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Pick of the Week: Manga? Or Manwha?

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SEAN: Tempting as it is to pick one of Yen’s 7 new titles, this is the last time I get to pick Dead Dead Demon’s Dededede Destruction, so it has to be that. My hope is for the end of the series to not have the death of all of humanity. Gonna be tough.

MICHELLE: The lure of josei manhwa calls to me, and so What’s Wrong with Secretary Kim? is my choice this week.

KATE: I agree with Michelle: grown-up manwha for me too!

ANNA: Me too! What’s Wrong with Secretary Kim? sounds quite interesting.

ASH: I definitely plan to be reading What’s Wrong with Secretary Kim? at some point, but my pick this week goes to I Hear the Sunspot: Four Seasons. I’ve really been enjoying the series, so I’m looking forward to picking up the most recent installment.

Raven of the Inner Palace, Vol. 2

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By Kouko Shirakawa and Ayuko. Released in Japan as “Kōkyū no Karasu” by Shueisha Orange Bunko. Released in North America by Airship. Translated by Amelia Mason.

I mentioned last time that this was a mystery series, and that’s still true here. The book is set up so that we have the chapter itself, which is a self-contained “a ghost is causing problems” thing for Jusetsu to deal with, but each chapter also adds to the overall narrative of Jusetsu and the Emperor getting closer to each other despite the entire world seeming to throw “do not do this” signs at them. But this second volume also amps up another part of this series, which is the horror. There is some deeply creepy shit going on here, and honestly the chapter that began with a court maid being found dead with her throat ripped out was on the milder end of the spectrum. These ghosts have issues, and just because Jusetsu is here to try to get them to the afterlife doesn’t mean she’s always going to succeed. Especially since it seems she has a distaff counterpart, the owl to her raven. And he’s trying to kill her.

The first story here has Jusetsu meet a young eunuch who is tormented by a ghost that only he can see, one that keeps apologizing in the direction of the concubine of that quarters. Who is the ghost and what does it have to do with gorgeous blue feathers? In the second story (and the most horrific of the lot), an old woman begs Jusetsu to try to put to rest the spirit of a young concubine who drowned herself, but the main issue is that some people, even when grieving, have to make it all about them. The third story has a mask with holes in the eyes which, when put on, shows a ghost who seems to be very interested in a specific kind of lute playing. And the final story has Jusetsu get involved with a concubine who has been somewhat off the rails since her brother died, and who will accept any help in order to get her brother back.

It’s very odd seeing the inner narrative push back against what we, as a reader, want. Jusetsu is a kind and lonely young girl who is starting to really come out of her shell now that she’s surrounded by people. She’s got a cute servant girl, a nice bodyguard, an older woman to give (wordless, her tongue was cut out) advice, and of course the Emperor dropping by all the time, seemingly infatuated with her. This is definitely good in an emotional way. But man, the backstory and the actions of others within the narrative have it being painted as this massive disaster, and honestly you can’t help but since every time she shows empathy to someone new and yet another person reminds her “the raven consort but always be alone”. And then there’s the end of the boo, which gives her her very own nemesis, who is going to murder her for her own good. Well, for the raven’s own good. Jusetsu is just unfortunate baggage.

As you can imagine, these are very good books. If you like your fantasy dark and don’t mind some creepy ghosts, definitely get this.

The Reincarnated Princess Spends Another Day Skipping Story Routes, Vol. 7

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By Bisu and Yukiko. Released in Japan as “Tensei Oujo wa Kyou mo Hata o Tatakioru” by Arian Rose. Released in North America by J-Novel Heart. Translated by Esther Sun.

This is not the final volume in the series – the eighth book is currently streaming on the J-Novel Club site, and has the standard romance novel final volume cover (heroine in wedding dress), but this does pretty much resolve all the remaining plot points that we had. This includes the love story, which takes up most of the first half of this book, and the demon lord story, which takes up most of the second half. I actually quite like the way that one shifted to the other. After the traditional Misunderstanding (TM), Rosemary has locked herself in her room and refuses to see anyone. Now, in reality this is because she’s a lovesick teenager who thinks the guy she loves is confessing to another woman, but to the rest of the palace it looks like she’s trying to protect everyone because she knows she’s possessed by the demon lord. Which is… not QUITE true, but honestly, events happen in the same way they would if it were.

After the events of the last book, everyone is basically terrified that the demon lord has possessed Rosemary, and her father is in fact coming up with a plan just in case they’re unable to save her. Kanon, our Japanese import, is of course devastated that all this has happened because Rosemary took the attack meant for her. And Leonhart is upset that he wasn’t able to protect her, upset that he cannot convey his love to her, upset that he’s unworthy of her because he’s too old/too common/whatever. That said, no one is sitting around waiting for things to get worse. The sorcerers are busy trying to design a demon lord-catching trap, and Rosemary, despite being a devastated teenager, really is researching possible ways out of this. That said, the actual power behind the demon lord turns out to be far closer to her than anyone could have guessed…

There’s some interesting isekai physics here, which Kanon and Rosemary discuss. Basically, she’s been summoned but they can send her back fairly easily at the moment… but the longer they wait, the more the “hole” that she went through to go from Japan to this world will deform, and eventually she won’t be able to return. Hell, I’m not even sure whether she will be returning – there’s no way she can miss the wedding next book, right? As for Rosemary and Leonhart, yeah, sorry to spoil the obvious, but they’re not destroyed by the demon lord, and they do eventually manage to confess to each other, after not one but TWO false starts where they do it while the other is sleeping. As for her other potential boyfriends, well, they’re sad, but I think in the end it’s very much a case of “as long as Rosemary is alive, that’s fine”. Which, given the entire premise of this book has been “trying to stop Rosemary getting killed”, thematically fits.

So we’ve almost wrapped everything up, and I for one am quite happy to have a victory lap if that’s what we get… unless, of course, there’s one final assassination attempt that Rosemary has missed. Either way, this has been a good romantic thriller.

The Manga Review: Who Do You Read?

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A few months ago, I put out a call on Twitter asking other manga lovers for podcast recommendations. I was inundated with so many terrific suggestions that I created a podcast directory at The Manga Critic. Now I’m turning to the internet to ask about your reading habits–specifically, which websites do you visit for manga reviews? Do you have a favorite manga critic (or critics)? Do you write about manga? If the answer to any of these questions is yes, I’d like to hear from you so! Feel free to post a comment here or reach out to me via Twitter (@manga_critic).

AROUND THE WEB…

Fancy a bit of the old ultraviolence? The Mangasplainers have the series for you: Keisuke Itagaki’s New Baki Grappler, one of the most bloody, muscle-bound manga ever translated into English. [Mangasplaining]

On the latest Manga Machinations podcast, the gang compare notes on Yamada Murasaki’s trailblazing short stories. [Manga Machinations]

The OverMangaCast crew dishes the dirt on chapters 21-40 of Oshi no Ko. [OverMangaCast]

Harry compiles a list of five manga that explore different Japanese art forms, from calligraphy to flower arranging. [Honey’s Anime]

Reuben Baron caught up with manga artist Shiu Yoshijima at Anime Boston for a brief conversation about her work and influences. [Anime Boston]

Can’t make it to TCAF this year? Do the next best thing: shop the TCAF Digital Marketplace for a variety of comics, zines, art prints, and t-shirts. The shop goes live on April 21st! [TCAF]

Are sports manga finally having a moment in the US? Brigid Alverson weighs in on the growing popularity of Blue Lock, and notes some other interesting trends in the March 2023 Circana Bookscan data. [ICv2]

REVIEWS

Over at The Wonder of Anime, Lisa De La Cruz reviews Until I Love Myself: The Journey of a Non-Binary Manga Artist. “Overall, Until I Love Myself is a gut-wrenching read,” she notes. “I don’t think I’ve ever read something that shook me as much as this did.”

Manga the Week of 4/19/23

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SEAN: Spring is rapidly becoming summer in April here, I dunno about you. Will my manga wilt in the heat?

ASH: I’m enjoying the change in weather at the moment, but if this is spring I worry about what summer will feel like.

ANNA: The snow here only melted last weekend!

SEAN: Airship, in print, has the 8th and final volume of Accomplishments of the Duke’s Daughter and The World’s Fastest Level Up 2.

And early digital volumes of The Case Files of Jeweler Richard 4, The Most Notorious “Talker” Runs the World’s Greatest Clan 4, and The Strange Adventure of a Broke Mercenary 8.

Dark Horse has a 12th omnibus volume of Gantz.

Ghost Ship has nothing next week, but Seven Seas has a Mature-rated BL title, so I’ll put it here. We see Love is an Illusion! 2.

ASH: Seems appropriate.

SEAN: J-Novel Club has some print next week. Ascendance of a Bookworm Part 2 Vol. 6 (this is the manga), My Friend’s Little Sister Has It in For Me! 7, and Seirei Gensouki: Spirit Chronicles Omnibus 9.

ASH: Bookworm! (I really do need to catch up.)

SEAN: Digitally we get two debuts. Endo and Kobayashi Live! The Latest on Tsundere Villainess Lieselotte (Tsundere Akuyaku Reijou Liselotte to Jikkyou no Endo-kun to Kaisetsu no Kobayashi-san) is the manga adaptation of the light novel series that also got an anime recently. It runs in B’s-Log Comic.

The other debut is a light novel coming after J-Novel Club licensed the manga version. Young Lady Albert Is Courting Disaster (Albert-ke no Reijou wa Botsuraku wo Goshomou desu) and has the interesting premise where a “reincarnated in an otome game” noble tries her hardest to be the villainess and harass the heroine… she’s just terrible at being bad.

Also from J-Novel Club: Black Summoner’s 11th manga volume, The Coppersmith’s Bride 2, Full Clearing Another World under a Goddess with Zero Believers 7, and Now I’m a Demon Lord! Happily Ever After with Monster Girls in My Dungeon 4.

Kodansha Books has a light novel debut: Saving 80,000 Gold in Another World for my Retirement (Rougo ni Sonaete Isekai de 8-manmai no Kinka o Tamemasu). Sol Press had released two volumes of this before, but this is (I presume) a new translation. It’s from the creator of Make My Abilities Average, and got an anime recently.

ASH: I find it interesting how these titles move around.

SEAN: From Kodansha Manga we see print books for Blue Lock 6, Go! Go! Loser Ranger! 4, Rent-a-Girlfriend 18, and Something’s Wrong With Us 14.

ASH: I really ought to give Blue Lock a try sooner rather than later.

ANNA: Going to pick this up for one of my kids.

SEAN: And digitally we see Boss Wife 6, The Café Terrace and Its Goddesses 7, Gamaran 8, Our Fake Marriage 11, and SHAMAN KING: MARCOS 5 (the final volume).

One Peace Books has a new sequel, I Hear the Sunspot: Four Seasons (Hidamari ga Kikoeru: Shunkashuutou). This Canna release continues the story from previous volumes.

MICHELLE: Ooh, I didn’t know about this one!

ASH: Always happy to see more of this series!

ANNA: I am also surprised and delighted although I need to catch up.

SEAN: Seven Seas has one debut, a yuri title. Does it Count if You Lose Your Virginity to an Android? (Android wa Keiken Ninzuu ni Hairimasu ka??), a Comic Yuri Hime title featuring a robotics engineer who’s brilliant but also can barely take care of herself. She orders an android to help clean up… but the android has designs on her.

ASH: I’ll admit to being intrigued.

SEAN: Seven Seas also gives us Backstabbed in a Backwater Dungeon: My Party Tried to Kill Me, But Thanks to an Infinite Gacha I Got LVL 9999 Friends and Am Out For Revenge 2, BARBARITIES 2, THE EXO-DRIVE REINCARNATION GAMES: All-Japan Isekai Battle Tournament! 3 (the final volume), The Invincible Shovel 5, Kemono Jihen 5, Namekawa-san Won’t Take a Licking! 3, Though I Am an Inept Villainess: Tale of the Butterfly-Rat Body Swap in the Maiden Court 2, and Tokyo Revengers 9-10.

MICHELLE: I need to catch up on Kemono Jihen before it gets away from me entirely.

SEAN: Tentai Books has Turning the Tables on the Seatmate Killer 2 (yes, I know, it’s out already… like Denpa, I treat Tentai’s release dates with a grain of salt, so I tend to put it on the list once I see it on retail sites.)

Two BL one-shots from Tokyopop. Cut Over Criteria runs in a magazine titled NUUDE, and as you can imagine is a mature title. Office romance between a new recruit and a brooding systems engineer.

There’s also Platinum Blood, also running in the same magazine, about the relationship between a priest and a vampire, and it has like 5 different content warnings on he solicit.

Viz has a debut comedic romance from Media Factory’s Niconico Seiga. Love’s in Sight! (Yankee-kun to Hakujou Girl) is the story of a delinquent who’s won countless fights, but now faces his greatest challenge when he falls for a blind girl.

ASH: I do like a good delinquent story.

ANNA: I also enjoy delinquents.

SEAN: Viz also has the 12th and final volume of Dead Dead Demon’s Dededede Destruction, Mission: Yozakura Family 4, Record of Ragnarok 6, Tatsuki Fujimoto Before Chainsaw Man: 22–26 (also a final volume), Ultraman 18, and Undead Unluck 11.

And finally there is Yen. Yen On has two debuts that are sequels or side stories. Sasaki and Miyano: First-Years is the sequel … OK, prequel. Spy Classroom Short Story Collection is the side collection.

Also from Yen On: Cross-Dressing Villainess Cecilia Sylvie 4, The Demon Sword Master of Excalibur Academy 8, The Hero Laughs While Walking the Path of Vengeance a Second Time 5, I Got a Cheat Skill in Another World and Became Unrivaled in the Real World, Too 2, I’m the Villainess, So I’m Taming the Final Boss 5, In the Land of Leadale 8, King’s Proposal 2, Magical Explorer 4, The Magical Revolution of the Reincarnated Princess and the Genius Young Lady 4, The Princess of Convenient Plot Devices 2, Sugar Apple Fairy Tale 3, Suppose a Kid from the Last Dungeon Boonies Moved to a Starter Town 12, and The Vexations of a Shut-In Vampire Princess 4.

ASH: So many!

SEAN: Yen Press also has debuts. Is It Wrong to Try to Pick Up Girls in a Dungeon? Familia Chronicle Episode Freya is a manga spinoff based on the light novel spinoff. It runs in Manga Up!.

K-ON! Shuffle is a new spinoff of K-On!, starring a completely different cast. But the plot is the same.

Sugar Apple Fairy Tale is the 2nd manga adaptation of the light novel series. It got a 2-volume shoujo one 10 years ago, but this is the seinen one from Young Ace.

Sunbeams in the Sky (Sunbeams in the Sky) is a romance from GFantasy, so theoretically could be shonen or shoujo. Twin sisters are about to start at a new high school… then circumstances cause one of them to hide in her room for the foreseeable future. Can the other twin convince her to come out by pretending to be her?

What’s Wrong with Secretary Kim? is a manwha title about an arrogant boss who is startled to find the perfect secretary, who’s kept his life together for almost a decade, is quitting! This is based on a novel, and I’d slot it in as josei.

MICHELLE: Hm. I am kind of in a manhwa mood lately…

ASH: There have been some good ones coming out recently!

ANNA: I’m curious about this.

SEAN: The Witch and the Knight Will Survive (Majo to Kishi wa Ikinokoru) is a seinen title from Young Ace Up. A knight finds his home village wiped out, allegedly the cause of a witch. He vows revenge… but is she really responsible?

ASH: That’s a fair number of debuts.

SEAN: Yen also has non-debuts, believe it or not. Catch These Hands! 4 (the final volume), Cheeky Brat 6, Combatants Will Be Dispatched! 8, The Demon Sword Master of Excalibur Academy 2, Doomsday with My Dog 2, The Eminence in Shadow 6, The Executioner and Her Way of Life 2, From the Red Fog 4, I Got a Cheat Skill in Another World and Became Unrivaled in the Real World, Too 3, I’m a Behemoth, an S-Ranked Monster, but Mistaken for a Cat, I Live as an Elf Girl’s Pet 6, I’m Quitting Heroing 2, In Another World with My Smartphone 8, Konosuba: God’s Blessing on This Wonderful World! 15, Laid-Back Camp 13, Let This Grieving Soul Retire 5, Love and Heart 7, Mieruko-chan 7, My Youth Romantic Comedy Is Wrong, As I Expected @ comic, 19, A Returner’s Magic Should be Special 2, Run on Your New Legs 4, The Saga of Tanya the Evil 19, Slasher Maidens 7, So I’m a Spider, So What? The Daily Lives of the Kumoko Sisters 5, Tales of the Kingdom 3, Teasing Master Takagi-san 17, Trinity Seven 27, Tsubaki-chou Lonely Planet 3, and Why Raeliana Ended Up at the Duke’s Mansion 3.

MICHELLE: Tsubaki-chou Lonely Planet is the one on my list!

ASH: So much Yen!

ANNA: Looking forward to more Tsubaki-chou Lonely Planet.

SEAN: I miss Yen’s date slips, I reiterate. What are you picking up?

Reincarnated Mage with Inferior Eyes: Breezing through the Future as an Oppressed Ex-Hero, Vol. 1

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By Yusura Kankitsu and Ruria Miyuki. Released in Japan as “Rettōgan no Tensei Majutsushi: Shiitagerareta Moto Yūsha wa Mirai no Sekai o Yoyū de Ikinuku” by Dash x Bunko. Released in North America by J-Novel Club. Translated by Gierrlon Dunn.

I have been reading Japanese media for a long time now, so I’m very used to the self-deprecation that many authors use when they’re talking to the reader. “Thank you so much for reading this wretched series of mine” is a dime a dozen in Afterwords, usually with a shower of thanks for the publisher, editor, and artist who worked on the book. Unfortunately, there’s a problem when you do that. The work has to actually be good, so that we can smile and say “Aw, it’s fine, take pride in your work, it was good!”. But when you do the “oh no, my mediocre prose” afterword and the reader thinks “actually, I think you’re praising it a bit too much”, that’s not good. That’s not self-deprecation, it’s trying to deflect honest criticism. So, let me honestly criticize this book: it’s generic and terrible, aside from one scene towards the beginning when it leapt past terrible and into appalling.

We begin with the most half-assed “banished from the hero’s party” I’ve ever seen, as the leader of the party tells our overpowered mage that since he’s so terrifying, he should go live by himself on an island somewhere. Abel, not wanting to do this and fairly disgusted with the world he’s in now that regards his amber eyes as scary, decides instead to reincarnate himself two hundred years in the future, when hopefully the world is less prejudiced towards his OP self. When he’s reborn, as a child, he finds that the opposite has happened: magic has declined, and amber eyes (which required years of training to get to be the terrifying things they are) is now a sign of no magic power and those who have them are abused and belittled. What to do?

Let me get the worst part out of the way. Abel is quickly joined by Lilith, the daughter of the Demon Lord that he slew long ago, who he also rescued. She’s been waiting for him to reincarnate, and is now buxom and hot. They bathe together, since she says he’s just a child. He… and I was wondering if I even read this right… gets out of the tub to prove to her he’s a man and sleeps with her. We’re never told HOW old he is when he wakes up, but “child” is used. What the hell? Fortunately, the rest of the book is content to merely be the “standard fantasy” the author says was his goal in writing this series. There’s a bratty noble who very quickly becomes our hero’s best pal/puppy (well, he acts like one). There’s an arrogant redhead who uses a sword and fire magic, which I think is legally required in all fantasy. And there’s our hero, who is ludicrously overpowered compared to everyone else in the land, and he proceeds to show this off while showing as little emotion as possible.

I’ve tried to avoid series in this vein lately, and this volume reminds me exactly why I’m doing that. Garbage.

Turning the Tables on the Seatmate Killer, Vol. 2

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By Aresanzui and Sabimizore. Released in Japan as “Tonari no Seki ni Natta Bishoujo ga Hore Saseyou to Karakatte Kuruga Itsunomanika Kaeriuchi ni Shite Ita” by Monster Bunko. Released in North America by Tentai Books. Translated by IpsMoink.

There have been so many of these sorts of series since the first volume of Seatmate Killer came out in English that I had to struggle to remember which one it was for a bit. That said, unlike a lot of the sorts of series I mentioned just now, this is not a sweet and syrupy “they’re already a couple” romcom, it’s more of a “rehabilitation project” sort of romcom. The easiest comparison is with Rascal Does Not Dream, and indeed you could describe the plot to Seatmate Killer as “what if Sakuta and Koga were classmates and worked together to help his sister”. That said, Seatmate Killer needed something to separate itself from the pack, and it has decided that something is the com part of romcom. This series is here to be wacky, and it will not let you forget that until about 4/5 of the way through the book.

Yui and Yuuki are still much the same as they were at the end of the last book. She tries to get him to fall for her/teases him, he ignores her/tries to rehabilitate her tendency to do this, and they both pretend to be a couple in order to help his shut-in sister. Things are complicated with the arrival of Rio, Yui’s friend who has been dubbed the “seatmate breaker” by Yuuki’s friends as she tends to make everyone who sits next to her hate her. As it turns out, in reality Rio is a lonely, socially inept teenager who is desperate for Yui to validate her, and now Yuuki finds himself trying to help two different girls… which unfortunately ends up reading quite a lot like him cheating. Can a party help to resolve this, or will it just make everything worse?

As with the first book, the payoff in this volume is quite good, as each of the characters reveals depth that they normally tend to conceal. Mina, in particular, was impressive here, quietly mentioning to Rio that she is well aware that her brother and Yui are faking a relationship for her benefit, but is leaving it alone mostly as she thinks they make a good couple. The trouble is that we have everything before the payoff to get through before we get to that. Everyone has that friend who tries to hard to be funny and “on” all the time but just ends up exhausting and annoying everyone, and Seatmate Killer is this friend, as it’s simply too manic. Yui especially, though at least she admits that this is the mask she wears at the end. If this does get an anime, and liberally cuts some of the repetition, it could be fast-paced fun. But I was definitely sighing about halfway through and asking Rio “can you please just snap and have a breakdown soon so I can get to the good stuff?”

So this remains about mid-tier romcom, worth it for those who love the genre, but not essential.

The Ideal Sponger Life, Vol. 11

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By Tsunehiko Watanabe and Jyuu Ayakura. Released in Japan as “Risou no Himo Seikatsu” by Hero Bunko. Released in North America by J-Novel Club. Translated by MPT.

This is the start of a new arc, and also a point at which this series says “OK, we’re in it for the long haul”, so there’s a ton of setup both for the next couple of volumes and for the foreseeable future. That said, the difficult part is that it’s almost ALL setup, with payoff presumably coming down the road. If you enjoy seeing balls thrown in the air, though, this is fine. It also gives Aura more of a role than she’s had in some time, as even through she starts the book off delegating a huge chunk of her power to others, she still has to keep a close eye on them to make sure they are not trying to undermine her own rule. She’s also quick to see that something very ominous is coming, and that their desert neighbors are making a ridiculous amount of concessions in order to make sure to stay in their good graces. Is there an upcoming war brewing?

Aura’s pregnancy and birth of her and Zenjirou’s daughter goes very well thanks to the healer that Zenjirou was able to get. Now, though, it’s time to move some other pieces on the board. Freya has to return home to tell her family that she’s going to be the kingdom’s first new concubine, and it would probably be best if Zenjirou went with her to try to show her family he’s not a creep or evil. More importantly, the events I mentioned above show Aura that they REALLY need a second concubine from the Twin Kingdoms. He gets along better with Bona, but Lucretia has the drive, the political clout, and the tragic backstory to put her in the running. There is, of course, one slight problem. She got off on the wrong foot with Zenjirou trying to lean into “seduce”, and now he’s wary of her. The solution? Join Freya’s sea voyage!

I’ve joked before about how, over the course of the series, the title has become the opposite of Zenjirou’s life. That said, I do wonder if he still sort of sees it as applying to him. His Japanese reserve comes across to everyone else, including his wife, as a complete lack of desire to have ANYTHING for himself. She knows that he objected to both Freya and Lucretia as his concubines, but he gave in really, really fast despite this, and she now is getting concerned that eventually he’s going to start to resent her. I don’t see that happening anytime soon, but it’s probably not a bad idea for the two of them to try harder to understand each other. The rest of the book, as I said, is mostly setup, with perhaps the most interesting thing being that the “problem maids” are split up, with Dolores being sent with Zenjirou on the sea voyage. This allows for a nice, touching scene where Faye and Letti worry about her.

Having talked in the first paragraph about the series settling in for the long haul, I’m sure someone will remind me that there hasn’t been a new volume in almost a year and a half. But that’s future me’s problem. For now, this remains a good political intrigue series.

Pick of the Week: March in April

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ASH: While it’s the opposite of a debut, my pick this week goes to the final volume of The Legend of Zelda: Twilight Princess. I’ve certainly been enjoying Akira Himekawa’s adaptation of the titular video game, but it also makes me wish that some of the team’s original work would be licensed, too.

KATE: March Comes in Like a Lion. (I mean…. what else did you think I’d pick?!)

SEAN: Apparently it came out and immediately sold out, so I won’t be able to read it yet, but my pick this week has to be March Comes in Like a Lion, the long, long, LONG awaited shogi and angst masterpiece.

ANNA: March Comes in Like a Lion! I hope one day I will be able to order and read it!

ASH: Oh! The ship actually came in? I won’t get my hands on my copy for quite some time yet it seems, but I’m excited for March Comes in Like a Lion, too!

MICHELLE: I’m kind of in “I’ll believe it when I see it” territory on this one, but what the heck. Count me in for March Comes in Like a Lion!

MJ: I mean… it’s obviously March Comes in Like a Lion.

Private Tutor to the Duke’s Daughter: The Saint’s Guidance and the Battle for the North

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By Riku Nanano and cura. Released in Japan as “Koujo Denka no Kateikyoushi” by Fujimi Fantasia Bunko. Released in North America digitally by J-Novel Club. Translated by William Varteresian.

This book internally takes itself seriously, and there’s no sense that it’s winking at the audience or anything. That said, if you, the reader, take this series seriously at all, you must absolutely hate it, because every volume gets more and more ridiculous. Allen is not so much a character as a Macguffin at this point, though he does get one chapter to himself. But his purpose in the series is to help everyone else find THEIR purpose in the series, and here it turns out that his legacy means that he can do that even with 200-year-old elves and dragons. And of course there’s Stella, who gets the cover and the focus of this book and ends up delivering so well that everyone starts to call her The Saint. Honestly, the only one still doing badly is Lydia, who gets one scene in the volume, but also gets Allen reflecting how she must be running wild and he worries about that little scamp, contrasted with The Hero and Lydia’s own mother coming up with contingency plans to murder her.

The rebellion continues, even though it’s rapidly becoming apparent the rebels don’t have anyone who can really see the big picture or due long-term planning. They still may end up getting control of the Great Tree, though, as the beastmen are near their limit, and they have to rely on Caren and Lydia’s brother Richard to scream and yell at the old, conservative leaders until they finally allow a “Gondor Calls For Aid” moment. In the South, the Leinsters have cleaned up easily, and are headed towards the capitol, but Lydia is still unapproachable and dangerous. And in the North, the Howards are waiting patiently for the enemy army to think they’ve won before they spring one final trap. At first Stella’s father insists she cannot join the battle, but later events will prove that it’s a good thing she didn’t listen to him.

This is not the first series to have “battle maids”, as fandom tends to term them, and it won’t be the last, but this volume really manages to sell exactly what we love about them, which is being insanely powerful and sadistic while also keeping that “ara, ara” feel you get from a maid character. Well, one type of maid character. Don’t worry, we get all types here. In any case, Anna saving the day is probably the highlight of the book, with apologies to Stella, and I would love to see more. (As always, this series has backstory that it’s constantly implying is more interesting than the actual story being told.) As for Allen himself, he’s picked up a new girl who worships him, this one apparently a little girl version of a great spirit/spell/something, but again, this volume isn’t about anything Allen does, it’s about what Allen represents. He improves literally everyone who’s ever come into contact with him and makes them their best. (Well, except that gang of Beastmen teens. Sorry, gang, you suck.)

The next volume should end the arc, and also has Tina on the cover, so I assume she’ll get the focus she didn’t get here… assuming she’s not overtaken by Lydia. Again. A good series to read if you enjoy ridiculous bullshit.