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Sean Gaffney

Manga the Week of 2/6/19

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SEAN: There’s record-breaking cold, snow squalls, high winds… it’s a nightmare out there in the United States. Stay in and read some manga!

First, apologies to Denpa for missing them last time. Inside Mari 2 is out this week.

ASH: Whoops, that was an oversight! Denpa is doing great work. I’m looking forward to reading more of Inside Mari.

SEAN: J-Novel Club has its first print releases! They put out a few via Seven Seas before, but these are straight from the publisher. You can get How NOT to Summon a Demon Lord and In Another World with My Smartphone Vols. 1-2 next week.

ASH: Oh, I had missed that J-Novel Club was starting to directly release books in print! That’s good news for me.

SEAN: They also have a new digital debut. Cooking with Wild Game is the combination isekai and cooking title that everyone has been waiting for. It’s also got a hefty number of volumes, so settle in.

J-Novel Club also has new volumes for My Next Life As a Villainess! (2) and Seirei Gensouki: Spirit Chronicles (3).

Not sure if Kodansha has any February debuts yet, but digitally we do see the 4th and final Can I Kiss You Every Day?, the 10th and final Liar x Liar, the 5th Magical Sempai, the 6th digital volume for The Quintessential Quintuplets, the 2nd Red Riding Hood’s Wolf Apprentice, the 5th You Got Me, Sempai, and the 22nd Yozakura Quartet.

Print-wise, Kodansha has a 4th Boarding School Juliet and a 2nd Eden’s Zero.

Seven Seas has a digital light novel debut – the print will follow this spring. Classroom of the Elite is hideously popular in Japan, but had not been licensed over here, possibly as it’s not an isekai, fantasy, or magical academy story. There is an academy, though, as you may have guessed.

They’ve also got a print omnibus of the 4th to 6th Boogiepop light novels, a print version of the 9th Grimgar of Fantasy and Ash novel, a 3rd manga volume of How NOT to Summon a Demon Lord, the 4th volume of the Kobayashi Maid spinoff Kanna’s Daily Life, a 3rd Soul Liquid Chambers, and the 4th Toradora! Light novel.

ASH: This Boogiepop omnibus includes material not previously released in print in English (books four and five). I’m very excited.

SEAN: Speaking of unlikely licenses, Vertical has the first Kino’s Journey manga. A very popular series, we will try to forget what happened with Tokyopop and the novels and read this manga.

MJ: Okay, this has my attention. Hm.

SEAN: GIANT PILE OF VIZ! No debuts, though, so let’s talk shoujo and then shonen. Shoujo-wise we have Ao Haru Ride 3, Oresama Teacher 25 (yay!), Shortcake Cake 3, Takane & Hana 7, and Yona of the Dawn 16. A lot of Manga Bookshelf favorites.

MJ: I’m definitely in for Ao Haru Ride and Shortcake Cake.

MICHELLE: I am literally going to read every one of these!

ASH: That’s mostly true for me, too. Oresama Teacher and Yona of the Dawn is where I’m starting, though.

ANNA: I’m excited for the shoujo!!!

SEAN: On the shonen end, we have Black Clover 14, Black Torch 3, Food Wars! 28, the 10th and final volume of the 3rd Jojo’s Bizarre Adventure, Stardust Crusaders (don’t worry, Diamond Is Unbreakable follows and has much the same cast), the 3rd Juni Taisen: Zodiac War, the 17th My Hero Academia, the 89th One Piece, the 8th volume of The Promised Neverland, and a 2nd volume of We Never Learn.

MICHELLE: I have really been enjoying catching up with My Hero Academia . I love it so and volume 17 will be the one I finally get current with!

SEAN: Are you reading manga next week? Or are you frozen solid?

In Another World with My Smartphone, Vol. 12

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By Patora Fuyuhara and Eiji Usatsuka. Released in Japan as “Isekai wa Smartphone to Tomo ni” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Andrew Hodgson.

It’s actually been a while since I’ve had a volume of Smartphone that didn’t irritate me in some way. Touya does not take the time to wipe out and entire country full of evil cliches here, which helps a lot. Instead, we get what are essentially a bunch of short stories, as always – Smartphone has an ongoing plot, but it sort of judders along, and gets abandoned whenever the author feels like it. Here Touya investigates the hidden island discussed in prior volumes and makes contact with them; deals with a return of the creepy soul eating monster, which he now knows is being controlled by the rogue God (the one bit of ongoing plot here); travels to another dimension to help a group of phantom thieves; and tries to resolve a political romance. In between there’s time for a forest that’s being taken over by bad guys (and fanservice), and a puppet show. A very leisurely Smartphone, in other words.

The art is… mostly good, except for that cover, which has creeped me out ever since I first saw it in the original Japanese. Yae and Leen’s expressions are just deeply wrong. In any case, the fiancee horde actually gets a fair bit to do here, with each of Touya’s missions except the third one involving him traveling with one or more of the girls. The third, the one in the alternate world, honestly reads sort of like a backdoor pilot for a different series, and given most of the thieves are cute young girls, it’s likely for the best that the fiancees didn’t come along. They’re still not married, having a couple years of waiting to go, though after a fertility device works as planned (Sue’s getting a little sibling), Touya does take the time to ponder having children with his wives, and the wisdom of perhaps staggering them out a bit so he doesn’t have 8 kids at once. And, let’s face it, Linze’s puppet making ability, and the show that follows, runs on pure adorable. I won’t even complain about the forest of monsters that involves licking the heroine’s butts, though I will roll my eyes a bit.

As for Touya, the author has found a nice balance between him doing ludicrous things and his getting called out on doing ludicrous things. Given Touya’s lack of emotional range (he’s the sort to say “that makes me mad” in the same vaguely cheery voice he uses for everything), everyone around him has to pick up the slack a bit. This is shown off best in the final story, where he is forced by circumstances to fight a 10-year-old girl who is very strong in both fighting and magic and has grown rather proud and arrogant as a result. He’s asked to teach her humility… and he does, literally saying “it’s time to dunk on a 10-year-old”. Leaving aside how weary I am of terrified girls wetting themselves in Japanese series, the fight is hilarious, as is the reaction of everyone else, which is basically “I know we told you do to this, but eeeeeehhhh.” Poor Touya, once again history’s greatest monster.

If you’ve been avoiding Smartphone because it’s been leaning a bit too hard on the genocide sort of thing recently, this is an excellent volume ot pick up. It’s relaxed, fun, and features Touya being ludicrous.

Pick of the Week: Dreamy Picks

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MICHELLE: There are a few digital volumes from Kodansha that I’ll be reading, but my official pick is the debut of For the Kid I Saw in My Dreams. MJreviewed it in our latest Off the Shelf column and I am definitely intrigued.

SEAN: I’ll be going for another in the Monogatari Series this week. Koimonogatari is a bit of a fakeout, allegedly about Senjogahara trying to stop the possessed Sengoku but in reality it’s a character study of minor-villain-returned Kaiki Deishuu. The novels not from Araragi’s POV are always great.

ASH: Like Michelle, For the Kid I Saw in My Dreams is my pick this week. I enjoyed Erased, so I’m curious to read another dramatic mystery by Sanbe.

ANNA: I agree, For the Kid I Saw in My Dreams is intriguing to me this week.

MJ: I’m definitely on board with all the interest in For the Kid I Saw in My Dreams, which I reviewed in last week’s Off the Shelf, but I feel like it’s my job to say, “CLAMP still exists” so I’ll make the new omnibus edition of Wish my pick for the week. I’m looking forward to a new translation, and Dark Horse always does a beautiful job with these omnibuses, so I’m sure it will look fantastic.

Bookshelf Briefs 1/28/19

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Ace of the Diamond, Vol. 19 | By Yuji Terajima | Kodansha Comics (digital only) – It’s the West Tokyo finals, determining which team will represent that region at Koshien. Seido is up against the team that barred their path the previous year, Inashiro Industrial, and since it’s a hugely pivotal game, it spans several volumes. This particular installment covers the fourth through seventh innings, during which Seido loses its early one-point lead and eventually falls even further behind when Tanba, ostensibly the ace, takes over pitching duties from a struggling Furuya and immediately gives away a home run. Seido’s not completely out—there are some excellent plays by Furuya (in outfield, trying to atone) and Kuramochi—but it’s definitely going to be a nail-biter. It was also pretty neat that our protagonist, Eijun, only appears when he’s cheering on his teammates. I’m so glad that he finally matured and learned some humility. – Michelle Smith

Dive!!, Vol. 1 | By Eto Mori and Ruzuru Akashiba | Yen Press – This was pretty good, but not good enough for me to have a full review’s worth of things to say about it. It hits all the right sports manga beats, and has some nice pictures of handsome high school boys diving. Their club is about to be shut down, though, unless they can get one of the divers to the Olympics. Enter Kayoko, their new coach, who is ready to make them fantastic divers even if it kills them. There’s a few really good kids there, but our hero is no doubt the one everyone will be watching—he has a very flexible body—and don’t forget the guy trying to get over a head injury while diving in the past. It’s a sports manga, and if you’re a lover of the genre, or like diving, check it out. – Sean Gaffney

Dr. STONE, Vol. 3 | By Riichiro Inagaki and Boichi | Viz Media – A much stronger volume of Dr. STONE here, which has ditched the boring part of its cast and reboots itself around its science hero and the village that he’s going to lead into the future. Everything about this works better—there’s a lot more humor now that we’re not dealing with a guy going around shattering humans all the time, and Senku’s mastery of science leads to some great Bobobo-esque faces from the other cast members. Also, there’s a little girl who wears a watermelon on her head, and who promptly ends up on Senku’s side because he doesn’t ask her why she’s doing this. I liked that. This series has gotten a lot more ludicrous, which is all for the better. – Sean Gaffney

Haikyu!!, Vol. 30 | By Haruichi Furudate | Viz Media – Lots of volleyball here, and not much else, meaning as always I’m struggling with things to say other than “that looked pretty cool.” I liked the focus on Tanaka in this book, and how his ability to bounce back from getting down on himself is a big strength. (That said, I think his attempt to hook up with the childhood friend may have just died.) We also get a good long look at Nekoma, who do end up advancing, much to my surprise (they had a few death flags). Who will they be facing? Oh, probably Karasuno, but that game is still going on, and the other team has figured out a weakness in Nishinoya, who’s usually one of the best on the team. How is he going to bounce back? For once, we have a month or two to wait to find out. – Sean Gaffney

High School Prodigies Have It Easy Even in Another World!, Vol. 2 | By Riku Misora and Kotaro Yamada | Yen Press – First of all, this manga desperately needs a character sheet at the front, as I’d already forgotten half the cast. Secondly, what is it with isekais needing to show that the local feudal lord is the evilest of all evil guys? So let’s roll out the usual tropes, including a sneering advisor and the jus prima noctis run wild, which allows them to try to rape Lyrule. Of course, it doesn’t happen, because all our heroes are ridiculously brilliant and awesome and can do things like creating nuclear power within their first week of arrival. I assume this is the sort of series for folks who don’t care about OP heroes—if you do, you may burn this. It’s deeply ridiculous. – Sean Gaffney

Himouto! Umaru-chan, Vol. 4 | By Sankakuhead | Seven Seas – There’s a lot of focus on Umaru’s school rival, Tachibana, in this volume. As is fast becoming a trend, Tachibana is seemingly an arrogant ojousama type but in reality is quite a nice person, even if she has a major grudge against Umaru. Fortunately, a easy to see through disguise is able to fool her. There’s also a beach trip, which focuses on the fact that Umaru’s outside persona and her indoor sloth persona are apparently not merely mental states—she literally seems to shrink. This is probably for humor value, but still… it reminds me of The Wallflower. Actually, the whole series does, though in Umaru’s case there are no hot guys coming along anytime soon to rescue her. Cute. – Sean Gaffney

Monthly Girls’ Nozaki-kun, Vol. 10 | by Izumi Tsubaki | Yen Press – I enjoyed this volume a lot, largely because we got very good scenes between my favorite not-quite-couple, Hori and Kashima, at the beginning and end. They’re great, and the school trip stuff is pretty good too, especially Nozaki realizing he has some kind of special feelings for Sakura (even though it might just be maternal instinct), but what really surprised me was that a scene between Ryousuke (Seo’s older brother) and Miyako (the tanuki-drawing mangaka), two characters I care nothing about, ended up yielding a couple of laugh-out-loud moments as Ryousuke dramatically misunderstands her job and relationships and ends up concluding that Nozaki’s editor, Ken, has a… very interesting occupation. Ken’s reaction to this is priceless and executed with perfect comic timing. Bravo, Tsubaki-sensei! – Michelle Smith

No Game No Life, Vol. 2 | By Yuu Kamiya and Mashiro Hiiragi | Seven Seas – This is the second volume of the manga. Since the first came out, we’ve seen seven volumes of the light novel and four spinoff volumes of a different manga. It’s been over four years—both here and in Japan—between volumes. As such, a review seems almost irrelevant here. If you want a continued adaptation of the first novel in manga form, this is the book for you. The art pretty much still seems like Kamiya’s (I’m assuming his health problems are one reason why it’s so late). and there are some nice designs in the battlefield chess that [ ] has to play. Still, given that there’s no sign of the third volume anytime soon, I’d suggest fans either read the books or watch the anime instead. – Sean Gaffney

Sacrificial Princess and the King of Beasts, Vol. 4 | By Yu Tomofuji | Yen Press – There’s a nice fakeout here, which I sort of suspected halfway through but was pleased with in any case. It reminds you yet again that Sariphi is not simply going to be able to be pure and sweet and win over everyone who goes against her… except she totally is, because this is that sort of shoujo manga, and she’s basically Tohru without the mother issues. Here we see her practicing a ritual dance that needs to be done perfectly, and when she fails to do so she just requests a do-over and everyone just lets her do it, likely as they’re stunned that she’s even trying to. This is a series that weaponizes the Pollyanna for good, and it’s still a great deal of fun. Shoujo fans will love it. – Sean Gaffney

10 Dance, Vol. 1 | By Inouesatoh | Kodansha Comics – Along with Memeko Arii’s Hitorijime My Hero, Inouesatoh’s 10 Dance marks Kodansha Comics’ initial foray into the BL genre in print. (It is not, however, the first time that the publisher has released a manga about ballroom dancing.) 10 Dance is a series I’ve had my eyes on for a while, so I was absolutely thrilled when it was licensed. The story follows the relationship between two men, Shinya Sugiki and Shinya Suzuki, both exceptionally skilled ballroom dancers. Sugiki specializes in standard while Suzuki focuses on Latin, their contrasting personalities mirroring their chosen dances—Suzuki is generally fiery and bombastic while Sugiki tends to be cool and reserved. Sugiki goads Suzuki into entering the 10-Dance Competition, requiring each of them to master the other’s style. Dancing demands a certain amount of physical intimacy and trust and as they begin training with each other their dancing and complicated rivalry evolves in unexpected ways. – Ash Brown

Apparently It’s My Fault That My Husband Has the Head of a Beast, Vol. 2

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By Eri Shiduki and Kasumi Nagi. Released in Japan by Ichijinsha. Released in North America by J-Novel Club. Translated by David Evelyn.

The second volume of this romance sees our heroine and her beast-headed husband traveling to a seaside religious community, hoping to find a way to cure both her condition and his. Unfortunately, there seems to be something very wrong in the Holy Land. There’s maids and princesses trying to take Rosemarie down, and she herself is seemingly possessed to leave the room late at night to try to return to the gods. That said, Rosemarie is made of sterner stuff in this book compared to the last one. Can she overcome mind control with the sheer power of being kind to people? Can she manage to tear herself away from her beloved bucket? And can she actually manage to have a direct conversation with Claudio where they both admit that they’re in love with each other? All the ingredients are here for a classic romantic potboiler. We may even discover what happened to her and Claudio as children!

The mystery is not really a good reason to read this (for a moment I thought we were going to meet a non-evil clergyman, but he was an undercover sorcerer, so…), but the romance holds up well, provided you’re OK with these two socially awkward kids doubting themselves and saying absolutely the wrong thing all the time. The reader will no doubt be sympathizing more with Heidi, Rosemarie’s maid who is somewhat desperate for her lady to realize that she is loved. That said, we do make some definite strides here. Rosemarie realizes that she’s actually jealous when Claudio is dealing with other women who have their eye on him, and that fixing his mana issue and leaving to go back home would devastate her. As for Claudio, he can still be a jerk when he’s trying to be kind (which leads to the funniest part of the novel, as his sorcerer friend literally kicks him in the ass for screwing up a romantic moment), but he too finds it in himself, albeit accidentally, to admit that he loves her.

The biggest problem with this book occurs at the end, when you finish it and realize that a lot of things are still up in the air. Rosemarie and Claudio’s problems have still not been solved, and they’ve still not consummated their marriage. They have admitted they love each other to their faces, but I was hoping for a bit more. Sadly, the second volume appears to be the final one, so this is all the closure that we’re going to get. I want to see more of these characters. I want Alto and Heidi to hook up (there’s zero evidence for this, but I want it to happen anyway). And there was almost no gardening! Am I going to be forced to turn to Bakarina for all my gardening heroine needs? Oh well. Despite a “you’re cancelled” feeling, only for light novels rather than manga, this has bee a fun and romantic little series. I recommend it for those tired of isekai.

10 Dance, Vol. 1

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By Inouesatoh. Released in Japan by Kodansha, serialization ongoing in the magazine Young Magazine the 3rd. Released in North America by Kodansha Comics. Translated by Karhys.

You can learn a lot from looking at a cover. This was one of those titles that I picked up solely because the cover looked so great, so it’s worth looking at. Clearly, based on the title and the two guys on the cover, it’s a ballroom dancing manga. Clearly, by the fact that there *are* two guys on the cover, it’s BL. The ’10 Dance’ part of the title is helpfully laid out for you in the text below their arms, showing us the ten dances in question – five Standard, five Latin. But most of all, the facial expressions and the posing of the two guys tells you immediately that this is going to be a contentious relationship, that they will probably dislike each other before they like each other, and that they’re both seriously attractive. It is, in fact, most everything that you could ask for in a BL title from a company that is just starting to dip its toe into that arena.

Both leads are named Shinya, and their last names are pretty close as well – Sugiki is the black-haired Standard Dancing champion, and Suzuki is the Latin Dance expert. Each wants to learn each other’s specialty so that they can compete in the 10 Dance, an endurance competition which, as the title implies, has contestants do all ten dances, five from each type. Both of them have female partners, who briefly get attempts at characterization before being quietly moved to one side, but we’re not reading this for them (though I loved the bit right at the start where Aki complains about female Latin dancers being pigeonholed as sluts or bitches). As a result, Sugiki and Suzuki take turns playing the ‘woman’ as they try to learn from each other, which mostly involves sniping at each other because each of them is wretched at the other’s specialty. Suzuki lacks the composure for Standard Dancing, trying to skip over the basics. And Sugiki is stiff and formal, which in Latin dancing is the kiss of death. Will they ever see eye to eye?

They also make a pretty hot couple, though neither of them is admitting it right now, or even admitting that they might not be as straight as they expected. We see Suzuki having various short-term affairs (including one who proceeds to rob him after sex), none of which are satisfying. The two women who are their partners are both in relationships of their own, despite media coverage (the media really like it when ballroom dance couples are also real life couples, which is not the case here). Suzuki sometimes makes suggestive comments, but you get the sense that that’s because that’s the sort of guy he is. That said… there’s no denying these two have a deep sexual tension right away, and they can’t stay away from each other. There’s a pilot chapter near the end that shows it even more – one woman is stunned when Suzuki hits on her, as she was pretty sure they were a gay couple. It’s a classic case of everyone can see it.

And, of course, there’s the main reason to get this – the art is great. The artist may not be as knowledgeable about the subject as, say, Welcome to the Ballroom’s artist (and given Ballroom’s erratic release schedule, fans of that may simply want to move to this title instead), but the drawings convey both a passion for dancing as well as the underlying sexual passions. Even if BL is not your thing, you may still want to read this – I enjoyed it quite a bit.

Strike the Blood, Vol. 11

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By Gakuto Mikumo and Manyako. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Jeremiah Bourque.

To its credit, this volume of Strike the Blood is not the same as many of its predecessors. School plays a minimal role, and wacky “hur hur, Kojou is a teenage boy and everyone gets mad about it” humor is there, but takes a back seat to more serious stuff. The volume begins with Kujou’s sister being kidnapped and his father being fairly easily taken out, and you expect that he and Yukina will be headed to the mainland to save the day. Which… may be true in Vol. 12, but instead this volume shows us that all the various factions around Kojou are perfectly happy with him destroying city blocks and causing massive panic and serious disruption of everything… as long as he does it within the island itself. Leaving the island, though, is no longer an option. And if that means that his mentor Natsuki has to become the book’s big bad, well then that’s what’s going to have to happen.

Natsuki at times has reminded me a lot of Evangeline McDowell from the Negima series. She looks like a little girl but is really of age, she is happy to abuse the hero while also imparting important lessons, etc. Turns out that “she’s also a powerhouse who can kick his ass eight ways from Sunday” also applies. I am going to assume that something in the next volume is going to allow Koujo to forgive her for this, because otherwise this is causing a pretty irreparable rift in their relationship. Honestly, it’s not really clear why the Lion King Society and Natsuki both decide the answer is “lock Kojou in prison and don’t explain anything”, but it’s easily the weakest part of the book – I know the author likes fights, but this seems willfully stubborn purely for the sake of putting the plot off to another volume. (On the bright side, I did like seeing Asagi acknowledge that she tends not to get majorly involved in these sorts of things, and taking steps to change that.)

Speaking of relationships that may be irreparably damaged, Yukina is beginning to realize just how little the Lion King Agency cares about her – and despite some lip service from a few characters that tries to put their actions in a better light, the cliffhanger seems to reinforce that. It’s been pretty clear for a while now that there are other LKA agents surrounding Kojou, and after this volume I’m beginning to wonder why they want Yukina there at all, besides being a feint to draw attention elsewhere. Maybe they’re trying to have Kojou fall for her? That’s a pretty long row to hoe given that, despite stirrings of libido, he continues to have no idea Yukina loves him – or Asagi for that matter, despite her father literally saying “please marry my daughter so that I can gain political power”. As with Kojou and Natsuki, I do wonder if Yukina is going to be able to recover any working relationship with the Agency after this.

Of course, I am assuming they somehow escape the island in the next volume, because everyone is STILL THERE. This volume of Strike the Blood is a nice change of pace, and well written as always. But man, it drags things out so long that you feel as frustrated as the heroes by the end of the book.

Yuri Is My Job!, Vol. 1

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By miman. Released in Japan by Ichijinsha, serialization ongoing in the magazine Comic Yuri Hime. Released in North America by Kodansha Comics. Translated by Diana Taylor.

Fandom has had years of trying to get vaguely yuri things into anime and manga, from the days of Battle Athletes and (apropos for this review) Maria-sama Ga Miteru to more modern times. And this title really gives me the feeling that they’ve won, as we’re now seeing the concept of Yuri not as a genre but as an industry. If you’re good at doting on a “younger sister”, and can Gokigenyou with the best of them, for God’s sake, why not monetize it? That’s the premise we see here, as Hime, a high school girl who keeps up a “perfect princess” facade at school, accidentally runs into a young woman at the train station. One feigned broken wrist later and Hime finds herself having to work at a cafe to make up for causing it… a cafe based around the idea of “pure young maidens” taking orders and flirting with each other. The clientele seems to be mostly male, which doesn’t surprise me. Fortunately, the cafe is not as interesting as Hime and her “oneesama”, who get off to a rough start working together.

I thought Hime’s character was very well handled. She’s putting on the “little miss princess” act supposedly so she can marry rich, but this is played for laughs, and you never get the sense that she’s being mean about it. Plus the act slips constantly, especially when she’s out of school and in a situation she’s not used to – like, say, working at a cafe. Her co-worker Mitsuki plays the “Sachiko” to Hime’s “Yumi” at the cafe, but seems to have it in for Hime, particularly her attempts to act cute – or, one argues, not be herself. It feels like a bit more than simply a bad first impressions, and the cliffhanger ending to the first volume confirms that there’s actually more going on in their pasts than Hime may realize – it’s the sort of ending that makes you want to go back and reread things.

The rest of the book is all right, though I will admit that it reads a bit like a slow starter at first – not uncommon with stories from this magazine. I am somewhat wary of Hime’s classmate Kanoko, a shy bespectacled girl who clearly has a massive crush on Hime and I suspect is really not going to be happy with the direction this series is clearly going. Honestly, Kanako’s character feels too serious for this light-hearted story. The other characters – manipulative manager Mai and her “Gal” assistant – work better, getting Hime to do whatever they want but not actually being too unlikable because of it. The second volume will presumably involve Hime and Mitsuki resolving their differences, and honestly I would not be surprised if the series was only two volumes long, but apparently it’s still ongoing in Japan, so we shall see how long it can drag out the yuri cafe premise. Still, a pretty good start.

Manga the Week of 1/30/19

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SEAN: It’s the last week of January, theoretically it should be light. What is with all this stuff?

Cross Infinite World has the 2nd volume of the Gleam manga.

Dark Horse releases Wish, the CLAMP manga from years ago, now in one big omnibus. Enjoy the gender pronoun wars all over again!

MICHELLE: Oh, jeez. I kind of forgot Wish even existed.

SEAN: Given that the solicit date from Diamond Comics is Summer 2017, I think everyone did.

ANNA: I read it the first time around, don’t need to read it twice. I’ll just lurk here in a corner, still feeling bitter over X/1999.

MJ: I sort of feel like as the resident CLAMP obsessive, I should take one for the team and do some kind of comparison read with the older version. Can I muster the will? Time will tell.

ASH: I’m picking the omnibus up specifically because of the new translation! I enjoyed Wish the first time around, but I’m looking forward to my side of the pronoun wars winning this time instead of having a specific gender foisted on some of the characters.

SEAN: J-Novel Club gives us a 2nd Arifureta Zero and a 7th Outbreak Company.

Kodansha, print-wise, has the 3rd Sailor Moon Eternal Edition and the 30th Seven Deadly Sins.

ASH: I’d lost track of how long Seven Deadly Sins has become!

SEAN: Digitally, we finish Ayanashi with its 4th volume. There’s also Altair: A Record of Battles 9, Elegant Yokai Apartment Life 10, Forest of Piano 10, Hotaru’s Way 7, My Boy in Blue 6, and Princess Resurrection Nightmare 2.

MICHELLE: I’m not actively reading any of these, but there are at least three that I intend to read at some point.

Seven Seas has a debut and a done-in-one with Now Loading…!, whose punctuation makes every sentence look strange. It’s from Ichijinsha’s Comic Yuri Hime, and given the magazine you know what to expect. This involves a game company, but promises a bit more actual yuri than New Game!.

Seven Seas also has the 5th Magical Girl Spec-Ops Asuka, the 2nd Ultra Kaiju Humanization Project, and the 3rd and final Voynich Hotel.

ASH: I finally got around to picking up Voynich Hotel; I plan on reading the whole thing in one go.

SEAN: Udon has a 4th volume of Infini-T Force.

Vertical has the 5th Arakawa Under the Bridge omnibus.

ASH: This series continues to delight me.

SEAN: The Inc. part of Vertical also has Koimonogatari, the latest in the Monogatari Series novels. Will we finally get Senjogahara’s POV? I have some bad news for you…

Yen has a couple new digital volumes with Saki 18 (we’re caught up with Japan, I believe) and Toilet-Bound Hanako-san 9.

Yen On has the 11th Log Horizon, which is also caught up with Japan.

Debuting from Yen is For the Kid I Saw in My Dreams (Yume de Mita Ano Ko no Tame ni), a new series from the creator of Erased. It runs in Young Ace. I’m guessing it’s dark.

MICHELLE: I’m very intrigued by this one! Also, I must read Erased.

ANNA: I know Erased is popular at my library.

MJ: I’ll be reviewing this for our next Off the Shelf column, and I’m pretty into it.

ASH: Oh, excellent!

SEAN: They also have Aoharu x Machinegun 14, High School Prodigies Have It Easy Even in Another World 2, and Kiniro Mosaic 8.

How are you celebrating the end of January?

ASH: With plenty more manga, obviously.

Infinite Dendrogram: The Hope They Left Behind

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By Sakon Kaidou and Taiki. Released in Japan by Hobby Japan. Released in North America by J-Novel Club. Translated by Andrew Hodgson.

Way back in the first volume, when I had no idea what sort of series this was going to be, Ray was introduced to Liliana, a Royal Guard member, and I assumed that she would be the first in a long line of girls in Ray’s orbit who would fall for him. Since then, while there HAVE been a bunch of girls in Ray’s orbit, with the exception of Nemesis they have shown very little interest in him romantically. This just isn’t a harem series. That said, here Ray meets the first princess… or rather her “secret” alter ego, Azurite, a disguise that fools absolutely no one except Ray. She’s far more of a love interest, despite their confrontation when they first meet, which has her going off on Ray due to his “villain” outfit (complete with a new set of armor to make him look even more villainous, the best running gag in this series.) But is Ray interested?

“Not really” seems to be the answer to that. As I said above, this isn’t a harem series, or even a romance, and Nemesis’ occasional feelings of jealousy is as close as we ever get. There’s even a “walk in on the girls naked in the bath” scene here, which the author says has apparently been in the plans since the beginning of the series, but Ray, while acknowledging that Nemesis and Azurite are beautiful, does not seem particularly sexually aroused at all. The series has different things on its mind. Things like building up the world of Dendrogram itself, and its past history, which, as Ray observes, is so blisteringly realistic that it doesn’t feel like “backstory” added by game developers, but something that really happened. This is not a “trapped in a game” series, and players can and do log out (B3 is not around in this book as she has to do a tea ceremony in real life, a detail I liked), but clearly there’s more to this game than just realistic writing and NPCs.

The premise of this book involves the kingdom of Alter discovering a new ruin at the edge of their territory, which could mean fantastic new technology to help them… or could also mean horrible monsters and weapons waiting to kill them. In fact it’s both, and Ray and Azurite, who meet by chance on the way there, have to team up and try to do something about it. We see a few master developed, such as Tom, who wears a cat on their head all the time (the picture here was great), and the guy with the evil traveling band who fought Marie a while back, who still has the band but is not on the clock so is less evil. Always trust a guy who has to blow off a dungeon crawl to play music for an adorable bedridden orphan. The “villain” of this arc, if he can be called that, is a man named “Dr. Mario”, who speaks in a fake Italian accent to match his name but clearly has hidden depths, and his identity rapidly becomes obvious to the reader (but not Ray, whose denseness is pointed out multiple times, usually by the princess in disguise he doesn’t recognize).

The volume ends with a cliffhanger, and we’re caught up with Japan. That said, I think the next book comes out there in February, so it shouldn’t be too long a wait. Till then, let’s prepare for the battle and wonder what piece of horribly villainous clothing Ray will get as a reward next time.

Amagi Brilliant Park, Vol. 3

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By Shouji Gatou and Yuka Nakajima. Released in Japan by Enterbrain. Released in North America by J-Novel Club. Translated by Elizabeth Ellis.

Half of this was fantastic, the other half I hated. Welcome to another review of Amagi Brilliant Park, a series I’m still very ambiguous about. The third book in the series is made of of short stories, two short and two long. The short stories were all right. The first one was based around the gag that if we ever saw the fairy mascots as humans, they’d all be sexy bishonen, which did not, for once, wear out its welcome so was quite funny. The other short story has Seiya, curious about the magical world, trying to go to it with Moffle. He doesn’t make it (train issues), but does learn more about Moffle’s past and bonds with him a bit. It’s also the only part of the book where you don’t want to punch him in the face. Let’s face it, Seiya is a protagonist who’s very hard to like, and the two “large” stories in this book show us why; he’s an arrogant jerk who barely cares how others think of him.

Let’s start with the story I disliked, because I will admit part of it is me. Stories where there’s bodyswapping and a character has to pretend to be another make me feel deeply uncomfortable, and that’s the entire premise. Seiya has too many absences at school because he’s working on the park, but the park can’t afford for him to actually go to school regularly. Fortunately (?), the fairy team has a solution of what is essentially a lifelike Seiya costume that they can wear. Over the course of four days, Isuzu and the three main mascots go to school pretending to be Seiya, and get involved in a tortured plot involving love letter shenanigans. A lot of it was very predictable, and I sadly did not find it as funny as the author did. Still, as I said, if you DO like bodyswap-like comedy, you should have no issue with it. (It also has Seiya at his absolute worst, especially near the resolution.)

That said, the first story in the book is probably my favorite of the entire series to date. It takes place from the POV of Shiina, one of the three new part-time hires we briefly saw in the last book. She’s introverted, bad at being social, flubs her words when she speaks, and really only comes alive when she sings karaoke to herself in the evenings. Naturally, she’s put with Moffle for her part-time job, which has her dreaming of quitting after about half an hour. But it’s actually great, as while Moffle is a drill sergeant of a teacher he’s not unkind, and Shiina gradually acclimates to life at the park – and in school, as she realizes (well, OK, has to be told) that she’s no longer as shy and wallflowerish there, which stuns everyone. What’s more, the three mascots find her at the karaoke booth and learn her terrible secret: she’s a brilliant singer. But can she get over her introversion (still an issue despite everything) to save the Park? This was terrific. Shiin’a POV is great, there’s minimal Seiya, and the character growth all around made me smile.

That said, I wish it had been later in the book. As it is, the book feels very top-heavy. Still, it’s enough to keep me wanting to read more, if only to see if Seiya ever learns humility. (Joking about his being a tsundere is not quite enough, no.)

Nyankees, Vol. 1

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By Atsushi Okada. Released in Japan by Kadokawa Shoten, serialization ongoing in the magazine Shonen Ace. Released in North America by Yen Press. Translated by Caleb Cook.

I was pretty excited when I heard about this license, despite never having heard of the title. I mean, stray cats depicted as delinquents in the classic “Japanese high school gang members” sort of way. It sounded hilarious and cute. Sadly, while it is cute when the cats are shown as cats, and there is an occasional joke that lands, this turns out to be a title that takes itself all too seriously. I get the sense that this is someone who wants to write delinquents rather than cats, and is therefore using the gimmick to tell the story he wants to tell. We haven’t had all that many successful delinquent manga in North America (have there been any?), so it’s also relying on a lot of tropes that are likely far more nostalgic and familiar to the Japanese reader. The premise is great, though, and the creator at least brings some nifty cat art to the title. It may get better as it goes along, but not a strong start.

The cat/hoodlum on the cover is Ryuusei, who is new to this neighborhood and cares not for all of your so-called “rules”. He’s here searching for the one-armed man… erm, sorry, for the calico tom with a scar on his eye that apparently has a past history with Ryuusei. In his new neighborhood, he looks like a pushover at first, not impressing the one female cat in the cast, Mii, and getting the crap kicked out of him by the other cats/gang members. But it turns out he was just starving, and once he gets food in him he actually kicks a lot of ass, including the gang leader, Taiga. In fact, he kicks so much ass that Taiga immediately wants to give up the leadership position to him. But it’s complicated. Ryuusei has his own thing that he’s doing, rival gangs are there to step in at any sign of weakness, and worst of all, Mii’s been kidnapped!

One thing I liked is the research that apparently went into the various kinds of cats the characters are. Our lead is a male dark tabby, pretty damn common, but the calico tom he’s looking for is quite rare, something mentioned by the others. The ‘stray cat = delinquent’ theme is sometimes amusing, as when we see the human-drawn Ryuusei get stuck in a box too small for his frame – though frankly the gag goes on far too long. And I hope you like cat puns, because they’re in here as well. Honestly, I don’t think they translate well, though at least Yen realized it had to keep the ‘nyan’ in ‘Nyankees’ to have it make sense. But honestly… at the end of the day, this is for delinquent manga fans, such as Worst. There’s the tough, rakish lead, the tomboy girl who slowly finds herself drawn to him, lots of fights, lots of guys acting tough. But they’re cats. Sometimes a girl chases after them, and they all scatter. I’m hoping the 2nd volume makes this either a bit less serious or a bit more cat-oriented.

Bookshelf Briefs 1/21/19

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Anonymous Noise, Vol. 12 | By Ryoko Fukuyama | Viz Media – Lots of things going on in this new volume. First of all, it’s a new year, and that means there’s potentially new club members—despite the band giving an absolutely wretched performance to the school. I’ll be honest, An feels a bit like she’s being introduced in order to be able to pair off one of the spares, but so far I’m pretty fine with that. Meanwhile, Nino seems to be maturing a little bit, but her relationship with Momo is still touch and go, and both Momo and Yuzu have a definite need for it to be Nino and only Nino who sings their songs. Yuzu is finally back towards the end of this book, but it feels right that he was away—the space has moved the plot forward. Not quite sure where yet, but forward. – Sean Gaffney

The Demon Prince of Momochi House, Vol. 13 | By Aya Shouoto | Viz Media – The most recent story arc of The Demon Prince of Momochi House starts off with a literal bang—after being shot by the villainous Kasha, Himari finds her spirit forcibly separated from her physical body. Understandably, it’s a dangerous state in which to exist, especially with the number of malicious ayakashi that pass through and by Momochi house. This certainly isn’t the first time that Himari has been in trouble, and I’m doubly certain that it won’t be last, but neither is she a helpless heroine. Himari’s underlying strength often seems to be overshadowed by the astonishing abilities of the other characters in The Demon Prince of Momochi House, supernatural and otherwise. In this particular case, however, Himari must not only save herself but the ones she loves, too—she’s not the ultimate target of Kasha’s schemes and many of the people she would normally rely on for help can’t. – Ash Brown

My Hero Academia: Vigilantes, Vol. 3 | By Hideyuki Furuhashi and Betten Court | Viz Media – To my surprise, this volume mostly seems to dial back the main plot in favor of character development with Koichi. But that’s fine, as these are solid chapters and help show why he’s being The Crawler despite not being a licensed hero. It also gives us more attention devoted to Captain Celebrity, the American All Might who is a selfish publicity hound and basically awful. And much to my surprise, it has some excellent backstory of why heroes came to be and why most people with powers aren’t heroes. It’s fascinating and makes sense. I also like the new girl, though her overly wide mouth makes me think of Tsuyu. This side series is growing on me. – Sean Gaffney

My Monster Secret, Vol. 14 | By Eiji Masuda | Seven Seas – I’m not sure whether I’m ready for actual drama in My Monster Secret, a series that still works best when it’s being as funny as possible. But they’ve been to the future, and it’s hinted it’s not a happy one for everyone involved. Sometimes this is played for comedy, as with Shiho finding that her future husband is the most annoying of “those three guys,” but there’s also a hint that Asahi and Youko are not going to get together. That said, when the series IS doing humor, it’s still pretty hilarious, even when the punchline is “please admire my awesome ass.” We’re clearly going to be dragging this on for at least a few more volumes, and may also be adding to the “I’m in love with Asagi” harem, but as long as it stays funny. – Sean Gaffney

Nyankees, Vol. 1 | By Atsushi Okada | Yen Press – Nyankees is “a tale of street cats portrayed as hoodlums.” When Ryuusei, a “dark tabby,” comes to Nekonaki Town in search of a male calico with a scarred eye, he first tangles with members of a gang led by Taiga, an orange tabby. Although winning a fight against Taiga entitles Ryuusei to take over as boss, he comes to respect the other kitty, and together they go to rescue a female cat who has been kidnapped by the calico’s gang. I wanted to like Nyankees but sadly it didn’t click with me. Probably its best attribute is that, after several pages of the characters in human form, a dramatic panel sometimes depicts them as cats, like the two-page spread in which Ryuusei and Taiga send a couple of adversaries flying. I didn’t find it funny—the “It’s pawback time!” line made me groan aloud—and the story’s not interesting, either. Too bad. – Michelle Smith

One-Punch Man, Vol. 15 | By ONE and Yusuke Murata | Viz Media – Saitama is back, but that doesn’t necessarily mean that he’s bringing all the laughs, as he’s back to being in a funk about everything being so boring because he can easily defeat everyone. Of all people, King has the best moment of the volume, when he tries to convince Saitama that there are reasons to be a great hero other than finding stronger and stronger people to fight. Unfortunately, Saitama is not ready to accept that lesson yet. Meanwhile, the whole “become stronger by becoming monsters” movement is hitting up some of the older minor villains/heroes from prior chapters, sometimes with amusing results and sometimes not. Solid, but I desperately want this to be silly again. – Sean Gaffney

Shojo FIGHT!, Vol. 6 | By Yoko Nihonbashi | Kodansha Comics (digital only) – So much happens in the characters’ personal lives this volume, some of it monumental, that it almost feels like a soap opera. Michiru and Odagiri accidentally overhear that Shigeru has retinitis pigmentosa and is experiencing vision loss, causing Michiru to realize how blind he has been to why their father has been expecting more from Shigeru all these years. I love how often Michiru cries in this volume and nobody gives him crap for it. I also love that he gets more determined to win the spring tournament while Shigeru can still see it happen. On top of this, we get a lot more background about Hasegawa’s family and her friendship with Itami, which ties in to Odagiri’s brother the aspiring mangaka and to Atsuko and her contentious relationship with her stepmother. Every character gets some development and they improve at volleyball, too! Recommended. – Michelle Smith

Sweetness & Lightning, Vol. 11 | By Gido Amagakure | Kodansha Comics – It’s the penultimate volume of Sweetness & Lightning and things are winding down! After Inuzuka-sensei and Tsumugi work out some communication issues and visit family, the focus shifts to Kotori. She’s about to graduate high school, so the time seems right for her to confess to Inuzuka. I like that he evinces palpable dread about having to hurt her, but in the end she essentially proclaims her undying regard for him, Tsumugi, and food all at the same time. And she tells her friend “it was something more complicated” than love, so I guess that’s a relief. Too, though the restaurant will briefly close for remodeling, there are promises of cooking together in perpetuity. I’m not sure what the twelfth and final volume will contain, since this seemed plenty conclusive, but we’ll see all too soon. – Michelle Smith

Teasing Master Takagi-san, Vol. 3 | By Soichiro Yamamoto | Yen Press – I spent this volume admiring the cleverness of the title character. She clearly can read Nishikata like a book, but is also trying, in her teasing and bets, to get him to understand her feelings. That said, she is also content to merely tease him when he doesn’t get them—she’s not frustrated, and knows this is a long game. Possibly as Nishikata may not actually realize what’s going on till the end of high school. But it’s still middle school, so there are tests of courage, and measuring their height, and calligraphy, and even tickling. And even if they aren’t a couple, everyone else certainly seems to think they are, as the last chapter shows. This remains utterly fun and adorable. – Sean Gaffney

Pick of the Week: Perfect 10

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SEAN: It’s rare that I dive into BL, much less make it a Pick of the Week. And I am, I admit, really excited for delinquent/cat manga Nyankees. But the cover and premise of 10 Dance just looks SO good that it’s turned my head. I’m buying it, and it’s my pick this week.

MICHELLE: I absolutely concur. Anytime we get BL about grown men pursuing their professional goals, I will be 1000% here for it.

ASH: That all pretty much sums it up for me, too! I’m prepared to be delighted by the debut of Nyankees (and the most recent volume of Monthly Girls Nozaki-kun), but it’s 10 Dance that has really caught my attention this week.

KATE: Word.

ANNA: I concur!

MJ: I only have eyes for 10 Dance. Sorry, cats!

Kokoro Connect: Kako Random

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By Sadanatsu Anda and Shiromizakana. Released in Japan by Enterbrain. Released in North America by J-Novel Club. Translated by Molly Lee.

Kako Random stands for Random Past, and sure enough that’s what we get here – though not from Heartseed for once. A 2nd Heartseed has shown up, possessing Taaichi’s classmate, and later his sister, to explain what’s going on… well, sort of. They pretty much only explain that if Taichi says anything, it will get much, much worse. Then, at club, we find the members suddenly getting younger, at random, for a five hour period. It’s everyone except Taichi, and can be varying ages – including babies. Needless to say, this is far more inconvenient than the first two, and our heroes end up holing up in an abandoned building for several days to avoid families. Unfortunately, the regression also brings with it memories when the person returns, some of which are not always so welcome, especially when Aoki reveals that Yui, the girl he’s professed his love to multiple times, is very similar to a girl he used to date a couple of years ago. Is she just a replacement? And has he really moved on?

Aoki and Yui get some needed depth here, as we knew that if they were ever going to be a real couple sher was going to have to either acknowledge or reject his overtures. The series has been very good at showing Aoki as being not overly creepy about his love, and he has some serious reflection after the regressions start to happen and he’s reminded more and more of Nishino, the girl he once liked. As for Yui, the fact that Aoki might actually NOT be in love with her after all annoys her far more than she’d like to admit. This despite the fact that she’s also dealing with her fear of men coming to the fore again because of the unwanted memories… as well as memories of her martial arts, which are helped along by an old rival that shows up and is pissed off. These two were my favorite part of the book.

Taichi continues to be irritating, as you’d expect – his character development is something that’s going to be happening over the course of the series, so here he mostly hems and haws and worries about telling everyone the bad news. (Honestly, I think it’s a good thing he shut up – as does Inaba, once she realizes what’s going to happen.) The narrative oddly switches to Iori for its climax, as one of her old stepfathers has returned and is being abusive and awful. After reaffirming the power of friendship, and confronting her mother, who turns out to be very much like Iori, the resolution is almost comically easy – though I will admit fairly satisfying. As for Inaba, since she got development last time, here she mostly gets to show off how she’s opened up to everyone since the first book.

This remains an excellent light novel series, especially for those tired of isekais. Also, kudos to Molly Lee’s translation, which is consistently excellent.