Ash Brown

Bookshelf Overload: March 2017

April 13, 2017 by Ash Brown

Well then, I managed to acquire a rather large number of books in March. Unexpectedly, most of them weren’t even manga. In part this was due to a bunch of comics that I had previously backed on Kickstarter showing up last month. I can also thank both online retailers and my local comic book store for offering some massive discounts throughout March. (On top of that, I have a tendency to buy books when I’m under stress. Seeing as I’m in the process of transferring from one job to another, there’s been a fair amount of added stress lately, too.) But as for the manga I picked up in March: I was particularly delighted to come across Mitsuru Adachi’s Short Program, which has been out of print for a while now. I also decided to give Kazune Kawahara’s High School Debut a try since I’ve been enjoying My Love Story!! so incredibly much. I was admittedly a little surprised to come across The Secret Devil-chan, Volume 1 by Emu, the first book to be released under Digital Manga’s new PeCChi imprint. The book has actually been available since September I think, but only directly from Digital Manga; I wasn’t sure if any of the publisher’s titles were still being released outside of it’s own web stores. And while 100 Manga Artists isn’t manga it certainly is manga-related. I didn’t realize it at first but it turns out the volume is actually a revised and updated edition of Manga Design which was released back in 2004 (and which I also own). I haven’t had a chance to closely compare the two, but 100 Manga Artists is nevertheless an interesting resource.

Manga!
Bungo Stray Dogs, Volume 2 written by Kafka Asagiri, illustrated by Sango Harukawa
Crimson Shell by Jun Mochizuki
Food Wars!: Shokugeki no Soma, Volume 16 written by Yuto Tsukuda, illustrated by Shun Saeki
Hana & Hina After School, Volume 1 by Milk Morinaga
High School Debut, Volumes 1-5 by Kazune Kawahara
Kaze Hikaru, Volume 24 by Taeko Watanabe
Kiss and White Lily for My Dearest Girl, Volume 1 by Canno
Maid-sama!, Omnibus 3 by Hiro Fujiwara
New Lone Wolf and Cub, Volume 8 written by Kazuo Koike, illustrated by Hideki Mori
One-Punch Man, Volume 11 written by One, illustrated by Yusuke Murata
The Prince in His Dark Days, Volume 3 by Hico Yamanaka
Persona 3, Volume 3 by Shuji Sogabe
Prison School, Omnibus 6 by Akira Hiramoto
The Secret Devil-chan, Volume 1 by Emu
Scum’s Wish, Volumes 1-2 by Mengo Yokoyari
Sherlock: A Study in Pink by Jay
Short Program, Volumes 1-2 by Mitsuru Adachi
Sweetness and Lightning, Volume 4 by Gido Amagakuure
That Wolf-Boy Is Mine, Volume 2 by Yoko Nogiri

Comics!
Ancestor by Matt Sheean and Malachi Ward
Arclight written by Brandon Graham, illustrated by Marian Churchland
The Best We Could Do by Thi Bui
Big Mushy Happy Lump by Sarah Andersen
Bones of the Coast edited by Shannon Campbell, Jeff Ellis, and Kathleen Jacques
Check Please!, Year 2 by Ngozi Ukazu
Crossed Wires, Volume 1 by Iris Jay
Compass South written by Hope Larson, illustrated by Rebecca Mock
Daughters by Bianca Bagnarelli
Extended Play by Jake Terrell
For the Love of God, Marie! by Jade Sarson
Hit: 1955 written by Bryce Carlson, illustrated by Vanesa R. Del Rey
Honor Girl by Maggie Thrash
Ignition Zero, Volume 1 by Noel Arthur Heimpel
Lafcadio Hearn’s The Faceless Ghost and Other Macabre Tales from Japan written by Sean Michael Wilson, illustrated by Michiru Morikawa
Larimar by Michael K
Last Man, Volume 4: The Show by Bastien Vivès, Michael Sanlaville, and Balak
Letters for Lucardo, Volume 1 by Noora Heikkilä
No Exit by Annie Mok
O Human Star, Volume 2 by Blue Delliquanti
Perfect Hair by Tommi Parrish
Power & Magic by Joamette Gil
Pretty Deadly, Volume 1 by Kelly Sue DeConnick and Emma Ríos
Princeless: Raven the Pirate Princess, Volume 1 written by Jeremy Whitley, illustrated by Ted Brandt and Rosy Higgins
Sakana, Volume 1 by Mad Rupert
Secure Connect by Carta Monir
Spacejinx, Volumes 1-2 by Ocicatsy and Wensleydale
Sprawling Heart by Sab Meynert
Sticks Angelica, Folk Hero by Michael DeForge
Wayward, Volume 4 by Jim Zubkavich and Steve Cummings
The Whipping Girl by Nuria Tamarit
Wilde Life, Volume 1 by Pascalle Lepas
Witchlight by Jessi Zabarsky
The Woods, Volume 1 by James Tynion IV and Michael Dialynas
The Worrier’s Guide to Life by Gemma Correll
The Worst by Molly Mendoza

Artbooks!
100 Manga Artists edited by Amano Masanao and Julius Wiedemann
Infecta by Michael K
Otomo: A Global Tribute to the Mind Behind Akira by Various

Novels!
Dream of Ding Village by Lianke Yan
The Graveyard Apartment by Mariko Koike
Orbital Cloud by Taiyo Fujii
Pachinko by Min Jin Lee
The Silent Dead by Tetsuya Honda

Anthologies!
Revenge: Eleven Dark Tales by Yoko Ogawa

Anime!
Kyousougiga directed by Rie Matsumoto

Pick of the Week: ‘Tis the Season to Be Jellyfish

April 11, 2017 by Sean Gaffney, Ash Brown, Anna N, Katherine Dacey, MJ and Michelle Smith Leave a Comment

MICHELLE: There are a lot of Kodansha releases that I’ll be picking up this week, both digitally and in print, but the one I look forward to the most is the fourth Princess Jellyfish omnibus. It’s always amusing, but offers character development, too!

SEAN: Yeah, out of everything here the thing I most want to read is definitely Princess Jellyfish, though I am intrigued by the new Fujishima title as well.

KATE: I don’t know if I can choose between the fourth volume of Princess Jellyfish and the second volume of Tokyo Tarareba Girls–that’s a little like being asked which of your kids you like best, y’know? Still, deciding between two Akiko Higashimura titles is a great dilemma to have. I’m also intrigued by Toppu GP, even if the title irresistibly reminds me of Ed Sullivan’s old mouse sidekick, so I’ll be checking that out, too.

ANNA: I am also going to throw in for Princess Jellyfish, although I need to read the 3rd volume too. Just more Princess Jellyfish to enjoy!

ASH: Princess Jellyfish is the obvious pick for me this week, too! Of course, I’m very happy to see the gorgeous new edition of Revolutionary Girl Utena finally make its way onto the shelves as well.

MJ: I’m rather torn this week, but I think I will also need to go with Princess Jellyfish. That Utena set is really alluring, though.

My Week in Manga: April 3-April 9, 2017

April 10, 2017 by Ash Brown

My News and Reviews

Last week at Experiments in Manga the winner of the Miss Kobayashi’s Dragon Maid manga giveaway was announced. The post also includes a list of some of the manga available in print in English which feature dragons. Also posted last week was a guest review by my friend Jocilyn. She was inspired to write about Canno’s Kiss & White Lily for My Dearest Girl, Volume 1, the most recent yuri manga to be released by Yen Press. As mentioned previously, I’m currently working on my own in-depth review of the first volume of The Girl from the Other Side: Siúil, A Rún by Nagabe. It looks like I should be on track to post it sometime next week.

Elsewhere online, Seven Seas has completely revamped its website, adding new features like browsing by genre, launching a newsletter, and so on. It looks great and what’s more, there will be a regular survey which provides readers an opportunity to give feedback and submit license requests. As part of the launch of the new website, Seven Seas also announced a few new licenses: Touki Yanagimi and Youhei Yasumura’s Anti-Magic Academy: The 35th Test Platoon, Shin Mashiba’s Yokai Rental Shop (I loved Mashiba’s Nightmare Inspector, so I’m really looking forward this one), and an omnibus of Fumiyo Kouno’s In This Corner of the World (Kouno is the creator of Town of Evening Calm, Country of Cherry Blossoms which is also excellent).

In other publishing news, some of Kodansha Comics digital-only titles were recently called digital-first, so there may yet be hope for print editions of some of the manga. I missed (or maybe forgot about) the initial announcement, but Titan Comics will be releasing Ravina the Witch? by Junko Mizuno in English later this year. (Ravina the Witch? was originally released in French in 2014.) In sadder news, Bruno Gmünder recently announced its bankruptcy (again). I’m not entirely sure what this will mean for the publisher’s past and future comics releases, including the Gay Manga line, but they might not stay in print long. (I’ve featured some of Bruno Gmünder’s releases here before; I’ll be sad to see them go if the publisher folds.)

As for a few of the interesting Kickstarters that I’ve discovered lately: Emily Cheeseman is raising funds to release the print edition of Gawain and the Green Knight, a beautiful webcomic that she’s been working on since 2015. I wasn’t previously familiar with the work of Elise Schuenke, but Living Space looks like it should be another great queer-themed comic. And speaking of queer-themed comics, the initial campaign for the Tabula Idem tarot anthology wasn’t successful but the creative team has revised and relaunched the project. Finally, anyone interested in Weird Al may be curious about Kelly Phillips’ comic memoir Weird Me about her experiences as the webmaster of a Weird Al fan site in her teens. (Weird Al’s music was a major touchstone for me growing up.)

Quick Takes

Dissolving Classroom by Junji Ito. Lately there has been a resurgence in manga by Ito being released in English. In many cases they’ve actually been re-releases, but there have been a few newly-translated manga being published as well, Dissolving Classroom from Vertical Comics being the most recent example. I love Ito’s brand of horror manga and Dissolving Classroom was originally serialized in a josei magazine, so the volume was an obvious candidate for one of my most anticipated releases of the year. As expected, I thoroughly enjoyed the manga, but Dissolving Classroom didn’t end up leaving as strong of an impression on me as some of Ito’s earlier works. The loosely connected stories in Dissolving Classroom follow the demise of the people who meet Yuuma, a young man whose constant apologizing will literally make a person’s brain melt, and his incredibly creepy little sister Chizumi. Neither of the siblings are quite what they initially seem. Yuuma in particular comes across as a troubled but largely benign individual; very few people actually realize what’s going wrong before it’s too late. Dissolving Classroom is bizarre but certainly not the strangest manga that Ito has created. The visuals aren’t as shockingly memorable as some of Ito’s other series either, but they are still successfully disconcerting.

Everyone’s Getting Married, Volume 1 by Izumi Miyazono. While josei manga have recently become more common in translation (a trend that I would love to see continue), there still aren’t all that many to be found. I’ve generally enjoyed the josei manga that I’ve read in the past and I like to show my support for new releases, so I made a point to try Everyone’s Getting Married. Asuka is well-admired for her successful career, but what she really wants in life is to get married and become a housewife. When her boyfriend of five years unexpectedly dumps her, she suddenly finds herself looking for a new long-term relationship. That proves to be more difficult than she expected and unfortunately for her most likely candidate is Ryu, a man who has made it very clear that he has no interest in marriage. I’ve growing a little weary of high school romances, so I found Everyone’s Getting Married to be a wonderfully refreshing change of pace; I enjoyed reading about adults and their lives and relationships for once. I also like Asuka a great deal. She’s independent, knows what she wants out of life, and is willing to work hard for what is important to her. I’m looking forward to reading more about her and reading more of Everyone’s Getting Married.

Ghost in the Shell, Volume 1.5: Human-Error Processor by Masamune Shirow. While I had previously read the first and second volumes of Ghost in the Shell, I had never actually read the manga’s third volume, something that I didn’t realize until Kodansha Comics recently re-released the entire series in a deluxe, hardcover edition. Even though it was the third volume of Ghost in the Shell to be collected and released, the events of Human-Error Processor take place between the first and second volumes (thus being numbered 1.5). The episodic chapters focus almost entirely Section 9 and the cases that group is investigating. A few intriguing new characters are introduced, but sadly the Major only makes the occasional guest appearance. Out of the three Ghost in the Shell volumes, Human-Error Processor is the most straightforward and easy to follow. While that’s something that I would generally welcome, the volume was somehow less interesting as a result even if it was more readable. As with the previous volumes in the series, some of the most interesting parts of the world-building in Human-Error Processor are actually only found in the footnotes instead of being directly incorporated into the manga.

Nightlights by Lorena Alvarez. It was the bold, vibrant colors and gorgeous illustrations of Nightlights that initially caught my attention. Alvarez is a Columbian illustrator; Nightlights is her first comic and my introduction to her work. Nightlights is about a little girl, Sandy, whose imagination takes flight at night. She gathers together small, mysterious, glowing lights and uses them to create anything that she can dream of. Come the day, she spends her time alone drawing what she has seen. It’s an innocent enough premise, but Nightlights can actually be pretty dark and some of the comic’s themes are fairly heavy. Nightlights could be described as an all-ages comic, but some younger readers might find it scary in places. There is also a depth and nuance to the comic and its narrative that only more mature readers will likely pick up on. Although the stories are notably different, Nightlights actually reminded me a little bit of the animated film The Secret of Kells which I likewise greatly enjoyed. Each in their own way the works are fairytale-like, telling stories about imagination, creation, and the unknown. Nightlights was a beautiful comic and I sincerely hope to see more work from Alvarez in the future.

Gone: A Girl, a Violin, a Life Unstrung by Min Kym. In 2010, Kym’s Stradivarius was stolen from her in a London cafe. The violin was an integral part of her identity, not just as a musician but as a person, and its loss was devastating. Her burgeoning career as a soloist came to a sudden halt. The violin was recovered three years later, but circumstances didn’t allow Kym to reclaim the instrument as her own. Ultimately she had to put it up for auction, losing it once again. In part, Kym’s memoir Gone was written in an attempt to process these traumatic events, rediscover who she is, and move forward with her life. Telling her side of the story she recounts growing up as a child prodigy–as the youngest daughter, her family’s devotion to her talent as a violinist was at odds with their South Korean heritage–her development as a musician, and her relationships with the Stradivarius and the people around her. Gone is an incredibly heartfelt and personal memoir but it can be somewhat discursive; Kym’s style of writing is very informal and at times even chaotic. Her voice as an author isn’t as clear as her voice as a violinist, but her passion and pain resonates throughout Gone. Complementing the release of Kym’s memoir is a companion album available from Warner Classics.

Manga the Week of 4/12

April 6, 2017 by Sean Gaffney, Ash Brown, Anna N, MJ and Michelle Smith 1 Comment

SEAN: Unlike Viz and Yen, Kodansha doesn’t usually pile it all on in one week. That said, hope you like Kodansha this week.

But first, J-Novel Club has a 2nd volume of Playing to Win in a VRMMO, the bulk of which is apparently a flashback to the time gap in the first book.

Kodansha continues to pump out digital-only series, both new and old Del Rey castoffs. For the former, we have the 2nd Ace of the Diamond, another Museum, and the second Tokyo Tarareba Girls. For the latter, new volumes of Gakuen Price, School Rumble, Yagyu Ninja Scrolls and the omnipresent Pumpkin Scissors.

MICHELLE: I kind of fell behind on keeping up with these, alas.

ANNA: I bought the first volume of Tokyo Tarareba Girls but haven’t read it yet, so far behind already.

ASH: I don’t know how much it really means, and I’m trying not to get my hopes up lest they be dashed, but Kodansha actually called some of these titles digital-first recently. I’d love to see more print editions!

SEAN: And there’s lots of print as well. Attack on Titan is so popular it’s not getting a Choose Your Own Adven… (cough) sorry, Choose Your Own Path Adventure, a totally not-litigious title, called Year 850: Last Stand at Wall Rose.

ASH: I’m really curious about this one; I loved gamebooks growing up. (And I have to admit, I still do.)

SEAN: Fairy Tail is up to Vol. 59, but I believe that this may be the final arc.

The Prince in His Dark Days is at Vol. 4. Are the days still dark?

MICHELLE: I believe this is the final volume, too.

SEAN: Princess Jellyfish’s 4th volume is probably the release I’m most excited about in this bunch.

MICHELLE: Me too.

ANNA: Indeed.

ASH: Still incredibly happy this series is being released!

MJ: Ack! I’m behind!

SEAN: But there’s also the debut of a new Kosuke Fujishima series. Toppu GP is the somewhat awkward title, and after combining fast bikes/cars with policewomen, goddesses and college kids, Kodansha is finally letting him actually do a racing manga. Should be fun.

MICHELLE: Huh. I suppose I should check it out.

SEAN: Seven Seas has a 5th volume of Not Lives, which I have Not Read in some time.

And a 7th volume of my “favorite” guilty pleasure (and by favorite I mean it makes me cringe so much but I read it anyway) Pandora in the Crimson Shell: Ghost Urn.

SuBLime has a 6th volume of The World’s Greatest First Love. (Spoil me, is it really that great?)

MICHELLE: No clue.

ASH: I find the series’ supposed romance much less compelling than its behind-the-scenes portrayal of the shoujo manga publishing industry.

SEAN: And Vertical gives us a 6th volume of Devil’s Line.

Lastly, there’s some more Viz. We have a 62nd volume of Case Closed. Catch up before you’re 63 volumes behind!

And a 20th Itsuwaribito, which I think may be nearing its end soon.

Magi reaches Vol. 23, and always makes me happy.

ANNA: So, so far behind on this title as well.

SEAN: And a 7th volume of Monster Hunter: Flash Hunter.

Lastly, the Revolutionary Girl Utena box set which got delayed at the last minute is now out in stores (unless Diamond shipped it to you early, like they did me). It’s the shoujo manga version of Utena, and I will leave it at that.

ASH: I actually haven’t read the series, but I have read the standalone manga The Adolescence of Utena which I loved and which is also included in this absolutely gorgeous box set.

SEAN: There’s a lot of variety this week. What appeals to you?

Manga Giveaway: Miss Kobayashi’s Dragon Maid Giveaway Winner

April 5, 2017 by Ash Brown

And the winner of the Miss Kobayashi’s Dragon Maid manga giveaway is… Kate!

As the winner, Kate will be receiving the delightful Miss Kobayashi’s Dragon Maid, Volume 1 by Coolkyousinnjya as published in English by Seven Seas. At first I was a little hesitant about reading Miss Kobayashi’s Dragon Maid, but ultimately I couldn’t deny the allure of dragons. And so for this giveaway, I asked that participants tell me a little about their favorite dragons from manga. I’ve collected some of the manga mentioned in the list below (along with some others), but be sure to check out the giveaway comments for everyone’s detailed responses.

Some of the manga with dragons available in English:
Akame ga Kill! written by Takahiro, illustrated by Tetsuya Tashiro
The Ancient Magus Bride by Kore Yamazaki
The Betrayal Knows My Name by Hotaru OdagiriCirque du Freak by Takahiro Arai
A Certain Magical Index written by Kazuma Kamachi, illustrated by Chuya Kogino
Crimson Spell by Ayano Yamane
Delicious in Dungeon by Ryoko Kui
The Demon Prince of Momochi House by Aya Shouoto
Dragon Ball by Akira Toriyama
Dragon Drive by Kenichi Sakura
Dragon Half by Ryusuke Mita
Dragon Knights by Mineko Ohkami
Dragonar Academy written by Ran, illustrated by Shiki Mizuchi
Fairy Tail by Hiro Mashima
Fruits Basket by Natsuki Takaya
From Far Away by Kyoko Hikawa
Fushigi Yûgi by Yuu Watase
Gate: Where the JSDF Fought written by Takumi Yanai, illustrated by Satoru Sao
High School DxD by Hiroji Mishima
The Key to the Kingdom by Kyoko Shitou
Kiss of the Rose Princess by Aya Shouoto
The Legend of Zelda: Ocarina of Time by Akira Himekawa
Legendz written by Rin Hirai, illustrated by Makoto Haruno
Lord Marksman and Vanadis written by Tsukasa Kawaguchi, illustrated by Nobuhiko Yanai
Magic Knight Rayearth by CLAMP
Miss Kobayashi’s Dragon Maid by Coolkyousinnjya
Natsume’s Book of Friends by Yuki Midorikawa
Negima! by Ken Akamatsu
Petshop of Horrors by Matsuri Akino
Princess Mermaid by Junko Mizuno
Rave Master by Hiro Mashima
Read or Dream written by Hideyuki Kurata, illustrated by Ran Ayanaga
Record of Lodoss War: The Lady of Pharis written by Ryo Mizuno, illustrated by Akihiro Yamada
St. Dragon Girl by Natsumi Matsumoto
Tales of Zestiria by Shiramine
Tenryu: The Dragon Cycle by Sanami Matoh
That Time I Got Reincarnated as a Slime written by Fuse, illustrated by Taiki Kawakami
Time Stranger Kyoko by Arina Tanemura
Two Flowers for the Dragon by Nari Kusakawa
X by CLAMP
Übel Blatt by Etorouji Shiono
Yona of the Dawn by Mizuho Kusanagi
Zero’s Familiar written by Noboru Yamaguchi, illustrated by Nana Mochizuki

Well now, that ended up being a fairly lengthy list, and I know that it’s not comprehensive, but it’s certainly a start. Whether they’re familiars, sidekicks, primary characters, or the stuff of legend, all sorts of dragons can be found in all sorts of manga. Thank you to everyone who took the time to share your favorite dragons with me! I hope to see you all again for the next giveaway.

Pick of the Week: April Goodies

April 3, 2017 by Sean Gaffney, Ash Brown, Anna N, Katherine Dacey and Michelle Smith Leave a Comment

SEAN: My non-manga pick of the week is the digital re-release of Louis Sachar’s Sideways Stories from Wayside School and its two sequels, aka MY CHILDHOOD TOUCHSTONE. But since it’s actually a manga site, I will pick the new volume of Assassination Classroom, aka “the one everyone has been waiting for”. I really love this series.

MICHELLE: I am all about the prose books, too, especially digital re-releases of favorites. But, yes, manga. This week I’m going with the debut volume of The Water Dragon’s Bride by Rei Toma, whose Dawn of the Arcana I enjoyed very much.

KATE: If I had to choose a title — and death was not an option — I’d vote for I Am a Hero. It’s a zombie manga for grown-ups, with adult characters, intense action sequences, and a protagonist who may or may not be going insane. If you’re a Walking Dead fan (comic or TV show), this might be in your wheelhouse.

ANNA: No surprise, I am torn between two great shoujo fantasy titles for my pick of the week. The Water Dragon’s Bride has an extremely strong first volume and the darker themes in the story really set it apart from typical shoujo fare. On the other hand, there’s the fifth volume of Yona of the Dawn, which is also an excellent fantasy series. I think the bickering, archery, and action puts Yona over the top for me, so that is my pick.

ASH: Oh, there are quite a few things that I’m interested in this week, so it’s hard to narrow it down to just one pick! Since it looks like the rest of the Manga Bookshelf crew has all the great shoujo fantasy well-represented, I’ll take this opportunity to mention Haikyu!! since it hasn’t been yet. I’m not especially interested in volleyball, but I’m enjoying the series’ positivity and energy immensely, and the characters are great, too.

My Week in Manga: March 27-April 2, 2017

April 3, 2017 by Ash Brown

My News and Reviews

As regular readers of Experiments in Manga know, on the last Wednesday of every month I host a giveaway of some sort (usually manga-related) for which participants have a week to submit their entries. This time around the monthly giveaway is for the first volume of Coolkyousinnjya’s surprisingly delightful Miss Kobayashi’s Dragon Maid. The winner will be announced this coming Wednesday, so you can still enter for a chance to win if you haven’t already. Also later this week, look for another guest review by my friend and fellow yuri manga fan Jocilyn. Elsewhere in the Manga Bookshelf sphere of blogs, The Manga Critic has started a monthly manga review index. There have been similar features in the past, perhaps most notably at MangaBlog, and I’ve always found them incredibly useful and valuable, so I’m glad to see Kate Dacey taking it on. Also in general, I highly recommend the content at The Manga Critic–Kate’s actually one of my major inspirations when it comes to manga blogging.

As for other interesting things I’ve come across recently: Chic Pixel’s Anne Lee has posted a really fantastic list of bibliographic resources for those curious about the academic study of boys’ love. (I’ve read quite a few books and articles myself, and even reviewed Jeffery Angles’ Writing the Love of Boys: Origins of Bishōnen Culture in Modernist Japanese Literature at Experiments in Manga a few years ago.) And if that’s not enough of BL studies for you, J. R. Brown has posted the slides from her Anime Boston panel “Boys’ Love, Otome Culture, and Gender” which covers everything from the origin of shoujo manga to gay comics and more. On their own the slides are fairly informative, but I’m looking forward to seeing the annotated version, too.

Also at Anime Boston, Viz Media made quite a few licensing announcements. Some were digital-only while others were digital-first or print-only. Here’s a quick list of the books that will eventually make their way into print: Kenta Shinohara’s Astra Lost in Space, Abi Umeda’s Children of Whales (I’m particularly curious about this series), an omnibus edition of Tsugumi Ohba and Takeshi Obata’s Death Note collecting the entire series and a bonus epilogue in a single volume, Nisioisin’s Hikaru Nakamura’s novel Juni Taisen: Zodiac Warriors (I’m not familiar with the novel, but the creators involved have certainly caught my attention), Kenji Taira’s Naruto: Chibi Sasuke’s Sharingan Legend, Kaiu Shirai and Posuka Demizu’s The Promised Neverland (which is supposed to be fantastic), a collection of nine Junji Ito stories and accompanying material selected by Ito himself called Shiver (always glad to see more Ito being released in English), Maki Enjoji’s SP Baby, and Sui Ishida’s artbook Tokyo Ghoul Illustrations.

A couple of Kickstarter projects recently launched which may be of interest as well: All the Anime/Anime Limited is joining forces with Studio 4°C to create a home video release of Masaaki Yuasa’s directorial debut Mind Game. Digital Manga has entered the fray again with a campaign to release more of Osamu Tezuka’s manga in print: Ambassador Magma, Dust 8, The Euphrates Tree, Metamorphose, Say Hello to Bookila, The Thief Inoue Akikazu, Wonder 3, and Yakeppachi’s Maria. It looks as though the print runs will be very limited and Kickstarter may be the only way to get a hold of some of the titles. (I have to admit, I certainly have my qualms about Digital Manga’s business practices in general and over-reliance on crowdfunding specifically. The quality of Digital Manga’s releases has really gone downhill over the last few years, too. Honestly, I’ve lost most of my confidence in the company as a publisher, but it’s managed not to completely go under yet.)

Quick Takes

Dawn of the Arcana, Volumes 1-6 by Rei Toma. I generally enjoy epic fantasy of the shoujo variety, so I’m not entirely sure why it’s taken me so long to finally get around to reading Dawn of the Arcana. So far, I’m enjoying the manga tremendously. Nakaba is a princess who has been married off to a prince of the neighboring kingdom despite her questionable ancestry in a half-hearted attempt to secure peace between the two countries. But instead, gifted with the ability to see both into the past and into the future, Nakaba may find herself in the unlikely position of leading a revolution. Dawn of the Arcana does come across as a rather typical example of high fantasy–all the way down to the heroine’s fiery red hair–but even though it hasn’t really made itself stand out yet, the manga is a solid series. I greatly enjoyed the manga’s mix of court and political intrigue, action, and complicated interpersonal relationships. Much like the story, the artwork tends to be somewhat standard although attractive. Toma’s backgrounds are generally fairly sparse, but the details put into things like the characters’ clothing is lovely. I definitely look forward to reading more of Dawn of the Arcana in the very near future.

Hana & Hina After School, Volume 1 by Milk Morinaga. I believe that Morinaga is currently the most well-represented yuri manga creator available in English. So far, five of Morinaga’s manga have been translated, the most recent being Hana & Hina After School. Interestingly, in Japan the manga was serialized in a magazine aimed at a general audience rather than one specifically catering to yuri fans. The titular Hana and Hina are two young women working part time at a store specializing in cute character goods even though their high school forbids its students from holding jobs. The story follows their relationship as they become friends and slowly realize that their feelings may evolve into something else. Like most of Morinaga’s other manga that I’ve read, Hana & Hina After School tends to be rather cute and sweet. The series is enjoyable and pleasant even if it is at times a little silly and somewhat unbelievable. However, the end of the first volume does introduce some sobering concerns when Hina is confronted by a few of her classmates homophobia, an unfortunate reality that many yuri manga tend to gloss over or ignore entirely in favor of pure fantasy. (Granted, that fantasy is important to have, too.)

Scum’s Wish, Volumes 1-2 by Mengo Yokoyari. I wasn’t initially planning to pick up Scum’s Wish, but after reading a few positive reviews of the series I decided to give it a try after all. The cover art of the first volume is deliberately provocative, but the manga isn’t nearly as salacious as it might imply. In fact, the series can actually be surprisingly contemplative. Scum’s Wish is a manga about unrequited love. Almost every character in the series is pining for someone with whom an involved romance would seem to be impossible or at least inadvisable, resulting in a complex web of personal relationships fraught with loneliness and anguish. (There is one heck of a love polygon going on in Scum’s Wish and nearly everyone who is introduced is connected to it somehow.) Hanabi is in love with Narumi, her childhood friend who now also happens to be her homeroom teacher. Mugi is in love with Akane, a music instructor who used to be his tutor. Recognizing that they are suffering under very similar circumstances and hoping to ease some of the pain, Hanabi and Mugi agree to find comfort in a relationship together. Neither one of them is in love with the other, but they are both aware of and take advantage of that fact.

Deep Red by Hisashi Nozawa. Although perhaps best known as a screenwriter, Nozawa was also recognized as an accomplished novelist. Deep Red, which earned Nozawa an Eiji Yoshikawa Prize in 2001, is his first novel to be released in English. Kanako is the only survivor of the mass murder of her family, simply because she happened to be away on a school trip when her parents and two younger brothers were killed. Understandably, their deaths have left a great wound, but Kanako isn’t the only one left troubled and hurt–the life of Miho, the daughter of the murderer, has also been irrevocably changed. At times, Deep Red is uncomfortably voyeuristic and there’s a peculiar fixation on Kanako’s body and sex life with her boyfriend. I was never entirely convinced by Kanako as a character, either. However, Deep Red does provide an interesting psychological exploration of hate, anger, and misplaced revenge. The novel is instantly engaging. However, the middle portion of the narrative is repetitive and does drag a fair bit; I admittedly started to lose my interest and patience with the story. But once Kanako becomes obsessed with and decides to pursue Miho, Deep Red picks up speed again and the novel’s ending is very satisfying.

Manga the Week of 4/5/17

March 30, 2017 by Sean Gaffney, Ash Brown, Anna N, Michelle Smith and MJ Leave a Comment

SEAN: We’re near April Fools’ Day, and while I normally tend to shun it, I will make one overture to the holiday by doing next week’s manga list in reverse order.

So let’s start with Viz Media and Yu-Gi-Oh!. The seemingly endless franchise is starting a new series, this one called Arc V.

Yona of the Dawn gets a 5th volume, and is always near the top of my must-read list.

MICHELLE: And mine, as well.

ASH: I’ll be reading it soon, too!

ANNA: It is so consistently good.

SEAN: World Trigger has a 15th volume for Shonen Jump fans.

The big debut this week is The Water Dragon’s Bride, which is by Rei Toma, author of Dawn of the Arcana, and runs in Shogakukan’s shoujo/josei crossover magazine Cheese!. Expect fantasy and spunky female leads.

MICHELLE: Having enjoyed Dawn of the Arcana quite a lot, I’m really looking forward to this one!

ASH: I actually just started reading Dawn of the Arcana for the first time. I’m really enjoying the series, so I may need to make a point to pick up The Water Dragon’s Bride, too.

ANNA: It is great, but the first volume is actually much darker than most shoujo manga I’ve read recently, so it is an interesting change of pace.

MJ: I’m actually even more interested after Anna’s “much darker” comment. So count me in!

SEAN: There’s an 8th Twin Star Exorcists.

So Cute It Hurts!! has hit 12 volumes, which frankly surprises me. And there are more to come.

MICHELLE: Ugh.

ANNA: I need to get caught up on this.

SEAN: The Rurouni Kenshin series gets a 2nd 3-in-1 volume.

ASH: Glad to see Viz keeping this series in print. (The VizBig editions were nicer, though.)

ANNA: It is one of those series that should be in print!

SEAN: And Naruto gets its 18th 3-in-1, which means it can now legally vote.

Kuroko’s Basketball has another omnibus, covering Volumes 9 and 10. Spoiler: basketball is played.

Honey So Sweet has a sweet 6th volume.

ANNA: It is so super-cute and adorable.

MJ: I haven’t been reading this, and maybe I should be.

MICHELLE: I think you’d like it!

SEAN: And Haikyu!! has hit double-digits. (Technically, so has Kuroko.)

ASH: Haikyu!!!! I’m still loving the series, by the way.

ANNA: It is a favorite series in my house, my kids devour each volume.

SEAN: Food Wars! gives us a 17th volume, and promises to make life difficult for our favorite haughty blonde heroine.

ASH: I really need to catch up with Food Wars! one of these days.

SEAN: The Demon Prince of Momochi House has defeated the other Aya Shouoto manga titles to become the Last One Standing, and here is its 8th volume.

MICHELLE: All of the last five titles are on my list, though it’s Haikyu!! and Food Wars! that I love the most. Well, Honey So Sweet is right up there, too.

ASH: The Demon Prince of Momochi House is my favorite of Shouoto’s manga currently in English, so I’m glad we’ll be getting more.

ANNA: I like it too!

SEAN: Viz debuts its Naruto spinoff Boruto, which is about the next generation of ninja children, and perfect for the three or four people who weren’t upset with the ending pairings.

MJ: Heh.

SEAN: Black Clover has a 6th volume, and we will see how much it apes other series and how much it tries to do its own thing.

As for Assassination Classroom 15: if you wondered if Kaede Kayano would ever do anything other than make flan and have a crush on the hero, this is the volume for you.

Lastly (for Viz), we have a 4th volume of 7th Garden, shipping on the 5th, just to keep things confusing.

Vertical has a Ghost in the Shell story collection out next week, imaginatively called Ghost in the Shell: 5 New Short Stories.

ASH: I’m actually really looking forward to this collection if for no other reason than the volume has a story by Toh EnJoe in it.

SEAN: There’s also a 9th Ajin.

Kodansha gives us a 13th volume of Yamada-kun and the Seven Witches, well into its second round of witch shenanigans.

For fans of old Del Rey titles being restarted digitally, there’s new volumes of Alive, Princess Resurrection and Pumpkin Scissors out next week.

Back to print, with the 3rd volume of Fire Force, combining firefighters and the supernatural deftly.

And there’s a second volume of All-Rounder Meguru for more digital fun.

MICHELLE: Woot. Not that I’ve managed to keep up sufficiently to have read the first one yet.

SEAN: J-Novel Club has a third volume of ridiculous but fun series My Big Sister Lives In A Fantasy World, which may be the beach episode readers have dreamed of.

Dark Horse is reminding us they do manga by having a pile at once. We get a 3rd I Am A Hero omnibus, for all your zombie apocalypse needs.

Hatsune Miku: Rin-chan Now! is another in the endless Vocaloid franchise.

Blade of the Immortal has a 2nd omnibus, for those who missed its previous re-releases.

Lastly, there’s a 7th Astro Boy omnibus, for those who missed ITS previous re-releases.

Perceptive readers might think I did this backwards just to get the images to fit properly. LIES. It was totally due to April Fools. So what are you getting?

Manga Giveaway: Miss Kobayashi’s Dragon Maid Giveaway

March 29, 2017 by Ash Brown

It’s the last Wednesday of March and you know what that means! It’s once again time for a giveaway at Experiments in Manga! This month you all have the opportunity to win the first volume in Coolkyousinnjya’s surprisingly sweet and charming manga series Miss Kobayashi’s Dragon Maid as published in English by Seven Seas. And as usual, the giveaway is open worldwide.

Ever since I was little, I’ve loved dragons. While I’m not quite as obsessed with them as I once was, I’ve never grown out of my affection for dragons. And so when there’s a manga series that features dragons in some way–like Miss Kobayashi’s Dragon Maid–I can’t help but give it a try. I’ll admit, despite my established interest in dragons, I was initially a little wary of Miss Kobayashi’s Dragon Maid and was surprised by how much I enjoyed the first volume. The series has a few missteps, but overall it’s great fun and has some fantastic characters. And with the anime adaptation that’s currently airing, even more people are now aware of the charms of Miss Kobayashi’s Dragon Maid. Hopefully as a result they’ll be encouraged to seek out the original, too!

So, you may be wondering, how can you a copy of the Miss Kobayashi’s Dragon Maid, Volume 1?

1) In the comments below, tell me a little about one of your favorite dragons from a manga. (If you don’t have a favorite or don’t know of any, simply mention that.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

It’s as easy as that! Participants in the giveaway have one week to submit comments and can earn up to two entries. If you have trouble with the comment form, or if preferred, entries can also be sent directly to phoenixterran(at)gmail(dot)com. I will then post those comments here in your name. The giveaway winner will be randomly selected and announced on April 5, 2017. Best of luck to you all!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: Miss Kobayashi’s Dragon Maid Giveaway Winner

Pick of the Week: Sweet Witches

March 27, 2017 by Sean Gaffney, Ash Brown, Anna N, Katherine Dacey, Michelle Smith and MJ Leave a Comment

MICHELLE: No matter which way I go this week, my pick will be from Kodansha. Ultimately, while I really look forward to more Cells at Work! and House of the Sun, it’s Sweetness & Lightning that beckons most strongly.

SEAN: The most tempting thing for me this week is Flying Witch Vertical’s new series about a witch adjusting to life in a rural town. It’s been called a Japanese Sabrina the Teenage Witch.

KATE: I second Michelle’s recommendation for the fifth volume of Sweetness & Lightning. I just binged on the first four volumes this weekend, and was genuinely impressed by the storytelling: it’s sweet and funny and sometimes very sad, but I never felt manipulated into sniffling or laughing. I also agree with Michelle’s observation that Sweetness & Lightning is one of the few food manga that focuses on stuff that an ordinary reader could make — another plus!

ASH: I’ll definitely be reading the next volume of Sweetness & Lightning, but since this is the only time I’ll be able to pick the Otomo tribute artbook, that’s the release I’m going to go with this week. Based on a volume that was presented when Otomo won the Grand Prize at the Angoulême International Comics Festival in 2015, and presented in a full-color hardcover, I expect it to be great.

ANNA: I’m not seeing a ton that is inspiring me this week, although it sounds like I should give Sweetness & Lightning a try for sure. I’m going to join in with Sean in picking Flying Witch, because often one can’t go wrong with new Vertical releases.

MJ: Count me in with the Flying Witch crowd! A cat on the cover will get me every time.

My Week in Manga: March 20-March 26, 2017

March 27, 2017 by Ash Brown

My News and Reviews

I actually managed to post another review at Experiments in Manga last week! That makes two weeks in a row, which hasn’t happened in a very long time. My goal of writing one review every month still remains, but when a month with five Wednesdays (like March this year) comes along, I’m going to try to do a second in-depth review or feature. That way, every week will have at least two posts, the usual My Week in Manga along with another feature of some sort. Anyway, as for the review that was posted last week, I took a look at Akira Himekawa’s The Legend of Zelda: Twilight Princess, Volume 1 which I enjoyed a great deal. The manga stands well on its own so someone doesn’t have to be familiar with the original video game it’s based on to enjoy it. The manga series is also notably darker than Himekawa’s previous all-ages adaptations of The Legend of Zelda video games.

Elsewhere online, I came across a few interesting interviews to read. Over at Viz Media’s blog, speculative fiction author Taiyo Fujii talks a little about Orbital Cloud, his most recent novel to be translated into English. (I previously read and reviewed Gene Mapper, Fujii’s debut work of fiction which I rather enjoyed, so I’m looking forward to reading the award-winning Orbital Cloud.) Through the Painting is in the process of translating a 2013 Tokyo Manga Lab interview with Haruko Kumota, creator of the manga series Descending Stories: Showa Genroku Rakugo Shinju. (Kodansha Comics is releasing the series in English; it’s one of my most anticipated debuts of the year.) Finally, on the occasion of Yen Press’ recent release of Canno’s Kiss and White Lily for My Dearest Girl, Brigid Alverson interviewed Erica Friedman about yuri manga for Barnes & Noble. And speaking of Yen Press, the publisher announced a few manga licenses last week: Re:ZERO -Starting Life in Another World, Chapter 3: Truth of Zero by Tappei Nagatsuki, Shinichirou Otsuka, Daichi Matsuse; Is It Wrong to Try to Pick Up Girls in a Dungeon?: Sword Oratoria by Fujino Omori, Takashi Yagi; Hybrid x Heart by Masamune Kuji, Riku Ayakawa; and Gabriel Dropout by Ukami.

Quick Takes

The Ghost in the Shell, Volume 2: Man-Machine Interface by Masamune Shirow. It’s been well over a decade since I first read Masamune’s The Ghost in the Shell manga. While I had vague memories of the first volume, I remembered virtually nothing about the second. Kodansha Comics’ recent re-release of the series in a deluxe, hardcover edition provided an ideal opportunity for me to revisit the manga. (The deluxe edition presents the manga in right-to-left format with the original Japanese sound effects for the first time; it’s also supposed to have bonus content, but I’m not exactly sure what that additional material is supposed to be in second volume.) Upon rereading the second volume of The Ghost in the Shell, I think I know why I had trouble recalling anything about it–the manga seems to be more show than substance. At times I would find that I had stopped reading the seemingly nonsensical text entirely and was just turning pages and looking the artwork, much of which is in color. There is a story in there somewhere, as well as some interesting worldbuilding and philosophizing, but most of that seems to be happening in the copious footnotes rather than in the manga proper.

A Land Called Tarot by Gael Bertrand. Originally serialized in the Island comics anthology, A Land Called Tarot was recently released in a standalone hardcover collection with additional content. Except for a few sound effects, A Land Called Tarot is actually a wordless comic. There is no dialogue or narration, so readers must rely entirely on Bertrand’s artwork to interpret the characters, story, and setting. Fortunately, Bertrand is more than up to the task. The artwork in A Land Called Tarot is absolutely gorgeous. The cover design is actually somewhat misleading–the interior illustrations are marvelously detailed and beautifully colorful. The lack of words in the comic invites readers to pay even more attention to the artwork and to explore the nuances of the fantastic world that Bertrand has created. The comic follows an adventurous hero, the Knight of Swords, as he travels across the land and meeting its people, his journey taking him through both time and space. There are moments of action and battle, but there are also moments that are peaceful and serene and sometimes even little lonely. A Land Called Tarot is a wondrous delight. I unequivocally loved the comic hope to see more work by Bertrand in the future.

My Neighbor Seki, Volumes 5-7 by Takuma Morishige. I’m not really sure why I’ve fallen behind reading of My Neighbor Seki because I enjoy the series a great deal. The manga remains consistently delightful and is wonderfully charming. My introduction to the series was through its anime adaptation; the chapters in these three volumes happen to be released or serialized around the same time that the anime was being produced. The author’s notes seem to imply that the manga wasn’t initially anticipated to become as long as it now has (the series is actually still ongoing, as far as I can tell) but the anime understandably revitalized interest in My Neighbor Seki. I like both versions of My Neighbor Seki, but there’s more in the manga that was never adapted. I continue to be impressed by Morishige’s inventiveness and imagination in creating new and clever scenarios for the series’ characters. Not much has changed from the beginning of My Neighbor Seki, although occasionally Seki isn’t the only one actively participating in the games he plays instead of paying attention in class. His mother has been introduced, too. I hope to see her again as one of the recurring characters.

Of the Red, the Light, and the Ayakashi, Volumes 2-3 by Nanao. While I enjoyed the first volume of Of the Red, the Light, and the Ayakashi, especially its ominous atmosphere and the sense of foreboding it inspired, it’s taken me quite a while to finally get around to reading more of the series. Now I’m regretting my delay, because the next two volumes are just as enticing as the first, if not more so, and if anything the series is getting stronger as a whole. Granted, there’s still some annoying awkwardness surrounding some of the characters’ conversations in which they seem to talk around important topics and information simply because the reader isn’t supposed to know the details about them yet. But even with this fault, Of the Red, the Light, and the Ayakashi manages to remain engaging. Part of this is due to the series’ air of mystery and the way in which Nanao is able to stretch out the story without being manipulative. For example, an important reveal in the second volume which in many other stories would have been the major plot twist is simply one in a longer string of steady developments. Several more questions are raised for every one that is answered in the series; I am incredibly curious to learn more.

Manga the Week of 3/29/17

March 23, 2017 by Sean Gaffney, Ash Brown, Anna N, Michelle Smith and MJ Leave a Comment

SEAN: The 5th week of the month used to be a very quiet week, but this is manga boom time, so don’t expect quietness.

Dark Horse has the 2nd RG Veda omnibus, filled with early CLAMP pretty boys.

MJ: This never gets old for me.

Kodansha has a number of new titles. Cells at Work! has a 3rd volume.

ASH: The first volumes were a lot of fun, and surprisingly informative, too!

MICHELLE: Indeed!

ANNA: We got the first couple volumes in my library, but I have not yet read them due to them being perpetually checked out.

SEAN: And House of the Sun continues to be a very fast digital release with Vol. 3.

MICHELLE: Huzzah! Not that I have read the first two volumes or anything.

ANNA: Should I be happy about this? I haven’t read it either but I feel I should be excited if Michelle likes it!

MICHELLE: It’s shoujo from Dessert magazine, which also brought us Say I Love You. and My Little Monster. So, I’m basically just assuming it will be good because of that connection.

SEAN: There’s also a 9th volume of L♥DK, in case you’re reading the new digital Gakuen Prince volumes and want even more like that.

Otomo: A Global Tribute to the Mind Behind Akira is a new artbook from Kodansha dedicated to said mind, with lots of famous artists coming together to pay tribute.

ASH: I haven’t read much of Otomo’s work beyond Akira, but I’m really looking forward to this volume.

SEAN: Real Account gives us a 6th volume.

And there’s a 5th Sweetness and Lightning. Sorry for the lack of witty comments, I just don’t have much to say about these.

ASH: Awww, but Sweetness and Lightning is delightful!

MICHELLE: It is! As much as I love food manga, only Sweetness & Lightning regularly features things that I feel like I could conceivably make myself.

SEAN: Seven Seas also has a pile of titles, starting with the 4th volume of Monster Musume spinoff I Heart Monster Girls.

And the 4th and final volume of The Other Side of Secret, which is so very, very Comic Alive.

Servamp has a 9th volume, and rumor has it vampires still figure in it.

I know very little about the new debut, Species Domain, except that it runs in Bessatsu Shonen Champion and is another “Monster Girls” type series.

ASH: Personally, I’ve lost most of my interest in the various monster girl manga, but I know it’s a popular niche and so am glad for those who enjoy it.

SEAN: And the 5th Testament of Sister New Devil shows that Shonen Ace can be even worse than Comic Alive if it really wants to be.

MJ: Wow.

SEAN: Vertical debuts Flying Witch, which runs in Bessatsu Shonen Magazine and has both an anime and good word of mouth.

MJ: i’m probably interested in this.

ANNA: I’m maybe interested in this.

And there’s the now standard “Yen delayed these till one week later” releases. A 9th volume of Sekirei is out digitally.

And out in print, we have a 5th How to Raise a Boring Girlfriend. (Spoiler: girlfriend still boring.)

Lastly, there’s a 6th Prison School omnibus.

ASH: Assuming someone isn’t simply outright offended by Prison School (which would certainly be more than understandable), the series can actually be legitimately funny.

SEAN: Something for everyone next week. What are you getting?

The Legend of Zelda: Twilight Princess, Vol. 1

March 23, 2017 by Ash Brown

Creator: Akira Himekawa
Translator: John Werry
U.S. publisher: Viz Media
ISBN: 9781421593470
Released: March 2017
Original run: 2016

Akira Himekawa is the joint pen name of A. Honda and S. Nagano, two women who have been collaborators for over thirty years. The two-person creative team is probably best known for their work on the manga adaptations of The Legend of Zelda series of video games, although some North American readers may associate Himekawa with the Avatar: The Last Airbender comics as well. Despite being a fan of both franchises, I actually hadn’t made a point to read any of Himekawa’s work until after meeting the two women briefly at the Toronto Comic Arts Festival in 2014. Twilight Princess is the most recent entry in Himekawa’s series of The Legend of Zelda adaptations. Initially Twilight Princess was intended to be a children’s series, but when the original 2006 video game it was to be based on became the first in the franchise to be rated for teens, plans for that manga were cancelled. It wasn’t until 2016 that Himekawa would begin serializing Twilight Princess digitally, the first volume subsequently being released in Japan in print later that year. Viz Media’s English-language edition of Twilight Princess debuted in print in 2017.

Link is a young man trying to outrun his past. A year and a half ago he wandered into the border village of Ordon, hiding his personal history in hopes of establishing a new life for himself. Ordon is idyllic, seemingly a perfect place for Link to retreat. The land is said to have been blessed by the spirits and the village is well-known for its bountiful harvests. Although Link arrived as a stranger, he was warmly welcomed by the villagers and has since become an integral part of the community. Link loves Ordon and its people, but there’s always a small part of him that feels like he doesn’t quite belong. He is still plagued by guilt over the tragedies of his past, dealing with a weighty feeling of responsibility which is impossible to ignore. Having experienced disaster before, Link may be one of the few who can prevent it from happening again. Most of the other people in the sacred kingdom of Hyrule are unaware of the looming threat that the long-forgotten Twilight Realm poses. It’s a danger that grows even greater when the ambitions of one man to rule both the light and the dark begin to come to fruition. As the shadows of darkness gather around Ordon, Link will have to face his past and his fears, confronting the possibility that he will once again lose everything that he holds most dear.

Although I’ve played some of the original Twilight Princess, familiarity with the video game is not at all necessary to enjoy Himekawa’s adaptation. At least so far, the series can stand on its own as a work–the manga largely comes across as a freely-developed fantasy rather than a strict reimagining of a video game. Himekawa’s narrative in Twilight Princess is streamlined and quickly paced, incorporating elements of the original game in clever ways. Some of the wonder of having a world to leisurely explore and discover is lost as Twilight Princess is adapted into a different medium, but in exchange the manga emphasizes depth of characterization. As the protagonist, Link is generally the most fully-realized character. I really like Himkeawa’s multi-faceted interpretation of Link in Twilight Princess. While at heart Link is a troubled and brooding hero, he also exhibits happiness and joy and there are moments in the manga when his good-natured goofiness shines through. The Twilight Princess manga, much like the video game itself, is intended for a more mature audience than many of the previous incarnations of The Legend of Zelda. The story tends to be fairly dark and can be strikingly violent at times.

One of the things that I appreciate the most about Himekawa’s work on The Legend of Zelda manga is the creators’ ability to adjust their tone and style to fit the requirements of a given series. Himekawa’s skill and flexibility as artists can be seen as they move from one adaptation to the next, but can also be exhibited within a single manga. In Twilight Princess specifically there is a wonderful contrast between the serene, pastoral setting of Ordon and the ominous darkness and shadowy creatures encroaching upon it. The artwork in Twilight Princess is beautifully executed, ranging from the gorgeous to the grotesque as demanded by the story. In comparison, the storytelling itself isn’t nearly as strong. The first chapter of Twilight Princess in particular suffers from some awkward exposition and Link has a tendency to ask questions that he should already know the answers to having lived in Ordon for so long. Still, I do like the story, characters, and settings of Twilight Princess. In the past, Himekawa’s The Legend of Zelda manga have only been one or two volumes long. I would be surprised if Twilight Princess could end satisfactorily in such a short span, so I hope that the series will be longer to allow the story to unfold more naturally; I enjoyed the first volume of Twilight Princess a great deal and look forward to reading more.

Thank you to Viz Media for providing a copy of The Legend of Zelda: Twilight Princess, Volume 1 for review.

Pick of the Week: Delectable Digital

March 20, 2017 by Sean Gaffney, Ash Brown, Anna N, Katherine Dacey, Michelle Smith and MJ Leave a Comment

SEAN: As I noted i n Manga the Week of, I think this week breaks the record for most volumes in one week, helped along by Kodansha’s burgeoning digital lineup, which I’m sure the rest of the team will be talking about below. My pick of this week is Barakamon, though, which is seemingly a slow-moving, relaxed series but in reality has moved from strength to strength, and the development of its characters in this volume in particular is amazing. It’s become one of my favorite manga series.

MICHELLE: There are several debuts this week that I’m really looking forward to, but the single volume I most want to read is the fourth and final That Wolf-boy Is Mine! The series surprised me with how good it was, and I wouldn’t miss the conclusion for anything.

KATE: I’m most excited about Kodansha’s latest digital offerings. The swoon-worthy covers for Altair: A Record of Battle and Hozuki’s Coolheadness are calling out to me.

ASH: Agh! I’m so conflicted! Once again, I’m probably most interested in Kodansha’s digital releases this week, but I don’t generally read manga digitally. I really hope to see some of these like Altair: A Record of Battle and Hozuki’s Coolheadness eventually make their way into print. In the meantime, my official pick for this week goes to Goodnight Punpun which continues to be an incredibly surreal and uncomfortable but powerful and resonate work.

ANNA: I have to say, I’m finding Kodansha’s digital releases very compelling, although so much is coming out, I can see myself losing track of titles I want to read fairly easily. That being said, Altair: A Record of Battle is what looks most interesting to me, so that’s my pick.

MJ: Like Kate and Ash, I’m pretty interested in Altair: A Record of Battle, but I think I’ll put my vote in for Hozuki’s Coolheadness, which seems likely to ping a lot of my personal preferences all at once. And if I only wish these were being made available in print, I guess we take what we can get.

My Week in Manga: March 13-March 19, 2017

March 20, 2017 by Ash Brown

My News and Reviews

Last week at Experiments in Manga I posted an in-depth review of Ichi-F: A Worker’s Graphic Memoir of the Fukushima Nuclear Power Plant by Kazuto Tatsuta. It’s an important and fascinating manga which reveals the day-to-day lives and work of the people who are directly involved with the ongoing cleanup following the 2011 earthquake, tsunami, and nuclear disasters in Japan. On a related note, a while back I also reviewed Lucy Birmingham and David McNeill’s Strong in the Rain: Surviving Japan’s Earthquake, Tsunami, and Fukushima Nuclear Disaster which provides a fairly comprehensive and approachable overview of the disasters themselves as well as some of the initial recovery efforts. As for future in-depth reviews, I’m currently working on one for Akira Himekawa’s The Legend of Zelda: Twilight Princess, Volume 1 which I hope to post sometime later this week. (That would mean two reviews from me this month!) Initially I was planning to write a quick take on Nagabe’s The Girl from the Other Side, Volume 1 for today’s post, but I loved it so much that I want to delve into it more deeply, so expect to see a more comprehensive review for that manga in the relatively near future as well.

Quick Takes

Erased, Omnibus 1 (equivalent to Volumes 1-2) by Kei Sanbe. Although I haven’t actually watched it yet, Sanbe’s Erased manga was first brought to my attention due to its recent anime adaptation. I’ve heard very good things about it and so when Yen Press started releasing the original manga in a hardcover, omnibus edition it immediately caught my attention. Satoru Fujinuma has a peculiar ability which causes him to spontaneously travel back in time. Usually it happens just before some tragedy is about to occur, allowing him to try to prevent it, although doing so can sometimes cause problems for him personally. When a particularly traumatic event occurs, Satoru unexpectedly finds himself nearly two decades in his past, giving him the opportunity to try to stop a series of kidnappings and murders that haunted his childhood. While I found the story’s premise intriguing from the very start, it actually took me a little while to get into Erased. But by the end of the first volume I was hooked and by the end of the first omnibus I couldn’t wait to read more. (Also, fun fact!: Sanbe was one of Hirohiko Araki’s assistants and worked on JoJo’s Bizarre Adventure.)

The Legend of Zelda: Oracle of Seasons/Oracle of Ages by Akira Himekawa. Despite being a fan of The Legend of Zelda, I haven’t actually read very many of the video games’ manga adaptations. However, the Legendary Edition of Himekawa’s The Legend of Zelda manga that Viz Media has recently begun releasing may very well change that. With the handsome book designs, larger trim, color pages, and previously unreleased material, the new edition of the series is tremendously appealing. Oracle of Seasons/Oracle of Ages is the second volume in the Legendary Edition to be released, adapting the two linked video games of the same name. I haven’t actually played the Oracle games so I can’t comment on the adaptation itself, but the manga is fun and energetic. The series is aimed at younger readers which isn’t inherently a bad thing, but the story and characters can occasionally come across as somewhat simplistic as a result. The antagonists in particular seem to lack nuance and tend to be evil for evil’s sake. But as a whole the Oracle manga are enjoyable adventures, following a young Link, a warrior of destiny but still a knight-in-training, as he tries to figure out what he wants to do with his life even while he’s saving the kingdom.

Samejima-kun and Sasahara-kun by Koshino. Currently, Samejima-kun and Sasahara-kun is the only boys’ love manga by Koshino to have been released in English in print, but I enjoyed it so much that I hope there will one day be more translated. For a while there Samejima-kun and Sasahara-kun had gone out-of-print, but it’s more-or-less available again. (Digital Manga seems to be using some sort of print-on-demand service to restock titles lately; sadly, though adequate, the production quality isn’t quite as good.) Samejima and Sasahara are both college classmates and coworkers at a convenience store. Everything seemed to be going along fine between them until Samejima confesses that he has fallen in love with Sasahara, thereby putting their friendship in danger. At first Sasahara tries to ignore the development, wanting to just remain friends, but he comes to realize he enjoys the attention, if only he could get Samejima to believe him. Their relationship (as well as the eventual sex they have together) is endearingly awkward–Samejima obviously cares about Sasahara and vice versa, but they also annoy the hell out of each other in a way that only the closest friends can do. They’re an argumentative couple, but the manga’s humor makes it work.

Now with Kung Fu Grip!: How Bodybuilders, Soldiers and a Hairdresser Reinvented Martial Arts for America by Jared Miracle. It would be understandable, if inaccurate, to assume from its title and description that Miracle’s Now with Kung Fu Grip! is a work of popular history. I personally found the subject matter to be interesting and learned quite a bit, however the book is difficult to recommend to a casual reader. While Miracle’s style of writing isn’t overly academic, it is incredibly dense and as a whole the volume seems unfocused. Most people will do well to simply read the book’s conclusion which provides an adequate summary, foregoing the rest of the content unless more explicit detail is desired. The cover image, taken from the Chinese martial arts film Fearless, is somewhat misleading as well as the book is almost exclusively devoted to Japanese martial arts and the ways in which they’ve been incorporated into American culture. Now with Kung Fu Grip! is less about martial arts themselves and more about their social and historical contexts and the mythologies and stories that practitioners construct around them. In particular, Miracle ties the evolution of Japanese martial arts traditions in America to their commercialization and to the changing interpretations and expectations of idealized American masculinity over time.