Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Blog

Duchess in the Attic, Vol. 5

by

By Mori and Huyuko Aoi. Released in Japan as “Yane Urabeya no Kōshaku Fujin” by Kadokawa Books. Released in North America by J-Novel Heart. Translated by piyo.

So you’re a writer and you have a problem. You’ve introduced a naive idealist who has no idea how the real world works, and who tends to be easily led. Over the course of the book, your lead character manages to educate them on how things should be done and how they’re the ones to do them. Which is great, now the character knows better and is ready to contribute to society. And yet, your book can’t really happen when everyone is being relatively savvy. It’s time to introduce relative of naive idealist, who’s twice as bad and twice as stubborn. If your book is for guys, be sure to make the second character a woman, preferably blonde. If it’s for girls, then be sure to make him handsome but dumb. So dumb. We want to be able to see the wind whistling through his head. And if you really want to go all the way, just make him a trainspotter. Sure, American readers might not get the type. But Brits sure will.

Opal is back in Lumeon, there to celebrate Ellie becoming the new grand duke. Unfortunately, while Opal now knows that Ellie has grown up and is ready to become a fine ruler, this has not filtered out to anyone else in the country. As such, Opal and her brother Julian (Claude, alas, stays home this book to take care of the kid) do their best to show how Ellie has changed and make the path to her… whatever coronation is for dukes… easier. Julian is also there to be a sexy noble hitting on Ellie and romancing her, because they still don’t know who was behind her kidnapping in the last book. The prime suspects are her uncle, who doesn’t really have a motive, and her cousin, who is… well, see paragraph above. As such, the bulk of this book is a mystery rather than a thriller as Opal and Julian try to work out the why and how of all the cunning plans the enemy has.

Yes, we again open in an attic to make the title work, but once again, it’s just as a nostalgic show – Opal does have her life threatened twice in this book, but both times it’s in the open, so attics are not in play. I did call this book a mystery, but the mystery is not really that hard – hrm, could it be the guy who’s always looking shifty and evil? – so the real reason to enjoy this is to see Ellie continue to gain experience and confidence, her cousin Michael be dumb as a stump (his obsession is trains, but as Opal soon shows, he’s not an expert on them either), and Julian be a charming asshole most of the time, usually on purpose to incite others to show themselves. As with Book 1 and Book 3, you could theoretically end the series here, but technically Ellie isn’t in power yet, so I’m sure Opal will be back soon.

This continues to fit the definition of “solid”.

Pick of the Week: Cats, Beasts, and Wanderers

by , , and Leave a Comment

SEAN: The new season of Frieren: Beyond Journey’s End has reminded me how much I enjoy it, so the new volume of that is my pick for this week.

MICHELLE: Having really enjoyed Sakae Kusama’s The Troublesome Guest of Sotomura Detective Agency, I am picking Wandervogel this week!

ASH: I’m curious about that one, too! And I agree that A Good Day Starts with Cats and Books, but I’m going to make The Beast King: Master of Medicines my pick this week. I tend to like these sorts of healing stories.

ANNA: I’m going to go with A Good Day Starts with Cats and Books, for the title alone!

The Petty Villain Plays by the Rules: Rewriting This Otome Game with Honest Work!, Vol. 1

by

By MIZUNA and Ruki. Released in Japan as “Yarikonda Otome Game no Akuyaku desu ga, Danzai wa Iya nano de Mattou ni Ikimasu” by TO Books. Released in North America by J-Novel Club. Translated by sachi salehi.

I kept waiting for this one to go wrong, and it never really managed to. Oh, it flirted with going wrong a few times, but for the most part this book was content to stay in its lane and do what it came here to do, which is be another one of those “reincarnated as a kid and I revolutionize the entire country with my inventing basic modern conveniences” genre, of which there are quite a few. Our main character learns magic. He invents hand lotion and conditioner. He invents radio calisthenics. And while he doesn’t immediately manage to cure a dread disease plaguing his family, he does manage to find a palliative cure, which sometimes is all we can do. There are elves. There are dark elves. There are beastgirls. There are petty noble jerks. There’s a empress who has all the real power. Hell, our hero even gets married at six years old, which comes as a surprise even to him. It’s got everything.

J. Random Salaryman discusses the otome game he just finished with his co-worker, heads home, and has a heart attack and dies. He wakes up in the body of a 6-year-old who is also recovering from collapsing in the garden, and startles everyone around him by being polite and sensible. Then he realizes that he’s in the young body of Reid Valdia, who… was barely in the game at all, at least until you cleared it all and got the chance to free play, whereupon you realize he had amazing things he could do if only he raised his base stats… which he didn’t. Turns out the reason he didn’t is his mother is dying, and he’s been too busy appalling everyone around him and throwing a massive tantrum. Now that he has new memories, he can make up with his sister, treat the maids and knights well, and also try to find a way to cure his mom. Among other things.

So, because it always gets asked, yes, there’s slavery in this world, but not in our main character’s empire. I’m sure we’ll be dealing with it eventually, but at least he clears the low bar by saying “let’s NOT use a slave” here. There’s also Reid forming a cute little crush on the hot elf that he hired to sell his products, though I could do without the comedy “everyone gets mad at me” part of that, as well as the hot elf’s reaction to the whole thing, which is “I’m reacting like a lovestruck teenager because I forgot he’s six.” To be fair, he doesn’t ACT six. One of the better scenes here has his father essentially straight up ask “what the hell happened, why are you different?” and Reid telling him the truth. I also liked the “like father like son” comparison, as we see Reid rescue a lost cute girl who later turns out to be someone important, and in a side story at the end we see his father rescuing a young woman from ruffians.

Oh yes, and the Empress is awesome. This is not going to set any “wow, this plot is original!” records, but it does what people want, and it does it pretty well. I’ll read more.

Tearmoon Empire, Vol. 16

by

By Nozomu Mochitsuki and Gilse. Released in Japan as “Tearmoon Teikoku Monogatari” by TO Books. Released in North America by J-Novel Club. Translated by Madeleine Willette.

It’s been a long time since the last volume of Tearmoon Empire, so it feels good that this volume was a lot of “here’s what you remember best about the series”. Lots of snarky narrator, lots of Mia thinking of a selfish reason to do something only for everyone around her to take it as the noblest reason ever (even when she literally says “I do things for myself”). Some lovey dovey stuff with her and Abel. And of course the ongoing plot, which is… erm, let me check my notes… or right, Princess Orania, who seems to only care about fishing, and Mia’s attempts to befriend the hell out of her. Which naturally end up interacting with her kingdom, a civil war, preventing another terrible future, and those pesky Chaos Serpents. Though honestly, to the Chaos Serpents, Mia is proving to be even more pesky, and they’re rather annoyed that she keeps showing up right before they enact their evil plans. It’s almost as if she has a book that can see the future.

Tearmoon Empire plays in the larger ocean of both villainess books and time travel to fix the future books, so it’s not a surprise that Orania’s tragic backstory may ring a bell to fans of those books. When you’re in a political marriage but only one of you is actually in love, life can be difficult, and naturally that can mean projecting all your hopes and dreams onto your child. Fortunately, sometimes your husband takes pity on you and gets you another husband who loves you! And you can have children out of love and live happily now! Hrm? Your first daughter? Meh. Whatever. As you can imagine, this has pretty much broken Orania, whose father is of the opinion that she can do whatever, he doesn’t care. Well, until the cliffhanger ending of the book, which promises there’s more behind that… hopefully for the better.

As for Mia herself, she mostly has a pretty good book. Honestly, it’s Rafina who suffers this volume – first because she’s the only girly girl in the entire cast, and thus the only one horrified at the idea of handling the live bait involved in the fishing contest. But also because Mia a) tells her that there’s an active slavery ring going on, something that infuriates Rafina, but b) dealing with it means Mia will be absent from the Holy Eve Festival. Let’s face it, Mia has too many friends, all of whom want to monopolize her time. I’d suggest she find technology to clone herself, but I can only imagine what a disaster that would be. We’re sixteen books in, and it’s getting harder and harder to wrangle everyone together to do a thing. And sometimes she can be completely caught off guard, like with the ending of this volume. Yes, after a couple books that don’t end in the middle of an arc, we’re back to normal here.

Fortunately, we won’t have long till we find out how Mia gets out of thi… hrm? Short Story volume, you say? Ah well.

A Tale of the Secret Saint ZERO, Vol. 4

by

By Touya and chibi. Released in Japan as “Tensei Sita Daiseijyo ha, Seijyo Dearuko Towohitakakusu ZERO” by Earth Star Novels. Released in North America by Airship. Translated by Sarah Burch. Adapted by Melanie Kardas.

I sometimes feel that I’m the only one who tries to keep bringing back the dark beginnings to these series that suddenly turn out sweet and fluffy. Kuma Bear is not going to be reminding us of the darker side of its world much anymore. Likewise, A Tale of the Secret Saint is probably going to continue to gloss over the events that occurred after Serafina’s capture and before her murder. But it does sometimes make this prequel, featuring the adorable six-year-old Serafina and the knights and royalty who love her, a bit darker than it necessarily wants to be. A chunk of this book is dedicated to trying to get Serafina to live the life of a normal child… or at least a royal child. But that’s not who she is. She’s the one who will grow up to the the Greatest Saint, and is barreling towards that future full speed. And we, the reader, know where that future ends. (Yes, reincarnation, but let put that aside for now.)

We pick up where we left off, with Serafina’s terrible brothers in danger. As it turns out, this is a plot by the King to try and make them be a bit less lazy and take things more seriously. That said, there are an awful lot of monsters here, and with Serafina watching it all there’s no way she won’t leap in and help. Then it’s time for the other outstanding plot point from last time, the Galle Gold Leaf, which has been impossible to find for the last twenty years, but once Serafina is involved all the issues proceed to fall over like a stack of dominoes, and we even get all the past conflict with the village (and conflict within the knights) resolved. And then we have the third plot point from the last book – Serafina got a key from Oligor to Luntia’s secret room. Which turns out to be astonishing to absolutely everyone, but also promises this series may get darker in the future, tying back into its origins.

The other dissonance in this series is that between Serafina and every other saint. Fia, in the main series, is astonished at how little power the saints have, and that certainly seems to be true, the saints in her past incarnation seem to be more powerful. But even they pale in comparison to a girl who is beloved by the spirits, who is the descendant of spirit lords, and whose power is off the charts when she tries to do anything. In the main series that’s mostly used for comedy, because of course she’s the SECRET Saint, but even here where everyone knows who she is… mostly… it’s ridiculous. And I should also acknowledge the elephant in the room, which is that most of this prequel involves knowing that a grown man and a six-year-old girl are made for each other and destined. It’s not helped here by two other underage girls in the village grabbing one of the knights and saying he’s their chosen one. As always, reading light novels requires tripping over the whole “it’s not sexual it’s just moe” annoyances, and we don’t even get the usual “she’s really 900 years old” excuse here.

That said, this remains a sweet and fun prequel, free of “fanservice”, and does not appear to be in any hurry to get to Serafina’s teenage years, so I think things should remain that way.

The Misdeeds of an Extremely Arrogant Villain Aristocrat, Vol. 2

by

By Yukiha Kuroyuki and Uodenim. Released in Japan as “Kiwamete Gouman Taru Akuyaku Kizoku no Shogyou” by Kadokawa Sneaker Bunko. Released in North America by Airship. Translated by Ben Trethewey. Adapted by Kylee Yasin.

I was checking the Sneaker Bunko site to see if this was ongoing (there is as third volume, but it came out a year and a half ago, so those who like to say “axed” will no doubt be happy) and glanced at the machine-translated summary of the third book, which described our extremely arrogant villain aristocrat as “depressed as a worm”. Now, that could be the usual translation bullshit, but it is true that Luke spends a great deal of this book frustrated, angry, or depressed. He’s certainly changed the book’s plot enough that he doesn’t need to worry about it happening, but bits of it that happened to Abel are now happening to him, and the allies that were supposed to flock around Abel are now flocking around him. And he really does not want anything to do with it. He wants to use his OP magic and his OP sword, he does not want all these “friends” and “lovers”. So troublesome.

After the events of the last book, Luke now has a lover, who he is now admitting is his fiancee, at least unconsciously. He also has a pawn, though he wishes he didn’t as he discovers that Mia is very emotionally volatile when it comes to being abandoned. (By the end of the book she too will be his fiancee, and Luke admits he doesn’t oppose it, mostly as he has a vision of her murdering him otherwise.) He also gets a second pawn by annihilating them in battle, and this one is the second prince, who in the book turned out to be a bit of a despot, but here is another loyal minion. Oh yes, and to top it all off assassins come to the campus and try to kidnap him while he sleeps. All of this is incredibly irritating. But worst of all… Abel, the hero, won’t stop saying that they’re friends!

I mentioned online that I called this “top-tier trash”, and I stick by that. It is a grotesque male power fantasy, where our hero and the reader stand-in gets all the women and beds them too, has the coolest magic, and swings the coolest sword. That said, I find it highly readable, as it doesn’t take itself at all seriously. Luke’s aggravation with his perfect life can be hilarious at times. He’s helped out by all the women he meets (except Lily, Abel’s childhood friend, who I fully expect will be the NTR final boss) running into his “fuck you” style of speaking and immediately going weak at the knees. We get his own childhood friend here, who’s aan arrogant noble whose family and his no longer get along. She’s rude to him… then gets in her carriage to drive off and fantasizes about how cool he was being rude right back at her. Hell, even the scary dragon he fights at the end ends up surrendering to him. It’s easy to be a top when your world is full of bottoms.

This will never win awards for plot, and you’d better have a high tolerance for the usual male fantasy bullshit. But it’s still a lot of fun.

Manga the Week of 2/11/26

by , and Leave a Comment

SEAN: Manga the Week of appears despite it being too cold to actually type.

There’s a deluge from Yen On, with several titles that were delayed a few weeks. Moscow 2160 is a light novel from the author of Goblin Slayer. Set in a dystopian cyberpunk future Moscow, this stars a mercenary trying to make a good life for his younger siblings.

ASH: A promising premise.

SEAN: New Game Plus After Defeating the Last Boss: All These Beautiful, Problematic Girls in the First Town Have Gotten Really Attached to Me… (Last Boss Toubatsugo ni Hajimeru Nishuume Boukensha Life – Hajimari no Machi de Wakeari Bishoujo-tachi ga Mechakucha Natsuite kimasu) stars a man who gives his life saving the world. Now he’s resurrected, and back at Level 1, though… he’s just as strong as he was when he died. And also, well, women are flocking to him. And possibly something else rhyming with flocking, but I suspect this one won’t quite go that far.

ASH: Ah, got it, problematic.

SEAN: Also from Yen On: The Contract Between a Specter and a Servant 5, The Detective Is Already Dead 11, Even a Replica Can Fall in Love 4, Gods’ Games We Play 6, The Irregular at Magic High School 26, Kunon the Sorcerer Can See 5, Nagisa Natsunagi Still Wants to Be a High School Girl 2, Once Upon a Witch’s Death 2, The Only Thing I’d Do in a No-Boys-Allowed Game World 3, Orc Eroica 6, Playing Death Games to Put Food on the Table 5, Re:ZERO -Starting Life in Another World- Short Story Collection 4, Sabikui Bisco 10 (the final volume), Secrets of the Silent Witch ~another~ 2, That Time I Got Reincarnated As a Slime 22, The Vexations of a Shut-In Vampire Princess 10, The World’s Finest Assassin Gets Reincarnated in Another World as an Aristocrat 8, and This Is the Wizard’s Secret Weapon 2.

ASH: The list just keeps going!

SEAN: Significantly less from Yen Press, but there is some. The debut is Please Look After the Dragon (Dragon Yashinatte Kudasai), a Manga One series about a guy who comes across a dragon who is essentially on a trip to find herself, and asks that he take her in.

ASH: This could be cute.

SEAN: There’s also The Holy Grail of Eris 11, Let This Grieving Soul Retire! 10, Level Up with the Gods 2, The Small-Animallike Lady Is Adored by the Ice Prince 4, and Victoria of Many Faces 3.

ASH: Okay, that is significantly less.

SEAN: Viz Media gives us Disney Twisted-Wonderland: The Manga – Book of Octavinelle 2, Frieren: Beyond Journey’s End 14, Girl Crush 5, Hayate the Combat Butler 47, Mao 23, Not So Shoujo Love Story 3, Pokémon: Scarlet & Violet 4, Rai Rai Rai 3, and Rainbows After Storms 8.

Two Tokyopop debuts. First Love Reunion: A Decade Later, My High School Crush Is Determined to Make Me His! (Tsugi ni Attara Dakutte Kimeteta node. Saikai Shita Hatsukoi no Kare ga Moujuuka Shitara…) is a Love Kiss! more oneshot (yes, that’s the magazine) about a girl who crushed on a guy from afar in high school, but is startled at their reunion when he walks up and kisses her!

Wandervogel is a BL manga from Chara, and stars a vagrant who takes refuge with a novelist during a storm, and then finds the novelist… can read minds?

MICHELLE: Hm…

SEAN: SuBLime has Scattering His Virgin Bloom: Love Frenzy, a sequel to a manga they put out in 2022, an omegaverse title about an omega whose heat comes in his mid-20s.

There’s also a 3rd volume of A Man Who Defies the World of BL.

ASH: I haven’t read the earlier volumes yet, but I am curious about this series.

SEAN: Square Enix Manga debuts Otaku x Gal (Gal ni Yasashii Otaku-kun), whose plot sounds EXACTLY like My Dress-Up Darling but this apparently skews less romancey and more slice of life-y.

They also have Exquisite Blood: The Heretic Onmyoji 3 and My Isekai Life 23.

Seven Seas has some danmei, as we see Silent Reading: Mo Du 2 and Thrice Married to a Salted Fish 2.

Seven Seas manga debuts Aharen-san is Indecipherable (Aharen-san wa Hakarenai), a Shonen Jump + series with a recent anime. It’s coming out in 2-volume omnibuses. Aharen doesn’t get social cues, but that’s fine, as she now has a best friend who can understand her! Maybe?

ASH: Only maybe.

SEAN: The Beast King: Master of Medicines (Juuou to Yakusou) is a Manga One title about a novice adventurer who’s saved when near death by the Beast King. Now he wants her to help him heal other monsters!

ASH: This is definitely something I would read.

SEAN: He Craves to be Teased by His Favorite ASMR Streamer (Minami-kun wa Sono Koe ni Jirasaretai) is a BL manga from Equal. An ASMR artist is asked to do “private sessions” for another guy who can only be turned on by his voice.

Also from Seven Seas: I Can’t Stand Being Your Childhood Friend 2, Monster Musume: I Heart Monster Girls 5, Natsume Wants to Blossom (Vol. 2 in the series), No God in Eden 3, Ripples in the River 2, and Tease Me Harder: A Sweet and Kinky Romance 2.

Kodansha Manga, in print, has Battle Angel Alita: Mars Chronicle 11 (the final volume), Bless 7, Issak Omnibus 5, Mobile Suit Gundam: THE ORIGIN Deluxe 4, Thunder 3 8, and Wistoria: Wand and Sword 11.

ASH: I really need to read Issak before I get too much further behind.

SEAN: Digitally we have A Condition Called Love 18 (the final volume), Giant Killing 53, and Nina the Starry Bride 17.

MICHELLE: Long ago, I read a bit of A Condition Called Love. I guess now that it’s ending, I should get back to it.

SEAN: J-Novel Club has some print titles. Ascendance of a Bookworm manga Part 4 Vol. 2, Campfire Cooking in Another World with My Absurd Skill 7, Gushing over Magical Girls 8, How a Realist Hero Rebuilt the Kingdom Omnibus 6, Isekai Tensei: Recruited to Another World manga 4, The Misfit of Demon King Academy 7, and My Quiet Blacksmith Life in Another World 3.

ASH: Obligatory “Yay, Bookworm!”.

SEAN: Two JNC digital debuts, both light novels. The Canon Fodder’s Ascension from Pawn to World Unifier (Kamaseinu kara Hajimeru Tenka Touitsu: Jinrui Saikouhou no Last Boss wo Enjite Gensaku Break) is another “villain” novel where a guy wakes up in the body of a loser villain and tries to make him awesome.

It’s Tough Being a Necromancer is a J-Novel Club contest winner, about an apprentice necromancer sent off on an adventure to get experience. He finds it with a bunch of monster girls.

ASH: How tough could it be?

SEAN: Other light novels out next week: Disowned but Not Disheartened! 3, Duchess in the Attic 5, Heir to a Monstermancer 2, The Isle of Paramounts 2, Knight’s & Magic 9, Let This Grieving Soul Retire! 9, Mercedes and the Waning Moon 4, The Reincarnation of the Strongest Exorcist in Another World 7, Royal Spirits Are a Royal Pain! 2, and Worthless at Home, Whiz to the World 3.

Other manga out next week: Bibliophile Princess 10, The Crown of Rutile Quartz 2, From Villainess to Healer 5, I’m a Noble on the Brink of Ruin, So I Might as Well Try Mastering Magic 6, Peddler in Another World 6, and A Royal Rebound 3.

Ghost Ship debuts Lilia’s Pregnancy Spells the World’s End (Lilia Pregnant The World End), a Web Every Sunday series about the hero who has defeated the demon lord… only now the demon lord’s daughter wants his baby! And will try any seduction to get it.

Airship has the print debut of A Good Day Starts with Cats and Books (Shodana no Hon to Neko Biyori), a short story collection masquerading as a novel, about a bookstore and the many readers who contribute to its shelves.

ASH: The cozy cats and cozy bookstore subgenres have combined forces?!

SEAN: Also in print: Reincarnated Into a Game as the Hero’s Friend 6 and Virgin Knight: I Became the Frontier Lord in a World Ruled by Women 2.

For early digital, we see Reincarnated as a Sword 18, The Too-Perfect Saint 5, and True Love Fades Away When the Contract Ends 3.

What manga are you reading as you shiver in the cold?

MICHELLE: I don’t know, man. There’s less and less that interests me, these days.

Miss Blossom’s Backward Beauty Standards: Give Me the Ugly Crown Prince!, Vol. 2

by

By Sankaku Mikaduki and riritto. Released in Japan as “Bishuu Abekobe Isekai de Busaiku Outaishi to Kekkonshitai!” by DRE Novels. Released in North America by J-Novel Heart. Translated by Olivia Plowman.

Sometimes all it takes is one hook. I was reading the second volume of this series, and it was… good. I wasn’t bored or anything, but I joked online that DRE Novels had told the author “you know how we give everyone three books? You get two.” This is indeed the final volume, as the cover no doubt gives away, but it’s also the second volume of a series that started with nobles as children, so we are obliged to do nobles at the academy. And while it’s using villainess tropes and time loop tropes, the only one with memories from Japan is Cocolette, our heroine. So when Pia Abbott arrived, like Cocolette I was puzzled, then vaguely irritated. What was up with her? WAS she one of those “I’m in an otome game!” sort of girls? And then we got a scene from her POV giving her backstory and motivation and, like Cocolette with her pretty boys, I started to stan. Pia, NOW you have my attention.

As noted above, the main cast are going to school, with all that this entails. Cocolette, though she’s smart enough, is not joining the advanced course with the others, but the Ladies’ Course, so that she can make connections with other nobles and gain education in how to be a queen for when she inevitably marries Raph. Unfortunately, others don’t buy that it’s inevitable. The current queen wants Coco to be a concubine, and for Lunamaria to be Raph’s wife… though she doesn’t seem to actually like Lunamaria at all. Prince Ork is still pining for Coco, so she’s still technically a potential fiancee to both princes. And there’s a foreign prince at the academy, this one with a face like a goblin. Naturally everyone loves his ethereal beauty except Coco. And yes, there’s Pia, who seems to be behaving just like the heroine in an otome game… though it’s not really working, much to her frustration. Can Coco navigate all this and get her happy ending?

As I said, the moment it was revealed that Pia was not an idiotic evil heroine with no sense, but a cynical yandere spy who by 2/3 of the way through the book just wants to get away from everyone at the school, I wanted to stand up and cheer. I love a good bitter bitch, which is exactly what she turns back into after she’s arrested. I also liked how her mysterious charm power really is a mystery, because for once this kingdom mostly is without magic, much to their chagrin. It also made it acceptable that in the end she essentially gets off scot-free, as they need her as a lab rat to study, and Coco knows that her obsessive love means she won’t just run away. The rest of the book is more normal, mostly driven by Cocolette’s desire to be surrounded by bishonen contrasting with everyone thinking she’s the greatest thing since sliced bread for hanging around them all. It’s funny, but not as funny as the author thinks.

Fortunately, they all live happily ever after, except maybe for the goblin prince. Decent enough.

The Blue Sea of Marielle Clarac

by

By Haruka Momo and Maro. Released in Japan as “Marielle Clarac no Sokai” by Ichijinsha Bunko Iris NEO. Released in North America by J-Novel Club. Translated by Jasmin Thairintr.

I’ve been mentoining for a while now that I thought this author was in a bit of a rut. They have a successful series and want to continue it, but they also clearly do not want to go down the baby route at all, they’ve pretty much been doing a series of weddings and engagements with a coating of political intrigue. And that certainly seems to be the case at the start of this one, as we nudge ever closer to (but still have not quite arrived at) the wedding of the Crown Prince. That said, I think the lightbulb has finally gone off, as the coating of political intrigue we’ve had for a while has become the point, and the author flat out says in the afterword that we are headed for War. That would certainly give the cast something to do that doesn’t involve Marielle popping out a kid. Assuming that she’s able to survive till it happens, as I joked that this volume could also be titled The Execution of Marielle Clarac.

As Marielle desperately tries to write before her deadlines pass, she gets a disturbing letter from her husband that says to ignore any rumors she might hear… and this is followed by an invitation from the prince to a royal ball they’re holding that evening for the Crown Princess of Vissel. A wary Marielle shows up, only to find that the princess is throwing herself at Simeon to an almost ridiculous degree. That said… something definitely seems off about it. Marielle’s people-reading skills come in handy, and she soon gets an apology from the princess… who does not actually explain why she’s cuddling up to Simeon, only apologizes for it. (The answer, as it turns out, involves possibly the most misogynistic ass we’ve met in this series to date.) Unfortunately, Marielle soon finds other things to worry about: someone keeps trying to kill her.

Given that the last book had everyone in the cast assume that wherever Marielle goes, trouble follows, I had wondered if a clever villain might try killing her off in order to stop her amateur sleuthing. That’s not what’s happening here, though it might be better for her if it was. As it is, she’s simply someone who is very beloved by most of the important people in her kingdom, and killing her off would be a very easy way to start a nasty war. Which other countries clearly want. There is a bit of hemming and hawing here about the fact that their kingdom has colonies, and that sometimes those colonies rebel and have to be put down. (We have in fact seen this sort of thing before in this series.) Marielle knows it’s bad, as does the prince, but magic wands are in short supply. The climax of this book, meanwhile, is very action packed, and shows Marielle having a crossover with one of Tearmoon Empire’s iconic characters, and not in a good way. Fortunately, she is saved, but it’s probably the closest she’s come to death in this series.

All this and we finally get the resolution of a minor plotline that’s been around since the first book… and one which impacts Marielle’s family in a big way. The next book just came out last month in Japan, though, so get ready for another wait.

Observation Records of My Wife: The Misadventures of a Self-Proclaimed Villainess, Vol. 2

by

By Shiki and Wan Hachipisu. Released in Japan as “Jishō Akuyaku Reijō na Tsuma no Kansatsu Kiroku” by Regina Books. Released in North America by Hanashi Media. Translated by Ethan Holms.

Villainess stories generally tend to either be narrated entirely from the perspective of the villainess herself, or they do that thing where we get her POV for a while, then we get the POV of all her love interests going over the same ground from their perspective (see Bakarina as an example). This series, on the other hand, is entirely from the POV of Prince Cecil, which works very well, not only as he’s easily the most interesting character in the series, essentially an evil villain who has never had the “this is when I became a villain” moment, but because he does not have the memories of otome games and shoujo novels and all the other things that Bertia has that makes her act… well, “more” eccentric would be an accurate phrase. But this also means that, because he’s merely dealing with a particularly stupid foreign prince, he doesn’t realize why he’s so stupid till the final scenes of the book.

Cecil and Bertia are still in Seahealby, having spent the last book trying to heal the awkward, poor relationships between the crown prince and his fiancee and the second prince and his fiancee. Unfortunately, that leaves the first prince, and he proves to be a real piece of work. Things are not helped by Bertia, drunk off the sake that she gifted the crown prince and his wife at their wedding, accidentally giving some to a snake spirit who turns out to be the country’s god. Now the god is obsessed with Bertia, and so is the first prince, who seems to assume that Cecil and Bertia are merely tolerating each other, so essentially says to him “let me marry your wife and take her off your hands”. Cecil then destroys the entire country and kills everyone in it… well, no, but he does get very angry indeed.

I’ve said it before and I’ll say it again: Cecil is essentially a sociopath with minimal empathy whose sole chain linking him to being a good person is his wife, whom he adores. Every time that he gets angry because something is happening to Bertia, everyone around him recoils in horror, as his face is that of someone about to commit murders. He’s even warned not to go to Bertia right away as he’ll terrify her. That said, their relationship is mutual – thanks to the first prince’s manipulations, Bertia has a meltdown when she believes Cecil might abandon her, and he has to reassure her. There’s also a nifty twist at the end, not just because of why the first prince is the way that he is, but the fact that the shoujo novel Bertia was thinking of happens two years LATER than their current year. Once again, Bertia makes everything better by accident.

The next volume should be out after the anime premieres, and we’ll see if the anime helps or hurts it. I’m enjoying it a great deal, at any rate.