using their own romance as the basis. This stuns him, naturally (his mother collapsing during the filming does not help), but I suspect he’s going to take it pretty well, especially after he reads it. Hisame, meanwhile, is acting like an immature brat, as literally pointed out by Mami, and Yukina’s actions end up driving him to his own writer’s block. I’m, actually looking forward to the nineteenth and final volume. – Sean Gaffney

The Promised Neverland, Vol. 12 | By Kaiu Shirai and Posuka Demizu | VIZ Media – A new arc begins in this volume, and because various things are set into motion, it feels a little disjointed at times. Emma and the others make contact with a supporter in the human world and wait for further contact, but it never comes. Meanwhile, they continue their search for the Seven Walls and suddenly, a year and seven months have passed since the destruction of Goldy Pond. I liked getting a glimpse of what’s been going on with Phil and it was neat seeing some human antagonists, too. I also like that Lucas and Yugo have come to care about the kids so much that they’re willing to sacrifice themselves so the children can get away when the enemy finds them. I guess I’m just a little bummed about the time jump and all the clever strategizing we didn’t get to see. Still, this remains a really good read. – Michelle Smith

The Quintessential Quintuplets, Vol. 5 | By Negi Haruba | Kodansha Comics – Given that she’s had probably the least development of the heroines to date, it’s no surprise that this volume leans heavily on Yotsuba, who also gets the cover. She shows off a few sides that should be surprising but aren’t really, notably a tendency to put the needs and desires of others ahead of her own needs—does this include her feelings for Futaro? And then there’s the girl from his past, who is clearly a Quintuplet but the hair and false name make us wonder which one. (Honestly, she reminded me of Teasing Master Takagi-san, and it distracted me). Compared to other shonen romcoms like, say, the one I’m reviewing further down, this fires on all cylinders. Well done. – Sean Gaffney

Takane & Hana, Vol. 11 | By Yuki Shiwasu | Viz Media – The resolution of the kiss on the nose actually ends up being the lightest part of the book, as we introduce what amounts to the series’ first serious villain. Takane’s cousin Yakumo is back in town, and determined to ruin Takane’s life. Oddly, merely exposing he’s engaged to a high school girl never seems to occur to him. Instead we end up with kidnapping, blackmail, and attempted rape. This left something of a sour taste in my mouth, though the sheer ridiculousness of the helicopter did end up distracting me so that I forgot about it. Sadly, I doubt we’re finished with this guy, and I want to get rid of him and get back to Takane and Hana snarking at each other. It’s what the series does best. – Sean Gaffney

We Never Learn, Vol. 6 | By Taishi Tsutsui | Viz Media – Reading this at the same time as Quintessential Quintuplets is probably a bit of a mistake. Magazine has always done better romantic comedy/dramas than Jump anyway, and this is definitely a weaker volume for We Never Learn, as it has no drama to speak of. Instead there are gags about confusing Rizu’s test score with her cup size, a “whoops we’re all naked in the same bathhouse” chapter, and an introduction to Kirisu’s sister whose highlight is that she doesn’t seem to fall in love with Nariyuki—yet. Again, I have heard that the teacher is by far the most popular character in this manga, which worries me—teacher/student romance is not how I want this to end. Maybe a figure skating ending instead? A weak entry. – Sean Gaffney

The Wize Wize Beasts of the Wizarding Wizdoms | By Nagabe | Seven Seas – Out of all of the manga series currently being released in English, The Girl from the Other Side by Nagabe is consistently one of the most striking in both storytelling and illustration. I was therefore very excited to see more of Nagabe’s work licensed. The Wize Wize Beasts of the Wizarding Wizdoms is a collection of eight short BL stories featuring anthropomorphic animals who either attend or teach at an academy for wizards. The stories are largely independent from one another, although they do share the same setting and there are a few recurring characters and events as well. Tonally, Nagabe has achieved a remarkably effective balance between lightness and darkness with these tales. There are moments of levity and endearment, but the narratives frequently also have unsettling undercurrents to them. The result is a collection that can be both delightfully charming and subtly (and occasionally not so subtly) ominous. – Ash Brown

Filed Under: Bookshelf Briefs

Manga the Week of 10/16/19

October 10, 2019 by Sean Gaffney 1 Comment

SEAN: A fairly packed middle of the month, let’s get right to it.

The debut from J-Novel Club features another contender for the “most ridiculous title” award, with There Was No Secret Evil-Fighting Organization (srsly?!), So I Made One MYSELF! (Sekai no Yami to Tatakau Himitsu Kessha ga Nai kara Tsukutta (Hangire)). The story of a young man who gets telekinetic powers and then discovers he’s NOT approached by anyone else is clearly meant to fall on the “funny” end of the spectrum.

They’ve also got the 13th and final volume of Demon King Daimaou, How a Realist Hero Rebuilt the Kingdom 10 (which I believe finally has the wedding), and Kokoro Connect 7.

No print debuts for Kodansha, but they do have Cardcaptor Sakura: Clear Card 6, Gleipnir 4, Hitorijime My Hero 5, O Maidens in Your Savage Season 4, Sailor Moon Eternal Edition 5 (maybe, its date has slid before), That Time I Got Reincarnated as a Slime 11, and Tokyo Tarareba Girls 9.

ASH: Both O Maidens in Your Savage Season and Tokyo Tarareba Girls are very, but painfully, good.

SEAN: Digitally we debut My Boss’s Kitten (Buchou no Nyanko), an Ane Friend series about an abandoned bride and her sadistic boss. Recommended for shoujo fans who like sadistic guys who no doubt turn out to be sweet deep down.

MICHELLE: No, thanks.

MJ: What Michelle said.

SEAN: There’s also The Great Cleric 3, Mikami-sensei’s Way of Love 7, Peach Girl NEXT 6, Saint Young Men 3, Shojo FIGHT! 7, and Yozakura Quartet 24.

MICHELLE: This time, I really will get caught up on Saint Young Men!

ASH: I’m holding out for the print which is actually happening for real!

MJ: Yes, so excited for print!

ANNA: Me too!

SEAN: One Peace has a 5th Hinamatsuri, as well as the 14th Rising of the Shield Hero, now popular enough to be brought into Isekai Quartet.

ASH: I’ve been enjoying Hinamatsuri‘s goofiness.

SEAN: Seven Seas has the final volume of Dreamin’ Sun, a series that made me want to re-read orange instead. They’ve also got Himouto Umaru-chan 7, the 2nd and final Mythical Beast Investigator, and a 3rd print volume for Skeleton Knight in Another World.

MICHELLE: I will finish out Dreamin’ Sun, but I agree that orange was the better series.

ASH: It’s a tough series to beat.

SEAN: Tokyopop gives us a 6th Konohana Kitan.

And Udon has the 11th Persona 3, also a final volume.

This is actually this week, but Vertical snuck out 9 digital releases of the Monogatari novels, which catches them up to the print releases.

Viz debuts The Drifting Classroom: Perfect Edition, a massive 750-page hardcover that takes in this seminal horror series.

ASH: I am very excited for this release! Drifting Classroom is a tremendous series, so I’m glad to see it being brought back in print.

SEAN: And they have Dead Dead Demon’s Dededede Destruction 7, Fire Punch 8 (this time yes, it really is the final volume), Golden Kamuy 12, and Tokyo Ghoul: re 13.

ASH: Here for Dead Dead Demon’s Dededede Destruction and Golden Kamuy!

ANNA: I need to get caught up on Dead Dead Demon’s Dededede Destruction.

And we’ve got the last of the September runoff from Yen Press. On the Yen On end, we debut The Alchemist Who Survived Now Dreams of a Quiet City Life (Ikinokori Renkinjutsushi wa Machi de Shizuka ni Kurashitai), the story of a lowly alchemist who goes into stasis to hide from the enemy and comes out to find she’s suddenly the LAST alchemist. Sounds like a slow life series to me.

MJ: I don’t generally read light novels, but there’s something about this one that appeals to me, so I guess we’ll see.

Also from Yen On is The Asterisk War 11, The Irregular at Magic High School 13, A Sister’s All You Need 5, and Strike the Blood 13.

And there’s two manga out as well, as we get the 7th Hakumei & Mikochi and the 14th No Matter How You Look At It, It’s You Guys’ Fault That I’m Not Popular!.

ASH: Oh! It’s been a while since the last one, hasn’t it?

SEAN: So yeah, that’s a lot. Anything catch your eye?

Filed Under: FEATURES, manga the week of

Middle-Aged Businessman, Arise in Another World!, Vol. 2

October 10, 2019 by Sean Gaffney

By Sai Sumimori and Ichijirushi. Released in Japan as “Around 40 Eigyou-man, Isekai ni Tatsu!” by Kodansha. Released in North America digitally by J-Novel Club. Translated by Taishi.

The trouble with a series starring an overpowered family is there’s very few ways that it can be taken forward. We already have a guy who’s brilliant at sales and marketing, hella strong, charismatic, etc. His goddess wife is busty, gorgeous, can stop her rambunctious kids with magic spells, and, it is mentioned a few times, loves sex with her husband. Their kids are 1) so smart they’re past university level, and now joining Dad at his job; 2) ridiculously strong and powerful, and 3) good at magic and can talk to magical beasts despite being five. It’s a great family to read about… for about a book. But this is book two, and I think right about the time that Shouzou ran across the ocean to talk to a water dragon without, y’know, falling into the water that the author realized there needed to be a new cast to focus on. As a result, we pull back to examine the local kingdoms, and meet a slothful young prince and a calculating young princess.

Sharlo is shown to be a very familiar type to Japanese readers: thought to be mediocre compared to his genius younger sister, he took things hard, holed up in his room, gained about 120 pounds, and sits there eating potato chips. He is not, needless to say, prince material, but needs to be leveled up due to political dealings. As such, Shouzou has him become an adventurer and start off with the job that absolutely no one wants: sewage cleaning. As a result, we gradually see there’s a decent person under this who acn also be fairly savvy when he wants to be. He was just abandoned by his minders for not being perfect. In another kingdom, Yuliana is 11th in line for the throne, but is good enough for her father, King Evil IV, to arrange a marrage for. The princess, despite her maid’s protests and fat-shaming of the prince she’s supposed to marry, decides to investigate… by disguising herself as her maid’s bodyguard and going to Sharlo’s kingdom. Romantic comedy bits ensue.

The protagonists are nice enough, and I liked their story, but it has to be said it’s not the story I signed up for. Shouzou flits in and out of the book, stopping a bad guy here and there, nudging our couple in the right direction, doing various political dealings, etc., but the book doesn’t know how to make him the main character again, so doesn’t bother. The book also has one of the most hiarious “cut short” endings I’ve ever seen, seemingly setting up events for the next book in the series… then saying “but Shouzou had to leave that for the denizens of this world, as he would be leaving soon. The end!”. It reads like the editor put it in after the book was submitted to show the series was over. I did enjoy the side story, showing Sharlo’s genius sister, who has a bit of a brother complex but not, thankfully, in a “I want to marry my brother” sort of way, trying to find her own fiancee and being gently reminded she’s 8 and should grow up first.

If you enjoyed the first book, definitely read this one. Sharlo and Yuliana are likeable enough, and reminded me a bit of some Realist Hero characters. But the series seems to end here, possibly as if it continued our OP family would go back to Japan and leave it as a normal fantasy book. And who wants that? We isekai or die here.

Filed Under: middle-aged businessman arise in another world, REVIEWS

Yona of the Dawn, Vol. 20

October 9, 2019 by Sean Gaffney

By Mizuho Kusanagi. Released in Japan as “Akatsuki no Yona” by Hakusensha, serialization ongoing in the magazine Hana to Yume. Released in North America by Viz Media. Translated by JN Productions, Adapted by Ysabet Reinhardt MacFarlane.

In general, Yona of the Dawn is not a series that relies greatly on “our heroine is in peril, she must be rescued”, so it’s almost refreshing when we see a volume that mostly relies on that. Not that Yona is sitting around on her laurels. After she and Riri are brought to a slave labor camp, she quickly guesses that the “alcohol” they’re given in lieu of water is laced with the addictive drug they’ve been trying to shut down for so long. Then she and Riri both escape, and Riri even kills a guard when doing so, showing how far she’s come since her introduction. Unfortunately, it’s hard to escape in this sort of situation, leading to a cliffhanger where Riri tries to sacrifice herself to save Yona, they’re both exhausted and injured, and time is running out. Even if you don’t necessarily see this as a ship, as a friendship it’s top tier.

Meanwhile, Yona and Riri’s capture has been noticed by the rest of the cast. Our heroes go off to rescue them, though that does mean dividing their forces as they could be in one of two separate places. Tetra stays behind due to injury, but unfortunately this means she has to face a one-two punch of a) Riri’s father, and b) Su-0Won, both of whom show up to ask what’s going on. The series has been running for a while on the fact that Su-Won knows what Yona and Hak are doing but is deliberately ignoring it; that fact is tested to its limits in this book. Tetra tries very hard to explain everything that’s happened without mentioning Yona and her crew, even if that makes things sound suspicious. Later, when Su-Won arrives at one of the two slave labor camps, he and Hak communicate with a stone wall between them, agreeing to arrange a signal so that the army will know when to begin. It’s very tense, and you can see Hak’s frustration and anger at having to once again not acknowledge who Su-Won is because there are greater problems to be solved.

For the most part this volume is fairly series. There is one exception, which is amazingly funny, which involves the fact that the Wind Tribe has arrived to assist Su-Won in rescuing Riri. There ends up being a giant melee battle, during which Hak manages to blow up his allies – twice. The art is deliberately structured for maximum comedy value, as we see the exact same sequence of events only with two different people. This is followed by a few pages of Hak being totally befuddled at the fact that the Wind Tribe is here at all. I always enjoy the fact that, while some characters are funnier than others, Yona does not have a designated comedy guy, and everyone can be silly or serious depending on where the story needs them to be.

Another cliffhanger, though. Will Yona and Riri survive? (checks volume count) Oh, probably. But the excitement is in seeing how. And also who Hak will blow up with his comedy bombs next.

Filed Under: REVIEWS, yona of the dawn

My Hero Academia: School Briefs, Vol. 3

October 8, 2019 by Sean Gaffney

By Kouhei Horikoshi and Anri Yoshi. Released in Japan by Shueisha. Released in North America by Viz Media. Translated by Caleb Cook.

Another volume of giving the readers what they want, which is more light and fluffy stories that Horikoshi would like to tell but doesn’t have the time for. This time they’re set in and around the move-in to the dorms, and indeed “Dorm Life” is the subtitle. That said, the volume is bookended by non-kids in dorms stories, as we see All Might attempting to bond with his fellow teachers at an izakaya, giving us a chance to see most of the faculty completely drunk off their asses (except All Might, who is a teetotaler and also the world’s most awkward man) and the final story, which is a “what if My Hero Academia were an RPG fantasy?” based on the color pages Horikoshi drew of the kids in that style of costume. This story did remind me how often the novel author refers to Uraraka’s poverty, but is relatively cute and breezy. It’s also nice to know that Midoriya still collects All Might figures even in alternate worlds.

The other stories are, as you guessed, set in and around the 1-A dorm rooms. The weakest story in the book features Iida trying to have a normal day while the rest of the class avoids him and makes stuttering excuses. At the start of things the reader guessed “oh, one of those surprise birthday party stories” and waits to see if anything will be subverted. Nothing is, it is a stupidly predictable tale. The story from the POV of Koda’s rabbit is not quite as predictable, if only due to the fact that it’s from the POV of a rabbit, but doesn’t really add much to the narrative except giving us a chance to see more of Midoriya and Bakugou cleaning the dorms as part of their post-fight punishment. There’s also a “scary stories” chapter that tells us, unsurprisingly, that Tokoyami is the best at being scary. I also liked the anti-Mineta measures the girls have set up for the dorm.

The best stories are earlier in the book. We see Todoroki’s extreme discomfort with the generic Western-style room and how he managed to get the Japanese-style flooring and furniture to renovate his. This also involves him meeting Hatsume, who as always is very over the top and working on inventions that are not quite as perfected as she would like. The best story in the book also indirectly features Hatsume. Monoma shows up at the 1-A dorms, ready to be obnoxious and disdainful. Fortunately Kendo, Tetsutetsu and Tsunotori show up to stop him, and things settle down a bit. Highlights include seeing Tetsutetsu’s room is almost a carbon copy of Kirishima’s (these two really need a “same hat! same hat!” gag) and Todoroki bringing out a Pop-Up-Pirate game that Hatsume had given him when Monoma, as always, suggests a challenge. The game, being made by Hatsume, ends up being more like a “dark nabe” sort of thing, with every participant getting some form of punishment. I also enjoyed seeing Pony’s room as, as you’d guess, filled with anime crap.

These books are designed to not affect canon all that much, though we do see the Big Three in a brief cameo from before they meet 1-A. They’re fluffy and fun, and should be enjoyed by most MHA readers. This volume also had less Mineta, which I appreciated.

Filed Under: my hero academia, REVIEWS

An Incurable Case of Love, Vol 1

October 7, 2019 by Anna N

An Incurable Case of Love Volume 1 by Maki Enjoji

I’ve been looking forward to this manga! I’m glad that the Shojo Beat imprint’s experiments in what I think of as “stealth josei” are successful enough that we reliably get titles like An Incurable Case of Love released here. Often for romance manga, I am irrationally fond of titles that embrace the ridiculousness of the genre with a touch of irony. After reading the first few pages of this manga, I was confident in Enjoji’s abilities to keep me entertained.

An Incurable Case of Love

The manga opens with a love confession going disastrously wrong, as a doctor with a grim look asks a newly minted nurse if “there is something wrong with your head.” The nurse in question is Nanase, who decided to study medicine after a fateful encounter years ago where she tried to help someone in medical distress on the street, only to attract the attention of the dangerously handsome yet kind Kairi Tendo. Of course after one brief meeting with Tendo, Nanase concludes that he is “THE PRINCE I HAVE BEEN WAITING FOR!” and builds her entire life and educational plans around the possibility of meeting him again. Nanase soon finds out that while Tendo has an exemplary bedside manner with patents, he’s harsh and exacting with the hospital staff and there are rumors that he’s a womanizer as well. Thoroughly disillusioned, Nanase tries to throw herself into her nursing orientation activities. There have been plenty of ridiculous premises like this to start off many romance manga, but one thing I found especially charming about An Incurable Case of Love is the fact that Nanase’s love confession provokes some supportive instead of malicious teasing from her new co-workers. Her new nickname is “Valiant One” and her co-workers take to calling Tendo “The Dark Lord” after Nanase refers to him with that phrase.

The hospital setting provides a twist on on office romance antics as Nanase attempts to put her schooling into practice. While she isn’t perfect all the time, she’s often effective in emergency situations and Tendo’s mannerisms towards her begin to change. I knew I would like this series after reading the first chapter, but I found the rest of the volume equally entertaining. Recommended if you are in need of a dose of josei romance.

Filed Under: Manga Reviews, REVIEWS Tagged With: An Incurable Case of Love, jose, shojo beat, viz media

Pick of the Week: Nothing but Blue Skies

October 7, 2019 by Sean Gaffney, Michelle Smith, Katherine Dacey, Ash Brown, Anna N and MJ Leave a Comment

SEAN: This week I feel the Manga Bookshelf eye is turning towards That Blue-Sky Feeling, and I have to agree, I really want to see how it turns out.

MICHELLE: You’re definitely right where I’m concerned. There are a couple other things I’ll check out from this week but none with the emotional impact of That Blue Sky Feeling .

KATE: I’m going to make a pitch for volume two of Queen Bee, a cute–if predictable–shojo series about a girl with a serious case of Resting Bitchface and a temper to go with it. I don’t think I’ve ever read a manga quite so… relatable.

ASH: I am absolutely here for That Blue Sky Feeling, but I’d like to give a shout out to Roadqueen, too. It’s not manga, but it looks delightful.

ANNA: I’m now curious about Queen Bee which sounds delightful. But to be honest I’m attempting to catch up on my unread manga pile instead of reading anything coming out this week. Maybe I’ll actually be able to take a volume or two off that stack!

MJ: I’m definitely intrigued by Kate’s description of Queen Bee (and I’m apparently a volume behind!) but it’s hard for me to pick anything else but the lovely and poignant That Blue Sky Feeling. It’s exactly my thing.

Filed Under: PICK OF THE WEEK

Sexiled: My Sexist Party Leader Kicked Me Out, So I Teamed Up With a Mythical Sorceress!, Vol. 1

October 7, 2019 by Sean Gaffney

By Ameko Kaeruda and Kazutomo Miya. Released in Japan as “Onna dakara, to Party wo Tsuihou Sareta no de Densetsu no Majo to Saikyou Tag wo Kumimashita” by Overlap. Released in North America digitally by J-Novel Club. Translated by Molly Lee.

There is a variety of stories seen, mostly on television, that are described as “ripped from the headlines”. You take a current real-life story and fictionalize it in order to craft a good drama. you rarely see that extend into the field of fantasy light novels, but in this case the book was definitely inspired by a real life event: the discovery that Tokyo University (and others) were fudging medical exam results to admit fewer women into medical school, ostensibly as they believed they’d just get married and become housewives anyway. This news surprised a lot of people who had not been paying attention to the inherent sexism in women’s everyday lives. And so this author decided to write a version of the story where a harried and underpaid mage, kicked out of her party by her “childhood friend” Ryan for being a woman, ends up getting her revenge. And it is a glorious revenge, make no mistake.

Tanya is furious at the actions of her smug party leader Ryan, and decides to blow off steam by going to a nearby deserted area and throwing off a few Explosion spells. Doing so wakes up a woman called Laplace, a legendary sorceress who had been sealed away for three hundred years until Tanya woke her up. Tanya is actually a fantastic mage, and Laplace can actually “change her class” (via kissing – there is a bit of yuri in this), making her an even more powerful Magi-Knight. Given that Laplace is already super-powerful in her own right, the two form a tag team to take on Ryan and his party in the upcoming tournament. OK, they may be a bit TOO overpowered, so they also take on the guild secretary Nadine, a level 3 healer whose stats help the party to average out… though she has secrets of her own. Will Tanya get her revenge? Or… will she realize that revenge is not really what she’s after?

Hell yes, she gets her revenge. This book is a marvel from start to finish if you are sick of men and their smug sexist attitudes. Tanya may be filled with rage and anger at Ryan and society, but is otherwise a relatively happy and fun person. Laplace is wonderful, combining the “airhead” personality with a bit of the ancient wisdom that she has, and also leads to the best translated gag from the book, where Tanya gives her the nickname “Stone Cold Stunner”, which she loves, and proceeds to use all the time. There is a scene that mirrors the medical school scandal as a young girl Tanya had been tutoring in magic finds that the local Mage school doctors its scores so that there are fewer women – this gets taken care of fast. And then there’s Tanya’s fight with Ryan near the end of the book, which I don’t want to spoil but is simply magnificent.

There’s a second book in the series, and we do see a few plotlines that could be used going forward, mostly involving the royal mage Maxwell, who is as old as Laplace and also the one who sealed her away. I also want to see more of the other characters – I liked Katherine, introduced to us as Ryan’s girlfriend and the replacement for Tanya in the party, she quickly learns what he’s really like and becomes much more sympathetic after being shown some basic kindness by Nadine. More to the point, I loved the writing in this book, filled with great humor, telling observations about the sexism in everyday life, and a wonderful female power fantasy that does not particularly concern itself with being “fair and balanced”. I quoted liberally from it on my Twitter feed, and could easily have done three times as much. This book will put a big grin on your face and make you pump your fist in the air.

Filed Under: REVIEWS, sexiled

Beastars, Vol. 1

October 6, 2019 by Anna N

Beastars Volume 1 by Paru Itagaki

I’m always curious to see what Viz will decide to publish in their Viz Signature line, and I wasn’t really aware of Beastars other than just knowing that the initial license announcement was greeted with plenty of enthusiasm. Beastars takes place in an anthropomorphic high school where carnivores and herbivores are thrown together in their classes and clubs, but generally seem to stick to their own kind for dormitory arrangements.

beastars vol 1

It is made very clear in the opening panels that not all is well in this high school as Tem, an alpaca student is hunted down and murdered by a mysterious carnivore in the opening panels. Suspicion lands on the grey wolf Legoshi, who was in drama club with Tem. The herbivores are mostly terrified and the carnivores are resentful at being under suspicion. A lot of the plot of Beastars seems fairly typical for any manga with a high school setting, but the animalistic nature of the students puts a bit of a spin on drama club shenanigans and random meetings across different animal families. Legoshi struggles with his own instincts and seems to be resigned to his status as an outcast. Seeing the twists of the animal nature of the students on fairly typical student roles can be amusing, as the imperious head of the drama club turns out to be the literal king of the forest in the form of Louis, a majestic red deer.

The art for Beastars is really well done, with somber grey tones that give the high school a bit of a dangerous noir vibe. In times of extreme emotion, Itagaki often fills the panel with just a character’s eyes surrounded by a dark background as a way of punctuating the intense instincts that the student body rarely acts on. The story sometimes shifts points of view, and it is interesting to learn more of the backstories of the student body. The idea of a “Beastsar,” an animal who is raised to have dominion over both carnivores and herbivores is raised briefly, and I expect the political jockying to be more intense in future volumes. I’m still a bit mystified as to why the students aren’t caught up more in an actual investigation of Tem’s murder, but I’m hoping this will be explored more in future volumes as well. The first volume of Beastars was very intriguing, and it capably set up Legoshi as a complex protagonist.

Filed Under: Manga Reviews, REVIEWS Tagged With: beastars, viz media

Our Dreams at Dusk: Shimanami Tasogare, Vol. 3

October 6, 2019 by Sean Gaffney

By Yuhki Kamatani. Released in Japan by Shogakukan, serialized in the magazine Hibana. Released in North America by Seven Seas. Translated by Jocelyne Allen. Adapted by Ysabet MacFarlane.

“You have to learn to let it go.” A sentence that has been uttered by a lot of people over the years. Sometimes it’s correct. But sometimes it’s also sending the wrong message, and repressing things is not the answer. The third volume of Our Dreams at Dusk has two parallel narratives, and neither of them involve Misora, who after the events of the last book does not appear at all. Instead, we see Tasuku feeling guilty but also returning to work on the house project with the rest of the Cat Clutter folks. Unfortunately, Tsubaki is there as well, and is giving Tasuku some very mixed signals (which, as becomes clear later on, are mixed in his own mindset as well.) Meanwhile, an old classmate of Utsumi’s shows up and tries to be as well-meaning as possibly, in all the negative senses of the word. It’s upsetting everyone else, so why is Utsumi letting her continue to try to be “helpful”? Can Tasuku move forward after seeing how Utsumi deals with things?

Tasuku’s narrative is fraught with highs and lows. Tsubaki is working with him, and being nice, and seeming close and friendly. But he’s also using some homophobic slurs when describing the group to others. A very telling point comes when he and Tasuku are out at the local dockyards, which Tasuku briefly imagines as a date till Tsubaki invites two girls from the volleyball team to come along as well. As they have a meal, Tsubaki once again uses a slur to describe the group, only to be stopped short, not by Tasuku, but by one of the two girls, whose friend’s older sister is married to a trans man. Once Tsubaki realizes his words upset people he knows, he apologizes. Tsubaki himself is upset at his own feelings about Tasuku, leading to a confrontation at the end where Tasuku wants Tsubaki, the man he likes, not to hurt other people. It’s very powerful.

Then there’s Utsumi, who has been one of the pillars of strength that Tasuku has been leaning on throughout the manga. Reuniting with Shoko, whose attempts to be sympathetic, understanding, and accepting grate on absolutely everyone around her. But Utsumi is dealing with it with a smile and some kind words… till on a bike ride with Tasuku one day the repressed fury all comes out at once. Being consistently misgendered constantly is NOT something to accept with a shrug, and when Utsumi goes to a lunch with the other girls from that class, he finds that he can’t do this anymore. Shoko’s “you aren’t like other homosexuals” again reminds us that it’s much harder for some people to deal with this when it;s someone they know well, rather than the nebulous other. (I also loved that Shoko’s daughter keeps going to see the Cat Clutter people, even after her mother stops.

We have one more volume to go, and I suspect that it’s going to be dealing with Tchaiko’s past and the wedding. I’m going to miss this series with its stunning visuals and excellent LGTBQ cast.

Filed Under: our dreams at dusk, REVIEWS

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