Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Sean Gaffney

Again!!, Vol. 1

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By Mitsurou Kubo. Released in Japan by Kodansha, serialized in the magazine Weekly Shonen Magazine. Released in North America by Kodansha Comics. Translated by Rose Padgett.

Yuri!! on Ice was a bit of a phenomenon, not just here but worldwide. But yes, also here, which is why we’re seeing two series that are by the writer of the famous ice skating anime. Again!! is the less surprising of the two licenses, though its subject matter means that it was fairly easily passed over back in the 2011-12 days when it was coming out weekly. (The other series, Moteki, is an even more unlikely license, but we’ll get to that when it comes out.) Again!! actually has a premise that seemingly would be quite popular over here: a young man with a scary face who has gone through high school with minimal interaction with people is graduating, having accomplished very few happy high school memories. He recalls the club that he was asked to join (but never did) when he started school, and goes to look at its now deserted clubroom, as the club died that year. While there, he accidentally terrifies a young girl who’s there to see her boyfriend, and she falls down a stairwell and cracks her head open. He then slips on a graduation bouquet and joins her.

The End! OK, not the end. He wakes up and suddenly begins to realize he’s back three years in the past, and is starting his school life all over again. Thinking this is a dream of some sort, he runs across the girl who invited him to join her club back then, and this time tries to give a different answer. And here we come to the elephant in the room: the club is an ouendan club. This is likely why the series was not licensed until YOI took off, as even fans of Elite Beat Agents may not have heard of ouendan. Kodansha’s notes list it as being sort of like a pep squad, and that’s not a bad analogy. Its members are usually male, but Usami, the lone remaining member, is a young girl. Now, if you’re thinking that this is going to be a sweet, heartwarming manga about a boy who rapidly discovers a love for ouendan and life that he never thought he had… well, it still could be, I suppose. But this first volume is here to tell you things will not be that simple. Usami is a hot mess with a difficult past, and it’s easy to see from ten seconds in her presence why the club died. Also, time travel is not as easy as it sounds, as both Imamura (our hero) and Fujieda (the girl who also fell down the stairs and went back in time, who is a walking disaster and the funniest part of the manga) discover. Oh yes, and the cheerleading squad leader is determined the end the ouendan.

This may not end up being my sort of manga – it relies somewhat on “watch people do embarrassing things” scenes that always make me cringe – but it’s absolutely compelling, and the lead manages to hold my interest despite being another in a long line of “guys with scary faces who aren’t really that scary”. I also do wonder how the time travel part is going to work out – is it just a one-way road? And can anyone convince Usami to turn the intenseness down to about an 8? There’s a lot developing here, but the series ran for twelve volumes in Japan, which seems to me just about the right length for a series like this. If you liked Yuri!! on Ice, you’ll obviously want to check this out, but it also appeals to readers with a taste for the quirky.

[New Life+] Young Again in Another World, Vol. 1

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By Mine and Kabocha. Released in Japan by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by David Teng.

This was the first of two new licenses from J-Novel Club where my reaction was somewhat… muted, shall we say? The description of New Life Plus (Which is how I’ll be abbreviating it) did not really make it stand out among the Smartphones of this world. And as I began to read it, I started to tick off the usual isekai boxes. Here’s God, yup. Somewhat eccentric – in this case, God’s given herself the body and personality of a hyperactive young girl. Lead who has been chosen to go to another world for vague reasons. He ends up stupidly overpowered because God doesn’t really pay attention well, so that’s in order. He rescues two girls from attempted assault by the male companions they were traveling with, and then helps to stave off a goblin raid (goblins, check). Finally, after arriving at the adventurer’s guild (check) and getting ID cards (check), he is convinced to join the two girls on their adventures, against his better judgment. Check. Sigh.

I will break this down into bad and good again, though in this case it’s more bad and “has potential”. A lot – in fact, the majority – of J-Novel Club’s series are light novels that were originally on the internet as self-published web novels, but I don’t think I’ve seen a single series where it’s more obvious than this one. The writing quality is highly variable, to the point where I was actually wishing it was worse in places just so that it would be more consistent. Our hero is the ‘grim, realistic” sort as opposed to the “kind, helpful” and “perverted but doesn’t do anything” sorts, which sadly means I started to compare him to the hero of Death March. It’s never a good sign when you’re trying to clear Death March’s low bar. The author also has a running gag where he (the lead character, but also the author) gets lost in describing the immense breasts of one of the characters – in fact, at one point he seems to get so lost that he starts mixing up the names. The book also does that webnovel thing where it enjoys making fun of isekai tropes, but never quite does it enough to make it a deliberate satire – it’s having its cake and eating it too.

Am I dropping the series? No, at least not yet. Why? Well, there were one or two moments where I genuinely laughed out loud, I will admit. These usually involved the eccentric God or the “so naive it’s bordering on hilarious” adventurer Shion Femme-Fatale, whose name alone made me slap my head. The gimmick – our hero was a former Chinese Mafia assassin and wartime hero who killed 5000 men with his sword, founded schools of fighting, and died peacefully at 94, THEN was reincarnated in another world – is a clever one, though I’d be more impressed if God hadn’t wiped his memories of his life on Earth. But yeah, mostly I’m reading this because of that one character type I really like. Rona Chevalier (take a wild guess what her secret is) is the owner of the large breasts I mentioned before, but I was far more interested in her as a scheming, intelligent woman whose “I’m not angry” face is absolutely terrifying. She is able to convince our hero that keeping Shion’s naivete from killing her is more than a one-person job. Basically, the two women in the cast are far more interesting than the male lead. Not uncommon in isekai, but I liked Rona enough that I will try the second volume.

This is now up to 17+ volumes in Japan, and I am hoping that as the writer gains more experience – or perhaps better editors – it settles down a bit and reads less like “I am typing words and then immediately posting them, done”. If you enjoy isekai, give it a shot. The cast oddly made me think of Library Wars – If you wanted to see Iku and Shibasaki fighting fantasy adventures with a super-powered Doujima at their side, this is definitely the book for you.

Also, illustrator, if the author describes the hero’s face as perfectly average, try not to make it so that you look at the cover and want to punch him.

One Piece, Vol. 85

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By Eiichiro Oda. Released in Japan by Shueisha, serialization ongoing in the magazine Weekly Shonen Jump. Released in North America by Viz. Translated by Stephen Paul.

It goes without saying that the revelation about Charlotte Pudding in this volume does not come as a complete surprise. It will also not come as a surprise to me if she reverts later on, as Oda’s general treatment of women has gotten a lot more sexist and predictable over the years. The best thing about said revelation is Sanji’s reaction from outside the building, which is a simple grim silence. Oda’s panels can verge on chaos much of the time, and certainly do here, from Luffy trying to rip his hands off in order to escape to Chopper and Carrot’s pell-mell running through the mirrors, everything is traveling at 100MPH. So when Oda pauses to let a scene breathe, it has that much more impact. Charlotte’s ability is also a clever use of Devil Fruit to make what amounts to “memory erasure” look cool and also creepy at the same time. I tend to read One Piece slowly because little details always matter in it.

Reading One Piece slowly also helps you to notice the repeated themes Oda uses in his work, though to be fair this theme could be noticed from quite a ways away. Like Nami in the Arlong Park arc, and like Robin in the Enies Lobby arc, Sanji is desperate to get everyone to abandon him and save themselves. And of course when Luffy confronts him about it, his response is the same as the others: yes, I want to go with you. Please save me. I’m not entirely certain how many of the Vinsmokes are actually going to survive this arc, particularly after learning what Big Mom’s real wedding plans are. As I’ve said before, Reiju has “tragic sacrifice” written all over here. Still, I’m confident Sanji will survive, as he is a crew member. Speaking of which, will we get a new crew member at the end of this arc (which is still going in Japan)? Will it be Carrot? Or Jimbei, who rescues Luffy and Nami and joins the fun here.

Other things I noticed: I am vastly impressed with Brook for how he hid the poneglyph copies. That was clever thinking, and also clever on the part of Oda, who had to figure out where to hide a mass of paper on someone like Brook. Nami’s top takes some fire damage as part of her being rescued, and there’s some brief “will we see a breast? No.” fanservice, but I was amused she simply tied it back immediately – I wonder if she chooses her outfits so they can easily be fixed in case of ludicrous fighting? The alliance with Capone and Caesar Clown (who we simply can’t seem to get away from – Oda must love him as comedy relief) seems like it will be a disaster, but it does give us the opportunity to see Luffy in a nice mob suit. And why does Oda’s version of American football have the women wearing hot pants… wait, I know the answer to that one.

One Piece is not what it once was, but it’s still compelling, and should remain on your reading list for the foreseeable future.

Bookshelf Briefs 2/26/18

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Arakawa Under the Bridge, Vol. 2 | By Hikaru Nakamura | Vertical Comics – The conceit of the first volume was to show that everyone who lived under the bridge, including the supposed straight-man hero, was completely and utterly weird. This second book expands that to show that you don’t even have to be living under the bridge, as Rec’s father and underlings prove to be just as screwed up. That said, the best moments in this omnibus go to the already-introduced cast. Everything involving Maria is a delight, particularly her “helping” Rec in his deception. Rec becoming a schoolteacher is also a fertile ground for gags, as is the race. My favorite moments, though, are just the simple unfussy love Nino seems to have for Rec. It actually grounds the series. – Sean Gaffney

Behind the Scenes!!, Vol. 5 | By Bisco Hatori | VIZ Media – I couldn’t quite bring myself to abandon this series, and that may be a good thing, because volume five is quite a bit better than what’s come before. True, some things are treated in a very frivolous manner, like Ruka’s stalker who conveniently disappears after Goda thwarts him once, but some emotions ring true, particularly Ranmaru’s raging feelings of inferiority when it comes to Goda, whom Ruka, the object of Ranmaru’s unrequited affections, pines for unrequitedly and who not only protects her from the stalker but has superior design ideas at every turn. Of course, Ranmaru ultimately learns that Goda is so good at what he does because of hard work, not sheer talent, and by volume’s end he seems more driven to work hard himself. I might care enough to stick around a bit longer. – Michelle Smith

Bloom Into You, Vol. 4 | By Nakatani Nio | Seven Seas – The drama amps up in this fourth volume, which (as with previous volumes of this series) makes it more interesting. Touko’s self-hatred is really becoming harder to hide, as she not only reveals to Yuu the mask that she’s been wearing ever since tragedy struck her family, but also urges Yuu not to fall in love with her, as, of course, she hates herself. That said, it may be a bit late on that score, as Yuu might be asexual but she’s not aromantic. (There is a clever use of a word bubble to obscure a narrative text block that is fooling no one.) The play that is written, meanwhile, is a bit too close to Touko for comfort, and the ending feels off, which is why it’s good that Yuu may be trying to change that. I’m finally enjoying this quite a bit. – Sean Gaffney

Chihayafuru, Vol. 9 | By Yuki Suetsugu | Kodansha Comics (digital only) – One of the things I like best about Chihayafuru is that the less-advanced members of the Mizusawa Karuta club are allowed to make valuable contributions. After watching the Master and Queen matches, “Desk-kun” tells Chihaya she shares a skill with the intimidating Master—the ability to discern more one-character cards than others—and one can’t help but think she’ll go far if she develops it. Meanwhile, Kana takes the education of new first-year members in hand (and proves to be right that it’s the poetry that hooks them) and “Meat Buns” trains the cocky newcomer who only knows the Hokkaido variant of the game. Everyone’s changing and they all have different goals and priorities, but two constants are their love of karuta and my love of this series. – Michelle Smith

Delicious in Dungeon, Vol. 4 | By Ryoko Kui| Yen Press – The majority of this volume is dedicated to finally bringing down the red dragon that ate Laios’ sister, and it’s a pretty badass battle, showing everyone failing and succeeding in equal measure—it’s well-earned. Sadly, Falin is pretty much a skeleton by now, but that is not going to stop our heroes. This is actually a fairly odd development, one that requires a bit of a side story in the early part of the volume to set up so it’s not completely out of the blue. (It also shows off some worldbuilding, hinting at an ongoing plot beyond this book, which I suspect may have been the original “if this gets cancelled fast” ending. But the series is popular, so we get a menacing elf for a cliffhanger. This has become excellent. – Sean Gaffney

Food Wars!: Shokugeki no Soma, Vol. 22 | By Yuto Tsukuda and Shun Saeki | Viz Media – Thanks goodness, the recipes at the end of this book do NOT ask the reader to cook with bear—the meat is changed to something more prosaic. The whole book is devoted to Soma’s battle, though we do also see a few shots of the new players in the Council of Ten, including Hayama, and also discover Megumi has to be judged by the eccentric Rindo. Soma’s got his work cut out for him, though, as his judges are all relatives of the Nakiri family, including Alice’s little sisters. The idea of Southern Fried Bear boggles the mind a bit, but the beauty of Food Wars is its ability to make anything sound delicious. And Soma’s bearburg steak may end up saving the day—depending on if Hayama will eat it. – Sean Gaffney

Girls’ Last Tour, Vol. 4 | By Tsukumizu| Ywn Press – It’s hard for one part of this fourth volume to not completely overwhelm the rest of it. For the most part, Chito and Yuuri ride their tank around, take a still-moving subway car to a brand-new part of the city, discover real, actual chocolate, and the like. But when Yuuri fires off a tactical nuclear weapon, destroying a large portion of the city off in the distance, your jaw drops. I am told the anime played this scene a bit more seriously, and rightly so—Yuuri’s laughter is appalling (and it’s meant to be, I think). This volume assures us that this is genuinely after the end of the world, and there’s not going to be a final scene where they’re rescued. I was not expecting a slice-of-life series with two cute girls to be so chilling. – Sean Gaffney

Log Horizon: The West Wind Brigade, Vol. 8 | By Koyuki and Mamare Touno | Yen Press – OK, turns out that Soujiro’s opponent isn’t quite Nureha, but some sort of golem controlled by a person of the earth with a penchant for evil. Strangely, said character later ends up as a small girl, and gets adopted by the West Wind Brigade and named Kuroe (to contrast with Shiroe and remind you why everyone in the WWB suspects Soujiro has a crush on him). The rest of the volume wraps up the events of the fourth book, giving more insight into the missing memories and some terrific facial expressions of Raynesia. The series just announced it’s ending in Japan, but this sort of side story doesn’t really need a definitive ending. “And the adventure continues” will do fine. – Sean Gaffney

Pick of the Week: At Last, Farming Manga!

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SEAN: My pick this week is Silver Spoon Again!!, a touching story of a young man who dies from overworking himself as an agriculture student in Hokkaido, but is given the opportunity to go back and live his life again, and becomes an ouendan cheerleader for the school’s equestrian squad.

MICHELLE: Ha! I am behind that pick 100%!

KATE: I’m on Team Silver Spoon this week, but for selfish reasons: I’m hoping that Silver Spoon will be such a hit that Yen Press will rescue Hiromu Arakawa’s Hyakusho Kizuko and offer it in a snazzy print edition. JManga released the first volume in 2012 before folding up its tent, and I’ve always felt it deserved a second chance with American readers. Here’s a link to my original review; it has 100% more cow manure jokes than Fullmetal Alchemist.

MJ: I have been hoping for Silver Spoon so much for so long, that has to be my pick! Hiromu Arakawa is a manga goddess and I am always on her team. And hey, I will also get behind Kate’s argument. More Arakawa is always better!

MICHELLE: I’ll get behind it, too. There are definitely several JManga titles that I wish could find new homes.

ANNA: I’m also looking forward to Silver Spoon. I always feel like throwing a party whenever a manga I thought would never be available here gets released in translation.

ASH: Like everyone else here, Again!! and Silver Spoon are definitely at the top of my list this week. I’ve been waiting to read Silver Spoon longer, so I guess that’ll be my official pick, but I’m looking forward to the debut of both series a great deal.

Log Horizon: Homesteading the Noosphere

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By Mamare Touno and Kazuhiro Hara. Released in Japan by Enterbrain. Released in North America by Yen On. Translated by Taylor Engel.

At last, after four volumes that focused separately on various groups and their growth and development, everyone is back together and ready to deal with fresh new problems. Which is good, as there are quite a few fresh new problems. Westlande is about to go to war with Eastal, and the adventurers are caught up in the middle of things. They have to defend the young crown prince, Raynesia’s little brother, from assassination attacks. They’re being attackied by killer moths that put people into a deep sleep. Shiroe is feeling that he’s inadequate for the job (well, OK, that’s more a leitmotif for the entire series, as Akatsuki and Minori both point out). And, perhaps worst of all, due to various screwups in real life, will there ever be a Log Horizon Book 11? Yes, as it turns out, but we were wondering for a while there.

Shiroe’s inadequacies are part of a larger theme in this book of growing up and becoming an adult, and what that means to various people. For Serara, much as I might not like it, that means getting stronger so that Nyanta might notice her in a romantic way. (To Nyanta’s credit, his interest is still zero.) For Minori, it’s realizing that her feelings for Shiroe AREN’T romantic, and that they’re more a function of who she is and how she handles situations. For Isaac, it’s simply living from day to day, not really thinking deeply about things, and watching all the idiots around him. And then there’s Shiroe. He has to deal with Roe2’s letter, which goes into much greater detail about what sort of world they’re trapped in, and that it’s not just a weird “we’re caught in the actual game” thing. He has to think about how to get back home, and whether some people WANT to get back home. Nazuna describes him at one point as a “wimp”, and that’s true, but when he calms down and stops his self-loathing barrage, he can also be brilliant.

Towards the end of the book they find a sort of radio transmitter, which makes contact with Kanami and company, who are still making their way slowly to Japan, and who seem to have a surprise new member in their party. As I noted in the last book, it’s hard to focus on Kanami as a character as she’s designed to be “perfect”. As such, she instinctually comes up with the idea that Shiroe and the rest couldn’t – instead of thinking about how to get back home, think about how to connect the two worlds, so they can come and go as they please. For Kanami, this is simply because she wants to show her three-year-old daughter back on Earth the wonders of this land. For Shiroe and company, it’s a revelation – they can try to have their cake and eat it too.

There’s lots of other things that Log Horizon fans will enjoy in this book – the fights, as usual, are well-written but rely a bit too much on gaming terminology for me to really get deeply into them. At least I get some more Naotsugu/Marielle ship tease, which is nice. There are also a few appendices showing amusing and informative background on several things (Log Horizon is one of the few print-only series left from Yen On – it’s print-only in Japan too – and the appendices would certainly be a pain to convert.) As I indicated above, for various reasons (search Anime News Network for the author’s name if you’re curious), there was a huge gap between Book 10 and 11, which likely means we won’t see 11 for a while. But it’s coming out in Japan soon, and will answer a question many have been wondering: what’s Krusty been up to?

Oh, My Sweet Alien!

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By Kouji Miyata. Released in Japan as “Yome ga Kore na Monde” by Enterbrain, serialized in the magazine Harta. Released in North America by Yen Press. Translated by Sheldon Drzka.

This sort of premise will be very familiar to anyone who reads books or watches television, aliens aside. The story of a normal man who ends up marrying a wife who has a supernatural secret – or even is just of an amusing foreign nationality – has been around forever, and Oh, My Sweet Alien! is simply adapting that premise to suit its own needs. That’s not to say that this manga is dull – predictable, yes, but I was entertained throughout, mostly as the author manages to find a nice balance between the wife being a “funny foreigner” type and the wife being a genuinely weird, unnerving alien. It never gets too horrific – this is a sweet comedy, after all – but we do see the collection of human skins she has to wear to pass herself off in this world, and at home she’s not above using her tentacles as easily as she does her hands – in fact, more easily. As the story progresses and they have a child, the complications remain the same – predictable, but fun.

As we find out in a flashback, Nobuo, our young man, was abducted by aliens to be fitted with an implant, seemingly as some sort of rite of passage for a young alien girl (who is referred to as “the wife” throughout, I believe). Somewhat delirious from the abduction, and touched by the fact that she doesn’t want to give him the implant, he proposes to her, and they move in together. The rest of the book could be described as “wackiness ensues”, really. We get alien in-laws, Nobue’s grumpy mother, and two more aliens (from Venus, no less) hell bent on breaking up the couple by seduction. All of these could easily be rewritten from “alien” to “foreigner”, as I said, but seeing how :”alien” plays out is what makes this fun. I was a little frustrated at times (Madoka, the female alien homewrecker, can be quite annoying before she’s gradually toned down a bit), and the gratuitous nudity feels a bit out of place (without it, honestly, you could lower the age rating a bit), but the sweet moments are really sweet, and the humor can sometimes be fantastic – I loved the “I will reveal my secret” gag of the final chapter, for example.

Sadly, this is all we’re going to get of this title – the author died of a brain hemorrhage three years ago. It’s a shame, because of the many varieties of western publishers’ “Monster Girl” series that have been flooding the market faster than you can say Alice in the Country of Hearts, this was on the cute, fun side, and it’s nice to see one that stars a happily married couple who love each other despite all of the obvious differences. It’s not for everyone (I will mention the nudity again, there really is quite a bit of it), but fans of the genre should definitely give this a try.

Manga the Week of 2/28/18

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SEAN: The end of the month, and we celebrate by doing this list in reverse order, mostly because I want to lead with the Big One.

Yen Press is bringing out Silver Spoon, Hiromu Arakawa’s farming manga that is her big followup to Fullmetal Alchemist. The story of a young man’s coming of age at an agricultural university, it’s a personal favorite, and I have been begging for its license for years. Everyone NEEDS to read this.

MICHELLE: So excite.

ANNA: I am also excited!

MJ: This is so exciting to me. I, too, have been begging for this license forever, somehow missed it had even happened, and now I’m just awash in joy.

ASH: I also share in the excitement! I really enjoyed the anime adaptation, but I’m thrilled that the original manga will finally be translated, too!

SEAN: There are also a number of ongoing Yen Press series that are not Silver Spoon. Scum’s Wish 6; the 3rd and final volume of Rose Guns Days Season 3 (STEEEELLLLAAAAAA!); A Polar Bear in Love 2; an 8th volume of Log Horizon: The West Wind Brigade, whose end was recently announced in Japan; Girls’ Last Tour 4; Delicious in Dungeon 4; and Aoharu x Machinegun 9.

MICHELLE: I still have every intention of reading Delicious in Dungeon!

ANNA: Me too, but sometimes my intentions do not manifest in reality.

ASH: Delicious in Dungeon is one of my favorite series being published right now. I was also surprised by how much I enjoyed the first volume of A Polar Bear in Love, so I’m looking forward to reading more of that series, too.

SEAN: We also have new light novels! Psycome comes to an end with its 6th and final volume (there’s apparently a short story collection as well, but I wouldn’t hold your breath). Log Horizon’s 10th volume catches us up with Japan, so it may be a while before Book 11. And there’s also a 6th Re: Zero, a 5th volume of the DanMachi spinoff Sword Oratoria, a 2nd volume of The Empty Box and Zeroth Maria, and Vols. 4-5 of Kieli out digitally.

And speaking of digital, Yen has new digital volumes of Toilet-Bound Hanako-kun (4), Saki (14), IM: Great Priest Imhotep (5), Gesellschaft Blume (5), Corpse Princess (15) and Aphorism (14).

ASH: Saki!

SEAN: Viz also has a digital release, with a new volume of The Emperor and I.

Vertical Inc. gives us Nekomonogatari (White), which wraps up Tsubasa Hanekawa’s character arc by giving us a book narrated by her. Can the series hold up without Araragi’s eccentric and teenage-boy riddled monologues? Probably.

Vertical Comics gives us a 2nd omnibus of The Flowers of Evil.

Udon gives us the 2nd volume of Infini-T Force.

Seven Seas’ debut is another print release of a J-Novel Club digital novel series. Clockwork Planet will also be familiar to manga fans from Kodansha’s release, and anime fans from a relatively unpopular series. The novel is worth reading, though.

ASH: I’m really liking this partnership between J-Novel Club and Seven Seas.

SEAN: We also see Unmagical Girl 2, Freezing 19-20, a 2nd Devilman Grimoire, and most importantly for Manga Bookshelf folks, an 8th volume of The Ancient Magus’ Bride.

MICHELLE: I now have a stack of The Ancient Magus’ Bride on my desk, courtesy of my local library!

ASH: Always glad to see a new volume of The Ancient Magus’ Bride! I also rather liked the first volume of Devilman Grimoire, though that series is a different beast entirely.

SEAN: Kodansha has some great print releases next week, with a 13th Kiss Him, Not Me! (still making me wonder if the pairing will stick), a 7th Clockwork Planet (the manga), and a 2nd volume of the Clear Card sequel series to Cardcaptor Sakura.

MICHELLE: I hope a bit more happens in this volume of Clear Card.

SEAN: The big debut, though, is Again!!, a manga by one of the creators of Yuri on Ice. If you always wanted to see Peggy Sue Got Married but with Japanese Ouendan cheerleaders, this is the title for you. I’m looking forward to this quite a bit.

MICHELLE: I might possibly be even more excited about this than Silver Spoon!

ANNA: AHHHHHHHHHH!

MJ: This sounds awesome.

ASH: Doesn’t it though?! This should be great.

SEAN: Kodansha Digital surprised us by announcing they were putting out a digital release of Dragon Head next week – all 10 volumes of this seinen thriller classic.

ASH: I was pleasantly surprised by this announcement! Dragon Head goes a little off the rails here and there, but overall it’s a great post-apocalyptic survival series. I’m glad to see it legally available in English again.

SEAN: There’s also new volumes for PTSD Radio (4), Pitch-Black Ten (3), My Brother the Shut-In (2), and My Boyfriend in Orange (3).

J-Novel Club debuts a new series called [New Life +] Young Again in Another World, which features the usual suspects you expect with a series that has “In Another World” in its title, but the gimmick is that the protagonist lived to be 94 before he was reincarnated.

They’ve also got a 2nd volume of Walking My Second Path in Life, whose first volume I really enjoyed. Plus, female protagonist!

And Ghost Ship has a 3rd volume of the “racier than the very racy original” sequel To-Love-Ru Darkness.

Aside from the must buy that is Silver Spoon (and, if I’m honest, you should get Again!! as well), what are you picking up next week?

Silver Spoon, Vol. 1

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By Hiromu Arakawa. Released in Japan as “Gin no Saji” by Shogakukan, serialization ongoing in the magazine Weekly Shonen Sunday. Released in North America by Yen Press. Translated by Amanda Haley.

It’s honestly hard not to get a bit choked up reading this first volume of Silver Spoon, one of the manga licensing holy grails of the last few years. Cries of “it’s a new series by the creator of Fullmetal Alchemist! What’s stopping them?” were met with the response of “It’s a FARMING manga”. But here we are, and finally, seven years after its debut, we have Silver Spoon, a farming manga, in our hot little hands. In fact, I was rather surprised to see that “from the creator of Fullmetal Alchemist” is nowhere on the covers. It’s possible, of course, that they did not want to give mistaken impressions – fans of the fantasy action movie that FMA was much of the time would likely be taken aback a bit by this slice-of-agricultural life series. But in the end I think that’s fine, as Silver Spoon stands out on its own without any help. It’s a truly refreshing series.

Our hero is Yuugo Hachiken, who has arrived at an agricultural high school up in Hokkaido, the only student in the school who doesn’t come from some kind of farming background or family. We don’t learn his circumstances right away, except to see that he doesn’t seem to have a purpose in life. The other students definitely all are goal oriented – they have to be, given the nature of the industry they’re all in. Hachiken is an excellent student, but he’s also far too serious and tends to suffer from “if I don’t get straight A’s and the 1st place in class I am a failure” syndrome. Here, though, he’s thrown head first into farming life, with the help of the cute girl who “rescues” him after he chases a runaway animal on his first day and gets lost, Aki Mikage. He’s immediately smitten, but romance is on the back burner here. The main thrust of the series is seeing Hachiken learn about animals, farms, and the cycle of life, and trying to come to terms with it.

Arakawa grew up on a farm, and it shows. The attention to detail here is fantastic, and even though there’s a lot of exposition you never feel bored. Hachiken too is a well thought out protagonist. He’s uptight, and seemingly the sort of person you’d expect to break after a few days of the grueling work the kids have to put in at the school, but while he whines a lot, he never thinks of giving up. (And the one time he tries to slack off he’s quickly put in his place.) Moreover he’s quite happy to tutor the other kids in things like math and the like, and already seems to be showing signs of “trying to do it all”. The rest of the cast is also introduced well – Mikage is sweet and upbeat, the baseball-playing Komaba is stoic and serious, etc. Fans of Fullmetal Alchemist may find the gym teacher a bit familiar as well. And the animals are fun as well, particularly the horses – though there are hints there may be piglet drama coming up soon.

After waiting so long for this series, I am so happy to report that it doesn’t disappoint. It’s a relaxing, easy read, and you’ll also learn a lot about animal care. I urge everyone to go and buy this, as I desperately want it to succeed. Highly recommended.

How NOT to Summon a Demon Lord, Vol. 2

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By Yukiya Murasaki and Takahiro Tsurusaki. Released in Japan as “Isekai Maou to Shoukan Shoujo Dorei Majutsu” by Kodansha. Released in North America digitally by J-Novel Club. Translated by Garrison Denim.

The second volume of this series picks up right where the first one left off, both in terms of the plot and in terms of my feelings about it. It’s rare to see a series that has so many of the things that I dislike in it be something I still want to read, but there you have it. I want to find out what happens next to Diablo, Shera and Rem. I find the pacing and narration easy to read. The book is occasionally funny, and the battles are well done. On the minus side, we double down on “this is why slavery is OK here”, complete with explanation of how it would work if good, nice people were in charge of slaves. We get another in a long line of villains who are meant to be as evil as possible, though for a change this one is not written by Reki Kawahara. He still works in rape threats AND incestual feelings, though. That said, honestly, for fans of this sort of book? This volume delivers the goods.

Shera got the cover of the first book, so Rem features here, even though the plot revolves around Shera. Her brother is trying to force her to return to the Elven Kingdom and become a broodmare (with him, which makes the whole thing even ickier), first trying threats, then using a mind control that is so painfully obvious that the only person it would ever work on is an insecure Japanese hikkikomori with no social skills who is pretending to be an over the top demon lord. Lucky for him! (In all seriousness, Diablo’s “mask” slips quite often in the dialogue, and he frequently sounds less like a demon lord and more like a typical tsukkomi-style protagonist. No one really remarks upon, this, so I’m not sure if it’s just sloppy writing or a deliberate attempt to show his “Diablo” is not as perfect as he’d like – certainly by the end of the book Rem seems to be seeing through him.) Naturally, Diablo, once he snaps out of it, goes to Shera’s rescue, but then he has to take on the very powerful Governor of the city they’re staying in.

I continue to like the relationship between Rem and Shera, who bounce well off each other, and are rapidly becoming close friends, much as Rem may not want to admit it. And while the fanservice is not my cup of tea (particularly the final “gag” involving the grasswalker adventurer who gets Diablo drunk and lives to regret it), it’s exactly the sort of thing that readers of this series would like to see. We’re also introduced to a Holy Knight named Alicia, who’s fairly straightforward and dull, and thus the epilogue pleased me as I’d been expecting something else to be going on with her right from the start. I suspect that the next volume will get back into the whole demon lord revival thing that had been a part of the first book. In the meantime, this is only for readers of harem isekai, I want to emphasize again. But I will be sticking around despite all the book’s faults, which is a positive thing.

Yona of the Dawn, Vol. 10

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By Mizuho Kusanagi. Released in Japan as “Akatsuki no Yona” by Hakusensha, serialization ongoing in the magazine Hana to Yume. Released in North America by Viz. Translated by JN Productions, Adapted by Ysabet Reinhardt MacFarlane.

Character development is something that you want to see in a good story. It’s something we’ve seen throughout Yona of the Dawn. For all that people were chanting “badass sword princess!” when the series was originally licensed, it’s taken a while for Yona to get from her sheltered princess to that point, and she still has a long way to go. And that means that character development happens even with the villains, provided they aren’t meant to be the standard “I am so evil I have to die” sorts. That’s why this volume is devoted almost entirely to Tae-Jun, the arrogant Fire Prince who has been dealing (badly) with thinking that he killed Yona back at the beginning of the series. He’s always been played for comic relief, and there’s certainly still some of that here – his puppyish devotion to Yona makes us uncomfortable but also makes us laugh. But there’s a larger story to be found here, which is the suffering that the kingdom has been going through.

Yona has slowly been realizing what she wants to do for this kingdom, but it’s not something that she’s really able to fully achieve as a bandit. Tae-Jun could really make more of a difference, though it’s worth noting that even he has to disguise it as “searching for the bandits and making the towns better as a result”. The peasant towns we’ve seen the last few volumes are really struggling, as every able young man is now gone to the army, leaving almost no one left to keep everyone eating and surviving. There’s a heartwarming moment with an old woman who bitches and moans about how bad Tae-Jun is at backrubs and everything else he tries to do, but Yona notes that it’s mostly just bluster. But later on, we hear that the old woman has died. This isn’t a magical cure, where Yona or Tae-Jun start to do the right thing and everyone magically gets better. People still die. People still suffer.

Tae-Jun’s soldiers are also seen throughout, and don’t have quite as much of a leap, as they go from “we are devoted to our lord even if he’s like this” to “we are devoted to our lord and oh look, he’s doing things now”. That said, they seem perfectly content to help the villagers as part of finding the bandits, once they get over their initial “if we come near them, we will get sick and die” phase. (Which, truth in manga, does actually turn out to be somewhat true – one of the soldiers seems to pick up a bad case of “con crud” fairly quickly.) As for Yona and the others, they realize that they need things that aren’t in the Fire lands, so are off to find them, and presumably to start a new arc. In the meantime, everyone who’s been reading Yona of the Dawn will enjoy this, and appreciate a more nuanced look at a former goofy villain.

Pick of the Week: Fish, Spiders and Distant Stars

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MICHELLE: By now, it probably goes without saying that I will definitely be getting the new volume of Chihayafuru, so I will instead pick Voices of a Distant Star. I never read it the first time around, but I remember MJreally loved it. The your name. movie made me cry buckets, so I bet I will probably love this story, too.

SEAN: I’m definitely picking up Voices, but my pick this week goes to Giant Spider & Me. A combination of food manga, sweet slice of life, and post-apocalyptic survival, it feels like every new trend we’ve had brought into one title.

KATE: I’m exited about the return of Voices of a Distant Star, and charmed by the idea of a slice-of-life story about a girl and her giant spider, but my must-read manga this week is Fukushima Devil Fish, a collection of short stories by Susumu Katsumata. And yes, the Fukushima of the title refers to the nuclear plant that experienced a partial meltdown after the 2011 Tohoku earthquake; according to publisher Breakdown Press, the anthology includes “two stories from the 1980s on the subject of ‘nuclear gypsies,’ the men who labor under oppressive conditions to maintain Japan’s fleet of nuclear power plants.”

ASH: I’m certainly curious about Giant Spider & Me since learning that it is in fact a food manga but, like Kate, Fukushima Devil Fish is what takes priority for me this week.

ANNA: There’s a ton of great manga coming out this week, but I’m most interested in Voices of a Distant Star, since I wasn’t able to catch it the first time it was released.

Bookshelf Briefs 2/19/18

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Assassination Classroom, Vol. 20 | By Yusei Matsui | Viz Media – So in the end there is no easy way out, and no happily ever after. Oh, the kids survive, though it’s a bit touch-and-go for Kayano, who tries to protect Koro-sensei and gets impaled for her troubles. But no, what it means is that, despite Koro-sensei taking care of the bad guys, with one very satisfying death, he still has to be killed—and, given the entire premise of the series, the kids have to kill him. We’re at the climax of the series, which is apparently rather awkward in volume format—expect a lot of padding in the final volume. Still, for fans of this series, this may be a bit of a tear-jerker, but it feels right, and will also make you smile. (Though please stop with the “Kayano has a small chest” jokes, please.) – Sean Gaffney

Behind the Scenes!!, Vol. 5 | By Bisco Hatori | Viz Media – This was a much stronger volume of the series, though I admit that sometimes I have trouble remembering who is who—this is what happens when you catch up to Japan so quickly. Here we see the pain of unrequited love, and how for the most part there can be very little you can do about it other than pine, especially when you love is pining for someone else. That said, the core of this series is still its special effects, which branch out here into scene design as our heroes run into a school with a lot of ideas but no idea how to convey those with an actual budget. The end design was quite clever, showing off the desperation that frequently drives genius when pushed to a deadline. Solid. – Sean Gaffney

Black Clover, Vol. 10 | By Yuki Tabata | Viz Media – As it turns out, permanent damage is pretty easy to heal when you live in a world of magic and you’re also the main character. Black Clover is never going to win any originality awards, and will likely never rise above “good.” But it also doesn’t plumb the depths of some series—it’s pacy, knows how long to do an arc for, and is also not afraid to bring in characters introduced in the light novels when it wants to, which might be a bit of a wrench for North American readers who know Viz doesn’t really license Jump light novels unless they’re Naruto. Meanwhile, Noelle levels up, and Asta tries to solve things by talking rather than punching (shame it doesn’t work out). Black Clover is fun if you’re a teen who’s never read Jump manga before. – Sean Gaffney

Dokudami Tenement, Vol. 1 | By Takashi Fukutani | Black Hook Press – Thanks to the efforts of Black Hook Press, a niche publisher based out of Tokyo currently focusing on gekiga and more obscure manga, the beginning of Fukutani’s most popular and successful series Dokudami Tenement is now available in English. The first volume includes the manga’s prologue and three stories—”Sun Is Shining,” “The Fetishist’s Lament,” and “Midnight Mover”—in addition to an introduction by Mitsuhiro Asakawa, a short biography, and a list of Fukutani’s publications. Dokudami Tenement began serialization in 1979, Fukutani incorporating semi-autobiographical elements into his stories about Yoshio Hori, an unemployed twenty-six year old living in a decrepit apartment building in Tokyo. It’s a funny and entertaining series, although at times admittedly lewd and crass; the characters somehow manage to be both appalling and sympathetic while the manga explores social and economic issues of the time period with a biting sense of humor. – Ash Brown

Food Wars!: Shokugeki no Soma, Vol. 22 | By Yuto Tsukuda and Shun Saeki | VIZ Media – The advancement exams in Hokkaido continue and the resisters have survived until round three, when they must go up against members of the Council of Ten. Yukihira is having a rematch against Hayama, who defeated him in the Fall Classic, and their theme ingredient is bear. Despite a lot of focus on how the boys manage to overcome the stinky attributes of bear and create delicious dishes, I have to say I’m still not particularly keen to try it. We get the typical fanservice of clothes being blown off by flavor, but I could’ve done without the really awkward explanation for why the Nakiri family has this reaction. It was still entertaining, though, and I really liked that Yukihira acknowledged that he’s a better chef now because Hayama defeated him in the past. Beyond that, I remain “meh” about this Central arc. – Michelle Smith

Haganai: I Don’t Have Many Friends, Vol. 15 | By Yomi Hirasaka and Itachi | Seven Seas – The first half of this volume continues the giant high from the second half of the last one—these are probably the best scenes in the series. After getting his ass kicked by Rika, Kodaka finally stops ignoring Sena and tells her the truth—he loves her, and wants to do lots of naughty things to her, which… sort of pleases her, ish. But he won’t date her, because it would ruin the Friendship Club. Which, honestly, is getting pretty ruined even without dating, as Yozora has finally sunk into deep depression and run away, all the way to… Kodaka’s house. The manga says—possibly to stop readers abandoning ship—it will have a different ending than the polarizing light novel. We’ll see how that develops next time. – Sean Gaffney

Haikyu!!, Vol. 20 | By Haruichi Furudate | VIZ Media – Karasuno is engaged in their first five-set match against formidable opponent Shiratorizawa and they’re approaching the limits of their endurance. Kageyama’s accuracy is suffering, and though Tsukishima (who has apparently become my favorite character) continues to make some awesome moves, he ends up injured and in the infirmary for the beginning of the fifth and final set. Can the team pull off victory without him? Well, it’s not surprise that we don’t know the answer to that yet, since Haikyu!! is always pulling off excruciating cliffhangers, but once a rested-up Kageyama returns to the court, it certainly seems possible, as he and Hinata execute a spectular quick set that narrows Shiratorizawa’s lead to one point. As exciting as ever! – Michelle Smith

JoJo’s Bizarre Adventure: Stardust Crusaders, Vol. 6 | By Hirohiko Araki | Viz Media We’ve finally gotten to Egypt, but alas, Dio still eludes us, as we continue instead to plow through a series of mooks trying to stop our heroes getting there in time to save Holly (who long-time readers may have totally forgotten about, to be honest). There is some very amusing comedy, as our heroes’ new ally is a Stand User who’s a dog—a very eccentric, unlikeable dog. The dog manages to do something that hasn’t happened the entire series, which is briefly make Jotaro interesting. But be it Youssou N’Dour, Oingo Boingo or Chaka Khan, no amount of unsubtle 80s music references can stop our heroes. Will we finally see Dio next time? Probably not, but hey. JoJo’s fans will want to read this. – Sean Gaffney

Kase-san and an Apron | By Hiromi Takashima | Seven Seas – The physicality of Yamada and Kase-san’s relationship is dialed back in this new volume, possibly due to being serialized in a magazine, Wings, which is slightly less OK with it. The yuri cuteness is still there, though, and this remains probably the best of our ongoing “girls in high school like each other and start dating” series. There are few surprises—the fact that Kase-san hadn’t dated her sempai seemed fairly obvious to me—but the emotions seem real, the girls are both sweethearts, and you root for them. I had thought this was the final volume, but apparently it is continuing on an occasional basis, so we may see a new volume. A must-read for yuri fans. – Sean Gaffney

Kuroko’s Basketball, Vols. 19-20 | By Tadatoshi Fujimaki | VIZ Media – It’s the Winter Cup quarterfinals, and Seirin is up against Yosen. Most of the first part of the volume is Kagami suddenly evolving amazingly in response to Yosen’s strength, entering “the zone” in a way that is visible to the audience and demonstrating an ability to replicate moves belonging to the Miracle Generation. It’s over-the-top but still an exhilarating finish as Seirin manages to win by one point. After meeting Shogo Haizaki, a former Miracle Generation member who lost his position to Kise, we progress to the first semifinal game, between Akashi’s Rakuzan and Midorima’s Shutoku. Turns out, Midorima and his teammate Takao have a sort of Hinata/Kageyama (from Haikyu!!) past and even a quick set equivalent! It’s pretty spiffy, but is it enough to beat Akashi? Stay tuned! – Michelle Smith

Kuroko’s Basketball, Vols. 19-20 | By Tadatoshi Fujimaki | Viz Media – As you might expect, loving basketball is better than not loving basketball, and therefore those with passion—particularly in a sports manga—will always beat those who have talent but little drive. And so our heroes advance, and get the rest of the volume to watch the competition. I admit I wasn’t wild about the section in the middle, though at least Alex freed herself on her own, and Shogo made a particularly unpleasant antagonist. But now we’re on to the other semifinal, with our old friend Midorima, who is not going to win because we have already seen Seirin play them, but it’s a nice thought. Two-thirds of the way through the series, and it’s still exciting, though it does make me realize that the final game could indeed be stretched a lot. – Sean Gaffney

Nameless Asterism, Vol. 1 | By Kina Kobayashi | Seven Seas – My interest in Nameless Asterism was piqued when I heard that the series includes both yuri and boys’ love elements. Turns out there’s cross-dressing involved, too, which also holds some appeal. The story revolves around Shiratori, Washio, and Kotooka, three young women who have become particularly close. They’re not all aware of it, but Shiratori has fallen for Washio, Washio has fallen for Kotooka, and Kotooka has fallen for Shiratori. On top of that, there are boys they like and who like them, too. It’s not so much a love triangle as it is an increasingly complex love ouroboros with feelings of friendship and romance in delicate balance. Nameless Asterism is a slowly paced but sweet manga with characters who genuinely care for one another. Future volumes of the series promise to reveal even more complications as the various relationships continue to evolve. I’m curious to see how it unfolds. – Ash Brown

Sword Art Online: Progressive, Vol. 6 | By Kiseki Himura and Reki Kawahara | Yen Press – I’m enjoying the fact that Himura, the artist of this manga, is being allowed to do his own thing a bit more. We’re curling back to the book plot, as Kirito runs up against a smiling villain named Morte who has a plan to sow discord. The manga has always felt more like Asuna’s story, with Kirito acting as a Greek Chorus, and we continue that here. Also, Argo is back, which makes me very happy, as I love Argo. Most adaptations of light novels don’t really need to be read if you’ve already read the prose, but this is an exception. And there’s also quite a bit of fanservice for those who like that. Great stuff for SAO fans. – Sean Gaffney

Yona of the Dawn, Vol. 10 | By Mizuho Kusanagi | VIZ Media – Man, Mizuho Kusanagi could teach a masterclass in how to not only redeem a former antagonist but make you love him fiercely. Yona and friends have been masquerading as bandits to protect poor villages in Fire Tribe lands from exorbitant taxes. Tae-jun is sent to deal with them and, after many comical reactions whilst in disguise, his genuine relief upon learning Yona is alive is massively endearing. This whole volume is about his gradual rehabilitation; initially, he cares only about Yona and can’t see the suffering around him, but eventually his eyes are opened and he spearheads a campaign to bring much-needed government support to the people. Yes, he still cares a lot about what Yona thinks of him, but he’s also truly changed, earning the loyalty of his troops in the process. I may have shed a few tears. – Michelle Smith

Clockwork Planet, Vol. 3

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By Yuu Kamiya, Tsubaki Himana, and Sino. Released in Japan by Kodansha. Released in North America by J-Novel Club. Translated by fofi.

Last time I said that reader sympathy was largely shifting away from Naoto and towards Marie. I’ll go further this time: Marie is why I’m reading this series. There’s actually some decent not-Naoto characterization in this volume, as RyuZU begins to actually appreciate who Marie is and AnchoR is able to realize that she is not merely there to be a giant Mass Weapon of Destruction (though she possibly wishes she learned that lesson a bit earlier). But it’s Marie who the reader follows throughout the book, as she’s now become the star far more than Naoto has. This despite the fact that, like Naoto, she too is shown to be something more than human – after she angrily rants about his amazing hearing one too many times, Naoto comes right back and mentions how Marie’s eyesight is just as ridiculous, and allows her to perform equally impossible tasks. They may not be a romantic pairing (though AnchoR calling them her parents is not helping), but together they are a force of nature.

The basic plot of this series has been the same over the three books, as this book picks up shortly after the end of the second one. Things are looking very bad for our terrorist heroes, who are up against a very crafty enemy, who knows both when to show off its amazing power and when to step back and simply watch the government fall apart. The scenes with the cabinet were viciously satirical, and you get the feeling that the authors are no great fans of politics in general. Meanwhile, RyuZU is out of commission, Halter and Vermouth are down to brains and heads, (and not necessarily both), and Marie is constantly feeling as if the end has finally arrived. Naoto gets frustrated with this, mostly as he’s no0t that type of personality (which is why his characterization suffers – where can he go from here?), but I feel for Marie, as this is indeed a horrible situation it’s impossible to get out of. Luckily, with her, Naoto and his “wife and daughter”, they can achieve the impossible with a bit of effort.

The afterword suggested that this volume was mostly Kamiya’s work, and I’m not surprised, as there are elements of the book that are rather sleazy, particularly everything involving Vermouth, who is absolutely horrible and yet absolutely hilarious. This volume is also considerably longer than the others, and is one of the longer light novels on my phone – when it hits print, I’ll estimate it may be around 300 pages. There’s a lot going on here. That said, almost all the plot threads get wrapped up nearly – in fact, a bit too nearly. If I didn’t know there was a 4th volume of the series I’d swear that this was the final one, and I wonder if their editor made it end like this just in case they were late with the manuscript one too many times. In the meantime, I understand the anime was not well loved, but fans might want to give the novels a try, as they’ve gotten very good indeed.

Giant Spider & Me: A Post-Apocalyptic Tale, Vol. 1

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By Kikori Morino. Released in Japan as “Owari Nochi, Asanagi Kurashi” by Mag Garden, serialization ongoing in the online magazine Alterna pixiv. Released in North America by Seven Seas. Translated by Adrienne Beck. Adapted by Ysabet Reinhardt MacFarlane.

I suppose I should not have been surprised. We’ve seen BL titles that are really cooking manga. We’ve seen Shonen Jump cooking manga, both with monsters and without. We’ve seen dungeon crawl cooking manga where you eat the monsters, and fantasy manga where you’re eating dragons. Heck, even the monstrous Fate/Stay Night franchise, which has always had a heavy element of cooking involved in it, has given in and offered us pure slice of life foodie manga. And now we see Giant Spider & Me, which is a post-apocalyptic story of life after the Earth seems to have suffered a great disaster that left the cities flooded. Except it’s really a slice-of-life heartwarming story about a girl and a giant spider bonding and learning more about each other. Except, well, it’s really about the food. Update your recipe cards, because you’ll be adding new entries after reading this.

Our heroine is Nagi, a young girl who lives alone in a cabin in the woods, about a medium-sized walk away from a grand view of the flooded remains of a large city. Theoretically she lives with her dad; in actuality, he’s been out exploring for a long time and has not come back, so she’s living by herself, foraging, and making do. (There are mentions of other villages, and a stranger shows up in the last chapter, so there are still people around.) One day she runs into a large spider, which as you can see by the cover is VERY large – about the size of her dining room table. I appreciated the fact that she was actually terrified for a while – in titles like this, usually the protagonist is a girl who has no sense of danger or fear, and I liked that Nagi is aware that yes, this is a GIANT SPIDER. That said, it rapidly becomes clear that said spider (quickly named Asa) acts more like a puppy looking for a new home, and after Nagi takes pity and invites it back to her place, the bonding begins.

The cooking and slice-of-life war for supremacy throughout this first volume, until perhaps the cliffhanger at the very end, which seems designed to be a cliffhanger more than anything else. Nagi is sweet and elf-sufficient, and a good cook. Asa, as I said earlier, acts like a rambunctious puppy at times, knocking things over and such. That said, they’re also able to protect Nagi from more dangerous and less adorable predators, so it’s not entirely a master/pet relationship – it’s meant to be a budding friendship. There are also hints that we might eventually hear what happened in this world, and expand the cast a bit. That said, this isn’t the sort of series you want getting too complicated. It’s a story of a girl, a spider, and delicious food. Not much else is needed.