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Adachi and Shimamura, Vol. 9

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By Hitoma Iruma and Non. Released in Japan by Dengeki Bunko. Released in North America by Seven Seas. Translated by Molly Lee.

The self-improvement of Shimamura continues in this volume, following up from the last one. We see Shimamura reflecting on her past self and her tendency to deliberately forget about everyone around her, o the point where it’s an active choice. But now she has Adachi in her life and as her girlfriend. The trouble is, as Adachi points out to her here, she’s very hard to read. Shimamura tends to have one mode, which is “whatever”, and when you are a stressed and insecure young lesbian like Adachi, that just makes you think that the relationship is entirely one-sided. And credit to Shimamura, she really tries hard here, even using the word love to show Adachi how serious she is. Admittedly their relationship has not really progressed beyond holding hands, but given the two participants and their emotional ages that’s not only unsurprising but likely a good thing. I hope future books will show us Adachi’s self-improvement as well. As for Yashiro… she is perpetually the same.

After Shimamura tells a curious Yashiro about her junior high years of rebellion (which consisted of skipping class and not much else), we get the meat of the first half of the book, which is telling us a bit about Hino and Nagafuji’s childhood. This comes up because Hino’s father, who is not the best at communicating, tells her she isn’t important to the family legacy. Hino, who is thirteen in this flashback, does not really take this well (though, as is fairly typical with this author’s works, a lot of the emotional turmoil is left for the reader to fill in themselves) and decides to run away from home. After getting permission. And also taking her maid. And Nagafuji. The second half of the book is Christmas, and shows us an adorable date between our lead couple, Adachi breaking out the Chinese-style dress again, and Christmas dinner at the Shimamuras with a surprise guest, which may carry over into the next book.

This is the final volume with illustrations by Non, who I believe had been ill, and the illustrations are mostly ones used from other promotional materials – there are no interior ones. Which is a shame, but also allows us to see the pasts of most of the main cast without having to see them attempted as “3 years younger”. The Hino and Nagafuji stuff was good, though Hino’s narration works far better (and is far longer) than Nagafuji’s. It’s also implied that her parents have a marriage of convenience and that her mother and head maid are childhood friends with benefits. It’s heavily implied this is what Hino could have with Nagafuji too, though the idea of Nagafuji as a maid is horrifying. The other interesting part of the book is the relationship between the two moms. Mrs. Adachi reads very much like her daughter only cynical and bitter, and Shimamura likewise has her daughter’s “well, whatever” mood only extroverted to the nth degree. It’s kind of fun.

This wasn’t terrific, but is at least solid, even if it read a bit like a short story collection at times. The best parts were Shimamura’s forwardness. We’ll see if she can keep that up.

Bookshelf Briefs 5/25/22

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In which Sean solos yet again.

HIRAETH -The End of the Journey-, Vol. 1 | By Yuhki Kamatani | Kodansha Manga (digital only) – This does not end up being quite as depressing as the warning at the start might indicate, but the warning is appreciated, as this book starts with a young woman trying to kill herself, and her suicidal thoughts are present throughout the volume. She meets a god who is dying, and is taking a tour of Japan (and being a bit of a brat about it), as well as a man who CAN’T die, and on their journey we get a lot of different perspectives. That said, as always with this author, if you’re only here to look at the lush, gorgeous art, you will not be disappointed either—even the panel composition is amazing. It’s absolutely not for everyone, but if you liked Our Dreams at Dusk this is a must-read. – Sean Gaffney

The 100 Girlfriends Who Really, Really, Really, Really, REALLY Love You, Vol. 2 | By Rikito Nakamura and Yukiko Nozawa | Ghost Ship We add two more girls in this volume, and really the impressive thing about it is not how he keeps managing to convince each girl to go along with this, but the fact that they really do almost all get along. Hell, some of them may get along a little too well—if for some reason he can’t actually marry 100 girls, and they don’t all die, Hakari and Karane may be able to make things work. As for the new girlfriends, we have the stoic and intellectual one, and the mad scientist who mostly looks like a child one, which is hilarious even if it toes the line of offensiveness. That said, that’s one nasty cliffhanger. – Sean Gaffney

My Next Life As a Villainess Side Story: Girls Patch | By Various Artists | Seven Seas – This anthology asks the question: don’t you wish Bakarina was a yuri series? (There was an equivalent for the guys, but don’t expect Seven Seas to license that anytime soon.) A lot of the Western audience for the series was more into Mary, Sophia and Maria than any of the actual love interests—and indeed have abandoned the series for the most part after realizing it’s veering too het. That said, while this doesn’t have any weddings or alternate universes where Katarina suddenly gets it, it has lots of sweet scenes between the quartet, as well as a brief one with Anne, which is not really shown as romantic so it’s fine. It’s an anthology, so variable, but is mostly perfectly pleasant. – Sean Gaffney

Run on Your New Legs, Vol. 1 | By Wataru Midori| Yen Press – For the most part this is a very good story about a former star athlete who lost a leg finding that he can still compete with the help of prosthetics, even if it’s not soccer (his former sport). That said, I could not help but spend much of the first half of this book feeling a bit creeped out by the way he was sort of stalked and manipulated by the guy who is designing said prosthetics, who turns out to basically be a start-up trying to drum up work. Consent is given, but it doesn’t feel earned, if you know what I mean. Other than that, this is a strong sports manga with lots of past trauma to overcome, a guy who is being forced to reopen his world to other people, and some nifty art. – Sean Gaffney

Teasing Master Takagi-san, Vol. 14 | By Soichiro Yamamoto | Yen Press – The question on my mind as I read this volume of Takagi-san is essentially: what is the difference between this and a normal couple who go on dates? Honestly, the answer may actually be “normal couples aren’t together quite as much as these two.” Here we see Nishikata challenging Takagi to guess the number of steps to a shrine, not realizing the shrine is a famous couples’ shrine, so everyone but him knows already. They eat lunch together, and she offers to feed him. They coincidentally do a New Year’s shrine visit together. And, in the best chapter, we see Takagi, briefly jealous after Nishikata helps another girl, actually picking on him. She does apologize. He can’t see the difference. – Sean Gaffney

Two by Caroline B. Cooney

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cooney1The Face on the Milk Carton
The Face on the Milk Carton was first published in 1990, but though I actually was a young adult at the time, I was unaware of its existence. The basic plot is that lactose-intolerant Janie Johnson rebels one day at lunch and has some milk, only to see her own face on the carton alongside the name “Jennie Spring” and a 1-800 number for missing children. She begins to remember things about her past, but is racked by indecision because her parents are so lovely. Could they possibly be capable of such a thing? And what does it say about her that she was lured away willingly with the promise of an ice cream sundae?

It’s interesting to compare the way this book is written to how it would be today; a modern version would probably be in the first person, for example, and would not contain fifteen-year-olds who believe that “dumbbell” is an age-appropriate insult. Possibly it would involve genuine peril. In comparison, Face comes across as a bit chaste, though there are allusions to how far Janie and her boyfriend have gone in their making out. Perhaps “mild” would be a better word for it.

There are some things I liked and didn’t like about the book. As if there were no other way to solve Janie’s dilemma, we get an extremely contrived solution in which she a) puts an account of her abduction down on paper and b) slips it into an envelope onto which she has previously typed her actual return address and c) decides to address it to her birth family though she intends to take it home and put it in the attic and d) promptly loses it and must assume that a good Samaritan will affix a stamp and send it for her. Eyeroll. I did like that Janie’s boyfriend showed his true (and shitty) colors by getting all huffy that her inconvenient kidnapping trauma was cutting into the attention/action he was getting. Alas, though her “drop dead!” reaction was satisfying, she was soon feeling bad about it. Eyeroll again.

Still, despite my complaints, I did think it was a pretty enjoyable (and quick!) read, and I’m interested to see what happens next.

cooney2Whatever Happened to Janie?
While the first book in this series had some suspense to it, Whatever Happened to Janie? is 100% family drama. Because the family that raised her, the Johnsons, has no legal claim to her, Janie is returned to the Spring family after an absence of almost twelve years. The book is primarily about her struggles to adjust to different parents, four siblings, and a life less affluent and cultured than the one she left behind.

Janie feels intensely loyal to the Johnsons, and thus doesn’t try as hard as she might to get along with the Springs. Indeed, she is frequently hurtful to them on purpose. We do get the points of view of her two older siblings, which I appreciated, as they show that the Springs are truly a very nice family that simply had unrealistic expectations about what would happen when Janie came home. Surprise! She’s still as much of a brat as she was when she was three.

There were some subtle moments I enjoyed when she did start to think of the Springs are her real family, but just as she makes real progress, she decides she’s going back to the Johnsons. The Springs consent to this, and everyone plans to continue visiting and corresponding, but it still strikes me as a weird arrangement. Is she going to live the rest of her life as Janie Johnson, then? Will she get her name changed legally? What kind of documentation did the Johnsons provide to enroll her in school in the first place, come to think of it?

Anyway, I’m thinking about it too much.

After this, I did plan to continue on to the next installment in the series, The Voice on the Radio. I checked it out from the library more than once, but just could not summon any enthusiasm for a book about Janie’s shitty attention-seeking boyfriend, Reeve, getting a job at his college radio station and blabbing all of the painful details about Janie’s experience to his listeners.

Suppose a Kid from the Last Dungeon Boonies Moved to a Starter Town, Vol. 9

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By Toshio Satou and Nao Watanuki. Released in Japan as “Tatoeba Last Dungeon Mae no Mura no Shonen ga Joban no Machi de Kurasu Youna Monogatari” by GA Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

Last time I mentioned that the series had an actual plot in among all the comedy, and we still see some of that here as well. But its never going to get in the way of the comedy itself, and honestly is likely never going to be the main part of the book unless the series finally comes to an end. As for the actual plot of this book… why, it’s a school festival with a maid cafe, of course. Honestly, I feel that a lot of these books can be summed up by the author flicking through TV channels, landing on some random anime, going “A ha, that’s it!” and moving back to the computer. The fact that the book even tries to justify it only makes it funnier. Add to this a master thief who has reckoned without our dumbass heroes and a king who can’t convince anyone he’s been kidnapped, and there’s no worries on the laugh front.

So yes, a maid cafe. Well, theoretically a maid/butler cafe, but the butler uniforms are stolen for no real reason other than to stick Lloyd and Allan in maid outfits. The idea is mostly Riho’s, thinking she can get some cash for once (which is true, but don’t expect it to stick). The king, meanwhile, wants to put out a huge statue that supposedly grants good fortune to couples who stand next to it. There’s just one problem: the statue’s creator really really does not want it to be shown off, and will happily steal the whole thing to prevent that happening. Oh yes, and there’s a master thief around, though whether he is connected to the missing statue is neither here nor there. What this all amounts to is a lot of school festival schtick and a lot of Lloyd going on not-dates with his two most aggressive girls.

In the two volumes before this, we saw Lloyd get actual character development that stuck, as he has started to realize, if not that he is stronger than everyone else in the world, art least that he IS strong. What’s more, he’s finally showing off that strength in front of people who are NOT the main cast, which means that credit for saving the day, for once, does not go to Allan. Who, frankly, has enough to deal with, given his wife ends up returning and working for the military. Lloyd, meanwhile, is starting to think about his future, not realizing that everyone else already has it planned out for him: military PR, military intelligence, military security, or hell, just marry into royalty. (Marie’s not in the book much at all, but still tends to be top girl by default whenever she’s around, and at least the King now knows who she’s crushing on.)

This is deeply sill, but in a good way, and I look forward to the plot of the next book, which will no doubt be inspired by a refrigerator magnet the author saw the other day.

Baccano!: 1935-B Dr. Feelgreed

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By Ryohgo Narita and Katsumi Enami. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Taylor Engel.

One of the main themes in Baccano!, and indeed in most of Narita’s work, is that everyone is connected to everyone else, and the connections can be closer than we think. The 1935 arc seems to be this writ large, as we get a lot of reunions of various characters and other characters thinking “wait, they know each other?”. Even the new connections are things I would not have expected. Melvi may have hired Claire to be his bodyguard, but it’s clear there’s no love lost between the two. After meeting Chane’s father last volume, Claire ends up meeting her mother in this book, though I’m not sure that meeting will go quite as well, given Renee is broken and also evil. Mostly, though, these two books take one of the most minor villains from the earliest parts of the series, gives him a backstory and real character development, and then pairs him off with the closest the series has to an innocent sweetie pie. The connections are startling, but they work.

If you thought we were going to get a lot of casino shenanigans in this book, I’m sorry to say we’re still in the ‘set up the dominoes’ part. Melvi is making his presence known everywhere, and no one likes him, including the reader. (Then again, Baccano! fans do love the bad guys…) He’s clearly not got the Runorata Family’s agenda in mind so much as his own, and his own agenda definitely involves making Firo miserable. Meanwhile, in the doctor’s clinic (which is staffed by, among others, Fermet, who I would not trust to give me a sugar pill), the other half of the cast gathers together. This includes Nader, who is still trying to deal with being dragged back into chaos; Roy, who has cleaned up after the events of Book 4; and Isaac and Miria, dressed up as doctors and nurses, because they can. Add Ladd and Graham, Victor’s boys, and so many Lamia we can’t even be bothered to name them, and you have the usual ruckus.

I’ve talked about this before, and it’s even more annoying that it’s happening again; Ennis deserves more than to just be a damsel to make Firo do things. She’s not even *in* this book and she gets kidnapped; it’s really irritating given how much ass she’s kicked in the past. Chane wasn’t in this volume either, so there is a bit of a macho streak to it, to be honest. We do get to see Claire be Claire again, after a long break where he’s barely appeared. That said, he works best in small doses. As does Renee, though I fear we may get more of her than I’d like. Just because she has Felix the Cat drawn on her artificial eye does not make her more likeable, especially when she keeps talking about Huey giving her one of their daughters, presumably for science. Oh yes, worst of all, you can’t just tease the Dormentaire ship and not have Lucrezia turn up! That’s just mean!

In any case, I suspect the next 1935 book will have the chaos actually begin. That said… we have one more detour to make, to the last of the “written for the DVD releases” stories expanded into a novel. It dares to ask the question: can we really add even more to that freaking train journey than we already have?

Pick of the Week: Lose Yourself in London

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SEAN: The me that knows I should be interested in worthy, intellectual manga that’s won awards knows that I should be picking Lost Lad London, even as the me that also loves reading complete and utter trash gravitates towards the second volume of Loner Life in Another World.

MICHELLE: Real mystery manga is in pretty short supply, so I am fairly enthusiastic about trying Lost Lad London. The chaotic fluff seemingly offered by Phantom of the Idol deserves an honorable mention, as well.

KATE: After getting burned last week by Crazy Food Truck (seriously, Food Truck is Manga Hall of Shame Material), I’m going to listen to my inner manga critic and choose something more high-minded: Lost Lad London.

ASH: Lost Lad London is one of my top picks this week, too. But I’m also very curious about Let’s Go Karaoke! and am happy to finally see the publication of the collector’s edition of A Silent Voice after it was delayed. It should be an excellent release of an excellent series.

ANNA: I’m not going to deny it, I’ve been swept away by the excitement for Lost Lad London, so that’s my pick as well.

No Game No Life, Vol. 11

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By Yuu Kamiya. Released in Japan by MF Bunko J. Released in North America by Yen On. Translated by Richard Tobin.

The general rule of thumb when reading a volume of No Game No Life is to ignore anything that is not directly related to the plot or character development. and yes, this means you are ignoring about 85% of each book. This volume in particular is filled with pointless fanservice, cringey cliches, and more situations and art that remind you why this series got Amazon banned (though, again, this new volume is still there). When you get past all that, you’re essentially left with two things. First of all, the fact that [ ] actually lose for the first time in the series… and they’re not too sure how it happened yet. The result, though, is near catastrophic, though I guess it’s very good news if you’re Chlammy. The second thing is that Sora and Shiro, adopted siblings, are forced to confront their feelings for each other for real… and Shiro especially is almost broken by them. This is a rare reminder that she’s still eleven years old. And while there’s a reset at the end, I think both of them have moved forward a bit.

We open with Sora, Shiro, Steph, Jibril and Emir-Eins waking up to find they’re now trapped in a death game, to Sora’s horror. He hates the very idea of death games, and knows that the only reason that he and the others would ever have agreed to it is if [ ] had lost. Their host is Foeniculum a fairy who is streaming all of this on the fairy version of YouTube. The five of them are in a room where there’s an exit door… but only those who say they’re a couple can go through it. Needless to say, everyone is horrified at this… especially as there’s five of them, so someone will lose. Also, four of them are women. You can buy a key to get out… but the price is exorbitant, and depends entirely on getting donations from viewers. As a result… Sora and company need to be interesting enough to make money!

A lot of this, especially in the first half, is pure stupidity, with the usual antics. Sora has low self-esteem, Steph whines, Jibril and Emir-Eins fight, etc. Things change once the fairy viewers force Sora to tell Shiro that he finds her attractive… something Shiro, theoretically, has been waiting eleven books to hear. But theory and practice are two different things, and it turns out Sora seeing her sexually terrifies her… and indeed Sora, after being released from the fairy geas, is appalled he said it as well. The incest subtext has always been uncomfortable in this series, and it’s shoved in our faces here, but the outcome in the end is good; Shiro doesn’t really need Sora as a lover or a boyfriend, she just needs Sora there next to her all the time. As for [ ] losing, we’re still not sure how it happened either, but it’s setting up for a big battle against the elves next time.

I didn’t mention Steph, but her role is the same as always: be degraded and humiliated 95% of the book, then remind the cast she’s the emotional heart of the story, and far more sensible than any of them. NGNL fans will definitely have a ball with this. Hope we don’t wait so long for the 12th book.

86 –Eighty-Six–, Vol. 10: Fragmental Neoteny

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By Asato Asato and Shirabii. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Roman Lempert.

First of all: yes, it’s a short story collection. And, for the most part, it’s entirely about Shin, so if you’re looking for the others, well, you’ll only get them as we get closer to the end of the book. These stories are meant to fill in a bit of the gap between Shin being sent off t war and where we joined his story in the first volume. Now, I know what you’re thinking. “Isn’t this just an excuse to write a bunch of grimdark stuff where people are nice to Shin and then die horribly?” And hey, that’s just rude. There are also people that are mean and nasty to Shin who die horribly. That said, I was pleased that not EVERY story in this volume ended with the entire cast dead except for Shin… but most of them do. That said, it’s an excellent look into Shin’s mind, and into how he got to be the person he is today, even though everything but the final story and a few interludes takes place just after the events of the first volume.

The stories show us a freshly recruited Shin, already going far too hard into everything he can, being worried after by his commanding officer Alice; Shin being used as a scapegoat to attract the hatred of the rest of the unit so that it doesn’t spread to others; Shin getting the help of the mechanics to save a scavenger he found that seems to have a mind of its own; Shin discussing the nature of the afterlife with his comrades, as well as coming up with the handle of Undertaker; The Spearhead Squadron’s daily life just before they got Lena as their handler; and Shin, Raiden, Theo, Kurena and Anju marching off to their deaths, only to find that there is still life worth living out there, however dangerous and difficult.

I’ve left out two stories which are the best of this group. The story of Fido, told in several parts, is deeply heartwarming and tearjerking at the same time, and also gives us a much closer look at shin’s family before everything went to hell. Fido’s backstory is a revelation that will put a smile on most people’s faces, I think. The other interesting story is the final one, which appears to be a shared dream between Annette and Shin showing us what life would have been like if they really had managed to find unmanned units to fight the war for the Republic, and Shin and the others could have a normal life. It’s deeply bittersweet, and requires remembering what everyone looks like to get the most out of it (the main cast appears, but dream Shin doesn’t know who they re, so we only see their description), but it also shows us a Shin who regrets a lot of things but is ready to move forward. It’s a Shin prepared for the end of the series, which the author assures us is coming soon.

to sum up: this is how you do a short story volume. We get a lot more about Shin here, some backstory that wouldn’t really fit elsewhere, and yes, a lot of dead people. Come on, it’s still 86.

My Daughter Left the Nest and Returned an S-Rank Adventurer, Vol. 4

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By MOJIKAKIYA and toi8. Released in Japan as “Boukensha ni Naritai to Miyako ni Deteitta Musume ga S-Rank ni Natteta” by Earth Star Novels. Released in North America digitally by J-Novel Club. Translated by Roy Nukia.

Easily the best in the series to date, despite the fact that we’re now at the second round of “I have gotten everything planned out to see my dad again but something comes along to screw it up at the last minute”. Angeline is still a big-time Daddy’s Girl, but she’s put into a situation where that’s mostly irrelevant, and when it is relevant she actually manages to use it as a force for good. Belgrieve is finally forced to admit to himself that he may actually be as good at fighting as Angeline says he is, after going toe-to-toe with a top-ranked adventurer and … not winning, but lasting far longer than a 40-year-old with one leg should really be lasting. And the overall plot is finally coming into focus, giving us more ongoing bad guys, as well as an idea of what they’re going to do. Which I suspect is “kill Belgrieve and then watch Angeline destroy the world”. Best to stop that.

Angeline and company are ready to take Charlotte and Byaku back to her hometown. Unfortunately, the nobles have finally gotten around to noticing her, and have called her to the capital to come get an award… which means she’ll get back too late to make the trip before winter sets in. She is… unhappy. Meanwhile, Belgrieve has settled in with his new mini-family back in Turnera, but some of them are leaving as well, mostly as they have the adventure lust in their blood. It’s also reminding him of his past, which we get brief glimpses of here, and we see how even as a younger man he was cautious and careful. As for Angeline, when she arrives at the capital she not only finds a pile of nobles but also a mysterious guy in a dungeon… who may be more connected to her than she thinks.

This is not really a big fighting volume. Belgrieve gets into a couple of spars, but that’s not the same thing. As for Angeline, as I noted above, the best part of the book is the fight she doesn’t get into, especially as it’s supposed to be used as the excuse for a coup. It’s actually the second time she avoids this, the first being in the middle of her awards ceremony, where a noble attempts to taunt her into fighting and she responds by pointing out exactly what battling monsters and demons should be for, and it’s not “to show off my strength against some noble jackasses”. That said, they aren’t all bad here, and I really liked the young spunky noble girl, who I hope we see again. Plus Angeline gets her reward at the end – her dad came to see her rather than the other way around, and he’ll be there all winter.

Despite once again keeping its two leads separated most of the book, this time it did it in exactly the right way. This is a solid fantasy series.

The Manga Review, 5/20/22

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This year’s Eisner nominations have just been announced. In the Best U.S. Edition of International Material—Asia category, VIZ Media garnered five of the six nominations with crowd-pleasers such as Chainsaw Man and Spy x Family, while Seven Seas nabbed one for Robo Sapiens: Tales of Tomorrow. The only other manga nominated for an Eisner was Zom 100: Bucket List of the Dead, which is competing in the Best Humor Publication category. Also nominated for an Eisner is Eike Exner’s Comics and the Origins of Manga: A Revisionist History, which was published by Rutgers University Press last year.

MANGA NEWS

Big news from Seven Seas! The company has just launched two imprints: Seven Seas BL, which will publish works in the BL/Boys’ Love genre, and Seven Seas GL, which will publish works in the GL/Girls’ Love (yuri) genre. [Seven Seas]

The final chapter in Wataru Hinekure’s My Love Mix-Up! will run in the June issue of Bessatsu Margaret. [Anime News Network]

Brigid Alverson previews three new shonen titles that debut in July. [ICv2]

Over at Book Riot, Carina Pereira highlights eight of the summer’s most anticipated graphic novels. [Book Riot]

How do librarians respond book challenges in their communities? Shawn, Megan, and Tayla offer a variety of helpful strategies for handling complaints about graphic novels, from setting clear policies about who can bring a formal complaint to using peer-reviewed sites to demonstrate that your collection is, in fact, age-appropriate. [No Flying, No Tights]

FEATURES AND INTERVIEWS

Looking for a good read? The crack team at ANN have just posted their Spring 2022 Manga Guide. Look for daily updates through the end of this week. [Anime News Network]

Tony explores the complex friendship between Kaguya Shinomiya and Ai Hayasaka in Kaguya-sama: Love Is War. [Drop-In to Manga]

On the latest Manga Mavericks podcast, host Siddharth Gupta convenes a roundtable discussion about Yona of the Dawn with panelists from Anime Feminist, But Why Tho?!, and Good Friends Anime Club. [Manga Mavericks]

Geremy and Kevin round up the latest Shonen Jump chapters, then turn their attention to volume thirteen of Haikyu!! [Jump Start Weekly]

Why did Nobuhiro Watsuki’s Gun Blaze West get the axe after just three volumes? David and Jordan investigate. [Shonen Flop]

Did you know that Tokyopop’s Warriors fandom is still going strong after fifteen years? Patrick Kuklinksi shines a light on the fan-made comics that explore “parts of the books that weren’t detailed in canon,” re-write controversial storylines, and introduce original characters. [SOLRAD]

Megan D. jumps in the WABAC machine for a look at Rumiko Takashi’s Rumic Theater, a collection of short stories that VIZ published more than twenty-five years ago. “What caught my notice about this anthology is that they all feature something you don’t see a lot of in American manga releases: adult women,” she observes. “Every lead character is either a currently married woman (be they with or without children) or one who was married in the past.  A lot of their stories are small-scale, focused on their homes and their immediate community of friends and family. True to Takahashi fashion, though, they are also often comical”.” [The Manga Test Drive]

REVIEWS

Are you following Al’s Manga Blog? If not, you should: this review-focused website has been publishing insightful, crisply written essays since 2016. Al’s latest offerings include in-depth reviews of The Music of Marie, a new title by Usamaru Furuya (Short Cuts, Genkaku Picasso); Island in a Puddle, a thriller by Kei Sanabe (Erased); and Sakamoto Days, a new Shonen Jump series by Yutu Suzuki.

Also of note: ANN’s Caitlin Moore draws on her own experiences with ADHD in a thoughtful review of My Brain is Different: Stories of ADHD and Other Developmental Disorders, while Masha Zhdanova posts capsule reviews of three new VIZ titles.