Michelle Smith

Hello, Melancholic!, Vol. 3 | By Yayoi Ohsawa | Seven Seas I don’t think this series was cancelled, per se, but I am sad that this is the final volume, as it felt like it was just getting started. As you can likely guess, this final volume focuses on our main couple (the other pairings get side chapters that, alas, are not collected here) and their attempts to realize that they actually do like each other that way, as well as dealing with Minato’s terminal anxiety. I appreciated the way that this book showed that sometimes pushing a person to do something way outside their comfort zone can be a good thing, and I also enjoyed Hibiki being forced to realize that she may be more like her father than she thinks. Easily the best trombone-related yuri I’ve ever read, this is also an excellent manga even without the trombone. – Sean Gaffney

Kaguya-sama: Love Is War, Vol. 24 | By Aka Akasaka | Viz Media – This volume flat-out tells you that we’ve reached the final arc of the story, and the back half of it is dedicated to that arc, kicked off by Kaguya vanishing from school. Before that, we get a lot more Ishigami and Iino ship tease, some more of Maki being a good friend but a terrible romantic partner, and Chika wondering why on Earth she doesn’t have any romance in her life? (Kaguya offers to set her up with Hayasaka, and given how much Chika fawns over another girl in this book, it’s probably not a bad idea.) There are still plenty of laughs here, but no doubt the final arc will be a serious one. Let’s hope that Kaguya can not only stay together with Shirogane, but survive to the end of the series. – Sean Gaffney

Komi Can’t Communicate, Vol. 22 | By Tomohito Oda | Viz Media – It can be very, very difficult to confess your love to a crush, especially in Japan, where casual dating is far less of a thing than it is over here. That said, I feel the plotline of “when will Manbagi confess, get rejected, and try to move on?” is taking forever, and that’s not helped by this volume, which gives her the perfect opportunity to confess, but she just can’t work up the guts. It doesn’t help that this is killing Komi too, and Manbagi knows it. The rest of the volume is mostly just the rest of the school trip, the high point of which was my realization that they’re staying at the same hotel that I stay at when I go to New York. (It’s got a lot of international customers.) Still good, but get on with it! – Sean Gaffney

Love at Fourteen, Vol. 12 | By Fuka Mizutani | Yen Press – I don’t think I’ve been this disappointed over the direction a series went since Bunny Drop. Now, don’t worry, no one breaks up here or anything. We even get a flashforward showing our main couple still together (if fairly static). The issue is that the author ran out of ideas for the main couple and so decided to bring in their fetishes, and we pay as much attention to them as we do to the Love at Fourteen. There’s not one, but THREE teacher-student romances, one of which explicitly has the girl decide to romance the teacher so he’s not seduced by a gay man. There’s the middle schooler and the mature looking fifth-grader. There’s the middle schooler and the OL, who get married at the end. Why was this so seedy? – Sean Gaffney

The Music of Marie | By Usumaru Furuya | One Peace Books – In this visually arresting, maddeningly empty story, Usumaru Furuya envisions a world in which humanity has been stripped of its technological progress. Marie, an enormous clockwork automaton, floats through the sky, keeping a seemingly silent vigil over her creators. Only one person can hear her celestial music: Kai, a young man who is torn between his feelings for Pipi, a childhood friend, and his emotional connection to Marie. Furuya’s illustrations are gorgeous, but the story never quite finds its groove, see-sawing between Pipi’s increasingly desperate attempts to win Kai’s affection and Kai’s efforts to uncover who built Marie, and why. The script sounds a few cautionary notes about the dangers of idolatry and technophobia, but Furuya’s penchant for making icky jokes spoils the mood. – Katherine Dacey

No Longer Allowed in Another World, Vol. 1 | By Hiroshi Noda and Takahiro Wakamatsu | Seven Seas This manga has one joke, and if you’re not here for the joke, you’ll probably want to stay away. The joke is that the protagonist of famous novel No Longer Human, about to kill himself along with his lover Sacchan, is instead hit by the inevitable isekai truck, and ends up in a fantasy world. This is a broad comedy, and the parodies of isekais are hilarious if (like me) you’ve read too many of them. That said, the main character here tries to kill himself multiple times over the course of the volume, and if suicide as comedy bothers you, absolutely do not read this. For those with no such issues, and who are familiar with No Longer Human, it’s pretty funny. – Sean Gaffney

Orochi: Perfect Edition, Vol. 1 | By Kazuo Umezz | VIZ – It’s pretty rare for me to disagree with critics like Helen Chazan and Chris Mautner, but I was underwhelmed by Orochi, especially when compared with some of Kazuo Umezu’s other translated works. The stories read like half-recalled dreams, with baroque plot twists and dialogue that makes Whatever Happened to Baby Jane? seem like a work of cinéma vérité. To some extent, that’s true of Umezu’s other work, but at least Cat-Eyed Boy and The Drifting Classroom pack a visual and an emotional punch, both of which are sorely lacking in Orochi; the title character is such a cipher that she registers more as a walking plot contrivance than a person, thus blunting the tragedies she helps set in motion. – Katherine Dacey

Rainbow Days, Vol. 1 | By Minami Mizuno | VIZ Media – I typically enjoy manga that was serialized in Margaret or one of its offshoots, but in Rainbow Days I have found the exception. Natsuki Hashiba is a wholesome teen with more worldly friends, and when they try to warn him that his new girlfriend is a gold digger, he refuses to listen. Alas, they were right. I found Natsuki to be a bland protagonist, but he’s at least better than one of his friends, Katakura, whose only personality trait is “into S&M.” Practically any time he’s in a scene, he’s either holding a whip (at school, no less!) or making comments about mouth gags. At no point is any of this ever funny. I do like Natsuki’s new love interest—and her abrasive, overprotective, and smitten best friend—and honestly I just wish those two had their own manga instead, because I really can’t do fifteen more volumes of this one. – Michelle Smith

The Shadows of Who We Once Were, Vol. 8 | By Yae Utsumi | Kodansha Comics (digital only) – I wouldn’t exactly say The Shadows of Who We Once Were has been a fun series to binge—it’s about teens being held hostage by a former classmate and forced to participate in deadly experiments, after all—but it’s certainly been riveting in its own bleak way. From the outset, readers knew the total of deaths related to the incident, and the final two turn out to be quite a surprise. I also appreciated how the reporter factored in, and the cynical detail that her subsequent article managed to change public opinion for, like, three months. The best part of the series, though, is the way the survivors have changed from the incident, in many cases for the better. Overall, I really liked this series and hope that it will one day have a print release. – Michelle Smith

Asumi-chan Is Interested in Lesbian Brothels!, Vol. 1 | By Kuro Itsuki | Seven Seas – I wasn’t originally planning to read this at all, but several people I respect said it was actually quite well done. So I read it, and they were right. Asumi is a young gay woman who pines after her older friend who took care of her when she was younger. She wants to find her, but the only reliable rumor is that she works as a sex worker in a place for other like-minded women. This is very consensual and sex-positive, despite the cover art. Each chapter is a different hostess, and the sex is explicit without getting too tawdry. The actual payoff is hinted at the end of the first chapter, but this is essentially a foodie manga, but with lesbian sex. The journey is the reason to read it. – Sean Gaffney

Captain Corinth: The Galactic Navy Officer Becomes an Adventurer, Vol. 1 | By Atsuhiko Itoh and Tomomasa Takuma | One Peace Books – Isekai seems nearly impossible to escape these days, but even so it’s not a subgenre that I tend to frequent. The manga adaptation of Captain Corinth caught my attention, however, by promising to meld science fiction and fantasy elements without relying on reincarnation to propel its lead character into a different world. Corinth’s near-death experience is still pivotal, though—as the only surviving crewmember of a starship, his escape pod crash lands him on a planet of magic-users, a rarity in the universe. Granted, his survival largely depends on highly advanced technology that may as well be a form of magic. His successes come far too easily as a result at this point, but that may soon change. This early on in the series the balance between science fiction and fantasy hasn’t quite been realized, but the potential is definitely there for them to be combined in interesting ways. – Ash Brown

The Food Diary of Miss Maid, Vol. 1 | By Susumu Maeya| Kodansha Manga (digital only) – There is a bit of a plot here, but only a bit. Suzume, a maid who works in an English mansion, is on vacation in Japan for a week or so… then her master tells her the mansion has been destroyed. While they rebuild it, she has to stay there. What this means is that you get a cute girl in a maid outfit who is Japanese but (having lived in England) has little idea what Japanese food and food etiquette is like, trying out various Japanese delicacies and telling us about them. As such, it’s a foodie manga (with no lesbian sex). It’s well done, as it made me hungry for the items in question, especially the dango. That said, there’s no character development here beyond her meeting her neighbor, who is essentially a straight (wo)man. – Sean Gaffney

The Full-Time Wife Escapist, Vol. 10 | By Tsunami Umino | Kodansha Comics (digital only) – This volume opens with a thoroughly charming sequence that I shan’t spoil, reminding us of the whimsy this series is capable of before it gets down to SO. MUCH. ADULTING. Mikuri and Hiramasa are expecting! Her morning sickness is extremely bad, so Hiramasa takes over a lot of household tasks (all while not letting on how worried he is) while they both try to navigate the many rules their employers and others have about leave time and applying for this or that. Meanwhile, Yuri is having a health scare and one of Hiramasa’s coworkers starts to fall for him (while dealing with rampant sexism in the workplace). A lot of emphasis is on Mikuri and Hiramasa functioning as a team, and that Hiramasa’s request for a month of paternity leave is frowned upon because what could a man possibly contribute? As good as ever, thankfully! – Michelle Smith

Night of the Living Cat, Vol. 1 | By Hawkman and Mecha-Roots | Seven Seas – Night of the Living Cat is to manga what Shaun of the Dead is to movies: both are loving spoofs of the zombie genre that faithfully reproduce its signature tropes. The central joke in Living Cat is that infected humans don’t turn into flesh-eating monsters but adorable kitties; the main mode of transmission is snuggling. While that premise sounds hilarious, the authors’ commitment to telling the story with a straight face ends up weighing down what should be a goofy, buoyant send-up of I Am a Hero and The Walking Dead. The result is like watching a Naked Gun movie in which every actor delivers their lines in a natural, conversational tone; the jokes are there, but the delivery is off. – Katherine Dacey

Skip and Loafer, Vol. 6 | By Misaki Takamatsu |Seven Seas – The main story of this manga continues to be terrific. Mitsumi is still bright and shiny, but has lost a lot of the country hick that she started off with (though she still needs other’s help buying “city-specific” presents). It’s also Valentine’s Day, so it’s time for Mika to shoot her shot and confess to Shima, even though she, the school, and the reader know how that’s going to go. And we also get a great chapter from Nao’s point of view, where she confesses to her friend that seeing Mitsumi’s supportive family and circle of loving friends makes her envious for all the support she never had. This is not a trans manga per se, as Nao is a supporting character, but trans readers should find it very welcoming. – Sean Gaffney

Teasing Master Takagi-san, Vol. 16 | By Soichiro Yamamoto | Yen Press – For the most part, unlike the anime (which expanded the cast out of necessity), this manga is very much about two kids and not much else. But, as the series has gone on, we have gotten side couples (such as Nakai and Mano, who remain adorable) and Those Three Girls. But now we’re moving up to second year (making the cast fourteen years old), and the series’ resident grumpy tsundere, Hojo, who is clearly in love with her neighbor and friend but is not really admitting it. All of this helps to balance and contrast Takagi and Nishikata, who pretty much have their one gimmick. It is a VERY good gimmick, though, and Takagi is blushing more and more each volume. This should please fans. – Sean Gaffney

Usotoki Rhetoric, Vol. 1 | By Ritsu Miyako | One Peace Books – Urabe Kanoko was driven out of her home village due to her ability to hear lies. She arrives in Tsukumoya Town in search of a job, and soon becomes the assistant of a perpetually penniless detective named Iwai Soma. He’s the first person who has wanted her by his side even after learning of her power, declaring, “I think you can become a real force for good!” Together, they test the limits of her ability and come up with a system by which she can inconspicuously signal when someone involved in a case is lying. In this volume, they solve such mysteries as “where did that kid go?,” “why did Iwai lie about knowing that lady?,” and “where did that other kid go?” Though the mysteries are light so far, I still really enjoyed this volume, especially the 1926 setting, and very much look forward to more! – Michelle Smith

Young Lady Albert Is Courting Disaster, Vol. 1 | By Saki and Tsukasa Satsuki| J-Novel Club (digital only) – As you can likely guess, this is another villainess story. Mary Albert realizes one day that she’s the villainess in an otome game, and will end up destitute and her family in ruins. The gimmick here is that she decides to embrace her fate wholeheartedly, and seeks out the various scenes with the heroine, Alicia, so that she can be as nasty as possible. There’s just one issue: Mary Albert is sweet as pie, both with and without reincarnated memories, and her attempts to be mean backfire horribly as she helps Alicia at every turn. There’s no reason she chooses to be evil other than “comedy,” but the comedy is fun, and I also like her long-suffering servant who’s in love with her. – Sean Gaffney

Catch These Hands!, Vol. 3 | By murata | Yen Press – This volume takes us back to Takebe’s initial thought process: all her former gang friends have gotten married and had kids, so she feels the need to change herself and stop being a grumpy thug. The problem is that she clearly doesn’t actually want to do this, she just feels that she needs to do it—and this ends up causing the first serious argument between her and Soramori. Honestly, the main reason we enjoy this series so much is seeing Takebe as a grumpy cuss, as well as seeing these two talk the only way they really know how—by beating the crap out of each other. We get that here, let’s hope it leads to less violent ways to resolve conflict… though honestly, it probably won’t. An underrated yuri series. – Sean Gaffney

The Gay Who Turned Kaiju | By Kazuki Minamoto | Yen Press – Takashi Arashiro moved to Tokyo for high school, full of dreams of the person he could become there. Instead, he ends up bullied and, after he overhears the beloved teacher who was his only source of hope expressing disgust for gay people, he desperately wishes to be something other than gay and is instantly transformed into a kaiju. For the most part this is a story about acceptance, and though the message can be a little heavy-handed at times, it’s still satisfying to see Arashiro serve some harsh truths to the oblivious Kuroda-sensei. I also really appreciated that the story did not end the way I had anticipated. However, I am troubled that both Arashiro and another gay character end up groping straight guys without their consent, with the former saying, “If you put up a fight I’ll bite your head off.” I don’t know why that was necessary. – Michelle Smith

Murcielago, Vol. 20 | By Yoshimurakana | Yen Press – As this series has gone on it’s focused far less on Kuroko and her attempts to molest every woman she meets (though she does try that here), and more about enveloping the reader in horror stories. It’s basically an anthology now, and this volume’s story involves an And Then There Were None-style plotline where Kuroko and company end up stranded at a hot springs resort with a family that keeps getting killed off in various ways that have something to do with a girl named Ayako who was indirectly killed by them a while back. There’s not much detecting going on in this one, to be honest—the suspects keep dying too fast. For fans of gore. – Sean Gaffney

Touring After the Apocalypse, Vol. 1 | By Sakae Saito | Yen Press – For those who enjoyed Kino’s Journey and Girls’ Last Tour, this is another in a line of series that can be described as “post-apocalyptic travelogue.” Youko may be the last human on Earth, as she was in a shelter when some unnamed disaster hit. She’s accompanied by Airi, an android who seems to be half companion, half bodyguard. Together they’re motorbiking around Japan, trying to find the places that Youko’s sister took instagram photos of and seeing what they look like now. As you’d expect, a highlight of this series is the artwork, showing off decay and destruction, but it doesn’t feel as bleak and depressing as the other two series I mentioned. We’ll see where it leads us. – Sean Gaffney

Tsubaki-chou Lonely Planet, Vol. 1 | By Mika Yamamori | Yen Press – In many ways, Tsubaki-chou Lonely Planet is a fairly generic shoujo manga. Fumi Ohno, a plucky and practical heroine with domestic skills aplenty, ends up homeless after her father’s debts cause them to be evicted. She becomes a live-in housekeeper for a young and handsome novelist who seems rude at first, but soon exhibits a kinder side. He protects her from a panty thief. She thinks, literally, “Just what…. is this feeling?” Another potential love interest is introduced in the form of a transfer student and it’s someone Fumi met once in the past. Though the story beats were extremely familiar, I still enjoyed this a good bit. Perhaps it’s the Margaret factor. The expressive art also helps, as does the fact that the transfer student (at this stage, at least) is holding a pretty ridiculous grudge against Fumi. I look forward to seeing how this develops. – Michelle Smith

Witch Hat Atelier, Vol. 10 | By Kamome Shirahama | Kodansha Comics – Witch Hat Atelier started with Coco, and she’s still the primary protagonist, but it’s nice to see that the other girls in the group are also getting their own plotlines. Unfortunately, those plotlines are starting to look as dark as Coco’s is. She’s busy trying to save Custas from a turn to evil, but we also see Agott struggling with trying to come up with something extraordinary to show everyone who abandoned her, and Tetia is meeting royalty and I fear soon will discover that bubbly optimism tends to smash up against cold, hard reality. Which we also see in this volume, as a relationship is destroyed due to Custas’ rampage. I don’t think this series will get very dark, but it does get somewhat dark. – Sean Gaffney

You Like Me, Not My Daughter?!, Vol. 1 | By Kota Nozomi and Tesshin Azuma | Seven Seas – We rarely get this sort of manga in English anymore, the type that I would characterize as “romantic sex comedy.” Based on a light novel, it stars Ayako, a 30-ish woman who works in publishing and raises her niece/adopted daughter Miu, who is turning fifteen. Ayako has had zero time to devote to romance, so is delighted to see that Miu’s childhood friend, Takumi, a college boy, looks like he might confess. As the title might suggest, Takumi likes her instead. This is exactly what it looks like, basically. If you like to see hot moms stress out over whether they should date guys over ten years younger than them, while also having lots of shower and bath scenes, there are worse titles. – Sean Gaffney

Blue Box, Vol. 1 | By Kouji Miura | Viz Media – Sports manga always sell well in Japan, and high school romantic comedies are also popular. So why not combine the two in the pages of Weekly Shonen Jump? The sports series can’t ALL be driven by BL fandom, after all. Blue Box stars Chinatsu, a high school first year who’s the star of the basketball team, and Taiki, a junior high third year who has a massive crush on her… and is also on the badminton team. The romcom part starts when, due to circumstances, Chinatsu moves in with Taiki’s family. That said, the sports is not a supporting part of the series, and Taiki’s badminton games take up just as much time. I’d like to see more of Chinatsu, but it is only the first volume. A promising start. – Sean Gaffney

Blue Box, Vol. 1 | By Kouji Miura | VIZ Media – Taiki Inomata and Chinatsu Kano attend a school with a powerhouse sports program. Taiki, who is on the badminton team, has feelings for Chinatsu, a talented basketball star who is good enough to have been featured in magazines. When plot contrivances force Chinatsu to move in with Taiki’s family for the duration of high school, I inwardly groaned but should’ve had more faith. Instead of ecchi shenanigans, we get scenes where they talk about their goals and share support for each other’s dreams. I really like that Taiki is such an honorable dude. He works hard, he embraces challenges, and he communicates clearly to resolve misunderstandings. Even when he frets that Chinatsu may be especially close to his main rival on the badminton team, he never wants to use her as an excuse for when he loses. These are good kids and I look forward to the next volume! – Michelle Smith

Kubo Won’t Let Me Be Invisible, Vol. 4 | By Nene Yukimori | Viz Media – One thing that separates a title like this from its teasing relatives such as Takagi-san is that Kubo actually seems to be the more immature one. Yes, she’s trying to coax him out of his shell, and her teasing works wonders, but you can tell that it takes a lot out of her and she’s profoundly embarrassed by her own feelings most of the time. Shiraishi not only drinks coffee (in the funniest chapter in the book), but his muted responses sometimes hide that he’s more with it when it comes to this sort of thing. Of course, he has other issues that hold him back as well. The two of them make a good couple not just because they’re cute together, but because they bring out each other’s best side. – Sean Gaffney

Natsume’s Book of Friends, Vol. 27 | By Yuki Midorikawa | Viz Media – When it comes to long-running semi-plotless anthology series like Natsume’s Book of Friends, characterization is mostly static. You aren’t going to see Natsume suddenly get a girlfriend (or boyfriend), and the series will no doubt end, whenever it does, with his finishing the one thing that drives the plot—giving everyone’s name back. So it was a surprise to see Chobi, who has been around since the start of things, have a second, unseen side to him that we’re only uncovering now. This is especially interesting given his yokai background, but it fits in well with Natsume’s Book of Friends, where the yokai aren’t really connected with famous stories, but actual characters. Always good. – Sean Gaffney

The 100 Girlfriends Who Really, Really, Really, Really, REALLY Love You, Vol. 4 | By Rikito Nakamura and Yukiko Nozawa | Ghost Ship The new volume does not quite have the audience-alienating partner the previous one did. We get a girl who is constantly hungry, and also constantly angry, which is relatively normal. We also get Hahari’s maid, who never opens her eyes, because those types of characters never open their eyes. We also see some truly heartwarming moments, usually involving Rentarou and the girls, but also things like Nano admitting how much she cares for the other girls as friends. That said, this is still a Ghost Ship series, not for nudity so much as the constant horniness, with the ending gag implying both mother and daughter getting a bit TOO excited. Not with each other, thankfully. – Sean Gaffney

Skip Beat!, Vol. 47 | By Yoshiki Nakamura | Viz Media – It’s rare that we see crossovers between shoujo titles over here in English, and when we do we run the danger that the other series is unlicensed in North America. This volume, though, not only has a character who is dressed like Sinha from Yona of the Dawn (complete with squirrel) as part of an event when every chapter of Hana to Yume that issue had the squirrel somewhere in there, but also features an insanely hot piece of art at the end with Moko dressed up as Jaeha, something which made me fan my face a bit. It’s clear that Nakamura is a big fan of Yona—well, the two series are pretty much the face of the magazine now (please forget about Yami no Matsuei). As for the plot of this book… I’m sure Michelle will tell you about it. – Sean Gaffney

Skip Beat!, Vol. 47 | By Yoshiki Nakamura | VIZ Media – Happy to oblige! This volume is not exactly filler, as it does get the ball rolling on a new project Ren might be part of, but it’s certainly a step back from the romantic intensity of recent volumes as Kyoko and Moko go to an amusement park and “quite by chance” end up accompanying an American lady who is, of course, more than she seems. Meanwhile, Ren and his pretend lover agree to continue their charade for the press in order to protect the ones they really care about. Thankfully, I like the story and characters enough to find even exposition entertaining, though I must agree with Sean that the absolute highlight is the ridiculously hawt illustration of Moko dressed as Jaeha. – Michelle Smith

Sleepy Princess in the Demon Castle, Vol. 19 | By Kagiji Kumanomata | Viz Media After answering “how old is Princess Syali?” last volume, there’s an arc here that tries to emphasize that, when the princess, mistaking a demon for her father, suddenly goes into hyper work mode, complete with business suit and half-glasses. This suggests disturbing things about her relationship with her father, but fortunately the result seems to be more “she feels guilty lazing around while seeing him working” than any actual abuse. As for the rest, the series loves its metatext, the best of which this time is the Princess Syalis body pillow. Which, fortunately, is not nude on the back, because while Syalis may be an adult, she’s still drawn in chibi mode most of the time. – Sean Gaffney