Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Ash Brown

Manga Giveaway: Tokyo ESP Giveaway Winner

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Tokyo ESP, Omnibus 1And the winner of the Tokyo ESP manga giveaway is… AshLynx!

As the winner, AshLynx will be receiving the first omnibus in Hajime Segawa’s manga series Tokyo ESP as published in English by Vertical Comics. Tokyo ESP is a relatively recent example of a manga that’s about psychics and espers. The subgenre doesn’t seem to be quite as common as it once was in translation, but it’s certainly still around. And so for this giveaway, I asked that participants tell me a little about their favorite espers and psychics from manga. Mob from Mob Psycho 100 was mentioned the most frequently (I really hope an English-language publisher will license that series soon!), but there are other really great characters mentioned in the giveaway comments, too!

Some of the psychic/esper manga available in English:
A, A’ by Moto Hagio
Akira by Otomo Katsuhiro
Alive: The Final Evolution written by Tadashi Kawashima, illustrated by Adachitoka
Baoh by Hirohiko Araki
Betrayal Knows My Name by Hotaru Odagiri
Beyond the Blindfold by Sakura Tsukuba
A Certain Magical Index written by Kazuma Kamachi, illustrated by Chuya Kogino
A Certain Scientific Accelerator written by Kazuma Kamachi, illustrated by Yamaji Arata
A Certain Scientific Railgun written by Kazuma Kamachi, illustrated by Motoi Fuyukawa
Clover by CLAMP
Descendants of Darkness by Yoko Matsushita
Drug & Drop by CLAMP
Domu by Otomo Katushiro
ES: Eternal Sabbath by Fuyumi Soryo
From the New World written by Yusuke Kishi, illustrated by Toru Oikawa
Ghost Hunt by Shiho Inada
Hands Off! by Kasane Katsumoto
I.O.N. by Arina Tanemura
Jihai by Toshimi Nigoshi
Kimagure Orange Road by Izumi Matsumoto
Kurosagi Corpse Delivery Service written by Eiji Otsuka, illustrated by Housui Yamazaki
Legal Drug by CLAMP
Lucifer and the Biscuit Hammer by Satoshi Mizukami
Mai, the Psychic Girl written by Kazuya Kudo, illustrated by Ryoichi Ikegami
Maoh: Juvenile Remix by Megumi Osuga
Mistress Fortune by Arina Tanemura
The Melancholy of Haruhi Suzumiya written by Nagaru Tanigawa, illustrated by Gaku Tsugano
Night Head Genesis by You Higuri
Please Save My Earth by Saki Hiwatari
Psychic Power Nanaki by Ryo Saenagi
Psycho Busters written by Tadashi Agi, illustrated by Akinari Nao
Psyren by Toshiaki Iwashiro
Rasetsu by Chika Shiomi
Spiritual Police by Youka Nitta
Telepathic Wanderers written by Yasutaka Tsutsui, illustrated by Sayaka Yamazaki
To Terra… by Keiko Takemiya
Tokyo ESP by Hajime Segawa
Tokyo Babylon by CLAMP
Wild Com. by Yumi Tamura
X by CLAMP
Yurara by Chika Shiomi
YuYu Hakusho by Yoshihiro Togashi

That’s quite a list, and I’m certain that’s not all of the manga with psychics and espers to have been released in English. Even so, I think there’s a nice variety of genres and even types of psychics represented, and you’ve got to start somewhere. Thank you to everyone who participated and shared your favorite espers with me. I hope to see you again for the next giveaway!

Pick of the Week: A Short Month Long on Picks

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ASH: Originally my pick for this week was so clear! I simply couldn’t pass up a gorgeous, deluxe box set of the Revolutionary Girl Utena manga (even if the contents might not live up to their presentation). Alas, the release date has been delayed until April. That being the case, I’ll fall back on one of my favorite manga series currently being released; Monthly Girls Nozaki-kun never fails to delight.

SEAN: I loves me some Nozaki-kun too, and I’m also very interested in the digital debut of House of the Sun. But my choice is the 2nd volume in Nisioisin’s Bakemonogatari novel, featuring Suruga Monkey and Nadeko Snake. There will be words. Oh so many words.

MICHELLE: I’m definitely interested in House of the Sun, and several other titles from Kodansha, but what I’m most asquee about is the continuation of Nodame Cantabile in digital-only releases, starting with volume seventeen!

KATE: My pick is the fourth volume of Sweetness and Lightning. It isn’t in the same league as my all-time favorite food manga — really, can anything top Oishinbo? — but its sincerity and appealing characters more than compensate for the occasional ham-fisted scene. In fact, I’m getting hungry just thinking about Sweetness and Lightning right now…

ANNA: I think out of everything coming out this week, I’m most excited about Monthly Girls Nozaki-kun. Bring on the wacky antics!

MJ: I’m always on board for more Nozaki-kun, but this week I have to join Michelle in celebrating the digital return of Nodame Cantabile! I was devastated when that series was dropped in the US, and I’m beyond thrilled to see it back, even if it won’t be able to fill my physical manga shelves.

My Week in Manga: February 20-February 26, 2017

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My News and Reviews

In a few more days and March will be here and in a few more days the winner of the Tokyo ESP manga giveaway will be announced. Never fear though, there’s still a little time left to enter for a chance to win the first omnibus in the series! Simply tell me a little about a favorite psychic/esper from a manga. (A quick note: Normally I announce giveaway winners on Wednesday mornings but, because I have an all-day job interview on the 1st, this time the announcement will likely be made sometime on Wednesday evening instead.)

As for some interesting things I came across last week: The National Museum of Modern Art in Tokyo has created an online archive of early Japanese animation. An English-language version of the site is currently in the works, but even if you can’t read Japanese if you click around enough you’ll find the some of the videos available for viewing. The University of Michigan’s Center for Japanese Studies recently hosted two master rakugo artists–Yanagiya Sankyo and Yanagiya Kyonosuke–and has posted a video of one of their events. The video includes a brief introduction to rakugo, a demonstration and performance, and a question and answer session.

There are also a few podcasts worth mentioning (though I haven’t actually had the opportunity to listen to most of them yet): The most recent episode of Comic Books Are Burning in Hell is devoted to the late Jiro Taniguchi. Tofugu started a podcast not too long ago and recently talked with Alexander O. Smith about What Makes a Good Japanese Translator? (Smith does a fair amount of video game translation but translates novels and manga as well. He’s also one of the founders of Bento Books.) Vertical Comics recently started a podcast, too, and the first episode of the Mangocast is now available for listening.

As for crowdfunding efforts for queer comics, the end of February has seen quite a few Kickstarter projects launch: The Husband & Husband campaign is hoping to publish the first volume of the cute and funny webcomic in print. The Dates anthology, which focuses on queer historical fiction, is back for a second volume. (Though I haven’t written a quick take for it yet, I have the first volume and it’s great.) The Go Get a Roomie! project is raising funds to print the second volume and reprint the first volume of the webcomic. And finally, Digital Manga’s most recent Kickstarter has launched–Juné Manga is working with Velvet Toucher, a Japanese artist living in the United States, to release Eden’s Mercy.

Quick Takes

Guardians of the LouvreGuardians of the Louvre by Jiro Taniguchi. I’ve read most but not quite all of Taniguchi’s manga that has been released in English, but his recent passing reminded me that I hadn’t yet read Guardians of the Louvre, the latest one to have been released. One of the most remarkable things about Guardians of the Louvre is its full-color artwork. The volume is actually part of the “Louvre Collection,” a series of comics commissioned by the Louvre that feature the museum and its collections. (Hirohiko Araki’s Rohan at the Louvre is part of the same series.) Taniguchi is an extremely versatile creator; while some of his manga are action-packed, others are more introspective. Guardians of the Louvre is definitely one of the latter. The story is a quiet and contemplative exploration of art and inspiration, following a manga creator who is visiting Paris on his own for a few days. He falls ill soon after he arrives but pushes through in order to visit the Louvre. And so when he seems to start slipping through time, meeting artists and historical figures associated with the museum, not to mention the embodiments of some of the works housed there, he’s never quite sure how much of his visit is based in reality and how much is a fever dream.

He's My Only Vampire, Volume 1He’s My Only Vampire, Volumes 1-3 by Aya Shouoto. While I don’t actively avoid vampire manga, I also don’t actively seek it out. Usually there has to be something a little “extra” to catch my attention. In the case of He’s My Only Vampire, I had decided to seek out more of Shouoto’s work available in English while waiting for more of The Demon Prince of Momochi House to be released. He’s My Only Vampire is kind of an odd series and at this point the manga doesn’t seem to have a clear direction. It’s as if Shouoto is either trying to do too much at once with the story or hasn’t quite decided where it should go yet. It can still be pretty entertaining from time to time, though. Shouoto’s artwork, even though anatomy seems to occasionally go out the window, can be lovely and sensual, too. So far the best part of the manga is the three main characters–Kana, the strong and spunky heroine, Aki, the titular vampire and Kana’s long-lost childhood friend, and Jin, a high-school delinquent who has recently discovered that he is at least part werewolf. Personality-wise and the relationship-wise they’re all sort of goofy and their interactions can be quite amusing. The story is taking some darker turns, but I think I prefer its humor.

Magi: The Labyrinth of Magic, Volume 1Magi: The Labyrinth of Magic, Volumes 1-4 by Shinobu Ohtaka. I know quite a few people who love Magi and have heard plenty of great things about the series but despite those facts it’s still taken me this long to finally get around to reading the manga. Magi more or less starts out as a dungeon crawl which, while highly entertaining, isn’t exactly the most compelling narrative for a series that’s already over thirty volumes and still ongoing. But after the first dungeon crawl (and I suspect that there will likely be more of those in the future) Ohtaka begins delving into the characters and their motivations while exploring the vast world in which the live. In part Magi is inspired by One Thousand and One Nights but Ohtaka does not strictly adhere to those stories and characters, instead creating a complex world that is reminiscent of but distinct from that work. Magi really is a great series, with plenty of magic, mystery, and adventure; I can easily understand why it’s so well-loved. The artwork is clear and attractive, the settings and characters are interesting and well-realized, and the story, worldbuilding, and action are engaging. I also particularly appreciate that the women can be just as badass as the men in the series and in some cases are even more so.

NewsPrintsNewsPrints by Ru Xu. My introduction to Xu’s work was through the beautifully illustrated webcomic Saint for Rent. However, NewsPrints is her debut graphic novel. Published by Scholastic the comic is aimed towards middle grade readers but it can be appreciated by older readers, too. NewsPrints, while still being very approachable, actually tackles some pretty weighty subject matter–war, propaganda, identity, and so on. The comic is about Blue, an orphan who is hiding the fact that she is a girl so that she can work as a newsboy for the Bugle, one of the only newspapers that actually reports the truth. The Bugle has taken in and cares for other orphans as well, but Blue is afraid that she won’t be able to hide her secret much longer and may lose her newfound family because of it. The city she lives in has very firmly entrenched ideas about what is and is not appropriate for girls to do. Blue is embroiled in an extremely dangerous situation when she meets and becomes friends with Crow who is also hiding a secret, one that could greatly influence the course of the war. Though NewsPrints tells a complete story the ending is left fairly open. Apparently a sequel is currently in the works; I’m very curious to see where Xu takes the comic next.

Manga the Week of 3/1/17

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SEAN: Next week is the biggest “5th week of the month” I’ve seen in quite some time. There’s another huge pile here, be warned.

Dark Horse gives us a 25th volume of Vampire Hunter D, the great-granddaddy of the vampire craze.

ASH: I’ve been meaning to read the Vampire Hunter D novels for a loooooong time now, but I don’t see me tackling all twenty-five any time soon.

SEAN: J-Novel Club has a 2nd volume of My Little Sister Can Read Kanji. Further, deponent sayeth not.

Kodansha has a lot of stuff. First, we get the 2nd and final volume of the Attack on Titan: Lost Girls manga adaptation.

ASH: I was surprised by how much I enjoyed the first volume! Lost Girls may very well be my favorite Attack on Titan spinoff right now.

SEAN: There’s also a 58th volume of Fairy Tail, which we’ve just heard is in its final arc.

There are three new “digital only” series debuting next week. The first is another josei title from Kiss, The Full-Time Wife Escapist, aka Nigeru wa Haji da ga Yaku ni Tatsu. It’s technically another “fake marriage” title, but this looks like it has lots of depth, and inspired a live-action drama.

From Dessert, we have House of the Sun, aka Taiyou no Ie. This looks like a cute and fluffy romance series, and is 13 volumes. I think it’s also won awards.

MICHELLE: I’m really interested in both of these!

ANNA: As am I, surprising no one!

MJ: I might be? These are sometimes a wild card for me.

SEAN: Back briefly to print, we have the 9th volume of Kiss Him, Not Me!, which can be cute and fluffy romance, but honestly should be read for the laughs.

ASH: Definitely not a series to be taken too seriously, but it can be a lot of fun.

SEAN: Our final digital debut is Peach Heaven!, also a 13-volume romance from Dessert, but this one seems more in the “how much do I like jerks?” L♥DK mode. I hope I’m wrong.

MICHELLE: Here’s one Kodansha digital title I’m going to pass on.

MJ: Ugh.

SEAN: And back to print again, with the third volume of Ouran’s dark mirror, The Prince in His Dark Days.

And there’s a 4th Sweetness and Lightning as well.

ASH: Yay! Still loving the series’ combination of family and food.

SEAN: Seven Seas has another Freezing omnibus, collecting volumes 13 and 14.

And the second volume of Holy Corpse Rising.

MICHELLE: Is that what they do the morning after a Corpse Party?

ASH: Hahaha!

SEAN: Their first debut is the last of the “month of yuri” titles, this one from Hirari magazine. Kase-san and Morning Glory looks sweet and adorable, and I look forward to it.

MICHELLE: It does look cute!

ASH: It certainly does.

SEAN: The second debut is There’s a Demon Lord on the Floor, which is an ecchi comedy, and for once involves a demon being summoned to OUR world rather than an “average school student” being summoned there.

Vertical gives us the 2nd Bakemonogatari novel from Nisioisin, which introduces us to enthusiastic Suruga Kanbaru and shy and moe Nadeko Sengoku. (No spoilers, please.)

And also the 7th Cardfight Vanguard, which I think will now resume regular releases after a long hiatus over here.

Viz gives us a gorgeous-looking deluxe boxset of the entire Revolutionary Girl Utena manga, including the movie volume. I am conflicted, to say the least, about the content of said manga, but as a hardcore Utena anime fan, I will be getting it anyway, and seeing if the years have been kinder.

ASH: Surprisingly, I actually haven’t read the Utena manga series, but I did love The Adolescence of Utena (the movie volume) which is also included in this set. From the pictures Shojo Beat has been posting online, this should be a stunning release.

MJ: I’m probably putting this on my list.

SEAN: Yen Press says “Hey, we have digital-only releases too!”, and they do indeed, with the 8th Aoharu x Machinegun, 9th Corpse Princess, and 8th Saki.

ASH: Saki!

There are also two print stragglers. Anne Happy has a 4th volume of “how miserable can we make everyone for comedy?” antics.

And Monthly Girl’s Nozaki-kun never has to worry about that, it’s always funny. Here’s the 6th volume.

MICHELLE: Yay!

ASH: I love this series so much. Reading it makes me so happy.

ANNA: I’m behind already. One day I will catch up!

MJ: Woot!

SEAN: That’s a lot of stuff. Are you prepared? Can you handle so many manga volumes?

Manga Giveaway: Tokyo ESP Giveaway

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The end of February is almost here which means it’s yet again time for another giveaway at Experiments in Manga. This month everyone will have the opportunity to win the first omnibus of Hajime Segawa’s manga series Tokyo ESP. (Published in English by Vertical Comics, the omnibus collects the first two volumes of the original Japanese edition.) As always, the giveaway is open worldwide!

Tokyo ESP, Omnibus 1

Growing up I absolutely loved stories about psychic powers. (Did anyone else read The Girl with the Silver Eyes Willo Davis Roberts? That was a favorite of mine and I frequently reread it.) I no longer deliberately seek out that particular subgenre in the same way that I used to, but I do continue to enjoy stories with ESP as a prominent feature. At one point in time, it actually seemed like it was impossible to get away from manga series revolving around characters with psychic powers. While they don’t seem to be nearly as common as they once were, manga with psychics and espers are still regularly released in English, Tokyo ESP being just one example

So, you may be wondering, how can you a copy of the first Tokyo ESP omnibus?

1) In the comments below, tell me a little about one of your favorite psychics or espers from a manga. (If you don’t have a favorite or don’t know of any, simply mention that.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

That’s pretty straightforward, right? Everyone participating has one week to submit comments and can earn up to two entries for the giveaway. Comments can also be sent directly to phoenixterran(at)gmail(dot)com if needed or preferred. Those entries will then be posted here in your name. The giveaway winner will be randomly selected and announced on March 1, 2017. Good luck, everyone!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: Tokyo ESP Giveaway Winner

Pick of the Week: Erased and Others

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SEAN: There’s quite a few titles I’m getting this week, but I’m not sure any of them really set themselves up above the rest as a Pick. As such, I think I’ll go with an old favorite and pick the 10th omnibus of Fruits Basket, which has Shigure’s nastiest speech to Tohru, and is therefore fascinating.

MICHELLE: I’m definitely all aboard for Fruits Basket, but after reading more about it, Erased sounds really interesting! Plus, it’s been nominated for all sorts of awards. I think I’ll be optimistic and pick it this week.

KATE: I’m torn between the latest volume of Dimension W and the first volume of Erased. I’m leaning ever-so-slightly towards Dimension W, if only because Yuji Iwahara draws manga like nobody’s business. Every detail on the page pops, and the characters are drawn with flair. And his world-building! You could read Dimension W just for the elaborate cityscapes. The story isn’t quite as engrossing as the art, but it’s fundamentally impossible to dislike an adventure in which Nikola Tesla’s research is frequently referenced.

ASH: I’m glad that Michelle picked Erased (which I will definitely be reading) because that means I can mention Magia the Ninth without feeling guilty. I can’t say it’s a great series–at times it’s barely coherent an I suspect that it was ended earlier than the creator originally intended–but I enjoyed the first volume immensely. I find it hard to resist the combination of music, magic, and historical references. The manga is absolutely ridiculous, but I’m getting a huge kick out of it and it makes me smile. Sometimes, that’s exactly what I need.

MJ: I have eternal love for Fruits Basket, of course, and I’m also interested in Dimension W. But I was absolutely thrilled to see Erased on the list, and that’s unambiguously my pick for the week. My husband and I watched the anime adaptation last year, when it was released for streaming in the U.S., and it was absolutely enthralling. This is a release I will not miss!

ANNA: I agree with many of my colleagues that Erased certainly sounds like the most interesting thing coming out this week. Looking forward to it!

My Week in Manga: February 13-February 19, 2017

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My News and Reviews

Hooray! I managed to write and post another in-depth review at Experiments in Manga. Even if I’m not writing as much as I once was, it still feels pretty good to get back into the (slow) swing of things. Anyway, last week I took a look at Jen Lee Quick’s dark fantasy Western Gatesmith, Volume 1. The comic is off to an intriguing start though it can also be a little frustrating. The series is currently on break, but I hope that there will be more soon.

As many people are probably aware, the prolific and versatile mangaka Jiro Taniguchi passed away earlier this month. Despite not being particularly well known in English, a fair number of his manga have been released in translation. Kate Dacey of The Manga Critic has a nice guide to Taniguchi’s work for those interested in what is currently available. At The Comics Journal, Taniguchi was the subject of a recent article by Joe McCulloch and an obituary written by Zack Davisson. Other comic sites like The Beat have recently honored Taniguchi as well. I’ve read most but not quite all of Taniguchi’s work in English, my personal favorites being A Distant Neighborhood and his collaboration with Baku Yumemakura The Summit of the Gods. Way back when there was a Manga Moveable Feast devoted to Taniguchi, too. Some of the links are no longer work, but many of the features can still be tracked down.

In happier news, SuBLime announced three new licenses last week: Akane Abe’s Am I In Love or Just Hungry? (digital-only), Scarlet Beriko’s Jackass!, and Tsuta Suzuki’s A Strange and Mystifying Story. (I’m very curious about Jackass! and I’m very happy about A Strange and Mystifying Story which is actually a license rescue. The first three of seven volumes were originally published in English by Digital Manga; I remember quite liking them.) The Toronto Comic Arts Festival has started announcing its featured guests for the year which will include Gengoroh Tagame among other fantastic creators. The OASG talked to Kodansha Comics about the licensing of Chihayafuru. While still probably unlikely, a print edition of the series isn’t completely off the table. As for Kickstarter campaigns for queer comics that have recently caught my attention, Megan Lavey-Heaton has launched a project to print the third volume of Namesake.

Quick Takes

Blood Blockade Battlefront, Volume 1Blood Blockade Battlefront, Volumes 1-7 by Yasuhiro Nightow. I wasn’t initially planning on reading Blood Blockade Battlefront–I wasn’t a huge fan Nightow’s Trigun–but I kept hearing great things about the anime adaptation and then I came across a “complete” set of the manga on super sale, so I picked it up. The series is actually ten volumes long; supposedly Dark Horse has plans to release the final three at some point. In general the manga tends to be fairly episodic, so even if the rest of the series isn’t translated at least readers aren’t left with an unresolved story. It wasn’t until partway through the second volume of Blood Blockade Battlefront that the series started to click with me, but once it did I found myself really enjoying the manga. Its mix of goofy everyday life and action-heavy sequences actually reminded me a bit of Cowboy Bebop. The manga is essentially about a semi-secret group of monster hunters working in what used to be New York before it was destroyed by the sudden appearance of an interdimensional portal. The character designs of the main cast are sadly simple and plain compared to the series’ fantastic setting and creatures, but their distinctive personalities mostly make up for that.

The Box ManThe Box Man by Imiri Sakabashira. The North American manga industry is primarily focused on publishing more popular, mainstream works, but occasionally an alternative or independent work is released as well. The Box Man was originally serialized in Ax, an alternative manga magazine in Japan which was the basis for the Ax: Alternative Manga English-language anthology. Examples of Sakabashira’s work can be found in that anthology and in the earlier collection Sake Jock, but The Box Man is his first long-form work to be translated. Granted, there’s very little dialogue that actually needs to be translated–for the most part the manga is an entirely visual experience. Even the story is fairly limited in scope. The narrative follows a kappa-like cat accompanying a man on a scooter who is transporting a box which turns out to contain something rather peculiar. The strangeness of The Box Man doesn’t end there, but the point of the manga seems to be less about telling a story and more about creating a visual spectacle. The artwork incorporates popular culture references (some of which I’m sure I completely missed) and at times can be rather bizarre, violent, or erotically-charged.

Giganto MaxiaGiganto Maxia by Kentaro Miura. Though it certainly has its problems, Miura’s Berserk is one of my favorite series. I have been significantly less enamored with the other manga by Miura that have been released in English–specifically his collaborations with Buronson Japan and King of Wolves–but I was still very curious about Giganto Maxia. Whether it’s intentional or not, the dark fantasy manga shares some similarities with Attack on Titan and Terra Formars and also appears to be heavily influenced by professional wrestling. Miura’s artwork in Giganto Maxia is tremendous but the story, while it isn’t awful, struggles to match the caliber of the illustrations. I almost wonder if Giganto Maxia was originally intended to be longer than a single volume since so much about the manga’s world and characters are left unexplained in the end. Giganto Maxia does more or less tell a complete story, but it feels like a single episode taken from the middle of a larger narrative. At one time a slave forced to battle to the death in a gladiatorial arena, Delos is now fighting against the empire itself. Joining forces with Prome, a powerful spirit who takes the form of a young girl (and who is constantly trying to get him to drink her “nectar” ), Delos can transform into the mythic titan Gohra in order to do battle.

Lake JehovahLake Jehovah by Jillian Fleck. Lake Jehovah, Fleck’s debut graphic novel, first came to my attention due to the fact that Jay, the comic’s protagonist, is genderqueer. While themes of identity, gender, and sexuality are integral to the comic’s story they aren’t the primary focus of Lake Jehovah. Instead, the comic is about the end of the world, both literally and figuratively. Human civilization has already succumbed to multiple apocalypses but Jay unexpectedly becomes the prophet for the next impending disaster while dealing with even more personal and existential crises. Jay struggles with intense depression and anxiety which slowly destroys xis relationship with xis fiance. Eventually she leaves, no longer able to cope with Jay’s instability, and Jay is left recover and come to terms with everything alone. Lake Jehovah actually handles the topic of mental illness better than many other comics I’ve read. It’s an emotionally tumultuous work, tempering despair with humor as the characters search for meaning in their lives even while everything is falling apart around them. Some turn to sex or drugs while others find comfort in poetry or art. Lake Jehovah is a somewhat strange but undeniably compelling comic.

Manga the Week of 2/22/17

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SEAN: Not only is next week a Yen Press week, but the other publishers have a bunch of stuff too. Get ready to be buried again.

J-Novel Club has three titles. Grimgar of Fantasy and Ash has a 2nd volume, and continues to be the “trapped in another world” title that is SERIOUS BUSINESS.

The debut this week is How a Realist Hero Rebuilt the Kingdom, which could be good but whose title makes me very wary. Realist Hero sounds only a few story steps from a Dark!Grey!Independent!Harry fanfic.

And we get the 2nd and (so far) final volume of Occultic;Nine, from the creators of other badly punctuated works.

Kodansha is doing a mass re-release of the Ghost in the Shell manga, featuring Ghost in the Shell 1, 1.5, and 2. No, it doesn’t have the hardcore lesbian sex scene, as I know someone will ask. The creator requested it be removed. It’s still good. Get it if you don’t have it.

ASH: It’s been a long time since I first read the original Ghost in the Shell manga! Along with Message to Adolf and Blade of the Immortal, it was actually one of the first manga that I ever read.

SEAN: And they have a 6th Inuyashiki as well.

Seven Seas has a quartet of titles, beginning with a second volume of Magia the Ninth.

ASH: The first volume of Magia the Ninth was absolutely ridiculous but I couldn’t help enjoy myself. I’ll definitely be picking up the second and final volume.

SEAN: There’s also a 6th volume of Magica Swordsman and Summoner, one of those titles that I sort of stick my fingers in my ears and go ‘lalala’ when I see it.

The debut is Magical Girl Site, another in a genre I am so sick of it’s beyond belief. If you like the 8th iteration of cute young girls dying in violent ways, here it is. Again.

And in the complete opposite direction, we have the 2nd volume of Miss Kobayashi’s Dragon Maid, which remains yuri-ish despite the best efforts of the English dubbers of the anime.

ASH: I was surprised by how much I enjoyed the first volume.

SEAN: Vertical has a 5th volume of Devil’s Line.

Viz gives us a 2nd Mobile Suit Gundam Thunderbolt, one of the newer Gundam iterations.

ANNA: I still need to read all the volumes of Gundam: The Origin that I hoarded.

ASH: I’m ashamed to say that there are a few volume of The Origin that I have left to read, too.

SEAN: And an 11th Tokyo Ghoul, which should outsell everything else on this list combined.

And there’s also a 7th Ultraman.

And then there’s Yen Press. As with previous months, we get most of their titles except one or two which are delayed a week (so don’t panic, Nozaki fans). Yen On has the 10th A Certain Magical Index. Will the entire world be forced to be Roman Catholic? Naruto never had cliffhangers like that.

Is It Wrong to Try to Pick Up Girls in a Dungeon? has the 2nd volume of its side story based on Aiz Wallenstein, Sword Oratoria.

Yen On’s debut is KonoSuba: God’s Blessings on This Wonderful World!, an abbreviation of Kono Subarashii Sekai ni Shukufuku o! (which I am happy to never type again). It’s a “trapped in another world” novel, but as you can see by its first volume subtitle, Oh My Useless Goddess!, it’s a broad parody of such titles.

And a 3rd volume of Psycome, in which the protagonist’s somewhat obsessed little sister joins the cast.

Oh yes, and three more Spice & Wolf volumes digitally, as the catchup really takes off.

Yen’s manga releases begin with the third Aoharu x Machinegun. Will we finally get the gender reveal that is probably long overdue?

ASH: Another series that surprised me with how much I enjoyed the first volume; I should probably catch up and see if I continue to like it.

SEAN: Onward and Onward and Onward goes BTOOOM!, now up to Vol. 16.

Corpse Party: Blood Covered has a 4th omnibus, and must be running out of corpses for the party. Someone will have to run down to the store.

MICHELLE: Hee! And that is the most amused I’ve ever been by Corpse Party!

SEAN: And we get a 5th Volume of Dimension W.

ASH: I’m still not sure if Iwahara can tell a coherent, cohesive story, but I did enjoy the first couple of volumes of Dimension W.

SEAN: Erased makes its debut, and it’s a hardcover omnibus. Dark time-travel thriller, from what I understand.

ASH: Now this I am very interested in reading.

SEAN: Fruits Basket has a 10th omnibus. We are rocketing towards the climax!

MICHELLE: After ten months, you’d think I’d be accustomed to the speed of this release, but you’d be wrong.

ANNA: Nice!

SEAN: KonoSuba, mentioned above, also has its 2nd manga volume.

Believe it or not, there are still Madoka Magica spinoffs, though they’re slowing down. Puella Magi Oriko Magica: Sadness Prayer’s 2nd volume sounds like the rest of the genre the main series inspired: bleak.

Rose Guns Days Season 2 Volume 2 is still not as good as Higurashi or Umineko.

I know very little about Smokin’ Parade except it runs in Kadokawa’s Young Ace and looks grim.

Spirit & Cat Ears is from my old nemesis, Comic Alive, so expect fanservice and cuteness, in that order.

Lastly, we get an eighth volume of Trinity Seven.

With the Manga Bookshelf team breathing a sigh of relief that at least there’s a Fruits Basket they can use for Pick of the Week, what will you be getting?

ANNA: Apparently, all of Kodansha’s josei and shoujo digital releases from last week!

Gatesmith, Vol. 1

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Gatesmith, Volume 1Creator: Jen Lee Quick
Publisher: Chromatic Press
ISBN: 9781987988079
Released: July 2016
Original run: 2014-2015

My introduction to the work of Jen Lee Quick was through her comic Off*Beat. The first two volumes of the series were originally published by Tokyopop after which the comic sadly languished unresolved until it was rescued by Chromatic Press, becoming one of the publisher’s flagship titles. After completing Off*Beat with Chromatic Press, Quick began working on a second comic series with the publisher called Gatesmith. The origins of Gatesmith actually date back to Quick’s Tokyopop days as well, but the ideas for comic have significantly changed since then. At least one thing has remained the same though–Gatesmith is a dark fantasy Western drastically different from Off*Beat. Gatesmith began serialization in Chromatic Press’ digital magazine Sparkler Monthly in 2014. The first volume concluded in 2015 and the serialized content was subsequently collected as an ebook along with an exclusive epilogue comic and the short prequel comic “Hungry.” A small print run of Gatesmith, Volume 1 was released in 2016. As a fan of Quick’s work, I was very happy to snag a copy.

Edgeward is a western frontier town undergoing a transformation as its residents slowly build it into a successful mining city. But Edgeward is also the home to numerous strange happenings, phenomena which some people attribute to the area’s large deposits of mythrilite, a promising but potentially dangerous new energy source which hasn’t yet been thoroughly studied. Modernization can carry along with it tremendous risks, but there seems to be something even more primal, ancient, and bizarre at work in Edgeward. On the outskirts of town, strange lights can be seen in the middle of the desert. Peculiar trees spontaneously emerge where no tree has any right growing. Rumors circulate about monsters and creatures of legend roaming about. Ranchers are losing livestock and are uncertain whether or not to blame humans or something much more diabolical. Whatever it is that is going on in Edgeward may very well have a greater meaning and far-reaching impact than anyone realizes.

Gatesmith, Volume 1, page 72The setting of Gatesmith, while beautiful, is also a harsh and frequently brutal one. Survival is certainly not guaranteed in such an unforgiving environment. The comic opens with an attack on a covered wagon that leaves everyone directly involved in the incident dead and the violence in the story doesn’t end there. At this point virtually everything is unknown in Gatesmith, and the unknown is very apt to get someone killed. Gatesmith, Volume 1 offers very few answers as Quick layers mystery upon mystery. In the series, myth, folklore, and the supernatural are closely intertwined with scientific, social, and technological progress. The anxieties surrounding the changing times are very real and sometimes manifest in unexpected ways. When humans are attempting to deal with things that they don’t completely comprehend or understand trouble naturally follows, but it’s not always the inhuman that people have to worry about–unintentionally or not, civilization can be just as destructive and isn’t necessarily always a positive force. Tremendous resilience and adaptability will be required of any of the characters who hope to reach the end of Gatesmith alive.

Gatesmith is off to an incredibly intriguing start with its first volume; I am intensely curious to see how the comic continues to develop from here. However, part of what makes Gatesmith so appealing and engrossing is also what makes the comic somewhat frustrating. Quick is working with several storylines and a marvelously diverse cast of characters, but this early on in the series the connections between them all are not immediately clear. With the many strange occurrences and often stranger characters involved in Gatesmith, the ultimate direction and drive of the story is somewhat obscured at the moment and the worldbuilding hasn’t yet been established in its entirety. What has been revealed so far is enticing and tantalizing, though. Gatesmith is an interesting blend of genres. Quick draws on traditions of Westerns, folklore, horror, and other speculative fiction without relying heavily on preexisting elements or well-worn tropes, combining them together in striking ways. Currently Gatesmith is on a break as Quick concentrates on a few other creative projects, but I hope to see more of the weirdly wonderful and wonderfully weird Western soon.

My Week in Manga: February 6-February 12, 2017

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My News and Reviews

Last week at Experiments in Manga I posted the Bookshelf Overload for January–it was kind of a strange month for manga and other media acquisitions for me, but it wasn’t as absurd as December so at least my wallet’s a little happier. I also managed to finish my draft for February’s in-depth review, so I should have that cleaned up and posted sometime later this week.

Last week I came across a few interesting things online related to queer manga, comics, and other media. Massive has now released Jiraiya’s Two Hoses in English, a manga telling the story of “The Greatest Couple,” characters who were initially designed for the company as part of its launch. (Massive has released Jiraiya’s Caveman Guu manga, too, which was subsequently collected in the excellent anthology Massive: Gay Erotic Manga and the Men Who Make It.)

I haven’t had a chance to actually listen to it yet, but the most recent ANNCast focused on LGBT representation in manga and anime with guests Erica Friedman, Jason Thompson, and Valerie Complex. Friedman also visited the University of Michigan back in January to discuss queer manga. The recording of her presentation Alt Manga, Queer Manga: Telling Our Own Stories is now available to watch on YouTube.

There were a few Kickstarter campaigns that caught my attention last week as well. First and foremost, Chromatic Press is raising funds to release the final volume of Lianne Sentar’s series Tokyo Demons in print, produce a revised edition of the first novel, as well as reprint the other books in the series. It isn’t a secret that I am a huge fan of the series, so I definitely want to see the project succeed. Tabula Idem is a great-looking tarot-themed queer comics anthology with an accompanying queer-themed major arcana tarot deck. I’m not very familiar with most of the artists involved, but Kaiju (whose comics I greatly enjoy) is contributing the cover illustration. Pamela Kotila has also launched a campaign to print the second volume of the webcomic Spidersilk. Though I haven’t actually read it yet, I recently picked up the first volume so this project seems to be aptly-timed.

Quick Takes

The Ancient Magus' Bride, Volume 4The Ancient Magus’ Bride, Volumes 4-6 by Kore Yamazaki. It’s been a little while since I’ve read The Ancient Magus’ Bride but that’s not because I don’t like the manga. In fact, it’s quite the opposite–The Ancient Magus’ Bride is actually one of my favorite series currently being released in English. I simply wanted to have a whole stack of volumes to read all at once. (Also worth noting: The first printing of Volume 6 is even accompanied by a special booklet with an additional comic!) Somehow, I had managed to forget just how much I enjoy The Ancient Magus’ Bride. I love its moody atmosphere and setting, beautiful artwork, and intriguing characters. Elias remains something of an enigma although parts of his past have now been revealed. He isn’t particularly happy about this development, though. Likewise, more is known about Chise, too, although she is still hesitant to share. The relationship dynamics in The Ancient Magus’ Bride are somewhat peculiar but remain compelling. Most of the characters in the manga are struggling with some sort of heartbreaking loneliness or feelings of isolation. To see them slowly drawing closer together, forming bonds of friendship, family, and love is immensely satisfying.

Mr. Mini MartMr. Mini Mart by Junko. Although the boys’ love manga Mr. Mini Mart was released in English first, my introduction to Junko’s work was through the series Kiss Him, Not Me. Because I was enjoying that series, I made a point to track down a copy of Mr. Mini Mart which for a time had gone out-of-print. (It’s more-or-less back in print again, but the manga seems to only be available directly from Juné Manga’s online store.) I forget why I initially passed on Mr. Mini Mart but I’m very glad that I finally got around to reading it. Mr. Mini Mart collects two boys’ love stories. Most of the volume is devoted to the titular “Mr. Mini Mart” but a short, unrelated one-shot manga “Young Scrubs” is included as well. It’s not nearly as good, though. “Mr. Mini Mart” is wonderful and surprisingly sweet. The story follows the high-school-aged Nakaba who, after an unfortunate incident in middle school, has been living as a shut-in. He gets finally gets out of the house when his uncle gives him a job at his store, but Nakaba has a difficult time getting along with his coworker Yamai and his abrasive personality. I’ll admit, I’m a sucker for a sensitive tough guy and it turns out that Yamai is an amazing example of one and is just a great person in general.

The Seven Princes of the Thousand-Year Labyrinth, Volume 1The Seven Princes of the Thousand-Year Labyrinth, Volume 1 written by Yu Aikawa and illustrated by Haruno Atori. I really wanted to like the first volume of The Seven Princes of the Thousand-Year Labyrinth more than I actually did. The basic premise is intriguing. A group of some of the kingdom’s most noteworthy, and in some cases most notorious, citizens wake up to find themselves trapped together in an elaborately booby-trapped castle. (The exception is the protagonist Ewan whose only distinguishing characteristics are his trusting nature, inherent kindness, and the fact that he’s from the kingdom’s most remote island.) The assumption is that whoever manages to survive the ordeal will become the kingdom’s emperor and reigning lords. There is a ton of potential in this set up, but The Seven Princes of the Thousand-Year Labyrinth simply didn’t work for me. Mostly I think it’s because the characters all come across as types rather than well-rounded individuals. What’s more is that they don’t even feel like they should all be a part of the same series; I found this lack of cohesiveness to be frustrating. The artwork is pretty, though, if not especially distinctive and there are plenty of plot twists, too.

TomieTomie by Junji Ito. Although uncommon, license rescues aren’t particularly rare, but Ito’s horror series Tomie is one of the very few manga to have been released in English by three different publishers. Most recently, Viz Media has collected the entire series in a single, massive tome with over seven hundred forty pages. The translation used is the same as the one in Dark Horse’s Museum of Terror series which I own, but I couldn’t resist the deluxe, hardcover treatment the volume received to match Viz’s other recent re-releases of Ito’s manga. Tomie was actually Ito’s award-winning professional debut and began serialization in 1987 in a shoujo magazine. The manga is largely episodic although there may be several chapters devoted to a single story arc and later stories sometimes make passing references to earlier ones. What ties the series together is the presence of Tomie, a beautiful young woman who is seemingly immortal. Time and again men fall desperately in love with Tomie and are eventually overcome by a desire to murder and dismember her. Not only does Tomie survive, she regenerates and multiplies, and so the horror continues. While not as mind-bendingly bizarre as some of Ito’s later works, Tomie is still weird, horrifying, gruesome, and grotesque.

Pick of the Week: Chihayafuror

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MICHELLE: I have wished for an English release of Chihayafuru for nearly a decade now. It’s josei, it’s long, it’s about an obscure game… all of the things that made me sure I’d love it made it an unlikely licensing prospect. And yet Kodansha came through! I must say, I am already deeply loving their ramped-up digital initiative. I will surely be checking out Tokyo Tarareba Girls and Springtime with Ninjas (and Germany o/~), but Chihayafuru simply must be my pick this week.

SEAN: Absolutely Chihayafuru, if only so I can cross another title off my “this will never be licensed” bucket list.

ANNA: Michelle has said everything I would about Chihayafuru. As someone who loves josei manga, I wish more of it would be translated, and I’m delighted about Chihayafuru.

KATE: Since Michelle and Sean have already mentioned my top picks for the week, I’m going off-list to honor the late, great Jiro Taniguchi, who passed away on Saturday. A quick glance at online retailers like Amazon reveals that many of his manga are out of print. Two great titles that are still readily available are A Distant Neighborhood, a lovely coming-of-age story that’s funny, wise, and unsentimental, and Guardians of the Louvre, a handsome, full-color manga exploring the Louvre’s history.

ASH: Kodansha’s digital offerings of late really have been fantastic! I’ll throw in with everyone else and declare my top pick to be Chihayafuru. I’d also like to join Kate in highlighting some of Taniguchi’s work: A Distant Neighborhood is a personal favorite of mine as is his collaboration with Baku Yumemakura The Summit of the Gods.

MJ: From deep beneath a pile of snow, I raise my fist and shout, “Chihayafuru!” Yes, Chihayafuru.

Manga the Week of 2/15/17

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SEAN: OK, I know why we’re all here, but god forbid I not do this in alphabetical order by publisher, so…

MICHELLE: *sits on hands*

ANNA: *taps fingers impatiently*

SEAN: Dark Horse gives us a 4th volume of Fate/Zero, which has been getting darker and darker by the volume.

J-Novel Club has gotten to the point where we’re getting 2nd volumes. My Big Sister Lives in a Fantasy World may be very light novelish, but I found it a lot more fun than expected. Look forward to Vol. 2.

Their debut is Paying to Win in a VRMMO, which for once seems to feature a total immersion VR world that DOESN’T trap the players inside it.

OK, what you’ve been waiting for. Kodansha announced a few digital-only titles, and one was a long-coveted “this will never be licensed because it’s too Japanese” series, Chihayafuru. The story of a girl and her Hyakunin Isshu Karuta growth… what’s too Japanese about that? A josei series from Be Love magazine, everyone will buy this or I will personally come to your house and stare balefully at you.

MICHELLE: I’ll bring the cricket bat.

ANNA: I am SO excited, this is one of those titles I thought would never come out here.

MJ: This, this-y, this this. This this.

SEAN: We’re also getting the digital debut of Springtime with Ninjas, a shoujo title from Nakayoshi that I feel bad for, first because it pales next to Chihayafuru and Tokyo Tarareba Girls, but mostly because I won’t be able to read it without adding “And Germany!”.

MICHELLE: And now I won’t, either! :)

ANNA: I enjoy shoujo ninjas!

SEAN: As hinted, we also see Tokyo Tarareba Girls debut. Also a josei title, this one from Kiss magazine, it’s by the creator of Princess Jellyfish, and is award-nominated and fantastic.

MICHELLE: This is one I didn’t know I needed, and now I’m so eager. I will give Springtime with Ninjas a chance, too. Mostly to show my appreciation to Kodansha for the josei, though, I admit.

ANNA: I did not know about this either but josei titles are a must buy for me.

MJ: Well, huh. yes.

SEAN: Those are all digital-only, though if they sell well I hope that will change. In print we have the third volume of vampire manga Happiness.

ASH: I’m definitely someone who prefers reading in print, but I’m thrilled that these manga are being translated at all! Also, even though I’m a little weary of vampire manga, I am liking Happiness so far.

SEAN: There’s also a 6th Heroic Legend of Arslan, which I need to catch up with one of these days. I feel bad that I clamor for Silver Spoon while ignoring this.

ASH: It’s a pretty solid historical fantasy series, though I do join you in clamoring for Silver Spoon.

SEAN: And a 2nd volume of the odd yet compelling Nekogahara: Stray Cat Samurai.

Speaking of odd (but not always that compelling), One Peace has a 3rd Kuma Miko.

Seven Seas has four volumes out next week, including a 4th Hour of the Zombie.

Re: Monster is one of the weirder male power fantasies I’ve ever read, so I may give Vol. 2 a try, though I’m wary.

Seven Seas has been doing a LOT of yuri the last few weeks. The one-shot volume next week is Secret of the Princess, from popular author Morinaga Milk. It ran in Shinshokan’s Hirari.

MICHELLE: Hmm… Maybe on this one.

ASH: I have enjoyed many of the creator’s other manga, so I should probably give this one a look, too.

SEAN: And a 4th Shomin Sample, which no doubt will have a girl showing us her panties on the cover.

SuBLime’s 3rd volume of Ten Count is still not about boxing.

MICHELLE: Definitely not.

ASH: Nope.

ANNA: Indeed, no.

MJ: I am skeptical. Though not regarding its lack of boxing.

SEAN: Vertical’s To The Abandoned Sacred Beasts’s 4th volume does feature beasts, though, I believe.

Viz time. Hayate the Combat Butler makes me happy to see it even though it comes out so infrequently. Bring on Vol. 29!

Magi does not have the ‘only twice a year’ issue Hayate does, which is why we’re seeing Vol. 22.

Lastly, there is a 6th Monster Hunter: Flash Hunter.

Well, this was more exciting than I’d expected a few days ago! What are you getting next week?

MICHELLE: A plethora, apparently!

Bookshelf Overload: January 2017

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Looking at the much more reasonable Bookshelf Overload for January after the absurdity that was December’s is kind of strange. I feel like I must have missed something, but no, the list below is all of the media that made its way onto my shelves (or at least into the house) in January. Granted, this does not include everything that was actually purchased in January–some of that is still in the mail. Even some of my most anticipated January release have yet to arrive for one reason or another (I’m looking at you The Girl on the Other Side). On the other hand, some of February’s releases made their way into my hands early. 2017 is apparently off to an appropriately chaotic start. Anyway. Two of the manga released in January that I was most looking forward to that actually managed to arrive on time were Kore Yamazaki’s The Ancient Magus’ Bride, Volume 6 and Junji Ito’s Dissolving Classroom. Another cool thing that I discovered in January but which was actually published in October was the USCA English Edition anthology. USCA is an independent manga magazine in Japan so anyone interested in alternative manga in translation will likely want to track the anthology down. (I found my copy through Seite Books’ online store.) I was also happy that Chan-wook Park’s film The Handmaiden (which is inspired by Sarah Water’s novel Fingersmith) received a physical release in North America. I never did get around to writing a quick take, but I saw the film in the theaters and it was excellent. Sadly, the DVD seems to be a pretty bare-bones release.

Manga!
The Ancient Magus’ Bride, Volume 6 by Kore Yamazaki
Black Clover, Volume 1 by Yūki Tabata
Bloom into You, Volume 1 by Nakatani Nio
The Demon Prince of Momochi House, Volume 7 by Aya Shouoto
Dissolving Classroom by Junji Ito
Food Wars!: Shokugeki no Soma, Volumes 14-15 written by Yuto Tsukuda, illustrated by Shun Saeki
Franken Fran, Omnibus 4 by Katsuhisa Kigitsu
Haikyu!!, Volume 8 by Haruichi Furudate
Love Com, Volumes 1-3 by Aya Nakahara
My Love Story!!, Volume 11 written by Kazune Kawahara, illustrated by Aruko
Yona of the Dawn, Volume 4 by Mizuho Kusanagi
USCA English Edition by Various

Comics!
Angel Catbird, Volume 1 written by Margaret Atwood, illustrated by Johnnie Christmas and Tamra Bonvillain
Devil’s Candy, Chapters 1-2 by Rem and Bikkuri
Gorgeous by Cathy G. Johnson
Kim & Kim, Volume 1 written by Magdalene Visaggio, illustrated by Eva Cabrera and Claudia Aguirre
NewsPrints by Ru Xu
O Infante by Daniela Viçoso
The Perks of Being a Monster by Cathy Nguyen Le and Siobhan Noel Keenan
Root Bound by Cathy Nguyen Le and Siobhan Noel Keenan
#SeniorYear by Cathy Nguyen Le and Siobhan Noel Keenan
Samurai, Son of Death written by Sharman Divono, illustrated by Hiroshi Hirata
Siegfried, Volumes 1-2 by Alex Alice
Yours by Sarah Ferrick

Artbooks!
Undone by Kori Michele Handwerker
Zodiac! edited by Binglin Hu

Nonfiction!
Critical Chips: 10 Contemporary Comics Essays edited by Zainab Akhtar
Now with Kung Fu Grip! by Jared Miracle

Anime!
Chi’s New Address directed by Mitsuyuki Masuhara
Harmony directed by Michael Arias and Takashi Nakamura
Paranoia Agent directed by Satoshi Kon

Film!
The Handmaiden directed by Chan-wook Park

My Week in Manga: January 30-February 5, 2017

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My News and Reviews

Last week at Experiments in Manga the winner of the Please Tell! Me Galko-chan manga giveaway was announced. The post also includes a fairly comprehensive list of the full-color manga and manhwa that have been released in print in English. (However, I just now realized that I neglected to include manga like Katsuhiro Otomo’s Akira and Buronson and Tetsuo Hara’s Fist of the North Star which, while not originally illustrated in full-color, had some full-color editions released in English.) Otherwise it was fairly quiet week, but I am well on my way to completing an in-depth review for February. Happily, my goal to write at least one long-form feature every month so far seems achievable.

I wasn’t actually online much at all last week (things were pretty hectic at work and there are always a fair number of taiko and lion dance performances I’m involved in around Chinese New Year) but there were still a few things that caught my attention: Vic James wrote an essay for Tor.com about Yukio Mishima and Forbidden Colors–The One Book That Made Me Move to Japan. (Mishima fascinates me and was actually my introduction to Japanese literature; I’ve reviewed quite a few books by and about him.) The most recent issue of Words without Borders is devoted to international graphic novels. Also, Digital Manga’s Juné imprint announced two new print licenses (Psyche Delico’s Even a Dog Won’t Eat It and Choco Strawberry Vanilla) as well as its upcoming Kickstarter project to publish the first volume of Velvet Toucher’s Eden’s Mercy.

Quick Takes

Bloom into You, Volume 1Bloom into You, Volume 1 by Nakatani Nio. I’ll have to admit, recently I’ve grown a little weary of high school romances. Even so, I was still very interested in reading Bloom into You, one of Seven Seas most recent yuri series. Specifically, I was curious about the manga’s treatment of aromanticism, something which I haven’t seen many series address. Yuu has never fallen in love and so she is glad to meet Nanami, an upperclassmen who likewise has never felt that way about anyone before. Finally Yuu has someone she feels comfortable confiding in about it except that Nanami is now falling in love with her. One of the things that I really appreciate about Bloom into You is how considerate and respectful Nanami is of Yuu’s feelings (an exception being a stolen kiss). It’s also obvious that they both care about each other, even if Yuu hasn’t yet experienced the romantic spark that Nanami has only recently found for herself. The two of them actually communicate, too, so there’s none of the silly misunderstandings that plague so many other series that would easily be solved if the characters would simply talk to each other. I would definitely like so see how Yuu and Nanami’s relationship continues to develop from here.

Franken Fran, Omnibus 3Franken Fran, Omnibus 3-4 (equivalent to Volumes 5-8) by Katsuhisa Kigitsu. Despite what the cover illustrations would seem to imply, Franken Fran isn’t particularly heavy on fanservice. Granted, there is some nudity in the series, but it’s generally more discomfiting than it is titillating. Franken Fran is a manga that delights in making its readers uncomfortable. But although it is frequently gruesome and grotesque, the quirky horror is accompanied by a great deal of humor as well. Kigitsu uses actual medical and scientific phenomenon as inspiration but takes them to such logical and illogical extremes that they become almost unrecognizable. The horror in Franken Fran works as well as it does because there are these little kernels of truth underneath it all. For the most part Franken Fran tends to be episodic although the stories can largely be categorized by recurring types, settings, and characters. For example, there are numerous chapters based in Fran’s school as well as a set of quickly escalating stories about the supposedly superheroic Senitals. More characters are introduced as the series progresses, too, including Fran’s incredibly crass, vulgar, and homicidal older sister Gavril.

Lucifer and the Biscuit Hammer, Omnibus 5Lucifer and the Biscuit Hammer, Omnibus 5 (equivalent to Volumes 9-10) by Satoshi Mizukami. It’s been quite a while since the last omnibus of Lucifer and the Biscuit Hammer was released. I’m not entirely sure why it took me so long to finally get around to reading it though since there was so much about the series that I enjoyed. The ending of the series was pretty great. It was immensely satisfying to see the Beast Knights pull together for the final battle against Animus as a tightly knit team, surpassing everything that they’d previously accomplished. They are a group of troubled outsiders who have established a tremendous and lasting bond with one another despite, or maybe because of, their differences. As weird a manga as Lucifer and the Biscuit Hammer can be–and it can be very weird (which is admittedly something that I like about the series)–it still manages to have a surprisingly deeply resonant core. If it wasn’t already clear, the conclusion of the series’ makes its theme explicit. Underneath the psychic powers and supernatural battles is a story about growing up regardless of how old someone actually is, about survival in the face of the worst that life can throw at somebody, and about forming meaningful connections with others.

Pick of the Week: So Many Choices

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SEAN: There’s a ton to choose from, most of it from Viz. So many of my favorites are getting new volumes it’s hard to narrow it down, but I’ll make it the new volume of My Love Story!!, which never fails to warm the cockles of my little heart.

KATE: My pick goes to Fuku Fuku Kitten Tales. Although it’s not quite in the same league as Chi’s Sweet Home, Fuku Fuku will appeal to cat fanciers. I particularly like the way Kanata Konami draws cats when they’re irritated; no one draws feline side-eye with quite such authority. Those feline reaction shots add a tart little zing to the Fuku Fuku stories that prevents them from becoming too cloying.

MICHELLE: Oh, man. Such a tough choice. Both Sean’s and Kate’s picks are on the top of my stack, but ultimately the title I’m most eager for is Haikyu!! because I’m addicted to its sports manga goodness.

ASH: It really is a tough pick this week, especially since there are so many Viz series that I’m following with new volumes being released. Sean has already mentioned My Love Story!! and Michelle has already mentioned Haikyu!!, so I’ll take this opportunity to mention Yona of the Dawn. It may not be as typographically emphatic, but it’s still a great series and I’m looking forward to reading more of the shoujo fantasy epic.

ANNA: If there’s a shoujo fantasy series out, you can be sure that I’m going to pick it. I’m going to join with Ash in picking Yona of the Dawn. It is firmly in the “get the team together” phase of the story, but I’m thoroughly enjoying it. I would love it if there were 2 or 3 series like it licensed at once!

MJ: I feel a little out of sync this week, with such a big haul and so little of it for me. But I will join Kate in appreciation of Fuku-Fuku Kitten Tales. More kitties is always something I can get behind, especially when they are drawn by this artist.