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Guardian: Zhen Hun, Vol. 1

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By Priest and Marmaladica. Released in China on the JJWXC website. Released in North America by Seven Seas. Translated by Yuka, Shry, amixy. Adapted by Ealasaid Weaver.

Its always tricky when you come at a series after everyone else. The hype can sometimes be too much to bear. I was being told about Guardian years ago by friends who had seen the live-action drama loosely based (fans always emphasize the “loosely based”, wanting you to be sure to know how many liberties the TV show took from the source) on this online novel series. When Seven Seas announced it a year or so ago the excitement was greater than almost any other danmei title they’d announced before. Hell, even the cover art draws you into the hype. Just look at those two! That said, the question as always is: is this any good or not? I’m delighted to say that it is. Guardian is a compelling supernatural police procedural mystery, with a great protagonist who’s a classic “jerk with a heart of gold”, and even a lot of the “jerk” is for show. As for the other guy on the cover… well, he’s the mystery.

Zhao Yunlan is head of a special department in the police that deals with supernatural crimes, and he and his somewhat pathetic newbie underling are called upon to investigate the scene of a very grisly disemboweling on the street. This leads him to a university, where he meets Shen Wei, a handsome young professor who Zhao Yunlan is immediately very, VERY attracted to. He proceeds to try to get to the bottom of the case while also flirting heavily with the awkward Shen Wei, who is giving off somewhat mixed signals. As they uncover missing underworld artifacts, a young woman desperate to keep her grandmother alive, and an anthropology field trip that gets somewhat hijacked by ghosts from the past, Zhao Yunlan is determined to find out why Shen Wei is so compelling to him… and so familiar.

BL is not really my wheelhouse, so I will simply note that the chemistry between these two is amazing and those who are here for that will not be disappointed. As for the rest, Zhao Yunlan is an excellent protagonist and a good detective, combining human psychology with a knowledge of the netherworld and various tricks up his sleeve. He tends to put himself in harm’s way a lot, as you’d expect from a “jerk who’s not really a jerk” guy, but he’s savvy enough that it comes off well. The supporting cast are mostly good, though it took me a while to get used to Guo Changcheng, who is the very definition of “comedy relief”, but does vaguely grow over the course of this book. The cases were also well done, though I am hoping when we hit the second book we’ll get a mystery that does not revolve around a woman being the cause of most of this. And the writing was extremely good (and, of course, that means the translation and adaptation as well), despite the need for lots of footnotes for Chinese terminology.

Basically: readers will enjoy this. Go get it. I give it a 9/10, minus one point for falling down right at the end and mentioning the dreaded word “cultivation”.

Haibara’s Teenage New Game+, Vol. 4

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By Kazuki Amamiya and Gin. Released in Japan as “Haibara-kun no Tsuyokute Seishun New Game” by HJ Bunko. Released in North America by J-Novel Club. Translated by Esther Sun.

This is another one of those books where, after I had finished it, I had to double check the publisher’s website to confirm that yes, there is a 5th book in the series, and it doesn’t end here. It wouldn’t be surprising if it did. So many romcom series end with the main couple getting together, and not to spoil, but that’s what happens in this volume. I’m not too worried about spoiling it because everyone reading this series knows who the girl he loves is, and who the girl he has to reject is. It was all just a question of how long the series would drag things out. The good news is that it’s not that long. This series, despite its “back in time” premise, tends to err on the side of realism, and these sorts of “waffling guy can’t decide between two girls” situations don’t last as long as they do in manga or anime. Now, there is one spoiler left (also not much of a surprise), but we’ll get to that.

It’s back to school for our cast, and preparation for the school festival. Natsuki is still trying to decide between Hoshimiya and Uta… or so he says, but not only do we know that he’s fooling himself, HE knows it as well. He likes the girl that he’s liked since this series began. So it’s just a matter of working up the courage to confess to her, and to reject the other as best he can and hope it doesn’t destroy the friendships he’s come to love. Into this waltzes Serika, the emotionally weird girl we met in the last book, and she has a suggestion for Natsuki, especially after hearing him perform at karaoke: join a band. Join her band, in fact. He did try playing a guitar in his previous life (as well as practice karaoke), so it’s feasible. Is it what he wants to do going forward, though?

There’s a lot going on here given that it’s basically “when will he finally stop vacillating” as the main plot. We get a lot more development from Serika, who is incredibly talented and even writing her own songs. If this were a different series she’d be a new “harem member”, and she does admit to liking Natsuki, but knows that he’s in love with Hoshimiya. Indeed, everyone knows it. Including Hoshimiya, because he literally asks her to help him write the lyrics to the song he’s going to use to confess to her – something so brazen that she has to laugh, and so did I. I also liked Shinohara, the bass player, who allows Natsuki to try to help out someone who is exactly like he was the first life around. That said, the biggest surprise of the book was not that Miori was also in love with Natsuki – we guessed that – but that Reita actually *has* fallen in love with her, even knowing that she loves Natsuki. And Miori is far unhappier than she’s trying to sound about his new love being a success.

So yeah, there is a fifth book, and I assume it will delve deep into that, as well as “wait, how do these books work if we’re a couple?’. This is one of the stronger romcoms out there now. I really enjoyed it.

Pick of the Week: Guardian and Others

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SEAN: I have been hearing about the amazingness that is Guardian: Zhen Hun for years now, so it will be nice to finally see what the fuss is all about. This is my danmei of the week. My manga of the week is Nichijou, though.

MICHELLE: Frankly, I don’t see how I could pick anything other than Guardian: Zhen Hun this week!

ASH: Out of all of the releases coming out this week, Guardian: Zhen Hun has definitely captured most of my attention, so that’ll be my pick, too!

ANNA: I’m also pretty excited for Guardian: Zhen Hun, but also stoked for Don’t Call It a Mystery volume 2!

KATE: I’m joining Anna in picking volume two of Don’t Call It Mystery. It’s a little weird and talky, but also incredibly entertaining–think Columbo with fabulous hair and hot guys!

Spy Classroom: Pandemonium, Thy Name Is Sybilla

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By Takemachi and Tomari. Released in Japan as “Spy Kyoushitsu” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Nathaniel Thrasher.

The author mentions in the afterword to this volume that they were worried about Avian’s impact on the reader, and in particular whether Avian would be likeable enough. It’s a good point. From the moment we met them, they felt like the unpleasant, annoying mirror to our heroines, and it was not helped by the fact that they were better than all of them at everything. Of course, the ending to the previous volume also seemingly cut off any further development there… or so you’ think. But the author’s main strength has always been manipulating the written word and literary tricks (this is one reason the anime failed so hard for me), and so we get judicious use of flashbacks here to show off that really, Avian weren’t as bad as all that. In the end, they’re another bunch of wacky, eccentric spies. Of course, another way of helping to make your new characters sympathetic is to introduce even more new characters and make them worse. The spies we meet in this volume are worse.

The book starts off with Sybilla getting captured by these new characters. Belias are an English team of spies (OK, it’s the “Spy Classroom” version of England, but come on, this is sort of like Tanya the Evil’s version of England) who are trying to find the one surviving member of Avian, who are accused of trying to assassinate the Prince. Sybilla has also been trying to find Lan in order to discover how Avian were all killed so easily. The two have wildly different ends, but the same goal, so they agree to team up – or rather, Belias forces Lamplight to team up with them. This will involve going to an exclusive ball where they will have to dance to attract attention – meaning that Sybilla and Klaus will have to be on the same page, something they’ve been failing at since the series began. Then things get worse, as the Prince really is assassinated.

As I mentioned in the last review, this series can get pretty damn dark. The girls all being flakes is probably the best way to distract from that. I had been wondering if Avian being dead was another fakeout, but no, all but Lan are indeed dead. What’s more, Belias aren’t the real bad guys either, being a classic example of “we were only following orders” spies who don’t bother to question things lest it lead them to realizing that they’re being manipulated. Which naturally makes it easy for them to get manipulated by Lamplight. Avian may be dead, but before they died they managed to train the girls in ways that Klaus has entirely failed to, and they’re now really coming into their own. They clean Belias’ clocks and get the intel Avian left for them before dying. Good end! I mean, provided they aren’t betrayed by one of their own, of course. That would be terrible.

So yeah, another vicious cliffhanger. And a longer than usual wait for the next volume, because we’ve got a second book of short stories coming first. Till then, enjoy a world that is so tragic that Sybilla has to create a happy backstory to keep her going.

The Princess of Convenient Plot Devices, Vol. 3

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By Mamecyoro and Mitsuya Fuji. Released in Japan as “Watashi wa Gotsugou Shugi na Kaiketsu Tantou no Oujo de aru” by B’s-LOG Bunko. Released in North America by Yen On. Translated by Sarah Moon.

Again, my favorite part of this series is just out of my reach, which is everything that is happening in it, minus Octavia’s internal blathering. Don’t get me wrong, her narration is not all that annoying once you get used to it, and helps to drive home the fact that 95% of the time she’s improvising desperately rather than having a grand master plan. But I do love seeing her from the outside. Without that narration, she looks exceedingly crafty, mysterious, powerful, and possessed of knowledge that she just should not have. She does not behave the way than anyone thinks she should, her support for her older brother leaves much to be desired, and she comes across as… well, as a villainess. She’s trying to get a fake boyfriend so that she isn’t used as a womb to give her older brother an heir, but to others, she’s… well, trying to become Queen. Which is worrying, given the kingdom’s secret history.

After the revelations of the previous book, Octavia is a lot less keen to make Rust Byrne her fake boyfriend, given who he resembles. Unfortunately, he’s now very interested in her, in particular because she doesn’t react the way almost everyone else has when they see his face. To her surprise, the King is another one who reacted the same way that she did. Unfortunately, as they try to have a chat, traitors are trying something at the party, and have to be put down by armed guards. What are they after? And why is Sil now missing? The answer will draw Octavia into (pardon me, I’m so sorry) a web of mayhem and intrigue. Because there’s a secret room that has a passage to a different, even more secret room. And there are even more traitors there… including Sil? Maybe?

So many villainess books have some variation of “you can’t fight fate” built into them, with the villainess trying hard to change her destiny and the story itself fighting back as much as it can, even when that makes no sense in terms of how reality actually works. Here we see the past starting to repeat itself, despite Octavia’s intentions. And there’s no denying that Queen Idealia, the queen who was written out of history, has a lot in common with her. Hopefully not including being murdered by her brother. And of course there’s also the past of Klifford’s family, which everyone is still boiling mad over. What this means, I suspect, is that at the end of the day everyone’s going to see Octavia finding the tomb of the missing powerful and beloved Queen, discovering the *real* royal crown, and asking her uncle to present it to the King himself but say that she found it, as a massive power ploy. Not exactly what she’s intending.

Basically, if you like gambit pileups and a lot of handsome men, this is a fun little series. I read it for the bits in between the text.

The Magical Revolution of the Reincarnated Princess and the Genius Young Lady, Vol. 5

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By Piero Karasu and Yuri Kisaragi. Released in Japan as “Tensei Oujo to Tensai Reijou no Mahou Kakumei” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Haydn Trowell.

The last three volumes of MagiRevo have all had that feeling of “this is the final volume of the series” without it actually being true. It felt as if the author was not sure if it would be a success or not – very common in this medium. This is the first book where I believe that they wrote it knowing that the books were going to be going on longer, as it’s very transitional. There’s looking towards the future, as Anis and Euphie’s road trip is to survey the kingdom and look for new resources, plus they also end up learning of a number of new nations/races/possible enemies. At the same time, the entire book is also about coming to terms with everything that has happened in the previous four. Euphie’s on the throne, but this has not magically settled everyone’s hearts. Particularly Anis, who runs into Euphie’s brother at a ball and ends up projecting her own brother on top of him.

Anis is out of sorts, having essentially been told “try not to be too innovative for a bit, we need everyone to get used to the chaos you’ve already created”. But she can’t exactly turn that part of herself off. So Euphie plans to have the two of them tour the Eastern part of the kingdom, inspecting the damage caused by the previous monster stampedes and also trying to find new areas that they can harvest spirit energy. Of course, as Anis notes, this is a chance to go on a Love Love Honeymoon with her beloved – well, a honeymoon that involves two maids, two aides and a guard – and the guard is Navre, one of the men who was tied up in Lainie’s plotline in the first book. Then, to top things off, Anis had not really been listening when all of this was explained to her (because honeymoon fantasizing), and missed that they are, in fact, going to see her brother as well.

If I were to sum up this book, it would be “not bad, but not as good as the other books”. Part of the problem is Anis, who is still dealing with a pile of repressed guilt about what happened with Algard. (She is also, frankly, still not used to the fact that she is absolutely not the top in this relationship, and Euphie’s frank desires leave her a bit twitchy.) The heart to heart she has with her brother near the end was much needed, if only as I want her to move on from this as quickly as possible. There’s also a new character introduced who isn’t too bad, but seems designed to tick several “isekai cliche” boxes at once, so I was rolling my eyes at her arrival. On the bright side, Anis and Euphie get to have an awesome fight that I’m sure will look terrific if it ever gets animated in a theoretical Series 2.

So yeah. Mezza mezza. Still, we now have the promise of beastmen, and more vampires, and a bunch of other potential new plots. I just hope Anis will be back to being a fun ball of chaos next time around.

Sword Art Online, Vol. 27: Unital Ring VI

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By Reki Kawahara and abec. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

Last time I said that it was a good book but the plot progression was minimal, and I’d say that the plot progression is even more minimal here. It’s also not quite as good a book. Stuff happens, don’t get me wrong. Lives are put in danger, especially in the Underworld, and there is a return there of a villain that I really didn’t care about when they were around in the main Underworld arc and care less about now that their descendants have returned. On the Unital Ring side, we’re headed up to a new level, and we’re interacting more with players from different games, but I sort of feel like Kirito is a metaphor for what Kawahara is trying to do with the series. He’s trying to juggle 3-4 plots at once and can’t devote all his attention to any of them. Frankly, I’d rather that he and Asuna try to figure out if Kizmel has been magically brought back to life (clearly implied near the end) than anything with dragon spaceships.

We pick up where we left off, with Ronie and Tiese staring at Eolyne and wondering if he’s just Eugeo wearing a mask, but the answer to that is still – so far – that he is not. They all then bond in a big bath scene, but then Kirito and Asuna are dragged back to Japan while Alice gets to stay and bond with her sister some more. They head back to Unital Ring to find that everyone else is tacking the floor boss, with Lizbeth staying behind so that someone can bring them up to speed. They then arrive on the new floor… the third “game” to do so, after Asuka Empire (which Yuuki and her friends played) and Apocalyptic Date (where the players are anthro). Unfortunately, these new gamers know Kirito’s reputation, and they’re also desperate because of some poor decision making, so they decide to kidnap Yui. Also a poor decision. And back in Underworld, Alice’s reunion is interrupted by a full-blown invasion.

There were a few scenes in this book I enjoyed. The entire sequence with the robot kitten was not only adorable but also showed off the issues that AI is running into – I loved it when we were told that, if it ran on AI, the kitten would start walking around on two legs like a human. I also liked Asuna and Kirito’s brief panic on returning to Unital Ring, which was sort of darkly funny – was everyone killed off while they were gone? But honestly, the main issue with this book was that there was simply too much going on, and it didn’t give me enough depth to really care about one thing over the other. This is especially true on the Underworld side, where we still don’t quite know who the main villain is, but the ones behind the invasion are frankly a group I would have been delighted to never see again. At least it wasn’t the return of Gabriel Miller. Yet.

If you’re still reading SAO, I’d say keep going. Eugeo payoff looks like it will be coming next time, and hopefully we get some dark elves as well. Just… not in this book.

Manga the Week of 8/30/23

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SEAN: As August sinks slowly in the West, what manga is left over?

Yen has a few more leftovers than usual. The debut from Yen On is Looks Are All You Need (Kao Sae Yokereba Ii Kyōshitsu), from the creator of My Friend’s Little Sister Has It In for Me!. A shut-in girl can’t deal with people, so how can she possibly attend the looks-oriented prestigious arts school she wants to get into? By utilizing her VTuber skills.

ASH: Seems like that could work.

SEAN: And there’s also I’m the Villainess, So I’m Taming the Final Boss 6, where Aileen is about to be executed. Again.

In manga, the first debut is Associate Professor Akira Takatsuki’s Conjecture (Junkyouju Takatsuki Akira no Suisatsu), based on the light novel that came out a month or two ago. It runs in Comic Gene.

ASH: I’m still interested in folklore studies and this title; I haven’t managed to find time to read the novel yet, but maybe I’ll have the chance to fit the manga in.

SEAN: I Don’t Need a Happy Ending: A collection of short stories (Mikanuji Tanpenshuu: Happy End wa Iranai) is a yuri collection from the creator of Assorted Entanglements. Expect spiciness.

The Illustrated Guide to Monster Girls (Kaibutsu Shoujo Zukan) is a shoujo manga from Asuka. Monsters are supposed to scare people. Sadly, this manga concerns itself with a group of poor monster students who get scared instead.

And Mieruko-chan Official Comic Anthology is what it sounds like.

Also from Yen: Doomsday with My Dog 3, I’m Quitting Heroing 3, and Pandora Seven 2.

Viz has the digital-only WITCH WATCH 7. I will die on this hill.

Square Enix Manga has Grimoire NieR: Revised Edition, which… is a game guide, so not sure why I have it here.

And they also have SINoALICE 4, which is merely a death game manga.

Seven Seas has a big danmei debut: Guardian: Zhen Hun. A supernatural detective comes across a mysterious professor in his investigations. Is he connected? Are they both really hot? Of all the danmei series I’ve heard about, this is the one I’ve heard about the most.

MICHELLE: *Kermit flail*

ASH: I have heard good things and an looking forward to this one, too.

SEAN: The manga debut is The Knight Captain is the New Princess-to-Be (Himegimi wa Kishi Danchou), a shoujo series from LaLa about the Knight Captain agreeing to pretend to be the Prince’s fiancee for political reasons, but finding being a royal more difficult than she expected.

Also from Seven Seas: Does it Count if You Lose Your Virginity to an Android? 2, Don’t Call it Mystery Omnibus 3-4, How Heavy are the Dumbbells You Lift? 12, This Is Screwed Up, but I Was Reincarnated as a GIRL in Another World! 8, and The Valiant Must Fall 2.

MICHELLE: *further flailing* (for Don’t Call It Mystery, specifically)

ANNA: *joins in on the flailing* for Don’t Call It Mystery

ASH: Didn’t the first volume just come out? I’m behind already!

SEAN: One Peace Books has the 3rd volume of The Death Mage.

From Kodansha Books, we get My Unique Skill Makes Me OP Even at Level 1 3.

From Kodansha Manga, the big news is the 11th volume, and the return, of Nichijou! We haven’t had a volume since the series ended in 2017. Cannot wait.

ASH: Oh, wow!

SEAN: Also in print: Blue Lock 8, EDENS ZERO 24, Go! Go! Loser Ranger! 6, I Was Reincarnated as the 7th Prince so I Can Take My Time Perfecting My Magical Ability 7, Real Account 23-24 (the final volume, at last), the 2nd Saving 80,000 Gold in Another World for My Retirement manga volume, and Shangri-La Frontier 7.

ASH: Real Account lasted longer than I thought it would.

SEAN: The digital debut is Blade Girl (Blade Girl: Kataashi no Runner), a josei manga from Be Love with a familiar premise – it’s the exact same as Run On Your Two Legs. A girl who lost a leg a year ago is frustrated and angry… but what if she finds the answer with prosthetics meant for the paralympics?

ANNA: Yay for josei!

ASH: Oh! Maybe this one will eventually be released in print, too!

SEAN: Also digital: Guilty 12, Wandance 6, and With You and the Rain 5.

J-Novel Club has a new digital light novel debut. Moon Blossom Asura: The Ruthless Reincarnated Mercenary Forms the Ultimate Army (Tsuki Hana no Shōjo Asura: Gokuaku Hidō no Yōhei, Tensei Shite Saikyō no Yōheidan o Tsukuru ) is a dark fantasy about a soldier of fortune who finds herself reincarnated into a fantasy world… so now she’s killing people WITH MAGIC. For those who like evil protagonists.

They’ve also got Cooking with Wild Game 22, the 2nd Dragon Daddy Diaries: A Girl Grows to Greatness manga, Enough with This Slow Life! I Was Reincarnated as a High Elf and Now I’m Bored 3, the 5th Isekai Tensei: Recruited to Another World manga, Lady Rose Just Wants to Be a Commoner! 4, My Quiet Blacksmith Life in Another World 7, and Record of Wortenia War 20.

Ghost Ship has World’s End Harem 15 – After World.

Cross Infinite World has a debut. Rising from Ashes: My Dear Emperor, You’re Putty in My Hands! (Torotoro ni Shite Sashiagemasu, Kōtei Heika. Moto Konyakusha ni Ie o Yakareta Tsuihō Miko wa, Ringoku Kōtei ni Chōai Sarete Sainō o Hanahirakaseru), a novel which has otome game villainess, ex-fiancée finds love in the neighboring kingdom, AND Inner Palace politics all in one. This is the 3rd series by this author licensed by CIW.

They’ve also got The Dragon’s Soulmate is a Mushroom Princess! 3 and Revolutionary Reprise of the Blue Rose Princess 2.

Lastly, no print light novels from Airship, but they do have an early digital: Loner Life in Another World 7.

Sic Transit August. All manga must pass.

The Manga Review: The Dog Days of August

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Pour one out for Comic Book Resources: on Wednesday, a staff member hijacked CBR’s official Twitter feed to decry parent company Valnet for firing editorial staff and abandoning the site’s commitment to in-depth reporting and thoughtful criticism. Heidi MacDonald has the details. In other news, Kadakowa’s recent efforts to remove pirate manga apps from Apple and Google went unheeded, so the publisher is taking steps to find out who created those apps… the production of Susumu Higa’s Okinawa was delayed after the original printer demanded editorial changes to the book… the live-action version of Rohan at the Louvre arrives on Amazon Prime next month… Titan Manga has rescued Speed Grapher from publishing limbo… ABLAZE announced its fall 2023 publishing plans… Harta will publish the final chapter of Delicious in Dungeon next month… Yuki Kaku has collaborated with Givenchy on a one-shot story for UOMO magazine… and Nami Sano, the creator of Haven’t You Heard? I’m Sakamoto passed away at age 36.

AROUND THE WEB

Marion Pena sits down with former NBA player Johnny O’Bryant to discuss his latest venture: Noir Caesar. The company just released two news series, XOGENASYS and Primus7, and has several other projects in development, including an adaptation of Osamu Tezuka’s Alabaster and a live-action version of Me and the Devil Blues. [The Beat]

In the latest installment of My Fave Is Problematic, Rebecca Fleeman puts JoJo’s Bizarre Adventure under the microscope, noting the degree to which the series often conflates queerness with villainy. [Anime Feminist]

Anime Feminist polls its readers for the best beginner yuri manga. [Anime Feminist]

Jon Holt and Saki Hirozane translate manga scholar’s Hiroshi Miyamoto’s essay on Happy Mania. [The Comics Journal]

Job alert: VIZ Media is hiring two manga editors. N.B. to prospective job seekers: you must be willing to relocate to the Bay Area. [VIZ MEDIA]

Cat nip for translators—that’s how Jocelyne Allen describes Smoke Blue, a “a bewildering and yet entirely satisfying mix of translation tips and hot guys getting hot and heavy.” [Brain vs. Book]

Masha Zhdanova weighs in on three recent VIZ releases: My Special One, Akane-banashi, and Cat-Eyed Boy. [WWAC]

Kara Dennison offers a helpful list of swoon-worthy shojo manga you can read on the VIZ app. [Otaku USA]

Trevor Van As explains what why Junji Ito is a “master of the genre,” capable of producing “imaginative, visceral” stories filled with “shocking concepts” that stay with you long after you finish reading. [How to Love Comics]

That Manga Hunter sifts through the VIZ Signature catalog in search of good manga for older readers. “If you’re looking for alternative manga, mature non-smut manga, and manga intended for adults, then Viz Signature isn’t a bad place to start,” they opine. “The imprint contains series from a wide range of manga of various art styles and genres. If you’re coming from American comics and graphic novels, of superhero origin or otherwise, this is also the imprint for you.” [That Manga Hunter]

LISTENING IN

Join the Mangasplainers for an in-depth conversation about Pluto: Urasawa X Tezuka, Naoki Urasawa’s re-telling of the classic Astro Boy story “The Greatest Robot on Earth.” [Mangasplaining]

The Manga Machinations gang just finished a three-part series on Tatsuki Fujimoto’s breakthrough series Fire Punch. [Manga Machinations]

For spoiler-free commentary on Kyoko Okazaki’s River’s Edge, tune in to the Spiraken Review. [Spiraken Review Podcast]

Alain and Kate highlight Mermaid Scales and the Town of Sand in their first-ever Manga of the Month podcast. [Reverse Thieves]

Gee and Ray unpack Moto Hagio’s groundbreaking boys’ love saga The Heart of Thomas. [Read Right to Left]

Which manga did Andy and Elliot dub “Salaryman Cardcaptor Sakura“? Find out on the most recent episode of Screentone Club! [Screentone Club]

In the latest installment of Manga In Your Ears, Kory, Apryll, and Helen compare notes on Mizuno and Chayama and What Did You Eat Yesterday? [Taiiku Podcast]

REVIEWS

Paging Mushishi fans! This week’s must-read review comes from OASG contributor Helen, who shines a light on When a Cat Faces West, an overlooked gem from Yuki Urushibara. “When a Cat Faces West is a lovely, quiet series about supernatural happenings and the myriad ways that they can be both harmless and deeply unsettling,” Helen notes. “I never felt like the series crossed the line into soft horror but it’s definitely ‘softly unsettling’ at points… a difficult mood to pull off well but it does so splendidly.”

Shall we gather at the river? TCJ posts two reviews of Kyoko Okazaki’s River’s Edge: one by Helen Chazan, and one by Brian Nicholson, while WWAC contributor Kathryn Hemmann offers their own insight into the story’s “gritty millennial malaise”… Johanna Draper Carlson sings the praises of Why I Adopted My Husband… Megan D. revisits Kia Asamiya’sSilent Möbius… and Rebecca Silverman reviews Nazuna Saito’s Offshore Lightning, calling it “one of those books that you find yourself thinking about long after you’ve finished reading it.”

New and Noteworthy

Complete, OOP, and Ongoing Series

Otherside Picnic, Vol. 8

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By Iori Miyazawa and shirakaba. Released in Japan as “Urasekai Picnic” by Hayakawa Bunko JA. Released in North America by J-Novel Club. Translated by Sean McCann.

For the most part, this book is an emotional journey. It’s about Sorawo, a woman whose emotions have always been something of a foreign country (to herself, not necessarily to others) learning about what love is, what it means to love someone, and how that can change a relationship. And she has perfectly normal fears. She has a great relationship with Toriko now, one defined in the first book: they’re accomplices. But Toriko wants something more, and Sorawo knows it. That said, in case you were worried that this book would be all fluff and lack the sheer horror of the previous books, fear not. The middle of the book is here for you. What’s more, given that the book is about Sorawo’s feelings about Toriko, it makes sense that the horror is all based around Toriko. Let’s just say I hope this is never animated – I deal far better with horror as a written word than I do with horror as a visual medium.

Toriko has confessed to Sorawo, and says she wants a response. But she knows Sorawo is who she is, so she’s giving her a week to come up with this answer. This allows Sorawo to do a minor tour of the supporting cast to get some advice. College friend Benimori gives probably the most sensible advice, and seems delighted to find Sorawo, who has a bit of a reputation at their college, going through a real relationship. She talks with Natsumi, whose advice seems to be more about Natsumi than it is about Sorawo. She talks with Kozakura, who points out that their desire to go to the Otherside constantly, something almost everyone else would find terrifying, is what unites them – but that Toriko would stop doing it without Sorawo. And then finally, after a bus ride home that devolves into a series of Toriko-related visions, she goes to her apartment and confronts the girl she loves but barely knows.

I emphasized the horror, but rest assured there’s a lot of funny stuff here as well. The entire scene with Natsumi is amazing, complete with Natsumi calling Sorawo a “raging lesbian”, which is projecting if ever I saw it. Kozakura’s talk with Sorawo goes off the rails thanks to the presence of Kasumi, and leads to a self-help guide from hell. And the last part of the book, with Toriko and Sorawo opening up to each other, while also filled with sweet, touching moments, has its share of hilarity. We’ve known for a while that Sorawo is an unreliable narrator, but Toriko describing how Sorawo is ogling her constantly ever since they first met drives that home very well. Of course, we the reader have also seen that, but it’s been in the context of her internal monologue, so it hadn’t been apparent that it was written all over her face as well.

The sweet emotional bits are there as well, of course. I loved Toriko trying to do research into what she feels Sorawo’s issues might be – it’s a sign of how much she’s prepared to devote to their relationship, but also a sign of how little Sorawo opens up about her past – her matter-of-factness is disturbing, not edifying, even when she has to bluntly say “my family did not sexually assault me”. We also finally get a long look at Toriko’s mothers, what they did and who they were, as Sorawo finally realizes that in order to be Toriko’s lover, she needs to know who Toriko is and where she came from. And then there’s the part of the book that I think everyone will be talking about, the sex scene. At first disappointing, though very true to what Sorawo has told us, the reader, about her sexuality so far, it then rapidly moves in a very different direction. What follows is not only fulfilling for both of them but also 100% in character – both for them and the book. Kozakura would be completely unsurprised. They’re freaks, of course they have freaky sex.

We’re caught up once again, so I’m not sure where the series goes from here. We were introduced to a new character, who I didn’t have room to talk about, so it may do something with her. That said, this book is for those who’ve been waiting forever for these two to get together.