Unshelved

New York Comic Con is huge, and offers much to the fan that they really, really want to see. But the reality is that you can’t see everything, and must pick and choose your battles. I realized this year that I had been fortunate in previous years to not have major scheduling conflicts, and not to worry about missing the things I chose to go to.

Not this year. This year, room size and lines combined to make a formidable enemy – one that required better tactics.

But let’s start off with Vertical, celebrating is 10th year of manga, whose panel featured a rather ill Ed Chavez, who nonetheless gave us his all. They’re doing pretty well this year. Gundam is a big seller, and Tropic of the Sea’s initial sales have them looking into more Kon. Flowers of Evil is not only a surpise hit but a personal favorite of Ed’s, and he likes how it matures as it goes along. Most of the start of the panel ran down the previously announced licenses not yet available, such as Pink, Insufficient Direction, and the like. Given that the latter is about Hideki Anno, no surprises – lots of endnotes will be needed to explain the obsessions.

What Did You Eat Yesterday? was another biggie due out late Spring. About a gay couple dealing with coming out, it’s not a foodie manga per se, but does have recipes that means it can be marketed as one. It’s about character, though, specifically the two leads. It’s also gay, not BL – there’s no hot bishie sex here. Compound Cinematics is a non-fiction book about Akira Kurosawa coming out in August 2014, and should interest fans of good film. There’s also Prophecy, which was announced just a couple of weeks ago, a cyberterror horror manga from Jump X. (Oddly, they licensed it through a French agent.)

New licenses were to be had as well! More Moyoco Anno is always welcome, as we see the josei In Clothes Named Fat coming out this Summer. It’s a realistic take on bulimia, with some unpleasant lead characters, but apparently riveting – real old-school josei. It first ran in Weekly Josei, a magazine from Shufu to Seikatsusha, who did Pet Shop Of Horrors. But Shodensha has the reprint rights, so Vertical licensed it from them. (If anyone but me cares about this, let me know in the comments.)

There’s also the Attack on Titan: Before the Fall novel series, based on the best-selling manga. It tells about the survey corps pre-manga days, and is three volumes long. Given Vertical’s known facility with novel translation, the title is a good fit with them.

Q&A ended the panel. Chi is going a little longer (partly due to its success in America) and will be 13 volumes now. Josei is an interesting genre for them – sales may not always be great, but bookstores always seem to like the look of it. He noted Helter Skelter’s sales were only middling, but it had truly rave reviews. And the potential of a subscription service was mentioned as something they’re trying to work out for those who simply want everything Vertical has to offer.

After this, I wanted to go to the Welcome to Night Vale panel. It was in 1A15, though, a very small room. I went to line up 75 minutes early. It still wasn’t enough. Barely 1/8 of the line made it into the panel (many suspected that the Robotech panel before it was full of WTNV fans – the rooms aren’t cleared afterward). Now, I knew Viz was here at 4:15, so needed to decide what to do. My colleague MJhad already lined up for Kodansha, so I decided to skip that and heaad to Viz super-early. It was a good choice – staff were turning people away 45 minujtes before the start.

MJwill have the Kodansha panel in more detail, but several of their new titles intrigued me. UQ Holder was possibly the most obvious license ever, and has only just begun in Japan, so it’s hard to get a handle on it beyond “is 60-70 years post-Negima” and “has Evangeline in it”. Let’s hope it lacks the issues Negima had. Seven Deadly Sins is by Nakaba Suzuki, who started his career with Jump (Rising Impact), then went to Sunday (Kongou Bancho), and now is at Magazine. His latest series seem sto be medieval fantasy and is 5 volumes and still going.

Attack on Titan is the huge runaway hit of the year, so seeing more licenses is about as surprising as seeing UQ Holder. I am very gleased to see the high school gag manga is coming out – readers of this blog know I love Haruhi-chan, though this genre actually goes back as far as SD Gundam in the 80s. The guidebooks always sound great (though don’t sell well – maybe that will change with this one). They also have the Before the Fall manga, which Vertical licensed the novels of earlier. This runs in Shonen Sirius. Lastly, they have the shoujo title No Regrets, from Aria, which covers the past of Levi, the most popular character among fans (particularly BL shippers). Given Levi’s general personality, I expect much tragic backstory.

I *did* get into Viz, which was a relief as I was bone tired and my ankle was killing me. They started off with new print titles, including a new Ghibli artbook, based on The Wind Rises. Then we saw two new Shojo Beat titles, one for each demographic. For the serious, tortured supernatural shoujo fan, there’s Black Rose Alice, which comes from Akita Shoten’s Princess magazine. From the author of After School Nightmare, it has the ever-popular vampires in it (but not in the title, sadly.) A word of warning – arachnophobes may find certain scenes involving the supernatural powers to be a bit too spidery and gross for them. Despite it being for Black Bird typs, I will give it a try.

Next was a surprise. I was expecting a Kazune Kawahara title, but figured it would be Aozora Yell, her big Betsuma band ‘n baseball manga. It may be a bit too long for them, however, as Viz instead licensed My Love Story (Ore Monogatari), about a guy who looks like Onsen Mark from UY, his bishie best friend, and their ongoing love lives. It sounds hilarious, and I really can’t wait for this one from the creator of High School Debut.

For Battle Royale fans, Angel’s Border is an Akita Shoten title that tells the stories of some of the minor characters who tended to be cannon fodder for the main series, but had great pasts. It ran in Young Champion, and thus is our first seinen title of the day. But not the last. Terrra Formars (spelling is intentional) is a Young Jump series I’d suggested had a good chance of being licensed in my last roundup of bestsellers. Viz clearly agreed, and this Starship Troopers-esque action horror manga is coming out this summer in its Signature line. It’s dark, but really intriguing – Sidonia and Wolfsmund fans may like it.

For Blue Exorcist fans, a collection of Kozue Kato’s short stories is due in Fall 2014. This is going to be pretty deluxe, with color pages. Lastly, they have their new Jump series, Seraph of the End. Like Blue Exorcist, it comes from edgier Jump Square. The author has several light novel series to his credit, including A Dark Rabbit Has Seven Lives and Legend of the Legendary Heroes. This one also has vampires, but not the sexy shoujo kind. It can get dark. It’s out in WSJ now and print this summer.

The digital rep then discussed their ongoing plan to digitize. Perfect Square is their app for kids’ series, mature titles are now on Nook and Kindle. Also, Pepita, Inoue’s Gaudi book, is now out with a few added animated effects. I asked a question later about the really old series that were flipped. They can put them up – the app isn’t always R-to-L – but most of those are so old the licensing rights might be tricky. Sorry, Even A Monkey Can Draw Manga fans!

Much of the rest of thne panel was devoted to anime, with the new Neon Alley fall season adding Utena, Ranma, Madoka Magica, and Magi, which doesn’t end in -a, but is getting its dub world premiered. They also announced then new Tiger & Bunny movie, The Rising, will be out in early 2014 – in some selected theaters! There were a lot of T&B fans in the audience, and this pleased them greatly.

I was able to go from here to the Ranma panel, mostly as the Ranma room was 4 times the size of the Viz one. Despite that, it filled almost to capacity. Ranma was my gateway into manga, so it was very nice to see everyone turn out for a manga that’s over 25 years old in Japan.Hope Donovan, who is editing the re-release, gave us the skinny. The history of Takahashi manga began with Ranma and ended with Inu Yasha and Rin-Ne – this was not about OOP titles like UY or MI. They showed off the old pamphlet comics, big oversize GNs, and VHS tapes.

The omnibus will have a simplified version of the original cover art on the front (the spines and back not so much, though). They showed off the remastering, and it really looked great – early Ranma from the 1990s looked like a muddy 3rd generation xerox, mostly as it was – that’s how they replicated it then. The new digital images given great clarity. The translation is mostly the same one – sorry, honorific fans – though it’s been looked at and re-edited where it was further off the Japanese than might be recommended these days. SFX are still translated, but look nicer – and the birds are now back to being cicadas.

There’s also the Blu-Ray and DVD boxsets, also out this spring. Again, images were shown noting the image clarity. These will be in 4:3 – no cropping or stretching to widescreen. They’re also in the original order – the earlier releases mixed things up for reasons that made sense at the time.

Q&A followed. Someone asked about UY, bless them. No news at this time. It was noted that Ranma, like all Takahashi works, is print only. Whatever happened with Rin-Ne seems to have echoed across all Takahashi series, so no digital just yet. It will be 19 total omnibuses, by the way, each two volumes and about 360 pages long. The new OAV out in 2011 is too new to have news on (indeed, the OAVs and movies in general are still wait and see). I suspect getting the gang back together for a dub might prove problematic. As for Blu-Ray extras, they’re still working on them, though a collection of OP and EDs was mentioned as being a good idea.

After a day with a lot more standing in line than expected, I decided to call it a night, so missed the Jim Henson panel. Go buy the biography, though – it’s a realistic look at the brilliance and fallibility of the Muppet creator.

Tomorrow, Doctor Who. Better get there early to stand in line…

It’s been a bit harder to concentrate than usual, I will admit. It’s not every day nine episodes of Doctor Who thought missing are discovered. The Enemy of the World is now complete, and The Web of Fear only missing one episode. They were in Nigeria! You can get them now on iTunes! I can’t, as I’m at a con with no Apple devices. But that’s OK, as there’s much more to talk about.

My first panel was Women in Comics, in the much smaller than anticipated 1A15. (This does not bode well for Viz.) It was filled with librarians, always an excellent thing. Present were (sorry if I mangle names) Megan Kociolek as the moderator, with Becky Cloonan, Erica Schultz, Amy Chu, Emily Weisenstein, Claudia McGiven and Laura Pope-Rollins as panelists. The panel was wide-ranging and took up the whole hour. They started by mentioning those who had the most impact on then industry – Gail Simone, Larry Hama of GI Joe fame, Jennifer Holm (Baby Mouse) and Chris Claremont.

Things have changed a lot in 10 years – there are a lot more women at cons now, and discussion isn’t just about DC and Marvel. In fact, there was a discussion of the word “mainstream” in regards to those two publishers, and how it’s almost become a gut reaction to use them as the norm. Several of the panelists love manga, and Takahashi (and Ranma in particular) were mentioned as being influential – both here and in Japan. Becky also mentioned Tokyopop, and how despite their faults they were key in getting readers, particularly young girls, into the bookstores.

Demographics were mentioned – publishers aren’t sure how to market to adult women, so avoid titles that might appeal only to their interest. DC and Marvel pitch almost entirely to gujys, with female readers never being their primary target. There’s independent comics, but then distribution is hard – tough to get into the shops. Japan has readers that shift genres as they grow older – something the West might try learning.

Favorite characters came up. Rogue, Storm, Girl-Type Ranma, Utena and Chun-Li from Becky. Amy mentioned Kate Bishop, Buffy and Willow. Emily then mentioned Catwoman and Wonder Woman, which led into a discussion of her character and how her lack of a consistent, iconic backstory like Superman and Batman is an issue. There’s also the marketing tendency to idolize pretty princesses – Disneyfication. Girls should be shown more options.

Before Q&A, they discussed using comics in education, with manga as an example. Nausicaa and Barefoot Gen are both manga that can fairly simply and easily be added to a curriculum examining ecology or the aftermath of WWII.

Question time. They were asked to define ‘comic literacy’, a term used earlier, and Becky noted that her mother, a non-comics reader, had trouble moving from panel to panel without confusion. It’s something kids learn at a young age. E-culture was mentioned to the derision of one or two panelists, who notes the new “nerds” are the same people who used to bully them – it’s just nerd is cool now. Amy Chu got the line of the night: “You’re forcing me to pull out my Harvard MBA.” Learning marketing was noted to be incredibly important, particularly as DC and Marvel still tend to underestimate things. The panel was asked if they felt pressure writing for women, and noted they have some projects they feel more passionate about. Amy, in fact, noted she writes a lot of men in order to stretch herself. She’d also like to do children’s stories. Lastly, the words “Strong Female Character” were discussed. No one just thinks “Oh, I want a strong female..” They should be allowed to be emotional, and screw up, and have men LISTEN to her if she’s in charge.

I then walked around the dealer’s room and artist’s alley before going to the LGBT&A panel. This began with a 5-minute video showing LGBT fans naming their favorite “queeros”, which made me realize that I might have been lacking the superhero background this panel writeup needed. Indeed, there was a lot more Marvel and DC chat than the prior panel. Jude Biersdorfer from the NYT Book Review moderated, and the panel had Dan Parent, Marjorie Liu, Rich Bernatovech, Greg Pak, and Dan Ketchum.

Dan does Kevin Keller for Archie, and talked about a recent storyline with Kevin and his boyfriend kissing, and an irate mom at their school taking offense. He noted it’s Archie, so they can’t get too political – though the recent decision to avoid Russia in The Archies world tour made a few headlines. He tends to like normal, Archie-esque plots and wacky hijinks. He noes Kevin has gotten a lot of positive feedback from parents – he lets them open a dialogue with their kids without it sounding forced.

Marjorie writes Northstar and Karma, and here’s where my research fails me, as she also writes Docken? I presume this isn’t the 80s metal band Dokken . Northstar’s wedding, of course, was a major talking point, and we got the first of several mentions that NY legalizing gay marriage has led to a more open side to it at Marvel. Docken, whoever he is, is bi, which means a lot of fans get upset with him – as indeed many in real life do with bisexuals, who can get shot by both sides. She ended by talking about how she tries to subvert expectations.

Rich writes the Neverminds and Sentinels, and is the indie publisher of the group. He has a married, stable gay couple, something he’s quite happy to show. Writing and synergy were mentioned here – he had a character whose origin was around an African lake, and recent discoveries of fossilization are eerily close to the character’s powers.

Greg notes his half-Asian background, and discussed the similarities between this and LGBT content – as a kid, they’d all come running when a real Asian character was on TV. He writes Extreme X-Men, a title that already has a long tradition of minorities and queer representation. Her notes he had his most recent couple get together as “they just felt right”, and that it was best for their roles in the cast he’s writing. He also discussed a gay relationship between two stone-based gay aliens in Planet Hulk. Volcanic mating!

Dan Ketchum also writes X-Men, and Prodigy was mentioned. As noted beforehand, he now doesn’t always have to clear every single gay moment up the line to the editor-in-chief, which has only recently been the case. Young Avengers, whose gay couple are teenagers, is treated a bit more carefully – he was told at one point they couldn’t kiss. It’s also fun writing gays with superpowers – one character is the son of Scarlet Witch, and so we hve some “am I in love with you or are you warping reality to make it that way?” Even better, the addition of another gay character allows us to move beyond the “the two gay guys always have to pair up” cliche.

Trans hadn’t been mentioned much. DC recently crowed about Batgirl’s roommate being the first trans character in comics. Jude challenged the panel to think of a Marvel character who’d been there first. It was noted that Danger, though she appears as a woman now, technically has no gender. Sasquatch and Loki were also brought up. It was noted it can sometimes be hard to make the metaphor match the sexuality.

Jude then brought up the elephant in the room – the recent Batwoman decision, and Dan Didio’s followup that heroes shouldn’t be happy. They all disagreed strenuously, noting they felt DC was alienating readers and that it smacked of lazy storytelling – the complexity was removed. Greg felt he did understand the point, however, and noted the cyclical nature of superheroes – they’re soap operas, and a new creative team can always undo any happy ending the prior one did. He also talked about stereotyping, and how you don’t always have to jerk away from it if the stereotype fits your character.

Audience Q&A had one woman note asexuals are always left out of or diminished in comics – and also weren’t mentioned at this panel. The “A” in LGBTA was for “Allies”. The panel grew quite thoughtful, and admitted they didn’t have a really good response beyond thinking about it (though Dan Parent did jokingly name Jughead.) For the most part, though, it’s a heteronormative world in comics, and all the gay folks mentioned here are merely a drop inn the bucket among all the “white, straight males”. Things are looking up, however. Gay Marriage’s legalization has led Marvel to relax its standards a bit.

To end, the panel all agreed the best thing the audience could do was to keep discussing the issues, and vote for what they like and want more of with their money by buying the comics.

That’s it for today. Man, I took a lot of notes for just two panels. Tomorrow will be much busier. Now I go to bed and dream of Pat Troughton…

There’s only 2 titles here, but I though I’d get them out of the way rather than include them with all the NYCC stuff. Plus they’re both excellent.

Vertical has added a seinen manga called Prophecy (Yokokuhan), which just finished its run in Shueisha’s Jump X. (For those wondering what Vertical’s doing with a Shueisha title, apparently this came via France and was somewhat convoluted… not sure of all the details, but don’t expect Vertical to license Medaka Box anytime soon.) The author seems to specialize in tense psychological thrillers, and this promises to be in that vein.

Meanwhile, One Peace Books has been a quiet player in the manga market so far, with a reissue of Crayon Shin-chan, and the forthcoming Black Bard in November of this year. But they really got the internet buzzing when their new license showed up on Amazon: Whispered Words, better known to yuri fans as Sasameki Koto. Running from 2007-2012 in Media Factory’s Comic Alive, Sasameki Koto tells the story of Sumika, a young woman in love with her best friend Ushio, but unable to confess her feelings as Ushio loves small, cute girls and Sumika is tall and a martial-arts prodigy in karate. It was adapted into an anime, and also featured Kiyori and her eating curry bread, something I dearly would read an entire manga of. The Amazon listing notes it’s 472 pages, so I suspect this 9-volume series may come out in 3 omnibuses.

And that’s just a taste! Wait till later this week for even more license madness!

Another weekend, another con with tons of new licenses. I’ll actually be at the next major con (NYCC in October), and hope they saved something for those panels, or else I’ll feel very foolish and East Coast-ey.

Yen Press had a panel on Friday, and had several intriguing announcements. Including two that took me very much by surprise. Not the titles themselves, no, I am aware that both Sword Art Online and Accel World were very popular animes, and can see why the two Sword Art Online manga stories were announced. (That’s Sword Art Online: Aincrad and Sword Art Online: Fairy Dance for those following along at home). No, what surprised me was the announcement of the Sword Art Online and Accel World novels. Yen says they will release all the SAO novels (13+ volumes to date), and at least the first four Accel World novels. This is quite a light novel investment. Admittedly, Yen has had success here before, what with Haruhi Suzumiya and Book Girl.

Sword Art Online and Accel World are both by the same author, Reki Kawahara, and both are published by Dengeki Bunko (which also put out the SAO manga titles), and both have similar plotlines, as our heroes get caught up in online roleplaying world that turns out to be far more serious than they may have imagined.

Also from Yen, we have Bloody Brat, a cute comedic spinoff of the Blood Lad manga. And another Puella Magi Madoka Magica spinoff, The Different Story, which focuses on Kyouko and Mami, but promises to be just as depressing as Madoka Magica fans want and crave. (Kidding, kidding…)

Dark Horse’s panel was mostly a retrospective on the manga they used to publish, but they did announce a new Masamune Shirow artbook, Battalion. Given we’re unlikely to get any new manga drawn by Shirow, this is probably the next best thing.

Lastly, Viz Media had their Shojo Beat panel today, which had a few new announcements! First of all, expect more old-school shoujo titles returning digitally from the world of out-of-print, including the much-desired Basara! Skip Beat! is coming soon as well. And High School Debut will get a 3-in-1 release, which is cool enough on its own, but may have the extra chapters that came out after the manga was finished but weren’t collected in the first edition. Which is awesome.

We also had two brand new announcements today, one a license rescue. Kamikaze Kaitou Jeanne was initially published over here by CMX back in the day. Viz has rescued it and will be republishing it with new translation and everything – I think they’re even using the thicker “bunko” editions. Jeanne is a fascinating title that combines both the ‘phantom thief’ and ‘demon hunter’ genres, and is also the breakout hit of Arina Tanemura, who has had much success over here with every other titles she’s released (Gentlemen’s Alliance Cross, etc.). It’s an absolute get when it comes out this March.

Viz has had success recently with licensing Petit Comic titles and marketing them as mature Shojo Beat titles over here. Indeed, Midnight Secretary, out next week, has gotten really amazing buzz. So much buss, in fact, that Viz has now licensed Tomu Ohmi’s current work for Petit Comic, Majo no Biyaku (released here as Spell of Desire). As you’d expect given Midnight Secretary, this too is a combination of the supernatural and highly erotically charged romance. There’s apparently a LOT of supernatural to it as well – magic, witches, unicorns, etc. (No vampires, as far as I can tell, but that’s why we have Midnight Secretary, right?) It should debut a year from now, August 2014. I approve of Viz reaching out to older female readers with these works.

What title excites you the most from this list?