Discussion, Resources, Roundtables, & Reviews
SEAN: So yeah, remember me bragging I got Yen releases a week early? Not this month.
What does that mean?
It means Vagabond 34, that’s what it means. And that’s it. Luckily, Vagabond is pretty damn awesome. So for Vagabond fans, new volume!
ANNA: Vagabond is pretty great.
SEAN: For everyone else, catching up on the stacks of manga to read next to you, like me?
MICHELLE: And how! Seriously, there are literally stacks.
MJ: What she said!
This week, Sean, MJ, Michelle, and Anna look at recent releases from Seven Seas, VIZ Media, Yen Press, and Vertical, Inc.
Alice in the Country of Clover: Cheshire Cat Waltz, Vol. 4 | By QuinRose and Mamenosuke Fujimaru | Seven Seas – One thing I recall about Bloody Twins is that Alice and the Twins got physical almost immediately, and it felt rushed. With Boris, we’ve waited 4 volumes for him to finally get together with Alice, and the waiting has made it much sweeter. There’s likely trouble on the horizon, though. The spectre of Alice’s sister which haunts every single one of these books is still around, and it’s noted that Alice is the sort who’s likely to destroy herself with guilt – is her love with Boris helping, just a distraction, or actively making things worse? Things are not helped by an ongoing mob war between the Hatter and another family, and Peter White’s attempts at doing his best for Alice while still being jealous and clinging. This series is really hitting its stride.– Sean Gaffney
Demon Love Spell, Vol. 2 | By Mayu Shinjo | VIZ Media – OK, Mayu Shinjo, you win. I’ll just put Ai Ore! down to being a clunker in and of itself and settle in with Demon Love Spell, which is far more to my taste. I like that she’s thinking carefully about what it would really be like for an incubus to be living with Miko… and how doing so is actually changing Kagura, making him more receptive to her less lustful feelings. And it certainly helps that life seems to be conspiring against him getting anywhere with her except in dreams. There’s also some touching storytelling here, with the fox subplot resolved in a very bittersweet yet satisfying way (her author’s notes on this are hilarious, by the way.) The balance between seduction and consent, always difficult to keep in many other shoujo manga (hi, Hot Gimmick!) is just right here, and it makes for a sexy, fun read.– Sean Gaffney
Demon Love Spell, Vol. 2 | By Mayu Shinjo | VIZ Media – I’m not as charmed as MJ by the second volume of Demon Love Spell, but I will grant that it’s probably the best volume of any Mayu Shinjo manga that I have read. It begins with the story of a seriously adorable fox (who is significantly less adorable in his human form) who confuses Miko with the girl he loves. The conclusion to this is genuinely touching, and along the way Kagura realizes that Miko’s feelings of love for him are superior sustenance to mere physical intimacy. Not that he’s given up on getting into her pants, of course, though she’s able to deflect and distract him easily enough in subsequent chapters that it doesn’t feel like there’s a serious power imbalance in their relationship. This will probably never be my favorite series, but it doesn’t piss me off, which is more than I can say for Ai Ore!. – Michelle Smith
Oresama Teacher, Vol. 13 | By Izumi Tsubaki | VIZ Media – For all that they’re enemies, Saeki and Miyabi’s groups both have a basic goal, whether it’s intended or not. Saeki takes the delinquent loner types and brings them closer together, and Miyabi takes the eccentric weirdos and gives them a purpose. This means that it’s quite hard to root against the Student Council, something lampshaded in the series itself. (“Wait, are we the enemy?”) This volume we meet Kanon, who has a chip on her shoulder against men but who warms up to Natsuo fairly quickly. That none of this is the least bit surprising isn’t an issue – no one reads Oresama Teacher for the plot. But if it’s lots of laughs and occasional heartwarming scenes, this is for you. Not to mention the final cliffhanger, which features a fantastic dynamic entry by… well, that would spoil it.– Sean Gaffney
Paradise Kiss, Vol. 3 | By Ai Yazaka | Vertical, Inc. – Volume three wraps up Vertical’s edition of Paradise Kiss, and oh what a wrap-up it is! I’d forgotten just how wonderfully complex this story becomes before its close and how brilliant Yazawa’s artwork is throughout. Her panel designs and page layouts are extraordinarily expressive—she’s able to put more raw emotion in just a pair of eyes than many artists can manage over the course of an entire work. Though this story revolves around high school students, its realistic focus on adult concerns like recognizing personal limitations and making hard career choices (and its refusal to romanticize its primary romantic pairing) reminds us why Paradise Kiss is a josei manga. Vertical’s new edition makes the most of all of this by both declining to gloss over the characters’ less mainstream idiosyncrasies and showing off Yazawa’s artwork to its best advantage. It’s a must-buy for any fan. – MJ
Slam Dunk, Vol. 27 | By Takehiko Inoue | VIZ Media – The game against Sannoh enters the second half and our heroes start to fall apart. In particular the normally solid center and captain Akagi has trouble managing the opposition. Sannoh goes on an unanswered scoring streak, making the gap almost impossible to close. The only people who still seem to have faith are Coach Anzai and Sakuragi, who is either going to become an offensive rebound machine or do something incredibly stupid. Perhaps both! This is another stellar volume of Slam Dunk. I would be happy if this basketball game lasted forever, but instead I will wait impatiently for the next volume to see if Sakuragi gets to play out his basketball hero fantasies. – Anna N
Strobe Edge, Vol. 3 | By Io Sakisaka | VIZ Media – Given that I originally began this series thinking, “I’m so bored,” it’s important to note that it has become one that I now rush to consume the moment it arrives at my doorstep. Everyone’s relationships take on new complications in this volume as Ninako and Ren stumble over a few mutual misunderstandings, Ando finally confesses his growing feelings for Ninako, and Ren and Mayuka (unsuccessfully) try to pretend that nothing at all is going wrong. What’s especially refreshing about the way this series is handling its romantic complications is that everyone is genuinely likable (even playboy Ando is turning into a stand-up guy), everyone’s feelings are equally relatable, and there’s no sign of a typical, overblown shoujo villain in sight. While this certainly complicates things for readers, it’s immensely satisfying. I’m on the edge of my seat and ready for heartbreak, one way or another. Definitely recommended. – MJ
Umineko: When They Cry Episode 1: Legend of the Golden Witch, Vol. 2 | By Ryukishi07 and Kei Natsumi | Yen Press – The only thing longer than the title of this volume is the book itself, which is truly enormous. Unfortunately, the vast majority of it is tedious. Battler utters his “flip over the chessboard” catchphrase approximately 31 times as he goes back and forth on whether the ritualistic murders happening on an isolated family island are the work of a human or supernatural culprit. The moment when he realizes his theories are all useless is played as a tremendous shock, but it was obvious to readers from the start. Ultimately, despite the body count and the relentlessly creepy/irritating little girl serving as the witch’s mouthpiece, Umineko is boring. It’s impossible to care about these characters or feel anything when they’re killed off, and even though there is more to this story after this volume, I think I am well and truly done now. – Michelle Smith
Vampire Knight, Vol. 16 | By Matsuri Hino | VIZ Media – Maybe I’m remembering it a little easier, or it just wasn’t as convoluted, but I found it easier to get back into the swing of Vampire Knight this time around. Things seem to be drawing closer to a crisis point – Kaname and the Headmaster’s battle is fraught with tension, and Sara continues to make a very Carmilla-esque villain. But really, this series is at its best when it’s examining the relationships between Yuki, Zero and Kaname, and we get a lot of that here. They’re both pushing Yuki away as far as they can, and to her credit she’s not really having it from either of them (though with Zero she acquiesces a bit more). This leads up to the cliffhanger, showing the three of them together once more. It’s still high shoujo soap opera, and I’m not sure who’s going to survive to a happy ending, but I’ll be sticking around.– Sean Gaffney
SEAN: Far be it from me to break with what I suspect is going to be unanimous. The clear pick this week is the first omnibus re-release of CLAMP’s Tokyo Babylon. I joked about it being the story of Hokuto and those two other guys, but it is certainly true that Hokuto is my favorite thing about it, and I’ll likely be digging into this volume especially for her. That said, the tragic story of Subaru and Seishirou is no slouch, and if I want to pretend things end happily I can just stop with this first volume anyway. This is one of the books that made CLAMP famous, and justifiably so.
MJ: I’m sure that by now it’s obvious I concur. Though there are at least two series I love just as much on this week’s list (Fullmetal Alchemist and Paradise Kiss) Dark Horse’s re-release of Tokyo Babylon is one of my most euphorically anticipated of the year, and there’s no way I can turn down the opportunity to try to bring more readers into the fold. I love everything about this series—its overblown comedy, its sometimes-clunky drama, and its eighties fashion sense—but mostly I love it for its slow-developing characterization and, well, its cruelty. CLAMP goes at this story with full force, and isn’t satisfied until they’ve beaten you into an hysterical, bloody heap. If you think I’m exaggerating, you haven’t read Tokyo Babylon. So go to it!
MICHELLE: I’m not gonna be the one to buck the trend! The best thing about the series being in print again is that readers who missed out the first time will be able to discover it. I hope we see some reviews from first-time readers in the near future!
ANNA: I think all of this peer pressure means I have to give this series a second chance.
Readers, what looks good to you this week?
SEAN: I have to admit I am impressed with the anonymous teams behind these series that are all coming out at a rapid rate, even if I don’t know who they are because they aren’t credited. The translation quality, while still not perfect, has risen considerably since the start back in August 2011, and the series are cranking out so that, presumably, we can focus on fresh new series in the future.
All of which is a nice way of saying I still don’t have much to say. The big manga for me this week and next is Joshi Kousei (aka High School Girls), which wraps up with the release of Vols. 8 & 9, and finally resolves the unanswered question about the Takarazuka pair. No, not whether they’re actually lesbians, that’s still unanswered. (Though obvious.)
MJ: I admit I don’t have much to say, either, which isn’t to say that I’m necessarily disappointed with what’s happening at JManga. Sure, I miss some of the weeks when they introduced scads of new series, and it’s been a while since some of my personal favorites have been updated. But I appreciate the fact that they’re carrying on, updating what they can, when they can.
MICHELLE: My sentiments exactly. I’m sure at some point, there’ll be something for us to squee over again.
SEAN: There’s also Vol. 5 of Biscuit Hammer, which puts us at the halfway point, and Vol. 6 of Crime and Punishment: A Falsified Romance, which is also 10 volumes, but otherwise quite different from Hoshi no Samidare.
And Vol. 12 of Tactics, which has blown past the old Tokyopop releases (which ended with 8, I believe) and is blazing its own trail. The series is still ongoing from Mag Garden, I believe, and I still can’t remember what it’s about aside from “fantasy”.
MJ: Though I lost interest in Tactics midway through the Tokyopop run, I’ll admit that seeing so many available volumes pop up has re-awakened my curiosity. Should I give the series another shot? I’m thinking I just might.
SEAN: Speaking of fantasy (indeed, they’re by the same author), there is also Vol. 5 of The Mythical Detective LOKI. Please note that this version is not played by Tom Hiddleston, despite what Tumblr may tell you.
Lastly, Tsumanuda Fight Town still has maids who fight. I should really actually read this rather than mocking it, as it does run in Young King OURS, home of many of my beloved titles.
Anything catch your eye here?
Welcome to the March installment of BL Bookrack! This month, Michelle takes a look at Where a Person Is Most Vulnerable at JManga, while MJchecks out the latest volumes of Awkward Silence and His Favorite from SuBLime. In Brief: Punch Up!, Vol. 3 (SuBLime).
Awkward Silence, Vols. 2-3 | By Hinako Takanaga | Published by SuBLime | Rated Mature – As a somewhat finicky BL fan, I have a complicated relationship with Hinako Takanaga. Though I have several favorites among her works (You Will Fall in Love springs immediately to mind), I often find her romances too rushed to be satisfying (Little Butterfly). Furthermore, even some of my favorites of her work (The Tyrant Falls in Love) include elements I dislike so thoroughly that they send me hurtling from hatred to love and back again. Though Awkward Silence is far too mild-mannered a title to incite anything like hatred, its first volume fell easily into the “too rushed” section of Takanaga’s catalogue, thus robbing itself of the emotional resonance required to elicit anything close to love.
Volume two opens with blank-faced Satoru (who carefully reminds us every chapter that his face is incapable of expressing emotion) sulking over his boyfriend Keigo’s upcoming sleep-away baseball camp. Having been unable to properly express his feelings to Keigo before he departed, Satoru is tormented over the fact that Keigo may have left believing that Satoru was angry with him for going in the first place. Naturally, the only option is for Satoru to sneak into the camp in the middle of the night in order to explain himself. He does, and the two have sex.
Okay, a little bit more than that happens. Satoru’s antics lead Keigo’s baseball team to believe that the west wing of the school is haunted and minimal wackiness ensues, but the series’ chapters are so carefully formulaic, it’s obvious that the point of it all is to create an opportunity for the obligatory sex scene. And this is really the crux of the issue. While I certainly have no objection to sex scenes in a BL manga—and such scenes can contribute significantly to both plot and characterization—as is all too common in contemporary romance, Takanaga’s scenes are largely just… in the way. With so few pages available per chapter in which to develop her characters’ relationship, every panel is precious, and panels spent on perfunctory sex scenes are, frankly, nothing more than a waste.
Volume three plays a bit stronger, as it shifts its focus from Satoru and Keigo to a couple of amusingly mismatched upperclassmen (whose relationship vibe is not unlike Morinaga and Souichi’s in Tyrant), and Satoru’s charming (also blank-faced) mom is an unexpected highlight. But this relationship, too, suffers from a whirlwind approach that doesn’t feel quite earned. Takanaga’s expressive artwork particularly shines in this volume, making its shortage of emotional substance even sadder, in my view. Not recommended.
– Review by MJ
His Favorite, Vols. 2-3 | By Suzuki Tanaka | Published by SuBLime | Rated Mature – If I’m a sucker for any particular romance trope, it’s “friends-turned-lovers”—a predilection largely responsible for my obsession with writers like Keiko Kinoshita and Yeri Na, among others. In volume one of His Favorite, author Suzuki Tanaka proved that she’s got my number as well, with her story of childhood friends, Sato and Yoshida, whose developing “hot guy”/”spazzy guy” pairing is the best thing since Doumeki and Watanuki (with fewer ghosts and bento lunches).
In volume one, class stud Sato revealed to unpopular goofball Yoshida that he was the (once overweight, bullied) boy whom (once popular, badass) Yoshida fiercely protected all through grade school. Having nurtured a crush on Yoshida for years, Sato’s new “hot guy” status gives him the confidence to finally pursue Yoshida romantically, though the entire thing is baffling to both Yoshida and the rest of their high school class.
Volume two opens with Yoshida beginning to acknowledge that he has reciprocal feelings for Sato, though he’s desperate to hide it—not only from Sato, but from his group of misfit friends who expect him to share their unrequited longing for female companionship. This escalates in volume three when Yoshida is coerced into attending a disastrous group date. Meanwhile, Sato’s dealing with his frustration by bullying their classmates, whom Yoshida (in true form) angrily defends, leaving Yoshida feeling even more conflicted over his growing attraction for Sato. Nothing comes easy for the two of them, but despite the fact that what I’ve described so far sounds rather like a serious teenage drama, it’s absolutely romantic comedy in every way. And, really, that contradiction is what makes the series work so well.
Though nearly everything in His Favorite is deliberately overblown and played for laughs, the entire thing is firmly anchored by real emotional truth, which renders the series not only genuinely funny, but also genuinely affecting on a number of levels. Amidst the laughs, we really feel Yoshida’s inner turmoil over his unpopularity and small size, his fierce sense of fairness, and his developing feelings for a guy who pushes all his buttons in not-always-positive ways. And like Yoshida, we both love and revile Sato’s messy mix of loyal devotion and outright sadism. Tanaka’s characterization is deceptively effortless—clearly established with just a few deft strokes—allowing her to tell a emotionally complex story with the light touch of a screwball comedy. Even the story’s secondary (firmly comedic) romance, about a steadfast guy who only falls for sleaze-balls, manages to operate on multiple levels. And Tanaka’s clean, energetic artwork is just icing on the cake.
Obviously I’ve become a fan, but the best news of all is that there’s more of this series to come! His Favorite stands at five volumes and counting in Japan, so now’s the time to jump on board! Heartily recommended.
– Review by MJ
Where a Person Is Most Vulnerable | By Fumiko Shusai | Libre Publishing/JManga | Rated Mature – “I put all my short pieces I forgot about in one book,” writes Fumiko Shusai in the Afterword to Where a Person Is Most Vulnerable, and man does it show.
The anthology starts off promisingly enough. The title story is about neurotic Yamashita, who hates ants, and his bug-loving neighbor, Shimabara, who helps him overcome his fears a bit. “Strays Will Leave, Over and Over Again” is also pretty good, featuring a gigolo who keeps returning to his friend’s place every time he gets dumped. Less successful is “The End Is in a Dream, Silent,” about a guy who’s repaying a debt to a clotheshorse by cleaning his messy “room.” It’s okay, but extremely rushed.
In the titular story, the “place” in question refers to the delicate nether-regions where ants dared to crawl when Yamashita was a boy—as well as to his heart—but after the third story I began to think that apartments were somehow a theme, too. That while we might feel safe in our own homes, this complacency would also cause us to let down our guard. And it may even be true that Shusai meant to make some point along those lines, but the rest of the stories in this collection are so thoroughly disappointing that I soon began to doubt that such an intent ever existed.
Brief and insubstantial “Sculptures of Us” is about friends who get into fisticuffs over whether they had a drunken hookup the night before. “Love That Reaches the Other Side of Earth!,” about a seemingly hopeless boy and the childhood friend who takes care of him, had the potential to be something good, but is rushed beyond redemption. The real villain of the piece, however, is the horrible “Daddy, My Love” strip, all about the way in which a guy accidentally mistreats/mishandles his ex-girlfriend’s abandoned toddler, culminating with a panel suggesting they’ll become lovers in the future. EW! Gallon of brain bleach, stat!
So, are the first two stories worth 499 JManga “points”? I must regretfully conclude that they are not.
– Review by Michelle Smith
In Brief:
Punch Up!, Vol. 3 | By Shiuko Kano | Published by SuBLime | Rated Mature – For its first two volumes, I wasn’t quite sure what to make of Punch Up!. On the one hand were the well-defined protagonists, Kouta and Maki, who had plausible conflicts and insecurities, but on the other were the frequent and explicit sex scenes that left nothing whatsoever to the imagination. Was this a compelling drama or a smutty romp? Volume three caters to my personal preferences by establishing itself clearly as a drama (or melodrama, at least) when a workplace accident leaves Kouta with no memory of the last four years and effectively returns him to his mindset as a fifteen-year-old. This development could’ve easily taken the story in a cheesy direction, but it actually doesn’t, instead providing even more opportunity for conflicts and insecurities to flare. I had debated whether to continue with this series, but now I am truly glad I did! – Michelle Smith
Review copies provided by the publishers.
SEAN: I have a sneaky suspicion I know what the Pick of the Week is going to be next week… regardless of that, let’s see what publishers have to offer.
Blade of the Immortal may have come to a close recently in Japan, but Dark Horse still has a few more to go. The back cover to Vol. 26 hints that Tonight Someone Dies, so it is no doubt very important that everyone grab this.
MICHELLE: Someday I will continue with this series.
SEAN: And then there’s the first Tokyo Babylon omnibus. Which is filled with Hokuto, who is awesome and the only real reason to read this early CLAMP title! Oh yeah, there’s her brother as well. And some guy. I suppose a few people might read it for them instead.
MJ: TOKYO BABYLON TOKYO BABYLON TOKYO BABYLON. Okay, yes, I’m a fangirl on a massive level, here, but there are so many reasons why this is my favorite CLAMP series (and one of my favorite manga series of all time). I’ll save my loudest raving for Pick of the Week (and Off the Shelf), but out of all the CLAMP re-releases Dark Horse has undertaken over the past few years, this is the one I’ve anticipated most eagerly. I’m so looking forward to re-reading the series.
MICHELLE: I agree, but cannot possibly match MJfor sheer enthusiasm!
ANNA: Maybe I should give this series another try? I read the first few volume and found it so much less gripping than X\1999 that I don’t think I ever finished it. That being said I do have feelings of pleasant nostalgia whenever I think of early CLAMP series in general.
SEAN: SubLime has the third volume of His Favorite, whose cover makes it look like this is a manga about Luffy the uke and Robin the seme. I’m sure it’s not about that at all. Not that that would not be a highly entertaining title in its own right.
MJ: This is one of my favorite recent series from SuBLime, though your comment adds an element of hilarity I hadn’t considered!
MICHELLE: Wow, I had never noticed the similarity in scars before.
SEAN: Vertical has the 3rd and final re-release of Paradise Kiss, which most everyone else got this week. It’s a terrific series, and I particularly love the ending. If you didn’t get it yet, get it.
MJ: I’m a bit sad that the debut of Dark Horse’s Tokyo Babylon omnibus will probably overshadow the end of Paradise Kiss, so I’ll do my best to rave about both. I had some quibbles early on regarding Vertical’s adaptation of some beginning chapters, but these have long since been made up for by subsequent volumes. And if I had to choose the loveliest of Vertical’s work on this series, I’d have to go with volume three, which is stunning in every way. This is absolutely a must-buy this week. It’s on my personal top ten as well!
MICHELLE: There are things about the ending to Paradise Kiss that give me geekbumps to even *recall*, even though it’s been years since I last read it.
ANNA: I’ve been enjoying the Vertical editions of this series and plan on buying this!
SEAN: The rest is all Viz. 07-Ghost hits Vol. 3 and shows us that the best answer for ‘who is ready to lead the Church’ is ‘how much TRAINING have they had’? I bet the Papal Conclave doesn’t concentrate on that at all.
MJ: I never got any further than volume one of this series, but I’ll catch up eventually! And I’m looking forward to it, too.
MICHELLE: Ditto.
ANNA: I have been hoarding the 2nd and 3rd volumes and plan to read them together very soon. I enjoyed the world building and action in the first volume very much.
SEAN: Arata the Legend hits lucky Vol. 13, whose luck is to come out a week after a Fushigi Yuugi release and thus likely be ignored. Shame.
MICHELLE: Aw. Arata is quite good, too, though it’s true I don’t love it as well as Genbu Kaiden.
ANNA: I don’t think Genbu Kaiden can help it though because it is so intrinsically loveable.
SEAN: Fullmetal Alchemist has a 3-in-1 out, covering Vols. 10-12. This is, in my opinion, the only shonen manga to give One Piece a run for its money at perfection. It’s that good.
MJ: Since this series also made my all-time top ten list, I certainly agree with you. Wow, it’s a banner week for my favorites, isn’t it?
MICHELLE: It is. And it’s high time you read some One Piece, missy, so that could be your favorite, too!
ANNA: I agree that Fullmetal Alchemist is a magnificent series and it is unfortunately one that I stopped reading due to it having so many volumes. I intend to reread the whole thing and finally finish it one day though.
SEAN: Neon Genesis Evangelion also says it’s a 3-in-1, but the first volume was deluxe, more like their VizBIG line. Re-reading the start of the series re-kindled my interest in it again, so I’ll definitely be taking a look at it.
Lastly, RIN-NE Vol. 11 continues to have cute little one-shots, occasional dramatic mini-plots, and no forward progression. (sniffle) It makes me so nostalgic for Ranma and UY’s lack of any progress… it’s like Takahashi has come home!
MICHELLE: I really enjoy RIN-NE for what it is, and without any expectations for it to be anything else. I’ve described Takahashi’s comforting, homey works before as “manga meatloaf,” and I think RIN-NE epitomizes that ethos.
SEAN: What are you folks reading this week?
This week, Sean, MJ, Anna, and Michelle look at recent releases from VIZ Media, Yen Press, and Kodansha Comics.
Ai Ore!, Vol. 8 | By Mayu Shinjo | VIZ Media – Ai Ore! is now on hold in Japan while Shinjo works at other projects, which honestly is fine with me, as I’m starting to get really bored with these leads. Rolling back the canon so that they are not sexually active did get rid of some of the more rapey aspects of Akira, which I can only approve of, but it also made him slightly duller. As for Mizuki, I have to regard her as a failure even compared to other weak Shinjo heroines. When the best part of the manga for her is having a mental breakdown at losing her guitar—for 30 pages—you know something’s wrong. That said, there’s nothing actively offensive here like Vol. 1 had. It’s cute and fluffy, and mostly tame. Which is great for generic shoujo manga fans, but a disappointment to those of us who want anything but boring pablum from this artist. It’s sad that I preferred it when it offended me yet kept my interest.– Sean Gaffney
Bakuman, Vol. 18 | By Tsugumi Ohba & Takeshi Obata | VIZ Media – With the end of this series quickly approaching, Mashiro and Takagi come very close to achieving their dreams, which is actually more gratifying than I expected. Even Mashiro’s ill-conceived romance now feels like something to root for (though the manga fan in me still balks at the idea of an anime adaptation as his ultimate goal). Now that the series’ leads have become truly likable, it’s much easier to revel in their successes, and this volume offers up a lot to celebrate. Even Hiramaru’s strange romance gets a satisfying boost in this volume, and I came out pretty much adoring Aoki, which was a real surprise for me. An inside look at assistant politics adds excitement as well. Though I’ve long established myself as an addicted fan of this series, it’s nice to see it push through towards the end with such strength and verve. Still recommended.– MJ
BTOOOM!, Vol. 1 | By Junya Inoue | Yen Press – Battle Royale has a lot to answer for, even though I don’t think it anticipated creating its own genre. But “Survival horror” is very big now, and Yen’s High School of the Dead sells well enough that they’ve bought two more series in a similar vein. BTOOOM! is the first, where a NEET who is master of the gaming world but a failure at getting a real job finds himself on a deserted island with only a bunch of bombs and people trying to kill him. He’s also lost his memory, which is helpful as it allows others to explain the plot to him in detail. There’s a hot girl I’ve no doubt we’ll learn more about soon, and a few villains running around. But for the most part, this gives you lots of action, lots of explosions, and the occasional examination of morals surrounded by “who will die next” tension. It’s not breaking any new ground, but it’s perfectly decent at doing what it wants to do.– Sean Gaffney
BTOOOM!, Vol. 1 | By Junya Inoue | Yen Press – While BTOOOM! might not be able to claim the most original premise ever, it is nonetheless fairly entertaining. Unemployed Ryouta Sakamoto, a 22-year-old living with his long-suffering mother, is the best of the best at the online game BTOOOM!, even though his real life is in pretty bad shape. When he wakes, disoriented, on a remote island, he gradually realizes that he’s been drafted into a real-life version of the game, with deadly stakes. Even though a lot of what happens is completely predictable to the reader, and some of Ryouta’s anguished faces as he deliberates moral questions are actually kind of comedic, it’s still a quick and reasonably fun read. I could’ve done without the buxom competitor and the obligatory focus on her crotch, of course, but you can’t win ’em all. – Michelle Smith
Cage of Eden, Vol. 9 | By Yoshinobu Yamada | Kodansha Comics – Speaking of survival horror, it’s time for a new volume of Cage of Eden, which deals with a lot of the same moral lessons. In particular, Zaji and Mariya coming to blows (well, OK, Mariya getting beaten up) over whether they should abandon Kanako, who has been kidnapped by a King Kong-alike. Mariya points out that they’re facing a lethal and intelligent beast, and have to put the safety of the whole party over just one person. Zaji says screw that. This is shounen manga, so Zaji is, of course, correct. Meanwhile, there is a brief reminder that these are a bunch of puberty-stricken teenagers on a deserted island, with both guys and girls taking a poll for best boyfriend/girlfriend. No surprises to see who wins each side. The fanservice continues to be utterly blatant, but the series still clips along and provides what readers want.– Sean Gaffney
Fushigi Yugi: Genbu Kaiden, Vol. 11 | By Yuu Watase | VIZ Media – Oh, the angst! The pain! The total awesomeness! With only one volume left of this fantasy-adventure to go, I can’t help being torn between joy and grief. This is unsurprisingly an action-packed installment, filled with difficult battles, epic emotional drama, and some genuine tragedy. And if some of the series’ primary conflicts are a bit too easily resolved, it’s pretty difficult to calm down one’s adrenaline long enough to notice. Overall, this series offers up a terrific example of the enduring appeal of shoujo adventure stories, and it’s gratifying to see it holding its own alongside the ever-growing stack of high school romances. Now, with the Qu-Dong army approaching and Takiko’s life hanging in the balance, the agonizing wait for volume twelve begins! Highly recommended. – MJ
Jiu Jiu, Vol. 4 | By Touya Tobina | VIZ Media – I could feel my interest in this title start to wane a bit in the third volume, and I’m sad to say that state of affairs is continuing with the fourth. The plot wrinkle for this volume is a sudden Jiu Jiu exchange where Takamichi’s familiars Snow and Night are sent away and replaced with alternates. Takamichi’s reaction to being away from her beloved companions is a sudden increase in her crafting habits, producing far too many dog plushies. Tobina’s art is as stylish as ever and there are some quirky humorous parts of the story, but I’m still not emotionally invested in what might happen to these characters. I’m sure this series has plenty of appeal to some readers because it is generally well-executed and quirky enough to be interesting, but unfortunately I am not one of them. – Anna N
Oresama Teacher, Vol. 13 | By Izumi Tsubaki | VIZ Media – The cover of this title is a lie! It shows Super Bun on the cover, but Mafuyu spends most of her time in this volume as her male alter ego Natsuo. The fact that the juvenile delinquent heroine of this series has secret identities both as a spastic bunny superhero and as a man is why my interest in this comedy manga shows no signs of slowing down even at the thirteenth volume. Mafuyu and her team take on a man-hating member of the student council and there’s a bonus appearance by my favorite character Bancho, which always makes me happy. – Anna N
Pandora Hearts, Vol. 14 | By Jun Mochizuki | Yen Press – Well, wow. I suspected that this volume would be dramatic, but despite my open adoration of this series, I didn’t actually expect it to be so well-executed. Volume fourteen opens with a fairly large plot twist, and then proceeds (with uncharacteristic coherence) to escalate from there. But the greatest joys in this volume are to be found in its relationships, particularly as concerns Vincent, Ada, Gilbert, and Break. That there is enough room for such careful emotional nuance amidst all this series’ action and (girl-aimed) fan service continues to be surprising, but gratifying indeed. That this series is still ongoing means that we’re still in for a long haul, but Mochizuki just continues to get better, and she’s quickly making up for her plotting issues early on. Still recommended with unabashed fangirl glee. – MJ
MJ: There’s a lot to choose from this week, including a number of my traditional favorites (Bakuman, Fushigi Yûgi: Genbu Kaiden), but I’m going to betray everything I thought I knew about myself and pick something from the pen of Mayu Shinjo. That’s right—I’m getting behind Demon Love Spell, the latest volume of which is due out this week. I read volume two for this weekend’s Off the Shelf, and I’ll be damned if it didn’t just charm the heck out of me. Mayu Shinjo, I judged you too soon.
MICHELLE: Given that I have only one more chance to say it after this time… my vote goes to Fushigi Yûgi: Genbu Kaiden. Events are moving very briskly towards the end!
SEAN: It feels like forever since I’ve PotW’d One Piece, which almost gets taken for granted these days as simply being omnipresent. But there’s a reason why it is so popular (in Japan, at least): it’s amazing fun, week after week, balancing comedy, drama, action, and more comedy. At this point, I wouldn’t be surprised if it does make it to 100 volumes, even if that might make Viz cry a bit.
ANNA: I would normally go for Genbu Kaiden, which I adore, or Demon Love Spell which I expect to adore when I pick it up. But since those are taken I will go for Oresama Teacher. Bancho forever!!!!!!
Readers, what looks good to you this week?
MJ: Good morning, Michelle! We’ve both been so busy, it feels like we haven’t talked in weeks. Good thing it’s time for Off the Shelf!
MICHELLE: It literally *has* been weeks since we’ve had one of these, what with our recent time off. I just can’t read as much as I’d like these days.
MJ: It’s a busy time, for sure. So, with your limited time, what have you been digging into this week?
MICHELLE: Well, I managed to finally get around to reading the first volume of Ameiro Kochakan Kandan, which JManga released back in January. The title translates to Chatting at the Amber Teahouse, and in fact that’s the title used all over JManga’s edition. Why they didn’t just call it that (instead of using the Japanese title, which I have great difficulty remembering), I do not know. Anyway, I found this slice-of-life yuri story from Miyabi Fujieda to be pretty charming! Oh, it’s decidedly uncomplicated, but that doesn’t keep one from enjoying the chaste (so far) love story.
Tucked away in a peaceful neighborhood is a little shop called The Amber Teahouse. Its proprietor, Seriho, is a tea enthusiast who opened the shop with lottery winnings. She’s not exactly scatterbrained, but she could use some looking after. Enter her one employee, responsible high school student Sarasa, who loves the teahouse (and Seriho) so much that she decides to go to school to become a pastry chef rather than attend some prestigious university. There’s a nice metaphor early on that likens their relationship to a “pot-san,” who made tea that no one came to drink, and the “cosy-san” who arrived and kept the pot warm ’til customers finally came around. Only by the end of the volume are there inklings of a possible romantic relationship between them; so far it’s mostly “stay with me for the next 50 years and then some” and lines like that.
Probably I have actually made this sound a little more plot-centric than it actually is. Many of the chapters are quite short, and some can be summed up like, “Sarasa and Seriho ponder adding sweets to the menu.” The art style is quite simplistic, with a few stock character designs that remind me a little of K-ON! and its ilk. Certainly this series isn’t likely to win any awards for profundity, but I liked it and found it much more my speed than Hanjuku Joshi, which we talked about a couple weeks ago.
MJ: I have to say that the teahouse setting sounds very appealing to me. I love stories set in the workplace, and this kind of workplace in particular really does the trick. Ever since Antique Bakery, I guess… in any case, it sounds quite charming. I’ll admit that I’m not incredibly fond of the type of artwork you describe, but it’s popular these days, so what can you do?
MICHELLE: It didn’t bother me much in the main story itself. It’s a bit worse, and some of the side characters more outrageous, in the prequel stories at the end of the volume, but since those were written first, I tried not to let them diminish my opinion of the main series.
Anyways! What have you been reading this week?
MJ: Well, I began my week with volume two of Demon Love Spell, the latest from Mayu Shinjo. Though I haven’t always been a fan of her work, the first volume of this series charmed me pretty thoroughly, so I was definitely looking forward to digging in further.
For those just joining in, Demon Love Spell is the story of a shrine maiden named Miko, who (through a series of wacky events) has become attached to an incubus named Kagura, without whom she’s unable to see spirits. Though Kagura is an incredibly powerful demon, he spends most of his waking hours in cute, hamster-sized form, only receiving the physical love he requires to maintain his power by entering Miko’s nighttime dreams, during which she’s able to leave behind her daytime inhibitions. It’s a premise that should be creepy as all hell, but somehow manages to be palatable, mainly thanks to the fact that most of the real power in the relationship has been granted to Miko.
Volume two starts off pretty irresistibly, by introducing an adorable fox (I mean adorable) who has fallen in love with a human girl. He wants to be with her so much that he gives up all of the usual fox behavior in order to for her to be happy. Though he’s not quite able to attain full human form—he’s still got his fox ears—he resolves to try to be with the girl. For reasons I won’t mention here (spoilers!), this is impossible. Furthermore, he’s mistaken our heroine, Miko, for the young priestess he fell in love with, leading to lots of confusion on her part and some pretty intense jealousy from Kagura. The fox story is sweet and tragic and just the kind of thing guaranteed to tug my heartstrings, but the story’s real focus is on Kagura, and his slow realization that Miko’s love is more important to him and better able to sustain him than their sexual activity.
The concept is kind of trite, but the execution really works, and even the volume’s second story arc—involving Kagura’s relentless pursuit of a promised “lovey-dovey day”—is able to continue along these lines without becoming tiresome or creepy. I have to say, it’s kind of a strange treat to be able to read some seriously trashy shoujo that doesn’t make my skin crawl. And even when it possibly should, Shinjo’s artwork is so adorable and her humor so charming, she’s able to keep things just light and airy enough to avoid giving offense.
MICHELLE: That is an adorable fox! Especially the one semi-flattened ear.
This does sound fairly promising for a Mayu Shinjo title, but the question I’m left with is… does Kagura’s realization regarding love in any way dissuade him from sexing up Miko during her dreams? It’s not that she isn’t a fully willing participant, but not remembering it was seriously troubling her in the first volume, if I recall rightly.
MJ: Actually, it does. It’s interesting how Shinjo manages to pull it all off, too. Since Kagura’s an incubus, his character would fall apart were he to become any less, er, sexually driven. But she’s managed to awaken Kagura to some ideas about love and respect that don’t feel incongruous with his need for female attention. She’s just shifted things slightly towards emotional gratification rather than only physical gratification, and it somehow works. Also, I’m impressed by her ability to make the fox-ears bit genuinely funny. I feel like my dislike for Ai Ore! has caused me to deny her the credit she’s due as a romantic comedy writer. It’s nice to be proven wrong.
So, we have a mutual read to share this week as well. Wanna hit us with an introduction?
MICHELLE: Sure!
Barrage is a quite recent Shonen Jump series that is making its English-language debut next Tuesday. This two-volume series is the story of “spunky slum kid” Astro who ends up taking the place of spoiled Prince Barrage, who flees his duty to protect Planet Industria from hordes of invading aliens and is promptly dispatched by an assassin. Astro’s primary motivation in accepting the dangerous task is to provide a home for the gaggle of abandoned kids that he’s been caring for, but when he ventures out of the relatively peaceful capital and discovers that losing one’s family is routine for people in more war-torn parts of the planet, he realizes that it’s up to him to protect them. (I should mention here that Astro can wield a special royal weapon, the orgue, and that he’s being accompanied on his journey by Tiamat, a military officer who’ll teach him how to fight.)
All of this may sound rather generic, but there are some things about the story that set it apart. For one thing, Astro spends hardly any time pretending to be Barrage, and comes clean to the king almost immediately. For another, though he is brave and has this swanky weapon, he’s still just a kid who needs instruction. There were several spots in the story that made me giggle and only a couple that made me snerk. Despite its teen rating (probably due to the violence), this reads like a kid-centric tale, and so you get bad guys making proclamations like, “I am an elite spy from Planet Assassinia!” How stealthy!
MJ: It is generic, certainly, but I think what makes that okay is that it doesn’t try to pretend it’s not. Instead of trying to make all of its well-worn plot points seem like something new, author Kouhei Horikoshi really embraces the story’s comfy familiarity and just works to make that as much fun as possible. I may never get the sense that Astro is in real danger and it’s difficult to imagine that anything truly surprising will ever happen (though, as you say, having Astro come clean so early on was a nice touch), but the truth is, I’m having too good a time to care.
Despite the fact that he’s saddled with some pretty heavy-handed messages about responsibility and family, Astro is a genuinely lovable hero, who manages to be headstrong and impulsive without the strong resistance to authority or even to asking for help that so often goes along with that—perhaps another indication that it’s a kid-centric title. He’s unwilling to give in to calls to duty when families are on the line, but he’s also willing (and even eager) to please his planet’s King and to take instruction in combat from Tiamat—a far more experienced fighter than he. Conversely, he doesn’t have any of the prickly pride that shounen heroes often display, but that doesn’t necessarily mean he’s easy to control, as his devotion to the concept of “family” comes before all else. It’s an interesting combination, really, and feels oddly refreshing.
Also, I kind of adore Tiamat. He’s pretty kick-ass, but vulnerable at the same time—a killer combination for me.
MICHELLE: You’ll have to imagine me sitting over here nodding, ‘cos I was doing a fair amount of it. I especially like your comments regarding Astro and how he differs from the typical shounen hero. Some of the same good qualities, some of the same bad (or at least impulsive) ones, but personal hangups all his own. I’m really interested to see how the series wraps up in the second volume, and I also wonder whether it was intended to be this short or if it was a casualty of one of those popularity contests we see all the time in Bakuman.
MJ: Yeah, I was wondering about that, too. I hope it at least got a decent wrap-up, either way. And I’ll certainly be looking forward to whatever’s next from this artist.
SEAN: Ah, the first week of the month, the only week I never have to worry about things to talk about. And sure enough, there is a LOT coming out. Let’s discuss:
Dark Horse has two titles that aren’t Gantz or Evangelion, an achievement in itself. Including the debut of a new series, Blood-C. Which is yet another CLAMP franchise designed to promote an anime, made in conjunction with Production I.G. It’s a girl by day, monster slayer by night sort of story, and I believe gets quite dark. The artist did the Bandai manga version of The Girl Who Leapt Through Time.
ANNA: I feel like as a long-time CLAMP fan I should be more interested in this, but this is just reminding me that I need to get that 4th Cardcaptor Sakura omnibus.
MJ: I find I’m never really interested in these anime-related projects of theirs. But the new omnibus of Tokyo Babylon comes out soon, so I’ll be able to rave then.
SEAN: And for those who liked the Evangelion doujinshi anthology, there’s one coming out for Trigun called Multiple Bullets. Given Trigun has an actual creator,. this is a little more serious than the other types we’ve seen, and includes a 2-chapter story by Nightow he wrote for the movie premiere.
Kodansha has the 6th Negima omnibus. The translation had been fixed by this point, and it has no extra content, so it’s really just for anyone who didn’t get it the first time and is annoyed that it’s not available digitally yet.
Seven Seas may not be listed on Midtown, but my shop is getting in at least one of their titles (and, I conclude from incomplete data, the other one as well). Cheshire Cat Waltz has been sort of a middling Alice in the Country of ______ title, being neither as annoying as the Twins one nor as intriguing as the main narrative or the Joker series. But it’s decent enough, and Boris is one of the less insane people in it.
ANNA: I read the first volume of Cheshire Cat Waltz and wasn’t compelled to try other volumes, but I’m finding Joker much more interesting.
MICHELLE: I didn’t hate Cheshire, but Joker is definitely superior. I’d like to forget that I ever read the Twins one.
SEAN: There’s also Volume 2 of Mayo Chiki, for those who want it.
Vertical has the 3rd volume of Heroman, which is Stan Lee! How can you not like a Stan Lee! manga? (Best not answer that, la la la…)
MJ: I wish I could like this, for Vertical’s sake. But. Yeah.
SEAN: And, of course, there is a giant pile of Viz. Bakuman is still rumbling along towards its finish, and Vol. 18 will no doubt have lots of Jump drama, long stretches of dialogue, and annoying casual sexism.
MJ: I can’t help it, I’m hooked!
MICHELLE: I’m really behind, but I’ll catch up one of these days!
SEAN: Barrage is the first of Viz’s Shonen Jump Alpha premieres, where the Western World learns just what happens to 3/4 of all Jump manga every year – they go 2-3 volumes and then stop. And no, the popularity here has nothing to do with it. But given Viz is mostly avoiding longer Jump series right now, Barrage is a good short investment. It has the good old fashioned “posing as the prince” storyline, and is already half over!
ANNA: I’m reading this in preparation for a full review and am enjoying it a bunch. Actually I wish more shorter shonen series were released here, so I could get quick hits of shonen manga as opposed to committing to a very long series.
MJ: I’m really looking forward to this! Michelle and I will be covering it soon for Off the Shelf, and I’m feeling kinda eager.
MICHELLE: I wasn’t especially eager ’til I read Anna’s comment, but now I am! :)
SEAN: Ai Ore is over, but don’t worry, Mayu Shinjo’s series live on. I find my enjoyment of Shinjo depends on how much she humiliates her hero, so greatly enjoyed Vol. 1 of Demon Love Spell. Not sure how long that will last with Vol. 2…
ANNA: Demon Love Spell is fab! I also enjoyed the first volume very much!
MJ: I did too! Shockingly so!
MICHELLE: I liked it okay. Didn’t I read somewhere that Ai Ore! is not considered officially over, though? If it really is, I might have to do a cartwheel.
SEAN: Yeah, sorry, “End of Part One.”
I honestly keep forgetting that Fushigi Yuugi: Genbu Kaiden is still running, given that its author is famous enough that her publishing schedule for it is “whenever”. But hey, here’s a new volume.
ANNA: For me, new volumes of Genbu Kaiden are always an excuse for a celebration. I love this series.
MJ: I completely agree, Anna. This series is such a treat anytime it turns up.
MICHELLE: Forsooth. Genbu Kaiden is great, but I feel bad that every time I read it or talk about it I always want to add “I hope she writes Byakko Kaiden next!”
SEAN: One Piece is almost at the 2/3 mark in its quest for 100 volumes! And best of all, Vol. 66 finally wraps up Fishman Island and starts a new arc! Halle-freaking-llujah! Of course, even the poor One Piece arcs are miles better than most shonen.
MICHELLE: I fell behind on One Piece, too, but am determined to get caught up and do a brief of volume 66 in the near future.
SEAN: Oresama Teacher remains one of my favorite comedies that Viz is putting out, and Vol. 13 features everyone’s favorite superhero, SUPER BUN, on the cover. What more could one ask for?
ANNA: Indeed. I only hope there are some pigeon note-passing antics in this volume as well.
MICHELLE: Pigeon note-passing antics?! Did this occur recently? I haven’t read volume twelve yet… did I miss cute pigeon-y goodness?
SEAN: There is Pokemon Adventures Vol. 15, apparently a 2nd edition of same. I don’t follow Pokemon at all, but know that it brings in piles of cash. In my headcanon, this and Yu-Gi-Oh are paying for the end of Excel Saga.
Psyren starts its second half with Vol. 9, which features more battles, more teamwork, more psionic powers… in other words, a lot more Jump. Not sure anyone’s head will explode, though. “Nooooooo!” BOOOOOM! (See, Even A Monkey Can Draw Manga’s influence is still felt today…)
MICHELLE: Here’s another shounen series I like that I’ve fallen behind on. (That makes three this column!) There just aren’t enough hours in the day to read everything I’d like to read.
SEAN: Rosario + Vampire Season II hits Vol. 11, which must be very confusing if you mix up the Arabic and roman numerals…
Skip Beat’s 3-in-1s return by popular demand! Vol. 4 has the original 10-12, which if I recall is right in the middle of the Dark Moon shoot.
MICHELLE: Yay, Skip Beat!
SEAN: Strobe Edge has a 3rd volume. Having introduced the rival girl, and then done a side story that really showed she’s not a villain at all, I’m interested to see where the series takes this.
ANNA: This seems like a nice conventional shojo series. Nothing wrong with that at all.
MJ: I’m a lot more interested in this series than I thought I would be when I started it, so this is a happy thing.
MICHELLE: I like it quite a lot. It might be taking a conventional route, but it’s not being lazy about it, which I appreciate.
SEAN: And Vampire Knight has Vol. 16. The series was just announced as coming to a close, so I assume there’s only one or two volumes left to go. In any case, I plan to be riveted yet hopelessly confused, as always when I read Vampire Knight.
MICHELLE: Oh, I hadn’t heard that news! Perhaps I’ll just hold on for the final volumes to come out here and then read it all in a chunk; probably things will make a lot more sense that way. Maybe.
SEAN: That’s a lot of manga. What are you getting?
Book description:
It was a senselessly violent crime: on a cold night in a remote Swedish farmhouse an elderly farmer is bludgeoned to death, and his wife is left to die with a noose around her neck. And as if this didn’t present enough problems for the Ystad police Inspector Kurt Wallander, the dying woman’s last word is “foreign,” leaving the police the one tangible clue they have—and in the process, the match that could inflame Sweden’s already smoldering anti-immigrant sentiments.
Unlike the situation with his ex-wife, his estranged daughter, or the beautiful but married young prosecuter who has piqued his interest, in this case, Wallander finds a problem he can handle. He quickly becomes obsessed with solving the crime before the already tense situation explodes, but soon comes to realize that it will require all his reserves of energy and dedication to solve.
Review:
I reckon that most people would think, quite reasonably, that a mystery with a name like Faceless Killers would be riveting. Unfortunately, those people would be wrong.
I’d been aware of the acclaim that some Scandinavian crime fiction has garnered in recent years, and the Wallander series seemed the most visible—not saying it’s the best of the lot, but there is that Kenneth Branagh series on the BBC—so I decided to start there, and with the first book in the series.
It’s January 1990 when a seventy-year-old man wakes in the night, sure he’s heard something amiss at his neighbor’s house. He’s right—the couple inside has been brutally murdered, and the wife’s dying words (as well as one particular detail about the crime) suggest involvement by one or more of the many foreign refugees flooding into Sweden. Wallander and his team investigate.
I like to think I could’ve pegged this for a first book in a series even if I hadn’t known. There’s just so much to give that away. Wallander has a set of stereotypical “detective issues,” for one, including a drinking problem, an estranged wife and daughter, a crazy parent, and a thoroughly random obsession for opera. (Perhaps the specificity of “opera” isn’t quite a stereotype, but I have definitely encountered several detectives who randomly groove to classical music while on the job.) The vast majority of the policemen in the background are utterly indistinguishable from one another, with the exception of one guy who might not be around in subsequent installments. Wallander’s personal issues miraculously resolve themselves off-camera in a fast-forward that happens towards the end of the book. Occasionally, characters engage in pointless debates/rants about immigration policy. And after much plodding around, the case is ultimately solved thanks to the conveniently (and implausibly) amazing memory of one witness.
It took me ages to get through the first half of the book, but things did pick up a little bit towards the end. Wallander’s transformation into someone more positive doesn’t feel earned, as it mostly happens during that fast-forwarded period, but it does make him a character that I’d have more interest in revisiting. Until the point he got over the wife and made up with the daughter and father, I was pretty sure I would not be coming back, but if he can shed at least some of the clichéd personal baggage, there may be hope.
This week, Sean and Michelle look at recent releases from Seven Seas, Yen Press, and VIZ Media.
Alice in the Country of Joker: Circus and Liar’s Game, Vol. 1 | By QuinRose and Mamenosuke Fujimaru | Seven Seas- It occurs to me that I’ve started several of the post-Country of Hearts series in this franchise, but haven’t yet made it to the second volume of any of them. It’s not that they’re bad, there’s just nothing about them that really compels me to continue. For the most part, the same can be said about Country of Joker. There are some things I definitely like, especially ominous hintings about both the past and the future, but this volume feels mostly like recap and exposition all at once, and so despite having much more at stake than Alice’s romantic prospects, it ends up being a little dull. Still, if there were any sequel/spinoff I’d be likely to continue, I reckon this is the one. – Michelle Smith
A Devil And Her Love Song, Vol. 7 | By Miyoshi Tomori | VIZ Media – And so, for the moment, the Anna arc is over. And it’s as emotional as I expected, with Anna finally getting through to Maria that her sort of help is only making things worse, even if it’s with the best intentions. Anna has to do this herself, and can’t, so seeing Maria and her circle of friends is a fresh wound every day. In addition, the author has perhaps realized that Maria/Shin is becoming a bit too obvious as the endgame, so Yusuke gets a whole lot of face time here, confronting Maria about how she deals with things in ways that Shin doesn’t or won’t. And at the back of the plot is still Maria’s late mother, who appears to us in a nightmare that Maria’s having pretty much all the time. Also, no evil teacher this time, but we do get a new creepy adult to balance it out. Never has “technique” sounded so forbidding. Highly recommended.-Sean Gaffney
Fushigi Yûgi: Genbu Kaiden, Vol. 11 | By Yuu Watase | VIZ Media – I’m so glad I finally got caught up with this series last October. Now I can enjoy the final volumes along with everyone else! Volume eleven is the penultimate volume in the series, which means that a ton of very important stuff happens. The revelation of truths, or of someone’s true intentions. The willingness of some to sacrifice themselves for the good of others. The feeling amongst your friends that, with all this heavy responsibility, you and the one you love deserve some stolen moments of happiness. It is perhaps a trifle rushed—we barely spend any pages with the final Celestial Warrior before he’s handing Takiko the scroll and they’re preparing to summon Genbu—but the feeling that we’re being carried along to something truly tragic and climactic makes up for it. Highly recommended. Michelle Smith
Haganai: I Don’t Have Many Friends, Vol. 2 | By Yomi Hirasaka and Itachi | Seven Seas – This continues to be the most interesting of Seven Seas’ recent moe pickups, though it also continues to suffer from the same problems – you feel somewhat dirty reading it. This is not helped by the addition of Kodaka’s younger sister Kobato, who is as screwed up in the head as the rest of the cast. That said, the fact that they apparently aren’t incestual feelings here speaks volumes. The manga is going to play around with horrible moe and sexual tropes, but is not going to take that extra step into horrible. (It comes damn close, though.) This means that you’re allowed to get some character development and (gasp!) sweet scenes, particularly between Kodaka and Sena. I’ll pick up Vol. 3, and am interested in seeing what happens next. Still feel uncomfortable recommending it beyond otaku.-Sean Gaffney
The Misfortune of Kyon and Koizumi | By Various Artists | Yen Press – Unlike the Evangelion doujinshi anthology that was released the same week as this, the authors herein are not all that well-known, beyond “see who we can grab at the Kadokawa offices”. Unfortunately, despite having a variety of artists and styles, there’s a somewhat exhausting similarity between the comics. They’re clearly meant to appeal to a more female-oriented audience than Haruhi generally tries to attract, with lots of BL tease (but no delivery). The characterization is also at its baseline to drive the gag humor, meaning that the Haruhi we see here is the default Vol. 1 girl with no character development. There are a few cute gags here, but for the most part I’d recommend this only to the most hardcore Haruhi fans who must possess everything, or to BL fans who likewise must possess everything.-Sean Gaffney
Nura: Rise of the Yokai Clan, Vol. 13 | By Hiroshi Hiibashi | VIZ Media – I’m getting rather weary of this Kyoto arc (has anyone done a list of which manga/anime series have “Kyoto arcs” in some way?), and I admit that the parts I found the most interesting were the darkest ones. The ongoing butchering of young innocents for their livers (is it implied that the TV reporter is added to that stack?), the tragic backstory of Aotabo, who became a yokai in order to protect those he loved (yokai who enjoy being evil are not the sort of yokai that Rikuo tolerates), and Yuki-Onna considering killing herself so that she won’t be “bait”. Oh yes, and some blatant Rikuo/Yuki-Onna ship tease (Kana who?). The rest of this volume is showing Rikuo that his power is all about the feelings of his friends/underlings, which we already knew, because this is Shonen Jump, and that’s how it works.-Sean Gaffney
To keep things consistent, we’re officially transitioning to Sean’s Manga the Week of lists as our source for Pick of the Week, in place of the Midtown Comics list we’ve traditionally used. That said… maybe we picked the wrong week?
SEAN: Um… Cage of Eden? I guess? Whatever… you all can choose among the Yen stuff if you like, given what else there is… Zzzzzzzzzzzzz…
MICHELLE: I suppose I’ll throw in for Kitchen Princess. I’ve never read it, but I know David liked it, and that’s good enough for me!
MJ: Well, given the choices, I guess I’ll take advantage of the description of this as a “transition” and go for one of the Yen titles that’s turning up at Midtown this week (but appeared on Sean’s list last week). And that title would be BTOOOM!, a sort of adventure/survivalist story by Junya Inoue. I read it for Off the Shelf a couple of weeks ago, and found it to be great (if unoriginal) fun.
Readers, what looks good to you this week?
SEAN: (I was away last week, so you get a two-fer this time around.)
I appreciate – I really do – JManga getting out all these Vol. 3s and 5s and 7s. For a while it seemed that we’d get Vol. 1 of selected series with nothing else, so it’s great to see that they’re moving on with many titles to further volumes.
That said, damn, it’s hard to come up with new ways to break everything down. But here we go…
Joshi Kousei (High School Girls) has Vol. 6 this week and Vol. 7 next week. For those who are truly HSG fanatics, the release of Vol. 6 here means we now have all the reissued covers, including the ones DrMaster never reprinted. Woot! Funny series, too. Everyone should read it.
MJ: I will. I promise. Soon.
SEAN: More Elemental Gelade.
More PoyoPoyo’s Observation Diary.
A new Ninja Papa, which hopefully will avoid the gentle downward slide it’s had since its ludicrous beginnings.
The Mythical Detective Loki gets a 4th volume, and I continue to be confused as to whether it’s the original or the Ragnarok that ADV put out.
And Sun-Ken Rock has a 3rd volume for me to catch up on, and is easily the MANLIEST thing in this entire list – yes, it even tops Ninja Papa.
MICHELLE: I am sad to say I have absolutely nothing to say about any of these.
MJ: It’s getting difficult, isn’t it?
Anything catch your eye?
SEAN: The main problem with my list of manga that’s coming out is it originated on my Livejournal page as a list to remind me what *I* might be getting at any given time, with the titles I wasn’t buying included because well, why not? As a result, I tend to keep these lists geared towards me. With that in mind, here’s a breakdown of the sources I use:
a) My comic shop in New Haven. This is mostly via Diamond Distributors. “But Sean,” (I hear you cry), “Diamond is showing Yen’s stuff coming out the week of 2/27, not 2/20!” Yes, but I got Yen stuff on Wednesday, including this Umineko volume that is as big as a small house. This is because Diamond sometimes splits its shipments over two weeks, shipping to some stores (such as the Northeast Corridor) before others. This happens to me a LOT with Yen, which I frequently get early.
By the way, rule of thumb for Diamond. Ships early: Dark Horse, Fantagraphics, Seven Seas. Ships late: Kodansha, Vertical. Ships on same date: Viz, Yen (except Northeast Corridor).
b) Midtown Comics list, which goes live sometime Wednesday Afternoons. They have their own distribution for many publishers (i.e., not Diamond), including Viz and Seven Seas. This is why they sometimes have Viz titles a week late, and frequently have Seven Seas titles very late. This is what allows Aaron to list the same Seven Seas titles in comments over multiple weeks. :)
c) Amazon, where I usually fill in the blanks from the other two lists.
With that said, almost everyone who isn’t me will get Yen Press titles the week of 2/27, so just port those over to this list.
So what ELSE is coming out next week? Kodansha, mostly. We have the 27th volume of Air Gear, which ships only a few months before they try to entice in new readers with the Air Gear omnibus. For me, though, the prospect of Tenjo Tenge-style fanservice plus rollerblading has always left me a bit cold.
MICHELLE: Yeah, I have never been able to muster the fortitude to try Air Gear.
MJ: Nor have I.
SEAN: Battle Angel Alita: Last Order hits Vol. 17. I got way, WAY behind in this series (as in, I still have to finish the original non-Last Order Alita), so I suspect I’ll just wait for the omnibus. Which has new content anyway, apparently.
MICHELLE: I have the first three volumes of the original series, but I still haven’t read them. One day!
SEAN: Cage of Eden is up to Vol. 9, and will be resolving its psychic arc while no doubt showing that there are a lot of large-breasted females and hideous carnivorous animals in it. As I said, the perfect comic for 12-year-old boys.
MICHELLE: My Air Gear comment can easily be applied here as well.
MJ: Mine, too. Wow, I have so little of interest to say this week!
SEAN: And Kitchen Princess hits its third omnibus. I don’t have much to say about this, except it’s great shoujo that for once you could actually give to a young girl to read – well, mostly. It can get a bit dark at times.
MICHELLE: I can’t believe I’ve owned this series for so long without reading it even though I’ve heard very good things about it! Bad me.
MJ: I missed this series the first time around, so I’m pretty happy to have a chance to catch up now!
SEAN: I have no idea if Bond of Dreams, Bond of Love is any good, but the covers are magnificent. The lead male, despite his gigantic chest of death, still appears to be the grumpiest man on the planet, and his companion is the perfect contrast, having a face that anyone would love to hit. Seriously, look at that “Oops!” face. Anyone would understand why the big guy is so mad. Well, besides “Why did they draw me so wide…?”
MICHELLE: I read the first two volumes of this and didn’t like it very much. The shrimpy guy is just as annoying as he looks and I have no idea what the grumpy dude could possibly find to like about him. I don’t intend to bother reading any more of it.
MJ: My biggest issue with this series (aside from finding it just kinda boring) is that the drawing style and the age difference—particularly in one scene early in the first volume—give it a shotacon vibe I just can’t stomach. It’s definitely Not For Me.
SEAN: Assuming anyone stuck around after the meandering opening, what’re you getting?