Manga Bookshelf

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Sean Gaffney

The Faraway Paladin: The Boy in the City of the Dead

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By Kanata Yanagino and Kususaga Rin. Released in Japan as “Saihate no Paladin” by Overlap. Released in North America digitally by J-Novel Club. Translated by James Rushton.

So far J-Novel Club has about five or six titles going, and most of them are light novels that have one thing in common: they have that ‘light novel’ feel to them. There’s the obvious ones, like titles that are far too long, and Big Sisters and Little Sisters galore, but even the odder choices like Grimgar or Occultic;Nine still feel like a Japanese anime/manga franchise. The Faraway Paladin is an exception to this rule. It is technically a light novel, in that it was published in Japan and has intermittent illustrations, but there the similarities end. Instead, what The Faraway Paladin does is give you a dark fantasy, a coming-of-age story, an epic battle to save the souls of your adopted family, and easily the best book they’ve released to date.

I take that back, there is one other common Japanese light novel trope: our hero, Will, is actually a reincarnation of a Japanese boy, a loser shut-in who seemingly never tried to achieve anything, never mourned the death of his parents, and died alone and unfulfilled. Now he’s reincarnated as a baby… but with his old memories. That said, except for one point towards the end of the book, this is pretty irrelevant. It’s there to allow him to narrate the story from infancy without worrying about tone, and to show off why he has such heroic resolve to grow and learn as fast as possible: he regrets his old life, and wants to do better. Helping him are the three who are raising him: a skeleton, a mummy and a ghost. They teach him magic, teach him fighting, teach him basic daily life skills, and turn him into a strapping young lad ready to set out into the world. Then their past catches up…

I’ll be honest, I was expecting ‘raise the boy to be a warrior’ to take up maybe the first quarter of this book, but no, the entire first volume is devoted to his upbringing. This is a good thing, as it lets the plot breathe, and gives you time to get to know each of these characters. The cast is deliberately small, and each person gets a good amount of development, angst, and overcoming said angst. In the second half, things get a lot more action packed, as well as darker in tone, and the pace picks up in an appropriate way. The resolution is somewhat telegraphed, but not in a way that makes it predictable, more in an “ah, I knew it!” sort of way. Most of all, the book is simply well-written, and everyone is likeable and fun to read about. Even the ghost, who can be a grumpy old cuss. (Terrific translation, as well – probably the best of the company’s to date.)

Basically, this is a good novel to give to people who don’t like all the tropes associated with light novels – they’re absent here. And it’s simply a good fantasy in general. (You can tell I really like it as I’m holding myself back from giving everything away in the review.) Highly recommended, and I look forward to seeing the direction the series takes.

Bookshelf Briefs 2/6/17

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Food Wars!: Shokugeki no Soma, Vol. 16 | By Yuto Tsukuda and Shun Saeki | VIZ Media – The Moon Festival continues, as does Yukihira’s attempt to outsell Terunori Kuga, a member of the Council of Ten with a popular Chinese food booth. There are a few chapters about Yukihira’s latest concoction being amazing, and at least one day where he comes out ahead, thanks to help from half a dozen friends, and then… the whole idea just kind of fizzles. Instead, we’re introduced to Erina’s uber-controlling dad who has managed to convince six members of the Council to appoint him the new dean of the school. He’s the one who taught Erina to have such a refined palette, but his techniques were akin to brainwashing, so the now-former dean enlists Yukihira’s help to save his granddaughter. It’s not that this isn’t interesting, but it was a really awkward segue. Didn’t he have something major on the line with that challenge? – Michelle Smith

FukuFuku: Kitten Tales, Vol. 2 | By Konami Kanata | Vertical Comics – In these turbulent times, it’s nice to take a mental break and just read about a kitten doing kittenish things. In this volume, FukuFuku opens doors with her face, gets brushed, tries to avoid getting wet, goes outside on a windy day, chases bugs, drinks from a drippy faucet, jumps on the counter, and gets irritated at her owner on a regular basis, particularly when she’s thwarted from attacking things that, frankly, the owner should’ve known better than to wave in her face. In fact, that’s the one frustrating thing about this series—owner, if you have a cat, why on earth do you expected the sliced fish you leave on your kotatsu to still be there after you leave the room?! But FukuFuku’s expressive reactions are definitely amusing enough to compensate, and an unexpected event at the end of the volume is welcome, too. I’m on board for volume three! – Michelle Smith

Haikyu!!, Vol. 8 | By Haruichi Furudate | VIZ Media – The third set of the match against Aoba Johsai continues, and it’s a real nail-biter. Perennial bench-warmer Tadashi Yamaguchi finally gets a chance to step in as a pinch-hitter, but regrettably botches his chance. Still, Karasuno manages to tie up the game at 24 points each, and then tense and exhausting back-and-forth scoring ensues until, finally, Aoba Johsai takes the win. I’m reminded of Kuroko’s Basketball, which just did something similar, but this is the way to ensure growth in our heroes, and they’re all determined to work hard, even the third years, who have decided to stay on the team with the goal of participating in the spring tournament together. Individually, Kageyama has changed, too, throwing off his kingly mantle seemingly for good, and I’m pretty excited to see where the team goes from here. – Michelle Smith

My Love Story!!, Vol. 11 | By Kazune Kawahara and Aruko | VIZ Media – We begin with Takeo and Yamato each on their school trip to Hokkaido, and the anticipation of finally getting to spend some free time together. When they do see each other, Takeo thinks he’s able to hide his lustful impulses from Yamato, but she not only knows all along, but purposefully gets close to him because she enjoys making him feel the same way she does. They finally communicate about their feelings and… share a single, chaste smooch in an unoccupied train station. Which I suppose is progress for them. As the volume ends, Sunakawa has evidently made a new friend, which makes Takeo a bit lonely, though the guy seems to be a creep and one wonders why Sunakawa is hanging out with him, when in the past he’d diss girls who insulted his large, good-hearted friend. Only two volumes left! Sad face! – Michelle Smith

My Pathetic Vampire Life, Vol. 2 | By Ishikawa Rose | Seven Seas – I was a bit underwhelmed with the first volume, and that feeling has not changed. To be fair, this may be another case of “I am disappointed as this was not what I expected,” but I still feel that there could be a lot more done with this sort of plot. Instead, it’s a relaxed, slice-of-life comedy manga with a few vampires in it. The odd joke manages to land, and there’s some good backstory for Koide as he talks about visiting his sister, which excites his classmates till they realize he means her grave. I also liked his analysis of cultural festivals and how they work, especially as it’s almost immediately subverted. Still, in this end, this title is merely OK. Fans of comedy supernatural manga may want to read it. – Sean Gaffney

Pick of the Week: So Many Choices

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SEAN: There’s a ton to choose from, most of it from Viz. So many of my favorites are getting new volumes it’s hard to narrow it down, but I’ll make it the new volume of My Love Story!!, which never fails to warm the cockles of my little heart.

KATE: My pick goes to Fuku Fuku Kitten Tales. Although it’s not quite in the same league as Chi’s Sweet Home, Fuku Fuku will appeal to cat fanciers. I particularly like the way Kanata Konami draws cats when they’re irritated; no one draws feline side-eye with quite such authority. Those feline reaction shots add a tart little zing to the Fuku Fuku stories that prevents them from becoming too cloying.

MICHELLE: Oh, man. Such a tough choice. Both Sean’s and Kate’s picks are on the top of my stack, but ultimately the title I’m most eager for is Haikyu!! because I’m addicted to its sports manga goodness.

ASH: It really is a tough pick this week, especially since there are so many Viz series that I’m following with new volumes being released. Sean has already mentioned My Love Story!! and Michelle has already mentioned Haikyu!!, so I’ll take this opportunity to mention Yona of the Dawn. It may not be as typographically emphatic, but it’s still a great series and I’m looking forward to reading more of the shoujo fantasy epic.

ANNA: If there’s a shoujo fantasy series out, you can be sure that I’m going to pick it. I’m going to join with Ash in picking Yona of the Dawn. It is firmly in the “get the team together” phase of the story, but I’m thoroughly enjoying it. I would love it if there were 2 or 3 series like it licensed at once!

MJ: I feel a little out of sync this week, with such a big haul and so little of it for me. But I will join Kate in appreciation of Fuku-Fuku Kitten Tales. More kitties is always something I can get behind, especially when they are drawn by this artist.

Umineko: When They Cry, Vol. 15

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Story by Ryukishi07; Art by Hinase Momoyama. Released in Japan in two separate volumes as “Umineko no Naku Koro ni: Dawn of the Golden Witch” by Square Enix, serialized in the magazine GFantasy. Released in North America by Yen Press. Translated by Stephen Paul.

Warning: this reviews mentions the biggest spoiler in Umineko, which I have been dancing around until now. I won’t mention it in this first paragraph, but it’s hard not to review this final omnibus of the arc and discuss it, as it ends up being a major part of the climax. Before we get to that, though: I’ve talked before about how Ryukishi07 loves a good old fashioned shonen battle at heart, and a great deal of this book is just that. Various characters try to attack Beatrice and get blown away by various other characters, as you realize how ridiculously huge the cast has become by now. Erika finally loses, and judging by the “roll call” at the end of the book, seemingly abandoned to a watery grave by Bernkastel. And Ryukishi still can’t resist connecting Umineko and Higurashi, even though Featherine and Hanyuu are as alike as two very unalike things.

(I am very irritated with that front cover image, by the way. I know it’s not Yen’s fault, and that the Japanese licensor chose which cover to use and which to hide. But it makes me sad that the best cover in the series is relegated to the color page inside.)

For those trying to figure out what’s going on in Umineko, the manga has been a bit more obvious in its hints than the visual novel, even back in earlier arcs. For this particular arc, we’ve spent a long time debating why it is that Shannon, Kanon, and Beatrice need magic in order to have their love fulfilled, and this volume explicitly says it’s because they are not a whole person. Meanwhile, as predicted in the last volume, Battler is trapped in a logic error of his own making, trapped inside the guest room till he can figure out how to get out without disturbing the chain lock, duct tape seals, or anything else. The answer ends up being that Kanon, being dead (Shannon won the big duel), can now come free Battler and take his place. And then “erase himself” by magic. There’s only one way for this all to work, and that’s by realizing that we’re talking about IDENTITIES when we discuss people on the island, not BODIES. Shannon and Kanon cannot both love without magic help as they’re the same person. And both are also a third person – Beatrice.

This works a lot better than you’d imagine if you think about what is “real” in the books and what takes place in an imaginary fantasy world. We’ve gone on and on about “magic” being a conceit, and that’s in full force here. It’s also what allows Fledgling Beato to take up the place of her old self and become the “real”, haughty Beatrice – though that mask slips much of the time, and there’s still some creepy incestual vibes between her and Battler that is the big downside of this arc and I kind of hate. In any case, we may have figured out the gimmick behind one of the biggest mysteries of Umineko, but we’re still completely in the dark as to the motive? What led to this? Was it Battler’s sin (remember that)? Was it because everyone needed a lot of money right now? What drove Beatrice, whoever she may identify as, to the events of 1986?

We will hopefully find out soon (though Yen hasn’t scheduled it yet) with the 7th arc of Umineko: Requiem of the Golden Witch. I’m sure it will be happy and filled with good times – after all, Bernkastel will be in charge of this arc. What could possibly go wrong?

Death March to the Parallel World Rhapsody, Vol. 1

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By Hiro Ainana and shri. Released in Japan by Fujimi Shobo. Released in North America by Yen On. Translated by Jenny McKeon.

For all that we talk about the cliche of the “transported to another world” genre (‘isekai’ in Japan), we haven’t actually seen too many pure examples of the genre itself in the light novels we’ve had translated. There have been slight variations – DanMachi essentially works on the same principles, only Bell is not from another world. SAO and Log Horizon have people trapped in literal game worlds. We’ve seen deconstructions, like Re: Zero and Grimgar of Fantasy and Ash. And next month we’ll see an outright parody with KonoSuba. Even this series I’m reviewing today, which comes closest to the original form, has a variation in that the hero is a late-20s salaryman in his old teenage body, and thus his thoughts are more of an adult’s. And honestly, there’s a reason we haven’t seen too many of the ‘standard’ types of isekai novels: they’re standard male wish-fulfillment.

Our hero is Satou, a game designer who falls asleep after a rough coding session and wakes up in a desert-like area where he’s about to be killed by lizard people. He thinks he’s dreaming and imagining he’s in a game, mostly as he can see his stats on a screen in front of him. So he tries the stupidly overpowered move that he and his boss were discussing earlier, which causes a giant meteor shower to take out the enemy. And then a bigger one to take out a dragon god. Doing this levels Satou up to absolutely ridiculous levels, and since he also has a Bag of Infinite Holding and a giant pile of money… even most self-insert fanfics don’t go this far. He goes to the nearest city, which is battling wyverns and demons and such, and slowly learns about the world he’s now in. Very, very slowly.

The difficulty with these male power fantasy books is that the hero is meant to be one that the reader can just swap out and substitute with themselves, and as a result can’t have too many signifying traits that might differ from said reader. This means that the novel’s big weakness is Satou, who is a giant yawning void where a protagonist should be. Since he’s got a teenage body but his mind is that of his old 29-year-old game developer self, he’s rather calm and stoic about things like love. And since he WAS a game designer, he can handle most of the cliches that come his way to try to kill him, especially as he’s got his God Stats, his Unlimited Items, and his Unlimited Money. Stoic emotionless heroes can work in the right context – Overlord and The Irregular at Magic High School have similar types. But there needs to be something behind them, something other than “well, here’s a monster, splat, OK, next?”. Also, he needs to stop telling everyone he’s not a lolicon every other line, or folks are going to get suspicious.

As for the rest of the book, well, it was all right. I never thought I’d say this about any work ever, but: this book is crying out for a tsundere to get angry with the hero. The female knight Satou saves falls for him immediately, and the three slaves he takes on (Satou is against slavery, but circumstances are such that he can’t do much about it) are all fairly meek and willing to do anything he says. If there is one bright light in this book, it is the stat updates that accompany Satou whenever he does anything, which range from the practical to the hilarious, and are easily the best part of the book. If you want to see what a garden variety isekai work is, you may want to give Death March a try. Everyone else is better off sticking with the subversions, deconstructions and parodies, though.

Fruits Basket Collector’s Edition, Vol. 9

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By Natsuki Takaya. Released in Japan by Hakusensha, serialized in the magazine Hana to Yume. Released in North America by Yen Press. Translated by Sheldon Drzka.

This review contains spoilers that everyone knows. If you don’t know them, you can stop reading here.

At the time that Fruits Basket was first coming out, both in Japan and North America, it had a sizeable BL fandom. In fact, one might very well argue the BL fandom was far larger than the het fandom for this particular title. Not really a surprise – the series is filled with pretty boys, and some of them even play up to this stereotype (Shigure, Ayame, I’m looking at you). And BL fandom at the time (and to a certain extent today, though maybe not as much?) tended to demonize and bash any female character that got in the way of their pairings (not Tohru so much, but Rin got hit REALLY hard with this) as well as praise the “bad boy”. Which of course in Fruits Basket was Akito. Akito was a hot guy, so could be forgiven a little abuse here and there, right?

So with the revelation that Akito was actually a girl, raised as a boy (her gender is a secret to most of the cast as well as the reader), the fandom sort of exploded into bits. Half of it reacted much like Tohru did in this book, dropping to her knees and breaking down until Hanajima comes to her rescue (one of my favorite scenes in the entire manga, particularly Hana providing her own fanfare). The other half reacted with rage that Takaya-san would do this to their beloved Akito, who… was no longer as beloved as a girl. In fact, the fandom started to turn on her a bit. Reading it now almost ten years later, I am similarly torn, though admittedly not for the BL. Akito is clearly also part of this giant family of abuse, and we see a lot more of her mother Ren here – indeed, Ren kickstarts the plot that occupies much of the latter half of the book. On the other hand, Akito is still a spoiled, entitled brat, and lashes out in panic whenever anyone shows the slightest sign they’re going to leave her. It’s hard to read, but worth it.

Then there’s Rin and Haru, who’s plots get mostly resolved here. Rin suffers somewhat from being a dark mirror to Tohru, and so her quest to break the curse was always doomed to end in failure. Also, don’t trust the obviously untrustworthy woman, Rin. But Akito’s reaction to finding her opening “the forbidden box”, and her subsequent punishment, is nightmarish – you sense that if Kureno hadn’t found her, she would literally have died there. (Kureno has to talk a terrified maid into helping him, and judging by the head maid’s disparaging words after the fact, I suspect that said maid may have gotten fired after all.) Speaking of dark mirrors, the light side is Haru, who realizes he wanted to possess Rin more than he wanted to protect her. The dark side is Shigure, who wants Akito all for himself and is happy to shatter her preconceptions to do so – in fact, he has to do so due to the nature of the curse.

I admit these two volumes, as well as the first half of the next edition, are where I realized Shigure would always be my favorite. His possessive monologue about wanting to “crush Akito to a pulp”, as well as his dull-eyed stare as he thinks it, is some of Takaya’s finest work in he entire manga. And as if that wasn’t horrifying enough, his conversation with Rin right at the end implies he may have known about her fate and done nothing about it. Shigure can be both fascinating and completely awful, and I could analyze him all day. But I will instead say that this volume of Fruits Basket and the one after are, in my mind, the high points of the entire series. Even if they did crack the internet in half at the time.

Manga the Week of 2/8/17

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SEAN: Sooooo much Viz. So much. Almost every single Viz title I follow has a volume out this week. Oddly, though, absolutely no new title debuts.

Before Viz, though, Kodansha gives us a 2nd volume of Fire Force, which seems to be Soul Eater’s attempt to do Fairy Tail.

Say “I Love You” is ending soon, but I’m not sure if 17 is the final volume or not. We shall see.

MICHELLE: Yeah, I don’t know either.

ASH: This series has been consistently great. I’m glad that Kodansha brought it over.

ANNA: I’m so far behind on this series, I’ve almost given up on getting caught up, but I’m also glad Kodansha brought it over.

SEAN: Seven Seas gives us a 2nd volume of My Pathetic Vampire Life, which I did not enjoy as much as I expected.

And a 2nd Please Tell Me, Galko-chan!, which I enjoyed more than I expected.

ASH: I really enjoyed the first volume, too! It was surprisingly bright and cheery.

SEAN: Titan Comics has been releasing the manga version of Sherlock in pamphlet form over the last year, and now we finally get the first volume collected as A Study in Pink. Assuming there are Sherlock fans left after that last season.

MICHELLE: I liked the middle one!

ANNA: Ah, maybe it will be pleasantly nostalgic?

SEAN: Kitty! A 2nd volume of Fuku Fuku: Kitten Tales from Vertical Comics.

MJ: More kitties are always welcome!

MICHELLE: Yay!

SEAN: And now. Viz. So much Viz. A 14th volume of Assassination Classroom, which is not quite at THAT spoiler yet. Next time.

Black Clover has improved slightly with each volume, to the point that I am prepared to call the 5th volume “pretty good”.

Bleach has an 18th 3-in-1, which I assume is in the middle of some long arc.

Hungry? Good. Food Wars! 16 will make you want to eat (or go to a school festival).

Don’t eat volleyballs, though. But the 8th volume of Haikyu!! should be excellent.

MICHELLE: Very excited about more Food Wars! and Haikyu!!.

ASH: I’m also looking forward to more of both series.

ANNA: Haikyu!! is consistently good.

SEAN: The 3rd arc of JoJo’s Bizarre Adventure did not grip me as immediately as the first two. I’m hoping that changes with the 2nd Stardust Crusaders hardcover.

ASH: It’s such a weird series. It almost becomes a travelogue at some points. Granted, a very bloody one with lots of punching and mind games.

SEAN: Kamisama Kiss continues its final arc with its 23rd volume.

ANNA: I’ve got 4 volumes to read to get caught up, but in a way that’s fine because the series is so enjoyable.

SEAN: How will Kuroko’s Basketball’s 4th omnibus deal with the CRUSHING DEFEAT from last time? My guess? Friendship and Training.

MICHELLE: A solid bet.

SEAN: Maid-sama! has Vol. 13-14, which means it’s actually nearly over. I assume Misaki will protest quite a bit throughout.

MICHELLE: It’s kind of hard to believe that we’re actually going to see the conclusion of this one.

SEAN: And a 7th volume of superhero school manga My Hero Academia.

ASH: I’ve really been meaning to read this series; I’ve heard great things about it.

SEAN: Yay! My Love Story!! 11 is here! Please always be adorable.

MICHELLE: Here’s one that’s almost over, too. (Volume thirteen is the end.)

ASH: I continue to love My Love Story!!(!)

ANNA: How could it not be adorable?

SEAN: One Piece’s 81st volume makes me very happy, if only as I don’t have to say Dressrosa anymore. What’s up with Sanji, though?

MICHELLE: Man, you weren’t kidding about nearly everything getting a new volume!

SEAN: So Cute It Hurts!! gets an 11th volume, though the exclamation mark joke’s time has passed.

Toriko is in its final arc with the 37th volume, but I think it’s still got a ways to go.

MICHELLE: Finally, I’m about to embark on reading Toriko!

SEAN: Yona of the Dawn has a 4th volume, and cannot come out fast enough for me.

MICHELLE: I am excite.

ASH: I’m more than ready for my next dose of shoujo epic fantasy!

ANNA: Me too!

SEAN: Lastly, there’s a 9th Yu-Gi-Oh! 3-in-1, because Yu-Gi-Oh will never die.

MJ: Wow, when I see a list like this, it makes me feel like I’m not reading anything at all. I swear I am!

SEAN: What’s keeping you happy in this cold and gloomy February?

Kagerou Daze VI: Over the Dimension

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By Jin (Shinzen no Teki-P) and Sidu. Released in Japan by Enterbrain. Released in North America by Yen On. Translated by Kevin Gifford.

For all that I’ve joked about the Kagerou Daze light novels being short – and they really are, they’re easily the shortest books that Yen is putting out right now – that’s not a complaint about their quality, which has steadily improved with each volume. Kagerou Daze does not really give the reader a lot of information directly, so one can get very easily confused reading the first three books. As we move on, though, and discover backstories and connections between characters, everything starts to come together as we realize that there is an overarching plot here, we have a main villain, and we almost know what the villain is doing, though not why. It can also help flesh out previous books, and no volume does that more than this new one, which is a mirror to the second book, A Headphone Actor.

In that book we had the POV of Takane, the eternally angry high school girl who likes her tall, airheaded classmate Haruka but can’t do anything but take shots at him, because hiding embarrassment, etc. A tsundere with very little dere. This new book gives us Haruka’s perspective of the same events, and we can see that he does actually sort of like Takane, but unfortunately due to her actions he doesn’t think that she likes him much at all. If you’re going to haev a stereotypical angry anime girl, it’s always nice to show off how it can work against them in the long run. As for Haruka himself, he’s a bit shy, straightforward, nice… and dying, something that he’s known about for some time but hasn’t really told anyone about. The knowledge that he’ll be dead in a year informs many of his actions, especially as he begins to open up to both Takane and his new friends Ayano and Shintaro.

Shintaro is a bit of a revelation here, as from Takane’s perspective in Volume 2, he was quite different back in school from the emotional hot mess we know and love. Here we see Shintaro slowly open to to Haruka’s aggressive overtures of friendship, and we can see that the emotional turmoil is not all that far from the surface. There’s lots of bits in this book that work because we know the cast and their pasts from previous books – when Ayano walks in on Haruka and begins to act in a completely non-characteristic way, it’s easy to see that it’s really Kano. We also see the start of Momo’s idol career, and the fact that literally everyone but Shintaro can see how gaga Ayano is over him. Of course, Ayano is dead in the future, which also makes this a bit tragic as well.

In fact, the book ends darkly, as not only do we see Haruka and Takane getting turned into Konoha and Ene from his perspective, but we also see that Konoha seems to be somewhat possessed by evil, and also that Shintaro is possibly dead as well. Given that we’ve seen time loops in this series before, I highly doubt this is meant to be permanent, but our heroes still have a long way to go to fix things. Definitely worth a read, even if you’re not a fan of the songs.

Murciélago, Vol. 1

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By Yoshimurakana. Released in Japan by Square Enix, serialization ongoing in the magazine Young Gangan. Released in North America by Yen Press. Translated by Christine Dashiell.

Before I get to the actual review, please be advised that when you see the Parental Advisory warning on the cover, it’s not kidding. This series is explicit in both its sex and violence, and in particular those who don’t like gore would do well to avoid it. It’s also another one of those “everyone in the cast is a sociopathic monster” series, where empathy is really hard to come by and you simply have to shrug your shoulders and read it as if it was a Woody Woodpecker cartoon. Once you do that, you’ll realize just how much fun Murciélago is, particularly its mass murdering protegonist, Kuroko. Though I also have to warn you that if you also read One-Punch Man, Kuroko will remind you much of the time of a busty female Saitama.

The premise is that Kuroko is on death row for, well, murdering so many people, but is offered a job by the government as a killer-for-hire to take out the really difficult to capture psychos. Since this will allow her to do whatever the hell she wants legally, she agrees to it straight away. She’s partnered with Hinako, a high school girl (though her normal personality reads more like a ten year old) with an insane ability to drive her car anywhere, including across cityscape roofs. Together the two of them take on an ex-wrestler whose drug habit has led him to a murderous hallucination-driven rage, and some really unfortunate robbers who try to hold up the restaurant they’re eating in. Along the way we also meet Miyuki, a seemingly innocent young girl who somehow ends up roped into Kuroko’s world. Seemingly probably being the right word, though we don’t have much beyond one evil grin yet.

One other thing that bears mentioning is that Kuroko is a lesbian, something we see very explicitly throughout. We meet Kuroko scissoring her lover, the book ends with an online date that turns to sex pretty quickly, and she’s all over every single woman we meet in the book, though Hinako thankfully doesn’t seem to really react to it much. It’s rather refreshing to see a lesbian in mainstream manga portrayed as this blatantly sexual, and I’m sure the only reason it can get away with it is that Kuroko is the “antihero” sort of hero, and is therefore allowed to be as outrageous as possible. That said, honestly the best part of this manga may be the way Kuroko moves and reacts. She seems to be made entirely of limbs at times, does what has been dubbed the “SHAFT head tilt”, and her facial expressions are worth the price of the book alone.

Basically, if you enjoy over the top violence and action with a strong female lead, and don’t mind that everyone in this world except for one rookie cop is completely looney tunes, Murciélago is right up your alley. Fans of Black Lagoon should also enjoy it, though Black Lagoon attempts to have a moral center that Murciélago never bothers with. Great gore-filled fun.

Pick of the Week: Lesbians or Melting Faces?

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MICHELLE: Hm, probably I shouldn’t pick Wave, Listen to Me! for two weeks in a row, so this time I’ll go for Kindred Spirits on the Roof, which has been on my to-get list for quite a while.

SEAN: There’s lots I’m interested in, including lots of light novels and some amusing/disgusting horror. But yes, my pick is definitely Kindred Spirits on the Roof. This makes three Seven Seas picks this month. Kudos to them.

ASH: While I’m certainly interested in Kindred Spirits on the Roof there can be no other pick for me this week than Dissolving Classroom. Josei horror by Junji Ito? Count me in!

KATE: My vote goes to Junji Ito’s The Dissolving Classroom. It looks gross — in the best possible way — and funny — as all of Ito’s manga are. I don’t know if it’s studded with references to Umezu’s Drifting Classroom, but it seems as if there’s drinking game potential here!

ANNA: I’m with the folks who are choosing The Dissolving Classroom, it isn’t every week a quality horror release comes out!

Bookshelf Briefs 1/30/17

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Alice in Matchaland | By Mosoko Miyatsuki | Manga University – This slim volume is both picture and cook book, offering readers a playful riff on Lewis Carroll’s most famous work as well as recipes for matcha-infused snacks. For tween manga lovers, the button-cute character designs, Technicolor palette, and gentle pokes at manga cliche may be enough to justify purchasing Alice in Matchaland. Anyone intent on making Matcha Energy Bites, however, will need a conversion table handy, as the recipes freely mix teaspoons with grams and milliliters. The book doesn’t offer any tips for procuring matcha powder, either—a curious omission, since many Americans won’t find it on the shelves of their local grocery stores. A little more attention to the recipes would have made this book less of a stocking stuffer and more of a must-buy for tea-drinking manga enthusiasts. (The publisher provided a review copy.) -Kate Dacey

Behind the Scenes!!, Vol. 3 | By Bisco Hatori | VIZ Media – It’s not that Behind the Scenes!! is awful, but that every chapter is essentially filler. In this volume, there’s the one about the bratty child actor whom the team helps emote, the one about protecting a group filming in a park, the one about fundraising through shrinky dinks (yes, really), and the one about creating a haunted house. At times, attempts are made to flesh out the other members of the art squad, but it’s never building on character traits previously established and then paying off in a satisfying way. It’s always Ranmaru noticing on one page that Ruka gives in too easily and then on the next page encouraging her not to give in because shrinky dinks (yes, really). Probably it’s time to accept that this series is just not for me and move on. – Michelle Smith

Behind the Scenes!!, Vol. 3 | By Bisco Hatori | Viz Media – There isn’t a ton of plot or character development in Behind the Scenes!!, but it does reliably deliver a pleasant escape in the adventures of a college art club that supports various film projects. The first story line in this volume deals with the redemption of a child actor who at first seems spoiled, then there is detour into the value of crafts as the gentle rich girl Ruka stands up for herself. The gang also has to fine tune a haunted house, when they make it dangerously realistic. Even if this series isn’t the most memorable thing Hatori has created, it still is diverting in the moment. I enjoy the interactions between all the characters, and this volume also featured several bonus one page manga at end. – Anna N

Horimiya, Vol. 6 | By Hero and Daisuke Hagiwara | Yen Press – I said last time that Hori and Miyamura hadn’t quite taken the next step in their relationship yet. They do that here, but blink sand you’ll miss it—unlike most manga of this type, their first time—while sweet—is not earth-shattering and does not really change either of them. Indeed, Miyamura is far more concerned about the required swimming event, mostly as it could get him expelled. We also see Hori being jealous again, but she’s at least cognizant of how annoying it is, and it’s funnier when she uses her anger against other people, like Miyamura’s old teasing classmates from junior high. This is not particularly going anywhere, even with the sex, but it’s still a well-written leisurely ride. – Sean Gaffney

Interviews with Monster Girls, Vol. 2 | By Petos | Kodansha Comics – This is sort of a harem series—there’s certainly enough students and one teacher in love with Takahashi-sensei. But it feels so laid-back and leisurely, and he’s so non-sexual in general, that I can’t really define it as a classic harem comedy. At heart, it’s about the girls and their monster issues—though the best chapter in the volume has the teacher pointing out that you can’t just think of them as monsters OR girls, but you have to balance both sides. Much of the volume deals with a yuki-onna who worries she may live up to her stereotype, and she’s just as sweet and cute (and somewhat boring) as the other girls. This is a nice series, and monster girl fans will like it. It is, however, not a book that will get your pulse racing. Leisurely. – Sean Gaffney

Liselotte & Witch’s Forest, Vol. 3 | By Natsuki Takaya | Yen Press – At last, a volume of Liselotte I can honestly say was excellent throughout. The bargain that she has to strike to save Engetsu’s life essentially resets things to square one, but that’s really for the best, as I think the baggage was crushing them both a bit. We also get more flashes to what Lise was like before the rebellion, and it’s rather sad and also a bit eerie. There’s also still some comedy, mostly coming from Alto and Anna, though the return of a witch from the previous volume also helps. I suspect things may not stay comedic for long, though, as it appears that Lise is not going to be allowed to be merely exiled for much longer. The less fluffy this gets the more I like it, though the fluff is still fun. – Sean Gaffney

Liselotte & Witch’s Forest, Vol. 3 | By Natsuki Takaya | VIZ Media – Man, I can already tell that it’s going to be pretty painful when Liselotte goes on hiatus after two more volumes. Although some of what happens in this installment feels like things I’ve seen before—the heroine who unhesitatingly hacks off her own long hair, the love interest who loses his memories of the heroine, the determined optimism and welcoming spirit—there are some unique things about this story, chief among them the reveal in the final pages that someone has been watching Liselotte and reporting back to her brother, who is being pressured to do something about her. It’d be an interesting development if her world were to get a bit darker; the Akito vibes I got from the tree spirit in this volume were pretty fantastic. – Michelle Smith

Scum’s Wish, Vol. 2 | By Mengo Yokoyari | Yen Press – I have to say, so far this is currently at the top of my “most surprising new series” list, as the second volume is just as strong as the first was. Even as it appears that Mugi and Hanabi may have deeper feelings for each other than they expected, it is shown over and over again how bad this relationship really is, and how much they’re hurting from it. Of course, not having the relationship would not ease the source of the hurt. Meanwhile, we also meet Ebato, Hanabi’s friend who turns out to be in love with her, something that gets revealed a lot more than she’d like at a sleepover, and ends just as ambiguously as you’d expect. This is a fantastic car crash of a romance manga, where even the omake extra is tragic and sad. Well-written and brutal. – Sean Gaffney

Scum’s Wish, Vol. 2 | By Mengo Yokoyari | Yen Press – After making a brief appearance in volume one, a lot of this volume focuses on Hanabi’s only female friend, Ecchan, who has been in love with her ever since the day they took the entrance exam. When she’s invited to a sleepover, she’s unable to contain her feelings anymore and confesses, but more importantly gets Hanabi to confirm that she doesn’t love Mugi. Ecchan offers to be the surrogate herself, but by volume’s end, Hanabi’s in bed with Mugi, seemingly ready to have sex with him. One thing I particularly liked about this volume is though her relationship with Mugi might seem twisted and strange, in a way she’s more pure than other classmates, because she’s acting out of love and not merely juggling two guys, trying to decide who has more to offer her. Looking forward to volume three! – Michelle Smith

Decapitation: Kubikiri Cycle

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By NISIOISIN, illustrations by take. Released in Japan as “Kubikiri Cycle: Aoiro Savant to Zaregototsukai” by Kodansha. Released in North America by Vertical, Inc. Translated by Greg Moore.

I had thought that I had reviewed this volume when it first came out almost ten years ago from Del Rey books. But no, I hadn’t quite begun my blog yet, though I have reviewed the second (and sadly last) book in the series. But of course that was almost ten years ago. Since then I’ve gotten obsessed with Medaka Box, and I finally joined the herd in getting obsessed with the Monogatari series. So I was ready to revisit the first in Nisioisin’s Zaregoto series, which is finally getting an anime in Japan after so many years. (It also never had a manga, except for an original story spinoff.) If you’re familiar with Nisio’s later works, you’ll find much here that’s familiar, particularly the idea of what “geniuses” are. But those works lack the most important element of these books, and that’s the narrator, Ii-chan.

Nisio loves to take his main characters and have them disparaged, either by the narration himself or by other characters. But usually it’s the other characters that get all the attention. In Medaka Box Medaka is not remotely the most popular character with fans, and I doubt you’ll find many Monogatari fans saying Koyomi is “best girl” either. Zaregoto is all about Ii-chan, though. His seemingly deadpan narration, his seeming stoicism, his seeming need to not care about anything that happens to him or what anyone thinks of him. Seeming being the repeated word, because it’s pointed out repeatedly by the entire cast just how much nonsense his entire attitude is. Which is, of course, the point: he is the “nonsense user” of the subtitle, and at times he almost seems to utter it like a mantra, usually when it’s becoming too apparent that’s he’s slipping out of character.

Ii-chan (real name never given throughout the series, much like Kyon) is the friend and minder of a technological genius, Tomo Kunagisa, who’s been invited to a remote island by an eccentric ex-heiress who likes surrounding herself with these sorts of types. Of course, if the words “remote island” seem suspicious to you, you’ve probably guessed that someone is murdered while they’re there. Now Ii-chan, who is merely a normal boy among all these geniuses, must solve the crime. And that’s a lie as well, as we’re told that Ii-chan himself went to an exclusive school in America just for geniuses, though he maintains that it doesn’t count because he dropped out. Also, despite professing a bad memory and ignorance of many basic principles, he’s quoting obscure philosophy and literature throughout. He is a lying liar who lies, and by the end of the book you can see why many in the story are disgusted with him. He won’t try. He refuses to strive. He goes with the flow. Except of course that is not completely true either. He just wishes it was.

There is a lot of backstory given here, some of which comes up again later in the series and some of which does not. Ii-chan talks about a child who was not allowed to have any contact with the outside world for the first ten years of their life, but it’s unclear if he means Kunagisa or himself. Certainly Kunagisa seems to suffer from a case of arrested development – she’s supposedly the same age as Ii-chan, who’s about to start college, but looks and acts about eleven years old. She’s also the head of a former cyber-terrorist group that terrified the world while also advancing its tech beyond most people’s wildest dreams. And she and Ii-chan are clearly used to corpses and investigating – one of the funniest parts of the book is their blank disbelief at why Yayoi is so upset and edgy – after all, it’s just a murder.

Honestly, the murder mystery is possibly the least interesting part of the book – again, not uncommon with this author, where frequently you read things for the dialogue or narrative tone rather than what’s actually happening. I’d actually say it’s overly complex, with two too many twists and turns at the very end – I think Nisio agreed with me, as around the 3rd book in the series he simply stopped making the books mysteries at all. That said, I still love and highly recommend the book, if only for its fascinating and frustrating narrator. And I’m hoping it does well enough that Vertical might put out the second in the series, which is even better.

Manga the Week of 2/1/17

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SEAN: For a ‘5th week’, this is a pretty huge one. Longtime readers know that when the 1st falls on a Wednesday, it’s not really the first week, but there’s still tons of stuff.

J-Novel Club has made its name mostly with typical “light novel” fare for standard anime fans. That said, the release of The Faraway Paladin is really being touted by them as a good novel in general. It’s a dark fantasy, and they’re REALLY pushing it as not your typical light novel fare.

They are also releasing Mixed Bathing in Another Dimension, which is absolutely your typical light novel fare.

If you enjoyed the first volumes of Deathtopia and Wave, Listen to Me! when they came out digitally Tuesday, well, Kodansha is releasing the 2nd volumes next week.

MICHELLE: Hooray!

ASH: I’m hoping we’ll eventually see a print edition, but I might not be able to wait for it.

ANNA: Nice! Preparing for a good digital only edition of manga binge.

SEAN: Many may remember the Alice in the Country of Hearts series coming out primarily from Seven Seas. It’s not anymore, for reasons that remain murky, but Seven Seas has tried to retain the spirit by doing Captive Hearts of Oz, which is an original manga series based on the Oz books with art by Mamenosuke Fujimaru, the most popular Alice in the Country of artist.

ASH: I’m actually really curious about this collaboration!

ANNA: I’m a little curious, but also wary because I’m burnt out on both Oz and Country of Hearts stuff. The art should at least be very pretty!

SEAN: I really enjoyed the visual novel Kindred Spirits on the Roof when it came out here last year, being a “yuri” title that actually cared about character depth and not just bodies squishing. There was a short manga spinoff as well, and Seven Seas is putting it out as one omnibus. The good news is it’s NOT an adaptation of the game – these are new stories, and stars some new cast members (it takes place after the game proper, I believe). If you like “non-skeezy” yuri, you must pick this up.

MICHELLE: This one was definitely on my list.

MJ: I’ll put it on mine as well.

ASH: Oh, interesting! I had assumed that it was an adaptation. I guess I’ll need to move it up on my list.

SEAN: And there is also a 2nd and final volume of the Love in Hell spinoff Death Life.

Udon’s Persona schedule has been slipping a bit, but here’s the 2nd volume of Persona 3.

ASH: Since I’ve actually played some of Persona 3, I’ve been meaning to check this series out. Apparently I’ve already fallen behind, though.

Vertical has a 1-volume Junji Ito title, Dissolving Classroom, which comes from a series of stories that ran in Motto!, Akita Shoten’s josei horror title. It’s Junji Ito, so it should be great (and also gross) (and also terrifying).

MJ: I like the sound of that!

ASH: I’m very excited for this release! I like josei, I like horror, I like Ito, so I expect that I’ll like Dissolving Classroom, too.

ANNA: Also curious to check this out.

SEAN: Yen has some new digital only releases. Aphorism 8, Corpse Princess 8, and Sekirei 8.

They also have their light novel titles for the month, beginning with the debut. Death March in the Parallel World Rhapsody had its manga adaptation come out this week, meaning I already discussed it in last week’s Manga the Week of. But hey, prose!

There is a 6th volume of cult favorite Kagerou Daze, which if nothing else promises to be short, and also hopefully clear up a few more mysteries.

The 3rd Overlord novel is unlikely to be short, and will continue to feature our evil protagonists having evil adventures.

Spice & Wolf has its 2nd and 3rd books released digitally for those (like me) who never read it in print years ago.

And Strike the Blood’s 5th volume hopes to resolve the cliffhanger from the last volume and also astound me with its originality. I suspect it will achieve one of those. But the fights will be cool.

Yen also held over two titles to next week. Alice in Murderland gives you more Kaori Yuki goodness (is the entire cast dead yet?).

And they debut Big Order in omnibus format. I had hoped this was a baseball manga, but alas. It’s from the creator of Future Diary.

MICHELLE: I wish it had been a baseball manga, too!

SEAN: Do you have a favorite title you’re picking up?

Wave, Listen to Me!, Vol. 1

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By Hiroaki Samura. Released in Japan as “Nami yo Kiite Kure” by Kodansha, serialization ongoing in the magazine Afternoon. Released in North America digitally by Kodansha Comics. Translated by Adam Hirsch.

The digital-only manga is something we’ve seen pop up quite a bit over the last few years, and now the big print companies are getting into it as well. Hiroaki Samura is well-known and beloved for his classic samurai series Blade of the Immortal, so you’d think that his next project would be an obvious get. But just like you don’t necessarily pick up the Fullmetal Alchemist creator’s new work when it’s a farming manga, you don’t necessarily have a built in audience for the samurai guy writing about a brash young woman who finds herself recruited for the wonders of the local radio station. Luckily, Kodansha is releasing this digitally, and I think it’s strong enough that with good word of mouth, it could warrant a print release.

Wave, Listen to Me! runs 100% on its heroine, and if you don’t like her, you’re not going to like the book. She doesn’t exactly make it easy to like her, either. When we meet Minare she’s drunk, talking to an older guy in a bar simply because he’s there, and bemoaning her recent failed relationship. You’d expect that this is the sort of behavior that would only come out when she’s drunk, and that she’ll regret it later. This is only partially true – she regrets some of the whining and bad relationship talk she gave, but it turns out that she’s pretty much like this when sober as well. Why is she regretting what she said to some guy in a bar? Well, turns out he recorded her… and that he’s a radio producer. When she hears her ranting monologue on the air, it leads to the possibility of a brand-new career. Which is good, because Minare’s life right now is a hot mess.

This is a fun, funny manga, and I enjoyed that it allowed us to be amused at all of Minare’s horribly wrong choices without actually making her look pathetic or annoying. (Also, ten points for her athleticism in taking out the guy who supposedly is assaulting her – though again, this turns out to be an error in judgment.) Minare says what she thinks and tends to act impulsively, which is why she’s a walking disaster, but is also why she has guys like Nakahara who are totally smitten with her. The parts of the book dealing with her radio career are more interesting than the romance, and I am very wary of the “other woman” who shows up to allegedly help at the restaurant Minare works at to make up for her brother’s running over the owner (as is Minare). But honestly, I would read 200 pages of this woman reading the phone book to us. It is very much a one-character title, and I really love the character.

Luckily, I won’t have too long to wait – the second volume is out next week. If you enjoy manga about strong, loud, flawed adult women and their misadventures in living, or even if you just love radio, this is a winner. Go buy it so we can get it in print.

Bookshelf Briefs 1/23/17

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Golden Time, Vol. 6 | By Yuyuko Takemiya and Umechazuke | Seven Seas – Getting past the fanservice of the volume—and not necessarily for guys, that’s Banri in the maid outfit on the cover—Golden Time always works best when it focuses on developing its leads, and it does a very good job. Banri is terrified the “old him” will take over again, Kouko is trying to change her old obsessive ways but it’s really hard, especially when she sees Bari and Linda pocky-kissing, and as for Linda, she’s trying to let go of her love for Banri without actually telling him about it, and just like Kouko, this is proving to be really hard. As you’d expect from this author, the manga does a really good job of providing depth to its romantic triangle. Recommended for romantic dramedy fans. – Sean Gaffney

Honey So Sweet, Vol. 5 | By Amu Meguro | Viz Media – I talked last time about how much I enjoyed the fluffy angst, and I do, but I feel that it doesn’t work as well when it’s obviously manufactured by the writer to create conflict that shouldn’t be there. Taiga’s mother pretending to be “a mean person” so that Nao could show her resolve was entirely unnecessary, especially since it only lasted about three pages. The rest of the volume fares better, especially with Nao’s fight with her brother, which spins its conflict very well indeed. And as with so many shoujo manga, we get to see the seasons pass, so get ready for Christmas dates and Valentine’s chocolate. Always good, but sometimes tries a bit too hard. – Sean Gaffney

Horimiya, Vol. 6 | By Hero and Daisuke Hagiwara | Yen Press – We’ve reached the stage where the lead couple is reasonably happy, so it’s time to focus on their friends’ romantic prospects. I was unexpectedly entertained by spending more time with Sengoku, who is every bit as scrawny and weak as Miyamura is, which doesn’t bother the girl who likes him one bit. Speaking of Miyamura, I think he and Hori manage to sleep together in this volume, but the fade-to-black is so demure that I’m not 100% sure. While I do celebrate how naturally the moment occurred, it does still trouble me that by the end of the volume he’s wearing a bandage because Hori went berserk when she thought a girl had called him. At least their friends are both telling Hori she’s to blame and Miyamura not to just let it go, but I wish her violent tendencies would be treated a little more seriously. – Michelle Smith

In/Spectre, Vol. 2 | By Kyo Shirodaira and Chashiba Katase | Kodansha Comics – There is a mystery here, and it’s a decent one, delving into the sordid business world of gravure idols and showing us how hard things can be for a practical girl who wants to get ahead in the business starting with “spunk” (and large breasts). But as with the first volume, the reader is likely more inclined to follow the hilarious back and forth between Kuro’s ex-girlfriend and his current girlfriend. As with the last volume, Kotoko is so comical in her arrogance and jealousy it’s actually hilarious, and Saki’s not much better. Kuro, being (mostly) a stoic, is the weak link. There’s also some cool fighting and amusing monsters. It’s a greatly enjoyable yokai series. – Sean Gaffney

Nichijou: My Ordinary Life, Vol. 6 | By Keiichi Arawi | Vertical Comics – In between volumes of Nichijou, I forget how passionately I hate the professor. And then I read chapters where she whines and throws a trantrum over getting an undeserved treat and Nano tries to stand firm, but eventually gives in and rewards her awful behavior. Or a chapter in which Sakamoto objects to, say, being put in the washing machine, but she won’t listen and eventually falls asleep and he just gives up on talking to her. I mean, she’s just a little kid. Why do I want to see a violent fate befall her?! It feels so wrong. There are a few other surreal and/or vaguely amusing stories this volume, but I honestly don’t think I even smiled. Perhaps it’s time to give up on Nichijou. – Michelle Smith

Yamada-kun and the Seven Witches, Vol. 12 | By Miki Yoshikawa | Kodansha Comics – Now that it’s clear that the series is trundling along with a whole set of new witches, new powers, but the same old Yamada-kun, I will try to get over my annoyance and find things to enjoy. I liked the first new Witch we meet, a basketball jock who finds that power corrupts. We don’t see much of Shiraishi, but what little we do see shows how much she’s struggling with Yamada-kun having to go around kissing all these girls, and unfortunately her stoicism is not helping. And the two new Student Council members are amusingly dumb. But again, this really seems like it’s spinning through the same old tricks, and it’s not as good as the first time around. – Sean Gaffney