Discussion, Resources, Roundtables, & Reviews
And the winner according to random.org for the Blu bundle is commenter #8, AnnaMarie who picked Stepping on Roses as her favorite romance!
There were lots of great romance manga listed on the comments thread, ranging from classics like Maison Ikkoku to more modern series like Kimi Ni Todoke.
Congrats to the winner and stay tuned as I’m sure there will be more giveaways coming up soon :)
I am looking forward to the end of this series in an odd sort of way. The next volume will be the last and I’m looking forward to being able to reread the entire series in a couple sittings. There was quite the gap in publication between volumes, so I’m curious to see how the story plays out when I’m not waiting around for four years or so between volumes 9 and 10. Yuu Watase says in her author notes that her series tend to pick up towards the conclusion, and this is definitely true for this volume as Uruki confronts his family legacy, Teg and Urumiya deal with their celestial warrior destiny and the heroine Takiko continues to cough up blood while working bravely to save the country of Bei-Ja. There’s a good balance in the story as it presents plenty of emotional character arcs and action with a general feeling of impending tragedy.
Overall after reading this volume I was struck by how much self-sacrifice is a theme and how this contrasts with the somewhat lighter tone of the original series. Takiko’s devotion to her role as Priestess of Genbu is absolute, but her romance with Uruki does get a bittersweet type of resolution at the close of this volume. One of the things I’m going to miss about this series is the art. Watase’s distinct character designs never leave me confused about what’s going on, even with an extended cast and many subplots happening towards the end of the series. The action scenes are dynamic, and the costumes and setting are detailed enough to make me invested in the World of the Four Gods. I’m looking forward to the last volume, but I’m going to have a box of kleenex ready when I read it!
I went on a .99 cent shopping spree in the Harlequin manga section of the Kindle store recently, so here are some quick takes on bargain romance manga.
Maddie’s Love Child
The Maddie in question in this title is an Australian headstrong leather-garbed interior designer, who enjoys making rich and remote men fall in love with her and then stomps on their hearts. She’s also longing for a baby but not a husband, so she is determined to track down the perfect sperm donor. Miles McMillan, remote and rich British businessman comes back into her life. Maddie and Miles met previously but he rejected her advances because he was engaged. Now that he’s broken things off with his fiancee, he decides to return to Australia for business…and something else. Maddie and Miles start to date, but will her baby making schemes and romantic foibles, combined with his emotional reticence and uptight British ways result in a romance or just a whole bunch of emotional trauma? Maddie’s internal dialogues sizing up Miles’ fatherhood prospects (“My child would never learn his arrogance or cold pride. And I could give it all of my love!”) were pretty hilarious. The art in this title was a little stilted, but generally attractive. Maddie’s personality and forthright nature was refreshing compared to other Harlequin heroines, so if reading about emotionally distant British businessmen falling in love is one of the romance novel tropes that you enjoy, this title was worth the .99 cents.
Expecting the Boss’ Baby
In Harlequin world billionaire bachelors with attractive secretaries end up accidentally impregnating them FAR TOO OFTEN! Michael is a rich emotionally distant man who accidentally celebrates a business deal with his capable secretary Kate a bit too much. She’s now secretly pregnant and harbors feelings of affection towards Michael the millionaire robot, but he is oblivious and doesn’t want any sort of emotional connection with Kate. When he makes his feelings known to her, she promptly quits. Michael is emotional remote because he grew up in an orphanage, his only friends are a couple of other millionaires who dispense warped advice about women and relationships. When Michael realizes that Kate is pregnant, he’s determined to ensure that his child won’t grow up without a father. This was very much a middle of the road title for me. Both the story and art were about average in terms of what one would expect from a Harlequin manga adaptation. This is part of a trilogy, as I’m sure Michael’s millionaire bachelor friends also find themselves promptly married off in later installments.
The Royal Marriage
This title had the vaguely retro art that I tend to enjoy most when reading Harlequin manga. There are plenty of big eyes and flowing hair abounds as Gabriella, the Brazilian heiress finds herself trapped in a marriage with Prince Ricardo. Ricardo has the reputation of a playboy, but when Gabriella’s father dies, leaving her with no family and a will with some very odd provisions, she decides to go through with the marriage. Gabriella settles into her new rule as princess, while trying to figure out her feelings towards her new husband. There’s a bit of palace intrigue, and Gabriella is a bit sassier than the usual Harlequin heroine. Along with Maddie’s Love Child, this was the title I enjoyed the most out of this batch of four manga.
Word of a Gentleman
I tend to take notice when I find a Harlequin title with decent art, because mostly I tend to expect somewhat lackluster art. Of the batch, this had the worst artistic adaptation, with stilted, out of proportion characters. The sub-par quality of the lettering was also distracting. This was a bit of a shame, because aspects of the story were a bit interesting. Clarissa decides that she’s going to hire herself a poor husband in order to get away from the machinations of her evil guardian Uncle and the loutish pawing of her cousin. She fixates on Hugh Richfield, who actually decides to take her up on her offer to pay him to elope with her. Hugh and Clarissa take off for Gretna Green and have some adventures along the way. Unfortunately the happy ending where everybody suddenly becomes rich strains even my willing suspension of disbelief.
MICHELLE: Wow, pickings sure are slim at Midtown this week. If you’re not interested in the latest Evangelion tie-in, volume 30 of Wallflower, or the paperback reprint of Ayako, you are out of luck. Of these, Ayako would be the one I’d choose (if I didn’t already own it in hardcover)—it may be misanthropic, but it’s definitely worth reading.
ANNA This is somewhat sad. So sad in fact that I’m going to pick something that isn’t even manga at all! It looks like the 10th issue of Brian K. Vaughn and Fiona Staples’ Saga is coming out this week. I enjoyed the first trade paperback of this series very much, and it is nice to see more nifty titles coming out from Image Comics. I’m looking forward to the second volume of this adult space opera.
SEAN: Sheesh, I do all I can to expand Manga The Week Of, and everyone then proceeds to stick with Midtown’s paltry offerings. My pick this week is therefore the second Umineko omnibus, which wraps up the first arc. Less heartwarming than Higurashi so far, its grand guignol over-the-top style appealed to me, and you gotta love those screaming faces (from those still alive, that is).
MJ: I’ll admit that I feel hesitant about choosing from Sean’s lovely selection of Yen titles, as even online retailers list their release dates as yet a full week away, but I guess I’ll take this opportunity to highlight a series that rarely makes it into our Picks. That series would be Nabari no Ou—you know, the other ninja manga. I’ve been a fan of this series from the start and though I’ve fallen behind, now that its penultimate volume has arrived, I feel the time for a marathon is now. I’ll be setting up a “book club” marathon in the forums later today. Come join me?
Readers, what looks good to you this week?
I am often excited when Viz announces new series, but I am extra excited to see that they are going to be bringing out Midnight Secretary and also Happy Marriage. More mature shojo/josei manga is a category that I wish more US manga publishers would pursue because as much as I do enjoy high school romance, it is very nice to have titles featuring main characters who are not teenagers. I think these acquisitions would appeal to fans of more mature manga like Butterflies, Flowers.
Here’s the scoop from the Viz Press release about these titles:
HAPPY MARRIAGE?! • Rated “M” for Mature •
MSRP: $9.99 U.S. / $12.99 CAN • Available August 6, 2013
In order to help her father, Chiwa Takanashi agrees to an arranged marriage with the company president Hokuto Mamiya – a man she doesn’t know – at the request of Hokuto’s grandfather. Chiwa believes the arrangement isn’t binding, but her new partner seems to think otherwise. Can two strangers living together find their way to a happy marriage?!
MIDNIGHT SECRETARY • Rated “M” for Mature •
MSRP: $9.99 U.S. / $12.99 CAN • Available September 3, 2013
Kaya Satozuka is a brilliant secretary who excels at her job, which is why she doesn’t bat an eye when she’s assigned to be personal secretary to Kyohei Touma, the very difficult managing director of Touma Foods. It doesn’t faze her when her new boss seems determined to make her fail, and she even manages to take it in stride when she discovers the secret behind his prickly behavior…he’s a vampire! But while Kaya easily adapts to late nights and keeping a schedule of his “dinner dates,” will her ultra-competence help when Kyohei’s smoldering gaze starts turning her way?!
It seems like most volumes of Kamisama Kiss involve human kami Nanami traveling to a new land or meeting some strange yokai. Fortunately this is a plotline that Julietta Suzuki executes so well with both art and story, I don’t mind a bit. I would happily look at a Suzuki art book because I find her character designs so entertaining. I’ve noticed that her underwater characters are often particularly inspired, so there is a lot to like about this volume, which features some major romantic happenings not for Nanami but for her yokai acquaintance Himemiko of the Tatara swamp and her human boyfriend Kotaro.
Himemiko has only appeared to Kotaro in human form, but her secret is going to be tested when her childhood fiance arrives to cause problems. Nishiki is a prince of a neighboring swamp who has grown up arrogant and cut off from contact from most creatures. His solution to his upcoming wedding is to kidnap both Nanami and her shrine, leaving her cut off from Tomoe. Nishiki has a formal way of dressing, accessorized by a scaly headband and fins at the side of his head. When he finds Himemiko in human form she pretends to not know what he’s talking about because she still doesn’t want to reveal her non-human nature to Kotaro. Kotaro gets injured during a confrontation and the god of the sea Ryu-Oh appears again, with his toothy grin, eye patch, and attitude problem.
Nanami struggles with her shrine being trapped at the bottom of a swamp and attempts to get through to Nishiki. Her utter disregard for high court yokai etiquette starts to wear the arrogant Nishiki down towards the end of the volume. His royal mannerism have even cut himself off from his own people, who boggle when they are shown the slightest amount of regard from their ruler. Himemiko and Kotaro start dealing with the true nature of their relationship, even as Nishiki starts to thaw a little bit and begin to understand that he doesn’t know much about the nature of love. Nishiki’s character evolves throughout the volume, and it is always good to see Nanami cause change just simply by being herself.
Even if Nanami and Tomoe’s relationship isn’t resolved yet, it is nice to see things moving forward for the other human/yokai couple in the book. I’m going to look forward to see what happens next at the conclusion of this arc, and if there’s a happy ending for the swamp Princess and her human it will be very interesting to see how Tomoe and Nanami react to that development.
I thought for February I would give away a bundle of yaoi manga from Tokyopop’s Blu Imprint. Up for grabs are three manga volumes:
Blood Honey
Crimson Snow
Isle of Forbidden Snow
Just leave a comment here with your favorite romantic manga (yaoi or otherwise) to be entered in the contest.
Contest will be open until next Tuesday night. US residents only, please.
With each new volume of Slam Dunk I’m simultaneously happy and a bit disappointed – happy because I can read another volume of a great sports manga, and disappointed because we are slowly inching towards the final 31st volume. I continue to find Slam Dunk fascinating even when a basketball game gets spread out over several volumes. Shohoku is still playing tournament favorite Sannoh, but things finally start to click for the loveable underdogs. My favorite aspect of this volume was that the breakout star of the game wasn’t the cool Rukawa or the sometimes doltish basketball savant Sakuragi, but their sometimes overlooked and quiet teammate Mitsui who starts out the volume by hitting three 3-pointers in a row. He’s able to take advantage of the fact that Sannoh’s focus is on Shohoku’s star players and score with simple precision. Everybody is mystified by Mitsui’s sudden confidence, including his own teammates. The Shohoku fans remember that Mitsui used to be a junior high MVP, but his play has suffered because he felt like he had to live up to some past glories. Shohoku’s enigmatic coach concludes that Mitsui is starting to believe in himself again at just the right time, and there’s a great wordless interchange between coach and player as they make eye contact and pump their fists. Simple moments like this where Inoue just uses a few simple panels to underscore a moment do so much more to drive the story forward than pages filled with expository dialogue.
Once the opposing team realizes that Mitsui needs more coverage, Shohoku needs to change up their strategy yet again. Rukawa and Sakuragi both have some moments, but Sakuragi is tested when the opposing team puts a huge substitute player in and his coach tells him that the monster is his assignment. It is a measure of just how far Sakuragi has come that while he does give in to his first impulse of trying to fight strength with strength, he eventually hits on a way to deal with the new player using strategy and observation. Each volume of Slam Dunk always feels very satisfying. To describe the plot, it might seam as if the story is moving forward at a glacial pace, with three volumes or so spent on one basketball game. But the evolution of characters and personalities brought on by the conflict of basketball is layered and dense, and that makes this title such a special sports manga.
Review copy provided by the publisher.
SEAN: I had forgotten that Midtown, for some odd reason, hates Seven Seas and doesn’t get their books in for ages. So I’ll add the books that came out via Diamond this week to next week’s list.
So what is on that list? Dark Horse has a short story collection by Hiroaki Samura, creator of Blade of the Immortal, entitled Emerald And Other Stories. It will come as no surprise that these stories are about Samurai in some way, shape or form. Sounds similar to the recent Kaoru Mori collection, only with samurai replacing maids. Fun!
ANNA: I have the first few volumes of Blade of the Immortal but never got into it as much as my beloved Vagabond. I think I have room in my heart for only one long-running samurai series. That being said, I might check this out because I did really enjoy Samura’s short story collection of college life, Ohikkoshi.
MJ: I can’t decide if I’m interested in this. I don’t love samurai or short stories, but I have always wanted to try Blade of the Immortal, and maybe this would give me the push I’ve needed to dig in.
MICHELLE: I read the first volume of Blade of the Immortal and thought it was awesome, but somehow I have never continued with it. I think it’s ‘cos I have to brace myself for the gore I might encounter, which is why I’ve not continued with Kurosagi Corpse Delivery Service, either, despite liking the first volume.
Anyway, Emerald and Other Stories sounds pretty interesting and not too full of samurai, if Amazon’s description is to believed. I might have to check this out!
SEAN: Kodansha has what I believe is the final volume of Deltora Quest, the manga adaptation of Emily Rodda’s books that ran in one of Kodansha’s younger titles, Comic Bom Bom.
MICHELLE: I read the first volume of Deltora Quest, which was sufficient to convince me that I didn’t need to read any more volumes of Deltora Quest.
SEAN: Coming out this week via Diamond and Amazon, and sometime whenever via Midtown, Seven Seas has a new Alice series debuting. Alice in the Country of Joker: Circus and Liar’s Game is a much darker take on a series that can get pretty dark already, and pays more attention to the mystery of Alice’s older sister.
ANNA: I didn’t enjoy Cheshire Cat Waltz very much, but I still have a certain amount of affection for the franchise and would probably read this if some other reviewers think it worthwhile.
MICHELLE: I had no idea there was a Country of Joker incarnation! I think I have at least sampled all of the versions, but this one sounds more promising than most.
SEAN: There’s also the 2nd volume of Haganai: I Don’t Have Many Friends. Of Seven Seas’ three moe titles this fall, this is the only one I bothered to get a second volume of. It’s on probation, however, so we’ll see if it improves any.
SubLime has Vol. 3 of Awkward Silence, featuring that ever-popular BL cover of a smug guy forcing himself on an angry nervous guy. As seen in everything forever. (As also seen in a lot of shoujo and josei, with the uke replaced with a girl. The pose is equal opportunity.)
MJ: I’m really trying to give Awkward Silence the benefit of the doubt, mainly because of its author. But I’ll admit that volume one did not give me a lot of confidence that this series will transcend its cover art. Anyone want to offer me some hope here? I’ve got both volumes two and three sitting here staring at me.
MICHELLE: I found the first volume to be really generic, if not outright terrible, and was surprised that Takanaga’s been able to sustain the premise for multiple volumes. So, I guess I’ve no hope to offer you.
SEAN: Vertical has the debut of a new sci-fi manga from the creator of Biomega and Blame!. It’s called Knights of Sidonia, and the advance buzz on it has been excellent. It runs in Kodansha’s Afternoon, but is probably not very much like Oh My Goddess! at all.
ANNA: Is there a bear with a machine gun in this manga? That’s my main question. I will pick this up, because I want to support Vertical on principal but not all of their titles appeal to me. Anything from the person that created Biomega is something I am interested in for sure.
MJ: I am totally there. This looks really interesting to me.
MICHELLE: I really enjoyed Nihei’s grimly compelling BLAME!, so I was predisposed to be interested in this, but the phrase on the back cover that really clinched it for me was “the spaceship’s cool-headed female captain.” Sign me up!
SEAN: Viz time. It’s been half a year, so it’s time for a new volume of Shonen Sunday series Hayate the Combat Butler. I love this series and no one else on Manga Bookshelf touches it, so I’ll just say I’m happy to see it and move on. :)
ANNA: I read the first volume and liked it well enough, but it didn’t inspire the kind of loyalty I would need to feel to keep reading such a long series.
MJ: I’ve wanted to try this series for years, so you keep on supporting it, Sean! I’ll fall in line eventually!
MICHELLE: I have to admit, it’s the artwork on this that keeps me away. It looks fairly moe-tastic.
SEAN: And Inu Yasha continues to get its VizBIG re-release, with Vol. 14 covering volumes…. um… (does math) 40-42 of Takahashi’s most popular (in North America, calm down, UY fans) series!
MICHELLE: Yay, InuYasha! I actually still need to read the final ten volumes of this; I’ve sort of been hoarding them until I’m ready for it to actually be over after all this time.
SEAN: So what’s your Valentine manga?
I don’t often rewatch dramas simply because there are so many other shows out there that I haven’t seen. I have watched bits of Boys Over Flowers more than once, and I seem to need to rewatch You’re Beautiful every couple of years. My Princess is a show I’ve been meaning to write about for some time, and I planned to only watch the first episode, but promptly got addicted to the series all over again.
My Princess has one of the better opening scenes that I’ve seen in any drama to date. There’s a dramatic procession and ritual going on in a historic building. A traditionally attired princess sits in a throne to watch the festivities. Soon some details start appearing that make the scene look a little bit off. The princess is fidgety and bored in a most unprincess-like way. An alarmingly handsome man in a modern suit is talking in an earpiece about ensuring the safety of a “Princess Stella.” Soon we realize that the whole scene is taking place in the modern world, in a very lavish historical tourist trap. The girl playing the fake princess is Lee Seol, a flighty student who has far too many part-time jobs. The alarmingly handsome man is Park Hae Young, a diplomat and third generation heir to a giant Korean corporate conglomerate.
Are they the most adorable couple in Kdramas ever?
Hae Young induces Seol to work overtime, but doesn’t carry small enough bills to pay her which causes her much consternation. Seol is like an extremely charming steamroller, somewhat relentlessly relying on being cute to sail through life, but she carries on in such an amusing manner it is hard not to be captivated by her. Her main focus is her obsession with her archeology professor Nam Jung Woo, as she entertains elaborate Indiana Jones style fantasies of how their romance will kindle when they meet in Egypt. When Seol realizes that Hae Young intends to marry her professor’s first love, museum director Oh Yoon Joo, she decides that she has to help the young man with romance by making Yoon Joo jealous. Seol claims to be Hae Young’s girlfriend. Seol treats Hae Young like a slightly dimwitted older brother, but she doesn’t yet realize how their lives are about to be intertwined. In the meantime, things between the professor and Yoon Joo are tense, because evidently museum directors lack basic academic integrity and she has poached on her knowledge of the professor’s research to create professional triumphs for herself.
The proper response to male nakedness….
is to cover one’s eyes with produce.
Love rectangle firmly established, My Princess moves into thought experiment territory as it explores what would happen if modern day Korea tried to bring back the Monarchy. Hae Young’s grandfather established his fortune with funds from the royal family, and as he is nearing the end of his life he has decided to give all his money and the royal family back to the country. It turns out that fake princess Seol is actually the last living member of the Royal family! She was abandoned when she was five years old and adopted. Seol’s early childhood memories are fragmented, but she does confirm a few details that show her to be the true princess. Despite her tendencies towards materialism, Seol isn’t actually that interested in becoming Princess, only agreeing to accept the position when she sees false press reports about her dead father. Hae Young is decidedly unhappy about his anticipated inheritance being taken away from him and tries a number of strategies to prevent Seol from entering the palace. Yoon Joo maneuvers herself into a position of Executive Director of the Royal Foundation.
Seol should be Hae Young’s enemy, because if she’s voted in as Princess his life will be taken away from him. With his background in diplomacy, he manages to get himself assigned as her etiquette instructor and goes to live in the palace too. Seol’s only ally in the palace is a young chef who keeps looking out for her. Yoon Joo is a master at passive aggression and goes out of her way to make Seol feel uncomfortable when they are in front of other people, only to come out and calmly discuss her hatred when they are alone. Hae Young isn’t without compassion, and Seol can be terribly charming.
Seriously, how cute are they!?
There are so many cute touches in this drama. Seol and Hae Young are falsely linked romantically before the truth comes out, and Seol’s mother is almost giddy with excitement over the idea of a chaebol son-in-law. Seol’s dogged pursuit of her Professor is hilarious, but she spends more time on the run with Hae Young, watching the movie Roman Holiday in an open air theater and charging him a fortune to say in her family’s bed and breakfast. My Princess manages to balance the frothy aspects of a modern day fairy tale with plenty of realism as Seol deals with her tough past and the politicians conspire to derail the efforts to restore the royal family. As a couple, Seol and Hae Young are one of my favorite pairings in drama. The actors have an undeniable chemistry that makes watching them so much fun. I highly recommend that you check out My Princess if you are looking for a fun romantic comedy drama to enjoy with Valentine’s Day coming up!
Watch now at DramaFever!
MJ: There’s a lot to choose from at Midtown Comics this week, yet even with so many lovely choices at hand, I’m going to risk sounding like a broken record and cast my vote once again for the latest volume of GTO: 14 Days in Shonan. I just can’t help it! This series has charmed me so completely and unexpectedly that it easily grabbed a spot at the top of my list of favorites in 2012. Volume seven comes out this week, and I can’t wait to read it!
MICHELLE: I picked Sailor Moon last week, so I’ll pick something else. Man, there is a lot of good stuff on that list, but like MJ, I am going to have to go with an old favorite.
Skip Beat! in its 30th volume still feels fresh to me, and it’s a series that I am already looking forward to rereading and it’s not even done yet. That doesn’t happen to me very often!
SEAN: Indeed, lots of stuff I could pick, but I keep coming back to Devil and Her Love Song. It’s a rare shoujo series where I want to see the villain redeemed as much as the heroine, but that’s where I’ve ended up with this one, where I find myself really hating what Anna is doing while desperately wanting someone to break through to her. And that’s not even getting into the giant mess that Maria’s life is. Combine that with a wicked sense of humor at times, and it’s almost enough to get past the fact that their horrible teacher is STILL THERE.
ANNA: I’ll go with Dawn of the Arcana, Vol 8, a rare shojo series that focuses more on interesting world building and political machinations than romance.
Readers, what looks good to you this week?
Dawn of the Arcana continues to be an entertaining fantasy series in a subtle and well-executed way. This volume has our adventurers in the desert kingdom of Lithuanel. Nakaba is caught up with a struggle between the princes Akhil and Azhal. They encounter a new type of ajin in the form of a group of terroristically inclined snake-people. Caesar has to prepare to return to his own country, and he attempts to push Nakaba away in an attempt to protect her from getting hurt. Nakaba has grown into a much more confident woman, and she’s not afraid to invoke her power when she needs to in order to help her friends.
One of the things I’m always wanting from this series is more Loki. Nakaba’s devoted dog-like ajin protector has always seemed to have hidden depths and motivations and Nakaba’s power shows her a series of visions that demonstrate just how far Loki is willing to go to to protect her. Nakaba gains a new appreciation for how much information he shielded her from when she was younger and more innocent. Eight volumes in, and I’m still appreciating the clarity of Toma’s art. The paneling had really developed well to showcase both action sequences and the inner feelings of the characters. Seeing a younger Nakaba in flashbacks makes the reader appreciate the bond between her and Loki, and appreciate how far she’s come since she became Caesar’s princess.
SEAN: I knew there would be a pile this week, and indeed there is a pile. I already talked about the Kodansha stuff last week, as I anticipated this, so to sum up: Fairy Tail 23, the third and final Genshiken omnibus, the last Miles Edgeworth: Ace Attorney Investigations, the penultimate Negima, and a new and fantastic Sailor Moon.
Meanwhile, that still leaves a lot. Dark Horse has Vol. 26 of Gantz, which no doubt is filled with latex, boobs, and blood-soaked gore. I like one of the author’s other works a whole lot, but this series just never grabbed me.
MICHELLE: I was kept away from this one by reviews, and will probably be staying away.
MJ: Same here. It’s sad, too, because I generally like to support Dark Horse manga. I wish I thought I could like it.
SEAN: Udon has a title that is not via Capcom (to my knowledge), but still seems to be video-game based: Sengoku Basara: Samurai Legends Vol. 2. It’s like Son Goku, only with an e! And… probably not a lot like the shoujo manga Basara at all.
MICHELLE: Probably not.
MJ: Heh.
SEAN: Vertical has Vol. 7 of GTO: 14 Days in Shonan, which is now in its last third. The twins arc may be wrapped up here, but that doesn’t mean things are back to normal. In fact, we may be getting even more serious than before.
MICHELLE: I am several volumes behind on this now. Bad me.
MJ: My eyes are filled with little hearts as I read this. Oh, GTO: 14 Days in Shonan, how I love thee! Thankfully, my crush on Eikichi Onizuka is slightly less embarrassing than the one I had on Morimoto Rockstar.
SEAN: And the rest is GIANT PILE O’ VIZ. First off, Vol. 8 of Ai Ore!. The series apparently doesn’t end here, but as Mayu Shinjo is busy with many other projects, it’s on hold right now, so this will be the last for a while.
MICHELLE: Oh, really? Crap. I was hoping I could be finished with it once and for all.
MJ: Some nightmares never end.
ANNA: I feel like the lone apologist for Ai Ore!, but really the later volumes of the series that I’ve read have been pretty funny. And Demon Love Spell is a hoot. I seriously wish more Mayu Shinjo titles were translated over here. Oh! Maybe Viz will put Sensual Phrase on the iPad, that would be awesome.
SEAN: I generally like Ai Ore more the more that it comically abuses its hero. As for Sensual Phrase, I suspect it’d get M-rated off the tablet devices, unfortunately.
Bleach has an omnibus of Vols. 10-12, which if I recall are right in the middle of the Soul Society arc, so should be a lot of fun.
MJ: Oh, I really miss those days!
SEAN: Bleach also has Vol. 55 of its current run, which is the start of this current arc, I think. Kubo said a while back this would be the last arc, but that doesn’t mean he’s not taking his own sweet time about it as always.
Dawn of the Arcana hits Vol. 8, meaning I’m farther and farther behind. Ah well. At least digital manga doesn’t go out of print. (Yet – I don’t want that thrilling new trend anytime soon.)
MICHELLE: I’m planning to get caught up on Dawn of the Arcana this week, as a matter of fact.
MJ: I’ve suddenly gotten hooked on this series, so I’m quite happy about this!
ANNA: I like the way Dawn of the Arcana seems to be a bit more concerned with world building and geopolitics than romance, it makes it a little different from the average shoujo title.
SEAN: Devil and Her Love Song 7 its right in the exact middle of the series, and so things are clearly only going to get worse for our heroine. I do hope Anna sticks around, though, as I know there’s a good friendship with Maria buried somewhere deep deep DEEP down in there.
MJ: This is also a shoujo series I can’t seem to get enough of, though of course it’s very different.
ANNA: Always good to see another volume of this quirky series!
SEAN: Kamisama Kiss hits a dozen volumes, twice that of Karakuri Odette! This one’s still going strong, though, and apparently features cutie Himemiko, who finds dating is even harder when you’re a yokai.
MICHELLE: Here are a couple more shoujo series that I like but am behind on.
ANNA: Yay! Kamisama Kiss is one of my never-fail feel good shojo reads.
SEAN: Naruto also has a 3-in-1 with Vols. 10-12, which I’m sure I will catch up with ANY DAY NOW.
And as for Naruto 60, well, Sasuke’s back. That pretty much sums it up. Talk amongst yourselves.
Nura: Rise of the Yokai Clan left a lot of things hanging last time, and this volume… at least gets a little closer to them. Don’t expect the arc to end here, though. Shiibashi is no Kubo, but he’s still slow.
One Piece is one omnibus ahead of its fellows, as we get Vol. 13-15, which is starting the Baroque Works arc. These volumes have Mr. 3 and Miss Golden Week, two of my favorites from that group of villains. As well as Vivi, of course.
Pokemon Diamond and Pearl Platinum has hit 7 volumes, and I still know nothing about it.
And Skip Beat! has hit Vol. 30! Does this make it the longest running shoujo series from Viz? Red River was only 28… In any case, the danger of method acting rears its ugly head again.
MICHELLE: Nope. Boys Over Flowers was 37 (including Jewelry Box).
MJ: I can’t believe I read the whole thing…
ANNA: I do not regret reading 37 volumes of Boys Over Flowers and I will not regret reading 30+ volumes of Skip Beat!
SEAN: Do you realize there are only 6 more volumes of Slam Dunk to go? How has this snuck up on us all?
MICHELLE: I am all too aware of it! I like to save the series up and read it in chunks, so when I finished volume 26 for last week’s briefs I realized that the next chunk would also likely be the last chunk! I’m already going through withdrawal.
SEAN: Stepping on Roses has come to a close with Vol. 9. One day I will get an awesome shoujo manga series about a girl who is forced to chose between two men and shogi, and chooses shogi. This is not that day.
MICHELLE: Oh, I forgot about this one! It’s pretty dumb, but I might as well finish it.
MJ: I gave this series up ages ago, and I don’t regret a thing! I am sad to hear, however, that it never turned into a shogi manga.
ANNA: I am sad that Stepping on Roses wasn’t as good as Tail of the Moon, because I love that series so much.
SEAN: Tegami Bachi: Letter Bee adds Volume 12 to its arsenal, and I add another shonen series I never really kept up with to my long, long list.
MICHELLE: I have a bunch of volumes I intend to read one of these days.
SEAN: Tenjo Tenge hits is final omnibus with Vol. 11, meaning it’s finally completely out uncensored. Though I suspect most of the guys who complained about CMX are merely clutching their scanlations to their bosoms and muttering “But the font wasn’t the right type! BOYCOTT!”
MJ: This seems certain.
SEAN: Lastly, Vol. 14 of Toriko introduces a new pretty boy into the cast – one who’s really good with knives! There’s something a bit strange about this pretty boy, though…
MICHELLE: …. aaaaand the same thing I said about Tegami Bachi applies to Toriko as well.
SEAN: Isn’t that a lot of manga? What’s in your pile?
Although I’ve read a bit of manga on the Kindle app for my iPad, I haven’t actually read any manga on my newest toy – a Kindle Paperwhite. When I discovered that there were actually several Harlequin manga for sale for .99 cents on amazon, I wasted no time in purchasing them. I was particularly interested in these two titles, because I’d previously read another title adapted by Kazuko Fujita, Sale or Return Bride. I tend to assume that the art for these Harlequin adaptations is going to be fairly rushed, but either Fujita’s art is among the best that I’ve seen in a Harlequin manga. Her character designs are attractive, and she manages to convey a great deal of nuance in their facial expressions, with the end result that she ends up elevating the stories in these volumes. Backgrounds are sparse, and if you read Fujita’s manga one after the other you will notice that she only draws one basic hero, but she does draw him very well.
Buying Harlequin manga on the Kindle is a bit confusing because there are multiple editions for each title, but I’m linking to the editions that I bought and read here.
Angus’s Lost Lady by Kazuko Fujita and Marie Ferraella
Angus’s Lost Lady is the story of a PI and single father named Angus who is surprised to see a woman with with a lost shoe and amnesia on his doorstep. The only clue to her identity is the fact that she’s clutching his business card, but she hasn’t met him before. She has a head injury as a result from being grazed by a bullet. Since this is a romance manga Angus promptly moves the lost woman into his apartment, introducing her to his daughter Vikki and trying to jog her memory by giving her a phonebook to read. The woman decides to adopt the name Rebecca. Rebecca and Angus investigate her accident and missing memories, and along the way struggle with their attraction for each other. The old “woman in danger with amnesia” is not a novel plot device, but Fujita does a good job portraying the chemistry between Angus and Rebecca, and Rebecca isn’t as simpering and weak as many Harlequin amnesia ladies usually are.
The Seduction Bid by Kazuko Fujita and Amanda Browning
Perhaps it is due to my own anger management issues, but I generally enjoy it when women in romance manga yell a lot. In this case, the heroine of The Seduction Bid barges into an office and starts to chew out an incredibly handsome man who she thinks is an unscrupulous reporter for a local tabloid. Carrie is determined to defend one of her friends from scandal. While she is momentarily distracted by the stormy grey eyes of the man she is yelling at, she ends up storming out of the office ranting about “garbage journalism”. The man with the mysterious grey eyes decides that he wants to be yelled at forever and vows to marry her. Later, as Carrie is hanging out at the house belonging to the parents of her late husband she is introduced to the object of her rant and he turns out to be Lance, cousin of the gutter journalist. Lance then proceeds to relentlessly pursue the reluctant Carrie, and his charm gradually begins to wear down her well developed defense mechanisms.
The attractive art makes these volumes a pleasure to read, and the stories are basically what you’d expect from Harlequin. Reading these on the Kindle was fine – the size of the manga to fit the Kindle screen is about what you’d see in a Japanese tankobon, and since the backgrounds of the manga weren’t particularly detailed, the smaller reading size for the manga didn’t make much of a difference. At only a dollar a pop, buying these is a no-brainer for anyone who enjoys Harlequin manga.
MJ: Midtown’s list this week includes a mix of genuinely new releases and a few Yen Press titles that most stores received a while ago, and I’m going to use that as an excuse to once again take up the call for Kaoru Mori’s A Bride’s Story, volume four of which is hitting Midtown’s shelves this week. This is a particularly fun volume, featuring two new characters who contribute considerable pep to this generally quiet series, without compromising any of its wistful charm. As a result, this is probably the series’ warmest volume so far—which is always a draw for me. And of course, it’s beautiful to look at as always.
MICHELLE: Because I am a terrible person and haven’t even started A Bride’s Story, I’m going to go off-list and note that Amazon lists volume nine of Pretty Guardian Sailor Moon as coming out this week. And can I ever resist the chance to pick Sailor Moon? No, I cannot.
SEAN: Yeah, given that this and Vol. 10 are my favorite parts of the Sailor Moon manga entirely, there’s no way I’m not picking it. It has chapter focuses for each of the Inners, and tops it off with a chapter devoted to the Outers that is flawless and perfect (it was so perfect the anime had to put it in the Stars anime sort of retroactively as it was simply impossible to not adapt). And it has the Amazoness Quartet, some of my favorite mini-villains. It is simply fabulous, 
you will all buy it.
ANNA: I’ll just go with Limit #3. Since volume two ended on a bit of a cliffhanger I am particularly anxious to see what is going to happen next to the schoolgirl bush crash victims.
Readers, what looks good to you this week?