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Kare First Love Vols 1-6

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Kare First Love Volumes 1-3 by Kaho Miyasaka

I was excited to see the first volume of Kare First Love pop up on Viz Digital. I thought this would be a good excuse for me to reread the series. I checked out most of Kare First Love from a library a long time ago, and since then I’ve been slowly acquiring my own copies. Kare First Love was a shoujo manga released before the Shojo Beat imprint came into being. In terms of content, it would skew a bit older than some of the titles in the Shojo Beat line, although Miyasaka doesn’t straddle the josei/shoujo line the way I feel Ai Yazawa sometimes does.

Kare First Love sticks fairly close to standard shoujo plots, but it executes them in an engaging and sometimes slightly more realistic way. Kare First Love also piles on the drama. While there are humorous moments, there’s much more angst as the protagonists navigate their budding relationship. Karin Karino is a shy girl who hides behind her glasses and doesn’t stick up for herself at school. She’s thinking slightly snarky thoughts to herself as she endures her morning bus ride when she’s approached by Kiriya, a handsome student from a nearby boys’ school who is interested in the photography book that she’s reading. A mishap on the bus leaves Karin thinking Kiriya is a pervert, and she slaps him and leaves her book behind. Like many shoujo heroines Karin’s outward actions contract with her inner thoughts, as she meekly gives in when her frenemy Yuka demands her class notes while thinking of what she’d actually like to say in response. All the mean girl shenanigans are deflated a little bit by Nanri, a girl in Karin’s class with a worldly and cynical air about her. Nanri holds herself apart from the rest of the class, but she points out to Karin that she does have the ability to stop being taken advantage of if she would only speak up.

As much as Karin would like to go back to her simple anonymous life Kiriya will not go away. He shows up at her school to return her photography book, and they immediately start bickering. Yuko decides that she’s going to use Kiriya’s odd interest in Karin to pursue him and his group of hot friends. Karin finds herself maneuvered into a series of awkward group dates, and it becomes apparent that instead of being obnoxious, Kiriya is almost saintly for a 16-year-old boy. He goes out of his way to look after Karin, maneuvering her through awkward social situations. Karin can’t believe that Kiriya is actually interested in her, but around him she actually says what’s on her mind without her customary filter of shyness.

As Karin and Kiriya start to spend more time with each other, she learns that he’s estranged from his family and supports himself by working a series of part-time jobs. His main ambition is to be a photographer. There are plenty of misunderstandings and incidents where Karin is swept off her feet while Kiriya says things like “Let me take care of you…or I’ll do something horrible like kiss you again.” Kiriya encourages Karin to rediscover her love for music, which is something that she dropped due to the extreme pressure her parents placed on her studying for school.

One of the things that sets Kare First Love apart from other shoujo manga is the way Miyasaka details the trials and tribulations associated with Karin and Kirya developing the physical aspect of their relationship. The manga goes into more detail than is typical, with Nanri sometimes functioning as a peer counselor for the Japanese equivalent for Planned Parenthood because she keeps handing Karin condoms to ensure that when she does have sex, it will be safe sex. Karin is as scared and timid as you would expect a socially isolated girl to be, and Kiriya is about as patient as one would expect a 16 year old boy to be, which is not very patient. One difficult element of the characterization that Miyasaka manages to pull off is that for several volumes Kiriya is basically pressuring Karin to have sex, but he doesn’t seem like a jerk. He might attempt more physical intimacy in their relationship, but he always backs down when Karin appears uncomfortable.

Teenage romance is always both intense and complicated, and in short order the couple have to deal with Kiriya’s tragic past (the most important accessory of any shoujo hero), Karin’s overbearing parents, Yuka’s bullying, interfering photographers, and Kiriya’s attractive older sister-in-law. In addition to these outside complications, Kiriya and Karin’s relationship turns stormy due to their own lack of communication and misunderstandings with each other. The dynamic of the main relationship in Kare First Love reminded me a bit of Fuyumi Soryo’s Mars, but with much less psychological torture.

Miyasaka’s art is attractive, but most fluid and natural when she’s drawing teenagers. Karin’s father often looks a tad on the robotic side, but that could also be a function of his less than great personality. Karin is believable as a stunning shoujo heroine when she takes off her glasses, and Kiriya’s larger frame and shaggy blond hair contrasts with her more conservative look. Miyasaka does a good job alternating between the outward action and Karin’s thoughts, making all the scenes of breaking up and making up dramatic enough to satisfy any shoujo fan.

I’m very happy that Viz is making their backlist available on digital platforms, and I hope this series finds a new group of fans!

Strobe Edge, Vol. 4

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Strobe Edge, Vol. 4 by Io Sakisaka

One nice thing about new series with several volumes waiting in the wings to be translated is being able to read the English volumes with only a few months between releases. It is easier to appreciate the changes in plotting and art that appear over time as the creator gets more and more comfortable with a series. I wouldn’t have predicted after I put down the first volume of Strobe Edge that I would be enjoying it as much as I am now. There’s much more subtly shown in the relationships between the characters and even when stereotypical shoujo plot devices pop up, I find myself not minding them at all just because of the great work Sakisaka has done with her character development.

Heroine Ninako was bordering on being annoyingly naive in the first volume, and while she’s still relentlessly innocent she is in tune with her own emotions and is able to sense when a situation might be wrong for her. When reformed womanizer Ando starts pressuring her to date him, saying she can use him to forget her feelings for Ren, Ninako replies “Your idea of love and my idea of love aren’t the same at all. And I could never use you to forget him! You know how much it hurts to love someone…who loves someone else.” Ando tells Ninako that she doesn’t have to answer right away and goes back to his usual light-hearted personality but she can tell that he’s putting on an act to make her feel at ease.

Ninako and Ren keep getting pushed together in various situations, and while he tends to keep a tight reign on his expressions it is easy for the reader to tell that he’s filled with turmoil. Ren’s determination to be a “nice guy” is resulting in his continuing a relationship with his high-strung girlfriend, even though he and Ninako seem to share a unique bond of understanding. Ninako and Ren’s non-relationship is contrasted with the more established supporting couple of Daiki and Sayuri, who deal with their problems and end up becoming stronger together. There’s a slowly building tension in this series, as Ren keeps struggling to do what he thinks of as the right thing even while it becomes more and more intolerable.

Sakisaka does a good job showing her characters’ reactions to the emotional scenes, as she contrasts facial expressions or shows Ren turning away in order not to display his emotions. I’m looking forward to the next few volumes, as I can sense some dramatic crying scenes and confrontations coming up when Mayuka starts to realize that Ren is only showing her one carefully crafted side of his personality.

Pepita by Takehiko Inoue

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Pepita: Takehiko Inoue Meets Gaudi

This has been a very good year for fancy hardcover editions of manga materials. There’s Gundam: The Origin, Wandering Son is still coming out, Heart of Thomas, and the Nausicaa box set was great. This book, about Takehiko Inoue’s architectural tour of Spain and specifically Gaudi works isn’t filled with enough drawings to be an art book, and it doesn’t have enough biographical or written content about Gaudi to be a true study of the man. Instead, we get an interesting travel sketchbook that reveals as much about Inoue’s artistic process as it does about the subject he’s exploring.

I started reading this without much knowledge of Gaudi other than the fact that he was an architect who explored form in an innovative manner. Inoue travels to Spain to get a sense of the man and his approach to designing with nature. Inoue’s reflections come in the form of written thoughts and some exuberant drawings, as he comes up with his own interpretations of Gaudi’s trademark mosaic salamander. Throughout the book we get impressions of Gaudi’s life and some of his most significant work. Inoue’s illustrations are sometimes superimposed on photos, which creates an interesting effect. Inoue’s questions and struggle to understand Gaudi show the reader a great deal about Inoue’s artistic process and artistic approach. There’s enough information about Gaudi in the book that I felt I came away from it slightly better informed, but I thought I’d have to do even more study to really grasp the topic.

In the end, this hybrid art book gives the reader a feeling as if they’ve just spent a little bit of time on an architectural tour of Spain with Takehiko Inoue as their tour guide. This is a pretty good feeling to have! Serious students of architecture might not find the book very informative, but to a casual reader with an interest in Gaudi, this book is worth checking out. I always think that any book by Inoue is worth reading, and I did enjoy this very much.

Tiger & Bunny, Vol. 1

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I watched the first episode or so of the Tiger & Bunny anime when it seemed like Tiger & Bunny fever was gripping the nation (or at least the percentage of the nation that I follow on twitter). I thought the premise of the series was clever and it was well-executed, but while I found the show entertaining I didn’t follow up and watch the series. I was curious to see if I would enjoy the manga as well.

Tiger & Bunny has an interesting take on modern-day superheroes. Superheroes of various kinds do good – but only for the sake of ratings on a reality tv show. The superheroes all have corporate sponsorships, focus-group tested costumes, and scripted catchphrases. The lone superhero with some integrity is the hopelessly old-fashioned Wild Tiger, whose power is to increase his physical abilities 100x for only five minutes. The manga opens with an action sequence intercut with reality tv production, as the producer of the show offers commentary and scoring on the real-life mayhem. The heroes all jockey for screen time, but Tiger’s attempt to help ends in humiliation as he falls out of the sky only to be saved by the pedigreed rookie Barnaby Jones Jr. Jones’ armored suit gives him the appearance of bunny ears and he is not happy that his first job onscreen is “rescuing an old man.”

Barnaby is ordered to team up with Tiger, and a super-powered Odd Couple is created. Tiger is full of idealistic advice and war stories, and Barnaby is focused on screen time. There’s a supporting cast of heroes which features gay stereotype Fire Emblem, silent and sturdy Rock Bison, tiny kung-fu girl Dragon Kid, the disgustingly heroic Sky High, and the icy Blue Rose. The look and feel of the manga mirrors the visual style of the anime, as the mangaka was also one of the animators of the tv show. Overall, I found this manga entertaining, both due to the bickering nature of the developing relationship between Tiger and Bunny, and the conflict between the commercial nature of the super hero world and Tiger’s unshakeable code of ethics. I can certainly see why the anime was so popular, and it is nice that the manga gives fans the option of experiencing the story in a different way.

The Story of Saiunkoku, Vol 9.

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The Story of Saiunkoku, Vol. 9 by Sai Yukino and Kairi Yura

It is rare for a manga series to end leaving me wishing that it was twice as long, but that is exactly what happened as I was reading the final ninth volume of Story of Saiunkoku. The eighth volume was a natural stopping point, and this volume has some side stories that help shed some light on the histories of selected members of the supporting cast. This volume might not be totally necessary to round out Shurei’s main story, but fans of the series will enjoy visiting with the extended Hong clan and the amazingly eccentric Ryuren.

The first story, “So Began the Fairy Tale” focuses on Shurei’s father, giving greater background into the more ruthless personality behind his smiling exterior. While he’s an amazingly gentle and wonderful father, his past as an assassin gives a bit of an edge to all of his actions in the manga. Here we see the beginnings of his ability to plot as he takes action to make sure that the Hong clan isn’t endangered. “Hurricane Ryuren Strikes the Capital” flashes back to the examination period, where we see Shurei and Eigetsu start to cement their friendship with the eccentric Ryuren despite his crazy clothes, horrible flute playing, and tendency to make odd pronouncements. This story ends up serving as a meditation on the nature of friendship, even as Shurei and Egitsu’s overtures to Ryuren wind up taking them on a detour through the gambling underworld. The final story focuses on the Hong family again, with “Someday I Will Come to You (Though I Love You, How Far You Are From Me)” focusing on Shurei’s uncle Reishin Hong’s bizarre psychological hang-ups. This volume featured plenty of humor, as a series of masks duplicating the expressions of Shurei’s father are put to an unorthodox use, and the reactions Ryuren accidentally provokes from the people surrounding him are always funny.

It does make me a little sad knowing that there’s a very long light novel series containing more adventures of The Story of Saiunkoku that we’ll never see translated here, but the manga adaptation of the story was certainly fun to read. This is going to be a “keeper” series for me, as I can see myself wanting to reread this every few years. It is so unusual to find a shoujo ending where the happy ending for the heroine is a life of civil service as opposed to everything wrapping up nicely with a romantic interest. Many things combined to make this an entertaining manga – the clear art, fun supporting cast, and the blend of humor and drama made this manga very enjoyable.

Please Save My Earth, Vols. 1-5

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One of the things I was most excited about when Viz launched their digital store was the possibility that some of their backlist shoujo titles would get released in digital format. The one series I was most wanting to experience again was Please Save My Earth. I read the first few volumes of the series many years ago, but dropped it. At the time I was a bit frustrated about the lack of forward movement in the story, even though I thought the manga was interesting and well-constructed. I know that plenty of people have read the whole series and consider it a favorite so I was anxious to give it a second try.

The first volume opens by introducing the slightly strange heroine of Please Save My Earth. Alice has just moved to Tokyo from Hokkaido, and she’s having a hard time adjusting. She has an affinity towards plants and feels cut off from nature in the big city. Alice is tormented by an oddly precocious neighbor boy named Rin. As she’s excaping the stress of school she happens upon an oddly intimate conversation between two of her male classmates, Jinpachi and Issei. At first Alice thinks that she’s stumbled across a moment from a yaoi manga and concludes “this is what manga fangirls are supposed to weep with joy over!” Later, Jinpachi and Issei explain the meaning behind their conversation – every night they share the same dreams where they are male and female scientists marooned on the moon.

Rin has an accident while Alice is babysitting him and is in a coma for several days. When he wakes up, the bratty boy seems to be taken over by a much more cynical and manipulative personality and he begins to exhibit an obsessiveness over Alice that would be even more disturbing in a grown man. Alice has a dream where she’s a woman named Mokuren, on the moon with Shion, the man she loves.

As the early part of the series progresses, Alice, Jinpachi, and Issei start tracking down other people who share their alien moon dreams by placing an ad in a kooky paranormal magazine. They start having regular meetings, trying to piece together the history of what happened to the alien scientists. Many of the feelings of the adult scientists tend to transfer over to their female incarnations, as Jinpachi starts to exhibit signs of the unrequited love his counterpart Gyokuran had for Mokuran/Alice and Issei/Enju remains on the sidelines.

Hiwatari’s art shifts back and forth from a cartoonish classic 80s style showing the schoolkids to a much more lush and detailed way of portraying life on the moon. One thing that I’d forgotten that I noticed much more the second time around were the touches of humor included in the story such as a random Saint Seiya reference and the occasional mention of shoujo magazine publishing conventions. Jinpachi is congratulated on his emotional conviction when he’s so stirred that he has to be portrayed in a two page spread.

A manga that focused only on characters sharing their dreams about being teeny tiny aliens on the moon might not seem to be very compelling reading on the surface, but there’s plenty of dramatic tension in the way the Moon and Earth stories intersect. The aliens are the last outpost of a dying race, spending their remaining time observing the Earth. But some events show Mokuren and Shion together after all of their companions have died off from an unexpected disease. The mystery behind the final days of the aliens is tricky to put together, as the events shown in the dream flashbacks shift forwards and backwards in time.

Rin is Shion reincarnated, and it is difficult to tell if his scheming is a desperate attempt to put things right or a form of revenge for being left alone on the Moon base for so long that he went insane. Rin is able to manipulate both the adults and high school kids around him, tagging along with Alice and coming up with an elaborate scheme to hide his true reincarnated identity. There’s a bit of a race against time element at play, as the other reincarnated high schoolers start to piece together more and more information about their previous lives, Rin may be able to manipulate them into revealing some information that would allow him to access the dormant alien technology from Earth. Rin also has developed psychic powers, which makes him quite terrifying as a hidden antagonist to the story.

With the digital availability of this series it is very easy to read several volumes at once, and I think that will end up being the most rewarding option for most readers. I wonder if part of the reason why I was starting to grow impatient the first time around was due to delays between volumes. The story of Please Save My Earth progresses in a very compelling way, with past lives informing the reader of the character’s current motivations. I’m interested to see if they are going to play out their tragic fates again, or if free will and the changed personalities of Alice and her gang are going to cause their lives to take a turn for the better. I’m happy to have the chance to revisit this series.

Off the Shelf: Shoujo Fantasy Double Feature

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MELINDA: Good morning, Michelle! I greet you this morning, dizzy with the particular brand of glee that can only be brought on by epic shoujo fantasy. How about you?

MICHELLE: Much the same, actually! With a side of gratitude that the epic shoujo fantasy in question is a) completely available in English and b) in the process of becoming easier to obtain!

MELINDA: Indeed it is! And really, it is a dream come true. When manga publishers first began launching their various digital initiatives, one of the things many of us hoped for was that these venues would eventually become a platform for re-releasing out of print manga. In particular, I expressed a hope that we might see some of Viz Media’s “scads of fantastic 80s and 90s shoujo,” most of which has become difficult to obtain in print.

Fortunately, Viz seems to be on the same page, as they’ve recently begun releasing some of these older shoujo series in digital form! They began with one of my favorite series of all time, Saki Hiwatari’s 21-volume epic Please Save My Earth (volumes 1-6 are available now), originally serialized in Japan beginning in 1987, followed recently by three series from the early 1990s, Kaori Yuki’s Angel Sanctuary, Chie Shinohara’s Red River, and Kyoko Hikawa’s From Far Away. This week, Michelle and I decided to delve into the latter two of these series, whose first volumes are now available at both vizmanga.com and on Viz’s mobile apps.

Michelle, would you like to choose which we’ll discuss first?

redriver1MICHELLE: I’m inclined to save the best for last, which means that in my personal opinion, Red River should go first!

I actually own all of Red River in print, but had never read any of it ’til now. It has the distinction of being the final series in the now-defunct “shojo” imprint to reach completion. Though it starts off rated for older teens, I have a distinct memory of the later volumes being shrinkwrapped, so presumably sexy times will eventually ensue.

Anyway! Both of the series we’re going to discuss today involve a modern-day Japanese schoolgirl being transported to an unfamiliar environment. In the case of Red River, things are looking good for fifteen-year-old Yuri Suzuki. She has just passed the entrance exam for the high school of her choice and shared a first kiss with her good friend turned love interest, Satoshi. But on the evening of her family’s celebration dinner for her achievement (the exam, not the smooch), she begins to notice that water is acting strange around her. Soon, a pair of arms is reaching out to her from fish tanks and bath tubs, trying to pull her in. Though she manages to avoid water for a little while, she’s eventually captured via a puddle and transported to the Hittite Empire in 14th century B.C., where a scheming queen seeks to use her as a sacrifice to ensure that her son (currently sixth in line for the throne) becomes king.

MELINDA: Fortunately, Yuri quickly becomes acquainted with Kail, third son of the king and no friend to his stepmother, the scheming queen. Though he’s a notorious player (whose methods of “saving” Yuri generally involve pretending she’s his sexual conquest—something he’d clearly like to achieve in reality as well), Kail appears to be genuinely trustworthy, at least when his own life is on the line. Unfortunately, though Yuri is grateful for his protection, her desire to return to her own land drives her to recklessness, placing both her life and that of a devoted slave, Tito, in peril.

As it happens, I agree with your choice of which to discuss first (and why), which isn’t to say that I disliked Red River in the slightest. It’s immediately engaging and action-packed, with a relatable, plucky heroine and a fascinating historical setting. Even playboy Kail manages to be a genuinely attractive love interest, despite my weariness with his classic rake persona. What does weaken this story, however, is just how easy things are for Yuri, at least in this first volume.

While it may seem odd that I’d consider her path “easy” at this point—she has been marked for death, after all—there are some ways in which things really are inexplicably so. The issue of language, for instance, is immediately discarded, as Yuri finds she can suddenly understand the Hittite’s tongue simply by kissing Kail (insert inappropriate “tongue” joke here). Because of this, she’s able to grasp her situation immediately, including recognizing exactly where (and when) she is. Also, by being under Kail’s protection, she’s also suddenly a princess, with the ability to stop executions and generally direct people to do her bidding, which puts her in an immediate position of power, at least within Kail’s realm.

MICHELLE: Your last paragraph there neatly encapsulates my main criticism of Red River, though there are things about Kail that bother me, too. (I don’t think he’d follow through with the threat, but dialogue like “Now stop grousing or I’ll bed you for real” will never sit well with me.) It feels a little like Shinohara is squandering this rich environment and the potential for adventure in favor of romance. True, Yuri does end up in peril by the end, but it’s due to her impetuous, uninformed insistence on retrieving her clothes from the scheming queen and pretty much just a plot device designed to allow Kail to swoop in and save the day.

However! This series does run for 28 volumes, so I am willing to acknowledge that the story could move beyond its origins and go interesting, complicated places.

MELINDA: Wholeheartedly agreed! Despite my quibbles (and I do share your discomfort with Kail’s threats—hello, rape culture), 28 volumes of 90s shoujo fantasy is not something I can possibly reject, and my expectations are high!

MICHELLE: Of course, 14 volumes of shoujo fantasy is nothing to sniff at, either. Want to do the honors of introducing From Far Away?

fromfaraway1MELINDA: I’d love to! Though half the length of Red River, Kyoko Hikawa’s From Far Away took several years longer to complete, running in Hakusensha’s LaLa magazine from 1993 to 2003. And if the first volume is any indication, this was time well-spent.

High school student Noriko has been experiencing a recurring dream set in a mysterious land filled with gorgeous landscapes and unfamiliar wildlife. As she walks home from school with her friends on one ordinary afternoon, television news anchors warn of a terrorist threat involving small bombs planted around the city by a recently captured suspect. While her friends hash out theories about Noriko’s dream—whether it’s a past life, a portal to another dimension, or pure fantasy fueled by Noriko’s sci-fi author dad—Noriko’s attention is drawn by a stray ball, leading her to an abandoned paper bag which explodes just as she approaches.

Though no trace is left of her body, Noriko is presumed dead. Meanwhile, Noriko has fallen into the same world she’s been dreaming about, where she is identified as “The Awakening,” a supernatural being prophesied to grant power over the legendary Sky Demon—the most destructive evil known in that world—to any nation that possesses it.

MICHELLE: Like Yuri, Noriko is fortunate enough to encounter a formidable ally right off the bat, though things are distinctly less easy for them. Izark might be a powerful warrior who saves Noriko from the political factions attempting to capture her (not to mention gigantic caterpillar things), but the language barrier prevents them from understanding one another and her fear and confusion seems to get on his nerves. Still, he’s unable to ignore her when she’s obviously upset and she comes to trust him. The non-verbal storytelling here is great, and I love that Noriko grows ashamed of her earlier behavior and starts trying to learn the language so that they may better communicate.

Despite being an imaginary fantasy world, the setting here feels more real than the Hittite setting in Red River, and has an abundance of the adventure feeling that I was missing in the other series.

MELINDA: My feelings exactly, Michelle, on all counts. And really, much of this story’s strength is due to the author’s inclination to prioritize adventure over romance, at least in the first volume. Though strong, roguish Izark is clearly leading man material by any shoujo fan’s standards, both he and Noriko are entirely focused on survival at this point in the story, with no romantic action to be found.

Another factor in From Far Away‘s success as fantasy-adventure is its overall complexity and sense of intrigue. While Red River‘s villain is firmly established from the beginning, things are less clear-cut in Noriko’s new world. With every nation competing for control over The Awakening, everyone is a potential enemy, and it’s not clear at all whom we should be rooting for—including Noriko herself! Though it seems fair to hope that our heroine can’t really be the harbinger of evil, it’s little more than a hope this early in the story, and Izark’s origins and intentions are even less clear. Furthermore, the series is already peppered with some extremely interesting supporting characters, including pint-sized seer Geena Haas, her mercenary father Agol, and a whole host of potential enemies who are aggressively hunting The Awakening.

Perhaps most telling is the fact that as soon as I finished From Far Away‘s first volume, I rushed to purchase the second. I suspect I’ll begin reading it the moment we’ve finish this column.

MICHELLE: I also wanted to immediately proceed to the second volume! I actually read and reviewed the first five volumes of From Far Away a little over three years ago, and though I no longer remember specifics, I remember feeling that it just kept getting better and better.

I do want to mention a couple of random thoughts. Something about the setting of this world—probably the huge insects and people standing whilst piloting flying craft/creatures—reminds me of Nausicaä of the Valley of Wind, and it’s not a comparison in which From Far Away suffers. Too, I wonder if the story will take on a Life on Mars idea… like, is Noriko dead/injured in the present day or is she really experiencing all of this? Granted, it doesn’t seem at all like Hikawa plans to go in this direction, but what with the bombing and witnesses to Noriko’s disappearance, it makes me wonder.

MELINDA: I’ve been wondering that, too, Michelle! Unlike Yuri in Red River, Noriko really is assumed to be dead in her world—and reasonably so—which immediately puts her mortal status in question, and also raises questions about what place she’ll have back in her world if she really is alive and able to return. I also can’t help being curious about Noriko’s father, whose career as a science fiction writer just makes him… interesting. And potentially involved somehow? Who knows?

I think it’s pretty obvious that we find this series compelling.

MICHELLE I’d say so!

Of course, no column like this would be complete without me throwing in a plea for Basara to be the next out-of-print epic shoujo fantasy in VIZ’s catalog to receive the digital treatment.

MELINDA: I second that plea and add (predictably) Akimi Yoshida’s Banana Fish! Because, let’s face it, Yoshida’s New York is every bit the fantasy that is Tamura’s post-apocalyptic Japan. Bring ’em on, Viz!

Read Red River and From Far Away at vizmanga.com.

Library Wars: Love and War, Vol. 9

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Library Wars: Love and War, Vol 9 by Kiiro Yumi

This manga is one of my go-to comfort reads. As a librarian, I am always happy to read about Library Wars‘s slight goofy premise of librarians becoming a paramilitary force to fight censorship, and while the development of the inevitable romance between overly tall rookie recruit Iku Kasahara and her intense, slightly short, and ever capable instructor Dojo might not be filled with much suspense, there are plenty of adorable and amusing moments along the way.

Iku now knows that Dojo is her fabled “Prince”, the long lost officer from her past who inspired her to join the Library Force. Dojo doesn’t yet know that she knows, but it is growing more and more difficult for the would-be couple to hide their feelings for each other. This volume is fairly episodic, but the stories do serve to push Iku and Dojo closer together. Iku takes part in a sting operation to catch a pervert that is preying on disabled women in the library, and Dojo isn’t very happy that she was placed in harm’s way even though she does manage to finish off the mission capably. Most of the volume centers around the skill test that Iku, Tezuka, and Shibazaki must pass to move up a level. Tezuka and Shibazaki don’t need to worry about passing the written part of the test, but Dojo volunteers to subject Iku to some merciless tutoring to make sure that she’ll be able to advance in her chosen profession. The skills test is where Iku will shine, because it involves leading a storytime for little kids. Tezuka has a bit of a child phobia, and he isn’t sure how to handle it. Iku seems incredibly casual about the situation but as she wanders around going on extra walks, she’s actually designing an incredibly successful active learning activity that ensures she’s going to pass the skill test with high marks. There are some great moments of awkwardness as Dojo apologizes to Iku for not having more faith in her, and she tries to give him a present in thanks for his help on the test.

In many ways, Library Wars is a standard sort of shoujo title, but Yumi’s art easily shifts between showing details of blushes and cartoonish negative emotions as the characters experience the agony of unexpressed love. The paramilitary library plotlines are amusing if one doesn’t think too hard about them, and Iku and Dojo are such a cute couple that I’d happily read many more volumes of the manga.

I didn’t realize that a live action movie adaptation was going to be released in Japan next month! Check out the trailer, what do you think?

Strobe Edge, Vol. 3

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Strobe Edge is the manga equivalent of comfort food and I find myself liking it more and more with each volume. The third volume explores the emerging love triangle between Ninako, reformed womanizer Ando, and unavailable but perfect Ren. Ninako is struggling a bit with wanting to be friends with Ren after being rejected previously, and things become even more emotionally traumatic when it seems like Ren is deliberately acting cold to her. Ren actually being a good guy, he is attempting to protect Ninako from the attentions of the Rejected by Ren Girl Squad, who have targeted Ninako with their bullying ways. This gets cleared up relatively quickly, but more complications are on the way as Ando’s feelings towards Ninako grow and deepen. The two guys in love with a slightly oblivious girl is a well-word shoujo plot device, but Ninako is oblivious and friendly that it is difficult to get annoyed with her. Sakisaka does a good job portraying the subtle ways that Ren and Ninako continue to be drawn towards each other. They have a random conversation about sweets and Ren reveals that he doesn’t think that his girlfriend even knows that fact about himself because he pretends to dislike them around her because she’s always watching her figure. Ren’s general protectiveness towards Ninako is unusual given is general indifference towards other girls. Ren’s actions like helping Ninako out at a school festival and providing extra math tutoring seem to go a bit beyond the limits of normal guy niceness.

Ando has plenty of feelings for Ninako but seems to be holding back both due to his awareness of her feelings for Ren and his realization that she probably couldn’t handle it. He hints around about his feelings and even confronts Ninako about her feelings for Ren, saying “You can’t love someone forever…without getting something back from them.” Ando’s brash personality is a big contrast to Ren’s more quiet thoughtfulness, but it is clear that he does actually care about Ninako and isn’t trifling with the idea of having a relationship with her.

I feel like Sakisaka’s art has grown a bit after three volumes. While the first volume focused a bit too much on Ninako’s blushing naivete, there are more comedic moments in this volume, mostly at Ando’s expense as he gets crushed in a subway car while Ren protects Ninako. When Ninako, Ren, and Ando all start a part-time job in a cafe, Ren and Ando are portrayed as the ultimate desirable waiters, smoothly taking care of everything, while Ninako’s enthusiasm almost makes up for her clumsiness. It is easy to see how well Strobe Edge fits into the Shojo Beat line and with so many series ending or about to end, I’m glad to have a newer series to follow.

Barrage, Vols. 1- 2

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Barrage Vols 1 and 2 by Kouhei Horikoshi

Barrage is a bit of a rarity, a two volume complete shonen series. I tend to read less shonen than shoujo just because of my interests as a reader, but I also have a certain hesitation to commit to a long-running shonen series when there are so many shoujo series that I’m following. I think I enjoyed Barrage more just because at two volumes the story didn’t start to get spun out to the point where the manga overstayed its welcome.

Barrage is very loosely based on The Prince and the Pauper. Astro is a plucky slum kid in a futuristic world called Industria where the humans have completely been overrun by aliens, who function as a version of the mafia on the poor stressed planet. Astro has adopted other orphan kids and tries to hold down a job despite his difficult boss just so he can feed his adopted family. One day an arrogant prince named Barrage gets his attention called to Astro and proposes a switch in identities because the boys look so similar. A stray laser blast promptly sends the prince to his death, and a group of handlers take Astro to the palace. Astro agrees to serve as the prince, and he’s given help in the form of the Knight Tiamat, who is aces at fighting and incredibly frightened of women. Astro also demonstrates an uncanny ability to weild the weapon of the royal house, a bracelet called the Orgue which can transform into a powerful energy weapon based on the wielder’s intentions. The first volume mostly serves as set-up, as Astro takes his place in the palace despite his misgivings, and he learns that he has to travel from town to town to fight off the invading aliens. Astro’s motivation stems mainly from his desire to protect families in any form, and the stress that the aliens place on normal people trying to live their lives is almost unbearable to him. Tiamat is filled with exasperation at having to train a newly minted Prince imposter, but he also has some hope for the new state of affairs as Astro takes his responsibilities much more seriously than the previous prince.

The second volume settles in to more of an in-depth storyline as Astro and Tiamat head to a new town and meet Tiko, a young girl determined to avenge the death of her parents at the hands of the alien invaders. The art for Barrage is generally detailed and interesting, with plenty of variation in the aliens’ character designs. Barrage takes down a mountainous rock-like alien and one that looks a bit like a tadpole. Astro’s past is filled in a bit as he gears up to fight an alien who he previously knew in his life as an orphan. While by the end of the second volume I felt like there could have been at least one more volume of story, things were wrapped up nicely and I enjoyed being able to read a complete, short, shonen series. While there might not be anything super innovative about Barrage, it was fun to read and I thought that using the Prince and the Pauper as a set up made the basic story a bit more interesting that I would otherwise expect.

Kamisama Kiss, Vol. 12

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It seems like most volumes of Kamisama Kiss involve human kami Nanami traveling to a new land or meeting some strange yokai. Fortunately this is a plotline that Julietta Suzuki executes so well with both art and story, I don’t mind a bit. I would happily look at a Suzuki art book because I find her character designs so entertaining. I’ve noticed that her underwater characters are often particularly inspired, so there is a lot to like about this volume, which features some major romantic happenings not for Nanami but for her yokai acquaintance Himemiko of the Tatara swamp and her human boyfriend Kotaro.

Himemiko has only appeared to Kotaro in human form, but her secret is going to be tested when her childhood fiance arrives to cause problems. Nishiki is a prince of a neighboring swamp who has grown up arrogant and cut off from contact from most creatures. His solution to his upcoming wedding is to kidnap both Nanami and her shrine, leaving her cut off from Tomoe. Nishiki has a formal way of dressing, accessorized by a scaly headband and fins at the side of his head. When he finds Himemiko in human form she pretends to not know what he’s talking about because she still doesn’t want to reveal her non-human nature to Kotaro. Kotaro gets injured during a confrontation and the god of the sea Ryu-Oh appears again, with his toothy grin, eye patch, and attitude problem.

Nanami struggles with her shrine being trapped at the bottom of a swamp and attempts to get through to Nishiki. Her utter disregard for high court yokai etiquette starts to wear the arrogant Nishiki down towards the end of the volume. His royal mannerism have even cut himself off from his own people, who boggle when they are shown the slightest amount of regard from their ruler. Himemiko and Kotaro start dealing with the true nature of their relationship, even as Nishiki starts to thaw a little bit and begin to understand that he doesn’t know much about the nature of love. Nishiki’s character evolves throughout the volume, and it is always good to see Nanami cause change just simply by being herself.

Even if Nanami and Tomoe’s relationship isn’t resolved yet, it is nice to see things moving forward for the other human/yokai couple in the book. I’m going to look forward to see what happens next at the conclusion of this arc, and if there’s a happy ending for the swamp Princess and her human it will be very interesting to see how Tomoe and Nanami react to that development.

Slam Dunk, Vol. 26

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With each new volume of Slam Dunk I’m simultaneously happy and a bit disappointed – happy because I can read another volume of a great sports manga, and disappointed because we are slowly inching towards the final 31st volume. I continue to find Slam Dunk fascinating even when a basketball game gets spread out over several volumes. Shohoku is still playing tournament favorite Sannoh, but things finally start to click for the loveable underdogs. My favorite aspect of this volume was that the breakout star of the game wasn’t the cool Rukawa or the sometimes doltish basketball savant Sakuragi, but their sometimes overlooked and quiet teammate Mitsui who starts out the volume by hitting three 3-pointers in a row. He’s able to take advantage of the fact that Sannoh’s focus is on Shohoku’s star players and score with simple precision. Everybody is mystified by Mitsui’s sudden confidence, including his own teammates. The Shohoku fans remember that Mitsui used to be a junior high MVP, but his play has suffered because he felt like he had to live up to some past glories. Shohoku’s enigmatic coach concludes that Mitsui is starting to believe in himself again at just the right time, and there’s a great wordless interchange between coach and player as they make eye contact and pump their fists. Simple moments like this where Inoue just uses a few simple panels to underscore a moment do so much more to drive the story forward than pages filled with expository dialogue.

Once the opposing team realizes that Mitsui needs more coverage, Shohoku needs to change up their strategy yet again. Rukawa and Sakuragi both have some moments, but Sakuragi is tested when the opposing team puts a huge substitute player in and his coach tells him that the monster is his assignment. It is a measure of just how far Sakuragi has come that while he does give in to his first impulse of trying to fight strength with strength, he eventually hits on a way to deal with the new player using strategy and observation. Each volume of Slam Dunk always feels very satisfying. To describe the plot, it might seam as if the story is moving forward at a glacial pace, with three volumes or so spent on one basketball game. But the evolution of characters and personalities brought on by the conflict of basketball is layered and dense, and that makes this title such a special sports manga.

Review copy provided by the publisher.

Kekkaishi, Vols. 10-15

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I absolutely adored the first few volumes of Kekkaishi. It is rare for me to find a shonen series that I like that features art that is both clear and visually arresting combined with plenty of character development, adventure, and the occasional bit of humor. But even though I liked what I’d read when I started reading the series back in 2010, the length of the series at 35 volumes made me a bit hesitant to commit to collecting it. I’ve had volumes 20-25 stockpiled for future reading for some time now, but the Viz digital sale during the holidays and my rapidly diminishing bookshelf space prompted me to pick up 10-19 for my iPad.

These volumes feature Yoshimori in the middle phases of his shonen hero journey. He’s a little bit more self-assured and more confident and slightly less goofy around girl next door and fellow Kekkaishi Tokine. There are glimmerings of great power that make the suggestion that he’s “the chosen one” seem plausible, but he hasn’t yet fully grown into his abilities. Tanabe does a good job fitting in more episodic adventures into the larger mystery that Yoshimori is pursuing as he tries to find out the truth behind the mystical Karasumori site he is sworn to protect.

Volumes 10 and 11 deal with a powerful attack and the aftermath when powerful opponents visit the Karasumori site. Gen, Yoshimori’s new ally who is uneasy in his skin due to his half akashi nature, but he tries to help out Yoshimori as best he can. A fox princess and her retainers are visiting the site so she can gain power, which gives Tanabe the chance to create some lovely scenes where a pavilion is transported via gianty dragonfly ships, piloted by a spider-like woman, and accompanied by ninjas who drop out of the black clouds filling the sky.

Yoshimori’s brother is away on Night Troops business, casually flying through the air on a translucent Kekkai cube, talking strategy to Gen on his cell phone. Yoshimori, Tokine, and Gen band together to defend their site, with more strategy and skill than their opponents expect. Gen finds more acceptance than he anticipates from Yoshimori when he reveals his true powers, but he’s surprised by a sneak attack. The Fox Princess, expecting to find rejuvenating power, starts getting sick instead from the site. One of the reasons why I enjoy Kekkaishi so much is that it is able to portray a variety of emotional states in just a few pages, without ever feeling rushed. Yoshimori grieves the loss of his friend, then decides that he’s determined to exact revenge and become stronger. There’s a funny sequence where he tries to join forces with Tokine’s grandmother, and since she’s trying her best to dodge him, he brings a secret weapon – not a new mystical power but a skateboard. Tanabe’s akashi designs are always interesting – one of the foes the Night troops fight when they attack Kokuboro is a giant blobby monster baby.

Yoshimori’s unique powers cause him to be kidnapped and taken hostage by the Kokuboro, something that he doesn’t seem to mind all that much because he wants to destroy the akashi who took out Gen. Volumes 12 and 13 center on the battle with Kokuboro, as Yoshimori travels through his enemy’s castle in search of Kaguro. Yoshimori runs into Sen and an old friend of his grandfather’s along the way. Kaguro likes to toy with his opponents and play mind games with them. While he taunts Yoshimori, the young hero manifests a new power of destruction – a zekkai. The Night Troops come to the rescue just as the world of Kokuboro begins to crumble, and Masamori has to help deal with the aftermath of the odd power his younger brother suddenly manifested. In Kekkaishi each battle prompts moments of emotional revelation, and a big one occurs when Tokine confronts Yoshimori about his actions when he finally returns home. There are then a few stolen moments of normalcy, as Tokine goes back to her usual lectures while the friends walk to school, and Yoshimori escapes into the kitchen once again for his dessert experiments.

In volumes 14 a new ally named Takeshi appears, on the hunt for an evil spirit named Jaren who destroyed his master. Takeshi’s enthusiasm and explosive personality almost make him a parody of a shonen hero, but things quickly turn serious when the new friends confront Jaren, whose proclivities towards psychological manipulation make battle difficult. Things can’t be all doom and gloom and angsty battles, so when Yoshimori is visited by a crow goblin seeking help because his master has grown overly flirtatious, Yoshimori finds himself drawn into an odd adventure. Things take a turn for the surreal when odd black boxes start popping up that serve as portals to the home of a very disturbed man. A young, timid member of the night troops is trapped, but she ends up being remarkably resourceful with her very specific powers.

Revisiting this series reminded me of just how enjoyable shonen manga can be when it is really well done. The pacing in Kekkaishi is excellent, as Tanabe swings back and forth between epic battles and shorter episodic encounters. The fights in Kekkaishi are rarely just for the sake of fighting, as each confrontation generally leads Yoshimori into a little bit more knowledge about either the nature of the site he is protecting or how best to manage his own powers. There are plenty of manga that sacrifice clarity for looking cool – producing action scenes that are difficult to follow or overly detailed panels that end up distracting from the story. Kekkaishi’s art is easy to follow, but many of the character designs and scenes remain in my mind after I’ve finished reading a volume. I’m a little annoyed at myself for waiting so long to continue reading this series, but I’m glad that have so many volumes waiting on my to read stack now.

Strobe Edge, Vol. 2

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Strobe Edge, Vol 2 by Io Sakisaka

I liked the first volume of Strobe Edge well enough, but I was hoping that the second volume would be a tiny bit more interesting, in order to justify my wanting to keep following the series. I wasn’t disappointed, as the second volume dropped the emphasis on the heroine Ninako’s naivety in favor of some standard shojo plot elements with an emphasis on the characters’ emotions and just enough of a twist to produce some unexpected moments.

Ninako is back at school after summer vacation, wondering how to deal with the fact that she confessed her feelings to laconic yet secretly super-nice heartthrob Ren on the last day of school. Ren turned her down nicely, mentioning his girlfriend. Ninako practices how to say hello to him and reflects that their first encounter will likely be as difficult for the rejector in addition to the rejectee. Unfortunately word of Ninako’s daring has spread and she is known throughout the school as “girl who confessed to Ren on the train platform.” Her friends try to comfort her, but Ninako finds a slightly unwelcome distraction in the person of Ando, a flighty womanizer who seems fascinated by her indifference to him and her continued love for Ren even after being rejected. The unlikely trio gets thrown together in doing some committee work for school, and while Ando might have a habit of trying to collect as many girls’ cell phone numbers as possible, he does exhibit some genuine friendship and sensitivity to Ninako when she’s placed in an awkward situation.

Strobe Edge isn’t the type of shojo manga that challenges conventions, but it is extremely well-executed. I couldn’t find anything to quibble with the artwork, and the pained expressions Ninako sometimes makes as she navigates the storm of teenage romance offsets some of the expected shojo prettiness. There were plenty of humorous elements too, as Ninako is initially embraced by a secret society at school that is comprised solely of girls that Ren has rejected. I continue to enjoy the fact that most of the characters are genuinely nice and sympathetic. A bonus story in this volume focuses on the way Ren and his girlfriend Mayuka began their relationship, and it was fun to see a different aspect of those characters told from Mayuka’s side. I wish more manga had side stories that served as a supplement to the main plot, as opposed to publishing unrelated short stories by the same author in the back of a volume just to fill it out. Strobe Edge is perfect comfort reading for anyone who wants to read a well-done shojo manga that keeps things on the light and fluffy side.

Review copy provided by the publisher.

Nausicaä of the Valley of the Wind Box Set

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I’m just going to talk about the packaging and quality of this box set, because I think most people are familiar with the story and wonderful art found in Nausicaa of the Valley of the Wind. Nausicaä is a manga classic, and it totally deserves the deluxe treatment it gets in this collected edition. This is a two volume set that comes in cardboard box with a glossy cover. The set comes with a folded two-sided Nausicaä poster as well. The hardcover volumes are a mega-sized 10+ inches tall, ensuring the reader can appreciate the full details of Hayao Miyazaki’s art. The covers for each volume are matte, with an image of Nausicaä on the front and some grey and blue tinted abstract designs featuring the flora and fauna from Nausicaä’s world, giving the covers the look of an antique book. I pulled out my Viz Select Comics editions from way back in 1988 when Viz was releasing monthly comics with flipped art, and the reproduction size of the art was the same. I have always regretted not having a complete run of Nausicaä in the larger size. I filled in my collection of the later half of the series with a couple of the Perfect Collection volumes and I thought that the art suffered a little bit from being printed smaller.

The paper used for the box set is a good matte quality, and the ink used is a softer black which I think makes the backgrounds of the story seem even more dreamy and fairy-tale like. The translation here is the same Studio Proteus translation for the series that has been used in the past, but the lettering has been redone and looks much more smooth, compact, and easy to read. There are glossy color plates in front of each volume, which include character portraits as well as maps rendered in the lovely muted color palette I expect to see used for Nausicaä. I think that out of all the deluxe editions of manga that I’ve seen, this is by far the nicest.

I originally had this box set on my wishlist for the holidays, and then got wind of a coupon at Barnes and Noble and picked it up for $22.00, which I consider to be basically free. At slightly below $40 on Amazon currently, this is still an extremely good deal. If you have the money to spare to treat yourself to this set or can make some pointed hints to people who might be buying you presents, I think this is truly a great addition to any manga fan’s library.