Manga Bookshelf

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Sean Gaffney

Sword Art Online, Vol. 17: Alicization Awakening

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By Reki Kawahara and abec. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

I’m not sure why it is that odd volumes of SAO seem to be irritating me so much. It could simply be because I’m rather weary of this arc, which is an excellent reminder to authors about why you should not make your story arc ten volumes long. It could also be because, once again, this series cried out for authorial and editorial intervention and did not get it. I know that one of the reasons that publishers are so happy to pick up Japanese webnovels and turn them into light novels is that they know the work is already written to a large degree, so deadlines aren’t a thing. But this is about the 4th book or so where Kawahara has written in the afterword “I sort of cringe at what I wrote here, but decided not to change it”. Not sexual assault this time – although that’s in here as well – but the feelings between Japan, China and Korea, which is, like a great deal of SAO proper, an interesting plot point that is handled somewhat hamhandedly.

That’s Leafa and Sinon on the cover with comatose Kirito behind them, and good news for fans of one of those characters, they do get some really good scenes. Of the non-Asuna female characters that Kawahara has created, Sinon is the closest he’s had to another success, and I really liked her here, despite the fact that she deals with Gabriel Miller at his most “I am eeeeeeeeevil!” self. He also turns out to be known to her from GGO, and her battle is probably the action highlight of the book. As for Leafa, it’s almost comical in how badly she’s been treated since… well, her introduction? Here she comes down nowhere near the other characters, gets another egregious sexual assault scene (it’s even framed as ‘worms’ and ‘tentacles’, just to make it more obvious), and finally arrives too late to really affect anything for the ending “darkest before the dawn” climax. I just get so frustrated when I read Leafa’s character.

Other things, some good, some bad. Lisbeth’s discussion of how the SAO survivors are treated in school, as ticking timebombs who are required to get therapy (and, I suspect, will need to get SAO-related jobs or not get hired after graduation, similar to what Kirito is doing now) is really really interesting and therefore I wish we’d had any indication of it at all before this. There’s another traitor towards the end of the book, tied in to both the Administrator plotline and going back to the Fairy Dance plotline who is yet another “I am written to be as evil, creepy and misogynist as possible so you don’t like me”, which, y’know, objective obtained, but you already have Gabriel. On the bright side, the ongoing “what defines a real human” plotline is reasonably well handled, and we’ll see him handle it even better in the Progressive series. And, much as I am completely sick of Laughing Coffin, it is nice to have an antagonist who is not driven by lust, just love of death and cruelty. Welcome back, PoH, I look forward to seeing you get yours eventually.

I was expecting, given the title, the book would end with Kirito back in action. I was wrong, though it looks like it’ll happen early in the next book. Which will be the last in this arc, thank God. Till then, you have to read this if you follow the series, but be ready to lose more of that tooth enamel.

Bookshelf Briefs 11/1/19

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Atsumori-kun’s Bride-to-Be, Vol. 3 | By Taamo | Kodansha Comics (digital only) – This continues to be a really cute, almost retro-feeling shoujo series. Atsumori and Nishiki are now officially dating, but he has stopped short of saying he loves her because he doesn’t know what that feels like. Meanwhile, she has come to understand how lonely he has been and how his future has been mapped out by his rich family. Basically, in this volume, they hang out at various times with her friends from her hometown. That’s it and yet, it’s wonderful! I love how honest Atsumori and Nishiki are with each other, I love how willing he is to try new things for her sake. And I love how he realizes that he does actually love her after all. Even a small detour into the cliché of “romantic rival who vows to take her away” can’t dispel my affections. Too bad we’re all caught up with Japan now. – Michelle Smith

Become You, Vol. 1 | By Ichigo Takano | Seven Seas – The brand new series from this creator (so new this is the only volume out in Japan as well) does not involve romantic pairings, at last not yet, though certainly there’s more going on with the childhood friend than she’s willing to reveal. Instead we have the story of two high school boys whose personalities are dissimilar and the way that they slowly bond through music. Very slowly—this takes a while to get going, and you can see why Hikari keeps brushing Taiyou off. The best part of the volume is Taiyou’s description of his tragic art past, featuring another dream-crushing teacher, which Japan seems to have in abundance. Again, this isn’t as grabbing as orange to me, but it’s still a very good start. – Sean Gaffney

H.P. Lovecraft’s At the Mountains of Madness, Vol. 1 | By Gou Tanabe | Dark Horse – Having greatly enjoyed Tanabe’s collection of short Lovecraftian manga adaptations The Hound and Other Stories, I was glad to see Dark Horse license more of Tanabe’s work. This time it’s a four-volume series adapting another story by Lovecraft, At the Mountains of Madness, about a scientific expedition to Antarctica that goes terribly, terribly wrong. I haven’t actually read Lovecraft’s novella, so I can’t compare Tanabe’s version to the original. However, I can say that so far the manga adaptation is immensely engrossing and that I look forward to the release of the remaining volumes. Tanabe does rely very heavily on wordless panels depicting the explorer’s faces as they look on in astonishment or horror, so the illustrations end up being a bit repetitive as a result. But at the same time this effectively tempers the pacing of the narrative, allowing the increasing sense of dread to slowly build. – Ash Brown

Hitorijime My Hero, Vol. 5 | By Memeco Arii | Kodansha Comics – I liked the first half of this volume quite a lot. Kousuke has a compulsion to play the hero, and he’s struggling to come to grips with the fact that Masahiro’s home life is a problem that cannot be solved by his intervention. I appreciate that Arii-sensei is acknowledging how Masahiro’s situation affects him, and how valuable it is for him to have someone like Kousuke to talk to about this stuff. They’re saving each other, in a way. All that was very nice, but then we segue into a plotline about how Hasegawa is frustrated by Kensuke’s disinterest in sex, culminating in a cliffhanger where it seems like he’s coming on to Masahiro. I could really do without all of this, especially as I predict misunderstandings will ensue. I have very little patience for that sort of thing. Still, I will keep reading. – Michelle Smith

In/Spectre, Vol. 10 | By Kyo Shirodaira and Chashiba Katase | Kodansha Comics – I was amused at the general thrust of the first half of the book being about how horrible Kotoko is, if only as she’s pretty much the main reason people are fans of this series… including me. She’s still in the mystery club, giving realistic explanations for events even if they may be supernatural after all—this needs to continue to be a casual club. Then we get a story about a dying old man who wants Kotoko to force his kids to realize that he murdered their mother… even if in reality he hired a fox demon to do it. And Rikka is on the cover, but doesn’t do much except have phenomenal luck and hate Kotoko. Still a very well-written series. Oh, and Kotoko’s underwear is paisley. – Sean Gaffney

My Hero Academia, Vol. 21 | By Kohei Horikoshi | Viz Media – The first half of this continues the Endeavor plotline, and also shows off Hawks, who gets to be an apparent triple agent. The best part of it, and one of the best moments in the entire series, is Todoroki’s reaction to his father’s massive facial scarring after the incident. Best noodle slurp ever. The second half has 1-A taking on 1-B in four-on-four battles, with Shinso being a fifth on both squads, one for A and one for B. If this leads to Shinso replacing Mineta, like he does in most fanfics, I’m all for it. In the meantime, 1-A wins the first battle, and the second is neck and neck, with Momo trying to show off her smarts. Will she pull it off? We’ll see next book, which is guaranteed not to be controversial at all. – Sean Gaffney

New Game!, Vol. 7 | By Shotaro Tokuno | Seven Seas – Kou’s in Paris, and her new boss is overly friendly in that French sort of way. Meanwhile, Rin is back home reading romance novels and literally imagining her and Kou as the couple. Oh yes, and the volume ends with a romantic dinner in an expensive restaurant when Rin comes to France to visit. All it lacks is “and then they went back to Rin’s hotel and made love the rest of the night.” As for the rest of the cast, it’s back to games, though this may be difficult for some—Aoba gets a bad cold, putting her in bed for a few days, and Narumi has to convince her traditional innkeeping parents that she’s not going to follow in their footsteps. Now that Sunshine Sketch has slowed to a crawl, this is a good replacement for it. – Sean Gaffney

Manga the Week of 11/6/19

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SEAN: November brings an absolutely ludicrous amount of stuff, and December’s no better, so get used to it.

ASH: I’m ready for the cooler weather and avalanches of new manga and novels!

SEAN: J-Novel Club has a lot. Starting with Invaders of the Rokujouma!? 26, 27, and 28, which are actually out now.

The novel debut (digitally) is Demon Lord, Retry!, which had an anime recently. It seems to be Overlord with less skeleton.

The manga debut (digitally) is Discommunication, an ancient manga (it began in 1992!) that ran in Kodansha’s Afternoon, from the creator of Mysterious Girlfriend X. It’s gotten VERY good buzz, and I’ve been told does not have quite as much drool as MGX, so I’ll be taking a look.

MICHELLE: Hm. I’ll wait for the results of the drool analysis.

ANNA: I too, am concerned about drool.

ASH: Drool aside, I enjoyed what I read of Mysterious Girlfriend X.

MJ: I like early 90s manga, so I may risk the drool.

SEAN: J-Novel Club also debuts An Archdemon’s Dilemma: How to Love Your Elf Bride in print, along with print for Ascendance of a Bookworm (2) and Infinite Dendrogram (3). Also, digital volumes for Arifureta (10), The Combat Baker and Automaton Waitress (2), and Sorcerous Stabber Orphen (5), and the 2nd A Very Fairy Apartment manga digitally.

ASH: I just got my hands on the first volume of Ascendance of a Bookworm. Good to know I won’t need to wait long to get my hands on the second if desired!

SEAN: In print, Kodansha has Cells at Work: Code BLACK 2 and The Quintessential Quintuplets 6.

Digitally, our debut from Kodansha is Our Fake Marriage (Usokon), a shoujo/josei title that runs in Ane Friend. 29-year-old woman, no job, nowhere to live, runs into her old childhood friend, now a handsome successful architect, and he suggests… well, look at the title.

ANNA: I enjoy faked marriages in fiction!

ASH: There are some really good ones out there.

MJ: I would like to see one where the love interest is not a handsome, successful architect, but like… a nerdy school teacher or something.

SEAN: Also digitally? Cells NOT at Work 2, Fairy Tail: City Hero 2, My Sweet Girl 8, Our Precious Conversations 5, Seven Shakespeares 12 (where had this gone?) and Smile Down the Runway 3.

MICHELLE: I’ll be reading several of these!

SEAN: Denpa Books has a new BL line, called KUMA, and their debut is a done-in-one called Melting Lover. It runs in Futabasha’s Comic Marginal, and looks pretty interesting. BL fans, support this new imprint!

MICHELLE: Nice to see a new imprint!

ASH: Melting Lover is an interesting BL collection with some speculative fiction flair to the stories. Also, KUMA will yuri in its lineup, too!

MJ: Very interested in what Denpa has to offer for BL!

SEAN: Seven Seas debuts two titles, one print, one an early digital. The print is Nicola Traveling Around the Demon’s World (Nicola no Oyururi Makai Kikou), from Kadokawa’s Harta. Adorable human child, land full of demons, just wandering around… this has become a genre by now. Still, I’ll try anything from Harta.

ASH: I like this genre a lot.

MJ: I can also get behind this genre.

SEAN: The early digital light novel is Magic User: Reborn in Another World as a Max Level Wizard (Magic User: TRPG de Sodateta Mahoutsukai wa Isekai demo Saikyou Datta), whose sole point of interest seems to be that it’s from a rare LN publisher, Gentosha. Otherwise, well, look at the title.

Seven Seas also has Accomplishments of the Duke’s Daughter 5, and the 7th Make My Abilities Average! in print.

Tokyopop gives us a 6th Futaribeya.

Vertical has the 14th and final volume of Mobile Suit Gundam Wing.

Viz time! No debuts, still lots stuff. Shoujo: Anonymous Noise 17, Daytime Shooting Star 3, Shortcake Cake 6, Skip Beat! 43, Snow White with the Red Hair 4, and the 11th and final Water Dragon’s Bride.

MICHELLE: I will read every one of these! Of course, I’m particularly asquee for more Skip Beat!.

ANNA: So much great shoujo, I am excited.

ASH: We all should be!

MJ: I’m behind on many of these, but I should fix that!

SEAN: On the shonen end, we see Black Clover 18, Boruto 7, Demon Slayer: Kimetsu no Yaiba 9, Dr. STONE 8, Haikyu!! 35, JoJo’s Bizarre Adventure Arc 4 Vol. 3, Kaguya-sama: Love Is War 11, My Hero Academia SMASH! 2, and One Piece 92.

MICHELLE: I enjoyed My Hero Academia SMASH! more than anticipated, and so look forward to volume two!

ASH: I’m getting a kick out of the Diamond Is Unbreakable arc of JoJo’s Bizarre Adventure. I’ve fallen behind with the anime, so this is all new content for me!

SEAN: Finally we get Yen, who have quite a bit as well. Debuting from Yen On is Suppose a Kid from the Last Dungeon Boonies Moved to a Starter Town (Tatoeba Last Dungeon Mae no Mura no Shounen ga Joban no Machi de Kurasu Youna Monogatari), which is about– whoops, ran out of space.

Ending next week is The Empty Box and Zeroth Maria, with its 7th volume. There’s also new volumes of The Hero Is Overpowered But Overly Cautious (2), Is It Wrong to Try to Pick Up Girls in a Dungeon: Sword Oratoria (10), My Youth Romantic Comedy Is Wrong As I Expected (8), and Woof Woof Story: I Told You to Turn Me Into a Pampered Pooch, Not Fenrir! 3. As you can see, long titles are the new Alice in the Country of.

On the manga end, we debut the manga version of Our Last Crusade or the Rise of a New World. Also getting manga volumes are A Certain Magical Index 19, Durarara!! Re;Dollars 5, and High School Prodigies Have It Easy Even in Another World 5.

I was reincarnated into another world and ended up with manga release date analysis as my only power! What are you getting next week?

MICHELLE: *snerk*

The World’s Strongest Rearguard: Labyrinth Country’s Novice Seeker, Vol. 1

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By Tôwa and Huuka Kazabana. Released in Japan as “Sekai Saikyou no Kouei: Meikyuukoku no Shinjin Tansakusha” by Kadokawa Books. Released in North America by Yen On. Translated by Jordan Taylor.

I’ve talked before about the times when I read a bad book and people ask me “is it bad in an MST3K way?” and I have to tell them no, it is bad in a bad way. However, we may finally have a winner. The World’s Strongest Rearguard is sort of what happens if you tell an author all the pitfalls they should avoid when writing a Japanese light novel, only he mishears you and uses them as must haves. It is a gloriously over the top power fantasy starring a hero who is so beige he verges on see-through, a harem of adoring women, and his magical job, which we’re assured is super perfect though it’s never quite made clear why he’s the only one who’s ever done this. It should be like dragging yourself across broken glass, but… it’s very readable and guileless. There are tons of “game stat” battles, which I will never ever enjoy, but aside from that, this is some of the finer trash I’ve seen in a light novel.

Arihito Atobe is a corporate wageslave who’s too good at his job, so he’s overworked by his manager – who’s also younger than him. And super hot. On their way to a corporate event, along with various other folks, their bus crashes and they are killed. Reincarnated in a world filled with labyrinths where you need to seek and defeat monsters to be able to have a place to sleep at night, Arihito is forced to choose a class – Rogue, Vakyrie, Shrine Maiden, etc. Getting an explanation from the guild receptionist, he chooses “Rearguard”, a far too general classification that is nevertheless accepted. Now he discovers that while he’s not good at attacking on his own, with the right party, he can provide fantastic buffs, restore vitality, and improve morale. But who would possibly form a party with a man such as himself? Oh, right, everyone.

I’m not even sure where to begin, so let’s start with the other cast. Kyouka, the Valkyrie, is his former boss, who apparently left her tsun back in Japan when she reincarnated and ends up all dere. The author says in the afterword that the webnovel version was too mean, so he toned her way down. I think he overdid it. She’s had a crush on him for ages. Theresia is a lizard woman… not what you (or Arihito) is thinking, it’s almost a costume. She looks like a small Japanese woman put on her robe and lizard hat. She’s a demi-human who was defeated in the dungeons by a lizard monster and so became this, and is also mute. Now she works as a mercenary, and Arihito (presumably) is the first to treat her with kindness. (Actually, this is one of the book’s few clever ideas, and I like how it avoided just making her a slave like other books would.)

Elitia is a Level 8 swordswoman who’s been here a while, but everyone avoids her due to her cursed sword. Suzuna is a sweet and mellow shrine maiden, and Misaki is her friend (they were on the bus together) who is the classic genki girl who lives for the moment and tends to get in trouble because of this. She’s a Gambler. Finally we have Louisa, the guildwoman, who is boggled by the fact that Arihito’s generic “rearguard” job was accepted and that his party keeps defeating stronger and stronger monsters. Every single one of them falls for Arihito almost immediately, and all seem to have issues accepting any sort of compliment, so any time a battle is won there’s a round of “it was all thanks to you”, “no, it was really your win”, etc. They think Arihito is their leader and let him make all the decisions. Oh yes, and he also exudes some sort of magic that, when asleep and behind them, makes them aroused. Nothing explicit happens. Yet.

As you can see, this is absolutely bonkers. It should be terrible beyond belief. It sort of is? Arihito has the personality of lint, and I started to refer to him as Huckleberry Hound due to his blase reaction to everything (he also seems to spend the entire book in his suit and tie), but let’s face it, if he had a personality this would be unreadable. The “reincarnation” aspect of the book reads like a job fair, with everyone keeping all their memories and appearance, they’re just shifted to this new world, which is explicitly designed to be “game world”. The sheer amount of rewards he gets for everything made me giggle. By the end of the book he’s found the secret level that no one else knows of and awakened a sleeping God (who, of course, is a naked robot sort of god) who vows to give her support from afar… though even SHE has severe self-hatred issues and is over the moon when Arihito and his party say they want to work with her. And there are a few plotlines that clearly are being introduced for further books (Elitia, Louisa and Theresia’s backstories, the “other gods”, why Arihito’s job works the way it does), so things are not going to get less extra.

So, again: this isn’t a good book. But, coming at it from the right angle, it’s a fun book. You won’t want to throw it away in disgust. Just read it as if Joel and the Bots were at the bottom of the page making comments, and you can’t go wrong. I can’t wait for Book 2.

Outbreak Company, Vol. 11

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By Ichiro Sakaki and Yuugen. Released in Japan by Kodansha. Released in North America by J-Novel Club. Translated by Kevin Steinbach.

This volume is still short, but a bit longer than the 10th book. That said, I’m still struggling to find 500+ words to say about it. The series is good, I enjoy it, but it’s not really trying for anything other than “be entertaining” with a small side of “treat all people equally”. It doesn’t help that this book is an expanded short story, blown up to book format when the author realized he didn’t have the room. The thrust of the plot is that Amatena, Elvia’s cold, paranoid sister, and Clara, who held him captive while he was kidnapped, are on the run from the authorities of their nation, who have decided that they’re a liability – possibly as they’ve been passively helping Shinichi smuggle anime and manga into the country. Elvia helps them hole up at the mansion, but they have to hide themselves. This leads to an extra maid (which stresses Myusel out, though not for the reason you might think) and an extra (disguised) Elvia. Hijinks ensue.

There’s a subplot in the book of Shinichi’s class getting a hold of digital cameras, and Shinichi and a very grumpy Hikaru end up having to teach them that it’s not OK to just take pictures of everyone all the time – you need permission, and sneak shots are right out. This is a good reminder that a lot of the “lessons learned”, heavy-handed as they can be, are as much for any young readers the series might have as for the fantasy elves and dwarves of Outbreak Company. Consent is important, even though Shinichi frames it as “you don’t want to catch them out of character”. The other small subplot is Amatena’s cool, overly suspicious attitude is contrasting hideously with Elvia’s puppy-ish mood, something that’s more vital than you’d expect given Amatena is supposed to be pretending to be Elvia. This leads to another obvious, but still welcome lesson: if you don’t trust anyone, why should anyone trust you? You have to open up a LITTLE bit.

Meanwhile, the series’ slow-boiling romance may finally be getting somewhere, though this may all vanish by the next book. The difficulty is on both sides, as Shinichi still tends to think of himself as a “loser” that nobody could like. He’s also, despite his perversions, still relatively innocent, and Clara reminds us of how he fended her off when he was kidnapped – by pretending that if he has sex with a woman, he’ll die. On Myusel’s end, more and more people are accidentally seeing Shinichi naked, and this frustrates her though she’s not sure why. After talking things through with Clara, she may have finally realized how deep her feelings for Shinichi are, but then she’s also dealing with a poor self-image, so it’s unclear whether she’ll actually act on this – certainly Elvia’s “heat” interrupts her at the end of this book.

It was nice to be back in Eldant for this book, despite it reading very much like a padded-out short story. We may get that next time too. Still recommended for those who enjoy the series.

I Saved Too Many Girls and Caused the Apocalypse, Vol. 16

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By Namekojirushi and Nao Watanuki. Released in Japan as “Ore ga Heroine o Tasukesugite Sekai ga Little Mokushiroku!?” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Mana Z.

The final volume of Little Apocalypse, and I’ll try to keep my general thoughts above the picture and then get into actual spoilers below it. It’s a good final volume, I was pleased. The series knows what it does best and does it. Big ol’ melee fights, lots of humor, lots of self-doubt, Rekka being Rekka – indeed, you could argue the plot of this book is Rekka being Rekka. Including Rekka being dense, which he confirms here is sometimes deliberate, but also confirms here that sometimes he really is just that dense. Also, to my relief, despite appearing on the cover at last, R does not become a “heroine” in the romantic sense. There’s explanations for previous major plot points, each of the girls gets to do at least something, even if it’s sit on the sidelines and write/direct (you can guess who I’m talking about there). Fans of the series should not really have any issues with it at all… well, OK, except maybe for one thing.

Yes, if you wanted romantic resolution, first of all, you were deluding yourself, but second of all, you will be disappointed as Rekka does not, in fact, choose anyone. Indeed, the villain of the piece, if you can call him that, is Rekka from the future, and he makes it clear that he’s saved hundreds of heroines and loves all of them. The trouble, of course, is that Rekka loves all these heroines in the earnest, hero sense of love. There is no romantic or sexual love here, and indeed beyond getting flustered occasionally when confronted with boobs, Rekka is a decidedly uninterested hero. This applies to him, to his female self (and one big drawback of the book is that we never met any of the heroes that she saved – or did she save heroines? Her sexuality is just as absent as Rekka’s). As for future Rekka, he may be an immortal vampire with cyborg arms, but at heart he’s still the same guy, which means he has the same self-doubts.

The goddesses who are the cause of all this are perhaps the least interesting part of the book – I joked that one reminded me of Aqua, but that was more the way she was initially introduced. There is an interesting idea here in that the gods literally CANNOT stop making and destroying worlds as that is their function, it’s what they do. This is what led to the surprisingly bloodless War of All, whose sole casualty that we know about (Iris’ father) is undone by the ending fight presumably making it so the war never happens. It also felt right that the one who helped our Rekka to finally defeat his future self was R, and that she did it not through caustic words and innuendo – her weapons so far – but just by giving him a big push. If only getting him to pick a girl was that easy.

And so the series is over, everything is back to where it was, and Rekka will no doubt keep saving heroines, though hopefully on a slightly smaller scale. This started out as a parody of the harem genre, but by the end it had embraced what it mocked, and I feel it’s the better for it.

Pick of the Week: It’s That Manga Again

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MICHELLE: There are some pretty interesting things coming out next week, namely the debut of another digital-only josei series from Kodansha Comics, but my heart belongs to volume six of The Night Beyond the Tricornered Window, which actually came out last week. I love this series so very much and am always excited when a new installment pops up. Because of its creepy atmosphere, the timing is just right, too!

SEAN: There’s quite a few things I like this week, but I’m going to go with good old Silver Spoon, because I love it and it is wonderful.

MJ: I was surprised to note that, in such a full week, the only thing on my Absolute Must Buy list is Silver Spoon. But also, YAY SILVER SPOOOOON! Seriously, I could not love this series more.

KATE: At the risk of sounding like a broken record, I am Team Silver Spoon 100%. It’s one of most consistently funny, honest, and gut-wrenching manga being published in English right now, and it deserves waaaaay more love and support from the mangasphere.

ASH: Silver Spoon really is a tremendous series! And so, for all of the reasons that everyone else has already outlined, it gets my pick. On top of that, I always get a little nostalgic reading the manga… it reminds me a lot of the people and places in my hometown growing up.

ANNA: I am feeling so guilty for not reading Silver Spoon yet, although I think I have a couple volumes stashed around my house. I’m not going to break the streak for pick of the week. I’m going to read the first volume this week for sure!

Invaders of the Rokujouma!?, Vol. 25

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By Takehaya and Poco. Released in Japan as “Rokujouma no Shinryakusha!?” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Warnis.

Well, I guess I’m going to be dealing with the villain I don’t like for a bit longer. Vandarion is mostly absent from this volume, which sees Elexis and Darkness Rainbow making their big move. It relies on trying to win Koutarou over to their side in some way, shape or form, his identity as the (seeming) Blue Knight, and appointing a Regent who an be manipulated and controlled, but is also sweet as pie and likeable. All these things happen, and yet our heroes prove to be one step ahead of the villains once more, leading to a giant battle in, of all places, a cemetery for the the finale. This despite the fact that Koutarou is minus his main weapon as using it is slowly killing Harumi, and also despite the fact that he has to abandon half his group and run off with “the smart girl” of the harem to solve things. This doesn’t go over well when he returns…

There’s a lot of very clever plotting in this volume, as Elexis’ plan depends on Koutarou being the Blue Knight, but not THE Blue Knight. He (and most everyone else) had been running on the assumption that Koutarou was a descendant or merely taking up the name. The clever bit (you can tell Kiriha was behind this) is that Koutarou reveals not only that he’s the Blue Knight, but also tells everyone about the time travel accident. This means he is the real, honest to god Blue Knight. And, thanks to the second and even more clever plot twist, which I won’t spoil as it’s so clever, he now has Forthothe completely over a barrel. As expected, this means that Elexis has no choice but to kill him NOW – they may respect each other, but Elexis is still a villain. This leads to the final battle, where Koutarou and company try to silently escape but are caught anyway.

The location of the battle is interesting, as it’s in an ancient cemetery that has some of the graves of Koutarou’s lost allies from back two thousand years ago. This means that when the chips are down, as Koutarou can’t use his cool sword, the other girls are mostly tactical rather than battle geniuses, and the arrival of the rest of the girls does not help quite as much as they would like, he manages to literally get help from ghosts of the past, rallying to save Alaia and the Blue Knight. I will admit I am not a monarchist, but seeing the fervor that everyone shows Alaia reminds the reader just what it must have been like back in the days when Kings and Queens were revered and loved. Indeed, Harumi is seriously feeling that pressure now, as she thinks that if she can’t take on Alaia’s aspect to help Koutarou, she’s worthless – something everyone tries to convince her isn’t true, but they don’t quite manage it.

We’re in the home stretch here, and it’s noted once again that there’s going to be a lot more lives lost as this fight keeps going. Will the author dare to kill off some of the harem? Probably not, but you never know. In any case, another strong volume in this series. Go support the Kickstarter and get it all in print!

How a Realist Hero Rebuilt the Kingdom, Vol. 10

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By Dojyomaru and Fuyuyuki. Released in Japan by Overlap, Inc. Released in North America digitally by J-Novel Club. Translated by Sean McCann.

Once we found out that the world of Realist Hero is one that supports polyamory, the romantic pairings started flying fast and furious. The main focus of this volume is the marriage between Souma and his five wives, and that does happen. But Souma wants to have a lot of other weddings at the same time. His reasoning is solid: he wants lots of babies now so that everyone is available later on, as he suspects soon he’ll be battling Fuuga and other higher-ups for control of the kingdom and other lands, and needs all the help he can get. As a result, he goes around resolving all the sort of romances we’ve had to date that don’t involve him. (Sometimes he doesn’t even need to get involved. Julius marries the princess we saw in Book 8, and Haruhi – sorry, Kuu – proposes to the Realist Hero equivalent of Yuki and Mikuru.) So Hal is marrying Kaede and Ruby, and may also get an elf bride in a few years as a third. The resident mad scientist is marrying her minder. And Poncho also resolves his OT3… well, no. All these marriages are resolved by women. Indeed, the core of this book is that the guys have the nominal power, but the women are the more mature ones who resolve things.

Having had Saber Red on the cover of the first book, we get Saber Lily here for the 10th. Of course, both are Liscia, but the artist has never quite managed to hide their Fate fanart origins. It seems appropriate for this book, which reads almost like a fanfic writer decided to resolve all the uncommitted pairings at once. The “make babies at once” edict also seems like a fan thing, and while there’s no sex in this book, we glide around the topic quite a bit, going from another “Excel Walter Explains It All For You” bridal meeting to Liscia explicitly telling Souma he’ll be bedding everyone one night after another right after the wedding (Aisha is first up) to Serina making sure that Poncho is eating aphrodisiac foods at their own wedding reception. I am not sure if Book 11 will be filled with babies, though. Oh yes, and in non-wedding news, the identity of a certain masked ninja is made a lot clearer.

The best story is saved for last, though, as Liscia’s mother Elisha tells her own life story, and how she discovered her horrible power and used it in order to marry the right man, set up the kingdom so that it would not end in bloodshed, and when all that failed at least send the memories of the one thing she did wrong to the Elisha of OUR world. Yes, that is a plot twist I am spoiling, but it’s brilliant, and I applaud. Elisha’s similarity to Liscia as a child was amusing, but it’s her compassion that is how we remember her. I also liked the callback to an earlier volume where Elisha tells Souma of the fate he and Liscia suffered in that world, and Souma suggests the old “they never saw the bodies” defense, which turns out o be rather relevant after all. In a book filled with sweet, sappy love stories, this one really made me grin.

If I recall, the webnovel this is based on slightly changed the title for future books, implying this is the end of Season 1. I doubt the official books will do the same, but I do expect a change of pace next time. Till then, enjoy all the weddings.

Silver Spoon, Vol. 11

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By Hiromu Arakawa. Released in Japan as “Gin no Saji” by Shogakukan, serialization ongoing in the magazine Weekly Shonen Sunday. Released in North America by Yen Press. Translated by Amanda Haley.

As promised, we get the Valentine’s Day arc in this volume. That said, it pretty much relies on the sort of thing that I talked about in the last review: everyone is sort of pissed off watching the happy not-yet-a-couple while they themselves are single. Indeed, we even get a breakup here from one of the minor characters, and it’s pointed out that “eldest son of a farmer” is not a big plus for women looking for a man. In fact, it’s the opposite. That said, there is hope on the horizon. Hachiken successfully conveys that he wants chocolate from Mikage. Despite enormous obstacles, she manages to give it to him. And even with an immediate mood-killer, it’s not destroyed like Hachiken’s phone was in the last book. The same applies to Mikage’s grades – they aren’t great, but they’re now good enough that she can see about getting a recommendation for her college. Steady progress is important – in fact, that’s the key to this whole volume.

Everyone is moving up a grade – and in many cases, that means moving out of the dorms. Hachiken decides that he wants a place of his own, and manages to barter with his parents to get it. Less successful is his attempt to explain to his dad that he wants to start a business and would like funding. He has the ideas and the fortitude – and his father is impressed that he actually stands up for himself – but he has no real plan beyond “stuff happens”, so is coldly rejected. Fortunately, he has the sense to ask Tamako for help, as she’s the economic genius of the bunch. Hachiken’s dad is not made magically nicer here, but we do start to see why he was so frustrated at Hachiken passively doing what others wanted before, and it’s Hachiken (and Mikage!) standing up to him that means that the door is not permanently shut. That said, Hachiken’s dad is still sort of a scary ass.

I’ve made no secret of the fact that I’m not all that fond of “lovable idiot” characters like tokiwa and Ookawa. We get a lot of Ookawa in this book, as he’s finally forced to graduate (literally, they have to physically make him take the diploma) and face up to unemployment. There isn’t a job of “ruin Hachiken’s life”, sadly, which is a shame as he’s perfectly qualified for it. We also get a long, serious and heartwarming explanation of the Silver Spoon in the title from the headmaster, though again Arakawa can’t resist undercutting things by having the teacher point out it’s his “standard speech”. It still works, and by the end of the volume you get the sense that Hachiken is on the right path, using the resources of abandoned and half-finished projects that the school still has lying around for his own.

This seems to end the “Winter” arc, and the next arc, “Four Seasons”, is the final one (assuming the manga ever comes off of hiatus again). It remains essential reading for anyone who loves a great story and characters.

The Irregular at Magic High School: Steeplechase Arc

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By Tsutomu Sato and Kana Ishida. Released in Japan as “Mahouka Koukou no Rettousei” by Dengeki Bunko. Released in North America by Yen On. Translated by Andrew Prowse.

When you’re doing a series set in high school, and it actually moves forward in time, it can be hard to find new material for the same thing you’ve seen before. Last time on Irregular at Magic High School we saw everyone searching for new club members – again – and this time we get the second time around for their equivalent of the athletic festival, the Nine Schools Competition. So, naturally, the author decides to have things changed around at the last minute, in order to better serve the plot. Three events are different, much to Azusa’s horror, as it means they have to do a lot of last-minute planning. Why the last-minute changes? Well, it’s all part of a powerplay involving the military, the parasites from previous books, an some Chinese defectors – who we don’t actually meet in this book, but I’ve no doubt will appear soon. Not that the schools know this. Fortunately, First High has Tatsuya, who can do anything.

That said, even Tatsuya is having trouble keeping up. In addition to ferreting out the saboteurs who plan to put parasite-infected androids in the steeplechase course to maim magic students – rather cruelly, we’re told it’s OK to ruin the student’s lives and magic career as long as they aren’t killed – but he also has to do prep for all the students competing in the various events this year. At least he’s not IN the events, but it’s so exhausting that he barely even notices his sister having a mental meltdown one night and “warming his body” with her own. Fortunately for my sanity, this low point is followed by the book’s high point, as Tatsuya is about to go out and invade the Steeplechase course to take out the androids before the events, and Miyuki correctly notes that he’s about to fall over exhausted, and why does he have to do absolutely everything all the time? Miyuki works so much better as a caring little sister than as a thirsty one.

As for the rest of the book, it’s Mahouka-by-numbers, but in a series like this that’s not a bad thin. There’s lots of intrigue, and we get to see various characters show off how talented they are, including Ayako and Fumiya, who are on the cover, making this the second cover in a row starring twins. We’ve met these two before, but here they show off that they too can clean up at the competition, taking events for Fourth High and generally showing off. I also like Minami, who gets to use her all-powerful barrier, though finds that it can be a drawback when the enemy runs away and the cops show up to question her. Minami has absolutely had it with the incestual subtext, and I completely agree. And I was also amused by one event where Subaru pronounces that she will defeat Honoka and ensure that it’s not just “everyone who has Tatsuya as their engineer wins”, but forgets which series she’s in – one word of encouragement from Tatsuya and Honoka cleans up. Yes, it IS everyone who has Tatsuya wins. Please bow to him.

The usual irritations aside, this was a pretty decent Mahouka. Next up is apparently a two-part arc, which will no doubt continue to deal with China or its equivalent in this world. Worth picking up if you like really powerful stoic heroes.

Bookshelf Briefs 10/24/19

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Ao Haru Ride, Vol. 7 | By Io Sakisaka | Viz Media – Somehow I missed reviewing the sixth book, and may have missed reading it as well. In any case, things aren’t going well for our lead couple, which is suffering from the usual miscommunication drama that infects shoujo series like this. Indeed, it infects the rest of the cast as well, and so we have Kou’s brother getting in trouble for seemingly having an affair… with Futaba. It’s not what it seems. But it does inspire Shuko, who was terrified about what would happen to her crush, to confess to him. Fortunately, he’s a good teacher, so rejects her. We’re also getting some setup for a beta couple, which I think I would enjoy more if it wasn’t so obvious. This was a good volume, but I’ve grown to expect great from this series, and it wasn’t that. – Sean Gaffney

Cats of the Louvre | By Taiyo Matsumoto | Viz Media – I expected it would only be a matter of time before Cats of the Louvre was licensed, but I was initially a little surprised that Viz was the company bringing it over—up until this point, every volume of the “Louvre Collection” (including Hirohiko Araki’s Rohan at the Louvre and Jiro Taniguchi’s Guardians of the Louvre) has been released by NBM Publishing. But, on the other hand, Viz has been Matsumoto’s primary publisher in English. Viz has done a beautiful job with the release if Cats of the Louvre, combining both volumes of the Japanese edition into a single, hardcover omnibus. In part, the narrative follows a declining colony of cats that lives in the hidden corners of the Louvre and the humans that come into contact with it. Both Matsumoto’s storytelling and artwork are atmospheric, magical, and melancholic. But while there’s some darkness to the work, there’s also hope. – Ash Brown

Hakumei & Mikochi: Tiny Little Life in the Woods, Vol. 7 | By Takuto Kashiki | Yen Press – I think we’ve now caught up with Japan, so expect more of a gap before the next volume of this. Till then, we see our not-a-couple couple use bird mail delivery, get taken advantage of by local doctors, have troublesome friends over for the night, wait in a very long line for food that may not live up to the line, etc. Easily the best chapter is also the most serious, as an old mentor of Hakumei’s dies and sends her a final sake bottle, which she and Mikochi wander all over to try to drink quietly before Mikochi finally moves on so Hakumei can grieve a bit. This is always going to be the sort of series where “we couldn’t buy the cups” is gripping drama, but that’s why it has its fans. – Sean Gaffney

Himouto! Umaru-chan, Vol. 7 | By Sankakuhead | Seven Seas – Is this the end of the superdeformed Umaru? Well, no, but it makes for a nice change of pace, as Umaru realizes that she’s been hanging out with friends normally for a while, and wonders if she can admit to them her big secrets—both her slothful little self, and also her masked gamer. The message turns out to be “don’t rush growing up,” which is a bit disappointing but not surprising given this has like five more volumes to go. We also see the “rival” girl again, and she turns out to also be connected to this extended family in an oblique way. Unfortunately, emphasizing the similarities between her and Umaru works a bit TOO well—sometimes I can’t tell them apart. This is the definition of moe cuteness. – Sean Gaffney

Magus of the Library, Vol. 2 | By Mitsu Izumi | Kodansha Comics – The main selling point for this series is present and correct—it is gorgeous, and rivals Witch Hat Atelier for the prettiest manga in Kodansha’s stable right now. The main plot involves a somewhat older Theo setting out to take the Kafna test, despite the fact that it’s a job, much like “librarian” is here, seen as being for women. He’s joined by a young woman who seems to tick off every single box in the “easily flustered love interest” box, to the point where I actually found her a bit annoying. The series sure does love its books, though, and also loves its grueling three-day-long test, which is known to break many of its participants. Can Theo pass? If you guessed “I bet we find out in Book Three,” you’re right. – Sean Gaffney

My Hero Academia: Vigilantes, Vol. 6 | By Hideyuki Furuhashi, Betten Court, and Kohei Horikoshi | VIZ Media – With the departure of Master, Vigilantes seems to be settling in for the long haul. Koichi discovers two new applications for his powers, which leads him to engage villains in ways he really shouldn’t, though this comes in handy when he helps Aizawa take on another enhanced Trigger user. In fact, there is lots of Aizawa in action, which I appreciate, as well as an example of how effectively Midnight’s powers work in the field when she goes undercover to figure out who is dosing young men with the drug. Meanwhile, there’s a mysterious speedster lurking about who easily dispatches the villain that Aizawa and Koichi struggled with. This prequel really seems to be coming into its own and I find myself increasingly captivated by it! – Michelle Smith

Mythical Beast Investigator, Vol. 2 | By Keishi Ayasato and Koichiro Hoshino | Seven Seas – Last time I called this very readable but extremely forgettable. The two qualities invert in this second and final volume, as the “twist” that happens halfway through the book is rather startling, but I don’t really like the way that it’s handled, which seems confusing and probably reads better in the novel this is based on. The focus, appropriately, changes over to Kushuna, the grumpy rabbit demon accompanying Ferry on her journeys, and we see how they originally met and how he was won over to her side. But… ergh, I don’t want to spoil the twist, but let’s just say I disliked it and leave it at that. On the bright side, I’m very glad the series ends with the second volume. – Sean Gaffney

Sleepy Princess in the Demon Castle, Vol. 9 | By Kagiji Kumanomata | Viz Media – The bulk of this volume is given over to the demon castle’s Summer Festival, which naturally Syalis is SUPER EXCITED for, despite meaning that outsiders might actually notice she has the run of the place. With that in mind, she does a café (well, haunted house was taken) which features her, as a hostage in big fake handcuffs, begging for food. It’s brilliant and also hilarious. We get a beauty pageant, which Syalis manages to lose despite seemingly being a shoo-in, as well as the final bonfire, which she sleeps through, much to her horror. The rest of the book is just as funny, and while the gags aren’t original they arrive with precision timing. This remains a fantastic comedy manga. – Sean Gaffney

That Blue Sky Feeling, Vol. 3 | By Okura and Coma Hashii | VIZ Media – I reckon some people are going to be disappointed by the ending of That Blue Sky Feeling, in that Noshiro and Sanada are not yet formally dating, but if one looks only at the change in Sanada, then it’s a satisfying ending indeed. Probably because of his experience being accepted by Noshiro, when Sanada’s long-time friend Ayumi asks whether he likes boys, he tells her the truth. And when Noshiro starts going out with a girl, it’s Ayumi who knocks some sense into Sanada, telling him that his feelings do matter in this situation. After Noshiro ditches his date to hear what Sanada has to say, it’s confession time and it looks like the feelings may be mutual. But what really stands out to me is Sanada’s face there at the ending—happy and at peace. His love was not rejected! I hope we get more Okura in the future. – Michelle Smith

Tomo-chan Is a Girl!, Vol. 5 | By Fumita Yanagida | Seven Seas – Beta couple Carol and Misaki get the main focus in this book, though they aren’t actually a couple. Carol seems to be waiting for Misaki to take the lead, and he just isn’t doing that—though seeing her and Misuzu threatened by some punks turns on his inner rage, as the cover art shows. As for Carol, once she finds that Misaki is trying to get stronger by spending time with Tomo at her father’s dojo, Carol suddenly finds herself jealous—and decides to do something about it by seemingly seducing Jun. Of course, she’s not really doing this, but it does serve to show off Jun’s paralyzing fear of intimacy, and also possibly the sexiest “rawr!” in all of manga ever. I love this series. – Sean Gaffney

The Wize Wize Beasts of the Wizarding Wizdoms | By Nagabe | Seven Seas – After a wizard named Wizdom bestowed the shape and intellect of humans upon beasts, the demi-human tribes built a grand academy. The Wize Wize Beasts of the Wizarding Wizdoms is a collection of BL short stories set at that school. I must say… as a major fan of Nagabe’s The Girl from the Other Side, I thought I’d like this more. Some stories are charming, like “Mauchly & Charles,” in which a human is clearly in love with his bear friend, but others are darker, like “Doug & Huey,” in which a crow sabotages his peacock pal’s efforts to find a girlfriend so that he can remain closest to him, or “Alan & Eddington,” in which the latter brews a love potion intending to make out with the former and leave him with no memory of their encounter. I was expecting more whimsy, I think. – Michelle Smith

Manga the Week of 10/30/19

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SEAN: No more small weeks anymore. All the weeks coming up are huge, huge, huge. Starting with next week.

Denpa gives us the 3rd volume of Today’s Menu for the Emiya Family, with Best Girl on the cover.

Ghost Ship has the 2nd Creature Girls volume, as well as To-Love-Ru Darkness 12.

No debuts for J-Novel Club, but we do get the 16th and final volume of I Saved Too Many Girls and Caused the Apocalypse.

There’s also Full Metal Panic! 4, In Another World with My Smartphone 17, and Seirei Gensouki: Spirit Chronicles 7 on the light novel side, and The Magic in This Other World Is Too Far Behind! 2 and Seirei Gensouki (again) 2 on the manga side.

In print, Kodansha has erm… nothing. On to digital! The debut is Guilty (Guilty – Nakanu Hotaru ga Mi o Kogasu), a josei series that runs in Be Love, and judging by the cover seems to be Very Serious Indeed.

MICHELLE: I am intrigued.

ANNA: I am too, but I somehow almost never get around to reading the digital manga I buy.

SEAN: Digitally we also see Domestic Girlfriend 22, Fairy Tail: Happy’s Heroic Adventure 2, and The Prince’s Black Poison 10 (a final volume, I think), as well as the 10th GTO: Paradise Lost, the first volume in almost a year and a half.

Seven Seas has one debut, which digital readers will have seen already: the first of the Neon Genesis Evangelion: ANIMA novels.

Seven Seas also has a lot more, though. Alice & Zoroku 6, the 10th and final Dreamin’ Sun (yes, I know, it was here before, sorry, it slipped), Getter Robo Devolution 4, the print edition of Grimgar of Fantasy and Ash 11, The High School Life of a Fudanshi 5, the 3rd Mushoku Tensei novel in print, New Game! 7, and everyone’s favorite punching bag, Pandora in the Crimson Shell: Ghost Urn 12.

MICHELLE: Probably I said something like I still intend to finish Dreamin’ Sun, even though I prefer orange, and that is still true.

ASH: Likewise.

SEAN: Vertical has Colorful Dreams, an artbook of VOFAN’s non-Monogatari works. It is apparently super gorgeous.

Despite a number of delays, Yen does have quite a bit out next week. Yen On has one debut, The World’s Strongest Rearguard: Labyrinth Country’s Novice Seeker (Sekai Saikyou no Kouei: Meikyuukoku no Shinjin Tansakusha). Reincarnated Japanese dude in fantasy world, dungeon game stats, picking a seemingly weak job and making it the strongest – this ticks those boxes.

Yen On also gives us Bungo Stray Dogs 2 (the novel version), Final Fantasy XIII-2 Fragments After, Kingdom Hearts 3D: Drop Dream Distance, Magical Girl Raising Project 7, No Game No Life 9, Overlord 11, and Sword Art Online 17. Feels like the last three of those are the most important.

ASH: I should give the Bungo Stray Dogs novels a try one of these days.

SEAN: No debuts on the manga side, though we do get the 14th and final Prison School omnibus.

And we get Akame Ga KILL! ZERO 10, Black Butler 28. Is It Wrong to Try to Pick Up Girls in a Dungeon? 11 (manga version), The Saga of Tanya the Evil 8 (manga version), School-Live! 11, and Silver Spoon 11.

MICHELLE: I am so far behind on Silver Spoon. Sigh.

ASH: Totally worth making a point to catch up when you have the time!

MJ: Such a huge week and I only care about Silver Spoon? How can this be? That said, I REALLY care about Silver Spoon!

SEAN: Do any of these float your boat? Or will you just ring and run?

Today’s Menu for the Emiya Family, Vol. 3

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By TAa, based on Fate/Stay Night by TYPE-MOON. Released in Japan as “Emiya-san Chi no Kyou no Gohan” by Kadokawa Shoten, serialization ongoing in the magazine Young Ace Up. Released in North America by Denpa Books. Translated by Ko Ransom.

This series has shown a very delicate touch when it comes to the “canon” of the Fate universe. To a fairly large degree, understanding the character interaction requires familiarity with the source, be it the game, anime, manga, whichever. There are also little “bonus” bits that reward a reader who knows things deeper than the source, but aren’t required, such as why Gilgamesh is hanging out with a bunch of little kids. That said, sometimes you actively have to ignore the original game. Emiya Family is a light, fluffy spinoff where everyone is happy and everyone cooks. When we see the backstory of how Shinji and Shirou became friends, we’re meant to think “a ha ha, what a delightful tsundere he is!”, not “what a disgusting rapist abuser”. Shinji isn’t a villain here, just a jerk who doesn’t know how to be a good friend. Maybe food will help!

Likewise, there is a story here where middle-school Sakura asks Shirou to teach her how to cook, and we see her sad dead eyes and think “poor girl, she must be having a rough time at home”. But we’re not going to ever see HOW rough a time in this manga. At the end of the chapter, we see Sakura happy and full of life, but it’s not because she’s in love with Shirou, it’s because she was saved by the power of beef stew. Emiya Family is a light-hearted slice-of-life manga, but it never forgets its purpose of food and recipes. As a result, even Caster and Shirou are getting along now, mostly as her cooking has improved enough that Kuzuki is consistently praising her now. That said, the Gilgamesh chapter comes close to just being written for fun rather than food, despite the fact that yes, there are corndog recipes here. (What would Lancer think!?)

Speaking of spinoffs, I’ve said before that the core of this “universe” is Fate/Hollow Ataraxia minus the plot, and we get a chapter here that the author basically admits is just one of Hollow’s scenes made into a manga, where Yukika (one of “those three girls”) gets a mild crush on Assassin and gets Shirou’s help in making him sakura mochi. Assassin’s incorporeal nature is not really brought up until the final panel, so it works very well as a “cute girl + stoic guy” story. There’s also a shameless fanservice chapter where the girls all go shopping because they want to see Saber in different outfits, but it’s wholesome fanservice – we the reader also want to see Saber dressed in something different. And one of the chapters was made into the first episode of the anime, which was being created at the same time, and is a must for fans of the Shirou/Saber pairing.

Unless you don’t think it’s Fate unless there are people dying (in which case, Fate/Zero is right over there), this is a must buy for fans of these characters. And try a recipe or two as well!

Kokoro Connect: Yume Random

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By Sadanatsu Anda and Shiromizakana. Released in Japan by Enterbrain. Released in North America by J-Novel Club. Translated by Molly Lee.

Oy. I’ve had several reviews of this series where I’ve talked about Taichi, how annoying he can be, and the way he and everyone else around him struggle to have him be more than just “generic visual novel protagonist”. Which means I need to find new things to say about THIS book, which finally takes all of this and turns it up to eleven, destroying Taichi so that he might be reborn. (No, that is actually what one character does.) When we finally get to that point, it’s fantastic. The setup for this book is also great. The middle second and third quarter of this book, though, while well-written and necessary, felt like I was stabbing my legs with forks constantly while reading it. I’ve mentioned I’m not a big fan of cringe comedy, and it turns out I don’t like cringe drama much either. If you have trouble watching people make bad decisions while watching the other shoe about to drop for pages on end, this will be a very difficult read.

Heartseed shows up and says that this will be the last time he messes with them (I know this isn’t true, there’s four more books after this). This time they (they being the core five, the first years are exempt) are given the ability to see other people’s hopes and dreams. This very quickly divides the group in two, with Taichi and Kiriyama being on the “we should use this to help people” side, and Inaba and Aoki being on the “we should just let this be” side, with Iori, as always, in the middle. Because they are in high school and surrounded by teenagers, most of these hopes and dreams end up being love-related, and Taichi and Kiriyama get reputations as “love gurus”. This despite the fact that Kiriyama still has not managed to tell Aoki how she really feels, and that this may be the last straw in Taichi and Inaba’s relationship. Oh yes, and everyone’s about to go on the class trip. But, most importantly, Taichi is determined to make up for the fact that he feels empty as a person by sticking to his guns on this decision, even if that turns out to be the worst thing possible.

As I said, how much you like this book depends on how tolerable you find Taichi attempting to finally realize that he needs to have his OWN hopes and dreams. His dilemma reminded me a lot of Tsubasa Hanekawa from the Monogatari series, who is verbally shredded by Senjogahara (the Inaba of that series) for not having anything she really dislikes… or, as it turns out, likes. Similarly, Taichi is so used to turning his attention to others that the mere sight of a future career survey can paralyze him. This is what leads him to decide to make a decision and stick with it, even if it’s a bad one. Fortunately, by the end of the book he seems to have come to terms with the ability to actually think about himself for once, let people deal with issues on their own, and actually tell Inaba he loves her out loud. Oh yes, Kiriyama and Aoki also get together, in a very sweet confession that spurs Taichi on, and almost makes up for another subplot involving Aoki’s family that I will gloss over as I don’t want to stab things.

It’s odd that I sound like I’m bashing this book, which is very good. You’re frustrated and angry, but in a way that makes sense for the characters and plot. I will note that if this had been stretched to two volumes, I might actually have been unable to continue. Fortunately it isn’t, and we have another short story volume next time. I need it.