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Lacey Longs for Freedom: The Dawn Witch’s Low-Key Life after Defeating the Demon King, Vol. 3

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By Hyogo Amagasa and Kyouichi. Released in Japan as “Akatsuki no Majo Lacey wa Jiyū ni Ikitai” by Overlap Novels f. Released in North America by J-Novel Heart. Translated by Amanogawa Tenri.

This one snuck up on me. I was sort of gently mocking the book as I went through the first half, which is very much on the “low-key life” part of the title. Lacey invents oven mitts. Lacey invents a camera. But then it turns out that all of this, as well as the previous two books, are important as Lacey is asked to come back to the capital. And, while there’s a lot of backsliding and introverted panicking, the difference between the Lacey of the start of the first book and the one we see in this volume is night and day. She’s an incredibly powerful witch, and everyone and their brother want to use her. But while she does want to bring the kingdom happiness, she also wants the privilege of choosing how she is used. And people are taking notice. Best of all, Lacey finally cottons on to what her feelings for Wayne actually are. She’s not quite ready to do anything yet, but the feelings are recognized.

Wayne shows up at the village again, and this time he’s here for a full month, though he doesn’t say why. We see Lacey helping Cedric, who turns out to have a daughter who is getting married, and he wants to bake something special for the wedding but can’t figure out what. After the wedding, discussion of how the kids are having trouble remembering what the dress looked like makes Lacey want to create photography, which she does through a wonderful series of trial and error and the help of her phoenix. Finally, though, Wayne reveals why he’s there. The princess (you know, the one who cheated with Lacey’s fiancee in Book 1) is getting married, but has locked herself in her room right before the wedding. The king is asking Lacey to help do something about that. But why is the princess there in the first place?

After getting a fairly typical “evil noble” in the last book, the most refreshing part of this one is seeing how it handles the prior antagonists. The King is mindboggled by how much Lacey has changed from just a year away from saving the world and being the Dawn Witch. Alicia, the princess, already fully regrets her philandering, but being married off to a foreign prince (who’s fine, at least) has her lonely and homesick before she even leaves. Heck, we even get a side story showing that Raymond, whose fault all of this really is, has gotten used to life on the farm where he’s been exiled too, and is even coming through with delicious vegetables. If there’s a weak spot in the series, it continues to be Wayne, who I sort of but not really wish would be found to have a dark side, or a secret he hasn’t revealed. He’s just this bland guy.

But we’re not here for him, we’re here for Lacey, and she’s fun. She also reminds me of Monica, so Silent Witch fans should also get this. The next volume, which should wrap the series up, is not out in Japan yet.

Reincarnated As a Sword, Vol. 1

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By Yuu Tanaka and Llo. Released in Japan as “Tensei Shitara Ken deshita” by GC Novels. Released in North America by Airship. Translated by Mike Rachmat. Adapted by Jaymee Goh.

When this book first came out in 2019, I read about 25 pages of it and stopped, abandoning the book as I really didn’t like it. I mentioned this recently to some other folks, whose reaction was mostly “wait, you didn’t even get to the catgirl?”Sure enough, I guess there is a catgirl on the cover. And as I deal with a slow August, I thought that maybe I had just been in a bad mood that day, and I started the book again, determined to finish it. Well, I did finish it. And it definitely does improve when Fran shows up. But I also was not wrong back in 2019. This might be the worst start to a popular light novel series I have ever read. Our hero is annoying, he’s overly chuuni, he kills a lot of monsters without remorse (oddly, he gets the remorse later, after meeting Fran), and there’s also a ton of stat counting. And, of course, “Oh, I guess this world has slavery.” Said like you’re going to the deli.

Our sword protagonist, who doesn’t even remember his old name, is hit by… a sports car (not a truck!) and wakes up in a fantasy world as a magic sword. He spends the first eighty pages or so of this book trying out cool powers, defeating increasingly dangerous monsters, being being incredibly smug and annoying. Unfortunately, he then ends up stuck in a land that saps mana, and can no longer move around. Cue Fran, a catgirl who’s part of a group of slaves who ran into monsters. After taking care of the monsters, and the slave owner, Fran and the sword (who she names “Teacher”) team up, and head to the nearest large city. From this point the book gets far more generic and predictable, which is actually a point in its favor. The writer stops trying to make the sword entertaining and focuses instead on the sword trying to teach Fran how to get strong and also possibly not become a sociopath.

Now, I know what you’re thinking. Aren’t I a huge fan of A Late-Start Tamer’s Laid-Back Life, by the same author? I am indeed. Oddly, the books seemingly start off very similar, with our main character going around, experimenting, and looking at their stats go up when they do things. The Tamer book, though, is actually a GAME, not reality, so I don’t need to apply the same morality to it. Yuta’s experimentation, due to his class, avoids fighting for the most part, while the sword’s revels in it. Yuta is generally nice to everyone and gives away things without realizing their value. The sword eventually starts to realize that killing goblins while literally imitating Stormbringer is perhaps a bit too evil, but since this is a world where all monsters are default evil, he doesn’t dwell on this too much. At least he doesn’t lech on Fran, who is only twelve years old. Her stoicness, while clearly the result of trauma, also makes her more interesting in contrast to her partner.

So yes, this gets better. I’m sure later volumes are interesting. But I’d rather stick needles in my eyes than read the start of this book again. Moving on.

Manga the Week of 8/13/25

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SEAN: Are these the dog days? Or are the dogs days later in the month?

ASH: It’s cat days more often than not with manga. (And Japanese fiction, in general, for that matter.)

SEAN: Airship has The Devil Princess (Akuma Koujo) in print. A demon who longs to have family and friends and a brighter life ends up being forcibly reborn into the body of a human princess. She’s revered as a saint, but her demonic impulses – and other demons – haunt her.

There’s also print for Reincarnated as a Dragon Hatchling 11.

For early digital we see Classroom of the Elite: Year 2 12 and Reborn as a Space Mercenary 13.

Ghost Ship has Inside the Tentacle Cave 5.

ASH: I wonder what’s going on outside the cave.

SEAN: Two debuts for J-Novel Club. The light novel is Engaging with the Plot: A Former Cat’s Attempt to Save Her Now Temporary Fiancé (Konyakusha-sama ni wa Unmei no Heroine ga Arawaremasu ga, Zantei Konyaku Life wo Mankitsushimasu!) You know how this starts. Framed for crimes she didn’t commit, broken engagement. And she’s engaged to a man who is “cursed”. Then she recalls her past life… as a cat!

ASH: See? Cat days!

SEAN: We also get Make It Stop! I’m Not Strong… It’s Just My Sword! (Yametekure, Tsuyoi no wa Ore Janakute Ken Nanda……!), an adaptation of the LN already released by J-Novel Club. It runs in Drecomics.

Also from J-Novel Club: An Archdemon’s (Friend’s) Dilemma 3, D-Genesis 6 (the manga version), and Lacey Longs for Freedom 3.

Kodansha Manga has a nice box set of Witch Hat Atelier coming out, with the first six volumes and some cards.

ANNA: Nice! Glad to see this getting the special treatment.

ASH: This does look lovely.

SEAN: Also in print: Blood Blade 5 (the final volume), Dead Rock 3, The Fable Omnibus 9, Fed Up With Being the Spoiled Queen’s Genius Butler, I Ran Away and Built the World’s Strongest Army 2, I Want to Love You Till Your Dying Day 4, Tying the Knot with an Amagami Sister 11, and Wandance 13.

And in digital we get Gang King 32 and Giant Killing 50.

MICHELLE: Insert my standard comments about how I should really catch up on Wandance and Giant Killing.

ANNA: Insert my standard comment about how I should have started reading these in the first place.

SEAN: One Peace Books has a 7th volume of Parallel World Pharmacy.

Seven Seas time. The Demon King is Way Too Overprotective! (Yo ni mo Kahogo na Maou-sama) is a Betsufure title about a girl who’s struggling to make ends meet, and now she’s dealing with a demon king who says he’s crossed universes to be with her. For fans of “possessive and irritating boyfriend is so hot that the heroine gradually falls for them”.

Fake Fact Lips BREAK is a done-in-one omnibus, and a sequel to Fake Fact Lips. As for the plot, well, sometimes fings… break, don’t they, Dino?

ASH: Whoops!

SEAN: Long Period is a BL series from the creator of The Two Lions. Our hero is angry at his best friend, who if he applied himself cold get into a great university and really go places! So why does he just want to hang out all the time?

MICHELLE: I’m in!

ASH: Yeah, I’d read it.

SEAN: Also from Seven Seas: 100 Ghost Stories That Will Lead to My Own Death 3, Backstabbed in a Backwater Dungeon 9, The Barbarian’s Bride 4, How Heavy are the Dumbbells You Lift? 18, The Last Elf 2, Let’s Buy the Land and Cultivate It in a Different World 8, Miss Kobayashi’s Dragon Maid: Kanna’s Daily Life 13, Mushoku Tensei 21, My Cat is Such a Weirdo 7, Perfect Buddy 4, The Skull Dragon’s Precious Daughter 5,

And they’ve got a 4th volume of the KinnPorsche novel.

ASH: Haven’t read any of this series yet, but it’s still pretty cool it’s being translated.

SEAN: Square Enix debuts Exquisite Blood: The Heretic Onmyoji (Miyabichi no Onmyouji), which runs in GFantasy. Demons have stolen ten important treasures, and it’s up to the Onmyoji to get them back! For readers who don’t need the word onmyoji translated.

ASH: LOL! That might be me then.

SEAN: Also from Square Enix: Dragon and Chameleon 4, The Ice Guy and the Cool Girl 10, My Isekai Life 20, and Smoking Behind the Supermarket with You 5.

Steamship has Fire in His Fingertips: A Flirty Fireman Ravishes Me with His Smoldering Gaze 9.

Two debuts for Tokyopop. Cute but Not Cute (Kawaiikedo Kawaikunai) is a BL oneshot that ran in from RED. A CEO who has it all is feeling lonely. Luckily his assistant, who’s loved him for years, is here to help.

Reincarnated in a Mafia Dating Sim: A Yakuza Heiress Becomes the Top-Ranked Villain’s Romantic Target! (Akutou Ikka no Mana Musume, Tensei Saki mo Otome Game no Gokudou Reijou deshita. – Saijoukyuu Rank no Akuyaku-sama, Sono Dekiai wa Fuyou desu!) is a Comic Corona manga based on an as-yet unlicensed light novel. This is from the author of 7th Time Loop.

Tokyopop also has Merry Witches’ Life 2 and My Beautiful Man: Interlude.

Viz Media debuts Rai Rai Rai, a shonen manga from Ura Sunday. A girl is trying to make ends meet by killing “space vermin”. Then she’s abducted by aliens, given a weird arm, and told to kill all humans. This is a comedy, I suspect.

ASH: Potentially interesting?

Also from Viz: Akane-banashi 13, Fly Me to the Moon 29, Girl Crush 2, I Wanna Do Bad Things with You 7 (the final volume), Mao 21, Not-So-Shoujo Love Story 2, Pokémon: Sword & Shield 13 (the final volume?), Rainbows After Storms 5, Sakura, Saku 8, and Snow Angel 2.

Yen On has two debuts. Remember that “as yet unlicensed” light novel I mentioned 3 weeks ago? Yeah, I’d forgotten, here it is. Almark. A city in the north is home to powerful mercenaries, but one boy just isn’t as strong as the rest. His father sends him south to a magic academy to try to be a sorcerer instead.

Nagisa Natsunagi Still Wants to Be a High School Girl (Natsunagi Nagisa wa Mada, Joshi Kousei de Itai) is a spinoff from The Detective Is Already Dead. Nagisa can now finally be healthy enough to live a normal school life, thanks to a heart transplant. But who is the donor?

Also from Yen On: Associate Professor Akira Takatsuki’s Conjecture 6, Bofuri 16, The Executioner and Her Way of Life 9, Pitch-Black Infatuation (the 2nd Sasaki Agency volume), and Playing Death Games to Put Food on the Table 4.

No dogs at all. Sad. What are you getting?

Too Many Losing Heroines!, Vol. 5

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By Takibi Amamori and Imigimuru. Released in Japan as “Make Heroine ga Ōsugiru!” by Gagaga Bunko. Released in North America by Airship. Translated by Matthew Jackson. Adapted by Hayame.

Given that this is a series that, about half the time, frames itself as a parody of the standard light novel high school harem genre, I should not have been surprised with the outcome of this volume. And yet. I was surprised. I had certainly seen the previous four volumes, showing Nukumizu’s sister Kaju as, shall we say, dangerously obsessed with her brother, but other series have also done that (looking at you, Goodbye Overtime), and have known that it’s OK to show them as being far too close for a brother and a sister without saying straight out “there is sexual desire here, this is meant to be incestuous for real”. Losing Heroines goes there, and so this comes as a content warning for those who might be put off. That said, I think most who would be put off wouldn’t have gotten this far into the series anyway, and it’s not as if Nukumizu has the ability to understand anyone’s attraction to him, much less his sister.

It’s time for the middle school students to visit prospective high schools, and that means our protagonists have to show off what makes their school great. For some this is easy due to talent (Lemon, who may be held back a grade but boy can she run). For some it’s easy due to personality (Anna, despite her foibles, can be outgoing and personable). The literature club is in trouble, though, with its two introverts who hate dealing with others. Nukumizu, however, has other problems. It’s Valentine’s Day soon. He heard his sister recently on the phone talking about… a guy! And she’s got plans in the calendar the siblings share that imply dates! She’s 14, that’s far too young to date, surely! Everyone else tells him he’s overthinking this, but they’re not getting through to him, as he’s in full big-brother mode. Hijincks, of course, ensue.

As always this is a well-written book, with a lot of laugh out loud gags. Anna is funny whenever she opens her mouth, and her chocolate cannonball was deserving of the interstitial art it got. Nukumizu, as always, is so good at reading the hidden subtext of most of the relationships of others around him that he fails to see the actual TEXT of girls throwing themselves at him. He is told by his friend Ayano that he needs to realize how he looks to everyone around him who doesn’t have the full story, and Nukumizu… brushes him off. And let’s talk about the elephant in the room. Not only does Kaju provide a story for the literature club about a brother who has knocked up his little sister, but she’s also really desperate to help her friend Gondou with her own doomed relationship, despite the fact that Gondou knows that Kaju is really thinking about herself. She knows she can’t have sex with her brother. She knows he just sees her as family. And, as this volume makes explicit, she HATES that.

Now that we’ve unlocked the barn door and let the horses out, I assume that she’s going to get more blatant in future volumes, which does not thrill me. But she also won’t be the focus, so I’ll bear with it for now. For romcom diehards and people who don’t understand why I don’t like that sweet, sweet incest.

The Poison King: Now That I’ve Gained Ultimate Power, the Bewitching Beauties in My Harem Can’t Get Enough of Me, Vol. 1

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By LeonarD and Won. Released in Japan as “Doku no Ou: Saikyou no Chikara ni Kakuseishita Ore wa Biki-tachi wo Shitagae, Hatsujou Harem no Aruji to Naru” by HJ Bunko. Released in North America by J-Novel Club. Translated by Boris Lecourt.

This wasn’t nearly as bad as I’d hoped, alas. For the third of my “go back and try a JNC series I skipped”, I decided to try this series, which kind of repulsed me when I saw it licensed. I was supposed to be explicit, and I was expecting a lot of ridiculously bad prose. Alas, only one or two speeches really lived down to that, and for the most part it was a standard ecchi power fantasy. And so, in the spirit of not ordering a milkshake at Home Depot, I will review this for what it is rather than what it is not. What is it? It’s a series to read if you like cool guys using martial arts and poison powers to kill bad guys, and also using pheromones to seduce all the women around him and take them to bed. Where it will cut away right before the actual act. Sorry, there’s always AO3.

Years ago, the hero’s party, including a man and his wife, defeat the evil poison queen. Sadly, as she dies, she curses the wife, who is now dying herself. Their “friend” Faust (subtle this book is not) has a solution: the wife is pregnant with twins, so they can all survive if one of the twins gets the curse. What no one expects is the twin to survive. Thirteen years later, the wife is dead, and our hero, Caim, is living in a hovel outside a village, where he is abused every day for being cursed. His dad threw him out when his mother died. The only friend he has is his very very loyal maid. Then one day Faust comes by with a possible cure… and he meets the Poison Queen, who tries to possess him. When she fails, he ends up now being able to control his powers and aging five years. Time to go get some payback.

So, how to sell this series… Aside from some overwrought monologues when Caim is killing bad guys, which read more like him being a chuuni than anything else, and another girl pissing herself in fear (a trope I hate, and which the author admits in the afterword is there for fetish reasons, so bleah), this is not all that different from a typical male power fantasy book. Caim, after his plot-relevant age-up, is cool and powerful but also does not lose occasionally acting like the 13-year-old he was until recently, especially when trying to deal with love (not sex, love) or fantastic panoramic landscapes. The love interests, so far, are a) devoted maid, b) noble princess turned into enthusiastic hedonist, and c) tsundere girl who loves being spanked/insulted. They’re actually not too bad. They don’t turn meek, and he doesn’t take any advantage of him they don’t want to, except when his pheromones are doing what the plot requires. And he also punches some Nazis… erm, nobles. I always like that.

Basically, if you are looking for a book with a lot of sex, this will probably frustrate you. If you are looking for a book with a lot of boobs, suggested sex, and a cool guy living his best life, this is certainly one of them. You could do worse.

D-Genesis: Three Years after the Dungeons Appeared, Vol. 1

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By KONO Tsuranori and ttl. Released in Japan as “D Genesis: Dungeon ga Dekite 3-nen” by Enterbrain. Released in North America by J-Novel Club. Translated by JCT.

This was the second recommendation by folks when I was asking about series I hadn’t tried before, and this one was far more vocal and vociferous than The Frontier Lord Begins with Zero Subjects. People really, really pushed hard for this series. When it was licensed, I was simply absolutely sick to death of dungeons, so did not bother to read it, despite the fact that it had an obvious sell on the cover art: Noa Izumi. OK, that’s not actually Noa Izumi, but close enough, frankly. I do hope Miyoshi pilots a Labor before this ends. That said, the people selling me on this series turned out to be absolutely correct: this was very, very good. I will be reading more. The main reason it’s very good is that there is minimal dungeon crawling. It’s all about the “what if” concept of dungeons appearing all over the modern-day world, how they would be regulated, and what happens when our heroes accidentally find a game-changer but want to stay having a normal life?

3 years ago, dungeons appeared all over the world, leading to a new industry. Today, Keigo Yoshimura is currently in a horrible R&D job where he is being abused by his middle-management boss. Then one day he’s part of a bad traffic accident. He’s not injured, but it turns out a dungeon opened up in the street. He accidentally runs over a goblin (thus making him eligible for dungeon rewards), and then accidentally pushes a huge mass of rebar into the dungeon, where it drops aaallllll the way to the bottom. This clears the dungeon, and makes him the top dungeon clearer in the world. He knows he does not want to be famous for this. Fortunately, his co-worker, kohai, and bestie Azusa Miyoshi finds out about this, and about the skill he picked up by clearing it: he can essentially analyze dungeons and figure out how to get whatever he needs. The days of random drops are over! And now he *really* has to try to hide.

The worldbuilding is pretty good. I didn’t hate it. It’s perhaps a bit unrealistic that our protagonists are allowed to do this, but the author freely admits that’s part of the fiction. The best reason to read this are the two leads, who are terrific. Keigo is the sort of guy who tends to narrate cynical but also tries to help everyone he can – which in this book is mostly young attractive women, this is still a light novel. That said, he has absolutely no filter and says everything he thinks, so I do not expect romance anytime soon. Miyoshi has known him for a while, so is clearly used to him. She’s a math genius and also a food/drink gourmet, so she is very interested in helping him so that she can get rich and get the best food and wine. They’re also having fun examining stats, seeing what the unknown drops actually do, killing slimes for 300 … erm, slimes till they discover what that does, and healing grievous injuries in a very secret, don’t tell anyone way.

I assume the second book is going to have more people get involved in their lives, and no doubt will have more dungeon crawling (there’s a big wolf on the cover, for one). And I warn people that there is considerable math in this. In any case, my bad. This is a great series so far, and I will try to fit the other, erm, eight volumes to date in my schedule when I can.

Pick of the Week: Catching Up

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MICHELLE: There aren’t any debuts that wildly excite me this week, so instead I’ll pick a series that I have fallen behind on but still read a great deal of, which is Natsume’s Book of Friends. Its release schedule is pretty slow, but now I’ve amassed enough unread volumes to have a proper marathon, which is appealing!

SEAN: Same here, so I’ll pick Colette Decides to Die again, because it’s one of my favorite recent shoujo licenses.

ASH: Similarly, none of this week’s debuts are a priority for me, but I must say that Don’t Hold Back, Lord Hades has one of the prettiest Hades I’ve seen in a very long time.

MJ: Can I admit to being hopelessly in love with The Apothecary Diaries? I’ve been following the anime and the manga adaptation more closely than the light novels, which I know is backwards in terms of source material, but we’ve been picking up the light novel volumes over here anyway. So that’s probably my pick!

The Frontier Lord Begins with Zero Subjects: The Blue-Horned Maiden

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By Fuurou and Kinta. Released in Japan as “Ryoumin 0-nin Start no Henkyou Ryoushu-sama” by Earth Star Novels. Released in North America by J-Novel Club. Translated by Hengtee Lim.

I had reached a brief period in my giant pile of reviews where I had a gap in my schedule, so asked folks what books they might want me to try that I had skipped before. This one came up first, so I gave it a try. It’s not bad. I have a few issues with one or two of the subplots (see below), but overall this fits in nicely in the “I arrive in a new place and slowly accumulate people who adore me” slow life genre. If there’s one big objection that I have to the books, it’s that the chapter titles are all locations. The Next Day, By the River. A Week Later, At the Yurt. If you’re that desperate, there’s always the option of just leaving it at numbers, you know? That said, the chapter titles don’t give much away as a result. Except that there’s a yurt. Which makes sense, given that this setting feels very much like fantasy Mongolia.

Dias, an orphan who strives to live up to his parents’ last words to him, is the hero of the most recent war, and is very much in need of a reward. The nobility decide to grant him a domain. They take him out to the middle of nothing but grassy plains, leave him with no food or water, and say “everything you can see is yours”. Then they leave. You can tell they are SWELL GUYS. He finds water, then decides to just sleep where he is. He then wakes up to find a teenage girl with a blue horn on her head (hence the subtitle) angrily asking him who he is. It turns out this land is actually part of her oni clan’s, and they’ve been at war with the city he came from for some time. That said, her horn is also a lie detector of a sort, and she can see he has nothing but good intentions. Which confuses her. See, Dias wants to be a good frontier lord. Even if he’s not sure how to do this.

Dias is one of those big dumb guys who’s good at fighting provided he doesn’t have to think (he uses a giant axe), but as it turns out he’s not all that dumb, he just tends to take time to think things through. I was fairly sure that Alna would be the tsundere sort who would slowly warm up to him over the course of the series, but I could not have been more wrong. Their tribe prizes strength over everything, and when this guy not only takes out a huge number of fantasy bison but also a dragon (or, as he insists, a giant turtle), she falls in love almost immediately, and they’re engaged (he refuses to let them be married till she’s of age) by the middle of the book. My one grump is that not once, but twice, we get situations where we think there will be slaves sold, only to be told “no, there is a lot of slavery, but these people are not slaves because _____”. As a result, Dias ends up adopting twin daughters, and a nearby sympathetic lord has a harem of adoring women. Both subplots could honestly have happened without slavery. You can just… not write the background slavery.

So overall, this was pretty good. I’m not sure I have a huge desire to read more, but if you like the genre it’s definitely worth a shot.

Taking My Reincarnation One Step at a Time: No One Told Me There Would Be Monsters!, Vol. 8

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By KAYA and Naru. Released in Japan as “Tensei Shōjo wa Mazu Ippo kara Hajimetai: Mamono ga Iru toka Kiitenai!” by MF Books. Released in North America by J-Novel Club. Translated by Amy Osteraas.

Of all the series I was expecting to parallel the main plot in this one, Though I Am an Inept Villainess is perhaps not the most obvious choice. But it does make sense. Sara has had a life in Japan where she spent most of it ill and not being a real kid, and then she ended up in this world and spent almost all of it also not being a normal kid. Even when she met up with Allen, who is himself nothing like real children in this world, they both act relatively mature, and they’re both surrounded by adults most of the time. And now they’re 17, which is to say they’re adults in this world, but have not quite mastered the emotional heft needed to survive as an adult. As a result, when a traumatic event happens to both of them, they have their first big fight. And everyone around them suffers. Because these are GOOD KIDS.

Now that Nelly and Chris are married, they have the perfect choice for a honeymoon: go explore a dungeon, of course. And they take Allen and Sara along with them. Unfortunately, the deep floor of the dungeon turns out to be filled with gargoyles, which badly injure Chris and Nelly and give Allen near fatal injuries, which Sara has to treat by giving him a potion that either works pretty well or hastens death. Allen survives, but as it turns out he has to “take it easy” for a month or else he’ll never get back his old strength. Unfortunately, medical research is still mostly in its infancy in this world, so no one knows what “take it easy” really entails. Meanwhile, Sara, who has her barriers, was perfectly safe throughout this. Allen is realizing that “strong enough to protect her” is going to need a big re-definition.

I do appreciate that the book does not make this ENTIRELY Allen’s fault. Just mostly his fault. It’s about an 80-20 split. The main issue is that the only ones who still see Allen and Sara as kids are Allen and Sara themselves. Everyone around them assumes they’re going to be married in a few months, but the two of them still can’t quite make that jump, and when Sara goes to the capital alone, without Allen, it’s a game changer for her, and everyone comments on it and realizes exactly what’s happened. It must be depressing when everyone around you knows you better than you know yourself. In any case, Sara is a full-fledged apothecary with little more to be taught, Allen is learning how to fight properly as opposed to the hand-wavey bullshit way Nelly fights, and they are developing careers. Settling down will soon need to be a thing.

Unfortunately, the next book seems to start a new, non-romantic arc. Well, I suppose that’s fine. This is a great series. And it had a good amount of wolves this time, too!

The Hired Heroine Wants the Villainess to Gloat

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By Hanami Nishine and . Released in Japan as “Yatoware Heroine wa Akuyaku Reijou ni Zamaa Saretai” on the Shousetsuka ni Narou website. Released in North America by Cross Infinite World. Translated by Jordan Taylor.

I was somewhat baffled at this single-volume series after reading it. On researching the title further, I am slightly less baffled. It came out in 2019, which is not in the first wave of Villainess titles, but right after, which is why it tries to play with the form a little. It’s also one of the CIW titles that they licensed directly from the author, and only seems to have appeared on the Narou website. A lot of webnovels are written on the fly. They’re week to week. They’re messy. And when they get picked up by a publisher, they tend to get heavily rewritten. This is still in the “messy” stage. It starts off almost as a broad comedy, and gradually starts to get a bit tragic as we begin to understand our hired heroine, who just wants to live happily with her mom but sometimes life doesn’t let you get what you want. Her messiness makes this interesting.

Nina Scaglione has been reincarnated in this world form Japan, but her memories are vague (she *thinks* she may have lived in the country as the daughter of a rice farmer) and she’s not remotely noble. She lives as a commoner with her mother, who is dying and in pain. Her father is also dead. Then suddenly a talking cat shows up, and tries to make a deal with her. She can’t cure her mom, but she can get medicine that will ease her mom’s pain for as long as she has. In return, she has to play out this other girl’s “otome game villainess” fantasies and be the “heroine”, who is there to be a commoner, seduce the prince, and then get publicly shunned at graduation like all the best villainess books. There are a few problems here. The first is that the prince is uninterested in her, and she in him. The second is that this villainess is really, really dim.

At first I was certain this book was a comedy. This villainess, Clarissa, is a master class at “did not think this through”, and can’t even pour a bucket of water over the heroine without screwing it up. Nina’s attempts at being the heroine are helped along by this world’s “heroine powers”, which means everyone who has not co-signed a contract with God thinks that everything she does is wonderful and perfect, and this can also get very amusing. That said, as the book goes on, Nina’s life starts to get worse and worse. Things are not helped by Nina herself, who is very much in the “I am so plain and no one would be attracted to me” school of light novel protagonists. There are some real tear-jerking scenes later on, even as the book gradually manages to barrel along its narrative. That said, the book does end happily ever after, kinda sorta if everyone works art it. Even for the villainess, who is rather flummoxed by all this.

So yes, I don’t regret reading this, and enjoyed Nina’s struggles. But it’s a mess.