Michelle Smith

Ao Haru Ride, Vol. 9 | By Io Sakisaka | VIZ Media – Ao Haru Ride is probably the most straight-up dramatic shoujo that I am reading at the moment, and though it relies largely on story beats that would usually annoy me—like misunderstandings and poor communication—I still really enjoy it. Kou and Futaba have feelings for each other, but Kou’s misguided decision to reject Futaba in favor of hanging out with a sad former classmate kept them apart. Now, Futaba believes Kou and said classmate are a couple, so she’s trying to move on with Kikuchi, a very nice boy whom she’s trying her best to fall for. I love that Kou’s actions have consequences and also that we see their friends discussing the situation and deciding that they can’t fix things for him; this time he has to be the one to act. I also note that Kikuchi is especially likable for a romantic rival, which is kind of rare. Recommened! – Michelle Smith

Given, Vol. 1 | By Natsuki Kizu | SuBLime – Ritsuka Uenohara got so good at playing the guitar that he started to find it boring. That changes when he meets a mysterious classmate named Mafuyu Sato, who is carrying around a very nice guitar yet has no idea how to play it. Mafuyu sings for Uenohara the melody that keeps running through his head, which proves to be the spark that gets Uenohara excited about music again. Mafuyu joins Uenohara’s band as their new singer—the other members are two college guys who seem poised to have a love story of their own—and they’re quickly gearing up for their first live show. Meanwhile, Uenohara’s confused about just how he feels about Mafuyu. Given already has a lot to love: the band dynamics, the relationship between the two leads, the mystery of Mafuyu’s past… I’m eager for more! – Michelle Smith

Komi Can’t Commmunicate, Vol. 5 | By Tomohito Oda | VIZ Media – Komi Can’t Communicate is a very charming series with likable characters. (The exception, of course, is Yamai, who continues to be thoroughly gross.) In this volume, the gang patronizes a run-down restaurant whose proprietors think Komi is a famous reviewer, meets a couple of new characters (Komi is up to 13 friends now!), and plans/executes a maid café for the cultural festival. What I really like is that though there are many comedic moments, Komi continues to make genuine progress in overcoming her communication difficulties. Her mom is shocked and happy to see her talking on the phone, she’s able to say something when out shopping with the two new characters, and she even manages a brief solo dance with Tadano before Najimi turns it into a group thing. This series is sixteen volumes and counting so far and I am definitely here for the long haul. – Michelle Smith

A Man and His Cat, Vol. 1 | By Umi Sakurai | Square Enix – A flat-faced exotic shorthair keeps getting passed over at the pet store until a kind older gentleman arrives to take him home. Through a series of short chapters, they get to know each other. The human (Kanda) names the kitty Fukumaru, and it soon becomes apparent that he has lost his beloved wife, who had spoken of the possibility of getting a cat when their children were grown. This is an extremely sweet series about two beings who need each other, with dashes of humor provided by typical cat behaviors. I laughed out loud at a particularly evocative panel depicting what happens when Kanda removes an offending cover from Fukumaru’s litter box. I also appreciated seeing the pair through the eyes of Kanda’s long-time friend, who hasn’t seen him smile this much in ages. I’m looking forward to volume two! – Michelle Smith

My Androgynous Boyfriend, Vol. 1 | By Tamekou | Seven Seas – There’s a certain type of advertising line that goes “come for the _________, stay for the _________,” and I definitely feel that this works with My Androgynous Boyfriend. The androgyny is definitely a strong part of the title, such as needing to hide Meguru’s relationship with Wako to avoid fan rage, and pairing him up with another pretty boy model, Kira (which goes south fast when both disagree with the idea). But mostly I loved the simple loving relationship between Wako and Meguru, which is strong, sexy, and not something I was expecting in this sort of series. Wako also gets a lot to do, as well as some of the best lines. It’s a series where I come away going “is the next volume out already?” – Sean Gaffney

My Hero Academia: Smash!!, Vol. 3 | By Hirofumi Neda and Kohei Horikoshi | VIZ Media – Smash!! continues to be pretty fun, though there seemed to be an inordinate amount of Mineta in this particular volume. True, much of that consists of the girls orchestrating his punishment for being such a total creep, which I guess is better than it could’ve been. Story-wise, volume three takes readers through the League of Villains’ attack on the training camp, but there are many diversions prior to that, including summer vacation hijinks, rescue drills, Halloween, etc. What I like best are things I’d never had reason to think of before, like Tokoyami’s inability to perform CPR, or just completely absurd visuals like Todoroki being depicted in a poodle costume or Aizawa playing the victim in a rescue scenario. I don’t know how much reread potential this series has, but… well, “pretty fun” about sums it up. – Michelle Smith

Otherworldly Izakaya Nobu, Vol. 6 | By Natsuya Semikawa and Virginia Nitouhei | Udon Entertainment – This is still, for the most part, a lighthearted series about people enjoying delicious pub food, but there is an ominous undercurrent to the whole thing that implies that the conservative forces are starting to rally against the izakaya as being a den of witches and that things may not be bright and sunny for long. Till then, there’s omelettes, and Hamburg Steak, and any number of tasty food that the customers, even if they may be reluctant at first, come to love. The question is whether that love of food can enter the hearts of the Church, which is very much in a “everything progressive and non-traditional must go into the fire” frame of mind. – Sean Gaffney

Scarlet, Vol. 1 | By Chiri Yuino | Seven Seas – This proved to be a lot darker and less fanservice-filled than I expected given the cover… and yes, I know the cover shows a vampire and her (rather happy) victim. But the vampire’s not all that happy, and in the end this is a book about the horrors of drug addiction, albeit one coached in the language of fairy tales and legends. Fine is a tragic vampire who wants to be human again, and Iris Redblood gets to be Little Red Riding Hood and the Big Bad Wolf at the same time. Together, they do indeed fight crime, but they don’t always win the day—sometimes the cute little girl ends up dying. And yes, there’s more than a tinge of yuri to this, which is why I suspect folks here will pick it up. It’s pretty good, but not sure if I need more of it. – Sean Gaffney

Takane & Hana, Vol. 13 | By Yuki Shiwasu | Viz Media – Another unbalanced volume, this is definitely front-loaded, with the first half having some of the best material in the entire series, as Takane and Hana open up to each other in a private moment (that turns out to be a little less than private) and admit their feelings. The second half shows them trying to negotiate this thing they now have, going on a date (well, more of an endurance hike), and a trip to Okinawa, where they run into another annoying little problem—they still have to hide things, so she’s the “kid sister,” which irritates Takane no end. And, well, there’s also the problem if Hana lacking a certain sense of shame—fortunately Takane has it for her. The first half, though? Magnificent. – Sean Gaffney

Tales of Wedding Rings, Vol. 8 | By Maybe | Yen Press – I enjoy the art and characters, but the series does love its one plot, which is “make it look like sex will be happening any day now but never actually have it occur.” Yes, they figure out a way to get out of the “bone or die” space without actually boning, and are able to move on with the fantasy part of the plot. Which actually involves the somewhat unwieldy party splitting up, so the next book should at least try to move away from will-they-or-won’t-they? a bit. In the meantime, this is another one where there’s no real conflict between the girls (as opposed to the previous generation of ring bearers). Even Saphir, seemingly the one who cares the least, is more a jerk with a heart of gold. Getting sort of trying. – Sean Gaffney

Umma’s Table | By Yeon-sik Hong | Drawn and Quarterly – Having greatly appreciated Uncomfortably Happily, I was excited that Drawn and Quarterly would be releasing another of Hong’s manhwa in translation, Umma’s Table. The narrative follows a cartoonist named Madang and his struggle to balance (and to some extent keep separate) his life as a new parent and his life as a caregiver for his ailing mother and father. Although shadowed by his father’s alcoholism and the lasting impact it has on multiple generations, some of Madang’s happiest and most nostalgic memories are those of family meals and his mother’s food. Overall, Umma’s Table is a bittersweet, wrenching work, but it’s not without moments of hope as Madang reflects on the complexities and parallels of his experiences both as a father and as a son. While not as explicitly autobiographical as Uncomfortably Happily, elements from Hong’s life are present in Umma’s Table as well, providing a sense of visceral honesty. – Ash Brown

DAYS, Vol. 16 | By Tsuyoshi Yasuda | Kodansha Comics (digital only) – Usually with sports manga I can find some emotional beat to highlight, but this volume really is just a bunch of soccer. Not that that’s a bad thing. Seiseki has progressed to the second round of the All Japan High School Soccer Tournament and their opponent is Ichiboshi Academy, whose unpredictable playing style proves challenging. Tsukamoto takes a bit of a backseat this time as Yasuda-sensei focuses on some older players like Oshiba, whose experience gets him past Ichiboshi’s impressive defence and allows him to score the first goal of the game, and Usui, who is shockingly bested by Ichiboshi as they score a goal of their own. It may not be deep, but it is fun, and I always appreciate how clear Yasuda’s panels are, particularly in depicting pass and shot trajectory. I’ll keep reading! – Michelle Smith

Don’t Toy With Me, Miss Nagatoro, Vol. 2 | By Nanashi | Vertical Comics – When it comes to teasing titles, I like this better than Uzaki Wants to Hang Out (which I’ve dropped), but it’s still well below Teasing Master Takagi-san. Where it does succeed is in the art—Nanashi is really, really good at drawing embarrassment, and knows it, so the entire title revolves around both leads getting red-faced and twitchy. The problem continues to be that Nagatoro does not get enough scenes where she’s shown to be teasing rather than just torturing him, and the “senpai” remains a thoroughly wet protagonist. That said, the addition of her two friends did make a nice addition, as it brings out her jealousy. No one toys with my senpai but me! – Sean Gaffney

How Heavy Are the Dumbbells You Lift?, Vol. 2 | By Yabako Sandrovich and MAAM | Seven Seas – The blatant fanservice is still there, but there may be slightly less of it, or perhaps I’ve just gotten used to it, as I was not as distracted by it this time around. Instead I remain fascinated by the workout advice, as well as the wacky adventures of the girls getting the advice, primarily Hibiki, who remains the best thing about this book. We’re also introduced to a new character, Zina, a Russian girl who really wants to be true to the stereotypes that Japan has about Russians. She’s fun, losing to Hibiki in a competition and then transferring to challenge her… and ending up in a different class. Again, I’m surprised that, despite some really blatant service, this remains refreshingly non-sleazy. – Sean Gaffney

An Incurable Case of Love, Vol. 2 | By Maki Enjoji | Viz Media – Maki Enjoji’s titles always seem to have heroines that I really enjoy, even when they’re screwing up. Case in point: Sakura at a party gets drunk and basically talks FAR too much, both to the group and later on to Tendo. Despite this, it’s really rather adorable and not pathetic, which is sort of what you’d expect. The manga also gets good later in the volume, as she deals with something that nurses also have to handle: a stalker who became obsessed with her as a patient. As for Dr. Tendo, he’s dealing with a rival for Nanase’s affections… and also a rival in teaching her how to be a good nurse, as he valiantly donates his poor arm until she shows she can put in an IV properly. This is just fun. – Sean Gaffney

Kase-san and Yamada, Vol. 1 | By Hiromi Takashima | Seven Seas – This is not the first Kase-san book, but the title change signals a sea change: the girls are in college, and Kase-san and Yamada are now definitely the focus rather than flowers, pastries, etc. That said, their couple status is both the plus and the minus of this book: as Erica Friedman and others have noted, both of them are dating but decidedly in the closet. And this is a problem on both sides: Kase becomes jealous when Yamada is invited to a group date, and takes steps to intervene; likewise, Yamada realizes that Kase has a roommate, and that, when her love is sick, she cannot simply rush to her side to take care of her. Real life tends to put crimps in a relationship. Maybe next volume they can tell the roommate about it. – Sean Gaffney

Komi Can’t Communicate, Vol. 5 | By Tomohito Oda | Viz Media – The majority of this volume is devoted to a culture festival, where our class has decided to do a maid cafe, mostly as Komi wants to do one. She may have trouble communicating, but she’s still the princess of the school, and a lot rides on her opinions. Of course, there are challenges. Tadano ends up being forced into a maid costume as well, Najimi’s attempts at making money break school rules and come close to violating actual laws, and Yamai exists. We also meet one or two new characters, including a sempai type and an “easygoing” type who tends to wander off, get lost, etc. Komi-san runs on cliches—deliberately so—but it remains at its heart sweet and heartwarming, especially when the two leads are interacting. – Sean Gaffney

Let’s Kiss in Secret Tomorrow, Vol. 1 | By Uri Sugata | Kodansha Comics (digital only) – Saya Kanra and Yuto Kozaki have been friends since elementary school and chastely dating since junior high. Yuto gets a makeover prior to starting high school, wanting to look cool and gain some confidence. The makeover proves too successful, alas, and now he has so many fangirls that Saya, fearing ostracism, has pretended not to know him and adopted the guise of someone disinterested in love. Now they’re trying to keep their relationship secret, occasionally aided by nerdy junior high classmate Amabiki, and talking mostly over voice chat, where things have started to get steamy in the tamest possible sense of the word. This may not be the most robust premise for a series, but I did like that the situation causes Saya to question both her own identity and her past assumptions about Amabiki’s quality of life. This series is complete in three volumes, which feels about right. – Michelle Smith

Living-Room Matsunaga-san, Vol. 1 | By Keiko Iwashita | Kodansha Comics – Originally a digital-only title, Living-Room Matsunaga-san has now achieved a print release! Due to family circumstances that aren’t fully explained, second-year high school student Miko Sonoda is shunted off to live not with her uncle but at her uncle’s boarding house with a bunch of strangers. Miko’s mother seems utterly unconcerned about this, and expects Miko to handle things herself. Thankfully, Miko is pretty capable for a teenager, with occasional lapses, and though she’s initially intimidated by her new housemate Jun Matsunaga, who comes across as belligerent and domineering, she soon realizes that he’s kind, caring, and passionate about his work as a graphic designer. Various situations ensue and Miko finds herself falling for him. While I’m not enthusiastic about a teen/adult romance, I do like these characters, the art style, and the kitty, so I’ll be proceeding on to volume two! – Michelle Smith

The Man Without Talent | By Yoshiharu Tsuge | New York Review Comics – While several of Tsuge’s shorter manga have previously made their way into translation, The Man Without Talent is his first long-form work to be released in English. In the accompanying essay, translator and historian Ryan Holmberg describes it as “Tsuge’s most popular and accessible work.” Originally serialized between 1985 and 1986, The Man Without Talent incorporates semi-autobiographical elements into its narrative. The story follows a cartoonist who seems to have largely given up on cartooning despite the pleas of his wife. Instead, he tries, struggles, and ultimately fails to make ends meet by selling stones he finds along the river near his home. The manga is an occasionally surreal but compellingly honest work, in part an examination of poverty, creativity, society, and self-determination. Readers rightfully intrigued by The Man Without Talent will soon have more of Tsuge’s manga to look forward to—Drawn & Quarterly has a seven-volume series of collected works planned. – Ash Brown

My Androgynous Boyfriend, Vol. 1 | By Tamekou | Seven Seas – Hooray for more josei! Souma Meguru is a beautiful guy who gets profiled in magazines and has many followers on Instagram. He’s been dating Machida Wako, busy editor, for seven years (ever since high school). This slice-of-life series depicts their domestic bliss as well as some of the challenges they face, like rumors that Meguru is actually dating a fellow male model or Wako’s coworker’s assumption that Meguru is female. I particularly enjoyed the chapter in which they go to “Ikeya” and Wako invents backstories for Meguru as he sits in various display rooms. It’s nice to read about a couple that has been together for so long; their relationship exudes trust and devotion. That said, it’s a bit weird that Meguru looks about twelve throughout, when he’s supposed to be so hot. Overall, this was pleasant and I’ll most likely check out volume two. – Michelle Smith

Our Dining Table | By Mita Ori | Seven Seas – I have read thousands of volumes of manga at this point but seldom have I encountered one as intensely charming as Our Dining Table. Yutaka Hozumi is a lonely salaryman who lost his parents at a young age and was never accepted by his adoptive siblings. When a pair of brothers comes into his life, exuberant four-year-old Tane Ueda and harried college student Minoru, Yutaka finds a family that will not only accept him but actively desires he be present as much as possible. I loved the slow progression of Yutaka and Minoru’s relationship; it’s one of those where it’s absolutely clear how they are healing each other of their trauma and what each finds appealing in the other. Also, Tane is incredibly adorable and it’s obvious how much fun Ori-sensei had when drawing him. I loved this without reservation. – Michelle Smith

Black Clover, Vol. 19 | By Yuki Tabata | Viz Media – The nature of these volumes is they tend to be between 9-11 chapters no matter what, and while some thought is always given for an appropriate “cliffhanger” (and there’s a good one here), it does sometimes mean that the emotional beat can happen earlier than the author might like. That’s definitely the case here—this book is front-loaded as hell, with the absolute highlight being Noelle reuniting with her family, kicking ass, and her older brother apologizing for the constant abuse he hurled at her. It’s really fantastic. The rest of the book can’t help but feel like an anticlimax, though there is a nice bit at the end where Asta and company make a chaotic entrance to join in the fight. Which isn’t over yet, so next time? – Sean Gaffney

Horimiya, Vol. 13 | By Hero and Daisuke Hagiwara | Yen Press – This manga has too many cast members in it we have to remember, especially given that it only comes out now about once every six months or so. We see Iura dealing with his younger sister, who is having exam worries, and it’s meant to contrast to his “the guy nobody likes” persona at school, but I can’t really retain enough about what he was like for it to really impact. One good thing about this volume is that Hori is relatively behaved, so there’s a lot less of the “wacky” consent issues we saw in prior volumes. When she acts relatively normal, she and Miyamura remind you why we loved this manga in the first place. That said, it really does not appear to be headed towards any specific conclusion. How long will it go on? – Sean Gaffney

Levius/est, Vol. 1 | By Haruhisa Nakata | Viz Media – I probably should have read the Levius omnibus before picking up Levius/est. As far as I can tell, the first volume is mostly a recap of the original series told at an astonishingly breakneck speed. (Levius ended prematurely when Ikki ceased publication; Nakahata essentially had to restart the series in a new magazine, Ultra Jump.) It’s admittedly impressive how much ground Nakata manages to cover in such a short span, but I’m hoping that Levius/est finds a more sustainable and enjoyable pace soon. I want to see the mixed martial arts matches between cyborgs that will either save or destroy the world. I want a chance to actually get to know the characters beyond a surface-level lightning overview of their tragic backstories. I want the worldbuilding to not need to rely on heavy-handed exposition. Right now, Levius/est‘s greatest strength is Nakata’s stylish artwork, but something more would be welcomed. – Ash Brown

Magus of the Library, Vol. 2 | By Mitsu Izumi | Kodansha Comics – Having enjoyed the first volume of Magus of the Library, I was looking forward to the second, even if the series is not always the most subtle of works narratively speaking. But I can’t help but love the underlying message of libraries (reading in generally, really) as a method of gaining knowledge, expanding one’s horizons, and developing empathy for others. At the same time, the work acknowledges the potential harm the written word can cause depending on its use. As a librarian, I can especially appreciate Izumi incorporating real-world social, economic, and political concerns surrounding libraries (fairly accurately, actually, although with simplification) into the fantasy setting of Magus of the Library. Other related areas the second volume of the series specifically addresses include bookselling and bookbinding. The volume also serves as something like a travelogue and introduces new characters destined, I’m sure, to become Theo’s cohorts in training at the Central Library. – Ash Brown

Murcielago, Vol. 13 | By Yoshimurakana | Yen Press – OK, the master swordsman arc did not finish off quite as fast as I’d hoped, but that’s fine, as it gives us a chance to see Kuroko in action some more (and still really struggling, which is cool), as well as Himiko’s dynamic entrance in her car, always a treat. After that’s resolved, we start a sequel arc, as Goldmarie’s body is not lying mouldering in the grave as it should be, but has gone missing. And now there’s a bunch of murders happening in and around the sewers, which gives the artist another chance to lovingly depict a lot of corpses and gore. Murcielago is never going to be children’s entertainment, but it’s a lot of fun provided ultraviolent lesbians are your bag. – Sean Gaffney

My Hero Academia, Vol. 23 | By Kohei Horikoshi | Viz Media – So Izuku has multiple powers now. That said, he’s still having trouble learning about them at all, so has to finish the fight quirkless. Honestly, Uraraka is the MVP of this battle, and there’s some nice ship tease with her and Izuku as my reward. After that, we switch over to the dark side of the cast—it even gets pointed out, with one chapter being called “My Villain Academia,” and a heavier focus on the League of Villains, who are falling on hard times at the moment. Things are not helped by a new, more corporate set of villains trying to get their foot in the door, and the volume ends with a confrontation. This has become one of the biggest Jump series, and it’s well deserved. – Sean Gaffney

My Hero Academia, Vol. 23 | By Kohei Horikoshi | VIZ Media – There is so much going on in this volume. As the battle training with class B comes to a close, Midoriya learns that he will eventually inherit six additional quirks from past wielders of One for All and Shinso gets to use his power to save someone and earns admission into the hero course. Mina gets a couple of badass panels while Uraraka gets several (as well as a rare smile from Aizawa). I love how much Aizawa has taken Shinso under his wing and that we get a glimpse of and a reference to someone he and Mic knew when they were students, a boy called Shirakumo. We also meet the Meta Liberation Army, who are determined to take down the League of Villains. Todoroki and Bakugo get their provisional hero licenses and we learn a little of Shigaraki’s backstory. Phew! I love this series so much. – Michelle Smith

My Hero Academia: Smash!!, Vol. 3 | By Hirofumi Neda| Viz Media – Again, I like how this gag series is handled. It’s character-based exaggeration, but it also follows the main storyline for the most part, so it can use multiple modes of humor. It’s also not above pointing out its own flaws—when Momo is lacking confidence, Eraserhead tells her to spend a week living with Uraraka, and the latter is quick to point out that “my poverty being of service to you” is offensive. Of course, the series is also not above mocking her love of rich person’s food over and over again, so. We even get a good look at the league of villains here, and they’re just as goofy. This is still a lot of fun. – Sean Gaffney

The Quintessential Quintuplets, Vol. 7 | By Negi Haruba | Kodansha Comics – Somehow I missed reviewing the sixth volume of this series, and it’s a shame, as the seventh book is fantastic, possibly the highlight of the series in general. After spending about half of it leading up to the exams, and reminding us what’s at stake, we see the girls taking them one by one, each flashing back to their own issues and challenges—the biggest of which may be Yotsuba’s, as she reveals she’s the one who failed the makeup exam at their old school, and the others left with her in solidarity. The results are brought off perfectly, but Nino is saved for last, and she’s the one who gets the best part, right at the end. Still one of the best romantic comedy manga we’ve seen in some time. – Sean Gaffney

The Way of the Househusband, Vol. 2 | By Kousuke Oono | Viz Media – There’s not really much here in plot or characterization beyond the surface. But when the surface is this, you absolutely don’t care. Househusband is all about style, and in that the book succeeds dramatically. I liked that it featured his wife a bit more in the various chapters, and you can see why he loves her. Everyone keeps mistaking him for doing horrible yakuza deals, even when he’s pushing spices for birthday parties. That said, you really can’t blame them given he’s also pushing his yakuza thoughts into his everyday life, such as the yoga poses, which was absolutely hilarious. We also meet his wife’s family, and their desperate attempts at bonding, which they do after a fashion. This is a whole lot of fun. – Sean Gaffney

Yona of the Dawn, Vol. 22 | By Mizuho Kusanagi | VIZ Media – This volume begins with the aftermath of the adventure in Sei, with Lady Riri dealing with the gratitude of her people, which she doesn’t feel she’s earned; Hak reflecting on adolescent memories of Su-Won, whose ability to see the world impartially means he has no special attachment to anyone; and the Four Dragons working to get back a hairpin for Yona that Su-Won gave her. Then we’re off to another adventure in a foreign land. One of the princesses of Xing is sure they’re Kohka’s next target for expansion and proposes war while her younger sister proposes preemptive surrender in order to save lives. Would-be assassins raid the latter’s compound, where there are a couple of badass fighters and lots of kitties. It’s very much a transitional volume, but still quite good. I’m always bummed whenever I run out of Yona to read. – Michelle Smith

Anonymous Noise, Vol. 18 | By Ryoko Fukuyama | VIZ Media – It took a while for me to get into Anonymous Noise, and I still wouldn’t call it a favorite exactly, but it must be said that this final volume made me verklempt on a few occasions. I particularly liked that Nino and Momo getting back together is not the main focus, because that was so not what I was most invested in with this series. Instead, we get Nino telling Yuzu she wants to sing his songs forever, and him realizing that means even more than winning her heart. There are some awesome concert scenes—that full-page image of Yuzu singing!—and a sense of joyous confidence as they contemplate their musical future together. Too, I appreciated that the final appearance of Yuzu and Nino wordlessly confirmed that, yes, he did eventually grow taller than her. I think I might miss this series now that it’s over. – Michelle Smith

Giant Killing, Vol. 18 | By Masaya Tsunamoto and Tsujitomo | Kodansha Comics (digital only) – The second half of the season has begun! Tatsumi’s strategy going forward is to foster bettter communication and flexibility, so he’s been having the players swap positions, giving chances to non-regulars, etc. The best thing about this series is how Tatsumi has truly earned the players’ trust, and now the team feels more cohesive, each player secure in the knowledge that Tatsumi is looking out for them on an individual level and will help them to improve. Well, mostly everyone. Tsubaki is getting frustrated with his “terrible” playing and is pretty much useless after making a poor decision (while playing an unfamiliar defensive role) that leads to an ETU player’s injury. I really like that, even if they lose, they’re not a high school team trying to reach Nationals, so there’s still hope for the season. Have I mentioned lately how much I love Giant Killing? Verily, I do. – Michelle Smith

Haikyu!!, Vol. 36 | By Haruichi Furudate | Viz Media – I think I forgot to review the 35th volume of Haikyu!!. No doubt it was very good and also filled with volleyball. As is this 36th volume. It is a credit to the author that he has kept the games interesting, and I can easily distinguish between the major adversaries, which is more than I can say for some manga. There’s a few more flashbacks, some really killer moves… a lot of people jump high in the air… I may have to wait till the game finishes to review another volume, though, as I just can’t keep typing up “this was really cool volleyball” over and over again without stretching things out like I’m a contestant on Just a Minute. At least the series is ending in Japan in a week or two, so we’ll soon catch up. -Sean Gaffney

Jujutsu Kaisen, Vol. 1 | By Gege Akutami | Viz Media – I forget where I first heard of Jujutsu Kaisen, but the general impression I’ve garnered from others has largely been positive. Now having read the first volume myself, I can honestly say that I enjoyed the manga. However, it’s clear that the series still has some room to grow before it truly distinguishes itself. Jujutsu Kaisen is Akutami’s first long-form work which may partly explain why the series comes across as being so heavily influenced by other manga. But even while its ideas aren’t particularly new and the tropes that are used are well-worn, the specific and sometimes seemingly disparate combination of them in Jujutsu Kaisen has a sort of quirky charm—which is admittedly kind of a strange description for what is essentially a horror manga about demon hunting. There is darkness, seriousness, and drama in Jujutsu Kaisen, but many of the characters tend to be likeable goofballs. – Ash Brown

MabuSasa, Vol. 1 | By Nanase | Kodansha Comics (digital only) – With its cute cover and male lead who looks like a scary delinquent but who is actually kind, I thought MabuSasa was going to be a sweet love story akin to Honey So Sweet. I was very wrong. It’s not advertised as such anywhere that I could find, but this is actually a 4-koma manga. True, there aren’t titles for the strips, but the page layout fits, as does the sensibility. Mabuchi is indeed a sympathetic character, but he’s surrounded by one-note caricatures. Most infuriating is Akira Sasagawa (the Sasa of the title), our fujoshi heroine who absolutely refuses to listen when Mabuchi swears that he’s not in a relationship with his best friend, Sota Ando. She concocts BL scenarios at every opportunity, even when Mabuchi meets and plays with her little brother. All of this is meant to be funny, I’m assuming, but I didn’t smile once. – Michelle Smith

Yowamushi Pedal, Vol. 13 | By Wataru Watanabe | Yen Press – Sheesh, the Inter-High still isn’t over in this volume. It literally takes 300 pages to go 3.5 kilometers! In that time, there are a couple of big matchups. The first is Imaizumi versus Midousuji, where the former is bolstered by the power of friendship while the latter pulls off new and even more nightmarish contortions while scoffing at the notion that friends are anything more than useless. Imaizumi emerges victorious but a crack in his bike’s frame means that Sohoku’s hopes now rest with Onoda, who goes head to head with Manami. Probably my favorite parts were the reactions of the Sohoku third years to the announcement that Onoda is still in the running to take the whole thing. 500 meters remain at the end of the volume. Next time for sure, right? – Michelle Smith