Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Ash Brown

Bookshelf Overload: July 2017

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I ended up picking up a few more things than I had initially planned to in July (including more anime series than usual). Partly to blame was the huge month-long anniversary sale at RightStuf. Granted, some of the items that I ordered during the sale didn’t arrive until August, so they won’t be found in the list below. Also not represented (although perhaps they should be) are the books that I bought as replacements for some of the materials that I already owned but lost to water damage from a radiator leak last month. But as for the manga to arrive in July that do appear on the list below that I was especially happy to see, there was Kentaro Miura’s Berserk, Volume 38 (the previous volume was published in 2013), Shigeru Mizuki’s Kitaro and the Great Tanuki War (technically released in June), and Izumi Tsubaki’s Monthly Girls’ Nozaki-kun, Volume 8 (which continues to be a delight). I also finally got around to picking up Tetsu Kariya and Akira Hanasaki’s Oishinbo, A la Carte: Izakaya: Pub Food, the final volume of the series to be published in English. July had a fair number of interesting debuts in store for me, too, including Gou Tanabe’s H.P. Lovecraft’s The Hound and Other Stories (a nice addition to the horror manga available in translation), Yuki Fumino’s I Hear the Sunspot (a truly lovely manga), and Haruko Ichikawa’s Land of the Lustrous, Volume 1 (which, if nothing else, has stunning artwork).

Manga!
The Ancient Magus’ Bride, Volume 7 by Kore Yamazaki
Berserk, Volume 38 by Kentaro Miura
Blame!, Omnibus 2 by Tsutomu Nihei
Bungo Stray Dogs, Volume 3 by Kafka Asagiri
Don’t Be Cruel: Plus+, Volume 1 by Yonezou Nekota
Food Wars!: Shokugeki no Soma, Volume 18 written by Yuto Tsukuda, illustrated by Shun Saeki
Fruits Basket, Omnibus 2 by Natsuki Takaya
Hana & Hina After School, Volume 2 by Milk Morinaga
H.P. Lovecraft’s The Hound and Other Stories by Gou Tanabe
I Hear the Sunspot by Yuki Fumino
Kitaro and the Great Tanuki War by Shigeru Mizuki
Land of the Lustrous, Volume 1 by Haruko Ichikawa
The Legend of Zelda: Legendary Edition, Omnibuses 3-5 by Akira Himekawa
Love Com, Volumes 5-13 by Aya Nakahara
Million Tears, Volume 1 by Yuana Kazumi
Monthly Girls’ Nozaki-kun, Volume 8 by Izumi Tsubaki
Oishinbo, A la Carte: Izakaya: Pub Food written by Tetsu Kariya, illustrated by Akira Hanasaki
Princess Jellyfish, Omnibus 5 by Akiko Higashimura
Samurai Crusader, Volumes 1-3 written by Hiroi Oji, illustrated by Ryoichi Ikegami
Twinkle Stars, Omnibus 3 by Natsuki Takaya
Your Name, Volume 1 written by Makoto Shinkai, illustrated by Ranmaru Kotone

Comics!
The Backstagers, Volume 1 written by James Tynion IV, illustrated by Rian Sygh
Blood Brothers: Hermanos de Sangre written by Fabian Rangel Jr., illustrated by Javier Martin Caba
Electric Ant, Issue 1: Your First Kiss edited by Ryan Sands
For When You Can’t Sleep at Night by Skye Ali
Husband & Husband, Volume 1 by Aaron Ferrara
Living Space by Elise Schuenke
Loved & Lost written by Tyler Chin-Tanner
Ravina the Witch? by Junko Mizuno
Rutabaga the Adventure Chef, Book 2: Feasts of Fury by Eric Colossal
Stages of Rot by Linnea Sterte

Novels!
Gosick, Volumes 1-2 by Kazuki Sakuraba
Legend of the Galactic Heroes, Volume 4: Strategem by Yoshiki Tanaka
Your Name by Makoto Shinkai

Anime!
Captain Harlock Space Pirate: The Complete Series directed by Rintaro
Death Parade: The Complete Series directed by Yuzuru Tachikawa
Gangsta: The Complete Series directed by Shukō Murase
Gosick: The Complete Series, Part 1 directed by Hitoshi Nanba
The Story of Saiunkoku: Season 1, Parts 1-3 directed by Jun Shishido
Space Dandy, Seasons 1-2  directed by Shinichirō Watanabe
Yona of the Dawn, Parts 1-2 directed by Kazuhiro Yoneda

Pick of the Week: Heroes and Villains

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KATE:: For most readers, this week’s pick is a no-brainer: it’s the final volume of Tokyo Ghoul, which reaches its gory climax with volume fourteen. I never got on the Tokyo Ghoul train myself, so I’m more inclined to pick the latest installment of I Am a Hero, an even gorier series that manages to breathe fresh life into an undead concept by putting an unreliable narrator in the center of the action. (For the curious, I reviewed volume one.)

SEAN: Well, I mean, Tokyo Ghoul: re starts in October, so… in any case, I’m going to pick the 5th and final volume of Akuma no Riddle, a yuri manga that takes place at a school but is not like the 80 other yuri manga being released that take place at schools. I enjoyed this more than I expected, and I think it will benefit from a mass reread.

MICHELLE: There isn’t a whole lot that appeals to me this week, I’m afraid. So, even though I haven’t started the series yet, I’ll pick the fifth volume of All-Rounder Meguro to show support for Kodansha’s digital sports manga offerings.

ASH: Although I haven’t actually played very much of any of the games in the franchise, the release that I’m probably most curious about this week is the Assassin’s Creed manga adaptation, largely because I’ve greatly enjoyed Oiwa’s past adaptations.

ANNA: There isn’t a whole lot out there that is appealing to me this week either, but I’m probably going to check out Cosplay Animal in the hopes that it is fun and trashy, so that’s my pick.

My Week in Manga: August 7-August 13, 2017

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My News and Reviews

I shifted around my usual posting schedule at Experiments in Manga a little last week so, instead of posting July’s Bookshelf Overload, I ended up featuring my review of Kazuki Sakuraba’s most recent work to be released in English, A Small Charred Face. The book is scheduled to be released in September (I received an advanced copy from Haikasoru for review purposes), and is definitely worth checking out. I’m not especially interested in vampire fiction, but A Small Charred Face makes for a very interesting contribution to the genre and I loved the queerness present in the story. Sakuraba is probably best known as the creator of Gosick, which I’ve been meaning to read, but my introduction to her work was through Red Girls: The Legend of the Akakuchibas.

Elsewhere online last week: Justin of The OASG posted a transcript of Four Hundred Pages of Manga Every Single Week, a roundtable discussion held in July which was sponsored by Kodansha Comics and featured three of Weekly Shonen Magazine‘s editors, including the editor-in-chief; Anime News Network interviewed Akira Himekawa, the creative team behind most of The Legend of Zelda manga adaptations; Viz Media made a some licensing announcements while at Otakon including RWBY by Shirow Miwa, Takane & Hana by Yuki Shiwasu, and The Young Master’s Revenge by Meca Tanaka; Also at Otakon, Sekai Project, which is still relatively new to manga publishing, announced the acquisition of Keika Hanada and Kanemune’s manga adaptation of The House in Fata Morgana.

Quick Takes

Clockwork Apple by Osamu Tezuka. I’ll admit, I managed to burn myself out on Tezuka for a bit, so I’ve managed to amass quite a stockpile of his recently-translated manga which I haven’t actually gotten around to reading yet. Clockwork Apple is a collection of eight short manga originally published between 1968 to 1973. While they aren’t directly related to one another, they do share a similar tone, were generally intended for an adult audience (mostly seinen, I believe), and can all broadly be described as speculative fiction. The stories in Clockwork Apple tend to be fairly dark, dramatic, and serious. The visual humor, breaking of the forth wall, and self-awareness frequently present in Tezuka’s other non-comedic works are nearly nonexistent in the Clockwork Apple. (I don’t think the Tezuka’s Star System was applied, either.) Tezuka was personally having a difficult time in the late 1960s and early 1970s, so perhaps the tenor of these stories is partly a reflection of that. In general, I enjoyed the stories collected in Clockwork Apple even though the endings would sometimes be a little hit-or-miss or feel rushed. Each story would have at least one plot-altering twist, some had several, but occasionally those developments would come across as convenient rather than compelling.

Flesh-Colored HorrorFlesh-Colored Horror by Junji Ito. Most of Ito’s manga to have been translated into English are currently in print or have been recently reissued in a new edition and even more have been scheduled to be released in the near future. One of the few exceptions is Flesh-Colored Horror, the third and final volume in The Junji Ito Horror Comic Collection series released by ComicsOne. Currently, the volume can be a little difficult and expensive to find, but fortunately one of my local libraries had a copy. (I really hope to be able to find a reasonably-priced one of my own someday.) In addition to the titular story, Flesh-Colored Horror collects five of Ito’s other short horror manga. The six unrelated stories were originally published between 1988 and 1994 in Monthly Halloween, a shoujo manga magazine specializing in horror. Flesh-Colored Horror is a fantastic collection that is well-worth seeking out for either fans of Ito’s work or of weird horror in general. Ito has a way of starting with a simple and at times even mundane premise and twisting it into something truly strange and horrific. For whatever reason, while I greatly enjoy most of Ito’s work, I do find that I often prefer Ito’s older short manga over more recent collections; Flesh-Colored Horror continues that trend.

Giant Days, Volume 1Giant Days, Volume 1 written by John Allison and illustrated by Lissa Treiman and Whitney Cogar. I’ve been hearing good things about Giant Days for a while–the series has been nominated for multiple Eisner and Harvey Awards in the past, and several of my friends keep up with the comic–but I’m only getting around to reading it now. One thing that I didn’t realize about Giant Days, which initially started as a self-published webcomic before being picked up by Boom! Studios, is that it’s actually a spinoff of Allison’s earlier series Scary Go Round. I haven’t actually read Scary Go Round, but fortunately familiarity with that comic isn’t at all necessary to understand Giant Days. The comic largely follows three university students–Esther, Daisy, and Susan–who become close friends after living together in the same residence hall. The first volume seems to favor exploring the characters, their personalities, and relationships over having a strong overarching plotline. At times the comic feels somewhat disjointed and the scene changes can be rather abrupt, but the series has a good sense of humor and I do honestly like the characters. I think I would need to read a little more of Giant Days to really feel invested in their stories, but I greatly appreciate the inclusion of queer characters in the increasingly large cast.

A Small Charred Face

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A Small Charred FaceAuthor: Kazuki Sakuraba
Translator: Jocelyne Allen
U.S. publisher: Viz Media
ISBN: 9781421595412
Released: September 2017
Original release: 2014

Kazuki Sakuraba is a fairly prolific author in Japan, having written numerous short stories, essays, and novels; sadly, only a small handful of those have been translated into English thus far. Although Sakuraba is probably best known as the creator of Gosick (which, I’ll admit, I still need to actually read), my introduction to her work was through Red Girls: The Legend of the Akakuhchibas, an award-winning, multi-generational epic which I thoroughly enjoyed. When Haikasoru, Viz Media’s speculative fiction imprint, announced that it would be releasing Sakuraba’s A Small Charred Face with a translation by Jocelyne Allen in 2017, I immediately took note. I was previously unaware of A Small Charred Face, originally published in Japan in 2014, and I’m not especially interested in vampire fiction, but with Sakuraba as the author, Haikasoru as the publisher and Allen as the translator–a winning combination with Red Girls–it instantly became something that I wanted to read.

The Japanese town in which Kyo lives is bathed in blood, a hotbed of organized crime, murder, and vice. With a population willing to avoid looking too closely at the surrounding bloodshed, resulting in a plentiful and readily accessible supply of food, it’s the perfect place for the Bamboo, vampiric creatures originating from the deep mountains of China, to secretly coexist with humans. Carnivorous grass monsters but human-like in appearance, the Bamboo are extremely powerful and resilient but vulnerable to sunlight, never age but are still mortal. Up until the point he meets one, Kyo was never quite sure if the stories he heard about the monstrous Bamboo were true or if they were just told to frighten children. Confronted with the immediacy of his own impending death while only ten years old, his mother and sister having already been killed by a group of hitmen, Kyo is unexpectedly rescued by a Bamboo. Mustah, impulsively acting in blatant disregard for the rules of his own kind by taking him in, saves Kyos’ life and in the process changes it forever. But even while Kyo, Mustah, and Mustah’s partner Bamboo Yoji form a peculiar, tightly-knit family, it will never be entirely safe from the dangers presented by humans or the Bamboo alike.

At its very core, A Small Charred Face is about the curious, complex, exhilarating, and often fraught relationships that evolve between Bamboo and humans. The novel is divided into three distinct parts–three tangentially related stories which can all be connected to Kyo and his personal experiences with the Bamboo. In some ways the stories are able to stand alone, but the references they contain make them more powerful when taken together as a whole. The first and longest section, “A Small Charred Face,” focuses on Kyo’s life with Mustah and Yoji. The two men are fascinated and enthralled by his humanity, at times treating him as something akin to a pet but also raising him as family while protecting him through his adolescence. To Kyo, Mustah and Yoji are his saviors, parents, and something even more which is difficult to define. The second part “I Came to Show You Real Flowers” serves as an epilogue of sorts to the first, following another Bamboo who becomes incredibly important to Kyo as well as a young woman who plays a crucial role late in his life. Finally there is “You Will Go to the Land of the Future,” a story which delves into the history of the Japanese Bamboo. Linking back to the Chinese Cultural Revolution, it traces the tragic origins of the Bamboo’s strained relations with humans and the strict, harshly-enforced rules implemented to guard their society and existence.

A Small Charred Face opens with the brutal aftermath of the rape and murder of those close to Kyo with him facing a similar fate. It is a horrific, gut-wrenching scene, but the story that follows becomes surprisingly beautiful. Though still punctuated by moments of extraordinary violence and devastating heartbreak, A Small Charred Face is a relatively quiet and at times even contemplative work. The relationships shown are intensely intimate, with love, desire, and devotion taking on multiple, varied forms. The characters struggle and frequently fail to completely understand one another–the worldviews, life experiences, and fundamental natures of humans and Bamboo occasionally at odds–but the strength of the connections that they form regardless of and in some cases because of their differences is tremendously compelling and affecting. There’s also an inherent queerness to the stories that I loved. It’s perhaps most obvious through Yoji and Mustah’s partnership and the fact that Kyo spends a significant portion of his life presenting himself as a girl for his own safety, but many of the novel’s essential underlying themes explore found family, the need for acceptance, and what it is like in one way or another to be a hidden outsider within society. While A Small Charred Face resides firmly within the tradition of vampire fiction, Sakuraba’s contemporary take on the genre is still somewhat unusual and unexpected; I enjoyed the work immensely.

Thank you to Viz Media for providing a copy of A Small Charred Face for review.

Manga the Week of 8/16/17

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SEAN: Next week is the closest we get to a small week these days. Revel in it.

Dark Horse gives us the 4th I Am A Hero omnibus. Zombies! Not quite as sexy and dangerous as vampires, but they try harder.

ASH: I Am a Hero is definitely one of the more interesting takes on the zombie subgenre that I’ve come across. But yeah, not especially sexy.

SEAN: J-Novel Club has two more volumes out next week. The 5th My Big Sister Lives in a Fantasy World is out, and will continue to compare itself to the Haruhi Suzumiya series.

And Playing to Win in a VRMMO has a 6th volume.

Most of the list is Kodansha, both print and digital. On the digital side we start with a 5th All-Rounder Meguru.

MICHELLE: This is one digital sports manga that I’ve yet to sample.

SEAN: Two new digital debuts next week. Beauty Bunny is from the author of Peach Heaven and is about a girl whose life is transformed by makeup and hot guys, perhaps not in that order. It’s 8 volumes, and ran in Dessert.

Cosplay Animal also ran in Dessert, but is about 10 years older than Beauty Bunny. A cosplayer meets her ideal guy whole cosplaying as a high school student. The trouble is her ideal guy IS a high school student. From what I’ve read this sounds like AMAZING complete trash. I am interested.

MICHELLE: I don’t think either of these is for me.

ANNA: I have to say I will at least try the first volume of Cosplay Animal, that sounds amusing.

Fairy Tail gives us a 4th monstrous volume of its Master’s Edition super-omnibus.

ASH: If someone hasn’t read Fairy Tail before, this edition is definitely the way to go.

SEAN: Kodansha Digital also has a 13th Fuuka, which continues to be written by Seo Kouji.

Hotaru’s Way also gets a 2nd volume digitally.

Back to print for the 8th Maga-Tsuki.

Peach Heaven has a 5th volume digitally, and I’m sorry this is so dull, but I haven’t read many of these.

MICHELLE: Although I love most of Kodansha’s digital offerings, Peach Heaven didn’t really appeal to me, I admit.

ANNA: I did not care for it.

SEAN: I have read the 22nd and final volume of School Rumble, though. It’s famous! Well, OK, infamous. The ending has to be seen to be disbelieved. There was a 1-volume continuation, School Rumble Z, that tried to fix things, but I don’t believe Kodansha has picked that up. In any case, bye, School Rumble! Flag or Riceball, you were great either way. Mostly.

Lastly for Kodansha, a 4th xxxHOLIC Rei has managed to edge its way out onto shelves, despite CLAMP’s busy schedule of delaying and cancelling other series.

ANNA: I’m still sad and angry about X/1999!!!

ASH: Yeah…

SEAN: Seven Seas gives us the 5th and final volume of Akuma no Riddle, which has combined yuri and assassins into quite an attractive package.

And a 6th Shomin Sample, whose package is less attractive.

Titan Books rarely makes appearances on here, but they do have the 1st volume of the Assassin’s Creed manga, which actually is adapting the Assassin’s Creed IV game. It ran in Jump Kai, and the author has also written some Naruto spinoff novels.

ASH: I’m picking this up mainly because of the involvement of Kendi/Kenji Oiwa, who also worked on the manga adaptations of Welcome to the NHK and Goth.

SEAN: Vertical has the 8th Devil’s Line.

Viz gives us two titles, the first being the 4th Mobile Suit Gundam Thunderbolt series. We now have two Gundam series coming out at the same time. How times have changed.

ANNA: This is amazing, and reminds me I need to actually read my stockpiled volumes of Gundam: The Origin.

ASH: I shamefully have a few volumes of that I still need to read, too…

SEAN: And lastly, there’s the 14th Tokyo Ghoul, which will interest casual readers more than any other title I mentioned on this list.

See? Next week is totally small and has nothing coming out! Aheh. What are you getting?

Pick of the Week: Across the Spectrum

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SEAN: The title I find most intriguing this week is Nirvana, which is a reincarnated in another world title with a female lead (a rarity), and apparently borrows from both Hindu and Buddhist mythology. I’m in!

KATE: Hmmmm… If I were picking a manga on the strength of the title alone, Am I in Love Or Just Hungry would get my vote — we’ve all been there — but Sean makes Nirvana sound interesting, so I think I’ll follow his lead this week and choose Adventures in Reincarnation, too.

MICHELLE: There are a few titles that I’m somewhat interested in, but what I’m looking forward to the most is seeing whether the lead couple of The Full-Time Wife Escapist actually makes any progress. So, that’s my pick this week!

ASH: I’m a bit more curious about Nirvana now that I know a little more about it, but I must say that after three years since the last volume, it’s Drifters that really has my attention. It’s not a series that necessarily makes much sense, but it’s certainly bombastic with energetic action sequences and outrageous characters. (At least if I recall correctly; it’s been a while… )

ANNA: I’m intrigued by Nirvana after seeing everyone talk about it more, but the manga I’m probably most likely to get and read this week is Altair: A Record of Battles Volume 2, once I read volume 1 that is!

My Week in Manga: July 31-August 6, 2017

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My News and Reviews

The winner of The Royal Tutor manga giveaway was announced last week at Experiments in Manga. As usual, I also used the giveaway as an excuse to compile a thematic list of manga–in this particular case, a list of some of the manga available in English which feature royalty. This week I’m (once again) probably going to be switching around my regular posting schedule a little bit. Normally, this week would feature the Bookshelf Overload for July, but I’ve been working on an in-depth review of Kazuki Sakuraba’s A Small Charred Face which I would like to post sooner rather than later.

There are a few interesting things that I’ve recently encountered online that I’d like to share. First of all, MariNaomi has created the Queer Cartoonists Database (which does include mangaka), a followup of sorts to the Cartoonists of Color Database, both of which are fantastic resources. Khursten Santos and Thomas Baudinette, both scholars of queer themes in Japanese media, discuss gay manga, boys’ love, and such on the latest episode of the Fujojocast. Also, hat tip to Khursten for pointing out the recent audio recording and transcript of Masafumi Monden’s fascinating talk A Portrait of Shōjo: The Poetic Ambience of Japanese Girlhood.

As for some of the Kickstarter projects that have caught my attention lately: Sweethearts of 1989 is a queer romance comic by Kale Jeffery which is also in part an homage to anime and manga from the 1980s and 1990s. Zainab Akhtar is campaigning for a second volume of Critical Chips, an anthology of comics and comics criticism. (At least one essay will be about manga, specifically Taiyo Matsumoto’s No. 5.) Allison Shaw’s ongoing comic adaptation of the Greek myth of Persephone looks lovely. And of course, the Sparkler Monthly Year 5 campaign is still underway and could use a boost to help fund another twelve months of fantastic new content.

Quick Takes

I Hear the SunspotI Hear the Sunspot by Yuki Fumino. Although in Japan it was serialized in a magazine that focuses on boys’ love manga, Fumino didn’t originally envision the story of I Hear the Sunspot with that in mind. However, even if the potential for the manga’s to lead characters to become romantically involved was added at a later point, their relationship grows and develops beautifully. After an illness in middle school resulted in permanent hearing loss, Kohei has struggled not only with his sudden disability but also with finding acceptance and understanding from others. Now in law school, Kohei has become withdrawn and has closed himself off from his peers, though that doesn’t stop his more outgoing and personable classmate Taichi from trying to become his friend. As the importance of their unexpected friendship naturally takes hold both Kohei and Taichi have their own issues to deal with, but it is obvious that they care tremendously for each other. As a whole, I Hear the Sunspot is a lovely story, but the nuanced characterization and character growth in the manga is particularly excellent. The depiction of Kohei’s hearing loss and how it has impacted his life and who he is also handled very well. I wholeheartedly loved I Hear the Sunspot.

Liselotte & Witch's ForestLiselotte & Witch’s Forest, Volumes 1-3 by Natsuki Takaya. While waiting for the next volume of Twinkle Stars to be released, I figured I might as well give another of Takaya’s recently-translated manga series a try. (Liselotte & Witch’s Forest is actually one of Takaya’s most recent manga period, although I believe in Japan it’s on hiatus at the moment.) So far, while I am still enjoying the series, Liselotte & Witch’s Forest doesn’t work as well for me as either Twinkle Stars or Fruits Basket. I think the biggest impediment is that there seems to be a significant imbalance in the tone of the manga. The underlying story is dark and tragic–Liselotte & Witch’s Forest largely following in the tradition of Western fairy tales–but the narrative often relies heavily on lighthearted humor to carry it out. As a result, it feels as though Takaya can’t quite decide whether the series should be a drama or a comedy; every time something serious happens it’s countered by something ridiculous and it doesn’t always mesh well. It also takes a little while for the story to take off, although it’s interesting once it does. A young woman of noble birth, the titular Liselotte is now living in exile along with two servants, her stubborn cheerfulness obscuring the anguish she feels.

Stages of RotStages of Rot by Linnea Sterte. The comic Stages of Rot is the first published work by Sterte, an illustrator and animator currently based in Sweden. I wasn’t previously aware of Sterte’s creative output before reading Stages of Rot, but if the comic is at all representative, it will be well worth seeking out more. Although Stages of Rot does include some dialogue and narration, the comic is largely wordless, the strength of Sterte’s gorgeous illustrations easily carrying the flow of the narrative. The story unfolds in five chapters, each of which uses a different palette of muted colors to depict the passage of time and the evolution of nature and civilization within the fantastical world that Sterte has created. The title is derived from the comic’s narrative impetus–the body of a giant sky whale has crashed to the earth, the creature’s death allowing both life and conflict to flourish in ways that would have otherwise been impossible, the accomplishments of one era in some ways dependent on the decay of another. If nothing else, the comic is visually stunning, but the themes exploring the cyclical nature of life and death are also marvelously executed. Stages of Rot is a curious, beautiful, and ultimately hopeful work; I am very glad to have encountered it.

Manga the Week of 8/9/17

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SEAN: Stuff, stuff, stuff! So much stuff!

Dark Horse gives us a new volume of Drifters, the 4th. It comes out sporadically, so I will no doubt have to refresh my memory about what’s happening besides cool old famous people reincarnated and fighting each other. Actually, no, that should do it.

ASH: Let’s see, the last volume was released in English in… 2014. I didn’t expect that we’d ever see more of the series! I suspect that last year’s anime adaptation may have something to do with that.

SEAN: And there is a 4th omnibus of “Like Evangelion, only stupider” spinoff manga Shinji Ikari Raising Project.

J-Novel Club has a new debut, but it may seem familiar: Clockwork Planet, whose manga adaptation Kodansha has been releasing. This is their first Kodansha license, and will hopefully open the way for more in the future.

And we have the 4th In Another World With My Smartphone, which I hear is where the plot really kicks off.

Kodansha has titles both digital and print. Digitally we have the 2nd Altair: A Record of Battles, which is clearly not on the fastrack like some other digital titles.

ANNA: Good reminder for me to read the first one!

MICHELLE: Same!

SEAN: And the 2nd Aoba-kun’s Confessions as well.

I was unprepared for the Attack On Titan: Before the Fall adaptation to be this long, but here we are, Volume 11. Huh.

ASH: I’ve fallen behind, but I do largely like how the manga further develops and expands the story and characters from the original light novels.

SEAN: Back to digital with the 5th Full-Time Wife Escapist. Will these two poor communicators finally get together?

ANNA: I enjoy this series!

MICHELLE: Me, too. I’m always happy when I see a new installment on the schedule.

SEAN: And L♥DK has hit double digits, and presumably has not run out of ways to frustrate its heroine.

Seven Seas has the most titles out next week. There’s a lucky 13th volume of Devils and Realist.

And the 2nd print volume of the light (hah!) novel Grimgar of Fantasy and Ash.

Miss Kobayashi’s Dragon Maid will try to ride out the post-anime depression with its 4th volume.

The debut next week is Nirvana, an action fantasy with a “trapped in another world” veneer, the gimmick being the protagonist is female for once. It’s written by Jin, the creator of Kagerou Daze, and runs in Comic Gene.

Not Lives gives us a 6th volume. Has the cast diminished yet?

Also at double digits next week is Servamp. (poses) Vampires! (peers around, crickets chirp) Could it be the running gag has gone on too long?

ANNA: Maybe we need more mermaids or pirates.

SEAN: SuBLime has a digital-only release next week with Am I In Love Or Just Hungry, from popular author Akane Abe.

In print, they have the 2nd Deluxe Edition of Finder.

And the 5th volume of Ten Count, which has managed to irritate most of Manga Bookshelf by now.

ANNA: Yeargh.

ASH: I’m still reading it, though I completely understand why people dropped the series. The character’s relationship is far from healthy–right now to me it actually reads more like a horror manga and less like a romance.

SEAN: Viz has a 5th digital release of The Children Nowadays, whose existence I keep forgetting.

In print, they have the 21st volume of Itsuwaribito, which must be reaching a climax of some sort, I say as if I read past Vol. 1.

And a 2nd Legend of Zelda: Twilight Princess.

ASH: I’m enjoying this adaptation so far; I’m also glad that it doesn’t end with the second volume.

SEAN: Magi has reached 25 volumes! In Japan it’s wrapping up, here we still have a ways to go.

MICHELLE: I’m always kind of relieved to hear a series is ending. It’s probably the reassurance that I’ll actually get the complete story.

SEAN: Lastly, we have a 9th volume of Monster Hunter: Flash Hunter, which wars with Yu-Gi-Oh in how often it ends a Manga the Week of column and leaves me with nothing to say.

What do you say? Anything for you next week?

Manga Giveaway: The Royal Tutor Giveaway Winner

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The Royal Tutor, Volume 1And the winner of The Royal Tutor manga giveaway is… Black_wind!

As the winner, Black_wind will be receiving a copy of The Royal Tutor, Volume 1 by Higasa Akai as published in English by Yen Press. I have a particular fondness for court intrigue, so for this giveaway I asked participants to tell me a little about their favorite member of royalty from a manga since it often seems as though you can’t have one without the other. Be sure to check out the giveaway comments for everyone’s detailed responses as well as the list below for even more manga!

Some of the manga available in English featuring royalty:
ACCA 13 by Natsume Ono
Andromeda Stories written by Ryu Mitsuse, illustrated by Keiko Takemiya
The Angel of Elhamburg by Aki
Attack on Titan by Hajime Isayama
Basara by Yumi Tamura
Crimson Spell by Ayano Yamane
Dawn of the Arcana by Rei Toma
Emma by Kaoru Mori
The Heroic Legend of Arslan by Hiromu Arakawa
Iono-sama Fanatics by Miyabi Fujieda
Ludwig II by You Higuri
Princess Knight by Osamu Tezuka
Pretty Guardian Sailor Moon by Naoko Takeuchi
No Need for Tenchi! by Hitoshi Okuda
Ōoku: The Inner Chambers by Fumi Yoshinaga
Red River by Chie Shinohara
Requiem of the Rose King by Aya Kanno
The Rose of Versailles by Riyoko Ikeda
The Royal Tutor by Higasa Akai
The Seven Princes of the Thousand-Year Labyrinth written by Yu Aikawa, illustrated by Haruno Atori
The Story of Saiunkoku written by Sai Yukino, illustrated by Kairi Yura
Sugar Sugar Rune by Moyoco Anno
Two Flowers for the Dragon by Nari Kusakawa
Vinland Saga by Makoto Yukimura
Yona of the Dawn by Mizuho Kusanagi

As usual, the above certainly isn’t an exhaustive list, but it should at least provide some interesting starting places for readers looking for a bit of royal flair in their manga. Thank you to everyone who participated in the giveaway and shared your favorite members of royalty with me. I hope to see you again for the next giveaway!

Pick of the Week: Shining Wind And Twinkling Stars

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MICHELLE: It’s that time of year again! I’m very interested in the conclusion of Otherworld Barbara as well as I Hear the Sunspot and She and Her Cat, but I am simply unable to pass up my annual chance to squee about Kaze Hikaru. I agree with AshLynx, who expressed a wish that VIZ would start making the annual release a 2-in-1 volume. Otherwise we won’t catch up to where Japan is now until I’m retired!

SEAN: I can’t break with the yearly tradition. It’s definitely Kaze Hikaru as my pick. My goal is for it to sell well enough that we might see it… dare I hope… TWICE a year!

ANNA: Kaze Hikaru all the way for me as well. I love that series!

KATE: Add my name to the chorus of folks recommending Kaze Hikaru. I’m glad VIZ continues to publish new installments, but second Michelle’s request for a slightly faster release schedule. The East Coast will be underwater before we get the final volume here in the US!

ASH: Despite its slow release schedule, I’ve still somehow managed to fall behind with Kaze Hikaru. And so while I do plan on reading it because I do like the series, my pick this week (perhaps surprisingly) actually goes to Twinkle Stars. Although the series is a little trope-worn in places, I found the first two omnibuses to be both compelling and emotionally resonant.

My Week in Manga: July 24-July 30, 2017

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My News and Reviews

Last week saw the beginning of the most recent manga giveaway here at Experiments in Manga. This time around I’m giving away a copy of Higasa Akai’s The Royal Tutor, Volume 1 which was recently released by Yen Press in print after having previously only been available digitally. The winner will be announced this coming Wednesday, so there’s still a little time left to enter for a chance to win; simply tell me a little about one of your favorite members of royalty from a manga. Otherwise, it was fairly quiet around here last week, although one of my many cousins got married so I did spend a long weekend in Pittsburgh with my parents and siblings. Pittsburgh’s a really interesting place and we had good time. I’m really glad I wasn’t the one driving, though; Pittsburgh’s roadways are intense!

Anyway. Elsewhere online, Japanese author Hiromi Kawakami was recently interviewed for the Huffington Post–”The Stories Behind Ordinary Lives and Things.” I definitely need to read more of Kawakami’s work, but I have reviewed her novel Manazuru in the past. She’s also a frequent contributor to the literary magazine Monkey Business which I enjoy a great deal. Udon Entertainment hasn’t made many public comments regarding the status of The Rose of Versailles, but Nick Rowe recently talked to the publisher and it sounds like the manga might finally be released sometime next year. If you didn’t make it to the San Diego Comic Con, Jamie Coville has posted audio recordings of many of the panels including Manga Superheroes: Super Differences Between Japan and US. Heidi MacDonald, Deb Aoki, and Brigid Alverson recorded a few more episodes of Three Women in a Hotel Room at SDCC, too, talking about all sorts of things related to comics, manga, and pop culture in North America.

Quick Takes

Don't Be Cruel: Plus+, Volume 1Don’t Be Cruel: Plus+, Volume 1 by Yonezou Nekota. I’ve been meaning to read Nekota’s boys’ love manga series Don’t Be Cruel, but I haven’t actually had the opportunity to yet. However, I did recently  find myself in the possession of the first volume of Don’t Be Cruel: Plus+, a manga which more or less collects the main series’ side stories along with some additional content. I’m sure that Plus+ would be more meaningful to someone has read Don’t Be Cruel proper, but I was pleasantly surprised by how accessible it was even though I haven’t. (It probably does help that I have read a fair amount of boys’ love in general, though.) I don’t know how much humor is in the main series, but Plus+ is definitely not attempting to be serious. The manga basically brings Nekota’s Don’t Be Cruel doujinshi together, and some of them are intentionally unrealistic and over-the-top ridiculous, including one in which the characters switch bodies. There’s also a fair amount of sex, too. The stories focus on the physical and emotional relationships that have developed between Maya and Nemugasa, two young men with vastly different personalities. Even though I haven’t read Don’t Be Cruel, I found myself consistently amused by the surprisingly sweet mix of silliness and smuttiness in Plus+.

Venus Wars, Volume 1The Venus Wars, Volume 1 by Yoshikazu Yasuhiko. Not very many of Yasuhiko’s manga have been released in English and of those only one Mobile Suit Gundam: The Origin is currently available in print. In Japan, The Venus Wars was four volumes long. One volume was released in English, but as far as I can tell, Dark Horse actually published about half of the series as individual floppy comic issues. The Venus Wars is similar in genre, tone, and illustration to Yasuhiko’s work on Gundam, but I didn’t find myself quite as engaged by it. (I may have felt differently if more had been translated.) However, I did really like the series’ setting and basic premise. After Venus is struck by an asteroid in 2003, the planet is so greatly changed that it becomes possible for humans to terraform and colonize it. By 2089, the two major powers on Venus–Ishtar and Aphrodia–are drawing closer to all-out war and Earth is far enough away that its government and military can do very little to effectively intervene. Ken Seno is a young man who has been scouted by an elite unit of the Aphrodia military. He eventually joins, although initially it seems that his decision is based less on of any sort of patriotic duty than it is on his interest in the powerful, high-tech battlebikes that will come along with his assignment.

Wolf Children: Ame & YukiWolf Children: Ame & Yuki by Yu. I haven’t actually seen Mamoru Hosoda’s film Wolf Children, so I have no idea how Yu’s adaptation compares with the original anime, but I can definitely say that I enjoyed the manga. Originally a three-volume series, Wolf Children has been collected into a single, hardcover omnibus for it’s English-language release. At its heart, Wolf Children is a lovely, bittersweet tale about love, family, and growing up. Hana is a young woman in college who becomes romantically involved with a man who is half-wolf. They eventually marry and have two children together who, like their father, can also transform into wolves. After he dies unexpectedly, Hana finds it more and more difficult to provide for and protect her daughter and son. In order to keep them and their secret safe, Hana ultimately moves the family to the secluded countryside where, for the first time, they truly become part of a community. Wolf Children is largely told by Yuki, the oldest of the two siblings, tracing both her family history and her and her brother Ame’s childhood. Over time, Yuki and Ame grow and change, their lives taking drastically different paths as they struggle with being part-wolf and part-human. But through everything, their mother Hana and her immense love for them is always there.

Manga the Week of 8/2/17

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SEAN: The Dog Days of August begin with a manga pile worthy of an entire dog show.

Cross Infinite World has been releasing some shoujo light novels digitally, something I had shamefully forgotten till now. They have a release next week of AkaOni: Contract with a Vampire.

ASH: Oh, shoujo! I’d forgotten as well. It’s great to see these being released.

SEAN: Fantagraphics has the 2nd and final Otherworld Barbara omnibus, and I really really want to get it. Sadly, I actually ordered it from Amazon rather than Diamond, and for once Diamond is ahead of the game here.

MICHELLE: Woot. Looking forward to this one.

ANNA: Can’t believe I missed the first one, well now I can get both!!!!

ASH: Likewise, I’m going to have to wait for my copy, but I’m always excited to read Hagio’s work.

SEAN: J-Novel Club will be releasing the 3rd How a Realist Hero Rebuilt the Kingdom. Take a shot for each mention of Machiavelli.

And we get our monthly Invaders of the Rokujouma?!, the 5th volume in that long series.

Kodansha Digital gives us a new Del Rey rescue with the 20th Alive.

Kodansha has a 22nd volume of Attack on Titan, which finally gives us a beach episode.

ASH: Hahaha! Does it really? I admit, I’ve fallen a bit behind in reading Attack on Titan.

SEAN: GTO: Paradise Lost has a 4th volume digitally.

As does suspense title Kasane.

There’s also 2nd volumes for new series Kounodori: Dr. Stork and Love’s Reach.

One Peace has two debuts hitting comic shops next week (and bookstores a bit later). I Hear the Sunspot (Hidamari ga Kikoeru) is from Printemps Shuppan, running in the mostly BL magazine Canna. This isn’t BL, and appears to be about a student with hearing loss. It seems interesting.

ASH: My copy of I Hear the Sunspot actually arrived early. I’m very curious about the manga and hope to read it soon.

ANNA: Huh, that does sound interesting.

SEAN: They also have a light novel debut, Mikagura School Suite. It seems to be a Battle School title, based on a series of Vocaloid songs.

Seven Seas has a 3rd Magical Girl Site, which despite its title is dark horror.

And there’s a 3rd There’s a Demon Lord on the Floor, which is comedy fanservice just as its title implies.

Udon has a 6th volume of Persona 3.

Vertical has a done-in-one manga debut. She and Her Cat is written by Makoto Shinkai, so expect a bittersweet ending, but it should be very good.

ASH: As many Shinkai manga are, I suppose.

MICHELLE: Of course I am entirely down for this.

ANNA: Done in one manga are certainly nice sometimes!

SEAN: And now it’s time for Viz. The 17th Assassination Classroom has the kids arguing about whether they should assassinate in the classroom, fittingly.

There’s a 4th Behind the Scenes!!, which I continue to be a bit lukewarm on.

And an 8th Black Clover, which will feel even more like Fairy Tail now that Fairy Tail has ended.

Bleach’s 3-in-1 release hits Book 20.

And Food Wars! has a 19th volume – will things continue to be ‘darkest just before the dawn’?

Haikyu!! continues its monthly release with its 14th volume. The Japanese release is around Vol. 27 or so, so we’ve a ways to go before we catch up.

MICHELLE: I’m eager for both Food Wars! and Haikyu!!.

ASH: I’m still loving this series, and loving that it’ll continue to be released monthly for a while yet.

ANNA: I clearly need to go on a big volleyball binge.

SEAN: JoJo’s Bizarre Adventure has another hardcover of its least impressive arc with a 4th Stardust Crusaders.

ANNA: I love these hardcovers and the insane action of JoJo’s.

SEAN: Rejoice! August means Kaze Hikaru, which may be only one volume a year but it tries harder!

MICHELLE: Yaaaaaaaaay!

ASH: I plan on picking it up!

ANNA: I LOVE IT SO MUCH!!!!!!!!

SEAN: Kuroko’s Basketball has its 13th/14th volumes out in this omnibus, which will involve the characters playing basketball.

MICHELLE: *snerk*

ANNA: I thought they were all pastry chefs!

SEAN: Maid-sama! has come to an end with this 9th omnibus. Will Misaka be able to kick ass and take names? And how much blushing will we have? (Answer: so much.)

MICHELLE: I’m looking forward to the finale.

SEAN: My Hero Academia is one of Jump’s biggest hits, containing a cast filled with characters everyone loves, and Mineta. The 9th volume ships next week. (Seriously, everyone hates Mineta.)

One Piece’s 83rd volume will continue to develop Sanji’s predicament and upcoming marriage.

Platinum End’s 3rd volume will be there for hardcore fans of this manga team.

So Cute It Hurts!! is almost over, as the 14th volume is the penultimate one.

Toriko is also almost over, though the 39th volume shows we have a few more to go.

Vampire Knight: Memories is the debut from Shojo Beat. It’s nice to see the author return to her most popular world, I guess, though I worry it’s because she wasn’t able to duplicate that success.

Yona of the Dawn’s 7th volume continues our PIRATES! theme, though I do not believe ninjas, zombies or robots feature.

ASH: I think I’m okay with that.

ANNA: I so enjoy Shojo Beat’s fantasy manga.

Yu-Gi-Oh! never quite ends, as this is the 11th 3-in-1 and we’re still not near the end.

Lastly, Yen Press has one straggler, as the third Twinkle Stars omnibus finally shuffles onto the scene, looking furtively at its shoes as it apologizes for being so late.

MICHELLE: <3

ASH: I quite taken with the first two omnibuses, so I’m glad the third is finally here!

ANNA: Maybe I will finally read the first two volumes that are stacked up on my to-read pile!

SEAN: Which of these titles dog your footsteps?

Manga Giveaway: The Royal Tutor Giveaway

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It’s once again the final Wednesday of the month which means it’s once again time for the monthly manga giveaway here at Experiments in Manga! For this month’s giveaway, everyone participating will have a chance to win The Royal Tutor, Volume 1 by Higasa Akai as published in English by Yen Press. (The series started out as a digital-only release, so I was very happy when a print edition was announced, too.) As usual, the giveaway is open worldwide!

The Royal Tutor, Volume 1

While I have almost no interest whatsoever in the lives of contemporary royal or imperial families, I find that I actually do have a significant fondness for fictional stories, historical or otherwise, that deal with royal dynasties and their courts. Generally, what particularly captures my attention is the seemingly inevitable court intrigue–the intense relationships that develop between people and the resulting complicated, shifting web of power. Potentially, all of this drama can lead to a very serious story, but some manga like The Royal Tutor are also able to incorporate a fair amount of humor and levity into the narrative.

So, you may be wondering, how can you a copy The Royal Tutor, Volume 1?

1) In the comments below, tell me a little about one of your favorite members of royalty from a manga. (Don’t have a favorite? Simply mention that instead.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

That’s really all there is to it. Participants in the giveaway have one week to submit comments and can earn up to two entries. Comments can also be sent to me directly via email using the address phoenixterran(at)gmail(dot)com if needed or desired. I will then post those entries here in your name. The giveaway winner will be randomly selected and announced on August 2, 2017. Good luck, everyone!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: The Royal Tutor Giveaway Winner

Pick of the Week: Killer Queen

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SEAN: No real dilemma for me this time – my pick this week is the 2nd and final Queen Emeraldas omnibus. It’s Wagnery delicious!

MICHELLE: In the Wagnerian spirit, I should warble about my decision for at least ten minutes or so, but… Yep. Same.

KATE: I’m fresh out of Wagner jokes, so I’ll keep it simple: Queen Emeraldas is my pick of the week, too. If you like Star Wars or Blade Runner, you owe it to yourself to check out Leiji Matsumoto’s work; his sci-fi stories are as richly imagined as anything in the George Lucas or Ridley Scott canon.

ANNA: I read the first volume of Queen Emeraldas and it was a bit too bleak for my mood at the time. But even though I didn’t connect with this space opera as much as I expected to, it is undoubtedly the most important manga coming out this week, so it is my pick as well!

ASH: There are actually a few releases that I’m very interested in this week, such as the next volume of Descending Stories, but like everyone else here it’s the finale of Queen Emeraldas that gets my official pick. I simply can’t resist a dramatic, classic space opera!

My Week in Manga: July 17-July 23, 2017

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My News and Reviews

Although I’ve started to include Quick Takes of novels as part of the weekly My Week in Manga feature, it’s been a little while since I’ve actually written and in-depth review of a novel here at Experiments in Manga. However, last week featured my review of Tomoyuki Hoshino’s ME, one of my most anticipated literary releases of 2017. Much like the rest of Hoshino’s work available in translation, ME is challenging and can demand quite a bit from the reader, but I found it to be worth the effort. The novel is an incredibly surreal but thought-provoking exploration of identity, self, and society. Hoshino’s fiction definitely isn’t for everyone, but I hope to see even more of it translated in the future.

Last week there were also some manga-related licensing announcements made at the San Diego Comic Con. Among other things, Udon Entertainment has picked up Virginia Nitōhei’s manga adaptation of Otherwordly Izakaya “Nobu,” will be adding Romeo & Juliet, Adventures of Tom Sawyer, and Adventures of Huckleberry Fin to its Manga Classics line, and will be releasing Mega Man MasterMix, a full-color edition of Hitoshi Ariga’s Mega Man Megamix. Vertical Comics will be publishing Kinoko Natsume’s Chi’s Sweet Adventure, a spin-off of Konami Kanata’s Chi’s Sweet Home. And finally, Viz Media announced that it would be releasing Tsuyoshi Takaki’s Black Torch, Inio Asano’s Dead Dead Demon’s Dededededestruction (I’m definitely interested in this), Aka Akasaka’s Kaguya-sama: Love is War, and Koyoharu Gotouge’s Demon Slayer: Kimetsu no Yaiba.

Elsewhere online, a recent episode of the Manga Mavericks podcast provides an overview of the licensing news from Anime Expo in addition to digging into Kabi Nagata’s My Lesbian Experience in Loneliness and Gengoroh Tagame’s My Brother’s Husband. Over at The OASG, Krystallina expresses some valid concerns and criticisms of Digital Manga’s most recent crowdfunding efforts. And speaking of crowdfunding campaigns, there have been several less dubious projects that have caught my eye recently: Deer Woman is an anthology featuring comics created by Native and Indigenous woman which are inspired by traditional Deer Woman stories; Gothic Tales of Haunted Love is a collection of full-color gothic romance comics; and then of course there’s Sparkler Monthly Magazine: Year 5 which is particularly important to me. With every year that passes Sparkler Monthly just keeps getting better and better. I’ve featured a small selection of some of the magazine’s content before, but there’s so much more that I’ve never even mentioned here and it’s all great stuff. Please consider contributing to the campaign if you’re able!

Quick Takes

After Hours, Volume 1After Hours, Volume 1 by Yuhta Nishio. Recently there has been a notable surge of yuri and other lesbian-themed manga being released in English, mostly by Seven Seas, although other publishers have been licensing some as well. After Hours, for example, is the first yuri title from Viz Media if not ever at least in a very long time. That certainly caught my attention, but even more so was the fact that After Hours is not a schoolgirl manga and is instead about adult women (although the cover art does make Emi in particular look fairly young). Emi is invited out to a club by her friend but is generally left to fend for herself once she’s there. That’s when Kei more or less comes to her rescue. The two women hit it off and Emi ends up going home with Kei that night, one thing leading to another. It’s incredibly refreshing that Emi and Kei’s mutual attraction isn’t treated like an aberration or made out to be like it’s a big deal simply because they’re both women. After that first night their relationship continues to naturally develop, largely without angst, as they get to know each other better, Kei introducing Emi to her friends, the local music scene, and her passion as a DJ. The release of second volume of After Hours hasn’t been publicly announced yet, but there is no question that I’ll be picking it up; I absolutely loved the first volume and look forward to reading more.

Blindsprings, Volume 1Blindsprings, Volume 1 by Kadi Fedoruk. Sadly, I was unable to contribute to the Blindsprings Kickstarter campagin which raised funds to release the first print volume of the webcomic, so I was thrilled when I had the chance to pick up an early copy and chat a little with Fedoruk at this year’s Toronto Comic Arts Festival. In addition to first five chapters of the comic, the first volume also includes twenty-six pages of bonus content, artwork, and character profiles. Blindsprings is a beautifully illustrated, full-color comic with an engaging story, a diverse cast of characters, and an intriguing, complex, and well-developed world. (I especially appreciate how a variety of genders and sexualities are naturally and unobtrusively incorporated into the story.) Princess Tamaura is about to complete her 300-year agreement to serve the as an Orphic priestess for the sake of her sister, but her contract with the Spirits is broken when she is “rescued” against her will by a young man determined to prove a point. Tammy is torn from her sanctuary and thrust into a modern world in which Orphic traditions and their practitioners are harshly oppressed, the Academists and their magic now largely in control of what was her homeland. But there are still those who resist, and Tammy soon finds herself caught up in the conflict.

Tokyo Ghoul: PastTokyo Ghoul: Past written by Shin Towada Sui Ishida and illustrated by Sui Ishida. Viz Media doesn’t publish many novels outside of its Haikasoru imprint, but considering the popularity of Ishida’s Tokyo Ghoul manga series, it’s not too surprising that Towada’s trilogy of light novels were released as well. Although Past is Towada’s third Tokyo Ghoul novel (well, technically it’s more of a collection of vaguely-related short stories), the volume serves as a prequel to Tokyo Ghoul as a whole, the six chapters delving into the backstories of many of the Tokyo Ghoul‘s prominent characters. Despite taking place before the main series, Past is definitely not an introduction. It is intended for readers who are already invested in the franchise–a few of the stories don’t absolutely require prior knowledge in order to follow them, but others are nearly incomprehensible without at least some basic familiarity with Tokyo Ghoul. The general premise of Past is great, the volume allowing fans of Tokyo Ghoul the chance to spend more time with and gain a better understanding of some of the characters, especially as Past is able to tell stories that wouldn’t have immediately fit in the primary series. It’s unfortunate then that the actual writing is frustratingly awful much of the time with drama and angst frequently favored over plot developments that make logical sense.