Manga Bookshelf

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Sean Gaffney

Bookshelf Briefs 7/17/17

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Anonymous Noise, Vol. 3 | By Ryoko Fukuyama | Viz Media – I was wondering at some point reading this volume if we could simply make the series 200 pages per volume of Nino screaming into a mic. The scenes where she does so are so electrifying, they draw you in so much, that it makes the rest of the teen drama feel a bit less by comparison. Honestly, the series can also be exhausting, because Nino is just so MUCH—not just the singing, but everything she does is to the point of collapse and pain, and it makes you desperately want to tell her to slow down. I think the creator would do well to follow that advice as well—I could use a lull somewhere in here. But man, does this book ever succeed at showing the power of music. – Sean Gaffney

The Full-Time Wife Escapist, Vol. 4 | By Tsunami Umino | Kodansha Comics – We’re making progress here—Hiramasa and Mikuri seem to be able to admit to themselves that they’re falling in love, and both want things to be a bit more physical. But oh my God, the communication problems here are enough to ruin a reader’s enamel. I appreciate the slow burn here, but it’s hard not to bang your head against a wall every time these two think about finally opening up and hashing everything out, and then deciding not to. I do like the fact that they’re both equally at fault, really—Mikuri may be the viewpoint character but she compartmentalizes so much of what’s happening that accessing real emotions is proving difficult. Even hugs may not help here. – Sean Gaffney

Ghost Diary, Vol. 2 | By Seiju Natsumegu| Seven Seas – This title still walks a fine line between pandering and creepy, and it still remains on the creepy side, which is good, given it’s meant to be a horror manga. The Kukuri and Tatsumi chapter was probably my favorite, giving some depth to those two, even as it revolved around some pretty strange shenanigans (and twins who reminded me of the Sonozakis). Less successful is Mayumi, who too frequently falls into the garden variety tsundere mode, which frankly just isn’t enough by itself anymore. The series is at its best when it’s wrong-footing us and making us not completely trust Chloe, but there’s less of that here, and therefore I’d say it’s not as intriguing as the first volume. But it’s still worth a read for horror fans. – Sean Gaffney

Hana & Hina After School, Vol. 2 | By Milk Morinaga | Seven Seas – Last time we saw how fast Hina fell for Hana, adn this time it’s Hana who, by the end of the volume, is questioning how she feels about her friend. Hana doesn’t not have the past experience Hina does, though, so it may take longer. Of course, the fact that Hina has experienced rejection in the past leads her to try to distance herself from Hana, and so much of the volume has them not working together (their new co-employees are, shall we say, not as good). Fortunately, it’s all resolved by the end, in time for a festival with fireworks. That said, where would a yuri title be without the return of the ex-girlfriend? She doesn’t make a full appearance in this book, but she’s on the fringes, so I’m sure volume three will be all about her. – Sean Gaffney

Horimiya, Vol. 8 | By Hero and Daisuke Hagiwara | Yen Press – There are some people who have complained that Horimiya isn’t as good as it was because it’s changed so much from its initial premise. I can sort of see what they mean, but I’m still really enjoying seeing these kids struggle through high school and try to have a relationship. Sex doesn’t come up again here, but we do get more of the weirdest BDSM relationship in all of manga, which is even weirder given it’s in public. The athletic festival is also amusing, if only as Hori does horribly as she’s so easily distracted. Bonus points for the ouendan costume as well. So yes, one could argue that the series is meandering a bit here, and needs real drama, but I also am happy just reading about these kinds being big doofs. – Sean Gaffney

Horimiya, Vol. 8 | By Hero and Daisuke Hagiwara | Yen Press – It’s Sports Festival time for Katagiri High! Even though Miyamura is a third-year student, it’s his first time truly participating, and he really gets into it, cheering for his teammates, competing against Hori, etc. In the end, he’s surprised by how much fun he had and I was surprised by how not tiresome yet another sports festival arc was. After this, we see the return of the relationship dynamic in which Hori wants Miyamura to be mean/rough with her. While I can appreciate seeing that sort of predilection depicted in a teen romance manga, what troubles me is that he’s clearly not enjoying it and only doing it for her sake. It’s also odd that none of their friends or classmates is showing concern, especially when Miyamura questions a love rival’s ability to hit her. I’m not sure where Horimiya is going with all this. – Michelle Smith

Interviews with Monster Girls, Vol. 5 | By Petos | Kodansha Comics – Two-thirds of this volume is devoted to the same school antics as the previous ones, as we see the cast of friends getting closer, our succubus teacher continuing to fail to seduce Takahashi-sensei, and any number of monster girl trivia items. The last third moves to an apartment to show the adventures of a college girl who happens to live with a Zashiki-Warashi, and the complicated feelings this stirs up in her, especially as it’s not as easy to deal with as it sounds. This is cute but feels irrelevant compared to the main plot—I wonder if the author is running out of things to talk about. Still, ‘cute’ is pretty much the brief for this series, and as long as there’s plenty of that I don’t think the readers will complain. – Sean Gaffney

Oresama Teacher, Vol. 22 | By Izumi Tsubaki | VIZ Media – What a fantastic volume of Oresama Teacher! The Super Bun impostor is revealed, and though in retrospect I probably should have guessed who was responsible, it didn’t make the resulting story (and backstory) any less satisfying. Plus, the final chapters of the arc featured Mafuyu in a pig mask (Super Ham!) and the members of the Student Council working together to find the culprit. After that, there are a couple of bittersweet chapters about the third years graduating that are quite nice, but I really wasn’t prepared for that penultimate page. This series is frequently very silly, but a beaming Miyabi telling Mafuyu that she’s his hero made me tear up instantly. It’s a rare series that’s only getting better at volume twenty-two! – Michelle Smith

Pick of the Week: Polar Opposites

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MICHELLE: I’m a bit torn for my pick this week. Waiting for Spring is a shoujo debut I’ll be checking out, but it’s an unknown quantity. I’ve been burned before, so I think I’ll play it safe this week and go with Princess Jellyfish.

SEAN: I think I’ll play it safe too, because nothing makes me happier this week – in fact, I reviewed it already so it’s already made me happy – than the new Monthly Girls’ Nozaki-kun.

KATE: I’m torn between the compulsively readable Princess Jellyfish and The Hound and Other Stories. Although I’ve never been especially interested in H.P. Lovecraft’s writing, I do have a soft spot for horror manga. A quick glance at the preview suggests that Gou Tanabe’s artwork is crisp and atmospheric, so I’m leaning ever-so-slightly towards Hound for my pick of the week.

ASH: I’ll definitely want to read the next volumes of Monthly Girls’ Nozaki-kun and Princess Jellyfish as soon as I get my hands on them, but like Kate The Hound and Other Stories is what gets my official pick this week! (I tend to enjoy well-drawn horror manga.)

ANNA: New series are always something to celebrate, but I remember being totally amazed that Princess Jellyfish was licensed! Happy about the latest volume!

Infinite Dendrogram: The Beginning of Possibility

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By Sakon Kaidou and Taiki. Released in Japan by Hobby Japan. Released in North America by J-Novel Club. Translated by Andrew Hodgson and Nick Nomura.

The cliche has become that every single light novel released over here in the past four years or so has been a variation on “fighting monsters in a fantasy role-playing game”, but each of them have had their own little variations to separate them in some way. There’s the old ‘trapped in the game’ variation, like Sword Art Online or Log Horizon. We’ve had ‘the mechanics of the world are game-oriented but it’s just a fantasy’ like Danmachi and Death March. We’ve had ‘resurrected into fantasy worlds that are clearly based around cliches’ like KonoSuba and Isekai Smartphone. It’s been rare that we’ve actually seen a light novel that is just ‘let’s watch the hero play a new VRMMO game’. Playing to Win is closest, but even there the conceit is not that of the average guy playing a game, it’s that Ichiro is a arrogant rich guy. With Infinite Dendrogram, we finally have a book that (at least so far) is only ‘let’s explore the new game’.

Our hero is not playing the game the day it comes out – he had to study to pass college exams first. So it’s about a year and a half later, and he’s well behind his older brother, who’s been somewhat impatiently waiting for him to join. Once he does, Reiji (aka Ray in the game) picks out his weapon, his home base, and his Embryo, which is basically a sentient weapon/defense that grows along with the player’s character. His turns out to be a sword (later a halberd) which can also become a cute girl (because of course – come on, it is still a light novel) who essentially serves as his partner – though sometimes reluctantly, especially when dealing with zombies and the like. Together they try to level up while dealing with player killers, the fact that the home base they chose is rapidly losing its population due to wars, and the usual inconveniences that come up in a game.

The idea is that the game has more variations than almost any other known to man – we see a journalist as one of the minor characters, not a normal character type in a game like this, and one player is even a pimp with his own succubus. (This is actually the most amusing part of the book, as the player is underage, so his succubus specializes in things like really soothing backrubs because of the age restrictions). That said, Ray and Nemesis (his Embryo) are fighting types, and while there are indeed signs that he is a Very Special Hero indeed, for the most part we see him fight, explore, learn, and fight some more. The fights are quite well done, and the book as a whole reads very well. If there’s one thing that disappointed me, it’s that I was expecting more of a twist, I suppose? There are suggestions that the game is meant for some higher purpose, but here in the first book it’s just a lot of cool fights, RPG exploring, and endless bear puns. There’s no ‘gimmick’ yet.

Still, if you like this genre, and want something uncomplicated, this is an eminently readable book. Recommended for light novel and RPG fans.

Oresama Teacher, Vol. 22

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By Izumi Tsubaki. Released in Japan by Hakusensha, serialization ongoing in the magazine Hana to Yume. Released in North America by Viz. Translated by JN Productions.

After the previous volume’s ups and downs, I’m pleased to say that this Oresama Teacher is back on target with a very strong entry, as we discover just who has been impersonating Super Bun. It’s not exactly a surprise, particularly once you realize the evil doppelganger is not all that evil. The rest of the volume is devoted to the graduation of the third years, including Okegawa (at last), and Hanabusa, who this volume is really all about. Because yes, spoiler, he was the Super Bun impersonator. We finally get a lot of answers in this book regarding just what he was planning to do and why the Student Council is filled with so many broken people. And throughout it all we get Mafuyu, running forward no matter what as always, showing off the qualities that make her one of my favorite shoujo heroines.

The best scenes in the volume, as I said, revolve around Hanabusa. He’s always been a somewhat ambiguous villain, and the reason for that is that he’s not really much of a villain at all. The revelation that the Student Council members, with a few exceptions (Momochi, who’s still recovering from events of the last few books, and Shinobu and Wakana, who luckily fit the bill anyway) are there to be PROTECTED rather than to be the PROTECTORS turns a lot of events in the series on their ear. It also shows how far Hanabusa himself has come, as now he feels it’s safe enough to leave his friends behind and go to school in Tokyo. The final scene in the book with Mafuyu, where he thanks her for everything she did the past year and says she’s his hero, is one of the two scenes in the book that made me choke up (the other being the ending to the hide and seek game).

As for the rest of the cast, Takaomi once again takes a back seat except to provide helpful advice. Hayasaka is also not given much to do, but that’s fine as I’m assuming that the finale, which should be in a few more volumes, will feature him heavily. Okegawa gets more focus, though, mostly as he too is moving on, though I have a feeling we’ll see more of him in future volumes than Hanabusa. His relationship with “Morse” has always been subtly different from all the others, and I felt that if this is the last we see of him, it got a good sendoff. And of course there are any number of hilarious moments here – it’s no Nozaki-kun, but it acquits itself admirably, especially with the various alternate Super-Bun masks and the over the top reactions to everything.

We don’t get this series all too often since it’s caught up in Japan, but I always enjoy each volume we do get. I have a feeling it may be wrapping up in 2-3 more volumes, but for now we have this. Go get it.

Log Horizon: The Larks Take Flight

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By Mamare Touno and Kazuhiro Hara. Released in Japan by Enterbrain. Released in North America by Yen On. Translated by Taylor Engel.

After spending the 6th book with Akatsuki and the other women of Akiba, and the 7th book with Shiroe and Naotsugu and their heist movie, this book continues the trend by turning to the rest of Log Horizon, the junior members. And for the most part it succeeds admirably, not only telling a good story and going into greater depth about what it really means to be trapped in a game, but also giving added depth to four out of the five main characters. (Apologies to Serara, but you still haven’t risen much above the level of a moeblob.) This goes doube for Isuzu, who has the biggest picture on the cover and arguably grows the most throughout the book, as she tries to overcome her amazingly huge amounts of self-loathing and realize that she can go past her limits and do something to save the People of the Earth.

Much of this book goes into greater depth about the People of the Earth; how they live their day-to-day lives, what life is like now that the adventurers are inventing so many amazing things (many of which the adventurers regard as commonplace or unimportant), and how they react to a girl going around singing music they’ve never heard before. Isuzu not only thinks that she’s a crappy musician (thanks to something her father told her, which we later learn she may have misinterpreted, and seeing her father’s own skills) but also that what’s she’s doing now isn’t even her skill as she only plays cover songs. It’s up to her not-boyfriend Rundelhaus (who is amazing in this book, and is about ten times more serious than the anime) to tell her the truth: this world only had 42 songs – the 42 pieces of BGM for the Elder Tales game. ‘Music’ and ‘the forty-two’ literally mean the same thing to them. So Isuzu really is changing lives. And when she finally begins to sing a song she composed herself, well, she cam move mountains. Or at least buildings.

Meanwhile, Touya and Minori are not left out. They’re both dealing with growing up as well, Minori trying to be the team strategist and thinking on her feet, and Touya by essentially being the team heart, and being able to see the true feelings behind a faked smile. We also get two new characters… well, sort of new. Roe2 is clearly related to Shiroe in some way, to the point that I was a bit aggravated that no one observed “isn’t that just Shiroe with breasts?” when they first saw her. As for Dariella, the book keeps her identity a secret till the very end (the complete opposite of the anime, which showed who she was from the start), and in retrospect you can see and feel a little bad for who she is and what she’s trying to escape. And for those who like a darker flavor to her Log Horizon books, we get the Odysseia Knights, who seems to have been driven half-mad by being trapped in the game, unlike Akiba’s “welp” sort of player, and Mizufa, a warrior who is a Person of the Earth, but just as terrifying as any adventurer.

It’s rare that I, a spoilerholic, say “I don’t want to spoil more”, but it’s true. This book is a delight, with many passages you’ll want to go back and reread immediately, and has Log Horizon’s usual depth of worldbuilding and characterization. I love Sword Art Online too, but if you’re going to read only one trapped in a game light novel, this should be the one.

Also, Isuzu says she sang a “Snoopy” cover to the People of the Earth, which makes me think it has to be “Snoopy vs. the Red Baron” by the Royal Guardsmen. It even works well with lute, drums and keyboard!

Manga the Week of 7/19/17

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SEAN: Duck folks, here comes another week.

MICHELLE: Quack!

SEAN: We start off with Dark Horse, which has a 2nd volume of Hatsune Miku: Rin-chan Now!

They also have the first in a series of collections of H.P. Lovecraft manga, The Hound and Other Stories. These are by Tanabe Gou, who seems to specialize in Lovecraft horror manga adaptations, and ran in Enterbrain’s Comic Beam (something Dark Horse actually point out, showing how big a name Comic Beam now has among Western manga fans).

ASH: Wow, two Dark Horse titles in one week? I don’t really have a particular interest in Hatsune Miku, but The Hound and Other Stories looks to be very intriguing.

SEAN: J-Novel has 3 titles coming out next week, as they continue to increase their publications. We get the 2nd Arifureta: From Commonplace to World’s Strongest, which is very, very “what teenage boys with a power fantasy want”.

ASH: For those who prefer physical media, it was recently announced that Seven Seas will be working with J-Novel to release Arifureta in print, too.

SEAN: And we have the 4th I Saved Too Many Girls and Caused the Apocalypse, which I find slight but amusing.

And the 4th Mixed Bathing in Another Dimension, a title I enjoy far, far more than its fanservicey title deserves. Can’t wait.

Kodansha still has digital Del Rey rescues, with Alive 19 and School Rumble 21 (which may be its 2nd to last, depending on whether Kodansha cares about the one-volume School Rumble Z or not).

There’s a pile of print releases for once, starting with Aho Girl, a broad 4-koma series (which Kodansha itself noted they rarely do) about the titular girl, who is… well, as the title says. It runs in Weekly Shonen Magazine, and is best known as the 4-koma that isn’t Seitokai Yakuindomo.

In/Spectre seems like it may be coming to a climax, though I’m not sure how many volumes the manga will be. This is the 5th.

In digital news, there’s a 3rd Kasane coming out.

Princess Jellyfish has a 5th omnibus, as they try to save the farm by putting on a show in best Judy Garland/Mickey Rooney style.

MICHELLE: Hee. I’m looking forward to this. It’s less depressing than Tokyo Tarareba Girls!

ASH: I’m still thrilled this series was picked up for a print release. (Also, here’s hoping that Kodansha’s recent “digital-first” trend is truly digital-first and that we’ll eventually see titles like Tokyo Tarareba Girls in print, too.)

ANNA: Looking forward to this as well!

SEAN: Kodansha also has the 7th Sweetness and Lightning.

ASH: I’m really enjoying Sweetness and Lightning. It can be bittersweet and absolutely adorable in turns.

SEAN: The other print debut is Waiting for Spring, a “shosei” manga from Dessert about a shy girl who gets some life lessons from a group of handsome men. Despite that description making me wary, it’s apparently pretty cute and fluffy.

MICHELLE: I am cautiously optimistic.

ANNA: Might be worth a shot!

SEAN: The last Kodansha title this week is the 6th Welcome to the Ballroom. Will we finally get a more permanent dance partner for our lead?

One Peace has a 5th Kuma Miko, which some comics shops may have gotten already. It’s highly beariable.

Seven Seas has a 2nd volume of cute yuri title Hana & Hina After School.

ASH: I tend to enjoy Morinaga’s manga, but I still liked Hana & Hina After School more than I was expecting.

SEAN: There’s also a 4th Lord Marksman and Vanadis.

And lastly, a 7th volume of Magika Swordsman and Summoner (has he hit 72 yet?).

Vertical’s big debut is the first volume of Mobile Suit Gundam WING. This is actually the Endless Waltz manga – OK, the longer and better variation of the Endless Waltz manga – and currently runs in Gundam A magazine. Will it have Relena Peacecraft, that’s my question…

Vertical also has the 9th and penultimate volume of Nichijou. You’ll never guess the plot twists!… wait, no, Nichijou. You’ll never guess the random gags!

Viz’s Terra Formars has reached 18 volumes. My word.

MICHELLE: Jeez.

SEAN: Yen On’s titles mostly ship the week after next, but next week does give us the 3rd and 4th Sword Art Online: Progressive volumes digitally.

Yen’s manga titles are (mostly) shipping next week, starting with the 11th Akame Ga KILL!.

A mere 4 years after the last volume, here is the 7th The Betrayal Knows My Name. That should excite folks.

MJ: Woo hoo!

SEAN: A Certain Magical Index’s manga reaches double digits, and I think is still adapting the 7th novel.

And Death March to the Parallel World Rhapsody has a 4th book.

Yay, a book I’m buying! An 8th Horimiya, a series I always look forward to.

MICHELLE: Me, too.

ASH: It is a great series.

SEAN: More light novel adaptations with the 7th Danmachi manga.

A print debut for a digital-only title from a while back, now getting an anime, Kakeguri – Compulsive Gambler combines the thrills of survival game-style manga with the joys of gambling.

ASH: While it’s not Kaiji, I’m still rather curious about this series.

SEAN: MORE light novel adaptations with the 4th KonoSuba manga.

Liselotte & Witch’s Forest has its 5th volume, which may catch us up with Japan – the author has been busy with her incredibly mediocre sequel to Fruits Basket lately.

MICHELLE: Yeah. Sigh.

SEAN: And an 8th Monthly Girls’ Nozaki-kun, which I think has also caught up with Japan, though that’s for more normal reasons.

MICHELLE: I might have to hoard this one for a rainy day.

ASH: I can’t blame you for that; Monthly Girls’ Nozaki-kun is SO GOOD! It always makes me happy to read it.

SEAN: Watamote, whose title is too exhausting to type out, has its 10th book.

The Royal Tutor is moving fast now that it’s in print – here’s Book 2.

ASH: The first volume was a little goofy, but fun!

SEAN: And we get a 2nd Smokin’ Parade.

And a 13th Spice & Wolf – is the manga wrapping up soon?

There is also a 7th Taboo Tattoo.

Lastly, we have a 13th volume of Triage X, which is lucky for me as I’m not reading it.

SOOOOOOO much. What interests you?

Monthly Girls’ Nozaki-kun, Vol. 8

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By Izumi Tsubaki. Released in Japan as “Gekkan Shoujo Nozaki-kun” by Square Enix, serialization ongoing in the online magazine Gangan Online. Released in North America by Yen Press. Translated by Leighann Harvey.

For the most part, the Nozaki-kun manga has tried to stick to a relatively small cast, which pairs up into convenient couples (romantically or otherwise). Nozaki and Chiyo, Hori and Kashima, Seo and Wakamatsu. Mokoshiba used to be the odd one out, but lately he’s been paired with Nozaki’s brother Mayu. That said, there are a lot of other people in the story who’ve had impact, and this volume of Nozaki shows Tsubaki expanding the world a bit more to get them involved. So we see more of Seo’s brother, who gets a whole arc to himself, and we see Wakamatsu’s basketball team, struggling to deal with Seo focusing on all of them rather than Wakamatsu. That said, the core of the book is still our heroes – especially this late in the series, as everyone is starting to realize they’re in love, but never quite realize it in the right way.

A lot of this book takes place in the cafe where Seo’s brother works as a waiter – they need to take on more help, and due to a series of wacky misunderstandings (in Nozaki-kun? SHOCK!) think that his sister is a fragile flower. So they end up hiring Kashima instead, who I will admit makes the perfect waiter, but is also trying to do a part-time job when she should be rehearsing. As a result, the job becomes the rehearsal, and Seo’s brother is somewhat horrified to find that the customers are all fellow drama club members – and that one of them is punching his waiter in the face. He also meets Wakamatsu, which leads to even more hilarious misunderstandings as they both get a completely wrong first impression, then make it worse with everything else they say. Also, Waka is now the only person in the entire universe who doesn’t know Seo is Lorelai. (And by the way, Kashima’s impression of Seo was possibly the funniest thing in the volume.)

Elsewhere, Sakura is still obsessed with Nozaki to the point of ridiculousness. It’s odd to recall back at the start of the series where, aside from lovesickness, she was the sane one. Now she’s just another exaggerated joke gone mad, seeing beta work and Nozaki in her every waking moment. Which, let me assure you, is a good thing – she’s hilarious when she goes over the top. Seo, meanwhile, seems to have come to terms internally with her feelings for Wakamatsu, but is expressing them the best way she knows how – by being amazingly irritating. And then there’s Nozaki’s manga, which continues to make you wonder how it ever comes out and doesn’t get cancelled – his attempts at a unique and original plot are thwarted by a box filled with ridiculous suggestions, and his attempts to draw ‘extra stories’ in the 2-3 pages left for the volume just lead to Mamiko straight up eating a bird. Or at least that’s what it looks like. And then there’s Nozaki’s little sister, who seems to be an odd cross between him and Sakura.

Summing up: Nozaki-kun is still flat out funny, and I love it to bits. I will have to hold onto the love for a while, though; we’ve caught up with Japan, so the next volume may be some time. Get this one immediately, though.

Re: ZERO ~Starting Life in Another World~, Vol. 4

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By Tappei Nagatsuki and Shinichirou Otsuka. Released in Japan by Media Factory. Released in North America by Yen On. Translated by ZephyrRz.

It took me far longer than I’d expected to finish this volume of Re: Zero, mostly because I had to pause and stop reading every time Subaru was an absolute idiot. Now, one might argue that the entire premise of the series is that Subaru is an idiot and grows and learns through a series of bitter, horrible experiences, and they’d be right. But this book in particular was filled with (mostly) well-meaning, decent people trying to help Subaru, and his ignoring and steamrollering through them because, deep down, he’s sure that he’s meant to be the protagonist of a story starring him. And in the end it all comes crashing down around him. He’s not dead, but he’s lost Emilia, and to him that may well be worse than death. Fighting against the injustice of the worst is very gritty and shonen, but it does help if you are something other than just this schlub in a tracksuit.

I’ve often said that the fourth book in a series is usually where you can tell the difference in writing between “maybe this will be a success” and “this is a success”, and Re: Zero is no exception. The cast, which had by design been small and intimate in the first three books, grows exponentially, as we’re introduced to all the various factions that are presenting themselves to lead the country – including Emilia, of course, who is understandably worries and upset and really does not need her pet loose cannon dropping in. As expected, Emilia is getting the cold shoulder for her heritage and her looks. That said, the other four candidates each have something that also makes the committee to help choose them want to scream and shout,l so she’s in with a better chance than you’d expect. Oh yes, and we see the reintroduction of Felt, the backalley thief from Book One who was spirited away. Spoiler: she’s a long-lost princess! Luckily, she’s still the Artful Dodger at heart.

In this mess we have Subaru, who was told by Emilia to stay behind and get healed while she deals with this alone, which he agrees to and then promptly disobeys the second she leaves. She knows that if he watches the ceremony at the palace, he’d only get really upset and make a scene. Then he ends up at the ceremony, gets very upset and makes a scene. To be fair to Subaru, he is kicking against the right people here. The knights are arrogant and elitist. They’re also badasses, and he is not. His ending fight with Julius is ridiculous and pathetic, showing that grim determination can only take you so far, and serving to destroy his bond with Emilia once and for all (or at least till a future book).

The book is well-written, and I genuinely want to see m ore, especially as it’s now been two whole books since Subaru last died. And I also want to see more from Rem, who is still far and away the most popular character in the series but is barely in this volume. So I’d call the book a success. But read it in small stages, and you may need to see your dentist afterwards. Let’s hope Subaru gains wisdom next book, though I’m not holding my breath.

Plum Crazy! Tales of a Tiger-Striped Cat, Vol. 1

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By Natsumi Hoshino. Released in Japan as “Kijitora Neko no Koume-san” by Shonen Gahosha, serialization ongoing in the magazine Neko Panchi. Released in North America by Seven Seas. Translated by Nan Rymer.

Cat manga have been around in North America for a very long time, but never in any great number. Fans with a long memory will recall the years Dark Horse put out What’s Michael? (which I desperately wish would get a re-release), and Vertical has recently been releasing the adorable Chi’s Sweet Home. Japan loves their cats. Japan loves their cats so much, in fact, that one company has a magazine devoted only to cat manga, Neko Panchi. Technically classified as josei, it runs the gamut from supernatural cat manga, to Edo-period cat manga to funny cat manga to cat manga with romance (between humans, I hasten to add). There’s something for everyone. And now we have this title, the story of a cat owned by a young teenage boy and his ditzy mother, and her travails when a new kitten is added to the family. If you like cute cats, you will not be disappointed.

That said, apologies if this review seems to be grasping for ways to fill out the word count. This is not the sort of title where you can spend time talking about the depth of the plot of the characters. We have: Plum, the titular cat, who alternates between being the long-suffering older cat dealing with the excitable and troublemaking new kitten Snowball; Taku, a teenage boy who seems to be Plum’s owner, and loves cats but is for the most part responsible and level-headed; his youthful-looking mother, who loves cats and is for the most part NOT responsible or level-headed, but it’s fun watching her be a ditz; and Taku’s classmates, one of whom is an animal wikipedia whose job it is to provide exposition, and the other of whom owns a raccoon (yes, for once, it is an actual raccoon). As for the plot – cat gets into trouble, cat deals with kitten, cat celebrates Christmas, mom has dream sequence with endless cats of various kinds… the plot is cats.

This is cute, and cat fans will enjoy it. Most of the humor stems from either Snowball, the new kitten in the family, and Plum’s reaction to same, or the antics of Taku’s somewhat immature mother. The art fits the story well, with the cats drawn for maximum awwwww and the humans looking like they would if this ran in any other josei magazine like Feel Young. It’s apparently 16 volumes and running in Japan, which shows that it knows how to do the cat manga thing properly. I’m not sure if I’m down for 16 volumes of this, but I’ll definitely be picking up more of the series, as it’s a nice light snack of a manga to read after you’ve taken in something heavy. All cat lovers should enjoy this.

Pick of the Week: Write To Me And Escape

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SEAN: So the Kodansha digital debuts I mentioned are actually moved to the 18th. This means my pick shall me an “older” digital-only title, The Full-Time Wife Escapist. The escapes are the best part.

MICHELLE: In the Kodansha digital realm, I’m definitely looking forward to the fourth volume of The Full-Time Wife Escapist. My real pick, though, is the second volume of Dreamin’ Sun, as I enjoyed volume one quite a bit.

KATE: Oof — this is some slim pickings. My suggestion: skip the manga aisle this week and watch GLOW instead. It’s a valentine to 80s pop culture that recognizes what a weird and sometimes awful decade it was. Great performances, snappy dialogue, and a big, appealing cast of characters made GLOW five of the best hours of TV I’ve seen this year.

ANNA: I find The Full-Time Wife Escapist such a fun series. I enjoy the unconventional not romance combined with slice of life activities and occasional discussions about the economy. That’s my pick!

ASH: While I’m curious to see where Dreamin’ Sun is heading, my pick this week is the final Legendary Edition of Akira Himekawa’s all-ages The Legend of Zelda manga. Up until this point I had resisted collecting the series, but the new edition’s larger trim sizes, additional content, and great design makes for an immensely appealing package.

Bookshelf Briefs 7/10/17

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The Ancient Magus’ Bride, Vol. 7 | By Kore Yamazaki | Seven Seas – It is becoming increasingly apparent that, whatever his own emotional turmoil, Elias made the right decision in bringing Chise into his fold, as we keep hearing about her value as a specimen rather than a young girl. Actually, that line of thinking rolls through this entire volume, as a baby dragon is snatched to be used in experimentation and auctioned off to the highest bidder. Fortunately, an increasingly powerful Chise is there, and is working hard to retrieve it. Unfortunately, we keep getting more hints that she’s simply not going to live to be middle-aged, much less an old woman. As for Elias and Chise, she seems more like an older sister now than a bride. Still fantastic. – Sean Gaffney

Anonymous Noise, Vol. 3 | By Ryoko Fukuyama | VIZ Media – Huh. I didn’t think I’d ever grow to truly like Anonymous Noise, but I have to say that it’s beginning to grow on me. For the first time, when In No Hurry to Shout makes their TV debut and Nino scream-sings her feelings after an unpleasant encounter with Momo, I actually kind of bought into the idea of the manga being about a kickass band. Of course, the plot soon detours into love polygon angst, with Nino loving Momo, who’s a jerk to her for no apparent reason, and Yuzu loving Nino, and Miou loving Yuzu, and even a random angsty bit of foreshadowing from the drummer, who has barely registered as a character up to this point. I certainly don’t love this series, but I’m not ready to give up on it yet. – Michelle Smith

DAYS, Vol. 3 | By Tsuyoshi Yasuda | Kodansha Comics (digital only) – Seiseki High is progressing through the Interhigh Tokyo Preliminaries. Tsukamoto continues to be the weakest member of the team, but he’s still enjoying himself so much that he’s doing all that he can to hang on to his spot. His dedication inspires the much-more-talented Jin Kazama not to slack off, either. As before, we learn more about some of the other teammates and their personalities and strengths—this time it’s Kimishita, a second-year who stresses whenever Tsukamoto is on the field because he’s not a viable pass recipient. Yet, even he ends up impressed by Tsukamoto’s efforts to improve in this area, and it’s eventually revealed that the whole team has benefited from this energic newbie, as they increased their stamina while striving to avoid being shown up by the shrimp. Good stuff! – Michelle Smith

Flying Witch, Vol. 2 | By Chihiro Ishizuka | Vertical Comics – While Makoto continues to be the least-secret witch ever, she at least is impressing (somewhat) her cousin Chinatsu, who is now asking them to train her in being a witch. I suspect that this may end up being the main plot going forward, though that may be putting too much faith in Flying Witch to have a plot. Witches or no, it’s a slice-of-life series at heart, and so it’s content to meander along. We also meet Akane’s friend Inukai, who at first seems to be an example of Akane’s overly uncaring nature, but in reality turns out to be a lesson on the dangers of getting too drunk. It’s a cute and fun title, but don’t expect excitement—this is a series where weeding gets multiple chapters. – Sean Gaffney

Honey So Sweet, Vol. 7 | By Amu Meguro | VIZ Media –First-year Miyabi Nishigaki has a crush on Taiga. He remains oblivious throughout the majority of the volume, but it’s really bothering Nao. Of course, being Nao, she doesn’t want to be annoying or come across as unreasonable, so she only finally says something after Miyabi invites herself along with the gang to a festival and not only wears the exact yukata Nao is wearing, but even emulates her actions, including a creepy moment where she tries to spoonfeed Taiga some of her shaved ice. Because Nao and Taiga are incredibly nice, instead of wondering about Miyabi’s mental health, they feel bad for not considering her feelings. Eventually everyone reconciles. It’s a decent volume with plenty of cute moments for our leads, but I hope Meguro-sensei dispenses with love rivals for the next, and final, volume. – Michelle Smith

Kuma Miko: Girl Meets Bear, Vol. 5 | By Masume Yoshimoto | One Peace Books – Honestly, we’ve gotten to the point where I feel the series needs more of the bear. And, I mean, there’s already a fair amount of bear in here. The scenes where he has to pretend to be the village mascot in a highly realistic suit are cute, as is his stress about Twitter. The difficulty is that when the focus is not on him, it turns to Machi, whose total social ineptness really raises the bar for every other socially inept manga character. The scenes of her trying to use a computer are more painful than funny. She works better bouncing off of Hibiki, whose constant simmering anger is an oasis of calm compared to Machi’s stress. Mostly, though, this series continues to be highly variable. – Sean Gaffney

No Game No Life, Please!, Vol. 1 | By Kazuya Yuizaki and Yuu Kamiya | Yen Press – The actual No Game No Life main manga adaptation got one volume out and then seemed to fall into limbo, so to a certain extent this may be the closest we get to more of the manga. As you might guess by the title, the series focuses on Izuna, the Werebeast girl with a mind for games and a mouth for swearing. As you’d expect given this is No Game No Life, there’s a certain amount of perverse fanservice, but in fact it’s actually a lot less than I feared. Mostly this serves as a collection of short stories starring Izuna, as she grows and learns about games and actual life lessons. She even learns from Steph! Gasp! If you enjoy NGNL and wish the manga continued, this is worth picking up. – Sean Gaffney

RIN-NE, Vol. 24 | By Rumiko Takahashi | VIZ Media – RIN-NE continues with its episodic Shonen Sunday stylings. The first half is incredibly dull, relying largely on more gags involving Anematsuri-sensei’s crystal ball, but the second half is actually kind of neat. A large reward is offered to whomever defeats a black fox spirit. The best tool for the job is a specific scythe, which happens to pick Sakura as its owner. A smitten Rinne enjoys coaching her on how to use the thing, and even wonders if she has the aptitude to be a shinigami. Stupid me, I actually got my hopes up for a second that this would be some kind of turning point in the manga, but no. Although Sakura does gain a greater appreciation for the job Rinne performs, she’s content to move on once she fulfills her quota, leaving the scythe ready to choose someone else. It was reasonably entertaining while it lasted, though! – Michelle Smith

Invaders of the Rokujouma!?, Vol. 4

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By Takehaya and Poco. Released in Japan as “Rokujouma no Shinryakusha!?” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Warnis.

I’m not certain if this is deliberate or accidental, but so far in Rokujouma each starring heroine has been the one featured on the PREVIOUS cover. Sanae features on the cover of Book 2, and gets most of her development in 3. Theia features on the cover of 3, and gains the most development (and a rival) in this book. And, judging by the cliffhanger ending, the next volume will focus primarily on Yurika, who’s on the cover of this volume. Of course, given this is a harem comedy with a large cast, everyone gets something or other to do in this book. But there’s no doubt the main thrust is the play that Theia writes using her own planet’s history, and how much it resonates with some of the cast. And, as I noted above, we get another candidate for the throne as well, who seems to be the mad scientist type, and is perfectly OK with killing others if she can get away with it. Fortunately, this is a comedy.

The other beneficiary of this school play is Harumi, who is a knitting club member rather than a drama club member, but everyone agrees that she has the look and feel of the princess that Theia has “creates”. The gag, of course, being that she only turns into a good actor – only identifies with how the princess is feeling about being separated from her knight – when it’s Koutarou who’s playing opposite her. In fact, it feels like a bit more than a gag, and there are hints that there may be some serious reincarnation or something similar going on here. Of course, this makes for a great excuse to have Koutarou, also not a Drama Club member, play the Blue Knight, which allows Theia to give him rigorous knightly training with a suit of armor that fits him abnormally well. I;ve often said that Vol. 4s tends to be the ones where the plot is greatly expanded as the publisher tells the author it won’t be cancelled immediately, and that seems to be the case here.

The others don’t get as much to do – though I noted that Yurika saved the day without anyone realizing it again, a running gag that suits her misfortune. We do see that after the events of the previous volume, everyone is getting along much better – aside from the occasional abuse of Yurika because, well, that’s what happens to her – there’s little jealousy or typical harem antics going on here. I suspect the ship here may end up being a poly one (in fact, many of J-Novel’s current licenses have legal or implied polygamy – coincidence?), but it’s handled well enough, and poly ships also help to avoid all that “who is best girl?” nonsense. Rokujouma is never going to win any awards for originality or good writing, but it’s like a good beef stew, a meat and potatoes sort of book you can read anytime. Recommended to fans of the genre.

Appleseed Alpha

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By Iou Kuroda, based on the manga create by Masamune Shirow. Released in Japan by Kodansha, serialized in the magazine Morning Two. Released in North America by Kodansha Comics. Translated by Lillian Olsen and Stephen Paul.

It has been an awfully long time since I read Appleseed, even with the recent digital release. And I haven’t seen the 2014 movie that this is apparently a spinoff from, though I understand the manga and anime may only be loosely based off each other anyway. But that’s OK, because Appleseed Alpha is still a perfectly enjoyable, if occasionally too busy for its own good, story. All you really need to know is that the human woman is Deunan Knute, and her lover/companion is Briareos, a former human who is now mostly cyborg. (How far they go as lovers is, as always, left mostly ambiguous.) The main series proper saw them living in, and rebelling against, the utopia of Olympus. The Alpha story is a prequel, so naturally we get to spend it in a dystopia – the remains of New York City, run by a cyborg who is half mayor and half mafia boss.

Shirow is not writing or drawing this, by the way, but the artist is not unknown to North American readers – it’s Iou Kuroda, creator of cult classic Sexy Voice and Robo. That felt like more of an indie comic than a manga, and this feels much the same, which makes sense as it ran in Kodansha’s experimental manga title Morning Two. The art has thick lines and less detailed faces, though trust me, there’s just as much detailed background and cityscapes as you’re used to with this title. The main plot separates our heroes early, as Briareos, by nature of his not only being a cyborg but one of the awesome cyborgs, is lauded by the mayor (whether he likes it or not) and Deunan is left out in the cold. She ends up outside the city, meeting a group of farmers who may have more links to the city than she had expected. Meanwhile, Briareos has, of course, NOT abandoned Deunan, and ends up heading out to see her.

This one-volume omnibus has a few cool battles, though the artist seems more suited to drawing the effects of the fights than the fights themselves. There’s also some amusing humor, the best of which involves several trains filled with cows all heading into the remains of Penn Station with drivers asleep at the wheel. Deunan and Briareos feel in character – both somewhat removed from society, yet still highly involved it it – and Deunan still gets to be a hothead at times. As for the mayor, Two Horns, he is a hoot, a giant parody of all mayors with a sinister side to him as well – and a mysterious past that gets revealed right at the end of the book. I’d definitely recommend this if you’re a fan of Appleseed. For others, even though it’s technically a prequel/alternate universe, I’d recommend starting with the four main Appleseed books themselves.

Demon King Daimaou, Vol. 1

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By Shoutaro Mizuki and Souichi Itou. Released in Japan as “Ichiban Ushiro no Daimaou” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by David Musto.

While I would not go so far as to say that it was terrible, or that I won’t get more (I am curious to see what happens next), there’s no getting around the fact that Demon King Daimaou is a deeply flawed book. It knows what it wants to do, but sometimes skips necessary steps to get there. Its setting is bog standard, and most of its characters hew to the cliched stereotype. In fact, when this fairly old light novel series was made into an anime several years back, fans called the heroines by their hair color rather than their name. That’s harder to do with a textual book, even with illustrations, so I will try to use actual names – I apologize if this makes things confusing. The most interesting part of the book is the hero, but that’s not always to its benefit either.

Our hero is Akuto, seen here on the cover showing more expressiveness than he does in the entirety of this book. He’s a young orphan who arrives at Constant Magical Academy in order to start a path towards changing the world by becoming a high priest. Unfortunately, like the Sorting Hat in Harry Potter only much worse, there’s a machine at the school that lays out your perfect career path for all students. And Akuto’s is Demon King, which disturbs almost everyone since the last Demon King was defeated at that very school years ago. Of course, Akuto doesn’t believe in fate, and a simple explanation to his fellow students should do the trick. Unfortunately, while he may be overly serious, studious, and have seemingly noble intentions, he cannot help but stick his foot in his mouth every time he speaks – partly as he genuinely isn’t paying attention to how his words come across till after he’s said them, and partly because, well, he really would make a pretty nifty demon king.

Akuto is interesting as a hero mostly as he’s not really the hot-headed, fiery type or the “harem protagonist” type – the book runs on his total inability to say the right thing in any given situation, but skewed just enough so it doesn’t seem familiar. The same can’t be said of the heroines. Keena, the girl on the cover, is meant to be the ‘airhead’ sort, but also has a mysterious past, and spends a lot of the book away from events. Junko is our standard Akane Tendo heroine, who likes Akuto at first before he’s chosen by the machine to be demon king, but afterwards alternates between humiliated rage at being played for a fool and growing feelings of love (that frankly grow far too fast given their interaction). The best of the girls so far is Korone, an android bodyguard with a stonefaced expression and a tendency to tease the bejabbers out of Akuto – she was my favorite part of the book.

I should also mention the ending, which features another girl, who is secretly evil, getting her comeuppance at the end in what is meant to be a humorous way. Sadly, this involves her getting gangraped by her other female classmates, who are under the influence of a drug. It’s implied and offscreen, but I don’t care. It’s ugly and awful. It helps to make this first volume something of a hot mess, and while I’m not abandoning it just yet, it’s on thin ice. I’d recommend it to those who enjoyed the anime only.

Manga the Week of 7/12/17

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SEAN: There’s a pile. Let’s get down to it, boppers.

MICHELLE: Heh.

SEAN: Dark Horse starts us off with the third Blade of the Immortal omnibus.

J-Novel Club has the 2nd Bluesteel Blasphemer on tap.

They also have a debut, Infinite Dendrogram. It’s got many elements common to recent light novel series – a new VRMMO that may blur the line between reality and game – but I am assured it is quite good, so we shall see.

Kodansha is still rescuing some Del Rey stuff, with the 15th Yozakura Quartet and the 20th School Rumble.

In new digital licenses, they have the 4th Domestic Girlfriend, and the 4th Full-Time Wife Escapist. Excited for the latter.

ANNA: I need to get caught up on Full-Time Wife Escapist! I enjoyed the first couple volumes.

MICHELLE: I’m excited for volume four, as well!

SEAN: They also snuck in some new licenses too late for me to mention them last week, so these are already out. I have failed you again. Sorry. Hotaru’s Way (Hotaru no Hikari) is the most famous of the three licenses, a josei series from Kiss that’s been made into some live-action series. It’s the ever-popular “falling in love with my boss” genre.

ANNA: Yay josei!

MICHELLE: That’s not my favorite josei genre, but I’ll give it a look.

SEAN: Sneaking in a print release here, as the 5th Interview with Monster Girls ships next week.

Back to this week’s digital debuts (damn my penchant for alphabetical order), Kounodori: Dr. Stork is a long-running seinen title from Evening Magazine, involving an obstetrician/pianist. It sounds very seinen.

ASH: Huh. I had missed the pianist angle.

SEAN: Love’s Reach (Kinkyori Renai) is an older shoujo series that ran in Betsufure, and has a teacher/student romance to go along with the earlier boss/employee romance.

ANNA: OK!

SEAN: And now we’re back to next week proper, as there’s a 21st Seven Deadly Sins.

Seven Seas has a 2nd volume of shoujo romance Dreamin’ Sun.

MICHELLE: I enjoyed volume one a lot!

ASH: I actually just got around to reading the first volume. I rather liked the quirky cast of characters.

SEAN: And a 2nd volume of supernatural thriller Ghost Diary.

ASH: It seemed very derivative, but enjoyed the first volume more than I expected. (Except for one character’s super-annoying verbal affectation…)

SEAN: And I suppose we must mention the 3rd volume of yuri sleaze NTR – Netsuzou Trap. Now with anime adaptation.

They also finish a series next week, as The Sacred Blacksmith ends with its 10th volume.

SuBLime has a 7th volume of The World’s Greatest First Love.

And Udon rolls out a 5th volume of Persona 3.

Vertical gives us a 5th volume of Immortal Hounds (lot of Vol. 5s next week).

Viz has Vol. 63 of Case Closed.

They also have a new Legendary Edition of The Legend of Zelda, this one covering the Four Swords story.

ASH: The Legendary Edition of the series is really nice!

SEAN: Lastly, Rumiko Takahashi keeps toddling along with a 24th Rin-Ne.

Beat the heat with manga! What are you reading next week?