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Baccano!: 1931 Another Junk Railroad: Special Express

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By Ryohgo Narita and Katsumi Enami. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Taylor Engel.

It’s nice to see Baccano! returning to the 1930s, which has always felt like Home Base. This volume has an odd history (get used to me saying this). Before the anime came out there was an audio drama of the Flying Pussyfoot books, and Narita wrote a short novel as a bonus for the CDs. The short novel was then used by the anime when it came out the following year for three OAVs at the end of the story. Then, two years after that, he expanded the short novel into the novel that you see here. And given that it was always meant to be something of a bonus feature, it’s no surprise that this book is filled with references to past novels, even above and beyond the fact that it’s a semi-sequel to the other Railroad arcs. Indeed, I would say that if you read Vols. 2 and 3 and then try to jump ahead and read this as a pure sequel, you will be very unhappy. Because this is also a sequel to several other books.

As with all Narita novels, there are several things going on at once in this book, but the “main” storyline is Chane trying to figure out life after her father has been taken into custody by the FBI. She’s left a message for Claire, but it’s unclear what the message means… to both him and in her own mind. What’s more, Chane, who has spent her entire life being betrayed and used, even by the one man that she wholly trusts, finds the very idea of Jacuzzi’s idealistic niceness baffling. Later books in the timeline (which we’ve read earlier in the series) show how joining up with Jacuzzi’s crew and falling in love with Claire is the best thing that’s ever happened to her, and this book shows that evolution. We also get introduced to Graham, who, again, we’ve already been well acquainted with in previous books. More importantly, the fact that this is Book 14 in the series allows Narita to reveal a couple more immortals who happened to be on the train that we never saw…

Now that Narita is allowed to have his bad guy front and center, he’s clearly reveling in it. Fermet is simply terrible throughout this entire book. We know, having read the 2002 books, that he will be terrible in the future as well. And, given that Huey explicitly says that Fermet killed his wife, we know that he’s going to be terrible in the past. Fortunately, Elmer is here to help out somewhat (and there’s a tie-in to the Baccano! DS game here as well, which I won’t even get into…), but given that Elmer is broken as well, that’s not exactly a comfort. Fortunately, this is balanced out by the sweetness surrounding Chane and Jacuzzi’s gang, as well as seeing an epilogue for Rachel, who is allowed to dress in something other than khakis (though the anime missed that) and give love advice to Claire.

So, having been thoroughly spoiled by this book and the previous one, it’s time to go read the ending no one wants to read. Well, that’s not quite true. In all of Baccano fandom, the next book and 1711 may be the most awaited books in the entire series. Back to 1710 next time, where everything is smiles and happy times. Till then, enjoy this book that feels like a DVD extra but is still a lot of fun.

Combatants Will Be Dispatched!, Vol. 4

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By Natsume Akimoto and Kakao Lanthanum. Released in Japan as “Sentouin, Hakenshimasu!” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Noboru Akimoto.

This is still very much your typical volume of Combatants Will Be Dispatched!, where everyone is terrible above and beyond the call of duty. But there are glimmers of the future here, a sign that perhaps the series is not simply destined to be “KonoSuba’s first, crappier draft”. A bit more attention is paid to the ongoing plot of the series itself, with a revelation that this is not simply Six and company scouting an alien planet for the lulz, it’s because Earth is genuinely going ecologically batshit and the evil organization is trying to find a new home for everyone. That said, it doesn’t have to be Six personally, and the other subplot that matters is that there are a bunch of evil overlords who want their boytoy back home with them and are fine with leaving the worldbuilding to someone else. For any other light novel protagonist this would be heaven on Earth, but Six is decidedly uninterested in a harem, content to stay on this world with Alice. Is he getting soft?

As you can see by the cover, this volume’s “Heroine” is Lilith, one of the three evil overlords Six works for. He specifically requested her because she’s the mad scientist, and that’s just what they need right now, if only to stop their bases getting blown up. Sadly, she’s just as useless as everyone else that is in this book, and she also has all the character flaws that go along with her archetype. She’s also grumpy as Six, while happy to banter with her and also happy to threaten to sexually assault her, is not all that into her. Even worse, Alice, her own creation, is going through a rebellious stage, being crankier than usual. While Lilith is there, they dig for water (triggering a slime monster), try to get the poop of a giant sparrow for fertilizer (triggering Snow’s greed at the shiny things in its next), summon an actual angel (which terrifies everyone but Alice, who insists she’s a cosplayer), and battle the Demon Lord’s armies again, just so Rose can ask him why they’re staying at her old holiday home.

As you can see, the goal of this series is still laughs first and foremost. Usually of the “dear lord” variety – there really is a lot of discussion of pee and poop here, and one scene showing how the kingdom uses orcs horrifies Six and Lilith so much that they’re almost ill (and we’re in hysterics). But as I said, the series is starting to get a hang of its characterization. Six’s problem is that, when you get right down to it, he’;s an asshole but he isn’t evil. And what’s more, everyone around him knows it. It’s only gotten worse since he’s arrived on this planet, but that doesn’t seem to bother him much. Being separated from Alice does, though – they aren’t a romantic couple (there really aren’t any in this series, mostly as Six is uninterested and everyone is terrible) but their bond and banter is still the best reason to read the series. They sound like best friends.

As always, this series is not for everyone. Stay away if puerile stuff makes you roll your eyes. But I think it’s finally hitting its groove, and I can actually read it without seeing what the author later ripped off for KonoSuba.

The Sorcerer’s Receptionist, Vol. 1

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By Mako and Maro. Released in Japan as “Mahousekai no Uketsukejou ni Naritaidesu” by ArianRose. Released in North America digitally by J-Novel Club. Translated by Roko Mobius.

There have been an awful lot of Japanese fantasy novels released over here in the last few years, be they isekai or straightforward fantasy. One thing common to many of them is the Guild, the place where adventurers go to get their dungeon crawling or monster hunting assignments. Said guild is almost always staffed by a beautiful young woman, there to give out work, cheer our heroes on, and worry when they don’t return on time or come back beat up. Sometimes they’re also love interests, but more often they tend to simply be minor supporting characters. After all, it’s just receptionist work, right? Wrong. The Sorcerer’s Receptionist is here to show you how much work and power is needed to actually be in that position, which is not one for mere pretty faces. Our heroine may fall in love with the job at a young age for mostly aesthetic reasons, but by the time she arrives at magic school she is ready to give it her all and be number one! Well, OK, number two…

Our heroine is Nanalie, and this first volume sees her journey from the first years of magic school all the way to settling into her dream job at the Harré Sorcerer’s Guild. The first half of the book will be familiar to anyone who’s read a magical academy story, and Nanalie is very much the bookish, studious, tries-too-hard sort. She’s got rare ice magic (which gives her the blue hair we see on the cover) and a cool wolf familiar, and yet most of the book is dedicated to her constant frustration at always being second in class to the arrogant Alois Rockmann, who is her self-proclaimed nemesis. The two of them spend the entire time at school not getting along, setting each other on fire/freezing them, etc. Because yeah, this is not only the story of a young woman’s dream career, it also has a romance to it. Which everyone can see except Nanalie herself.

It is honestly rare to see a title where everyone else in the cast knows that they’re in love except the protagonist and not have it be irritating. Likely as this is mostly the standard harem guy “I am oblivious because the plot requires it” sort. But Nanalie’s obliviousness to love works in the context of the story – she is extremely career driven to the point where social interaction is sometimes difficult for her, and the guy who supposedly loves her spends the entire time they’re together badmouthing and abusing her. Enemies to Lovers is a very popular trope, after all. It’s still one-sided at the end of this book, though, as Nanalie is far more concerned about things like tracking down a woman’s missing husband and notifying the right people about the demon that’s lurking in the woods.

This is a long book for a light novel, but it doesn’t feel like it’s meandering. I really enjoyed the emphasis it gave to “it’s not just a secretarial job” in regards to guild receptionists, and also shows young women becoming knights, or sorcerers, rather than just getting married right out of school. And Nanalie is fun in a way that might remind you of a certain bushy-haired girl in a series we don’t talk about anymore. Definitely looking forward to more.

Re: ZERO -Starting Life in Another World – Ex, Vol. 4

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By Tappei Nagatsuki and Shinichirou Otsuka. Released in Japan by Media Factory. Released in North America by Yen On. Translated by Kevin Steinbach.

Ah, side stories, beloved by fans and feared by publishers. It may be dismaying to light novel fans, but most series coming out over here are running a year to several years behind Japan. This includes Re: Zero, whose 14th volume is due out here in October 2020, but it came out in September 2017 in Japan. When Re: Zero EX started coming out here, I noted that the timing was off, that we got the Ex books before the main titles that they were supposed to be supplementing. We have the opposite problem with this book, which came out in Japan last Christmas. It’s meant to be a supplement to the 6th arc, which begins with the 21st volume, which had just come out a couple months before in Japan. Here, we’ll likely see Vol. 21 in 2022. Fortunately, the book still does read as a stand alone, so the English speaker need not worry about spoilers here. They may, however, wonder why so much attention is being paid to a goofy samurai with a flair for drama.

The cover may be packed with people, but the most important one is right at the front. This is a book meant to give a strong role to Julius and show off how great he is when he isn’t around Subaru. The story takes place a few months before the start of the main series, and Julius, Reinhard and Ferris are bodyguards for two elder politicians who are going to negotiate with the nearby Empire. Having recently lost the entire royal family (see: Re: Zero Ex 1), they are in a very precarious position, so are trying to negotiate a non-aggression pact. Unfortunately, the Volakia Empire has “strength is the most important thing” as their watchword, so things are already unlikely to go their way. Then Reinhard is framed for murder, and he, Julius and Ferris must flee with the Emperor in tow and avoid everyone else in the Empire trying to kill them.

The Ex books are not meant to be as much of a meta commentary on isekai titles as the main series is, mostly as the isekai hasn’t happened yet – Subaru isn’t around. As such, the author is allowed to write what is essentially a straightforward swashbuckling tale, with an added air of mystery – our heroes must figure out why they’re being framed, who framed them, and how much backstabbing and double dealing is actually going on. Ferris gets a few moments to shine, but is mostly there to allow someone to be emotional, which Julius (stoic) and Reinhard (blase) have trouble pulling off. Reinhard is there to show off how monstrously strong he is, but as ever he only works because he’s something of a cipher. As such, it’s Julius who gets the heavy lifting, along with the Empire’s Cecils, the goofy samurai I mentioned earlier, who is the Empire equivalent to Reinhard and whose overdramatic flair masks his dangerous abilities.

So not as astonishing as the main series, but it’s a fun, solid romp, and fans of fighting and sleuthing will have a great time here.

Prince Freya, Vol 3

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Prince Freya Volume 3 by Keiko Ishihara

In three volumes Prince Freya has evolved into an enjoyable fantasy potboiler of a manga, with plenty of cliffhangers to keep the reader’s interest as well as a tendency to kill off sympathetic supporting characters. The story ratchets up the suspense because it seems clear that no one is safe from medieval mayhem in this story of a simple girl forced to masquerade as the charismatic Prince Edvard. As the manga opens, Freya is displaying her characteristic tendency to put herself in danger in order to save anyone in her near vicinity as she tries to rally the soldiers in a small fort against an enemy invasion.

The White Knight Julius is now Freya’s main protector after the deaths of her childhood companions Alek and Aaron. Does Julius start experiencing conflicting emotions about his new charge? Does one even have to ask when this is shoujo manga that we’re talking about??? Freya’s actions show her motivating her soldiers with a different type of charisma than the late Prince Edvard as she makes a point to get to know all of the men in the fort who are trying to defend her. She’s not afraid to take part in tactical maneuvers in order to confuse the enemy, and while the extent to which she is willing to sacrifice herself might seem extreme, when balanced at all the family and friends she’s lost in her life the reader can see why she’s resistant to seeing anyone die unnecessarily. There’s medieval battle scenes galore and an enemy soldier making fun of Julius for being a pretty boy, so there’s plenty to enjoy in this volume, which ends on an incredible cliffhanger that promises plenty of angst in the next volume. This manga isn’t particularly deep, but it does serve up plenty of gender-swapped shoujo medieval action which I am finding to be delightfully distracting in these current times.

Pick of the Week: Blue Moods

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SEAN: Was feeling kind of blue this week, so thought I might go for the adorable-looking Cutie and the Beast as my pick instead, but then I thought, so what? Let’s go with the manga I’ve been most excited for, that is miles ahead of the others. Blue Period is my pick.

MICHELLE: These are definitely the two titles I am most excited about this week! I must agree with Sean that Blue Period generates the most excitement, though, so I will also pick that one.

ASH: It’s the debut of Blue Period and Cutie and the Beast for me, too, this week! Quite different series from each other, I expect, but I’m looking forward to reading both of them.

ANNA: To be honest, I’m probably most excited for Cutie and the Beast, it sounds like an adorable distraction.

MJ: There’s not a lot luring me in this week, with the exception of Blue Period, which sounds like exactly my kind of manga. So here’s hoping!

KATE: What Ash said!

Bookshelf Briefs 10/11/20

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As Miss Beelzebub Likes, Vol. 10 | By Matoba | Yen Press – While there is a tiny bit of forward movement with some of the couples in this volume, for the most part the author knows that people read this series for cute fluffiness, and cute fluffiness we shall have. This even extends to a skiing vacation that the cast takes, where the snow piles up and Beelzebub’s innate inability to ski leads to her and Mullin freezing in a cabin in the woods… but don’t worry, the status quo is not yet ready to break. We also check back in with the wannabe succubus, and discover that this is her second choice after failing to be an idol. Good news awaits her!… sort of. The series has wrapped up in Japan, so it’s just a matter of seeing how definite an ending this fluff has. – Sean Gaffney

D-Frag!, Vol. 14 | By Tomoya Haruno | Seven Seas – By the end of this volume, at long last, we are preparing to finally get everyone out of Kazuma’s house, which is good, because there’s only so much tsukkomi he and his sister can do before they’re exhausted. The big surprise, though, is Kazuma’s dad appearing, hair wax and all, and he’s just as ridiculous as the rest of the cast, which quickly decides to have a came of Concentration to decide who stays and who goes. Funabori is just over for the day, and Takao sadly is unable to really show that she belongs there at all, but the Shibasaki siblings at least have the excuse of the meteor that hit their home. That said, the plot in this manga is completely irrelevant to the rapid-fire gags, which are all present and correct. – Sean Gaffney

Fiancée of the Wizard, Vol. 1 | By Syuri Nakamura and Masaki Kazuka | Yen Press -This one starts off like so many lately: killed in an accident on Earth, a young woman is reborn in a fantasy world that has magic! Unfortunately, she’s not very good at magic. And there’s knights with swords! Which she also isn’t that great with. What she is good at is not judging by appearance and first impression, which allows her to win over the heart of a super-powerful boy who everyone nevertheless fears and loathes. We get a seven-year timeskip in this first book, taking us to young adulthood, and now that our Wizard is a political tool, they want to marry him off to a higher status girl. But he’s having none of that… despite treating our heroine, erm, badly. It’s OK, he’s awkward! This seems fun. – Sean Gaffney

Ping Pong, Vol. 2 | By Taiyo Matsumoto | Viz Media – The second and final omnibus of Ping Pong is just as magnificent as the first; the storytelling and artistry exhibited is tremendous. Matsumoto’s artwork is astonishingly dynamic and expressive while the narrative structure entwines the characters’ pasts, presents, and futures as they wrestle with themselves and with one another. Perhaps surprisingly, the ending of the final tournament game isn’t actually shown—one coach declares and is absolutely correct that “in this particular match, who wins and who loses isn’t even relevant”—although the outcome is ultimately revealed in the last chapter, which takes place five years later. In addition to the conclusion of the manga itself, the volume also includes an engaging essay by Yasuki Hori, the editor who worked with Matsumoto on the initial development of the series. I can still hardly believe that Ping Pong is finally available in English, but I am so incredibly glad that it is. – Ash Brown

The Promised Neverland, Vol. 16 | By Kaiu Shirai and Posuka Demizu | Viz Media – Apologies to Promised Neverland, which waited sixteen volumes to get exiled to Bookshelf Briefs. It’s not because of the quality; the first half of this in particular is filled with gloriously surreal imagery as Ray and Emma continue their vision quest and both show off how clever they are in different ways. We then follow up with the other team, Don and Gilda, who are not QUITE as clever, unfortunately: they know there’s a mole in their party who wants to kill Mujika and Sonju, but fall for the obvious choice rather than suspecting the cheerful one. It’s a rather tense volume all around, as we also get flashbacks showing how easy it is to lose your ideals. Will Norman end up in the same place? – Sean Gaffney

Sweat and Soap, Vol. 3 | By Kintetsu Yamada | Kodansha Comics – The relationship between Kotaro and Asako is getting more and more obvious to anyone who watches them interact, and it can’t be hidden from work forever. An extended business trip (which Asako is not on) allows Kotaro to finally admit to his crushing kohai that he and Asako are dating, which mostly puts that to bed. The crux of this volume, though, is the fact that these two are still very, very hot for each other, and the enforced absence of the trip is only amping up their drives. I do like that the soap part of the title is not ignored, as they discuss the fact that bars cannot be easily used sometimes and it would be nice to get the same experimental fragrances in liquid soap. Still excellent and sexy. – Sean Gaffney

Tomo-chan Is a Girl!, Vol. 8 | By Fumita Yanagida | Seven Seas – The final volume of this series wraps things up nicely (and does not give Misuzu a ‘pair the spares’ boyfriend, for which I am very grateful). After more panicking and running away, Tomo and Jun finally confront their feelings for each other as well as Tomo’s worry that if they start being lovers they can’t be friends. Then there’s the old “you can’t date my daughter till you defeat me” chestnut, which is harder to do in a series where half the cast are judo experts. Also, as a huge Carol fan, I loved the little scene where she tries to quietly remove herself from Tomo and Misuzu’s heart-to-heart but Misuzu wants her to stay. (Let’s face it, Carol and Misuzu is the ship we all wanted but didn’t get.) A fantastic and funny series. – Sean Gaffney

A First Look at YashaHime: Demon Half-Princess

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For a brief moment in the early 2000s, Rumiko Takashashi’s InuYasha was the shonen franchise in America. It was a constant presence on cable television, where it anchored Cartoon Network’s Adult Swim line-up, and a commercial success for VIZ Media, which issued and re-issued the series in formats ranging from flipped floppies to deluxe, three-in-volumes. By the time InuYasha finished its run in 2008, readers had moved on to other franchises, but InuYasha was an important series for the North American comics market, as it helped reveal an underserved population of teens who weren’t particularly interested in Batman or Captain America, but were interested in reading comics about characters their own age.

InuYasha also demonstrated that teen girls were just as enthusiastic about action, adventure, and horror comics as their male counterparts, especially if the series featured well-rounded female characters. To be sure, plenty of shonen manga included at least one Tough Female Character™, but InuYasha’s three female leads were defined as much by their frustrations, insecurities, and smarts as they were their ass-kicking capabilities. Equally important, Kagome, Sango, and Kikyo weren’t drawn for the male gaze; they were depicted as normal young women, making it easier for teen girls to identify with the characters’ struggles and triumphs.

It seems fitting, then, that the new InuYasha spin-off puts girls front and center. YashaHime: Princess Half-Demon is a “next generation” sequel that focuses on the original characters’ offspring—in this case, the teenage daughters of InuYasha and his big brother Sesshomaru. This time around, however, Sesshomaru’s twins Towa and Setsuna are the leads and InuYasha’s kid Moroha is the brash, impetuous foil to her sterner, more reticent cousins.

The good news is that YashaHime faithfully adheres to the spirit of the original series, with its characteristic mixture of romance, slapstick, horror, and action; anyone worried that the new series might try too hard to differentiate itself from InuYasha will be happy to see that the new show keeps the focus on demon-fighting, quests, and camaraderie. The bad news is that the first episode is so compressed that the new heroines barely make an impression on the viewer, as their introductions are overshadowed by clumsy bits of exposition, cameo appearances by the original series’ main characters, and a showdown between a demon and the old gang.

In an effort to create more continuity between the original series and the sequel, the second episode reveals that Towa was raised by Kagome’s younger brother Sota in present-day Tokyo. Towa’s introductory scenes are so focused on explaining her backstory that her distinctive choice of clothing—a schoolboy’s uniform—initially seems like an afterthought: “better for fighting,” Towa tells us in a voice-over. That detail turns out to be an important clue about how Towa sees herself, as she complains that “girls must be feminine and boys must be masculine,” a distinction that Towa finds as restrictive as the clothes she’s expected to wear. Towa’s gender presentation is addressed in a ham-fisted way—her younger sister pleads with Towa to be more “girly” and “cute”—but the writers’ willingness to address Towa’s fierce rejection of gender binaries suggests that YashaHime may explore some interesting new thematic territory.

The only truly disappointing aspect of YashaHime is the animation, a flaw that’s most evident in its stiffly executed fight scenes. The animators never create a persuasive illusion of people jumping, flying, and running through three-dimensional space; all the characters look like paper cut-outs superimposed on unimaginative backgrounds. The flatness of the imagery is even more obvious when YashaHime and InuYasha are viewed side-by-side, as InuYasha’s softer, more nuanced color palette gave the picture plane more depth and the characters’ bodies more weight. The one bright spot is YashaHime‘s character designs: Moroha, Towa, and Setsuna bear just enough resemblance to their parents to make it easy for the viewer to grasp the father-daughter connection, even though each girl has her own unique look. That attention to detail extends beyond their physical appearance, too, influencing the way they move, talk, and twitch their noses when they catch wind of a demon.

If I sound a little ambivalent about YashaHime, I am: it shows considerable promise, but hasn’t quite escaped the long shadow of its parent series or found the right pacing for the kind of stories it wants to tell. I’m reserving final judgment until the relationships between Towa, Setsuna, and Moroha are more clearly delineated—after all, it was the complex web of feelings and friendships that made InuYasha compelling as much as its demon-of-the-week adventures. Here’s hoping the sequel will embrace that approach, too.

Episodes 1-2 of YashaHime: Princess Half-Demon are currently streaming on Crunchyroll, Funimation, and Hulu. New episodes air on Saturdays.

A Lily Blooms in Another World

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By Ameko Kaeruda and Shio Sakura. Released in Japan as “Isekai ni Saku wa Yuri no Hana” by GL Bunko. Released in North America digitally by J-Novel Club. Translated by Tom Harris.

We have been getting rather glutted with this genre over the last couple of months, but I have to say I’m still not really that tired of ‘otome game villainesses’, if only as we have a long way to go before it catches up to ‘nebbish guy in fantasy dungeon crawl’ or even ‘grumpy cynical high school guy gains a heart (and a harem)’. It helps that, Bakarina aside, most of the genre tends to be one-shots or short series, so doesn’t wear out its welcome quite as much. This has a similar premise to another title I reviewed recently, I’m in Love with the Villainess, and it’s not hard to see why – Japanese otome games rarely if ever give you a chance to go that route, and frequently the villainess has a lot more character than the love interests. Why wouldn’t anyone be drawn to them? Especially someone looking for romance between young women.

Our heroine is another in a long line of office workers who give and give and give till they have a heart attack and die young. She is reborn as Miyako Florence, the star of her favorite otome game, and is engaged to one of the nobles. There’s just one problem. She has no interest in Klaus, the noble in question. Instead, her attention is drawn to Fuuka Hamilton, the “stereotypical villainess” character who tries, seemingly, to belittle her at every turn. Miyako, though, sees through Fuuka’s facade and knows there’s a serious-minded and kind woman underneath the arrogant exterior. So… she kidnaps her, Retreating to her own family’s cottage, Miyako promises Fuuka that within 14 days she will get her to admit that she is happy living there with her. Fuuka, suffering from the effects of the first good night’s sleep she’s had in ages, agrees to this plan. That said, this world runs on “young women are only as important as who they marry”. Will Miyako be allowed to get away with this?

This is by the author of Sexiled, but aside from a brief mention of Laplace as a figure in the land’s past history, they aren’t connected. Except, of course they are, because this is a world where a woman’s value is in who she marries and those who fail or otherwise embarrass their families are completely destroyed. The first half of the book softens us up, being very much watching two women have a honeymoon together at a lovely guest cottage in the country. It’s cute, but it’s also slight. The second half, when Fuuka decides to return home to accept what she knows will be a horrific punishment, is where things really get good, particularly in regards to our heroine, Miyako. I’d written her off as the weak part of the book, but seeing her character development, particularly when the penny drops as she meets another couple who let her know that no, you do NOT have to accept that this world is sexist and just run away – is excellent, and leads to an action-packed and satisfying ending, giving Miyako and Fuuka’s love the depth it needed.

It’s possible I’m playing this up a bit too much – it is pretty fluffy and slight at the end of the day. But I had a lot of fun reading it, and am absolutely not tired of the genre. Or the author, who I’d love to see more of. Fans of Sexiled and otome villainesses will find this a must-buy.

Deathbound Duke’s Daughter: Erika Aurelia and the Angel’s Crypt

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By Terasu Senoo and Munashichi. Released in Japan as “Shini Yasui Koushaku Reijou to Shichi-nin no Kikoushi” by M Novels (Futabasha). Released in North America digitally by J-Novel Club. Translated by Roy Nukia.

The second volume of the Erika Aurelia series sees her trying to prevent her death in Route Two of the otome game she played in her past life. That said, honestly, if you’re after otome game villainess novels you may find this wanting – Erika’s past life is important in determining her character as a whole, but rarely comes up in the text itself. Which simply leaves us with a fantastic action-adventure mystery series for young adults – and that’s fine by me. Erika ends up befriending her rivals, wandering into deathtraps, having to think her way out of deathtraps (and not always succeeding, though rest assured she is not killed off), and otherwise behaving just as I’d like a savvy eight-year-old with past-life memories to behave. Plus, in this book, there’s piles and piles of dragons. And if the villain seems a bit overly obvious, well, that’s what the extra chapters after the main story are for – this is not just Erika’s tale.

Erika and her father are headed to Ynys Negesydd, which is not in Wales, but is instead the capital of Ignitia, and they’re there for a royal banquet and also to watch a joust with dragons as the mounts. Erika is nervous as this is what sets up Death #2 on her list of things to avoid; her old self was rude to the first prince August, who is unable to ride dragons in a land where that is considered scandalous for royalty. Erika is unlikely to be as rude and obnoxious as her old villainous self, but she still has a tendency to speak her mind without thinking, so she could still be in trouble. Especially when August invites her to see the underground crypt rumored to hold the Beast of Contracts, and you start to realize that selling his soul to be able to ride dragons may be happening much faster than in Erika’s otome game.

There’s lots to like here. Erika is a great lead character, being very clever but also prone to making mistakes. Her past life, we are told, was filled with boys flocking around her and girls hating her, and honestly in this one, while she’s managed to avoid the latter, she still has the former. That said, the fact that everyone is pre-teen means the romance can be cute rather than annoying, especially given Erika right now has no feelings for anyone – and no sense of self-preservation, a fact noted by about half the cast. It’s also not a series that revolves entirely around her – her older brother has his own adventures, which seem to be just as if not more dangerous than her own, and there’s lots of bits of world building and lore that you know will pay off down the line but are just dropped casually here. Best of all, it’s simply thrilling to read.

Unfortunately, this may be all we get to read. While the webnovel this is based on has more material, Futabasha has not published a new volume in almost three years, so it seems to be cancelled. (This seems to be a problem with this publisher – see also The Epic Tale of the Reincarnated Prince Herscherik.) That said, if you’re looking for a fun YA novel with a great protagonist, you can’t really go wrong with Erika Aurelia.