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Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Archives for April 2025

Confession

April 1, 2025 by Katherine Dacey

Confession is a tight, twisty thriller that reads like an episode of The Twilight Zone or Alfred Hitchcock Presents. Author Fukumoto Nobuyuki establishes the premise in a few quick strokes: two hikers—one gravely injured—huddle on a mountainside pummeled by a fierce winter storm. As they debate the best course of action, Ishikura—who is bleeding profusely—confesses to murdering a mutual acquaintance, telling Asai, “I killed Sayuri… with my own two hands.” Asai, however, refuses to abandon Ishikura, dragging his wounded friend to the safety of an abandoned cabin. As the two wait for a rescue team to arrive, it finally dawns on Asai that Ishikura might regret what he said.

For a two-hander like this to work, it’s not enough to know what Asai is thinking; we need to feel his growing sense of desperation. Kaiji Kawaguchi’s art is up to the task, creating a spare, claustrophobic environment that’s almost as hostile as the barren slopes that surround the cabin. The cabin itself is rendered in just enough detail for the reader to grasp the layout and size, as well as the lack of good hiding places. Equally important, Kawaguchi’s character designs emphasize the wide social gap between the conventionally handsome Asai and the squat, dour Ishikura, encouraging the reader to question how these two people ever travelled in the same circles.

The artwork is so effective, in fact, that some of Asai’s internal monologue feels superfluous, especially when he states the obvious: “If my suspicions are right, are you and I going to fight to the death?” (Signs point to yes!) Aside from a few clumsy monologues, however, the story never sags under the weight of too much exposition; Nobuyuki carefully doles out information about Asai and Ishikura’s past to reveal how fraught their relationship was before they went climbing, hinting at a long-simmering conflict between them. The final scene is a shocker in the best sense, challenging the reader’s perception of both characters without cheating or taking any narrative shortcuts to get there. Hitchcock, I think, would approve. Recommended.

CONFESSION • STORY BY NOBUYUKI FUKUMOTO • ART BY KAIJI KAWAGUCHI • TRANSLATION BY EMILY BALISTERI • PRODUCTION BY TOMOE TSUTSUMI, PEI ANN YEAP, AND HIROKO MIZUNO • KODANSHA USA • RATED 16+ (VIOLENCE) • 314 pp.

Filed Under: Manga, Manga Critic, Recommended Reading, REVIEWS Tagged With: kodansha, Thriller

Dahlia in Bloom: Crafting a Fresh Start with Magical Tools, Vol. 9

April 1, 2025 by Sean Gaffney

By Hisaya Amagishi and Kei. Released in Japan as “Madougushi Dahlia wa Utsumukanai” by MF Books. Released in North America by J-Novel Heart. Translated by A.M. Cola.

It’s been a while since we saw the last volume of Dahlia, long enough for me to think that Lucia was the real protagonist and Dahlia was a mysterious side character. But there’s a big difference between Lucia and Dahlia. Lucia may be self-effacing, but she recognizes her own talent and can take an actual compliment. Whereas to Dahlia, taking credit for anything is like being asked to walk over hot coals. We’ve joked about the slow burn between Dahlia and Volf, which at this point may be less slow burn and more a fire that has had water poured over it, but frankly, there’s no way it can go anywhere right now. Not because Dahlia is a commoner – that’s taken care of here – but because Dahlia has no sense of her own worth at all. Which may be partly Tobias’ fault, yes, but could also be due to Carlo, as his desire to protect his daughter seems to have left his daughter thinking she’s TOO ordinary.

As I hinted above, Dahlia’s commoner days will soon be over – she’s getting a barony. As is Jonas, who is equally surprised. This means that she’ll also need to make her noble debut, which will mean… shudder… conversing with others. And dancing. She’d much rather work on magical tools, thanks you, or at least spend her evenings eating delicious food and getting drunk with her bestie Volf, who is so gorgeous but doesn’t see her in a romantic light at all. Right. Dahlia’s lack of perception has never been more annoying. She also gets a tour of the magical tool facility, where she would likely be working if she had enough magic… and the residents of said facility quickly realize that ‘a lot of magic’ is not the be-all and end-all of being brilliant. She’s also helping to bring together different guilds to make better products… really, is there anything Dahlia can’t do? Other than understand her own heart?

There is a genre of Japanese novels where an overworked office worker in a horrible environment dies and ends up in a fantasy world, usually while bemoaning the horrible work standards they have to deal with in modern-day Japan. It’s a typical type of escape. This is its counterpart, where you invent a world where everyone wants to work, work, WORK SO HARD. The heads of the company have to tell their employees to work less. There are literal hypnotic machines designed to force people who have been staying up too much to sleep. What’s more, when you see people that are working incorrectly, or being uncaring or callous, there’s an easy solution. Just add Dahlia, who with a few words and frantic hand waving that it wasn’t anything she did really denials, you can move mountains and get the lions to lie down with the lambs. Or the shoemakers to lie down with the magical tool makers. Honestly, dying and reincarnating as a villainess may be a lot more realistic.

That said, as the “extra” story shows this time around, we may have to do more than just get Dahlia to be noble and somehow hook her up with Volf. She’s special, and it’s only a matter of time before her specialness impacts the plot a lot more than it is now. But till then, please have some nice food, some wonderful alcohol, and for dessert, modesty that is so ridiculous it’s become a literal Tragic Flaw.

Filed Under: dahlia in bloom, REVIEWS

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