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Bookshelf Briefs 11/2/20

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Blank Canvas: My So-Called Artist’s Journey, Vol. 5 | By Akiko Higashimura | Seven Seas – It shouldn’t take most readers by surprise that the final volume of Blank Canvas is heart-rending, but even knowing that it will be doesn’t lessen the manga’s impact; Higashimura utilizes a masterful combination of humor, honesty, and heartbreak. Blank Canvas captures so incredibly well the complexity and multifaceted nature of people, their feelings, and their relationships. The series is in large part about Higashimura’s growth as an artist and as an individual, especially the influence of one person particularly important to her development, but through the process of the manga’s creation it’s also an opportunity for her to confront some of the regrets in her life. In Higashimura’s own words, “As an adult, I have complicated thoughts about my younger self.” Blank Canvas allows Higashimura to come to terms with some of those thoughts and “what ifs” while honoring the memories of her teacher, mentor, and fellow artist Kenzou Hidaka. – Ash Brown

Fly Me to the Moon, Vol. 1 | By Kenjiro Hata | Viz Media – The new series from the Hayate the Combat Butler creator spends much of its first time watching the intelligent but extremely flaky Nasa hero overreact to nearly everything, and his savior and then wife be bafflingly mysterious. Tsukasa reads like an odd cross between Hinagiku and Athena, and I was rather surprised that we got to the end of the first volume without really understanding much about her. The series is somewhat cute and fun, though a lot of the humor beats will be familiar to Hayate fans, and there are some of the usual pop culture references as well. This got an anime, so I assume more will make sense later, but for the moment this is a first volume that qualifies as “good.” – Sean Gaffney

My Next Life As a Villainess: All Routes Lead to Doom!, Vol. 4 | By Satoru Yamaguchi and Nami Hidaka | Seven Seas – The manga has the unfortunate problem, which the other volumes did not, of coming out after the anime series. As such, there’s not really much in this book that you had not already seen before. In fact, it might seem a bit rushed compared to the anime. But it hits the high points—everyone begging Katarina to wake up, her dreamscape of her past life with A-chan, stopping and saving Raphael, and finally being the most oblivious dork in the world, as Maria blatantly confesses to her and she STILL doesn’t get it. Fortunately, the game had a sequel—Fortune Lover II. Unfortunately, she never played that one, and it has Katarina return as a villain—again. Well adapted. – Sean Gaffney

Practice Makes Perfect, Vol. 1 | By Ui Hanamiya | Kodansha Comics (digital only) – I picked this digital-only up on a whim, thinking the premise sounded cute. Two pro athletes in their late twenties (him in Judo, her in Volleyball) are representing their country in what is implied to be the 2020 Olympics that didn’t happen. They both really want to lose their virginity, and, coming across each other’s problems, decide to “practice” kissing, touching, etc. in a hotel so that they can be more experienced in relationships. The outcome (they fall in love for real) is not in doubt, especially when you realize this is only four volumes long. It’s the journey that’s important, though, and they are both really cute and awkward sports dorks. THAT’S the selling point, and it’s a great one. – Sean Gaffney

Skip Beat!, Vol. 44 | By Yoshiki Nakamura | Viz Media – Did I say in my last brief on Skip Beat! that Ren and Kyoko were having communication problems? This volume doubles down on that, as Ren pokes at Kyoko, who was seen getting kissed by Sho by a photographer, and suggests that she’s “giving up on her revenge” and Sho has “compassion and understanding.” This causes Kyoko to blow up, in an exquisitely drawn scene that manages to dwarf everything else in the volume. She may hate Sho (and it’s clear by now she doesn’t), but Ren doesn’t get to say nice things about him when they are WRONG. Elsewhere, the reveal of Kyoko’s sword teacher brings big laughs, and the Kyoko/Momo ship gets more holes bored into it. Great stuff as always. – Sean Gaffney

Snow White with the Red Hair, Vol. 9 | By Sorata Akiduki | Viz Media – Most of this volume ends up being, in a sense of bad timing for the North American market, a race to find a cure for a horrible pandemic that is ravaging the city. (The volume came out in Japan years ago, so there’s no thought of COVID here.) This ends up separating our lead couple even more than they already are—there’s a brief reunion, but this is not where Zen needs to be right now, and he knows it. Indeed, as many have said, Obi seems more and more like the main romantic lead, helping Shirayuki solve this plant-based mystery and save the day. There’s a lot more going on in this title than just the romantic couple, as in the best shoujo series. It’s a winner. – Sean Gaffney

Yona of the Dawn, Vol. 26 | By Mizuho Kusanagi | VIZ Media – Yona of the Dawn is always good, but this Xing arc has been something special. Princesses Kouren and Tao and their devoted warriors are such vivid characters that they legitimately seem like the stars of their own story, rather than merely side characters in Yona’s, if that makes sense. Kusanagi-sensei also adeptly created an extremely odious scheming priest and gave us a delicious scene in which Su-Won gives not a single shit for the intel the priest obsequiously offers him. I actually laughed at some of his reaction panels more than once. What really seals the deal on this being a special volume, though, is the final chapter, in which some genuine romantic progress finally happens between Hak and Yona. It is great, and Yun and the Four Dragons’ reactions are also great. Have I mentioned lately how much I love this series? It’s among the best I’ve ever read. – Michelle Smith

Pick of the Week: Idols, Clubs, and Maidens

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MICHELLE: I’m reluctant to tout anything from TOKYOPOP, given that I am still bitter about past deeds, but I must admit that Ossan Idol! looks really fun. I’m worried they’ll abandon this series midway, like so many others, but I shall cautiously award it my pick of the week.

SEAN: This week’s pick is Easy Breezy for me: it’s the first volume of Keep Your Hands Off Eizouken, which if it’s even half as good as the anime will be very good indeed.

ASH: I’m certainly interested in Eizouken, too, but this week I think I’ll be focusing on catching up on Viz series, probably starting with JoJo’s Bizarre Adventure before pivoting to shoujo.

MJ: Okay, I’ll be honest, folks. I don’t have a pick this week, because I can’t focus on anything besides the impending doom we’re facing this week in the U.S. It’s pretty all-consuming. I know they are still selling manga, but that knowledge is buried under so much anxiety, I can barely even acknowledge it. Stay safe, everyone. I’m sure you know where my meager hopes fall. Sorry I’m useless.

KATE: I’m intrigued by Ossan Idol, but my heart belongs to O, Maidens in Your Savage Season, a sharp, funny portrait of nerdy girls coming to terms with their budding sexuality. If you enjoyed the movie Booksmart, Maidens is for you, as it explores some of the same emotional (and humorous) terrain.

ANNA: I’m finding it hard to concentrate on manga right now. There’s a lot of great shoujo coming out this week, I think I’m going to pick Daytime Shooting Star, a manga that inspires both feelings of dread about potentially inappropriate relationships and hope that things all work out somehow.

Is It Wrong to Try to Pick Up Girls in a Dungeon?: Familia Chronicle: Episode Freya

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By Fujino Omori and NIRITSU. Released in Japan as “Dungeon ni Deai o Motomeru no wa Machigatte Iru Darou ka?: Familia Chronicle: Episode Freya” by GA Bunko. Released in North America by Yen On. Translated by Dale DeLucia.

For the most part, along the course of the main DanMachi series, the Freya family has tended to function as Not-Quite-Villains. Particularly Freya, who has her sights set on Bell and making him hers. They’re not out and out evil… trust me, we know who the evil Familias are in this series. Indeed, we get another one in this spinoff. But they’re meant to be aloof and unlikable, the ones at the top looking down on everyone else, and the ones who fight each other constantly just for their goddess’s favor. As such, Episode Freya, which has her leave Orario and go out into the desert looking for her “Odr”, which seems to be used in the same way that we might use “soulmate”, only the implication is that this would not be an equal relationship. While out there, she finds a slave who’s really a royal, and gets inveigled in a massive war. Which, if nothing else, keeps her from being bored.

As promised, we see a better side of Freya here. She’s not exactly a nice person… indeed, the author takes pains to show that she really is exactly who you think she is. But it becomes very apparent in this book why she commands the strongest fighters in Orario, and it’s not that she’s “charmed” them with her goddess powers at all. Indeed, we see her essentially seducing the young prince, Ali (who is really a princess pretending to be a man, because male succession only, etc.) over the course of the book, and at the end Ali is genuinely torn about whether to stay and rule her country or just head off with Freya. Freya, though, makes that decision – Ali was attractive to her precisely because of the liminal space of “I am trying to gain back my kingdom and my people” – an Ali who followed Freya would not be attractive to her. (She does get a night in bed with the goddess, though – though it’s all offscreen, this book has far more sex than the other books.)

The book starts off light – Freya freeing over a hundred slaves because their despair makes the town less sparking is very her, and the scenes with her being the boke to Ali’s tsukkomi were hilarious. Sadly, there’s also a lot of tragedy here as well – the body count is high, both good guys and bad, and the carnage of war is very much on display. There are also two other stories in the book – the first one gives us glimpses of Ottar’s past, and how he got to be the Level 7 powerhouse he is, as well as showing us Mia and Ahnya from the pub back when they were in the Freya familia. There’s also short backstories for the rest of the family, but the biggest one may be the last… and I suspect it spoils Vol. 15, which is out next month in English but came out first in Japan. Let’s just say the fans’ first theories may have been right after all.

Very well done, and you have a much better sense of who Freya is now, though I expect when we’re back in the main series she’ll go back to being an antagonist of sorts. Let’s hope we don’t have to wait another two and a half years for the next Episode.

The Wedding of Marielle Clarac

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By Haruka Momo and Maro. Released in Japan as “Marielle Clarac no Kekkon” by Ichijinsha Bunko Iris NEO. Released in North America by J-Novel Club. Translated by Philip Reuben.

Those who have been waiting patiently will be happy to hear that we do get the wedding of Marielle and Simeon in this book. That said, if you’re expecting a book filled with wedding prep and relaxation, think again – even with Marielle trying her best not to get involved in any incidents, she still gets abducted two days before her wedding. Which should not be a surprise – readers of this series are here for the detective thriller part of it just as much as the romantic back and forth, and so not only want Marielle in a wedding dress saying “I do”, but also Marielle escaping her captors in a boat and headed down a very fast river with no real strength to row her way out of it. That said, worry not, romance fans, as there are some delightful moments of that here as well, as the Duke who has been a thorn in their side for some time decides to make a last-minute effort to break them up… mostly as he’s bored.

With two days to go until the wedding, all Marielle and Simeon have to do is pick up the wedding rings, their “wedding eyeglasses”, and enjoy a nice afternoon at the fantasy equivalent of the local Marks and Spencer. Unfortunately various things happen, and for once they’re not really Marielle’s fault. She’s mistaken for someone else and her handbag is stolen, then she ends up involved in a jeweler’s efforts to try to stop the theft of a super-expensive ring… that is being made for the Duke. Then she’s kidnapped. In the second half of the book, after both the expensive ring AND her wedding rings are lost in the river, she and Simeon are forced to play a game as captives of the Duke and his wife… and if they lose, they have to call the wedding off. Even if, by then, the wedding is less than 18 hours away.

I admit it, I was rather surprised, when the wedding rings ended up in the drink halfway through the book, that we did not get them back by some weird coincidence at the end. That said, it does lead to a very sweet and very in character replacement. Marielle and Simeon are in fine form here, with her being the usual mix of level-headed straightforwardness and fangirlish squeeing and Simeon being… well, look, there’s a spoiler I won’t reveal here, but let’s just say it’s the highlight of the entire book and also leaves Simeon feeling as if he’s shamed himself forever. You will laugh a lot. There are also some old favorites who show up here… I’d say it’s a spoiler as well, but come on, of course Lutin is going to try to get in the way of everything again. We even get a nice epilogue from his po9int of view, showing a bit of the genuine feelings he has for Marielle… and how he has no plans of giving up just because they’re married.

Theoretically they should finally be able to consummate their marriage now (and Marielle, though naive, certainly seems eager to do so), but I’ve a suspicion that they may have to wait a bit. Till then, please enjoy another in a series of amusing romantic thrillers starring a young woman who claims to be plain and unassuming but is anything but.

Our Last Crusade or the Rise of a New World, Vol. 4

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By Kei Sazane and Ao Nekonabe. Released in Japan as “Kimi to Boku no Saigo no Senjou, Aruiwa Sekai ga Hajimaru Seisen” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Jan Cash.

I’ve come to realize that Our Last Crusade falls into the same bucket that I put Strike the Blood and the complete works of Ichiro Sakaki, which is to say a series that does not stand out as all that good but succeeds by dint of being smoothly written and not really doing much that’s bad. It feels written in hopes of an anime, which is good news given that there’s one airing as I type this. Sadly, I was not able to get very far into it, mostly as I can tolerate characters like Mismis when they are words on a page, but find it almost impossible when they are tripping and falling onto their boobs in glorious color. This particular book picks up right where the last one left off, but manages to avoid sending our heroes into deathtrap number four and sends them on a vacation instead. Of course, where Iska goes, Alice is soon to follow… though not alone this time.

As hinted by the last cliffhanger, this volume features Sisbell, the youngest of the three sisters who are vying for the throne. Due to the nature of her powers, and the general scumminess of humanity, she has come to distrust everyone around her, especially her two sisters, Elletear and Alice. the only one she feels she can trust is the man who rescued her from the Empire one year previously – Iska. As for Iska and company, they’re sent on a forced vacation after the higher-ups realized how ,long they’d been in enforced combat. Which is very good news for them, as this gives them time to figure out what to do about Mismis’s Astral Crest. The group, after a long shopping scene that reminds me why this series tends to grate on me, heads to an independent desert nation that consists mostly of resort hotels. Sisbell is also there, and propositions Iska: will he join her? Unfortunately, the villain of the second book – and his mask – have also shown up.

Given the entire series deliberately runs on coincidences constantly bringing Iska and Alice together, I am not all that annoyed at events conspiring at the last moment to save Mismis form execution, and anyone and everyone showing up at the same desert city. And I was glad that we briefly got to see Mismis do a thing, even if it was unconsciously and we’re not really sure what she did. Sisbell is sympathetic, and I expect to see more of her as the books go on, though I’m almost positive she will serve as hostage fodder in some way. The ending fight with what amounts to a giant robot with lasers is a lot of fun and will likely look cool if the anime gets to this book. As for the romance between Iska and Alice, they’re separated most of the book again, so it’s mostly just constantly thinking about each other.

The cliffhanger, which is again excellent, implies that events are going to be headed towards the Alice side of the two nations for a while. Till then, enjoy a book that can best be described as “serviceable”, but at least also lacks the bad habits of many other light novels. It’s okay.

Bibliophile Princess, Vol. 4

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By Yui and Satsuki Sheena. Released in Japan as “Mushikaburi-hime” by Ichijinsha Bunko Iris NEO. Released in North America by J-Novel Club. Translated by Alyssa Niioka.

Last time I wrote about how the author of Bibliophile Princess seemed to be running out of ideas, and that the third book was, in large part, a retread of the first book. Apparently between that book and this one, according to the Afterword, the author’s writer’s block got even worse. So, if nothing else, this shows that sometimes a huge amount of pressure can be good for a person, as the fourth volume of Bibliophile Princess is the best in the series to date. Finally accepting that she can’t simply write the same love story over and over again, this time around politics, which have always simmered in the background of every book, come front and center and put Elianna in a position where she has to make decisions on her own in a crisis. All of this without Chris at her side – he’s busy trying to resolve things with the kingdom’s longtime enemy. And another subplot that’s been burbling underground through all the books finally comes to the surface, and it’s terrifying.

Elianna is being sent to Ralshen, a region that, for historical, political, and religious reasons does not have the best relationship with Sauslind. She’s taking Chris’ place as he’s negotiating some sort of peace deal with the war-loving Maldura. A lot of the nation’s past is explained to Elianna (and the reader) in this book; she’s already aware of it, of course, but needs to see how this affects things politically. There’s also a couple of examples of failed marriages, in particular one between a King and a Queen who disagreed over policy decisions, and Elianna is asked, if she and Chris came to such a crisis, what would she do? She’s not sure, frankly, and I don’t blame her – she’s only just come to terms with her feelings for Chris, and so far they’re pretty much agreed about most things.

We meet one of Elianna’s childhood mentors – a friend of her grandfather’s who she calls “Grandpa Teddy”, he’s also a general who has seemingly been supporting her relationship with Chris. But that ends here, and you are once again thrown up against the fact that the Bibliophile Princess world is so political that marrying for love is not something that can happen very often. Elianna finds her upcoming marriage to Chris is also a political marriage, and one that, in the past, has always led to war. She’s not going to let that happen, but it’s hard to buck tradition. Along the way, there’s mysteries to solve, which allows her to do the now-traditional scene where she looks at a book – or, in this case, a painting – and tells everyone what really happened. As for the crisis at the end, I won’t spoil, but it’s been hinted at since the beginning, and leads to an especially nasty cliffhanger.

There is a fluffy short story at the end, taking place mostly about 2 years prior to the main action. It’s OK, but honestly after that cliffhanger it feels out of place. In the meantime, Bibliophile Princess has grown up, much like its heroine, and I can’t wait to see where Vol. 5 takes us.

Manga the Week of 11/4/20

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SEAN: November, and there’s still a lot coming out every week.

And we start with a bang, as Dark Horse has the manga version of the highly-acclaimed series Keep Your Hands Off Eizouken! (Eizouken ni wa Te wo Dasu na!). From Gekkan Spirits, it’s a fantastic look at goofy eccentrics trying to make their own anime.

ASH: I’ve definitely heard good things about the anime; hopefully the manga will be good, too!

MJ: That sounds kind of fun!

SEAN: J-Novel Club has a lot of print this week. Two debuts, By the Grace of the Gods (now with an anime) and I Shall Survive Using Potions! (the manga version).

Also in print: An Archdemon’s Dilemma 8, Ascendance of a Bookworm 2 (manga version), Infinite Dendrogram 9, The Magic in This Other World Is Too Far Behind! 9, and My Next Life As a Villainess! 4.

ASH: I’m really happy to see so much print coming out from J-Novel Club.

SEAN: Digitally the debut is Fushi no Kami: Rebuilding Civilization Starts With a Village (Fushi no Kami ~ Henkyou kara Hajimeru Bunmei Saiseiki ~). A young man is reincarnated in another world, but he doesn’t have cool magic or sword powers, and the world is medieval. He wants modern civilization! Can he find it?

And there’s also the 5th Marginal Operation manga.

Kodansha debuts in print That Time I Got Reincarnated as a Slime: Trinity in Tempest, another spinoff of the popular series.

Also in print from Kodansha: Fate/Grand Order – mortalis:stella 2, Fire Force 20, O Maidens in Your Savage Season 8, That Time I Got Reincarnated As a Slime 14, Welcome to the Ballroom 10, and Yuri Is My Job! 6. Wait, Welcome to the Ballroom still exists?

MICHELLE: Apparently! It’s been almost three years since volume nine came out.

ASH: Wow, that has been a while! O Maidens in Your Savage Season is the series that has my attention here, though.

SEAN: Digitally the debut is Otherworldly Munchkin: Let’s Speedrun the Dungeon with Only 1 HP! (Isekai Man Chikin -HP 1 no Mama de Saikyou Saisoku Danjon Kouryaku-), a Suiyoubi no Sirius series about a brother killed protecting his sister who’s reincarnated in a fantasy world… as is his sister, who he still has to save.

Also digital: All-Rounder Meguru 17, Cells at Work: Bacteria! 5, GTO Paradise Lost 13, Magical Sempai 7, My Boss’s Kitten 7 (the final volume), My Sweet Girl 11, Our Fake Marriage 4, Shaman King: Flowers 3, Shaman King: Red Crimson 2, and Smile Down the Runway 15.

MICHELLE: I should really check back in with My Sweet Girl. It was getting kind of good when I left off.

SEAN: One Peace has a 10th volume of Hinamatsuri.

Seven Seas debuts, in print, Yes, No, or Maybe?, a BL light novel about the television industry.

ASH: I might get around to reading this now that it’s in print.

MJ: Okay, I might be interested in this.

SEAN: Also coming out: Fairy Tale Battle Royale 4, The Legend of Dororo and Hyakkimaru 2, Shomin Sample 13, Skeleton Knight in Another World 8 (digital version), and Who Says Warriors Can’t Be Babes? 2.

ASH: I only just recently read the first volume, but I’m interested in reading more of The Legend of Dororo and Hyakkimaru. Osama Tezuka’s original Dororo is one of my favorites.

SEAN: Tokyopop debuts Ossan Idol! (Ossan (36) ga Idol ni naru Hanashi), an adaptation of a novel that runs in Comic Pash!. A Middle-Aged Man, bullied most of his life, turns his life around and gets buff, cool and handsome… but is unaware of this. Now he’s been scouted. This looks pretty fun.

MICHELLE: It does!

SEAN: Vertical has the 5th Bakemonogatari manga and Don’t Toy with Me, Miss Nagatoro 4.

No debuts for Viz, just the usual powerhouses. There’s Black Clover 23, the 2nd Bleach: Don’t Fear Your Own World light novel, Daytime Shooting Star 9, Demon Slayer: Kimetsu no Yaiba 18, Dr. STONE 14, Haikyu!! 41, JoJo’s Bizarre Adventure Arc 4 7, Kaguya-sama: Love Is War 17, Love Me Love Me Not 5, My Hero Academia: Vigilantes 8, The Promised Neverland 17, Samurai 8 4, Shortcake Cake 10, Snow White with the Red Hair 10, and World Trigger 21.

MICHELLE: Yep, I’ll definitely be reading a bunch of these. I’m probably the most excited for Haikyu!!.

ASH: I’m following quite a few of these, too!

ANNA: I am also happy about many of these ongoing series!

SEAN: Yen On has three ongoing titles: May These Leaden Battlegrounds Leave No Trace 2, A Sister’s All You Need 8, and That Time I Got Reincarnated As a Slime 9.

As for Yen Press, the “debut” is Sword Art Online Progressive: Barcarolle of Froth, the continuation of Progressive’s manga with a new artist, covering the series’ third novel.

There’s also Final Fantasy: Lost Stranger 5, The Royal Tutor 14, Sacrificial Princess and the King of Beasts 11, and That Time I Got Reincarnated As a Slime: The Ways of the Monster Nation 2.

ASH: I really need to catch up with Sacrificial Princess and the King of Beasts; I enjoyed the early volumes, but have fallen behind.

SEAN: See? That’s a lot.

Suppose a Kid from the Last Dungeon Boonies Moved to a Starter Town, Vol. 3

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By Toshio Satou and Nao Watanuki. Released in Japan as “Tatoeba Last Dungeon Mae no Mura no Shonen ga Joban no Machi de Kurasu Youna Monogatari” by GA Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

This book continues to get the little things right. The humor is still very solid, and the main reason to read the series. The characterization is not really deep but it is fun, and it was nice to see the one main character I dislike get buried upside down in the dirt by the end of the book. The individual; situations, scenes, etc. are well-handled, and I really like the way that the action scenes are not just “Lloyd does everything” but have the rest of the cast all taking turns to take down the monster. That said, I have concerns about the main plot of the series… does it have one? There are more dark hints of future badness, as we meet another of Lloyd’s hometown friends who seems to be working for a Big Bad, but… look, this is a book where our hero is sent to a hotel in the country to be a bellboy. And it’s only Vol. 3.

An acquaintance of Chrome’s who is an ex-military man who now owns a hotel is desperate for staff, and so Lloyd is loaned out for their holiday season. Naturally, Lloyd is a one-man staff just by himself, instantly doing everything. Also naturally, all the rest of the cast separately make their way there as well. Riho wins at the horse races and treats herself to a luxury hotel; Selen is attending an arranged marriage meeting, much to her irritation; Allan is ALSO attending an arranged marriage meeting, and the dots can be fairly easily connected; and there’s a mysterious being draining the life force of people in the area, so Mena and Phyllo get sent to investigate. As it turns out, lots of people are investigating this. Good thing that Marie arrives to be a master detective. Which she totally is, uh huh. She’s not just here to see Lloyd or anything.

So there is a plot of sorts to this book – investigating who is behind the tree monsters that are draining life forces. Sadly, the culprit is not hard to guess. More importantly, aside from occasional hints that bad things will happen in a later book, I’m not sure where this series is headed. The second book added in a fighting tournament, and the third book took us on the road, so clearly “life at military academy” is not the goal here. Of course, the goal is Lloyd and his unique combination of total overpoweredness and ridiculous self-deprecation. And I do appreciate that the other characters are allowed to do their own thing and are not just a harem (though there’s aspects of that as well). It just sometimes feels like the fastest paced “slow life” series around. I wish it had more at its core than “be silly”.

Which is an odd thing to say about a broad comedy, and it’s possible I’m just being too grumpy. For most people, this is a fun and goofy comedy with lots of cute girls. Oh yes, and Lloyd too. Who, for this volume only, I like to imagine is voiced by Keith Moon.

The Genius Prince’s Guide to Raising a Nation Out of Debt (Hey, How About Treason?), Vol. 4

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By Toru Taba and Falmaro. Released in Japan as “Tensai Ouji no Akaji Kokka Saisei Jutsu ~Sou da, Baikoku Shiyou~” by GA Bunko. Released in North America by Yen On. Translated by Jessica Lange.

The title continues to be increasingly archaic, as there’s not even any scenes of Wein bemoaning how he can’t pawn his nation off on someone else and relax here. Indeed, he’s so busy he can’t even spare the time to go to the Empire’s Summit Conference, where the three brothers vying for the title of Emperor (and Lowellmina, who is also vying for the title but not officially) are getting together to try to hash things out. In reality, it’s mostly posturing, so Wein decides to send his little sister Falanya, who needs to gain some independence and become her own person. This succeeds beyond everyone’s wildest dreams; however, as is always the case with this series, events spiral out of control fast and Wein’s presence is required to stop what might be a very nasty conflict. And stop his sister getting married off. Oh yes, and defend himself from the charge of poisoning the eldest prince. Any sane man would collapse from the strain.

The highlight of the book was the journey that Falanya makes over the course of it. We’ve seen her briefly in the first three books, getting taught politics and history and being very bored with it, and also having a massive brother complex. This does not go away here (though thankfully it’s familial in nature – Wein/Ninym is Falanya’s OTP), but this book does see her forced to grow up fast, as well as fend off unseen assassins (OK, her bodyguard does this), unwanted proposals, evil princesses out to steal her brother (well, “evil” is perhaps incorrect here) and, most importantly, become fascinated with debate and parliamentary procedure to the point that, when the city the conference is in is in danger of being conquered, she can rally the populace with stirring speeches and save the day. She is fantastic all round here. And getting more like her brother every day.

As for Wein, I give him credit for actually staying home for a while, as I was thinking we’d get some comedy here of him secretly tailing Falanya because he’s worried. That doesn’t happen, but he does end up running himself ragged, having to race to the conference after all and then getting roped into the political nightmare that it happens to be. He’s in good form here, trying to gauge what everyone wants while not giving anything away himself. The Genius Prince books also have a very nice habit of one big surprising scene 3/4 of the way through each book, and the surprise this time is that it does NOT end with a corpse, but things are still very bad for Wein. I also like how his collapse near the end is not really part of a secret double-bluff or anything – it’s just exhaustion finally catching up with him. And it does allow us to see Ninym being something other than stoic and cool.

Overall, this is perhaps the best volume to date in a series that’s already excellent. Very highly recommended.

Konosuba: An Explosion on This Wonderful World! Bonus Story: We Are the Megumin Bandits!

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By Natsume Akatsuki and Kurone Mishima. Released in Japan as “Kono Subarashii Sekai ni Bakuen wo!” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Kevin Steinbach.

Of course, this is just the 4th volume of the Megumin spinoff, really. But since it’s now caught up with the main series and is no longer a prequel (or possibly as the original was announced as a trilogy), we get a “Bonus Story” with more Megumin shenanigans. Yunyun is here as well, though the expansion of the cast means that she doesn’t really get a chance to do much other than play the tsukkomi and be pathetic. And, alas, Cecily is back as well, and continues to be the worst nun ever. That said, as the 10th volume of the main series hinted, we get a new addition to the group. Princess Iris is sneaking away from the royal residence every day, and quickly insinuates herself into Megumin’s group as the muscle (she certainly has the sword skills). Add a very reluctant thief, and you have all you could ever want in a KonoSuba spinoff.

The “plot”, such as it is, takes place mostly around Vol. 9 of the main series, though the last quarter or so takes place around the 11th book. Megumin has discovered Chris and Kazuma pulling off one of their Silver Haired Bandit raids, and finds herself fired up about the idea of stealing in order to defeat bad people (and also strangely attracted to the masked assistant). She decides to form her own group, quickly rounding up those I mentioned above… including Chris, who as you can imagine feels very awkward about all of this. After a brief detour where they try to figure out who a blond, handsome adventurer of legend is (it’s pretty obviously Dust, though the legend, as you might guess, is quite wrong in many places), they end up taking on a rival of Darkness’s who has a herd of monsters around her mansion deep in the forest. There has to be a reason, right?

There are a few flaws here. The last chunk of the book is back to Kazuma’s POV, which is fine but is not really what I signed up for with this Megumin-driven spinoff. And, as with the main series hinting about this series before we got it in English, the spinoff series hints about another as yet unlicensed spinoff series, this one starring Dust, that is familiar with Japanese readers. Mostly you get the fact that Yunyun and Dust have had adventures before, and she’s not happy about it. On the other hand, the parts of the book with Megumin thinking about her current state are excellent. She’s newly in love with Kazuma, but isn’t quite sure how that works, or even why she fell for him. She’s also trying to figure out how to be a “leader”, and Kazuma, who is mostly in non-dirtbag mode in this book, gives her some excellent advice. Fans of their pairing will be happy with this book.

There’s one more book in the series, which I’m sure we’ll get relatively soon. Till then, this is a solid KonoSuba spinoff with lots of laughs and some good Megumin character development.