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Bookshelf Briefs 12/13/19

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Arifureta: I Heart Isekai, Vol. 1 | By Misaki Mori, based on the novel by Ryo Shirakome | Seven Seas – This pretty much delivery exactly what it promises, going through the first three Arifureta light novels in the style of a gag comic. There’s lots of Hajime and Yui being sickeningly in love, Shea getting beaten up, Tio being a pervert, etc. We even get golem-Miledi advertising Arifureta Zero, on sale in all good stores. It’s actually pretty fun, and keeps a good balance, not being too perverse while still staying true to the original, which is pretty perverse, and not hitting the same one-note gags—or if it does, pointing that out. Fans of the original should have a lot of fun with this spinoff. – Sean Gaffney

Arpeggio of Blue Steel, Vol. 15 | By Ark Performance | Seven Seas – The flashbacks continue here, but some of them are actually engineered, which is an excellent conceit. Haruna and Kirishima are shown the memories of how Kyouhei and Iori are invited to join the crew… and in the case of Iori, expand her backstory a great deal, as she’s a rich daughter who’s rebelling not just against her father, but everyone who sees the Fog as forbidden tech. After coming out of it (and Kirishima being sad she’s back to being a bear), they’re able to tell the others about what they experienced but can’t have them access the memories like a ship would. It’s just like being human! The second half of the book is not as interesting, but this remains the top of the line for girls-as-objects manga. – Sean Gaffney

Black Clover, Vol. 18 | By Yuki Tabata | Viz Media – We continue this long arc of humans vs. humans-possessed-by-elves, and there’s a lot of “I know you’re in there somewhere now fight dammit” to this book. Luck gets the brunt of the front end, and honestly, it reminds me of Black Clover‘s greatest strength AND biggest flaw: it’s so straightforward it verges on predictable. One bit I really liked was seeing Asta confront a somewhat dazed Sally (who’s lost her glasses) and convince her, perhaps, to be a mad scientist for GOOD instead of evil. Given that Sally is very much amoral rather than immoral, she can be swayed by this pitch. Oh yes, and the battle against Charlotte was probably the most interesting of the giant fight scenes we see. This probably worked better animated. – Sean Gaffney

The Ideal Sponger Life, Vol. 4 | By Tsunehiko Watanabe and Neko Hinotsuki | Seven Seas – A great deal of this fourth volume is dedicated to making it a bit more isekai-ish than it has been, as the forest is under attack by monsters, and the Kingdom has to figure out the best way to stop them. Fortunately, they don’t seem to have adventurers or dungeons here, so it’s back to good old-fashioned politics, as we need to see whose reputation would be helped or hindered by being the one to save the day or fail miserably. In other news, they’re getting better at making glass, Zenjiro is getting more proficient with magic, and we’re about to get two new characters… one of whom definitely seems like a new romantic rival. One of the better isekais out there. – Sean Gaffney

Murcielago, Vol. 12 | By Yoshimurakana | Yen Press – The solution to the person going around killing master swordsmen turns out to be very family-oriented, and also has a lot of possession involved. That said, the most entertaining part of this book may have been seeing Kuroko really struggling to win here—she admits several times that she’s having difficulties, whereas in past books you never really got a sense she was in danger. The final fight of the volume, leading to the cliffhanger, is especially good. That said, it looks like it will wrap up quick next time, if the preview is anything to judge by. In the meantime, you can also enjoy Reiko shamelessly showing off outfits for the reader and then having Kuroko pay for them because, well, she’s a cute girl. – Sean Gaffney

Nicola Traveling Around the Demons’ World, Vol. 1 | By Asaya Miyanaga | Seven Seas – There are now several manga translated into English with a similar underlying premise—a young woman or girl who is under the care of a non-human guardian. The execution in each can differ dramatically, however. (Apparently this is a sub-genre that I particularly enjoy, as I’ve loved all variations.) In the case of Nicola Traveling Around the Demons’ World, Miyanaga has created an exceedingly charming, delightful, and even joyful series. The title mostly sums up the work. Nicola is a young witch who has entered the demons’ world hoping to improve her magic. She’s not really supposed to be there, though, so a kind-hearted traveling salesman (and devil) named Simon has taken it upon himself to watch out for her. With each chapter being fairly episodic there’s not much of an overarching plot, but the magic and wonder of Nicola Traveling Around the Demons’ World builds and is consistently heartwarming. – Ash Brown

Manga the Week of 12/18/19

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SEAN: There are 9 or 10 debuts this week and half of them are from Seven Seas. Hrm… how about a reverse order week?

Yen Press gives us an artbook, as we see The Art of Sword Oratoria, presumably lacking the title of its parent series to save space on the cover. Enjoy gorgeous art of Aiz, Loki, Lefiya and the rest from the LN illustrator, along with rough sketches and the like.

ASH: I’m not particularly familiar with the series, but Yen has done a really nice job with previous artbooks.

MJ: That is my take as well.

SEAN: Also from Yen we have Trinity Seven 18, My Youth Romantic Comedy Is Wrong As I Expected (manga version) 12, and The Monster and the Beast 2.

MICHELLE: I’m looking forward to more of The Monster and the Beast.

ASH: Yup! Me, too!

SEAN: Yen On debuts Weathering With You, the latest Makoto Shinkai book based on an anime film. Lately he’s been less depressing. Can he keep it up?

ASH: We shall see!

MJ: Count me in!

Yen On also has KonoSuba 10, The Devil Is a Part-Timer! 15, A Certain Magical Index 21, and Accel World 20. All these series are so long lately!

Viz has No Longer Human. This classic of Japanese literature has seen releases here before… even other manga adaptations. This one, though, is by Junji Ito, and is a 600-page hardcover brick. Get it for Christmas and wallow in it.

ASH: This is one of my most anticipated releases of the year. No Longer Human is a touchstone work for me and I am a big fan of Ito’s manga, so I’m really looking forward to seeing his take.

MJ: I somehow missed that this was coming, and now I’m very excited!

For Manga Bookshelf folks, we also get the yearly Ooku: The Inner Chambers, Vol. 16. And there’s Tokyo Ghoul;re 14, Terra Formars 22, Golden Kamuy 13, and the 20th Century Boys Perfect Edition 6.

MICHELLE: I will never not love Ooku.

ASH: It’s true. Glad for more Golden Kamuy, too!

MJ: What Michelle said!

SEAN: Vertical has the 2nd Monogatari Series Box Set, containing the 6 books of the 2nd “season”, as well as the 3rd Go with the Clouds, North-by-Northwest.

OK, Seven Seas. Let’s go down the debuts one by one. First, the manga version of Reincarnated As a Sword debuts.

Our Dining Table (Bokura no Shokutaku) is a one-volume BL manga from Gentosha’s Rutile, about a salaryman who one day meets two brothers – one his age, one a little kid – and teaches them to make food. Love might follow! This looks sweet.

MICHELLE: Super sweet. I’m very much looking forward to this one!

ASH: Yes! This manga is catered to my tastes.

ANNA: This sounds cute.

MJ: Oh, how lovely.

SEAN: My Father Is a Unicorn (Unicorn Otousan) is not, as far as I know, related to My Bride Is a Mermaid. Its title is its premise (stepfather, of course), and it ran in Frontier Works’ Hug Pixiv.

ASH: This sounds delightfully ridiculous; I plan on picking it up.

SEAN: Gal Gohan I just reviewed here. It’s a cute but ecchi series about a gal who falls for her teacher and the cooking class they do together. It runs in Hakusensha’s Young Animal.

ASH: Hmmm. I do like food-related manga…

Dirty Pair Omnibus (Dirty Pair no Daibouken) is a manga adaptation of the classic novel, but with updated character designs that remind me a bit of Adam Warren. Very appropriate, that. It ran in Tokuma Shoten’s Comic Ryu.

ASH: I’m hoping the original might be licensed at some point, but this adaptation might not be a bad place to start.

SEAN: Bloom Into You is a very popular yuri series, to the point where we’re actually getting the light novels based off of it. They focus on Sayaka, and the first is out digitally next week and in print later in 2020.

Also, Seven Seas has the fourth and final volume of Our Dreams at Dusk, which should be on everyone’s manga of the year shortlist.

MICHELLE: Maybe I will really succeed in reading this series soon!

ASH: It is such a good series.

ANNA: We are getting it at my library!

MJ: I can’t believe I haven’t gotten around to reading this, but that’s where we are. I must fix that!

SEAN: And we get Monster Musume 15 and Miss Kobayashi’s Dragon Maid: Kanna’s Daily Life 6.

One Peace has a 15th Rising of the Shield Hero light novel.

Kodansha has two print debuts next week. Saint Young Men is well-known, of course, and finally hitting our shores. Drifting Dragons is slightly less well-known, but, I mean, it’s filled with dragons. Both have already come out digitally.

MICHELLE: I’m happy to see Saint Young Men is getting a print release with, so far, no uproar.

ASH: I am so excited for a print edition of Saint Young Men! I’m very curious about Drifting Dragons, too.

ANNA: I preordered the print version of Saint Young Men right when it was announced.

MJ: I’m so ready for Saint Young Men!

SEAN: Also in print: Vinland Saga 11, To Your Eternity 11, O Maidens in Your Savage Season 5, and Again!! 12, which is the final volume.

MICHELLE: Again!! can be frustrating, in that it doesn’t always follow heartwarming sports manga beats, but when it pays off, it sure pays off. I’m looking forward to seeing how this manifests in the final volume.

ASH: Hooo! That’s a lot of really good stuff coming out from Kodansha! I’m reading all of these.

ANNA: I really need to catch up on Again!!. Also excited for more Vinland Saga.

SEAN: Debuting digitally next week is Watari-kun’s ****** Is about to Collapse (Watari-kun no xx ga Houkai Sunzen), a Young Magazine series which shows that digital-only can license seinen trash just as much as josei trash, I guess.

MICHELLE: *snerk*

SEAN: There’s also Shojo FIGHT! 8, Saint Young Men 4 digitally, Peach Girl NEXT 7, My Boss’s Kitten 3, and Are You Lost? 5.

MICHELLE: Shojo FIGHT! for the win!

SEAN: J-Novel Club has Banner of the Stars debut, the sequel to Crest of the Stars. We also get an 8th Lazy Dungeon Master.

Ghost Ship gives us World’s End Harem 7 and To-Love-Ru Darkness 13.

Dark Horse has a 6th volume of Drifters.

ASH: Oh! It’s been a while since I’ve read Drifters. Granted, there was a long break between the releases of some of the volumes. I’ll need to do a little catching up.

SEAN: Lastly, Cross Infinite World has the 2nd in the I Became the Secretary of a Hero! light novel series.

Lots of potential presents here. Anything catch your eye?

An Archdemon’s Dilemma: How to Love Your Elf Bride, Vol. 8

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By Fuminori Teshima and COMTA. Released in Japan by HJ Bunko. Released in North America digitally by J-Novel Club. Translated by Hikoki.

This series started out starring two people, but the cast has grown exponentially sine then. As such, it seems appropriate that this volume is fairly light on both Zagan and Nephy – in fact, it actually manages to work that into the plot, as Foll is planning a massive party for the not-Christmas holiday that is upon us and wants to surprise both of them. Zagan is completely in the dark about the holiday, but Nephy isn’t – in fact, she’s working part-time at a pub to get money for a present. As such, both are absent from the main plot itself till the end, though there’s many scenes with both of them, of course. The main plot focuses again on Kuroko, who is literally confronting her past – unfortunately, she has to confront it as a small kitten. She (accidentally) joins forces with another sorcerer, one who has a troubled past that is a lot closer to hers than she’s aware. And worst of all, due to a villain and also the nature of the holiday, the dead are rising up.

Also on the cover is Alshiera, the vampire who’s trying her best to get everyone to see her as someone not worth saving but doing a fairly terrible job of it – indeed, by the end Zagan has figured out the way to handle her best – it’s how to handle Nephy, and Chastille, and indeed literally everyone in the cast. Yes, be really nice to her until she cowers in embarrassment. She and Shax, the sorcerer that Kuroko befriends here, are both examples of the classic “can a former villain be redeemed” school of writing, and the answer is fairly firmly “yes” in both cases. Indeed, Shax is pretty much set up here as a love interest for Kuroko, complete with a father who now wants to kill him for daring to have his daughter take interest in him. Combining this with the somewhat sad and pathetic pairing of Chastille and Barbatos (who both have a long way to go), and you can see the author is definitely “pairing the spares” here.

The holiday during this book is Alshiere Imera, which (it’s hinted) is named after Alshiera, the vampire whose birthday it is. It’s an odd fusion of Christmas, Halloween and the Day of the Dead, which allows for the plot to happen (the zombies are created easily as it’s the one day per year when the line between here and the afterlife is so thin) but, let’s face it, is also an excuse to put Nephy and her friends in Santa outfits, even though Santa is never quite mentioned. Much as I mocked Chastille and Barbatos earlier, she and Zagan are not all that further along, though at least they have confessed. The present-giving scene is the sort of “so sweet it makes you sick” scene that people read this series for.

We are almost caught up with Japan on this series, as the next volume is the latest. Will it move the plot along/ Depends on what you’re calling the plot. In any case, this is a nice, solid volume of this sweet series.

Aria The Masterpiece, Vol. 4

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By Kozue Amano. Originally released in Japan by Mag Garden, serialized in the magazine Comic Blade. Released in North America by Tokyopop. Translated by Katie Kimura.

It is, a great deal of the time, very difficult to remember that this manga takes place in the future on a different planet. Honestly, a lot of that may be engineered by the residents of Aqua, who have deliberately set things up so that anyone coming to Neo-Venezia is going to be thinking “old-time Venice”, not “new, modern, future Venice”. It’s brought up explicitly in the chapter where Akari helps the old mailman deliver his letters – why are there so many letters, when the world has email? We’ve even seen Akari send emails. But it’s because people who stay here want to revel in the low-techness of it all. It’s for the mood. There’s also an element of slight fantasy throughout, usually involving Cait Sith, but even that makes the reader think of older stories of that nature rather than an alien for The Planet Formerly Known As Mars. And let’s face it, we the reader want that as well. With the odd exception of floating islands and Woody’s Miyazaki-esque bike, we want to take it easy.

The last of the main cast is introduced in this omnibus, as we meet Alice’s mentor Athena, who also turns out to be the last of the “three fairies” along with Alicia and Akira. Athena’s skill is in her gorgeous singing voice (which, by the way, is another reason to get the anime adaptation, which really does a great job), but she’s also an oddball who frequently simply flakes out or is misunderstood by the Very Teenage Alice. She and Alice, both being the “oddballs” of their groups, balance out Aika and Akira (angry tsunderes) and Akari and Alicia (balls of sunshine). And, like Akira and Alicia, she’s keeping a close eye on Alice and trying to help her develop into a first-class undine… despi8te occasional hiccups like the right-handed Alice deciding her left hand is useless, or the sudden adoption of a tiny Martian cat found at canalside. They make a good pair.

When I called Akari a “ball of sunshine” earlier, I wasn’t alone – one of the themes in this book is people staring open-mouthed at her ability to enjoy everything and describe how wonderful it is. Whether it’s glass-blowing, mail delivery, fireworks, or simply sitting at a cafe that keeps moving its seats to stay in the sun, Akari is a one-woman tourist brochure… a fantastic quality for an undine, of course, even though she remains blissfully unaware of her own talents. She’s still got a ways to go with the gondola, of course, and we’re only halfway through the manga, but we are gradually seeing the three apprentices mature and grow up, and the though it beginning to niggle into our heads that this may end with the older generation moving on to make way for the younger.

Fortunately we aren’t there yet. What’s more, starting with the next omnibus we’ll be reading material as yet unseen in North America. I can’t wait, this series is itself a ball of sunshine.

Arifureta Zero, Vol. 3

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By Ryo Shirakome and Takaya-ki. Released in Japan as “Arifureta Shokugyou de Sekai Saikyou Rei” by Overlap Bunko. Released in North America digitally by J-Novel Club. Translated by Ningen.

I’ve been comparing Miledi to Hajime in these reviews of Zero. And just as Hajime was written to be the ultimate in “I am cool and badass and will happily abandon anyone other than Yue to a fiery death” and then walked back to where he is now reasonable a decent person, likewise Miledi was introduced in the main series as the most annoying person in the world and then we gradually see in Zero how much of it is a front. It’s a front she feels more comfortable with, in fact – despite her complaining, she’d much rather be yelled at for being irritating than praised for being a force for good, mostly as it embarrasses her too much. It’s also a good way to avoid simply having her be too perfect – Miledi is going to save everybody, loves everybody, and has magical powers that can take out a demon lord possessed by a God. Of course she has to be annoying. You need SOMETHING.

As you might guess by the cover, the new Liberator who join’s Miledi’s forces in this book is male, and men don’t get Arifureta covers, meaning Meiru and Miledi pull double-duty. They’re headed back to meet up with Oscar and Naiz’s group, to see if they can revive the comatose kids (spoiler: not quite yet), when they suddenly find out that there was an attack on the base and most of the group was kidnapped. As it turns out, they were kidnapped to avoid ANOTHER kidnapping. Vandre is half-demon, half-dragon, and all tsundere, as he kidnapped Miledi’s group to try to get them to help him own group of people being tortured for experiments by the Demon King. Of course, Miledi will totally save them anyway, especially when it looks like there’s more to the Demon King than meets the eye. But can she do it while fighting off a powerful local disease?

First off, the book begins and ends with broad characterizations of cross-dressing gay men who are, of course, sexual predators for the lulz. Ugh. This is not the first time the author has gone to this well, either. Aside from that, it’s a decent enough book. As with the other Zero books, it leans heavily on fight scenes, particularly in the second half, but there is also a decent amount of characterization, particularly of Vandre, the new guy, and Miledi. Vandre and Oscar also look to be adding a new annoying trait to the Liberators, as they don’t get along and snipe at each other constantly in a “vitriolic best buds” sort of way. I do wonder if they can actually weaponize this trait, the way that Miledi has weaponized being annoying to the point where it throws villains off.

We do also get a look at the Church here, briefly, and see that, thanks to evil people and also brainwashing, it may only have one sensible person in it. They’re also trying to get a jump on Miledi in snatching up Ancient Magic Users, so next time we head off to the forest. Till then, this remains a decent spinoff, particularly if you like fight scenes.

Pick of the Week: Pick of the Seven Days

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MICHELLE: Confident that MJwill choose Seven Days, I’ll instead cast my vote for the fifth volume of Farewell, My Dear Cramer. The best part about any sports manga is when the members of the team find the place they belong, and that’s beginning to happen here. Players who were formerly alone, or at least alone in the amount of love they had for soccer, are finally among like-minded individuals. I was a little unsure about this series at first, but now I’m fully hooked.

SEAN: My love for this series has been very variable, and there’s no question it ran too long, but I’ll go with Mission of Love’s final volume as my pick this week. Certainly if you pick one Ema Toyama series, this is the one to get.

ASH: While I’m very happy that Seven Days is getting a well deserved re-release, my pick this week goes to Gambling Apocalypse Kaiji. I really wasn’t expecting this series to be licensed, but I’m really looking forward to reading the original manga after greatly enjoying its anime adaptation. (Zawa zawa zawa…)

ANNA: I’m going to pick The Golden Sheep Volume 2, because I hope it will spur me to finally read the first volume.

MJ: I hate that I’m so predictable, but YES OF COURSE my pick this week is Seven Days: Monday-Sunday. I enjoyed this so much when it was originally released by DMP, and I’m thrilled to see it back again. Hurray!

KATE: I second Ash’s pick; I’ve been curious about Kaiji since Denpa made this licensing announcement in 2018, and am looking forward to finally getting to read it!

Gal Gohan, Vol. 1

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By Marii Taiyou. Released in Japan by Hakusensha, serialization ongoing in the magazine Young Animal. Released in North America by Seven Seas. Translated by Andrew Cunningham. Adapted by Bambi Eloriaga-Amago.

Sometimes Japanese manga companies have a broad spectrum of things they release across all genres and age groups… and sometimes they specialize. Hakusensha is one of the latter – it has no shonen titles per se, and is best known over here as the top shoujo publisher with its magazines Hana to Yume and LaLa. But… they do also have Young Animal. As with most magazines with ‘Young’ in the title, it caters to the young adult male, with each cover featuring a cover and insert section of an idol singer or model. Unlike the shoujo end of the company, Young Animal titles rarely get licensed over here – the most famous one still going is probably Berserk, which has lots of the gool ol’ ultraviolence. But there’s also fanservice and ecchi titles, and Young Animal has plenty of those as well. A good example of which we’re reviewing today, Gal Gohan. That said, like some of the best ecchi manga, there’s a certain purity of tone to it.

Shinji is a relatively new teacher, having difficulties making connections with students and doubting himself as with all good newbie teachers in manga like this. Shinji, however, teaches home ec, which makes it even harder – he doesn’t even see the students as much. Meanwhile, Miku is a very stereotypical “Gal” – tanned skin, loose socks, accessories, etc. – and is in danger of flunking out of school. The jaded principal suggests bribing her teachers with cookies, and so she goes to Shinji to try to get some help. Things go badly at first, but he gradually realizes that under her Gal exterior is a rather tender young maiden, and she starts to fall for him pretty hard – to the point where she decides to join the cooking club, even though – well, actually, because – it’s just the two of them. How far can Miku take her teasing… and how serious is it meant to be? And can Shinji avoid the temptations of his student?

This pretty much is the perfect setup to a series designed to entice young men. Miku is pretty, outgoing, busty, and is not ashamed to panty flash her teacher… at first. As the manga goes on, she starts to get a little shyer about that sort of thing, hinting that her teasing has gotten closer to an actual crush. Despite being a manga about a cooking club, there’s minimal attention to the recipes or preparation – this is not a foodie manga. You’re here to see if Shinji can resist the extreme forwardness of Miku (he has so far), and if Miku can get across to her teacher that she’s not just teasing but really does like him (she hasn’t so far). Part of Shinji’s reticence is simple – he’s her teacher, she’s his student, this is a forbidden relationship. But we also do get a bit of him not quite understanding a “maiden’s heart”, which allows Miku to be frustrated in a cute way.

I’m assuming anyone reading this knows what sort of manga they’re getting. But it caters to its readers very well, enticing without getting too over the line – Miku’s teasing and flashing of her body is relatively innocent compared to where the series could have gone. Worth a read if you like this genre.

86 –Eighty-Six–, Vol. 3: Run Through the Battlefront [Finish]

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By Asato Asato and Shirabii. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Roman Lempert.

True to its title, this is the second half of the story that began in the second volume. The Legion now have a massive Railgun that they used to destroy 40% of the Federation’s forces. Given that the Federation lacks Kamijou Touma, they need to defeat it by more military means. Fortunately, the railgun was slightly damaged when it was dealing out masses of deaths, so there’s time to send a strike force. That said, the chance the strike force survives and takes out the Railgun is basically 0%. It’s essentially a suicide mission. And so, as you likely guessed, it’s time to send out the 86, who are not fitting in well with the other soldiers and don’t seem to want to retire somewhere and grow potatoes. It’s very much a “if you love war so much why don’t you MARRY it?” sort of attitude, and our heroes just sort of shrug and get on with it. They’re the only ones who can really do this anyway. But will they have help?

As you might expect, a great deal of this book is very grim. We see soldiers with wives and families tragically blown to bits, and drivers shielding their superiors and ending up as corpses. There’s also the 86, who are, as is pointed out, still children, but we’re not really in a position in this war when they can avoid using them. They want to try not to be like the Republic… but when things go badly and someone has to be sacrificed, it’s all too easy to go with the ones who everyone already pities, especially when they’re so… well, stoic. Especially Shin, who in this book contrasts himself with Kiriya, one of the Legion’s main forces but still with memories of Frederica, his “princess”. We get POV from both of them in the book, and near the end Shin realizes that the main difference between them may simply be that Shin isn’t dead… something he’s not confident is a good thing.

Fortunately there is a bit of… well, I won’t say humor, but less bleak stuff here. I did laugh out loud at the reveal halfway through the book. We all knew it was coming, but it’s still really funny seeing every single one of the 86 (yes, including Shin) scream “ARE YOU AN MORON?!” at the same time. We also get the appearance of Lena, who has been fighting a losing battle against the Legion on her own end, and ends up meeting with Shin at the final battle with the Railgun. Neither one know who the other one is, though Shin eventually figures it out. It’s a reminder at how good Lena is at strategy, and I look forward to her actually joining the main cast again after this. She’s also a reminder that Shin actually was more emotional and occasionally smiled in the first book, something we haven’t seen at all in this two-parter. Frederica has helped, to be sure, but maybe Lena is just what the 86 need – someone who accepts them without pity.

The author has said the next book will be lighter in tone, something I don’t believe for a minute, but it should at least be another one-volume book. In any case, if you enjoyed the first two book in the series this is still a very good read. It’s not quite as good as the first, but that’s a high bar.

Yona of the Dawn, Vol. 21

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By Mizuho Kusanagi. Released in Japan as “Akatsuki no Yona” by Hakusensha, serialization ongoing in the magazine Hana to Yume. Released in North America by Viz Media. Translated by JN Productions, Adapted by Ysabet Reinhardt MacFarlane.

It can sometimes be hard to remember that Hak, in the context of this series, is a normal human. He does not have any Dragon Warrior powers, but gets by by simply being very, very, VERY strong. This becomes very clear about two-thirds of the way through this volume, where the tension that has been slowly building about how long can Su-Won and Hak get away with not meeting face to face finally breaks – there’s just no avoiding it in the melee battle to save Riri that is going on. Indeed, it’s the unspoken communication between the two that saved Riri’s life, and I really long for some sort of alternate universe where the two of them fight crime. But unfortunately, they are enemies. Ju-Do certainly doesn’t forget that, and he alone is ready to take down Hak for the benefit of the Kingdom. But there’s more complexities going on here than can be dealt with by a murder. Hak and company saved so many lives. They do have to ignore each other right now.

The first half of the book is quite serious and action packed, though I’m not entirely sure Zeno saving Yona by literally dropping himself like a bomb on the enemy can be called 100% serious. Su-Won is once again doing far more than a King should be doing, which to be fair Riri is very grateful for. He’s still not really recognized by his subjects or indeed neighboring kingdoms, which leads to scenes like the one we get here, where a thousand soldiers are taken down by him and his four generals… and yes, the Happy Hungry Bunch, an alliance that makes both uncomfortable. The second half is lighter in tone, starting with Hak, whose nerves are frazzled by having to ignore Su-Won here because of circumstance, becoming a cuddlebug and hugging Jaeha and Zeno, both of whom react appropriately for such an occurrence.

This then leads to a wonderful chapter where, having moved back to the forest to camp out, Hak and Yona try to have a heart to heart. There’s an earnest core here, as Yona has felt fairly “princess in need of rescuing” this arc, which makes her unhappy, and Hak is dealing with her being in danger PLUS Su-Won, so is, as I said, a bit frazzled. But Hak is hugging others, and Yona wants to be hugged… except (she thinks to herslf) she hasn’t had a good bath in a while, so she must stink. Hak has not, in fact, noticed this, and later says she’s been filthier before (not the right thing to say), which leads to an amazing battle between the two of them, Yona avoiding his touch and Hak trying to capture her. It all ends well, though, with hugs being had, and Hak being reassured. That said, though, Yona still is apparently unaware of her own feelings towards Hak. How long will that last?

To no one’s surprise, this is an exceptional volume of Yona, and brings this arc to a close. What happens next? Intrigue? Action? Shenanigans? All of the above? Please read this series.

You Call That Service?, Vol. 1

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By Kisetsu Morita and Hiroki Ozaki. Released in Japan as “Omae no Gohoushi wa Sono Teido ka?” by GA Bunko. Released in North America by Yen On. Translated by Jasmine Bernhardt.

This book lets you know right away that it’s a comedy, and, with the exception of one or two bits near the end, does not really let up on that throughout the volume. The characters do comedic things, the setup is written to be highly amusing, there’s a lot of boke/tsukkomi humor, and you get the standard harem novel staples, lots of girls after the hero, misunderstandings, etc. There is even a psycho lesbian and a yandere stalker girl, which Japan seems to find far more hilarious than I ever have. Actually, that seems to be the issue I have with this entire book. It really really sets itself up to be a laff riot, but it’s not particularly funny. There were times I smiled at an obvious gag, and there were points where you could clearly tell I was supposed to laugh, but the laughs just were not coming across. Which is a problem when your series is a comedy.

Our hero is Ryouta, whose grandfather made a misplaced wish that has cursed him to be attractive to all girls around him, which is a pain when the girls are mentally unstable or his immediate family. He’s walking in the mountains one day to get away from it all and happens on a city… and a young girl, who quickly bites him on the neck. She’s a vamp–erm, part of the Sacred Blood Empire, which this entire city is now made of, and wants Ryouta to be her minion. Sadly, he’s less obedient than she’d like. As they live together and go to school, he meets more Sacred Blood denizens, all of whom have their eyes on him, and learns about the Emperor, all the while yearning for the one girl in his life he actually felt love for, his elementary school crush. In the end, all these plotlines converge and Ryouta has to decide who he wants to be loyal to.

This was written in 2011, which is several generations old in light novel years, and it shows. The lead girl, Shana… erm, Taiga… no wait, Louise… Nagi? Ah, I got it, Shiren, cries out to be played by Rie Kugimiya, and Ryouta is the sort of bland, nice-but-snarky harem lead that you get in this sort of thing. The first 2/3 of this book is mostly them interacting, and while it’s comedy that I don’t find funny, it’s not all that bad. Shiren is clearly desperately lonely, and Ryouta realizes this fairly quickly. That said, there was one part where I did actively scream “fuck this”. As I said above, I’m not fond of “psycho lesbian” as a character trait to begin with, and this one went from zero to murderous in about ten seconds… then, after being forced to lick our hero’s blood in order to avoid dying, suddenly is into him as well. It’s one of the plotlines you’d assumed writers had given up on because it always gets bad press these days… but here it is.

The author is VERY prolific, having also written I’ve Been Kiling Slimes for 300 Years (which IS funny, though not always as funny as it wants to be) and the upcoming A Mysterious Job Called Oda Nobunaga. Both of those are likely better than this, which I recommend only to those anime fans who want to watch anything with a small, angry blonde with twintails.