With only five new manga releases shipping to Midown Comics this week, what will our bloggers pick? See below to find out!
SEAN: It’s a smaller week this time around, but even if there were tons of titles, my pick would likely be the same. I found the first volume of Q Hayashida’s Dorohedoro to be my favorite out of all the SigIkki titles, and subsequent volumes have only added to my enjoyment. Its grim and unforgiving fantasy dystopia is lovingly detailed (you can pore through the backgrounds for hours), and its plot straight out of anyone’s nightmares (ever wake up with your head replaced with a giant lizard’s?). The reason that I can deal with its sordid underbelly is the wicked (and equally violent) sense of humor it has, with its main cast never seeming to let the bad things that happen to them crush their spirits. In fact, Ciaman and Nikaido, and their ‘evil’ counterparts Shin and Noi, can be quite jovial! Give this quirky series a try (if you don’t mind blood, it’s quite violent.) Plus, female creator!
MJ: This is a tricky pick for me, with nothing I’m really excited about shipping into Midtown Comics this week. With that in mind, I’m going to go completely off the list and get into the spirit of this week’s Manga Moveable Feast by recommending that everyone pick up something by Fumi Yoshinaga. My rereads this week include favorite older series Flower of Life and Antique Bakery, but there is plenty of newer or current Yoshinaga to check out if those are hard to find. Both Yen Press (Not Love But Delicious Foods Make Me So Happy) and Viz Media (Ooku, All My Darling Daughters) have served up recent helpings of Yoshinaga that should be relatively easy to acquire. I recommend keeping some snacks handy. Reading Yoshinaga always makes me hungry.
DAVID: It might have escaped your notice, but our long, national nightmare is finally over, and the Eisner Awards have finally given a prize to Naoki Urasawa. After an enormous number of nominations, he won a 2011 Eisner for 20th Century Boys. Conveniently enough, the 16th volume of this series arrives this Wednesday. Equally convenient is the fact that this is my favorite Urasawa title to be released in English, so I have no problem recommending it. One of my few complaints with Urasawa’s work is his inclination toward over-seriousness, so the generally wry tone of this series is especially welcome. It’s a great thriller that doesn’t neglect humor as it spins its various yarns. (Oh, and if you happen to have the Viz app on one of your various devices, you can now read Oishinbo in that format. This is something that bears repeating.)
KATE: After reading Bluewater’s unauthorized bio-comic of Lady Gaga, I’m morbidly curious about Fame: 50 Cent. The Lady Gaga comic was almost impossible to describe: it featured a middle-aged rock journalist who reluctantly agrees to write an article about Gaga, only to have a surreal experience when he listens to “Bad Romance.” (He actually imagines that he’s Lady Gaga; the sight of a balding, hairy man in one of Gaga’s most outre costumes was worth the cover price alone.) I don’t know that the 50 Cent story lends itself to such an avant-garde presentation, but given the sheer weirdness of Bluewater’s other Fame comics, I can’t imagine it will be boring.
MICHELLE Sometimes I feel like the only person who likes Bokurano: Ours. Indeed, it is very grim—there are quite a few similarities with Ikigami, actually—and somewhat repetitive, as members of a group of children sit quietly in the background until it is their turn to sacrifice their life piloting a giant robot that is ostensibly defending Earth. As you might expect, this is very depressing, but some creepy circumstances surrounding the arrival of the aliens makes me question is any of this even real? In addition to being cruel and horrible, is all of this just futile? Just a game? It’s this underlying mystery that keeps me coming back despite the need for a fluffy shoujo transfusion I typically feel afterwards.
Readers, what looks good to you this week?
MICHELLE: Although VIZ Media and others make a decent showing on this week’s release list from Midtown Comics, the majority of the titles hail from Yen Press. Unfortunately, most of them are the latest volumes in series I don’t personally follow, but there is one shining gem, the eighth volume of the quirky and fun manhwa,
SEAN: I already pimped Book Girl and the Captive Fool on my Manga The Week Of post, so will stop myself doing so again, even though it’s a fantastic novel series that everyone should be getting. Instead, I’ll go for the 4th and last of
doorstep. It’s just that charming. SangEun Lee has managed to create a heroine who really is just an “ordinary” girl, while reminding us how idiosyncratic and genuinely relatable “ordinary” can be. Also, as Michelle mentioned, it’s the first time ever I can recall actively ‘shipping someone with a cactus. I wholeheartedly recommend 13th Boy.
KATE: Though I also share the group’s enthusiasm for Blue Exorcist and 13th Boy, I’m going to recommend the latest omnibus of
KATE: After last week’s meager offerings, this week’s new arrival list has something for everyone: robots, magical girls, hoop fanatics, mad surgeons, cross-dressing samurai. Though I’m looking forward to reading Tank Tankuro: The Pre-War Years, 1934-1935, my heart belongs to
eighteen, which leaves me pretty worried for the fate of the series. This is not a case where releases have slowed down because we’ve caught up to Japan—volume 30 just came out there—but simply due to low sales. So, please check out Kaze Hikaru! Even if you think you don’t like shoujo.
MJ: This really is a tough week, isn’t it? With new volumes of Black Jack and Cardcaptor Sakura shipping this week, not to mention a whole host of terrific options from Viz’s Shonen Jump and Shojo Beat lines, it’s incredibly difficult to choose just one. In the end, I think I’ll cast my vote for volume four of 
DAVID: It’s a narrow but interesting selection at
KATE: Them’s some slim pickings at Midtown Comics this week! But if I had to pick something from the list, I’d choose the sixth and final volume of
MICHELLE: You’re not kidding about the paucity of options on Midtown’s list! Still, like David, I find myself intrigued by the new batch of DMP releases. Entangled Circumstances has the prettiest cover, it’s true, but some of the others fare pretty well, too, like
SEAN: I am going to rebel against the Midtown list, as they are apparently involved in some giant Kodansha boycott or something, and make my pick the thirtieth volume of Ken Akamatsu’s
MJ: Since Kate’s already put the spotlight on what would have been my pick from Midtown, the final volume of JiUn Yun’s Time and Again, I’ll follow Sean’s lead and go rebel against the list by naming volume eleven of Peach Pit’s
MJ: I’m feeling pretty indecisive this week, with new volumes of a couple of my favorite series shipping into
DAVID: Ono and Yoshinaga have become linked in my thinking, as they’re both creators who seem to tell precisely the kind of stories that please them, and if someone would like to publish those stories in their magazines, that’s lovely, but neither is inclined to accommodate the house style. And I love that in a creator. So, while it’s cruel of Viz to force me to pick just one of their works, circumstances demand it. As a result, I’ll go with Yoshinaga’s
KATE: Tempting as it is to join the chorus of folks praising La Quinta Camera, Ooku: The Inner Chambers, or Twin Spica, I’m going a little further off the reservation with my Pick of the Week: Marvel Comics’
MICHELLE: I am a huge fan of Takehiko Inoue’s Slam Dunk, and though I must admit that I have yet to actually read his other VIZ series, Real and Vagabond, I have been buying them faithfully. I started picking up the Vagabond VIZBIG editions when I had a Border’s gift certificate to burn and, seeing the first one on the shelf, proceeded to flip through it, whereupon I encountered color illustrations so gorgeous I immediately, and without hesitation, proceeded to the checkout counter. My pick this week, therefore, is the tenth VIZBIG edition of
SEAN: I will be picking the latest Natsume Ono, 









KATE: This week’s new arrival list looks a little wonky. It includes a large batch of Vertical titles that have already been released (e.g. both volumes of Apollo’s Song) as well as a smattering of Tokyopop manga that most of us never expected to see the light of day (e.g. the final volume of Hanako and the Terror of Allegory). Buried among the reprints and orphans, I spotted the third volume of
MICHELLE: I’ve already spoken of my love for the seventh volume of 13th Boy in a recent Off the Shelf column, so while I definitely still recommend checking out that series, the item that most intrigues me this week is the first volume of another Yen Press series,
MJ: I too must praise 13th Boy, but of the items on this week’s list that are actually new, my attention is most drawn by the second volume of Jason Thompson and Victor Hao’s
DAVID: I feel ambivalent about my pick, but I feel ambivalent about all things Tokyopop. It’s wistful and strange to see their last few new arrivals. And it’s downright unnerving to realize I didn’t dodge the bullet fired by readers of my blog in a previous dubious manga poll.
DAVID: I’m not quite sure what the deal is with my pick. Shigeru Mizuki’s Onward Towards Our Noble Deaths (Drawn & Quarterly) came out months ago via Diamond, but it’s apparently just hitting Midtown on Wednesday. As I noted in my review, it strikes me as a little odd to go deep and dark before giving Mizuki’s best-known work a proper English-language release, but it’s certainly better than no Mizuki at all. This autobiographical tale of ill-used soldiers serving in the Pacific at the end of World War II isn’t quite as grim as it sounds, but it’s hardly a beach read. It’s deeply heartfelt, though, and it’s fascinating to see Mizuki apply his distinctive style to this kind of material. For those interested in the full scope of how manga can be used, this is essential reading. And if it succeeds commercially, maybe we’ll get GeGeGe no Kitaro.
MICHELLE: My pick is about as far from David’s as possible. It’s probably going to be exceedingly silly, but I am looking forward to the first volume of Bad Teacher’s Equation. It’s by Kazuma Kodaka, whose Kizuna I’ve really begun to enjoy, and is an older series, originally started in 1993. It’s a longer series, too, with its original ten volumes condensed to five for the bunko edition, which is what DMP has licensed. I admit the plot doesn’t sound thrilling—a high schooler enrolls in a particular school in order to reunite with his crush, the school nurse, but it seems the fellow is no longer as friendly as he once was and is maybe someone else altogether—but I suspect it will be a fun read anyway.
MJ: Probably my real choice would be to agree with David, whose review of Onward Towards Our Noble Deaths has made me quite anxious to pick it up, but I noticed another item on the list that intrigues me at least a little, so I’ll give it a spotlight here. I quite enjoyed Tooko Miyagi’s angsty BL melodrama, Il Gatto sul G when I
MICHELLE: It’s a bountiful week at Midtown Comics, with many Shonen Jump and Shojo Beat offerings from VIZ making their way onto the shelves. There’s an awful lot on this list that I am personally planning to buy, and singling out just one is pretty tough. New volumes of One Piece and Slam Dunk are serious contenders, but in the end, the fifth volume of
MJ: We’re offered a wealth of choices this week, indeed. New volumes of Black Jack, Claymore, and Rasetsu call out to me in particular, but if I could only buy one volume of manga from this list, I’d have to choose the 25th installment of
DAVID: Viz really could learn to pace itself. I’m quite eager to read the third volume of Kamisama Kiss and curious to see which way the pendulum will swing on Grand Guignol Orchestra, not to mention the previously mentioned books, but I’m going to have to cast my vote for the 14th volume of Osamu Tezuka’s
KATE: A new Kaoru Mori manga is always cause for celebration, so I’m getting this week’s party started by recommending
MICHELLE: I’m keen to read A Bride’s Story myself, but my pick this week goes to the second volume of Natsume Ando’s
MJ: You can add me to the list of Manga Bookshelf-ers eagerly anticipating A Bride’s Story, but I’ll also take this opportunity to give a shout-out to one of my favorite shoujo series, Peach Pit’s 


MJ: I’m going to start us off looking ridiculous by naming Hiromu Arakawa’s
DAVID: I can’t tell you how glad I am that Kate suggested this theme, because I was feeling horribly guilty about some of my (entirely defensible and necessary) omissions. I’ll begin the redressing by mentioning the prolific Yuu Watase. Now, for my money, the cream of her crop isn’t one of her fantasy-tinged epics. It’s the down-to-earth romantic comedy
KATE: At the risk of sounding like a broken record, my suggestion is
MICHELLE: I probably should be writing about Basara here. I always write about Basara in response to this sort of question. This time, though, I am going to cast my vote for Akimi Yoshida’s
MICHELLE: There’s a lot of good stuff hitting Midtown Comics this week, including new volumes of several of my Shojo Beat favorites. But I simply must award my pick of the week to the 23rd and final volume of
MJ: Well, wow, it’s incredibly tempting to second Michelle’s choice. I have a deep, deep love for Hikaru no Go, something you’ll all be hearing more about as the week goes on. In the interest of diversity, however, I’ll take up the torch for Usamaru Furuya’s
DAVID: It’s certainly an embarrassment of riches this week, and I certainly second both Michelle and MJ’s choices, and there are new volumes of some utterly winning shôjo series (Kimi ni Todoke and The Story of Saiunkoku leap to mind), but I’m going to cast my vote for the