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Michelle Smith

Roundtable: Gerard & Jacques

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Fumi Yoshinaga’s Gerard & Jacques is a two-volume boys’ love manga that tells the story of Jacques, a young aristocrat swept into a new, terrifying world following the death of his father, and Gerard, the unlikely man who eventually becomes his new family.

Published in English by BLU Manga (Tokyopop’s BL imprint) Gerard & Jacques was recommended highly to me when I first began reading yaoi, but I’ll admit I had some difficulty with it my first time around, due to some specific content in the manga’s opening chapter which kept me from enjoying it at all at the time.

When I began to make plans for this special week of Yoshinaga, I decided to give Gerard & Jacques another try. I was also interested to hear what some of my favorite critics (and BL fans) thought of the work, so I invited a few of them along for the ride.

Joining me in discussion are …

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BL Bookrack: Yoshinaga Special

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Welcome to the first edition of BL Bookrack, a new, monthly feature co-written with Soliloquy in Blue‘s Michelle Smith. Once a month, in place of our weekly Off the Shelf column, we’ll be presenting reviews of a handful of boys’ love titles, both old and new. It is our particular pleasure to launch this feature with a focus on the works of Fumi Yoshinaga as part of Manga Bookshelf’s week-long tribute to one of our favorite mangaka.

In this month’s column, Michelle starts us off with a look at Don’t Say Any More, Darling, deeming it enjoyable, if not quite the best of Yoshinaga’s work. I follow up with two favorites, Ichigenme… The First Class is Civil Law and The Moon and the Sandals. Michelle then wraps things up with a thoughtful take on Solfege.

We hope you’ll enjoy this special Yoshinaga edition of BL Bookrack. We’ll return next week with another Off the Shelf!

Don’t Say Any More, Darling | By Fumi Yoshinaga | Published by Juné (DMP) | Rated M (Mature 18+) | Buy this book –

Don’t Say Any More, Darling is a collection of five stories by Fumi Yoshinaga—two of them not actually BL—that show glimmers of her future greatness but which are, at least in several cases, pretty durn weird.

The title story is the most straightforward boys’ love offering in the group. Kouhei and Tadashi have been friends since their school days, but the former has gone on to be a successful doctor while the latter is an impoverished lyricist who would probably starve if Kouhei didn’t stop by every once in a while. Kouhei’s parents are after him to meet a prospective bride—there’s a very amusing scene where they harangue him for being a “parasite single”—but when he meets his date, she only reminds him of Tadashi! Like most cheerful BL stories, this one ends with the boys in bed, but Yoshinaga gives this outcome a little twist by depicting Kouhei as comically traumatized by the experience.

“My Eternal Sweetheart” is the first of the weirder stories in the collection. Initially, it appears to be the story of an ailing teenager named Arthur whose immune deficiency syndrome prevents him from going outside and whose brother has built him a maternal android for a caretaker. It takes a turn when Arthur requests a male “sexaroid” to relieve his boredom, and a few other surprising twists follow. While I admire the plot of this story, it does contain an underaged sexaroid and quasi-incest, so things get a little creepy.

The two non-BL stories in the collection both have to do with making and then losing a connection with another person. In “Fairyland,” a bullied boy named Kaoru seems to have successfully wished all of humanity away. This gets rid of his tormentors, but also his family. When Kaoru meets another rare survivor, Ryohei, it seems he’s finally found someone who can understand and forgive his actions. In “One May Day,” a widower finds new love with a restaurant proprietor, only to quickly tire of her subservience and constant apologizing. This one is particularly short and odd.

My very favorite story in the collection is the last one, “The Pianist.” As a younger, haughtier man, Takayuki Date had some moderate success as a pianist and songwriter, but was never able to make it big. At the time, he never lacked for men, but now that he is older he’s having a hard time finding handsome younger guys willing to sleep with him. One day, he’s approached by a friendly college student and must figure out whether the young man is actually interested in him. The whole vibe of this story is wonderful—I really love how Yoshinaga handles the revelation that Date is not really the “debauched fallen genius” he pretends to be but rather simply lacked the talent necessary to achieve lasting success—and feels the most like Yoshinaga’s later works to me.

While Don’t Say Any More, Darling is not the best Yoshinaga manga available, it’s still intriguing and definitely worth a read.

– Review by Michelle Smith.

Ichigenme… The First Class is Civil Law, Vols. 1-2 | By Fumi Yoshinaga | Published by 801 Media (DMP) | Rated 18+ (Mature Content) | Buy volumes one & two –

Kensuke Tamiya is a serious law student who finds himself in a zemi (a small, professor-led seminar) filled entirely with lazy rich kids who have come up through the university’s affiliated schools. It is there he meets Taka-aki Tohdou, the playboy son of a politician who kisses Tamiya at their zemi‘s drunken welcome party.

Later, when Tohdou makes a serious attempt to pursue him, Tamiya protests adamantly that he’s not gay, while secretly suppressing the truth he’s known for years. As Tamiya slowly comes to terms with his sexuality, his classmates struggle with school, scandal, and the often ugly workings of the social hierarchy set up for them by their elders.

Though advertised as a “campus love story,” Ichigenme is really so much more. It is, at once, a thoughtful take on a young man’s struggle with his sexuality, an idiosyncratic romance, a jaded commentary on sexual double-standards applied to female students in Japan, and a fairly scathing look at the Japanese affiliate school system.

One of the most gratifying elements of Yoshinaga’s yaoi works is the fact that she is not afraid to write about characters who identify as gay. With Ichigenme…, she takes that one step further by actually exploring what that means for her protagonist, who, even after admitting that he could never have sex with a woman, is reluctant to accept the truth of it. Tamiya’s anxieties follow him even into the bedroom, where, though he learns to discuss what he’s doing with surprising frankness, he is unable to be open about his feelings.

With Tamiya, Yoshinaga turns two yaoi tropes on their heads–the shy, reluctant uke and the genre’s resistance to the word “gay”– transforming them from myopic clichés into realistic neuroses that actually add dimension to the character. As a result, Tamiya and Tohdou’s relationship is wonderfully awkward and slow to develop, with its sexual and romantic progression never quite in the same place.

This is particularly significant to the series’ second volume, which might otherwise be just a series of increasingly explicit sex scenes. Thankfully, the complexity of both these men and their relationship drives the story all the way through to the end. Though a second couple is introduced halfway through the second volume, presumably to add fresh romantic momentum, this diversion is hardly necessary.

As always, Yoshinaga’s gift for dialogue creates a uniquely intimate feel, bringing life and complexity even to the story’s minor characters, especially Miho Terada, a smart, studious female classmate whose place at the university is called into question after her boyfriend sends a nude photo of her to a magazine. Despite the fact that this is essentially a romance manga, one of its most affecting scenes takes place between Terada and Tamiya, in which he reveals his naiveté regarding her circumstances.

“You’re the victim here, Terada-san … it’s the guy who’s in the wrong,” Tamiya protests, to which she responds, “You’re the only one who would say that, Tamiya-chan. My father said that it was more shameful than being raped. And hearing that felt worse than being raped.”

Though Ichigenme… was released under DMP’s more explicit 801 Media imprint (and rightfully so), its sex scenes are so artful and so essential to the characters’ emotional journey, I’d consider it suitable for any adult reader, male or female, fan or non-fan.

If any of this sounds like over-praise, I promise you it’s not. Ichigenme… is a true favorite, and I recommend it with pleasure.

-Review by MJ

The Moon and the Sandals, Vols. 1-2 | By Fumi Yoshinaga | Published by Juné (DMP) | Rated M (Mature 18+) | Buy volumes one & two –

Kobayashi has a massive crush on his history teacher, Mr. Ida, but just as he’s about to confess, he discovers that Mr. Ida is embroiled in a stormy love affair of his own. As Ida pursues a future with his long-time lover, Hashizume, Kobayashi is left to find new love on his own.

When Kobayashi’s good friend and English studies savior, Rikuko, is injured in a traffic accident, she convinces her older brother, Toyo, to replace her as Kobayashi’s English tutor.

Toyo is arrogant and demanding, but working with Kobayashi seems to soften him, and in no time at all, Kobayashi has transferred his crush on Mr. Ida to his new English tutor. But can Toyo return his feelings? And what about Rikuko, who harbors the same feelings for Kobayashi?

Though this was her debut manga, Yoshinaga was already playing around with standard yaoi fantasies (in this case, the teacher/student relationship), working them ’round until they become genuinely true-to-life. As a result, Kobayashi’s crush on his teacher, Mr. Ida, reads as a poignant tale of unrequited first love rather than romantic fantasy.

This relationship rings true throughout the series, especially in a scene late in the first volume, when Kobayashi seeks out his teacher, the only gay adult he knows, to ask for information on gay sex. Ida’s discomfort with the question leaves Kobayashi pretty much to fend for himself, but it’s the reaction from Ida’s lover that makes the whole thing worthwhile.

“You’re clearly the one in the wrong here,” Hashizume says. “Homosexuals are a social minority. There aren’t many with whom we can discuss our problems, either … If he can’t ask you, who else can he ask?”

Another area where Yoshinaga really shines here is in her treatment of Kobayashi’s friend, Rikuko. One of several general complaints that can be made about yaoi as a whole is a lack of female characters in a genre written largely by women, for women. Though it wouldn’t be reasonable to expect female characters in the lead in a genre specifically portraying romance between males, it’s rather depressing to note just how often women and girls are dismissed entirely as people of worth in yaoi manga, occasionally to the point of outright misogyny. Fortunately, Yoshinaga frequently writes women into her yaoi, and she writes them well.

Not only is Rikuko a rich, nuanced character with real hopes and dreams (including a promising future as a doctor, as shown in volume two), but her confession to (and rejection by) Kobayashi is written with a level of subtlety and understanding that speaks honestly to generations of high school girls (past and present) who have had the misfortune to fall in love with their gay best friends.

Click each to enlarge, right-to-left.

Images © Fumi Yoshinaga. English translation © Digital Manga Publishing.

The series’ second volume, a series of vignettes designed primarily to accommodate sex scenes, lacks the cohesion and depth of the first. Yet even these scenes are emotionally driven and rooted firmly in the rich character development established during the first volume. Though the first volume can be enjoyed entirely on its own, readers who seek out the second volume will find some real gems scattered within, such as a scene late in the volume regarding Toyo’s plans to come out to his parents.

Simply put, The Moon and the Sandals is utterly charming, recommended for any fan of smart, romantic manga.

– Review by MJ

Solfege | By Fumi Yoshinaga | Published by Juné (DMP) | Rated YA (16+) | Buy this book –

The important thing to remember about Solfege is that it’s not actually a love story. Instead, it’s the portrait of an unsympathetic music teacher named Kugayama who is a wretched human being but is still capable of bringing something positive into the world by fostering a life-long love of music in his students.

The story begins with Kugayama imparting the basics of music unto Tanaka, a youth who looks like a delinquent but loves singing and dreams of attending a music high school. Kugayama doesn’t have very high hopes for Tanaka’s chances, but is surprised when his student ends up exceeding his expectations. When Tanaka’s mother collapses and ends up spending over a year in the hospital, Kugayama allows the boy to stay with him and pays for Tanaka to study voice with another teacher named Gotoh.

Once Tanaka’s mother recovers, he moves back home, but she promptly begins bringing men home and he turns up at Kugayama’s house again just when his former teacher is drunk and feeling horny. Kugayama proceeds to use his position as the most-admired person in Tanaka’s life to seduce his impressionable young student, and this is where I really started to hate the guy. I wished for Yoshinaga to accurately portray how traumatized a physically mature but emotionally vulnerable kid like Tanaka would be by this experience. Instead, he’s completely okay with the arrangement and the two continue to sleep together. I was disappointed.

I should’ve had faith in Yoshinaga, though, because once Gotoh finds out what’s going on, he takes immediate steps to remove Tanaka from Kugayama’s clutches. While Tanaka heads abroad to study music in Italy—and eventually becomes a success—Kugayama starts up a relationship with a Tanaka lookalike named Jun and, again, gets what’s coming to him for being such a screwed-up jerk. Scandal ensues, and it’s up to a grown-up Tanaka to meet with Kugayama again—as equals this time—and remind him of what it is that he does best.

I did not find Solfege to be in the least little bit romantic—and I’m honestly not sure how anyone could—but I did find it a complex and fascinating character study as well as a refreshing alternative to student-teacher romances that carry no repercussions for persons in a position of authority.

– Review by Michelle Smith

Afterschool Charisma 1 by Kumiko Suekane: B-

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Sigmund Freud. Florence Nightingale. Napoleon Bonaparte. These are not merely the names of eminent historical figures. They are also the names of students at a certain high school. These children are the fruit of leading-edge genetic engineering technology. In other words… they are clones.

It’s the year 2XXX A.D. and St. Kleio Academy is home to many students, all clones of famous historical figures. All, that is, except for Shiro Kamiya, son of a professor at the school and the only regular kid in attendance.

The students are expected to not only live up to the “monumental legacies of [their] originals,” but to strive to surpass their achievements. While some students are seemingly content with this arrangement, others strive to be their own person. Marie Curie, for example, lacks passion for scientific study and instead wants to be a pianist. When the school’s first graduate, a clone of John F. Kennedy, is assassinated while dutifully following in his original’s footsteps and campaigning for president, the astute Sigmund Freud does some digging and confirms the existence of a group whose agenda is to kill all of the clones.

Like me, you might find this concept very intriguing. Like me, then, you’ll likely be disappointed to discover that the tone of this volume is quite erratic. After some ominous hinting that Marie Curie—who the students believe has been allowed to transfer to music school—has been scrapped (“Another do-over,” according to Shiro’s dad), the story abruptly veers into fanservice territory, with Shiro and Freud shoved into the girls’ changing room by their friends. So, now we’ve gone from “Ooh, creepy!” to “Ooh, boobies!”

As the story progresses, it wanders seemingly without direction. There are still some hints about the anti-clone organization sprinkled throughout, but the focus becomes more on a sort of cult operating within the school whose members carry around plush toys in the likeness of Dolly, the famous cloned sheep. Also, because Mozart disdained Marie Curie’s musical ambitions, Shiro decides he needs to get fit so he can challenge him to a fencing match after which Mozart seemingly hangs himself to teach Shiro what it’s like to be a clone. Or something. It’s very odd.

In the end, I’m still interested enough in the story to read the next volume. I have suspicions about Shiro’s origins, for one thing, and the fact that the anti-clone folks have their faces hidden can only be significant. There’s a lot of potential here—I just hope the various elements coalesce into something more purposeful.

This review was originally published at Comics Should Be Good.

Afterschool Charisma is published in English by VIZ and serialized on their SigIKKI website. One volume’s available in print so far while in Japan the fourth volume has just been released.

Dengeki Daisy 1 by Kyousuke Motomi: B+

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From the back cover:
After orphan Teru Kurebayashi loses her beloved older brother, she finds solace in the messages she exchanges with DAISY, an enigmatic figure who can only be reached through the cell phone her brother left her. Meanwhile, mysterious Tasuku Kurosaki always seems to be around whenever Teru needs help. Could DAISY be a lot closer than Teru thinks?

One day at school, Teru accidentally breaks a window and agrees to pay for it by helping Kurosaki with chores around school. Kurosaki is an impossible taskmaster, though, and he also seems to be hiding something important from Teru…

Review:
Dengeki Daisy, from the creator of the charming Beast Master, is the latest series to debut under VIZ’s Shojo Beat imprint. It’s the story of orphan Teru Kurebayashi, whose older brother recently passed away, but not before giving her a cell phone that will enable her to contact “Daisy,” who will always be there to protect Teru in her brother’s place.

Due to her status as a scholarship student, Teru faces bullying at school, but pretends like everything is fine when text messaging Daisy. Little does she know that Tasuku Kurosaki, the delinquent school custodian, is actually Daisy and has been watching over her all this time. When Teru accidentally breaks a window at school, Kurosaki uses it as an excuse to keep an eye on her while he plays mahjong on his laptop and she does all the work.

There are definitely some familiar elements to this story. You’ve got the impoverished heroine being called a pauper, the all-powerful student council, and the somewhat-jerky-but-really-kind male lead. What makes Dengeki Daisy stand out from the pack are the original twists Kyousuke Motomi employs. Student-teacher romances are fairly common, but I’ve never seen a student-custodian one before. I like that Kurosaki is in love, but Teru is oblivious (though she does suspect right away that he might be Daisy, which he denies). And I genuinely like the characters and the way they interact, especially Teru’s group of misfit friends and the scene in which Kurosaki wields an edger as a weapon!

I really don’t have any complaints about this volume—it’s light, cute fun—but I can see how Kurosaki’s protectiveness and occasional dispeasure with Teru’s actions could possibly be viewed as patronizing. It honestly didn’t come across this way to me, but I wouldn’t be surprised if others took issue with it.

All in all, I really enjoyed this debut and am looking forward to continuing the series. Thanks, VIZ, for bringing us something else from this talented mangaka!

Volume one of Dengeki Daisy is available now. The series is still ongoing in Japan—volume seven will be coming out there in a couple of weeks.

Review copy provided by the publisher.

Off the Shelf: Not Loafing

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Welcome to another edition of Off the Shelf with MJ & Michelle! I’m joined once again by Soliloquy in Blue‘s Michelle Smith.

This week, we pull a few shojo titles off the shelf from Viz Media and Tokyopop, mixed in with shonen and seinen favorites from Viz, Del Rey Manga, and Vertical, Inc.

MICHELLE: It was a dark and stormy blog. Intrepid manga reviewer MJ was braving the elements in order to get home in time to read some books! Did she make it? Oh God, did she?!?!

MJ: Never fear, because she did! And quite joyfully, too! This was actually an incredibly pleasurable week for me, because I spent my time with the latest volumes of three of my favorite series.

First, I finally sat down with the second volume of Twin Spica, my favorite new manga series so far this year. The story is about a teenaged girl, Asumi, who vies to be part of Japan’s re-emerging space program, just fourteen years after a deadly accident stopped the program in its tracks. The first volume was fairly stunning (you can read my review here), setting the bar for the second impossibly high, or so one would think. With an introduction so strong, I was quite surprised to find that I liked the second volume even better.

The first volume spent a lot of time setting up the universe of the story and introducing its main players, including Asumi, her “imaginary” friend Lion-san (which I’ve put in quotes because I simply don’t know), her widowed father, and two girls entering the space program at the same time. This was all done beautifully, leaving readers full of warmth and wonder. …

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Buffy the Vampire Slayer Omnibus 1 by Joss Whedon, et al.: B

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From the back cover:
The definitive collection of the first Buffy comics series starts here. This volume begins at the beginning—”The Origin,” a faithful adaptation of creator Joss Whedon’s original Buffy screenplay. The newly chosen Slayer’s road to Sunnydale continues by way of Vegas and a mental institution, and scenes of high school, the early Scoobies, and an English librarian lead the way into Season One—and The Goon creator Eric Powell gives a look at Spike and Drusilla causing havoc at the 1933 World’s Fair.

This omnibus series is the ultimate compilation of Dark Horse’s original Buffy comics and runs chronologically along the TV series’ timeline. A fitting companion to Whedon’s comics-based relaunch of the Buffy mythos.

Review:
Because this omnibus collects a variety of arcs from different points in the comic’s run—and created by various teams of people—I think it’ll be easiest to address each one separately.

“All’s Fair” by Christopher Golden, et al.
A short, murky story about the family of the Chinese Slayer Spike killed seeking vengeance at the 1933 World’s Fair in Chicago. The dialogue is decent, though Drusilla’s tendency to speak nonsense is overused, but the character likenesses are pretty bad and the story’s boring, to boot. Thankfully, this one’s quite short.

“Buffy: The Origin” by Joss Whedon, et al.
This purports to be “a faithful adaptation” of Whedon’s original screenplay for the Buffy movie. If so, apparently Joss originally envisioned vampires as cheesy green creatures! Still, this is much better than the movie as I remember it, doing a good job at depicting Buffy’s growing distance from her materialistic friends and setting up her conflicting desires/destinies of “normal girl” versus “chosen one.” I also liked that the scene of Buffy meeting her watcher, Merrick, for the first time seems to have been lifted wholesale from the movie script for use in season two’s “Becoming, Part 1.”

“Viva Las Buffy!” by Scott Lobdell, et al.
After Buffy gets expelled from Hemery High for burning down the gym (full of vampires), she and Pike head off to Las Vegas to investigate a casino catering to vampires. The story itself is not very exciting—despite involving time travel, half-vampire Siamese twins, and Angel doing his own poking around—but it’s narrated by Pike and provides an explanation for his absence from Buffy’s life in the series. It is rather weird to see Buffy being all proactive in her duties to vanquish vamps here, when she starts season one of the series so keen to avoid her calling.

“Dawn & Hoopy the Bear” by Paul Lee
This short story takes place while Buffy is in Vegas. In an attempt to kill Buffy, a demon imbues a teddy bear with the spirit of a djinn, but the delivery guy mistakenly gives it to Dawn instead. Instead of killing her, the bear takes a liking to her and becomes her defender. It’s a little weird to read a solo Dawn story like this, since we know it didn’t really happen, but I presume this is supposed to be one of the false memories Dawn has of her childhood. It’s actually really cute and I liked it a lot.

“Slayer, Interrupted” by Scott Lobdell, et al.
In the season six episode, “Normal Again,” Buffy reveals that she was once sent to a mental institution after telling her parents about vampires. While I don’t think that works with the continuity established in season two, in which Joyce appears to learn about Buffy’s Slayerhood for the first time, it’s still interesting to see what supposedly happened there. (Intriguingly, in this comic, it’s Dawn who’s responsible for the secret getting out. I wonder if Lobdell intended to propose a solution that would allow Joyce’s original reaction and Buffy’s memories—altered after Dawn was inserted into her life—to coexist.)

Unfortunately, it’s just too much like the season three opener, “Anne.” Buffy doesn’t want to be the Slayer; she’s stuck somewhere with a lot of helpless teens being victimized by a demon; she finally accepts who she is, and comes to everyone’s rescue. The story ends with a newly confident Buffy heading home, but again, this doesn’t really match with the Buffy we first meet in the beginning of the TV series.

While the stories are all drawn by different people, they have some artistic commonalities. First of all, many of them have problems with eye color. The earlier pieces in the collection depict vampires with red eyes, though this is corrected later. I’m more annoyed by Giles and Wesley having brown eyes and Buffy and Willow having blue ones. Eye color aside, though, Buffy in these comics looks more consistently like Sarah Michelle Gellar than she does in the Season Eight series.

Also, it’s not just Buffy whose pre-Sunnydale life we glimpse. The stories by Scott Lobdell contain scenes of the Watchers Council deciding which candidate will best serve as Buffy’s new watcher (this is where Wesley comes in), the gradual dissolution of Joyce and Hank’s marriage, and one brief sighting of a lonely Willow being sneered at by Cordelia and her cronies. Although there are a few minor inconsistencies, these arcs also flow quite well in chronological order, even though they weren’t originally published that way.

I actually own all seven of these omnibi, so expect more reviews to come!

Breaking Down Banana Fish, Vols. 5-6

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Welcome to the third installment of the Banana Fish roundtable!

This month, we tackle volumes five and six. With Yut-Lung conniving behind the scenes and Shorter’s loyalties stretched to the limit, everyone ends up in Papa Dino’s hands over the course of these volumes, and not all can survive. Ash orchestrates an elaborate escape, but his allegiance with the Chinatown gang may be lost forever.

I’m joined this round by Michelle Smith (Soliloquy in Blue), Khursten Santos (Otaku Champloo), Connie C. (Slightly Biased Manga), Eva Volin (Good Comics For Kids), and Robin Brenner (No Flying, No Tights).

Read our roundtable on volumes one and two here, and volumes three and four here.

On to part three! …

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Saturn Apartments 1 by Hisae Iwaoka: B+

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In this low-key, dystopic sci-fi story, a boy named Mitsu takes up his missing father’s occupation as a window washer in the hopes that it will yield answers about his disappearance, or maybe just life in general.

Humanity has vacated Earth. They were not, however, willing to move too far away from their former home, now declared a vast nature preserve, and have instead taken up residence in a gigantic ring around the planet. Within the ring, a very stratified society exists, with public facilities located on the relatively airy middle levels, spacious homes for the wealthy in the upper levels, and dark and cramped living conditions for everyone else in “the basement.” Saturn Apartments is essentially a slice-of-life story that follows Mitsu as he begins his new job (washing the ring’s external windows) and interacts with residents from the various levels of society. Most of the guild’s work is either assigned by the government or commissioned by the very rich, so when his first job is cleaning windows on the lower level, it’s rare.

This job has been requested by a young couple who are about to get married—the groom-to-be is Sohta, a very bright young man who obtained an advanced degree with the hopes of finding a job in the middle levels. Only after Sohta graduated was he told that, even if he goes to grad school, he’s still not going to be employable because he’s from the basement. He ends up settling for a job as a technician in a power plant instead. Many of the following stories also serve to illustrate the plight of the basement-dwellers while offering in contrast the excesses of the rich, including one eccentric fellow who keeps a near-extinct sea creature in his home and another who tinkers with robots all day long and has the crew back to redo his windows over and over without offering any explanation as to what they’ve done wrong.

Meanwhile, Mitsu seeks to learn more about the accident that apparently claimed the life of his father, Akitoshi. Five years ago, Akitoshi’s rope was cut and he plunged toward Earth. Mitsu had always suspected that his father cut the rope intentionally, but when he’s sent to work at the same spot, he notices some damage to the ring’s hull that could’ve been responsible for severing the rope, along with many handprints that suggest his father fought to stay alive. Later, he meets his Akitoshi’s former partner, Tamachi, and begins to hear about a side of his father that he never knew.

As I wrote in my introduction, the world of Saturn Apartments is what I would call a low-key dystopia. Those who dwell in the basement aren’t too happy with their lot, but they seem resigned to the fact that they can’t do anything about it. The only one who really has any spunk is Jin, the experienced window washer with whom Mitsu is partnered, but his frustration at rich folks manifests as bursts of ill temper that pass quickly. Iwaoka’s art excels at depicting the oppressive feeling of life in the basement—narrow alleyways and towering buildings reinforce the notion of insurmountable obstacles and one can almost feel the weight of all the rooms above Mitsu’s pressing down on him.

Mitsu himself is perhaps the weakest link here because he is so much an observer. We do learn that his mother died when he was very young and that, after his father’s death, some kindly neighbors attempted to care for him but he always kept a respectful distance from them. Now that he’s finished school and is working, he is determined to pay his own way and seeks to find meaning in the work that he’s doing. Too, he believes that following in his father’s footsteps and working hard will enable him to learn something. What that is, exactly, he doesn’t know, but perservering feels important.

I certainly find Mitsu’s quest interesting and will keep reading about him and his world, but it’s as if he’s keeping a respectful distance from the reader, too, which makes it difficult to become more than simply curious how things will turn out.

This review was originally published at Comics Should Be Good.

Saturn Apartments is published in English by VIZ. One volume has been released so far, though two chapters of volume two are available on the SigIKKI website. The series is still ongoing in Japan; five volumes are currently available there.

The Sharing Knife: Horizon by Lois McMaster Bujold: B-

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From the front flap:
In a world where malices—remnants of ancient magic—can erupt with life-destroying power, only soldier-sorcerer Lakewalkers have mastered the ability to kill them. But Lakewalkers keep their uncanny secrets and themselves from the farmers they protect, so when patroller Dag Redwing Hickory rescued farmer girl Fawn Bluefield, neither expected to fall in love, join their lives in marriage, or defy both their kin to seek new solutions to the perilous split between their peoples.

Fawn and Dag see that their world is changing, and the traditional Lakewalker practices cannot hold every malice at bay forever. Yet for all the customs that the couple has challenged thus far, they will soon be confronted by a crisis exceeding their worst imaginings, one that threatens their Lakewalker and farmer followers alike. Now the pair must answer in earnest the question they’ve grappled with since they killed their first malice together: when the old traditions fail disastrously, can their untried new ways stand against their world’s deadliest foe?

Review:
If I didn’t like Dag and Fawn, The Sharing Knife: Horizon would be one of the most boring books I’ve ever read.

Having reached the end of their river voyage, Dag and Fawn pause long enough to witness the marriage of Whit and Berry before parting ways with Fawn’s brother and his new bride and heading to New Moon Cutoff, a Lakewalker camp where a renowned medicine maker, Arkady Waterbirch, lives. There, Dag finds an explanation for some of his abilities that is far more positive than the dark alternatives he’d been fearing and apprentices with the fastidious Arkady for several months.

Arkady is opposed to Dag practicing medicine on “farmers,” but when a child stricken with lockjaw needs his help, Dag goes willingly, knowing that he might be sacrificing the incredibly valuable apprenticeship as a result. The boy survives, but Dag’s actions throw New Moon camp into a tizzy so he decides to head back up north with newly pregnant Fawn rather than succumb to the restrictions the camp leader wants to oppose on him. A little way down the road, he’s joined by Arkady, staging his own protest against the leader’s decision.

Along the way they acquire various traveling companions—farmers and Lakewalkers both—until their party numbers more than two dozen. Dag fashions a trio of necklaces designed to help veil farmers’ grounds and protect them against malices. These are put to the test right at the end of the book when the party stumbles upon a particularly awful malice and Fawn (with help from Whit and Berry) proves again how resourceful and useful farmers can be if allowed to help. The implication is that the tale of this deed will spread far and wide and help foster a sense of cooperation between the two peoples.

Most of the book focuses on what Dag is learning and, true, it can be kind of interesting sometimes. Bujold has created an admirably consistent world for her characters to inhabit, so all of the detail about the healing techniques Dag is learning pretty much makes sense. It’s just that the narrative moves so slowly. I never do particularly well with a story whose whole plot is, “And then they walked a lot,” and that’s essentially what this book becomes in its second half.

Also, there’s too many characters at the end. Some of the new ones are interesting—I’m fond of Dag’s patroller niece, Sumac, and I can see why the half-Lakewalker siblings Calla and Indigo are important as a preview of what Dag and Fawn’s own children might be like—but many are nondescript. It’s easy to forget some of them are even there; I certainly did so more than once.

Ultimately, I did enjoy The Sharing Knife series and, though it’s easy to fault it for being too long and rambly, I don’t have any particular recommendations for how it could be made shorter.

Additional reviews of The Sharing Knife: Horizon can be found at Triple Take.

Off the Shelf: Six for Six!

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Welcome to another edition of Off the Shelf with MJ & Michelle! As always, I’m joined by Soliloquy in Blue‘s Michelle Smith.

It’s hard to believe we’re already on our sixth installment! This week, we’ve finally come down from our manhwa high, ready to look at some recent releases from Yen press, Viz Media, Dark Horse Manga, and Digital Manga Publishing.

MJ: So, we’ve been wallowing in manhwa for a couple of weeks, but now it’s time to return to our original 3+3 manga format. I’ve been doing some reading this week and I bet you have too! What have you pulled off the shelf recently?

MICHELLE: Well, I’ve recently read The Clique, originally a YA novel by Lisi Harrison that’s been adapted into a graphic novel by Yishan Li (who might be best known for Shoujo Art Studio and her work for Yaoi Press). It’s essentially the story of two 7th graders—Massie, the richest and most popular girl in school, …

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Portrait of M & N 1-2 by Tachibana Higuchi: B-

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Much as with Natsuki Takaya’s Tsubasa: Those with Wings, I had been looking forward to the English release of Portrait of M & N by Tachibana Higuchi only because I enjoy later work, Gakuen Alice. Aaaand, much as with Tsubasa: Those with Wings, I ended up somewhat disappointed.

Portrait of M & N is a love story starring a beautiful girl named Mitsuru Abe and a handsome boy named Natsuhiko Amakusa. Matters are complicated, however, because each character harbors an embarrassing secret: Mitsuru is a masochist (or M) and Natsuhiko is a narcissist (or N). Ostensibly, these conditions developed as a result of the way they were treated by their parents—the most attention Mitsuru received from her mother was when she was being punished, while sickly Natsuhiko was forbidden to go outside and play with other kids, and thus developed a fixation for his own reflection.

Both Mitsuru and Natsuhiko are hoping for a normal, peaceful high school life, and things seem to be off to a good start because their good looks have attracted positive notice from their classmates. That is, until Mitsuru’s masochistic tendencies are triggered in Natsuhiko’s presence. It’s almost as if she has a split personality: when she is hit in the face, she suddenly becomes aggressively submissive, offering anybody who happens to be nearby the chance to do whatever they want to her. Against his better judgment, Natsuhiko becomes friends with Mitsuru and attempts to protect her whenever she goes into M mode, and thus reveals his own secret to her, one that turns him into a tearful, blushing fool whenever he catches sight of himself in a mirror.

If you’re looking for an accurate, sensitive portrayal of masochism or narcissism, you’re not going to find it here. This is a comedy, after all, and Higuchi seemingly delights in inventing ridiculous situations for the characters to endure—like a mandatory game of dodgeball, for example. A third character, Hijiri, enters the mix in toward the end of the first volume and, realizing Mitsuru’s secret pretty quickly, uses it to extract her cooperation in protecting him from a particular dog (he has a secret phobia of his own) on his way to and from school. Mitsuru’s closeness with two of the hottest guys in school does not go over well with the other girls, who treat her very poorly. These are the most tiresome scenes in the series, by far.

Setting aside the ridiculous and the tiresome, however, there really are some things I genuinely like about Portrait of M and N. Most of the time, a shoujo romance is presented from the girl’s point of view. She falls in love with the boy and we’re privy to her emotions, but we rarely, if ever, get inside his head. That is not the case here and, in fact, I believe there has been more attention paid to Natsuhiko’s developing feelings than Mitsuru’s.

As one bit of text reads, “She swiftly fell in love in spring, he realized he was falling in love in summer.” For Mitsuru, it was easy to fall in love with Natsuhiko, who is kind and understands her, but for Natsuhiko, the realization that he is falling in love with someone else is doubly important because it means that he can. All of his life, relatives and classmates have been vocal in their doubts that such a thing would ever be possible, but he has proved them wrong, and his happiness is mixed with not a little relief.

While I find Hijiri generally annoying, he is useful in that his interactions with Mitsuru force Natsuhiko to confront how he feels about her, and they end volume two by sharing an awkwardly cute moment together. It’s for scenes like these that I’ll continue to read Portrait of M & N and hope that there’s less to irk me in volumes to come.

Portrait of M & N is published by TOKYOPOP. The series is complete in Japan with six volumes, and two have been released in English so far.

Review copies provided by the publisher.

Off the Shelf: Manhwalicious

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Welcome to another edition of Off the Shelf with MJ & Michelle! As always, I’m joined by Soliloquy in Blue‘s Michelle Smith.

After last week’s special MMF Edition where we discussed the first-ever Korean manhwa chosen for the Manga Moveable Feast, we thought it might be nice to take a look at some of the series that were not chosen in this week’s column.

MICHELLE: So, I think the both of us have been having a very manhwa-licious week here! Last week we talked about The Color Trilogy as part of the Manhwa Moveable Feast, and this week we’ve got three other series to discuss, all of which, I must say, I liked a lot more than our last topic of conversation!

MJ: So did I, Michelle. I voted pretty eagerly for a couple of these for last month’s Feast, so it’s a treat to have the chance to discuss them with you now! So, we’ve got three series to talk about. Where would you like to begin? …

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Off the Shelf: MMF Edition

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Welcome to the fourth installment of Off the Shelf with MJ & Michelle! Joining me as always is Soliloquy in Blue‘s Michelle Smith.

We’re going to shift our format a bit this week with a special look at Kim Dong Hwa’s Color trilogy (The Color of Earth, The Color of Water, and The Color of Heaven) published in English by First Second. Kim’s trilogy is the subject of this month’s Manhwa Moveable Feast, so I suspect it’s no surprise to hear that this is something both Michelle and I have been reading.

The Color trilogy traces the coming-of-age of Ehwa, a young girl in pre-industrialized rural Korea, from her first spark of sexual curiosity to her eventual marriage to her true love, Duksam. The story is also heavily focused on Ehwa’s relationship with her widowed mother, a tavern owner who discovers new love for herself in a traveling artist known only as “The Picture Man.” …

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The Laughing Cavalier by Baroness Orczy: B

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From the back cover:
The year is 1623, the place Haarlem in the Netherlands. Diogenes—the first Sir Percy Blakeney, the Scarlet Pimpernel’s ancestor—and his friends Pythagoras and Socrates defend justice and the royalist cause. The famous artist Frans Hals also makes an appearance in this historical adventure. Orczy maintains that Hals’ celebrated portrait of The Laughing Cavalier is actually a portrayal of the Scarlet Pimpernel’s ancestor.

Review:
What a perfectly abysmal blurb that is. Egads.

The Laughing Cavalier, one of two prequels to The Scarlet Pimpernel, tells the story of a penniless foreign adventurer who passed down his exceptional qualities—such as “careless insouciance”—to his descendant, Sir Percy Blakeney, the hero of the more famous work. This fellow, a half-English rogue enjoying the life of a vagabond in The Netherlands, goes by the name of Diogenes and has for companions/minions two fellows calling themselves Pythagorus and Socrates. When Gilda Beresteyn, sister of one man and former love of another who together conspire to kill the current ruler, overhears of these plans, Diogenes and his men are hired to spirit her away so that the assassination atttempt may proceed without her interference.

What follows is essentially a lot of what one would expect. Diogenes’ swaggering merriment (and, indeed, I ought to have counted the number of times his countenance, eyes, or laugh are described as “merry,” because the total would easily be in the triple digits) and saucy attitude make him the perfect adventure hero, capable of deftly handling many abrupt reversals in his fortunes. Gilda is the feisty and sensible noblewoman who is indignant at her plight at first but eventually comes to see that her captor is far more honorable than he originally seemed. The would-be traitor, Stoutenburg, is reduced to impotent fury by Diogenes’ constant smirking and eventually has his plans ruined and loses Gilda, whom he had planned to eventually woo back to his side.

As a story, the plot is not very deep or complicated. It takes fully one quarter of the book to simply arrange the details of the caper, making one antsy for Gilda to just get abducted already! Once she is, most of the rest of the book is comprised of simply moving her from place to place. The conclusion is fairly predictable, too. That the two leads end up together is neither a surprise nor a spoiler—this is a story leading to eventual parentage, after all—but it’s still fun to read their banter, even though Gilda’s sudden realization of her feelings comes rather out of the blue. I could very easily picture their relationship unfolding on screen—perhaps because it’s not exactly a new idea. (The Princess Bride comes to mind.)

I also really enjoyed the setting. I don’t think I’ve ever read a book taking place in The Netherlands before, so all the snowy landscapes, misty windmills, and icy rivers fit for nocturnal journeys on ice skates offered something new and different, even if the story itself did not. Also, there were tons of nifty Dutch honorifics and swear words! If you ever want to insult a Dutchman, apparently all you need do is call him a “plepshurk.”

In the end, I enjoyed The Laughing Cavalier and will read the follow-up volume, The First Sir Percy, at some point in the near future.

This review has been crossposted to the Triple Take blog, where K and I did a “double take.” You can find her review here.

Off the Shelf: Episode three

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Welcome to the third edition of Off the Shelf with MJand Michelle!

Joining me as always is Soliloquy in Blue‘s Michelle Smith. This week, we chat about titles from Yen Press, Viz Media, and Tokyopop.

MICHELLE: Well, what do you know? It’s Wednesday again. I feel quite confident that you have been reading things since last time! Do tell!

MJ: It’s true! First off, I finally picked up Ristorante Paradiso.

MICHELLE: Ooh! What did you think? Did you appreciate Claudio’s sexy kindness?

MJ: You bet I did. Also, I really appreciated this manga for its …

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