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The 100th Time’s the Charm: She Was Executed 99 Times, So How Did She Unlock “Super Love” Mode?!, Vol. 2

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By Yuji Yuji and Nami Hidaka. Released in Japan as “99-kai Danzaisareta Loop Reijō Desu ga Konse wa “Chōzetsu Aisare Mode” Desutte!?: Shinno Chikara ni Mezamete Hajimaru 100-kaime no Jinsei” by DRE Novels. Released in North America by J-Novel Club. Translated by Stephanie Liu.

Despite what a lot of writers will tell you, it’s pretty easy to write some more of what you’ve already written. When you’ve done a volume, introduced the character, the situation, etc. you can think of some ways to extend it out, add another subplot, new villain, etc. This is especially true if your publisher is brand new to the light novel market and does not want to have a bunch of single-volume series lest people think they’re failing. But honestly, sometimes the author has to take a step back, look at what they’ve already wrapped up in a satisfying manner, and say “I could write more. But do I *need* to write more? If I write another volume in the series, will it actively damage everything that I’ve created to date?” Unfortunately, we have a textbook example of that here, in a second volume of a series that really should have been a one-shot.

This is a book of two halves. The first half is fine. Alphina, who has mostly succeeded in running away from her suitors, infiltrates the school her brother Carl is attending to make sure he’s doing all right. She disguises herself as an assistant teacher, and the biggest problem she has is a classmate of Carl’s, Hipper, who seems to hate Carl for reasons that go beyond simple “jealousy” or the like. Alphina ends up uncovering a plot by religious cultists, which she is fortunately able to stop. Unfortunately, in doing so she reveals her identity, and has now been captured by the royal family and will be marrying the prince, someone that absolutely delights everyone except Alphina. This leads to the second half of the book, which is not fine.

I have complaints. The first volume found a good balance between “funny” and “annoying”, this second one tips it too far towards the latter. The comedy is so broad in places as to beggar belief. The use of the time loop, which frankly I thought was a gimmick we were done with after the first 10 pages of the first book, could actually have been clever were it not attached to the aforementioned annoying comedy, so it seems like a wasted opportunity. Most importantly, though, isn’t this supposed to be a romance? It’s a J-Novel Heart title, am I right? Why is it then, after two volumes, that every single love interest remains shallow at best and creepily possessive at worst? The book thankfully ends with a marriage averted for the moment, but the reader can’t help but agree with Alphina – marrying any of these zeebs would be a nightmare. Even the cover art has that “this is the final volume of a romance, let’s end on a wedding shot” art, except Alphina’s sweatdrop shows us she really, really doesn’t want to be here.

All this plus the return of a character I never wanted to see again. There’s room left for a third book in the series, and it wouldn’t surprise me to see one, but man, if you want to give Alphina a happy ending, try making the guys more than cardboard cutouts for the sake of the comedy.

My Stepmom’s Daughter Is My Ex: “Just a Bit More Like This”

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By Kyosuke Kamishiro and TakayaKi. Released in Japan as “Mamahaha no Tsurego ga Motokano datta” by Kadokawa Sneaker Bunko. Released in North America by J-Novel Club. Translated by Gierrlon Dunn.

I’ve talked a lot about the fact that this is in many ways a very typical Japanese high school romcom. There’s an obvious winning couple. But there’s also a second, losing love interest who is far more interesting than the main one, mostly because she has no filter whatsoever. Isana would be a nightmare to deal with in real life, as Mizuto and Yume have both observed, but as fiction she’s wonderful. And there’s also the fact that these are all teenagers, about 17 years old, and they are seriously horny. And this series has never been shy about its fanservice, having a very, very high “count the number of times the main characters think about breast size” ratio. This only increases with this book, as we get a new supporting cast when Yume joins the student council. There’s a cute-first year who’s short but stacked. There’s a spunky second-year who’s also… seemingly… top-heavy. Yume’s not small. Isana is very large. You get the ideqa. This book is for guys.

Yume is now on the student council, and is dealing with several things at once. The most normal is that the sports festival is coming up, and the council have to help out there. Also, one of the council members regards Yume taking first place as offensive, and declares herself a rival who will take first place in the next exams… even if that means studying a bit TOO hard. But most importantly, there’s Yume’s desire to try to break down Mizuto’s emotional walls. There’s humorous ways to try (which I’ll discuss below) and heartwarming ways, such as their joint birthday party, where we also learn that their parents actually met much earlier than either of them knew. That said… all of this may be for naught when Isana’s bra breaks during the sports festival and creates misunderstandings galore.

The funniest part of the book, if only as it has the most characters acting completely ludicrously, is where Yume gets advice on seducing Mizuto by taking a bath with him. This idea comes from Akatsuki, who does just this sort of this with Kawanami, but Yume does not really realize that Akatsuki is a TERRIBLE person to get seduction advice from. The scene almost turns heartwarming, but is also seriously funny, especially when Mizuto’s towel drops and… well, Yume’s not disappointed, at least. Other than that, Isana has pretty much resolved herself to being as blatantly forward as possible until Mizuto stops her, and most of the sexual humor in the book is hers. (Most of the painful comedy is hers as well – falling on your breasts while not wearing a bra and getting dragged along HURTS.) As for the main romantic relationship… baby steps. The presents were nice, but Mizuto is still not quite ready yet. This may take till graduation.

So yeah, another decent volume in this series. It won’t light a fire under you, but it’s cute and fun and has likeable leads.

Pick of the Week: Butterflies, Akitas and Tinies

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SEAN: I’ve been slacking on my new shoujo series, so Like a Butterfly seems like the perfect time to hop back on board.

MICHELLE: Like a Butterfly is definitely my top pick as well!

KATE: I’m excited for the next volume of Lovely Muco.

ANNA: I’m not going to pass up a chance to pick a new shoujo series, Like a Butterfly is my pick as well.

ASH: Well, since I likewise failed to mention anything about the release of Minami’s Lover last week, I feel like I need to make it my pick this week seeing as I’m always interested in Garo manga. (Though, if I’m picking a release from this week, Like a Butterfly is definitely the debut that has my attention.)

The Do-Over Damsel Conquers the Dragon Emperor, Vol. 2

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By Sasara Nagase and Mitsuya Fuji. Released in Japan as “Yarinaoshi Reijō wa Ryūtei Heika o Kōryaku-chū” by Kadokawa Beans Bunko. Released in North America by Cross Infinite World. Translated by piyo.

When I reviewed the first volume I mentioned that Cross Infinite World was putting it out a lot faster than they normally do their series, and the reason for that became apparent shortly after the release of the first volume over here: it’s getting an anime. It’s a good choice: I’m the Villainess, So I’m Taming the Final Boss got a decent if not dazzling anime as well, and the audience for the two series is exactly the same. Not just because of the author, but the same basic themes are here as well. iris may be a Villainess reincarnated into a game, and Jill a young woman who travels back in time to fix her past mistakes, but as protagonists they’re both doing the exact same thing: improvising and being badass as the universe does its best to kill them over and over and over again. And in this second book we get another think it has in common with Final Boss: for every Villainess there’s a Heroine, and heroines in these series tend to be evil.

Hadis and Jill are on their way to the capital to meet the rest of his family. Sadly, on arriving there, he’s attacked, accused of being a fake, and his magic and Jill’s is sealed. Hadis is mostly fine with this, and tries to make the series into a Slow Life book, gardening and cooking delicious meals. Jill is not particularly happy with his, so she and Zeke (half of her bodyguard duo) go into a nearby town so that she can join the Dragon Knights and gain intel. Easier said than done – she’s got the combat skills, even without magic, but the reaction of dragons to her means that she’ relegated to squire duties – which also means getting bullied. We also meet Hadis’ siblings, who turn out to not be as bad as she thought… at first.

Reading this book can be a struggle. Not because it’s bad, I really enjoyed it, but because Jill’s life is such a high wire act that at any moment you expect her to die and for this to become a Re: Zero sort of time loop story. Things are not helped by the introduction of Princess Faris, Gerald’s younger sister. In the first book she had merely been one half of the “ew” part of the story, as we knew Gerald was sleeping with her and that she was frail but not much else. Here we see her younger self, who turns out to be doing much the same thing Jill is – and for many of the same reasons. Alas, this makes them mortal enemies, and the two pretty much hate each other on sight by the end of the book. Final Boss also had its “heroine” antagonist, but Faris looks to be a lot nastier than Lilia ever was.

This really is “if you like Final Boss, it’s more of the same”. But that’s good, as it means it’s just as addictive. Roll on Volume 3.

Re: ZERO ~Starting Life in Another World~, Vol. 22

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By Tappei Nagatsuki and Shinichirou Otsuka. Released in Japan as “Re: Zero Kara Hajimeru Isekai Seikatsu” by MF Bunko J. Released in North America by Yen On. Translated by Dale DeLucia.

When I was reading this book, I mentioned on Twitter that if you removed all scenes where Subaru is essentially acting as the “tsukkomi” to every else that the book would be 100 pages shorter. That said, I know that one of the reasons we enjoy Subaru so much is that this is how he copes with things. He’s always had three ways of dealing: overcompensating, trauma response, and sarcasm, and he’s gotten much better on the first two but the third is ingrained. You’d think this would make him very one-note, but it doesn’t, because each of the characters that he reacts this way to is so different. The way Subaru responds to Emilia, mocking her while also acknowledging his adoration, is very different from how he has to deal with Shaula, the new character, which is a mix of disgust and “what the hell is going on?”. He has a type, but the range is larger than you’d think… until the cliffhanger, which promises to upend this a lot.

Having finally arrived at the tower, and gotten the comatose Rem and the injured Patlash to the medical bay, our heroes now have to deal with the fact that the Sage they’ve been seeking is… probably NOT the sage. And also a bit of an airhead. They also have to pass a test to get access to the upper floors of the tower at all. The first no one is able to pass until Subaru, who is from Japan and suspects the creator of this test is as well, finds a solution to. Unfortunately, the floor they get to has a bunch of “book of someone’s life” books, and they’re in random order. So they need to get to the next floor… which requires another test. Unfortunately, not only is this one much harder, but they all have to pass it individually. Bad news, since the test giver is an insanely powerful swordsman.

This has the feel of a book that is a time-marker, to be honest. I never felt bored, but there’s a sense that we’re waiting for the other shoe to drop, and since it doesn’t drop till about page 280, that’s a lot of waiting. There are some very nice scenes between Subaru and Julius, which shows off their friendship (Julius is kind of put through the wringer in this book), and EMT fans will be eating very well, as the relationship between her and Subaru has never been more romantic, even as she wins a fight by letting her opponent grope her tits, not understanding why she should feel offended at that. (Emilia’s “sexual innocence” continues to be at 120%.) And we’re also getting more of an idea about what Anastasia/Echidna is really after, and trusting them a wee bit more. Not much plot happens here, but a lot of good character stuff occurs.

Next book, judging by that cliffhanger, should be far more plot-driven, though I suspect it will also remain inside the tower. And hey, no death loops this book!

Manga the Week of 7/5/23

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SEAN: Hot hot heat. Must be July.

Viz gives us a debut, Like a Butterfly (Hibi Chouchou) is the latest from the author of A Sign of Affection and Short Cake Cake… except it’s not, it actually came out before both of those. A gorgeous high school girl is also shy and doesn’t like attention… so promptly falls for the boy who refuses to look at her. This looks sweet.

MICHELLE: I’m here for it.

ANNA: Surprising no one, so am I!

ASH: Likewise interested.

SEAN: Also from Viz: Blue Box 5, Dr. STONE 26, The Elusive Samurai 7, Kubo Won’t Let Me Be Invisible 8, Moriarty the Patriot 12, My Love Mix-Up! 8, One Piece 103, Romantic Killer 4 (the final volume), Tista 2 (the final volume), and Vampire Knight: Memories 8.

Square Enix has A Man and His Cat 8.

ASH: I should probably catch up with this series; I did enjoy what I have managed to read.

SEAN: Seven Seas debuts Classroom of the Elite: Horikita (Youkoso Jitsuryoku Shijou Shugi no Kyoushitsu e √Horkita), a spinoff AU series that focuses on Horikita, which may surprise anime fans who thought the series already focused too much on her. It ran in my nemesis, Comic Alive.

They’ve also got The Ancient Magus’ Bride 18, Berserk of Gluttony 8, Gap Papa: Daddy at Work and at Home 2, Kemono Jihen 6, Let’s Buy the Land and Cultivate It in a Different World 4, Made in Abyss 11, Pandora in the Crimson Shell: Ghost Urn 16, and Versailles of the Dead 4.

MICHELLE: I didn’t realize volume 18 of The Ancient Magus’ Bride was coming out so soon; I’ve been working my way to getting caught up to 17!

ASH: Always glad to see a new volume of The Ancient Magus’ Bride!

SEAN: There’s some print from Kodansha. Drifting Dragons 14, EDENS ZERO 23, In/Spectre 18, Lovely Muco! 2, Noragami Omnibus 6, To The Abandoned Sacred Beasts 14, and Yuri is My Job! 11.

ASH: Drifting Dragons is another series that I’ve been enjoying but need to catch up on.

SEAN: The digital debut is My Wife is a Little Intimidating (Boku no Oku-san wa Chotto Kowai), a Comic Days series based on a Twitter comic. The description reminds me a bit of We’re New at This if the wife were… well… intimidating, rather than stoic.

And there’s digital for The God-Tier Guardian and the Love of Six Princesses 9, How to Grill Our Love 3, Life 5, MF Ghost 15, Matcha Made in Heaven 6, Mermaid Melody Pichi Pichi Pitch: Aqua 2, Sakura’s Dedication 4, The Transcendent One-Sided Love of Yoshida the Catch 3, and Tying the Knot with an Amagami Sister 9.

ANNA: I’ve been eagerly awaiting the next Matcha Made in Heaven!

ASH: I haven’t read the first volume yet, but I still love the series’ title.

SEAN: No new series for J-Novel Club, but a whole lot of ongoing ones. The 100th Time’s the Charm: She Was Executed 99 Times, So How Did She Unlock “Super Love” Mode?! 2, The Apothecary Witch Turned Divorce Agent 2, An Archdemon’s Dilemma: How to Love Your Elf Bride 16, the 2nd manga volume of A Cave King’s Road to Paradise: Climbing to the Top with My Almighty Mining Skills!, Endo and Kobayashi Live! The Latest on Tsundere Villainess Lieselotte Disc EX (the final volume), Full Clearing Another World under a Goddess with Zero Believers 8, the 5th manga volume of Full Clearing Another World under a Goddess with Zero Believers, Let This Grieving Soul Retire 2, Magic Knight of the Old Ways 5 (the final volume), The Misfit of Demon King Academy 4 Part 2, My Stepmom’s Daughter Is My Ex 7, the 4th manga volume of Rebuild World, A Royal Rebound: Forget My Ex-Fiancé, I’m Being Pampered by the Prince! 2, and To Another World… with Land Mines! 7.

ASH: Wow! That is a whole lot!

SEAN: Ghost Ship has Love is an Illusion! 3 (OK, not technically Ghost Ship), Please Go Home, Miss Akutsu! 2, and World’s End Harem: Fantasia 9.

Apologies, missed this last week. Fantagraphics has a one-shot, Minami’s Lover (Minami-kun no Koibito), a Garo manga from 1986 about a high school couple who struggle with everything when she becomes six inches tall!

ASH: Oh, yes! I just got my hands on that one!

SEAN: Dark Horse has the 9th Blade of the Immortal Deluxe Edition. (It got bumped.)

ASH: I’ll be picking it up whenever it’s actually released.

SEAN: And Airship, in print, gives us Free Life Fantasy Online: Immortal Princess 3 and Irina: The Vampire Cosmonaut 5.

We also get early digital for The Case Files of Jeweler Richard 5 and Mushoku Tensei: Jobless Reincarnation 23.

That’s it? Not too bad!

The Reincarnated Princess Spends Another Day Skipping Story Routes, Vol. 8

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By Bisu and Yukiko. Released in Japan as “Tensei Oujo wa Kyou mo Hata o Tatakioru” by Arian Rose. Released in North America by J-Novel Heart. Translated by Esther Sun.

Last time I wondered if this final volume in the series would be a victory lap, or if we would have one last plot twist for Rosemary to deal with in order to save her life. As it turns out, there’s nothing to worry about, this is pure fluff, an absolute victory lap that consists entirely of everyone praising Rosemary to the skies while she herself acts like a lovestruck teenager and frets that she’s about to screw everything up at any moment. Spoiler: she doesn’t. There’s always been an element of “everyone thinks of the best possible reasoning for our heroine’s behavior” to this series, but it’s tended to be balanced by action sequences or suspense. Here there’s none of that, and even the romance is handled fairly early, so it really is just wedding prep, wedding, and having all the other love interests get a narrative bit about how sad they are but how happy they are for Rosemary. The word “schmoopy” was invented for books like this.

After the events of the last book (and reassuring herself that her cat is not in fact dead), Rosemary spends the bulk of the first half of this book recuperating. Of course, that does not mean that she’s not doing things. First of all, she and Leonhart finally confess to each other with words and everything, and get across that, rather than merely tolerating the other’s presence, they are in fact giant dorks in love. This means there’s a wedding coming!… in two years time. While we wait for that, she says a final farewell to Kanon (who goes back to Japan, though she’ll return for the wedding itself) and concentrates of learning how to become a duchess, because the status gap between princess and count is too large, so they’re giving her a duchy to solve the problem. And, of course, there’s the hospital and medical schools. Plus, y’know, the rest of her harem.

As with prior volumes, the books alternate between Rosemary and various other characters. Most of this is what you’d expect, but we do meet Leonhart’s family, the most interesting part of the book. They’re husband, wife, and three sons, Leonhart being the eldest, and the men in the family all have the quirk of being uninterested in romance till they meet the one woman who they will love the rest of their days. As such, they’re a bit worried about Leonhart, as the princess might be trying to selfishly coerce him. Then they meet Rosemary, who is practically perfect in every way, and are quickly adoring her like everyone else. If you are the sort of person who is bothered by this, I assume you dropped the series long ago, but with no serious plotline to balance out the praise, it gets to be a bit too much even for me.

In the end, they get married and the book ends. I was wondering if we’d get a flash forward to the future, which we don’t in terms of Rosemary, but I did like the epilogue, which shows what her real legacy will be. So yes, I enjoyed this series, a good one for a combination of “avoid my fate” reincarnation and suspense thriller.

The Manga Review: Love Is All You Need

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With the Fourth of July right around the corner, and two big conventions on the horizon, there were only a handful of real news stories this week. The biggest? Tokyopop just launched an imprint for romance manga called LoveLove, which will offer “age-appropriate content for readers ranging… from 13+ to older teens (16+) to ones aimed strictly at mature readers (18+).” The first title—The Black Cat & The Vampire—arrives in stores on October 12th… Jujutsu Kaisen has sold a staggering 80 million volumes worldwide… Masashi Kishimoto is hard at work on a new Naruto story… and the NBA will be introducing a line of t-shirts, satin jackets, and hoodies that allow fans to express their love of My Hero Academia and their favorite basketball team.

AROUND THE WEB

Kate Sánchez praises Netflix’s new adapation of Ōoku: The Inner Chamber for “staying true to the original manga” while “using animation to bring Yoshinaga’s vision to life with a vibrancy” that “can only be done in animation” [But Why Tho?]

Laura Grace posts a new installment of the Shojo Alphabet with a list of great series beginning with the letter “I.” [ Beneath the Tangles]

To commemorate the 50th anniversary of Barefoot Gen, Asahi Shimbun traces out the publication history of Keiji Nakazawa’s classic drama. [The Asahi Shimbun]

Over at Anime News Network, Rebecca Silverman interviews Ryo Sumiyoshi about his fantasy series Centaurs. [ANN]

Also worth a look is Christopher Farris’ interview with Jun Mayuzuki, author of After the Rain and Kowloon Generic Romance. [ANN]

Alex, Vrai, and Tony dedicate the latest episode of Chatty AF to Yuri Is My Job!. [Anime Feminist]

If you’ve been curious about the Mangamo! digital platform, check out Gee and Ray’s in-depth review. [Read Right to Left]

Not manga, but relevant: Kazuma Hashimoto traces out the history of the JRPG label, noting the degree to which it influences consumer behavior in the video game marketplace. “It’s clear that the mainstream only courts a specific idea of Japan as being acceptable — often reinterpretations of feudal Japan, largely spanning from the 1500s to late 1800s, when the samurai were still part of Japanese society,” he observes. “This extends to what Japanese-made games Western publishers will support… and this diminishes the rich tapestry of games released under the ‘Japanese role-playing game’ umbrella in order to fulfill a fantasy for non-Japanese consumers.” [Polygon]

For more commentary on the “othering” of Japanese media, see Tony Yao’s essay on how Americans perceive manga, and perceive Japanese culture through manga. [Drop-In to Manga]

REVIEWS

Over at The Comics Journal, Tegan O’Neill reviews Minami’s Lover, new out from Fantagraphics, while Hagai Palevsky tackles the Eisner-nominated horror series PTSD Radio. Elsewhere on the web, Tony Yao gives a “shout out” to Manga in Libraries: A Guide for Teen Librarians… Adam Symchuk reviews two indie titles, The Rabbit Game and Words Bubble Up Like Soda… and the crew at Beneath the Tangles offer pithy assessments of Bloody Sweet, Heavenly Delusion, and Scribbles.

New and Noteworthy

Complete, Ongoing, and OOP

Private Tutor to the Duke’s Daughter: The Second Coming of Shooting Star and the Final Showdown in the Eastern Capital

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By Riku Nanano and cura. Released in Japan as “Koujo Denka no Kateikyoushi” by Fujimi Fantasia Bunko. Released in North America digitally by J-Novel Club. Translated by William Varteresian.

OK, I will admit, the author cleared the bar that I had set up for them. I’ve already grumped quite a bit about Lydia’s character arc during the last two to three books, and I had certain expectations of how it would resolve itself. I did not like those expectations, but I had them. Lydia was going to go berserk, everyone would make the terrible decision to kill her, and then Allen would return and talk her down. Thankfully, that is NOT what happened – at least not the last part. Lydia manages to get talked down by all the other love interests yelling “snap out of it, you idiot” at regular intervals till she does. This allows her to be part of the final battle, which I appreciated. Of course, I might be less grumpy if we ever learned more about Lydia and Allen’s past than anecdotes. Surprisingly, Tina doesn’t get much to do here either. Honestly, the love interest with the most focus is Lynne, as Narrator #2.

The rebellion is going very badly for the rebels, who decide to stake it all on one last battle for the Great Tree. Fortunately for those defending it, reinforcements are coming from all over the land. Unfortunately, Allen is still missing and presumed dead, meaning that most of the love interests are moping, and Lydia is… well, not in her right mind, we’ll put it that way. As for Allen, he’s trying to get the approval of an ancient ghost, and then has to battle the real enemy behind all this – the Church. (I know, the church, evil, in a Japanese light novel? Try to contain your shock.) Unfortunately, he may have finally come across something which really IS too much for him, as opposed to all the things he handles with ease while saying they’re too much for him. He may be forced to… ask for help.

Yeah, the final part of the book is basically “what if we all battled the final boss together?”, though the boss in this case is just a created monster thing. There was decent stuff in this book, but I won’t lie, I’m happy to see the back of this arc. In addition to Lydia running amok, I was also not fond of a death fakeout near the end, which was done purely to give Allen the rage and despair to fight even harder, but if you’re going to do that, don’t just do a “just kidding” afterwards. In the end, honestly, no one we care about died, or was even injured. One minor character’s father was kidnapped, which may be what starts the next arc, but other than that everyone does fine. A bit more than fine, honestly – Stella has become so overpowered I may have to start calling her Allen soon.

So yeah, good riddance to this arc, but I still enjoy the series. Next volume apparently stars Lily, the “Maid” of the Leinster family, and I am hoping will let her do something other than be comedy relief, because that’s all she’s done so far.

My Happy Marriage, Vol. 4

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By Akumi Agitogi and Tsukiho Tsukioka. Released in Japan as “Watashi no Shiawase na Kekkon” by Fujimi L Bunko. Released in North America Yen On. Translated by David Musto.

There is generally a habit in books, whether they’re “mysteries” or not, of trying to conceal a surprise twist. Keep the audience guessing, don’t let them figure out what the twist is until it’s too late. In practice, this is quite hard to pull off, and tends to lead to rolling of the eyes once the big reveal happens. As such, I always appreciate when a book doesn’t bother to do that and just says “let’s give it away on page 1”. Which is exactly what happens here, as there’s a traitor in the group that’s trying to protect Miyo, and the number of people tat it could possibly be amounts to one person. So we see that person approached by the villain immediately, in a prologue, and know who it is. Which is good, as it can then help with that this author really IS good at, which is giving readers an ulcer as they wait for the bad things to inevitably happen.

We pick up where we left off last time, with Miyo and Kiyoka beset by a man who claims to be her real father, and is also really, really smugly evil. Now Miyo can’t be left on her own , so she starts going to work and coming home with Kiyoka every day. She also gets a bodyguard, Kaoruko, one of the few women in the military in what is a very misogynistic unit. This means that Miyo has to deal with a) all the other members of the unit badmouthing Kaoruko and telling her to stay in the kitchen, and b) the fact that Miyo is associated with a family no one trusts and everyone seems to despise. You get the sense that the title of the series is getting further and further away, especially as they’re still not actually married yet.

So yeah, this book runs on dread. Not the dread of a horror novel, but the dread of a book about an abused daughter who is still viewing herself as the absolute worst being attacked on all sides. She has Kiyoka, who does the best he can, but she really needs more allies. Sadly, the one friend she makes, Kaoruko, turns out to be one of Kiyoka’s former potential fiancees, and clearly still has feelings for him, which sends Miyo into another spiral of self-loathing. Now, she does get one scene late in the book where she stands up and lets the sexist soldiers have it, but it’s sort of like eating a riceball made of needles in order to get to the tasty plum inside. Why read the series at all? The needles are also VERY tasty. This author knows how to write depression, anxiety, and melancholy, and Miyo is an extremely well-drawn woman.

So yes, we’re still not happy, and one subplot hints that we may see more double (triple?) agents. But this is still really good angst. The anime debuts next week, and should be exquisitely painful.