Michelle Smith

This week, MJ, David, Kate, Michelle, and Sean take a look at Yen Press, Viz Media, Kodansha Comics, East Press, and Digital Manga Publishing.

13th Boy, Vol. 9 | By SangEun Lee | Yen Press – I know they say “you can’t always get what you want” and all that, but what I’ve learned from SangEun Lee’s 13th Boy, is that sometimes you really can and it’s freaking fantastic. After eight terrific volumes, 13th Boy is giving me exactly what I’ve most wished for, and even if it’s a temporary situation (which I suspect it is), I can’t deny that I’m walking on air. Fortunately, this bit of wish-fulfillment is written with the same humor and charm as everything else in this series, so it isn’t only what we want, but also just what the narrative needs. Isn’t it nice when these things work out? 13th Boy may not be the flashiest series in Yen’s current lineup, but it’s certainly one of the best. Still recommended. – MJ

Cross Game, Vol. 5 | By Mitsuru Adachi | Viz Media – Adachi introduces a surprisingly contrived plot twist in this generally grounded series, and I’m not quite sure what I think of it. A new character moves into the neighborhood, and she causes a number of ripples in the regular cast, though she has no idea she’s doing it. Her impact is the result of something that’s entirely beyond her control, which is unlike what I’ve come to expect from the very character-driven Cross Game. Adachi’s enormous talent makes the ripples much more moving than they might be otherwise, and he seems to be building up the new character as an individual rather than as just a catalyst. Still, I don’t really know what to make of Adachi’s decision to introduce her in the first place. It seems like a narrative shortcut or a stunt, and, no matter how well executed it might be, I feel like the technique is almost a little bit beneath Adachi. – David Welsh

Dawn of the Arcana, Vol. 1 | By Rei Toma | Viz Media -The notion of a feisty young woman who must choose between two boys – one aloof, one fawning – is possibly one of the least fresh in the wide world of romantic fiction. That’s the main attraction of Dawn of the Arcana, at least as far as the first volume goes, so the reader is left to evaluate it based on execution. Toma has a lot of talent on her side. Her art is stylish, and her storytelling is sincere. But her ability to create characters that engage the reader quickly isn’t really in place. Nakaba, a psychic princess who’s forced into marriage, has some intriguing qualities that don’t have much to do with her effectiveness as the hinge of a love triangle. As a result, I ended up caring least about what Toma spent the largest amount of time examining. If she rounds out the story with more palace intrigue and dark destiny, the series could hold my attention better. – David Welsh

Fairy Tail, , Vol. 16 | By Hiro Mashima | Kodansha Comics – The end of one arc and the start of another here, but there’s much to like in this transitional volume of Fairy Tail. It’s rare that an author actually lets you know that they’ve added and changed material from the weekly magazine version, but Mashima is proud to point out that he was able to expand the celebration in Chapter 128, and rightly so – it really helps to show the sheer joy and happiness that the town is seeing, as well as the somewhat melancholy departure of Laxus. Another villain with basic good intentions, Laxus simply can’t stay in Fairy Tail after what he’s done, and the melodrama is appropriate here. There’s also a brief chapter featuring Lucy and her father, as she discovers he’s lost everything. The scene where he confronts her is incredibly discomfiting (which is what is intended.) Finally, we start on a new quest, and meet a bunch of new people from various other guilds. Betcha two to one it’s the cute loli girl who becomes the new cast member. As ever, if you want more One Piece-esque shonen and don’t mind that it’s not quite as good, Fairy Tail is a lot of fun.-Sean Gaffney

I’ll Give It My All… Tomorrow, Vol. 4 | By Shunju Aono | Viz Media – The fourth volume of I’ll Give It My All… Tomorrow introduces a new character, Aya Unami, a twenty-three-year-old editor who sees parallels between failed manga-ka Shizuo Oguro and her own father, a failed novelist. The relationship between Unami and Oguro supplies most of the dramatic juice in volume four, as Unami tries to discourage Oguro from submitting more work to EKKE. (“I think you need to know when to give up,” she tells him at the end of their first meeting.) Though Oguro never persuades her to publish “Live to 300,” his latest excruciatingly autobiographical manuscript, Oguro does have an epiphany about his tough-talking editor: she might be the only person with the vision and honesty to help him improve. Whether she’s willing to coach him, and whether he can accept her guidance… well, that’s another story. -Katherine Dacey

No Longer Human | Based on the novel by Osamu Dazai; Adapted by Variety Art Works | East Press – Given the commercial and critical success of Osamu Dazai’s final novel, it’s no surprise that so many manga publishers have commissioned adaptations. Vertical, Inc. has just released the first volume of Usamaru Furuya’s 2009 version, which transplants the story from pre-war Japan to the present day, while JManga has dug into the vault for an older, more straightforward version from East Press. The East Press version suffers by comparison with Furuya’s, as the artwork is clumsy and the pacing hurried; the adaptation team tries too hard to include every scene from Dazai’s book, resulting in a string of brief, two-to-three page episodes that never gel into a coherent story. Readers unfamiliar with Dazai’s novel may find this brief comic book treatment a useful place to start, but are encouraged to seek out Donald Keene’s English translation for a more thorough introduction to Dazai’s unflinching style. -Katherine Dacey

Nura: Rise of the Yokai Clan, Vol. 6 | By Hiroshi Shiibashi | Viz Media – If you had any doubts about why VIZ licensed Nura, volume six should dispel them: it’s easily the most exciting installment to date, boasting several lengthy action sequences and a bevy of fierce-looking demons worthy of Tsukioka Yoshitoshi. The downside to all this activity, however, is that only the most committed reader will be able to follow the battles; Hiroshi Shiibashi stages too many separate fights at once, lurching back and forth between storylines with little regard for continuity. The second half of the volume is positively sedate in comparison, as Rikuo joins his human friends in exorcising a ghost with yakuza ties. Though the story follows a well-traveled path, Shiibashi manages a few scares and laughs, thanks to imaginative character designs and a denouement worthy of Scooby Doo himself. Fitfully entertaining. -Katherine Dacey

Only Serious About You, Vol. 1 | By Asou Kai | Digital Manga Publishing – Naoki Oosawa is a single dad balancing caring for his daughter Chizu and his busy work schedule at a restaurant. When Chizu falls ill, Oosawa accepts the help offered by a flirtatious gay customer, Seiichi Yoshioka, and ends up learning that Yoshioka is not quite as cavalier about relationships as it seems. There is much to like about this two-volume series so far. For one, it takes its time depicting the trust and friendship developing between Oosawa and Yoshioka, complete with many cute scenes in which Yoshioka bonds with Chizu. (There is an adorable moment involving hair ties, for example.) For another, I appreciate the way in which Yoshioka’s behavior can be reinterpreted once one begins to really understand him. That’s some sure-handed characterization. Ultimately, this was quite a pleasant surprise and I look forward to the second volume. – Michelle Smith

We Were There, Vol. 13 | By Yuuki Obata | Viz Media – In a romance series as melancholy as We Were There, there’s a point where even the most beloved relationship can become intolerable if it’s creating too much pain, and Nanami and Yano’s has finally reached that point, at least for this reader. This is not actually a criticism. It’s a testament to the realism of this series that I’ve come to regard Nanami as a friend who needs a good talking-to, in hopes that she’ll finally let go of her high school sweetheart and learn to appreciate what’s actually in front of her, “true love” be damned. Obata has a real knack for capturing some of the heart’s least fortunate truths and presenting them with both honesty and compassion, and this volume is a perfect example of that skill in action. Both quiet and complicated, We Were There is still one of the best ongoing series’ in Viz’s Shojo Beat catalogue. Recommended. – MJ

This week, Sean, Kate, & Michelle take a look at recent releases from Viz Media, NETCOMICS, Vertical, and Seven Seas.

Dengeki Daisy, Vol. 7 | By Kyousuke Motomi | Viz Media – Well, we’d been waiting for a volume like this, and here it is. Mind you, it takes until the very end to finish pulling all its triggers. The start of the book is cute, funny, and has tinges of romance, just as this series has always done when it’s not trying to kill its heroine or dealing with backstory and intrigue. In particular, at first we think Akira is going to screw things up in a mild, typical shoujo way. His forced kiss, and Teru and Kurosaki’s response, are a real highlight. Then we get that 2nd half, where we discover the dangers of having your cell phone stolen. You could argue that Kurosaki is far too gullible, but honestly, he’s been telling himself for the last 6 volumes that he should suffer, so why are we surprised when he believes what he sees? And that cliffhanger? Oof. Volume 8 had better come soon and resolve this, or there will be a reckoning.– Sean Gaffney

Full House, Vol. 6 | By Sooyeon Won | NETCOMICS – Smooching! Rescues! Revelations! Haircuts! This volume has it all. We open with our leads hiding out from Ellie’s kidnapper in a swanky house conveniently located in the middle of nowhere. As they settle into their temporary digs—including the cutest let’s-see-whether-this-expired-food-is-any-good scene ever—they grow closer, with Ryder finally sharing with Ellie the details of his first love, Jasmine. But because he believes he is dying of cancer, he doesn’t follow up on their connection and once the truth is revealed to him, Ellie has already determined to move on with her life. It’s melorama at its finest, but I enjoyed it tremendously. I also appreciate how much Ellie has matured since the start of the series and watching easy-on-the-eyes Ryder moon about over her is great fun. I only wish these volumes were available in print because this is the kind of series that lends itself to weekend marathons. – Michelle Smith

Princess Knight, Part One | By Osamu Tezuka | Vertical, Inc. – Osamu Tezuka’s Princess Knight wasn’t the first shojo manga, but it was one of the most influential girls’ comics in postwar Japan. The story focuses on Sapphire, a princess who’s raised as a prince so that she may inherit her kingdom’s throne. When her parents’ duplicity comes to light, Sapphire goes on the lam, using her expert swordsmanship to defend her subjects from the wicked Duke Duralumin. Though the series’ gender politics are dated — Sapphire wants nothing more than to be able to wear a pretty dress — it’s easy to see why this story has enchanted several generations of Japanese readers: Sapphire has swashbuckling adventures *and* wins the hand of Prince Charming. Long unavailable in English, the new Vertical edition is a marked improvement over Kodansha’s bilingual one from 2002, thanks to Maya Rosewood’s fluid translation. A must for serious manga fans. -Katherine Dacey

RIN-NE, Vol. 7 | By Rumiko Takahashi | Viz Media – Like InuYasha before it, RIN-NE is like a manga sitcom, with a steadily growing cast of recurring characters who convene for different scenarios during which nothing ever changes about their interpersonal relationships. This volume features such stock settings as a summer festival and the beach, and none of the stories is really much of anything to get excited about. In fact, the final one, about a cursed crop of sweet potatoes (yes, really), is downright dumb. And yet, I can’t dislike this series. It just has this innate Takahashi charm that encourages acceptance of its weaker elements and compels me to keep checking in to see whether anything has actually really happened with the characters. I’m not sure whether I can recommend it to other people, but I’ll probably keep reading it. – Michelle Smith

Rin-Ne, Vol. 7 | By Rumiko Takahashi | Viz Media – This volume is a nice breather after the last, and has no real overall plot development. It does have a bit of character development, as Rinne’s feelings, which were always fairly clear to begin with, are becoming very obvious to anyone not named Sakura. Aside from that, it’s a typical Takahashi volume – lots of really goofy ideas (the while sweet potato story is a classic “how did she even come up with that?” idea from Takahashi, some abuse of its heroes (Rinne can’t catch a break, of course, but Tsubasa and Ageha also get their turn being the butt monkey), and the occasional sweet moment as a bone thrown to longtime readers (the festival chapter). If you’re waiting for something to actually develop, you should look elsewhere, but for those Viz readers who can’t imagine not having a Takahashi title they’re collecting, Rin-Ne will serve admirably.– Sean Gaffney

Toradora!, Vol. 3 | By Yuyuko Takemiya and Zekkyo | Seven Seas – After Soul Eater, this may be my second title where I find I’m reading it primarily for the art. To be more precise, I’m reading it for the Kushieda gags. Kushieda is a complete flake, and whenever she gets a scene where she acts especially flakey, the artist decides to draw it in a completely different style. This gives us what appears to be sordid game-show contestant Kushieda and bancho Kushieda, both of whom are worth the price of the manga alone. That said, the plot going on here (seeing Ami’s true self, and getting her to stpo being the devious manipulator) is handled well, and Taiga is still incredibly tsundere without making you want to smack her, i.e. the best kind. One art drawback, though – the introduction of the student council president, who also appears to be Kitamura’s crush, is undercut by her resemblance to Ami – I got the two mixed up almost immediately. Still, can’t have everything, and Toradora! continues to be a fun romantic comedy. And love those poses.– Sean Gaffney

This week, Michelle, David, Kate, & Sean take a look at new releases from Viz Media, Seven Seas, Digital Manga Publishing, and the Digital Manga Guild.

Arata: The Legend, Vol. 8 | By Yuu Watase | Viz Media – Although the back cover blurb mentions nothing aside from the fact that Arata Hinohara and friends engage in a bit of crossdressing, that’s far from being the most significant development in this installment. One of Hinohara’s companions, a boy named Kanate, has been looking for the gang of thieves that wronged him, but when he finally finds them he’s so desperate for strength enough to exact revenge that he makes a choice that will pit him against Hinohara in the future. I did not see this coming at all, but look forward to the eventual drama this will create—and really, many of Watase’s plot developments are like this. On one hand, they feel a little out-of-the-blue, but if you think about it, the groundwork has been laid and the things characters know and do make perfect sense. This is a really solid shounen fantasy and I look forward to more. – Michelle Smith

A Certain Scientific Railgun, Vol. 2 | By Kazuma Kamachi and Motoi Fuyukawa | Seven Seas – This series works much better when it’s being as grim and dramatic as possible. The best moment in the volume for me was probably the phone conversation between Uiharu and Saiten, showing not only a depth of emotion but also giving some very personal reasons for why ‘normal’ people are getting into all this Level Upper in the first place. I also quite liked the eventual explanation for Level Upper, which is quite clever and works well with the context of the series. Unfortunately, there’s also a bit of humor too, which almost always falls flat. Shirai is a good action heroine but a horrible pseudo-lesbian, and Kiyama’s constant stripping was simply tedious. Lastly, I do admit every time we see Toma and he talks about mysterious things that never come up again, I get curious to see if this is stuff I’d know about if A Certain Magical Index was licensed. That can be frustrating. Still, keep getting grittier, Railgun: you’re better off for it.– Sean Gaffney

A Certain Scientific Railgun, Vol. 2 | By Kazuma Kamachi and Motoi Fuyukawa | Seven Seas – I was inclined to write this series off after the first volume, but the second is a significant improvement. The issues posed by the fact that this is some kind of tertiary spin-off of a light-novel franchise that’s never been published in English are largely cast aside here in favor of a proper story. In a school community where psychic powers are commonplace (though not universal), someone has come up with a way for normal people to manifest abilities of their own. Unfortunately, it leaves a lot of them in a coma. The higher-ups aren’t taking the situation seriously, so our cast of super-girl hall monitors decides to investigate. What follows is a proper mystery with some nicely observed adolescent drama and solid action featuring resourceful young women who are strong and smart. The art is still just competent, but the plotting and character development are an order of magnitude better. – David Welsh

Kimi ni Todoke, Vol. 11 | By Karuho Shiina | Viz Media – Sawako and Kazehaya are finally together, and this volume mostly deals with the fallout from that. Kurumi’s defending Sawako, and Sawako’s own refusal to apologize (Kurumi noted she would have hit her if she had) is well played, and I think finally moves Kurumi out of the ‘villain’ area, though of course I may reckon without the long memory of some fans. Meanwhile, Yano is having her own self-image issues, which she keeps from her friends, and wonders if being a ‘pure’ kind person is better than one who is kind in a calculating way because it suits them. Pin points out, in the best part of the volume, that both sorts are kind, in the end. (Also, love that Yano/Kurumi ship tease there. “If I were a man” indeed…) Lastly, we see the start of the manga from Kazehaya’s perspective, and see he and Sawako going on their first date. This is the adorable half of the manga, and while I didn’t find it as gripping, it’s still very cute. Great stuff.– Sean Gaffney

Mr. Tiger and Mr. Wolf, Vol. 1 | By Ahiru Haruno | Digital Manga Publishing – I ordered this pursuant to a careful democratic process, knowing in advance that yaoi featuring characters with animal ears would have to do a very great deal to endear itself to me. It didn’t, but I certainly didn’t hate it, either. The series is basically one good-natured joke repeated over and over with reasonable portions of smut in the mix. An adult wolf adopts what he thinks is a tabby cat, but the tabby cat turns out to be a tiger… and a top! They deal with the disapproval of their respective species and Mr. Wolf’s insecurities about, of all things, his comparatively shorter lifespan. I don’t know how keen I am on inter-species conflict as coming-out metaphor in general, but Haruno uses a fairly light touch, so it ends up being sort of cute. The big problem here is repetition; Haruno seems to find her core premise funnier than I do and doesn’t exert a lot of extra effort. – David Welsh

Real, Vol. 10 | By Takehiko Inoue | Viz Media -The latest installment of Real skillfully juxtaposes two plotlines. In the first, Tomiya decides to pursue a career in basketball, while in the second, Takahashi makes a firm commitment to his physical rehabilitation after watching the Tigers and the Dreams play a scrimmage. Takehiko Inoue demonstrates an uncommon ability to make the characters’ everyday struggles as dramatic and compelling as the game play; watching Takahashi struggle up a long wheelchair ramp proves as nerve-racking as Tomiya’s bold drives to the basket. Better still, Real avoids easy uplift; Inoue resists the temptation to make his characters likable, allowing us to see them as unique individuals, rather than cardboard saints. Crisp artwork and smart dialogue complete the package. -Katherine Dacey

Tired of Waiting for Love | By Saki Aida & Yugi Yamada | Digital Manga Guild/eManga – When Kyousuke Sawaragi meets Shuuya Kasuga in prison he vows to have nothing to do with the younger man, who protects himself by doling out sexual favors. When an injured Shuuya turns up at Sawaragi’s place after his release, however, Sawaragi must examine the reason for his distance and, ultimately, help Shuuya see that there are people in the world whom he can truly trust. I must have a thing for yakuza BL or, more specifically, BL featuring yakuza characters determined to leave their past behind, because I liked this quite a lot. I was especially fond of the metaphor likening Shuuya to the stray cat he finds on the street, and how Sawaragi must choose between showing him a moment’s kindness or a lifetime’s. Plus, Yugi Yamada’s art is gorgeous and the cat is darned cute. Highly recommended. – Michelle Smith

This week, Kate, David, Sean, & Michelle look at recent releases from Yen Press, Kodansha Comics, and Viz Media.

Black Bird, Vol. 11 | By Kanoko Sakurakoji | VIZ Media – Reading the newest installment of Black Bird, I can see why the series has been a perennial bestseller: the cast is comprised of achingly beautiful young men in yukatas, all of whom are captivated by the heroine. The story, too, has crack potential, as it involves demon clan warfare, fragile political alliances, age-old prophecies, and sex. What’s missing is a compelling heroine. Eleven volumes into Black Bird, Misao remains as helpless as she did in the very first chapters, enduring Kyo’s grouchy, possessive behavior, an enemy’s memory-erasing spells, and other demons’ violent attempts to drink her blood. Adding insult to injury is the author’s insistence that Kyo is really a good, soulful person underneath his brusque exterior, a side of his personality that only Misao can see. As someone who’s old enough to have dated a few jerks, I find that kind of relationship as tedious on paper as it is in real life, even if the lead character is a handsome male tengu. – Katherine Dacey

A Bride’s Story, Vol. 2 | By Kaoru Mori | Yen Press – I had argued that I found the first volume of A Bride’s Story very well-done, but a bit cold, like looking at a piece of art in a museum. I’m pleased to say that Volume 2 draws me in a lot more. Amir still tends to be a cipher at times, but the author compensates for that by pairing her with more emotional characters – the hotheaded and perpetually frustrated Pariya, or her youthful husband Karluk, with whom she gets probably the best two scenes in the book. But there’s more action here as well, as Amir’s family come to take her back so they can forge a better relationship with less savory neighbors. Seeing the townspeople riding up to protect her is awesome – indeed, Amir has trouble taking it all in. Even Dr. Smith, who seemed to be the comedy Westerner in Volume 1, gets some excellent depth here, and I do wonder if we’ll be seeing more of him in future volumes. Indeed, the author’s notes hint we might see the focus change to other brides? I hope not – Amir’s story still needs closure.– Sean Gaffney

Fairy Tail, Vol. 15 | By Hiro Mashima | Kodansha Comics – As with many shonen mangas of its type, this volume of Fairy Tail is taken up with a lot of battles, as the Laxus fights come to their natural conclusion. This gives Erza another chance to be awesome, of course, and shows that Fairy Tail’s camaraderie and willingness to work together will always trump a quest for sheer power like Laxus has gone through. But I expect, despite the fact that the fights are of decent quality and the characterization decent, everyone will be discussing the Ass Pull of a character return we get with Mystogan’s real identity. If it were deconstructed, such as with Cross Game, it might be decent, but we get the reveal and then the character simply walks away – the whole scene reads like a ratings grabber for sweeps time, and sucks the soul out of much of the book. Oh well, the rest of it is fairly solid. I hope the arc wraps up in the next volume, though. – Sean Gaffney

Grand Guignol Orchestra, Vol. 5 | By Kaori Yuki | VIZ Media – The fifth and final volume of Grand Guignol Orchestra is a gorgeous mess. Though Kaori Yuki’s artwork remains as attractive as ever, she still hasn’t mastered the art of bringing her stories to a satisfying conclusion. The series’ penultimate scene is a long, confusing sequence of double-crosses, overwrought speeches, and bolt-from-the-blue revelations that make little sense even within the parameters of the Grand Guignol universe. A more sedate epilogue ties up the loose ends, hinting of what Yuki is capable of doing when she dials down the histrionics. The volume is rounded out with a lengthy story, “Camelot Garden,” which quotes liberally from Tennyson’s “The Lady of Shallot,” to diminishing returns. – Katherine Dacey

Natsume’s Book of Friends, Vol. 10 | By Yuki Midorikawa | VIZ Media – The latest volume of Natsume’s Book of Friends features two longer stories. In the first, “False Friend,” a bully from Natsume’s past returns when he suspects that he’s had an encounter with the supernatural, while in the second, “The Harvest Festival,” Natsume must rescue a guardian spirit who’s been sealed inside a rock. Both stories are well-executed, with crack pacing, memorable demons, and just enough ambiguity to keep the reading guessing at the outcome, even though Natsume’s fundamental decency is never in doubt. As an added bonus, Yuki Midorikawa’s artwork is improving steadily with each volume, yielding some simple but astonishing images. Recommended. – Katherine Dacey

Pandora Hearts, Vol. 7 | By Jun Mochizuki | Yen Press – After a seemingly random detour to Lutwidge Academy (the school attended by Oz’s sister) provides information about “the tragedy of Sablier,” Pandora Hearts resumes its original mission, with Oz determined to learn the truth about why he was sent to the Abyss and his companion, Alice, renewing her search for her missing memories, even though they may be too traumatic to bear. Sometimes this series is hard to follow—this volume certainly contains a few abrupt segues—but it continues to deliver on character arcs. Sure, Oz’s desire to grow stronger pretty generic, but I quite like the plight of his childhood friend, Gilbert, who faces a future where his aid is less useful to Oz, and newish character Elliot has some intriguing potential as well. Add in a bit of background for enigmatic and eccentric Break, and this is quite a satisfying volume! – Michelle Smith

Soul Eater, Vol. 7 | By Atsushi Ohkubo | Yen Press – This volume is less exciting than the previous ones, mostly as the last arc has ended and the author is taking his time setting up the new one. This is not to say there is nothing of interest, though. Soul Eater continues to appeal to me for its artistic design, which manages to combine funny and creepy better than anyone else – even Franken Fran should take lessons from Ohkubo. After Medusa, Arachnae seems underwhelming so far, but she’s only just established herself. Not to mention that Medusa – or at least hallucinations of her – isn’t far away, and I wonder what Stein will do. The biggest surprise of the series to date, though, is seeing Crona join the side of the good guys – despite remaining a twitching mess, and still having that double personality of a weapon inside him/her. It’s a testament to Maka’s friendship building skills that Crona’s trying at all. And it wouldn’t be Soul Eater without at least one drop-dead funny scene – Marie’s introduction, and her decision to marry a toilet, immediately tells us that she is a Christmas Cake of the finest kind, and I hope she gets more to do later. Great fun, even if this volume is ‘shifting gears’ more than ‘constant thrills’. – Sean Gaffney

The Story of Saiunkoku, Vol. 5 | By Kairi Yura and Sai Yukino | VIZ Media – Much as I love this series, this volume is kind of a mess in terms of storytelling. It starts with a pleasant-enough but forgettable sequence with its heroine, Shurei, suffering from a cold and her devoted circle of men trying to make her feel better while dealing with their own rivalries. It’s cute, but it feels like a side story in a series where volumes usually launch strongly. The main story introduces a heap of plot elements too quickly, from the impending civil service exam to the nation’s criminal underworld to an admittedly awesome courtesan of Shurei’s acquaintance. The characters still shine through all of the clutter, but I missed the focused clarity of previous story arcs. It felt less like a complete reading experience than previous volumes. On the bright side, Yura does maintain the admirable level of prettiness she’s always brought to her illustrations. – David Welsh

Yotsuba&!, Vol. 10 | By Kiyohiko Azuma | Yen Press – The tag line of this series, “Enjoy everything,” pretty much says it all. Readers get the opportunity to follow an energetic, quirky kid through the average moments of her life. She hangs out with friends, family, and neighbors. She invents games, makes pancakes, goes shopping, and occasionally misbehaves. Azuma’s grasp of kid logic elevates the material from being simply identifiable to hitting some wonderful comic highs. When she gets a picture book with animal stickers in it, her delight manifests itself very specifically: “Ohhh… this is a lifesaver.” That’s funny, because it isn’t something you’d expect a kid to say, but it’s extra funny, because you can absolutely see a kid saying it. That’s Azuma’s specialty: a grounded approach that finds the little bits of weirdness in everyday life, going easy on the outright sentiment while still investing everything with a heartfelt quality. It’s kind of magical. – David Welsh

Yotsuba&!, Vol. 10 | By Kiyohiko Azuma | Yen Press – It’s hard to know how to review a volume of Yotsuba&!. I mean, it’s just sweet, y’know? There’s just lots of moments in this volume that are simply worth reading. Jumbo’s reaction to seeing photos of Asagi and Koiwai at the balloon fair; Asagi’s casual cruelty towards Fuuka when she lends Yotsuba the medicine ball; Fuuka showing that she may actually be the most eccentric one in the cast, rather than Yotsuba; Yotsuba’s frustration over not making perfect pancakes, and Miura’s frustration later on knowing that she may have to play Danbo FOREVER. The best chapter, though, is the one where Yotsuba panicked after breaking some dishes, lies about how it happened. What follows is pure beauty, with Yotsuba digging herself deeper and deeper and her father managing to brilliantly resolve things without yelling at her – in fact, his passive terrifying may be the best deterrent there is. Heck, even Yanda is tolerable here (though he’s still a jerk). Great series.– Sean Gaffney

Yotsuba&!, Vol. 10 | By Kiyohiko Azuma | Yen Press – It’s been nearly a year since I last read a volume of Yotsuba&!, and that was definitely way too long. I dove into this volume with relish and happily found that the first chapter, “Yotsuba & Playtime,” is quintessential Yotsuba&!, showing the title character at her most imaginative and her father at his most patient, even when her behavior borders on obnoxious. And, indeed, the fact that Yotsuba is capable of sulking and lying actually makes her adventures all the more wonderful because, in addition to ringing true, these moments give her father a chance to shine as he makes sure she learns the right lessons. He’s an intriguing guy and a terrific dad and I hope that whenever this series comes to an end we’ll get a glimpse of the kind of grown-up Yotsuba turned out to be thanks to his loving guidance. – Michelle Smith

With several important limbs of the battle robot immobilized by snow, David and Michelle bravely forge on with a look at recent releases with a Halloween or costume party sort of vibe!

Animal Land, Vol. 1 | By Makoto Raiku | Kodansha Comics – The most striking thing about Animal Land is that it actually manages to convey the physical sensation of shrillness without actually creating any sounds. I swear my ears were ringing by the time I was done with this comic, and if it had been an animated cartoon, I would have clicked away from its high-pitched shrieking within seconds. It’s too bad, because Raiku has created a clever plot featuring a human baby winding up in a functioning society of tanuki. The baby, who can understand and communicate with all species, shakes up the inter-animal dynamic by helping them understand what everyone else is saying. That’s a really interesting starting point, but the hyperactive characters always seem to have their volume set at shônen 10, which is about 4 levels higher than I can tolerate. Some of Raiku’s anthropomorphic character designs for the tanuki end up being unintentionally creepy rather than cute, too. – David Welsh

Blue Exorcist, Vol. 4 | By Kazue Kato | Viz – There’s a pretty big reveal in this volume and, as is sometimes the case in stories by relatively inexperienced creators from weeklies, it seems a bit rushed. Kato does a great job in a lot of departments. Her art is attractive and stylized, but it keeps the action clear. The character types are certainly familiar, but they’re likeable and distinct in spite of the recognizable functions they fulfill. (I find myself surprisingly fond of hard-ass mentor Shura in spite of her fan-service-friendly wardrobe.) And Kato thinks about the small things in terms of the ways her characters interact and react to events, which is always welcome. As far as the long-term storytelling goes, though, Blue Exorcist seems a little lumpy. While Kato gets good follow-up mileage out of big events, the overall structure doesn’t seem as tight as it could or should be. There’s tons to like here, but it lacks the seamlessness of something like Fullmetal Alchemist. – David Welsh

Gate 7, Vol. 1 | By CLAMP | Dark Horse – Gate 7 is so extraordinarily pretty. From the handsomely detailed settings to the finely carved faces and gorgeous costumes, it’s a feast for the eyes. The glamour of it all almost – almost – excuses the fact that it has very little else working in its favor at this point. The plot reads like a CLAMP Mad Lib. A dorky but good-natured guy falls in with a pack of weird but incredibly attractive people with magical powers and lots of secrets, and he learns that he has some semblance of supernatural ability. In spite of the reams of exposition CLAMP has provided, I still feel like I know very little about most of the cast or what their function is in the grand scheme of things. But I really, really like looking at them, and I think I will be content to do so for at least a few more volumes. – David Welsh

Raiders, Vol. 7 | By JinJun Park | Yen Press – Raiders is such an odd series. It’s somewhat incoherent—the super-swift cuts between scenes don’t help one make sense of what is going on—but there’s enough intriguing about it that I keep reading. And now that I’ve read seven of the nine volumes, might as well keep going to the end! This volume features a pair of guys breaking into Area 51 in order to obtain data on the military’s research into weaponizing the undead. I’ve no idea how they learned about this, or who one of these guys even is, but with Raiders I’ve learned to set aside such concerns and just focus on the action, which is usually pretty cool. Also, the fanservice is not gratuitous—okay, yes, there’s one inexplicably nude moment for Lamia (the sexy zombie!) and copious bra flashes in a fight between two blade-wielding women, but these moments never subtract from the characters’ overall badassery, which I appreciate. – Michelle Smith

Vampire Knight, Vol. 13 | By Matsuri Hino | VIZ Media –So much of Vampire Knight is comprised of angst-ridden scenes and moody grey screentones that important revelations kind of sneak up on the reader. You’re reading along, lulled by the pretty art as you watch Zero mope about his plight as a vampire again (“Inside me… is there anything human left?”) and Kaname wrestle with conflicting impulses concerning Yuki, and then suddenly Kaname’s revealing the truth about his origins to Yuki, which explains how he could be both the progenitor of the Kuran clan and her sibling and also tangentially covers the formation of the vampire hunter society. I wouldn’t say it’s riveting stuff—it’s all a bit too languid to qualify—but it ought to have some interesting consequences. One thing I will say for Vampire Knight—it’s compulsively readable, and even though I’m not a fervent fan, I see myself sticking around for the long haul to see how things turn out. – Michelle Smith