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Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Archives for August 2012

Happy Yaoi Day!

August 1, 2012 by Brigid Alverson

It’s the busy season! I rounded up the manga news from Otakon (new Vertical series, Kodansha’s iPhone app and sale) at MTV Geek. Deb Aoki explains what’s going on at Shonen Jump Alpha—new additions to the lineup and the speedup of Blue Exorcist—as announced at San Diego Comic-Con, and Tony Yao takes a quick look at one new series, Takama-ga-Hara.

It’s 8/01—you know, Yaoi Day—and Khursten Santos explains how she has come to embrace, rather than shy away from, her fujoshi side. Khursten has also written a nice piece about her manga life.

The Manga Village team discusses their picks of the week.

I’m a bit late with this (sorry!) but Erica Friedman has this week’s yuri updates in the latest edition of Yuri Network News at Okazu.

Derek Bown’s latest Combat Commentary takes a look at the battles of One Piece.

Three Steps Over Japan takes a look inside Monthly Champion Red.

Matt Blind counts down the manga best-sellers for the week ending July 8.

News from Japan: Translator Tomo Kimura gives us a peek at the special silver spoons that come with different editions of vol. 4 of Silver Spoon. The Japan Times takes a look at the Kyoto Manga Museum. D.N. Angel creator Yurikiru Sugisaki and Dragon Head manga-ka Minetaro Mochizuki both have a new series in the works. Aloha Higa has announced that her Shirokuma Cafe is coming back after a hiatus announced in May. Infinite Stratos and its 4-koma spinoff are both coming to an end shortly. The final volume of Sayonara, Zetsubou-Sensei (vol. 30, for those who are keeping track) will include 15 extra pages that weren’t in the magazine serialization.

Reviews: Carlo Santos turns a critical eye on a fresh batch of new manga in his latest Right Turn Only!! column at ANN.

AstroNerdBoy on vol. 4 of A Certain Scientific Railgun (AstroNerdBoy’s Anime and Manga Blog)
Erica Friedman on the July issue of Comic Yuri Hime (Okazu)
Sara K. on The Fox Volant of Snow Mountain (Manga Bookshelf)
Erica Friedman on Hadashi no Chimera (Okazu)
Julie on vol. 1 of Polterguys (Manga Maniac Cafe)
Lesley Aeschliman on vol. 18 of Ranma 1/2 (Blogcritics)
Kristin on Sakuran (Comic Attack)

Filed Under: MANGABLOG

Jiu Jiu, Vol. 1

August 1, 2012 by Sean Gaffney

By Touya Tobina. Released in Japan by Hakusensha, serialized in the magazines Hana to Yume and The Hana to Yume. Released in North America by Viz.

Those who follow my reviews know that I tend to be very fond of shoujo manga published by Hakusensha, despite the fact that most of my favorites were put out by companies which them folded. Astute readers may also recall my #1 complaint with said Hakusensha manga, which is that the artists need more editing than they are really given, and that much of their work, especially in early volumes, tends to be messy, unfocused, and uneven. Unfortunately, Jiu Jiu is a classic example of this sort of manga.

The author, Touya Tobina, has been seen here briefly before – her story Clean Freak: Fully Equipped had one of its two volumes put out by Tokyopop before they shuttered down. That story was more grounded in the real world. Jiu Jiu is a full blown fantasy, featuring a girl who aspires to be a demon hunter and her two wolf pets/bodyguards/whatevers, who can assume human form when they want to. It ran for two volumes in Hana to Yume, then for reasons unknown moved to the quarterly publication The Hana To Yume, where it recently ended last month with Volume 5. The premise involves a young woman who’s trying to block herself off from emotions in order to deal with her tragic past, and the two wolf boys, who want to be helpful and discover these new feelings of love within them, but are foiled by their playful natures.

I think I make that sound better than it actually it, unfortunately. Takamichi ends up being more of an emotional wreck than a stoic hunter. While this makes sense given she’s a teen who’s undergone a traumatic experience (which we still don’t get all the details about in this volume), it is a bit of a disappointment seeing her fall into the traits that I’ve associated with the basic ‘tsundere’ type. As for the two wolves/wolf boys, this falls more into the sort of shoujo romance tropes that were cliched 15 years ago. She constantly wakes up with them naked in her bed, they continue to act like wolves (well, OK, dogs really) even when in human form, etc.

The biggest problem, I think, is that this ends up being far more comedic than I’d assumed given its premise, and the comedy just isn’t all that funny. When it turns to serious matters, its quality improves significantly. Snow and Night, the two wolf boys, have a tough job, given their mistress is trying to shut out anyone close to her but they need to protect her (and make her understand why they want to). My favorite scene in the volume is where the three have to track down a werewolf (an evil one, let’s make that clear) who has been killing people during full moons. After reaffirming their devotion to their mistress, who seems to want them to remain innocent puppies, we cut back to the now defeated and transformed werewolf, who is a salaryman type. He begs for mercy, but Takamichi coldly informs him that her family are killers, and orders the man executed. It’s chilling stuff.

Unfortunately, there was more ‘wacky high school comedy with hot guys behaving like dogs’ and less ‘family of demon slayers’ here. Now, given that I am a big proponent of ‘never judge a series by its Volume 1’, I am hoping that things improve down the road. For the moment, Jiu Jiu is an excellent example of average Hakusensha shoujo – good plot, interesting ideas, but desperately needs an editor to take a firm hand.

Filed Under: REVIEWS

Dawn of the Arcana, Vols. 3-5

August 1, 2012 by Katherine Dacey

On the surface, Dawn of the Arcana looks like a Harlequin romance. Its flame-haired heroine is feisty and impetuous, torn between her feelings for the man who raised her and the man she was forced to marry. Both men are keen to “own” her — their word, not mine — and are willing to go to ridiculous extremes to prove their devotion, even setting aside their differences to honor her requests. And true to Harlequin form, the heroine frequently struggles to reconcile the circumstances of her marriage and her growing feelings for her jailer-husband.

Peer beneath its romance-novel trappings, however, and it quickly becomes clear that manga-ka Rei Toma is actually writing a pretty nifty fantasy-adventure as well, one with interesting moral dilemmas, parallels with contemporary geopolitics, and multi-layered characters whose behavior frequently deviates from the Harlequin playbook.

In volume three, for example, Nakaba’s mother-in-law attempts to dye her hair black, lest visiting dignitaries realize that the new Belquat princess hails from Senan. Toma might have used this scene to provide Caesar an opportunity to publicly declare his feelings for Nakaba, or demonstrate Nakaba’s ability to endure hazing with noble forbearance. Instead, Toma transforms this act of fairy-tale cruelty into a moment of self-actualization: Nakaba seizes a sword and defiantly gives herself a fabulous pixie cut — er, short, boyish locks — denying the queen the satisfaction of humiliating her in front of the royal family.

That act resonates throughout the next three volumes, as Nakaba sheds her girlish braid and girlish indignation in favor of a stronger, more active role in defeating Belquat’s royal family. Though Nakaba’s new ‘do leads to some predictable exchanges about “looking like a boy,” both Loki and Caesar admire her determination: red hair symbolizes more than just her country of origin, but also the struggles that helped define her as a person.

As appealing as such scenes may be, they highlight the series’ main drawback: the artwork is too plain and spare for a story with such vivid characters. Though the principal characters’ costumes are rendered in considerable detail, the supporting cast resemble Renfair extras, with faintly old-timey clothing and long tresses. Worse still are the backgrounds: with their perfect right angles and unvaried lines, they look like stills from an ancient Nintendo game, rather than a representation of a specific time and place. That sterility isn’t a deal-breaker, but it does reinforce the impression that Toma hasn’t quite developed the artistic chops to fully realize her vision.

Despite its artistic shortcomings, Dawn of the Arcana remains an appealing mixture of fantasy and romance, offering just enough sword fights, scenes of female empowerment, and emotional entanglements to appeal to fans of both genres.

Review copies provided by VIZ Media, LLC.

DAWN OF THE ARCANA, VOLS. 3-5 | BY REI TOMA | VIZ MEDIA | RATING: TEEN (13+)

Filed Under: Manga, Manga Critic, REVIEWS Tagged With: Rei Toma, shojo, shojo beat, VIZ

Dawn of the Arcana, Vols. 3-5

August 1, 2012 by Katherine Dacey 4 Comments

On the surface, Dawn of the Arcana looks like a Harlequin romance. Its flame-haired heroine is feisty and impetuous, torn between her feelings for the man who raised her and the man she was forced to marry. Both men are keen to “own” her — their word, not mine — and are willing to go to ridiculous extremes to prove their devotion, even setting aside their differences to honor her requests. And true to Harlequin form, the heroine frequently struggles to reconcile the circumstances of her marriage and her growing feelings for her jailer-husband.

Peer beneath its romance-novel trappings, however, and it quickly becomes clear that manga-ka Rei Toma is actually writing a pretty nifty fantasy-adventure as well, one with interesting moral dilemmas, parallels with contemporary geopolitics, and multi-layered characters whose behavior frequently deviates from the Harlequin playbook.

In volume three, for example, Nakaba’s mother-in-law attempts to dye her hair black, lest visiting dignitaries realize that the new Belquat princess hails from Senan. Toma might have used this scene to provide Caesar an opportunity to publicly declare his feelings for Nakaba, or demonstrate Nakaba’s ability to endure hazing with noble forbearance. Instead, Toma transforms this act of fairy-tale cruelty into a moment of self-actualization: Nakaba seizes a sword and defiantly gives herself a fabulous pixie cut — er, short, boyish locks — denying the queen the satisfaction of humiliating her in front of the royal family.

That act resonates throughout the next three volumes, as Nakaba sheds her girlish braid and girlish indignation in favor of a stronger, more active role in defeating Belquat’s royal family. Though Nakaba’s new ‘do leads to some predictable exchanges about “looking like a boy,” both Loki and Caesar admire her determination: red hair symbolizes more than just her country of origin, but also the struggles that helped define her as a person.

As appealing as such scenes may be, they highlight the series’ main drawback: the artwork is too plain and spare for a story with such vivid characters. Though the principal characters’ costumes are rendered in considerable detail, the supporting cast resemble Renfair extras, with faintly old-timey clothing and long tresses. Worse still are the backgrounds: with their perfect right angles and unvaried lines, they look like stills from an ancient Nintendo game, rather than a representation of a specific time and place. That sterility isn’t a deal-breaker, but it does reinforce the impression that Toma hasn’t quite developed the artistic chops to fully realize her vision.

Despite its artistic shortcomings, Dawn of the Arcana remains an appealing mixture of fantasy and romance, offering just enough sword fights, scenes of female empowerment, and emotional entanglements to appeal to fans of both genres.

Review copies provided by VIZ Media, LLC.

DAWN OF THE ARCANA, VOLS. 3-5 | BY REI TOMA | VIZ MEDIA | RATING: TEEN (13+)

Filed Under: Manga Critic Tagged With: Rei Toma, shojo, shojo beat, VIZ

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